Gustav Lübcke Museum

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Gustav Lübcke Museum
Gustav Lübcke Museum.jpg
Data
place Hamm
Art Cultural history museum
architect Jørgen Bo , Vilhelm Wohlert
opening Institution: 1890, construction: 1993
operator City of Hamm
management Dr. Ulf Sölter
ISIL DE-MUS-170916

The Gustav-Lübcke-Museum is a cultural history museum in Hamm in North Rhine-Westphalia . It was founded as an institution in 1890 and was called the Hamm Municipal Museum until 1925 . In 1993 the institution moved into its first specially constructed museum building. The museum is named after Gustav Lübcke , an art dealer and collector who transferred his collection to the city of Hamm in 1917 and was director of the museum. The museum has been named after Gustav Lübcke's death in 1925. The museum is a member of the RuhrKunstMuseen and the Association of Westphalian Museums (VWM).

The museum has its roots in civic engagement at the end of the 19th century. As it is the only museum institution in Hamm, its activities are thematically broad. In 1993 the architects Jørgen Bo and Vilhelm Wohlert moved into a museum building . In five sections, the museum shows cultural and historical objects from the Middle Stone Age to the present day. Two site-specific collections show the developments in the Westphalian cultural area with archaeological evidence and the city's history from Hamm to the present day. The section on the culture of ancient Egypt goes back to the founding phase. Two collections of aesthetic objects show arts and crafts , applied arts and product design from ancient times to the present day and fine arts with a focus on paintings and works on paper from the 20th century. Special exhibitions on all areas of the museum complete the program. In addition, an event hall for 300 people with good acoustics, the forum, is integrated into the building.

history

Mummy Association

Dissolution certificate of the Mummy Association, Hamm, 1887, Gustav-Lübcke-Museum, Hamm

In the spring of 1886, Hammer Bürger founded the mummy association. This was preceded by the discovery of an emergency grave in Deir el-Bahari, Egypt, with more than 50 mummies of pharaohs , members of the royal families and high dignitaries as a world sensation around the world. Enthusiastic about Egypt, they made contact with the Egyptologist Heinrich Brugsch , whose brother Emil, as an employee of the Egyptian Museum in Cairo , had headed the so-called Cachette security campaign . After a key lecture by Brugsch on February 22, 1886 in Hamm, the plan was made to acquire an ancient Egyptian mummy for Hamm. For this purpose, the mummy association was founded and money was collected through shares. In the same year, through Emil Brugsch's mediation, a mummy was found in Cairo, which certainly does not come from the cachette, but from the 22./23. Dynasty, acquired and transferred to Hamm. In addition, the mummy association acquired a photo album with images of the royal mummies from the cachette, which are an important source for Egyptology today, as they document the condition of the mummies in various stages of being unwrapped. The mummy association dissolved itself according to plan in 1887 and gave the hammer mummy and the photo album to the museum association founded in December 1886. First this hammer mummy was shown in the social room of a restaurant, then as the property of the Hamm Museum Association in the town hall.

Hamm Museum Association

The Hamm Museumsverein, also founded in 1886, had a pedagogical impulse from the start. The aim, according to the statutes, was "to interest the inhabitants of town and country in nature and the history of their closer homeland through the creation of appropriate collections and instruction in word and writing." This already brings together a lot that Gustav -Lübcke Museum today: visitor orientation, the museum as an extracurricular place of learning , city and regional historical collecting, exhibiting and publishing. However, the natural history orientation later faded into the background and is only taken up in a few places in the regional archeology department today. The first number in the inventory book of the museum association is a "Wasserhuhn von der Lippe", which is no longer in the holdings of the Gustav Lübcke Museum.

The founding of the Hamm Museumsverein in the late 19th century is to be understood against the background of similar cultural associations founded by the bourgeoisie in Germany. The homeland-related character in particular was closely linked to the nationally-minded zeitgeist. Nevertheless, the hammer mummy in the holdings of the museum association always opens the horizon beyond home in the narrower sense.

In 1890 the Hamm Museumsverein was able to open its first municipal museum in two rented rooms of a private house, Oststrasse 26. This is how the history of the museum begins. Special exhibitions took place in the town hall. Until 1917 the museum had to move several times.

