Sebastiano Conca
Sebastiano Conca , also called "Il Cavaliere" (born January 8, 1680 in Gaeta , † September 1, 1764 in Naples ) was an Italian painter of the late Baroque .
Life
Sebastiano Conca was the oldest of ten children of the merchant and tax farmer Erasmo Conca and his wife Caterina de Lorio. When he was young, his father sent him to the workshop of Francesco Solimena (1657–1747) in Naples. In 1702 Conca accompanied his master to Montecassino . During his training he acquired Solimena's strongly contrasting painting style.
In 1706 Conca went to Rome with his brother Giovanni Conca and founded his own workshop for fresco painting and panel paintings , whereby his painting style developed further in the direction of a classical late baroque. This art style, also known as Roman classicism , had developed as a countermovement to the frivolous Rococo and, through the rediscovery of Roman antiquity, brought a classically oriented artistic aesthetic into discussion.
In 1710 he founded the "Accademia del Nudo", which was attended by numerous students from all over Europe, who in turn spread the classicist approach across the continent. In 1719 Conca became a member of the Accademia di San Luca and was twice elected its princeps. One of his early patrons was the Principe della Torrella and Cardinal Pietro Ottoboni , who, in addition to numerous other offices, was also archpriest of the Lateran Basilica . Through Ottoboni's intercession, Conca received from Pope Clement XI. commissioned to paint frescoes in San Giovanni in Laterano and in San Clemente. As a reward, he received an accolade from the Pope and a cross set with diamonds. His studio now became the great room in the Palazzo Farnese , which was given to him by the Duke of Parma .
During this early period he also worked with Carlo Maratta in Santa Cecilia in Trastevere and in 1718 alone in Genoa in the Palazzo Lomellini-Doria. 1721–1725 he was called to Turin to the House of Savoy , where he created frescoes and oil paintings in various churches and in the royal palace. He later received commissions from Philip V (Spain) , the kings of Poland, Portugal and Sardinia, and the Archbishop of Cologne.
In 1731 a commission followed in Siena to paint the apse of the Santissima Annunziata. The order fulfilled the last will of Ugolino Billo, who was previously rector of the Sienese Santa Maria della Scala . In 1739 he wrote a book called Ammonimenti ("Admonitions"), a kind of moral guide for budding artists.
In 1751 he finally returned to Naples, where he turned artistically to an illusionist painting in the manner of Luca Giordano .
student
Pompeo Batoni , Andrea Casali , Placido Campolo , Gaetano Lapis , Salvatore Monosilio , Litterio Paladini , Giuseppe Paladini , Gaetano Mercurio , Francesco Preziao , Rosalba Maria Salvioni , Agostino Masucci , Giuseppe Ranucci , Corrado Giaquinto , Olivio Sozzi , Filippo Randazzo , Pietro Paolo Vasta , Fedele Tirrito , Placido Campolo, Gaspare Serenario , Priciado de la Vega , Anton Raphael Mengs and his nephew Tommaso Conca and brother Giovanni Conca .
Picture gallery
The Madonna appears to San Filippo Neri (ca.1740), Indianapolis Museum of Art
Panel paintings
- Adoration of the Shepherds (1720), J. Paul Getty Museum , Los Angeles
- Adoration of the Three Kings (1707), Musée des Beaux-Arts, Tours
- Holy Family with Saints Anne, Zacharias and John the Baptist (1723), panel painting, Dulwich Picture Gallery , London
- Rinaldo and Armida (1725–30), Saint Louis Art Museum
- Sibylle (1726), Museum of Fine Arts, Boston
- Saint Toribo , Archbishop of Lima (1726), Vatican Museums , Rome
- Allegory of Fame (1730s), 37 × 29 cm, Louvre , Paris
- Visions of Aeneas (1735–40), Ringling Museum of Art
- Baptism of Christ , panel painting Museo Civico Teramo
- Madonna delle Grazie with saints , Chiesa di Santa Maria Infante in Minturno
- Gloria of Santa Cecilia , Pitti Palace , Florence
- Presentation of Mary in the Temple , Convent of Presentation in Monte Argentario
- The Madonna appears to San Filippo Neri (ca.1740), Indianapolis Museum of Art
- Christ in the Garden of Gethsemane (1746), Vatican Museums, Rome
- Finding the Cross (1746), Vatican Museums, Rome
- Alexander the Great in the Temple of Jerusalem (1746), Museo del Prado , Madrid
- Idol worship of King Solomon (1750), Museo del Prado, Madrid
- Allegory of Painting and Sculpture , Galleria Spada , Rome
- Historia di San Francesco di Paolo (1762–63), Santa Maria di Pozzano, Castellammare di Stabia
- The Madonna appears to José Calasanz , oil painting on canvas from 1763, Sant'Agostino
- Madonna del Paradiso , Chiesa della Madonna del Paradiso Mazara del Vallo
Frescoes
- Frescoes (1721–25) in the Oratorio de San Filippo e Santa Teresa, Venaria
- Coronation of Santa Cecilia (1725), fresco, Santa Cecilia , Rome
- Frescoes in the Basilica della Superga (1726), Piedmont
- Probatica Piscina (Pool of Bethsheba) (1732), fresco, Chiesa della Santissima Annunziata, Siena
- Frescoes in the Royal Palace of Turin (1733)
- Allegorical scenes, fresco, (1738–40) Palazzo Lomellini-Doria, Genoa
- Frescoes in the Santa Chiara (1752–54), Naples
Auctions
- 1825 in Nuremberg : two counterparts; Elevations of sea gods and goddesses.
literature
- Jane Turner (a cura di): The Dictionary of Art. 7th edition. Grove, New York 1996, ISBN 1-884446-00-0 , pp. 681-684.
- Sebastiano Conca (1680-1764). Exhibition catalog. Centro Storico Culturale "Gaeta", Gaeta 1981.
- Friedrich Noack : Conca, Sebastiano . In: Ulrich Thieme (Hrsg.): General Lexicon of Fine Artists from Antiquity to the Present . Founded by Ulrich Thieme and Felix Becker . tape 7 : Cioffi – Cousyns . EA Seemann, Leipzig 1912, p. 287–288 ( Text Archive - Internet Archive ).
Web links
Individual evidence
- ↑ LIST OF THE v.DERSCHAUISCHE Kunstkabinett zu NÜRNBERG…. Nuremberg, at the obligated auctioneer Schmidmer., 1825., 250 p., Directory of rare art collections., 1825., Google Books, online , p. 21.
personal data | |
---|---|
SURNAME | Conca, Sebastiano |
ALTERNATIVE NAMES | Il Cavaliere |
BRIEF DESCRIPTION | Italian Baroque painter |
DATE OF BIRTH | January 8, 1680 |
PLACE OF BIRTH | Gaeta |
DATE OF DEATH | September 1, 1764 |
Place of death | Naples |