The Hamm Museumsverein supports and accompanies the Gustav Lübcke Museum to this day. Through him, civic engagement took the initiative to set up a museum in Hamm and dovetailed it closely with the community of the city of Hamm from the start. It takes part in the museum's activities, supports it financially, enables purchases and offers its members its own exhibition, educational and travel program that is tailored to the museum's program. The museum association is a registered association and recognized as a non-profit organization.

Gustav Luebcke

Hugo Lehmann: Portrait of Gustav Lübcke, 1924, Gustav Lübcke Museum

When in 1917 the city of Hamm accepted the offer of the art and antiques dealer Gustav Lübcke (1868–1925), who was born in Hamm, to take over his own collection for the municipal museum, the range of the museum expanded considerably. The focus of the Lübcke Collection was on European handicrafts from the Middle Ages to the present day. Antique objects such as Greek vases or Roman terra sigillata , prehistoric and early historical objects from North Central Europe and Egyptiaca were also included, as were some paintings and works on paper. Lübcke's collection had the character of a universal collection and was therefore ideally suited as the basis for a city museum. All the later departments of the museum were already part of the Lübckes collection. In 1917 the museum was able to move several thousand objects into the ten rooms of Haus Windthorst in Südstrasse opposite the Higher Regional Court, which the city could acquire cheaply with the condition that the museum was used. Gustav Lübcke and his wife, Therese Lübcke, née Nüssser, moved to Hamm in 1917 and lived in a representative villa in Ostenalle 98. Lübcke mainly organized exhibitions on applied arts and handicrafts. During his tenure, Lübcke separated the natural history department from the cultural history department. Efforts to create a department with militaria and memorabilia from the First World War did not go beyond appropriate collection activities. In 1924 Lübcke suffered a first stroke. He dies on August 29, 1925.

Contract between Gustav-Lübcke and the city of Hamm 1917

The contract that Gustav Lübcke concluded with the city of Hamm on April 3, 1917 provided for the following, among other things: Gustav Lübcke transferred to the city "all his collections of historical and craft antiquities, as well as paintings, coin collection and library" worth 100,000 marks, furthermore “a capital of 20,000 marks”. For this, the city of Gustav Lübcke committed itself to an annual pension of 6,000 marks, which should be passed on to his wife after his death. The city of Hamm is not allowed to sell the collection and must display it in suitable and adequate rooms of the city museum. After the death of Gustav Lübcke, the museum will bear his name. Gustav Lübcke took over the management of the museum on a voluntary basis as director. The city of Hamm provided him with a part-time, appropriately paid assistant. After Lübcke's death, the city undertook to employ a full-time, appropriately remunerated manager whose qualifications have been proven. In 1917 the museum was able to move into the ten rooms of Haus Windthorst, which the city was able to acquire cheaply with the condition that a museum was used.

Ludwig Bänfer

Ludwig Bänfer had been volunteering for the museum since 1915. In 1917 Gustav Lübcke chose him as a contractually guaranteed part-time assistant. In 1925 he became director of the Gustav Lübcke Museum. Bänfer was particularly interested in the preservation of monuments and prehistory. Although the Gustav Lübcke collection already contains a number of prehistoric and early historical and ancient objects, Bänfer was able to enrich the museum collections with important pieces of regional archeology by taking part in excavations in the area. The department of regional archeology goes back to him. He put the focus on the local history of the museum, which was already laid out by the museum association before Gustav Lübcke. On March 26, 1959, Ludwig Bänfer was awarded the Federal Cross of Merit, First Class. He died on August 29, 1959.

Ludwig Bänfer and the Nazi regime

Plaster cast of a supposedly Bronze Age "swastika cup", plaster, painted, acquired between 1933 and 1937 for the Gustav-Lübcke-Museum

Ludwig Bänfer became a member of the Kampfbund for German Culture in 1933 . In 1937 he actively brought the exhibition “Living Prehistory in Reich and Homeland”, organized by the Reich Association for German Prehistory , to the museum, where it was very popular with visitors. Teaching material was purchased for the exhibition and the museum, such as the plaster cast of an alleged Bronze Age Germanic " swastika cup ", which is a politically motivated fake. Ludwig Bänfer largely conformed to the National Socialist view of prehistory and early history in North Central Europe. In 1942, on the occasion of his 40th anniversary in service, he was awarded the coat of arms of the city of Hamm by the National Socialist Lord Mayor Erich Deter for special services to the Gustav Lübcke Museum. Susanne Birker, curator for regional archeology , and museum director Daniel Spanke worked with a working group on Bänfer's involvement in National Socialism. As a result, the street named after Bänfer in Hamm-Süd was renamed Gersonstraße in 2018.

"Degenerate Art" campaign in 1937

During Bänfer's term of office, the " Degenerate Art " campaign took place, which confiscated art from state museums that did not conform to Nazi ideology and made us the property of the German Reich. As a result of the campaign in 1937, 23 art objects were confiscated and removed from the museum's holdings. These 23 works of art are also detailed in the historical Harry Fischer List , including works by Peter August Böckstiegel , Lovis Corinth , Wilhelm Lehmbruck , Wilhelm Morgner and Christian Rohlfs .

War losses

Ludwig Bänfer kept the museum going until the first few months of 1944, when the air raids on Hamm in September were so strong that the museum had to be closed and evacuated that same month. Above all, the attack on December 5, 1944, which also destroyed the New Town Hall, led to the loss of cultural assets during the war. Although large parts of the collection were distributed to various relocation sites, the Egyptian collection suffered severe losses because it was still in the town hall. One of the particularly painful war losses was the “Hammer Mummy”, that ancient Egyptian mummy that was acquired by the Mummy Association in 1886 and given to the Museum Association. Only one photo has been preserved of her.

Post-war until today

Most of the museum collections survived the war unscathed. However, many archives, files as well as the museum library and the museum rooms in the town house were destroyed. Ludwig Bänfer retired in 1946 due to old age. With Herbert Zink, the museum also made a fresh start in terms of personnel. He rebuilt the museum in Hamm, which was destroyed in the war. The museum moved from the destroyed town house to a building of the former infantry barracks near Oststrasse. There the institution was temporarily housed with municipal authorities and schools in the area now known as the “Stadthof”. From 1957 the Gustav-Lübcke-Museum was reopened in the newly furnished rooms of the partially rebuilt town house. Zink showed art that was ostracized during the Nazi dictatorship in exhibitions, such as a commemorative exhibition for Wilhelm Morgner as early as 1948, and supplemented the collections with modern works, for example by Max Beckmann, Emil Schumacher, Gerhard Hoehme and Heinz Trökes. As compensation for the lost "Hammer Mummy" he was able to acquire the painted anthropomorphic mummy coffin of the Peti-Imen-menu from the Viennese art trade in 1963 from the time of the 25th Dynasty.

Zink's successor, Hans Wille, mainly built up the graphic collection in the field of Dutch and German prints from the 16th and 17th centuries, as well as works by August Macke, Fritz Winter, Adolf Erbslöh and Hermann Stenner. The first director of the Gustav Lübcke Museum, Ellen Schwinzer, significantly expanded the collection of fine art and the city's history. From 1980 onwards she succeeded in pushing ahead with the project to build her own museum, so that after eight years of planning, the foundation stone for the current museum building, which opened in 1993, could be laid in 1989. Under her successor, Friederike Daugelat, the Egyptian room on the ground floor and the skylight room for temporary exhibitions were upgraded in terms of air conditioning from 2013 to 2015. Daniel Spanke , who was director until April 2019, initiated the digital recording of the collection. On July 1, 2019, Ulf Sölter, previously deputy director of the Clemens Sels Museum in Neuss and curator for ancient art, popular printmaking and museum education, succeeded Spanke. The appointment took place without a public announcement and exhausted the list of candidates from 2017.

Directors

  • Gustav Lübcke (1868–1925, director from 1917 to 1925)
  • Ludwig Bänfer (1878–1959, director from 1925 to 1946)
  • Herbert Zink (1909–1982, director from 1946 to 1974)
  • Hans Wille (Director from 1974 to 1988)
  • Ellen Schwinzer (* 1947, director from 1988 to 2012)
  • Friederike Daugelat (* 1976, director from 2012 to 2016)
  • Daniel Spanke (* 1966, Director from 2017 to 2019)
  • Ulf Sölter (* 1973, director since July 1, 2019)

Locations

  • 1890–1896: Oststrasse 26, ground floor right, two rented rooms in the house of Minna Bergholtz, widow of the Bergholtz Judicial Council
  • 1896–1898: Oststrasse 4 (today Oststrasse 2)
  • 1898–1901: Königstraße 22, house of the widow Lina Geck
  • 1901–1916: Kleine Weststraße (today Martin-Luther-Straße 2), Stadtkeller (right next to the old town hall, today Sparkasse Hamm)
  • 1916–1927: Südstraße 42 (today Südstraße 28), Windthorst house (today the Kubus youth culture center)
  • 1927–1944: Brüderstraße 9, rooms in the New Town House
  • 1945–1957: Near Ostenalle, rooms in the "Stadthof" in former barracks
  • 1957–1993: Museumsstrasse 2: rooms in partly rebuilt New Town House
  • since 1993: Neue Bahnhofstrasse 9: first specially constructed museum building

architecture

In 1993, the Gustav Lübcke Museum's first museum building was inaugurated. Architects are the Danish office of Jørgen Bo and Vilhelm Wohlert , who had already built the Louisiana Museum of Modern Art 35 km north of Copenhagen in Humlebæk in 1958 and the Bochum Art Museum in 1983 . Many architectural ideas that have proven themselves in Humlebæk and Bochum have been further developed for Hamm by Bo and Wohlert. As in Bochum, a large ramp in the entrance area of ​​the Gustav-Lübcke-Museum has a defining effect, opening up all floors of the museum to visitors. This ramp is housed in its own glazed foyer with a double pitched roof of 320 m². The foyer also houses the cash desk, shop, cloakrooms in the basement and, on a higher level, a café area with furniture designed by the architects. In front of the foyer as the entrance area are an open inner courtyard and an open passage hall with distinctive mushroom capital columns, which carries the curved S-facade towards the city. From the foyer there is a 360 m² forum for approx. 300 visitors on the inside, as well as two superimposed collection areas of approx. 1200 m² each, a smaller collection area with 550 m² and the S-wing with 330 m² above the open portico. Above the smaller collection area is the skylight hall used for special exhibitions, also with 550 m². On the upper floor, above the forum, are the areas of the Artothek, also accessible via the ramp, and the library of the Gustav-Lübcke-Museum behind it. Office and administration wing, collection depots, museum educational rooms, restoration workshop, technical rooms and exhibition workshops complete the space on a total of just over 7500 m². The areas with museum objects are climatically upgraded and have been equipped with a full air conditioning system in the special exhibition hall and the smaller collection area since 2014. The Gustav-Lübcke-Museum also has an outside storage area for larger objects. The architecture is characterized by a clear spatial structure, varied visitor rooms and facades as well as a step-by-step guidance of the visitors from the urban space through the pillared hall into the inner courtyard into the entrance foyer. The architects chose red, regional clinker brick and white marble slabs in the inner courtyard and foyer as materials for the facade . The floors in the inner courtyard and foyer are made of granite slabs, in the exhibition halls of grouted wooden planks. The Egyptian Hall on the ground floor has a tiled floor.

Departments and Collections

From its history, the Gustav-Lübcke-Museum has two departments with local objects - regional archeology and urban history, a department on ancient Egypt with extensions to the Coptic and Islamic times, and two departments with aesthetic objects - applied arts and fine arts . The section on Ancient Egypt shows objects in the smaller collection area on the ground floor under the skylight room on approx. 550 m². The departments of regional archeology, urban history, applied and fine arts are spread over the larger collection areas, one above the other, with a total of around 1800 m². On the upper floor there is a smaller area of ​​around 100 m², which is used for exhibitions by regional artists from the Artothek , and a specialist library of around 300 m².

Regional archeology

The regional archaeological collection includes objects from excavations and finds in the region that go back to the Middle Ages, when the city of Hamm was founded in the early 13th century. Although some pieces were already part of the Lübcke Collection, mainly from the Rhenish region, the collection of regional archaeological pieces at the Gustav Lübcke Museum was founded by Ludwig Bänfer. The oldest object, a flint tool from the Balve cultural cave in the nearby Hönnetal in the Sauerland region , was created around 125,000 BC. BC and was created by the Neanderthals . The department is the only one that still shows the original natural history orientation of the museum by including the natural changes in the region and its fauna and relating to current climate change . The teeth of mammoths and the bones of other prehistoric animals are part of the collection.

City history

The section on town history begins with the establishment of Hamm on Ash Wednesday in 1226 by Adolf I. von der Mark . The development of the city as the residence of the Counts of the Mark , its partial destruction by numerous city fires, the guild system , the history of the town hall , the judiciary system with the Hamm Higher Regional Court , the no less important function of the city as a traffic junction for rail traffic, the manors and houses of noble families in Hammer city area (for example the von der Recke family) , the history of Bad Hamm as a health resort, the fate of the Jewish community in Hamm, industrialization , de-industrialization and structural change through coal mining in the Ruhr area and steel industry, the history of Hamm in World War I, Weimar Republic. National Socialism, World War II and the post-war period are represented with historical objects and information boards. The development to a big city through incorporations as well as the presence of the city of Hamm is scarce. Time and again, the history and situation of women and marginalized groups in the history of Hamm are particularly addressed.

Old Egypt

The ancient Egypt collection has its origins in the "Hammer Mummy", which was acquired by the Mummy Association for Hamm in 1886 and then donated to the Hamm Museum Association. There are other Egyptian objects in the Gustav Lübcke collection . The Egyptian collection also suffered major losses from the air raids on Hamm during World War II . Among other things, the "hammer mummy" burned together with the coffin ensemble belonging to it, is only relevant to museum history today and is present in a historical photograph and a reconstruction from 2017. From the 1960s onwards, important objects could be purchased from the art trade, so that the Egyptian collections of the Gustav-Lübcke-Museum, which also reach into the Persian, Greek and Roman occupation times and into the Coptic and Islamic culture, are the second largest Egyptian collection in North Rhine-Westphalia -Westfalen after the Egyptian Museum of the University of Bonn . In total there are around 1,200 objects in the Ancient Egypt collection of the Gustav Lübcke Museum. In different chapters, the exhibition shows life on the Nile, from fashion and cosmetics, medicine and table culture to magic, religion and the formative funeral culture.

applied Arts

Most of the several thousand objects in the applied art collection can be traced back to the Gustav Lübcke collection. After the Second World War, it was expanded mainly by Herbert Zink and Ellen Schwinzer. The collection includes objects made of ceramics, metal, wood and textiles from the areas of tableware, furniture and fashion from the Middle Ages to the present day. Porcelain from the Rococo, Dutch faience and objects and furniture from the Art Nouveau are particularly well represented. A collection of individual seating furniture from the 18th century to the present enables comparative style studies. Contemporary artists who have created their own works in dialogue with objects from the collection have been invited to the collection exhibition.

free art

Gustav Lübcke himself had a rather conservative taste in art even for that time. His collection includes works from the Netherlands from the 17th century and the Düsseldorf School of Painting from the 19th century. It was only under Ludwig Bänfer and his colleague Heinrich Ossenberg (1900–1935) that modern works came into the museum's collection, for example by Wilhelm Morgner, Eberhard Viegner and Peter August Böckstiegel. During the dictatorship of the National Socialists, the collection of modern art suffered a severe setback, especially as a result of the confiscation campaign “Degenerate Art” in 1937, through which the museum lost 23 works of art. After the war, Herbert Zink systematically built up a department with contemporary art, which has been continued by all heads of the Gustav-Lübcke-Museum ever since.

Exhibitions, since 1993 (selection)

  • Germania myth. The National Socialist Germanic image in school lessons and in the museum , October 28, 2018 - July 14, 2019
  • Photo color shape. The Viegener brothers' imagery. May 26 - October 6, 2019
  • Mummies - The Dream of Eternal Life , December 3, 2017 - June 17, 2018
  • Come in! 100 years of the Gustav Lübcke Collection , July 16, 2017 - October 15, 2017
  • "Longing for Finland". Scandinavian masterpieces around 1900 , October 18, 2015 - March 20, 2016
  • Emil Nolde - wanderlust. Out and about in Germany, Spain and Switzerland, March 27, 2011 - June 19, 2011
  • Akhenaten and Amarna . Egypt in a New Light , September 26, 2010 - January 30, 2011
  • The pirates . Ruler of the Seven Seas , 23 August 2009 - 10 January 2010
  • Lyonel Feininger - Paul Klee. Painter friends at the Bauhaus, February 22, 2009 - May 24, 2009
  • Horse sacrifice - equestrian warrior. Driving and riding through the millennia , April 22, 2007 - July 29, 2007
  • David Hockney - NEW WAYS OF SEEING , April 2, 2006 - July 2, 2006
  • Esoteric at the Bauhaus . Johannes Itten - Wassily Kandinsky - Paul Klee , August 28, 2005 - January 8, 2006
  • Pharaoh always wins - War and Peace in Ancient Egypt , March 21, 2004 - October 31, 2004
  • The Russian avant-garde and Paul Cézanne , March 24, 2002 - July 21, 2002
  • Gardens and Courtyards of the Rubens Period , October 15, 2000 - January 14, 2001
  • Erich Heckel - Masterpieces of Expressionism , November 28, 1999 - February 27, 2000
  • Heinrich Vogeler and Art Nouveau , October 25, 1998 - January 10, 1999
  • 80 years of Mitropa . Eating and sleeping on rails , July 6, 1997 - August 17, 1997
  • Paul Klee - Journeys in the South , January 26, 1996 - April 13, 1997
  • Hedwig Bollhagen . Ceramics, utensils in the mirror of the Bauhaus , June 30, 1996 - September 1, 1996
  • Care, beetle, cola. Post-war period and economic miracle in Hamm , December 2, 1995 - March 17, 1996
  • Sennefer. The burial chamber of the Mayor of Thebes , September 26, 1993 - March 15, 1994

Art library

The art library of the Gustav-Lübcke-Museum was founded in 2008 by Ellen Schwinzer. It is run by volunteers. The focus of the wide-ranging holdings is on local and regional art. Works on paper, paintings and sculptures are among the collections of the museum that can be borrowed. The Artothek shows constantly changing works on the top level of the Gustav-Lübcke-Museum above the forum. In 2018 the Artothek celebrated its 10th anniversary with an exhibition in the Sparkasse Hamm.

Museum education and art education

The Gustav-Lübcke-Museum has a large museum educational area. This serves primarily as an extracurricular learning and work location for different school classes . Orientation events for teachers are offered on all topics and exhibitions in the museum. Public tours and tours for registered groups take place regularly. The Gustav-Lübcke-Museum takes part in the museum education program RuhrKunstNachbarn der RuhrKunstMuseen. There are also special offers for people with dementia.

literature

  • Herbert Zink: The Municipal Gustav Lübcke Museum in Hamm. Founded by citizens for citizens. Hamm 1981.
  • City of Hamm, City Director, Gustav-Lübcke-Museum (Hrsg.): Gustav-Lübcke-Museum. Guide to the collections. Hamm n.d. [1998], ISBN 3-9805069-6-7 .
  • Maria Perrefort, Ellen Schwinzer (Ed.): The museum on the move - a journey through time to the stations of the collection. 10 years of the new Gustav-Lübcke-Museum. (= Notes on the city's history. 9). Hamm 2003, ISBN 3-9807898-0-2 .
  • Martin von Falck, Cäcilia Fluck: The Egyptian collection of the Gustav-Lübcke-Museum Hamm . Bönen 2004, ISBN 3-937390-33-2 .
  • Burkhard Richter: The collection of applied arts of the Gustav-Lübcke-Museum Hamm. Hamm 2008, ISBN 978-3-00-025921-0 .
  • Diana Lenz-Weber, Maria Perrefort: Long live diversity! Time leaps. The Gustav Lübcke Collection and the history of the Gustav Lübcke Museum . Hamm 2018, ISBN 978-3-9812135-3-9 .

Web links

Individual evidence

  1. ↑ a b c d e Cäcilia Fluck, Gustav-Lübcke-Museum Hamm .: The Egyptian collection of the Gustav-Lübcke-Museum Hamm . Kettler, Bönen 2004, ISBN 3-937390-33-2 .
  2. ↑ Heinrich Brugsch: My life and my hiking . Ed .: Karl-Maria Guth. 1st edition. Berlin 2014, ISBN 978-3-8430-6973-1 .
  3. ↑ Emil Brugsch-Bey: La tente funéraire de la princesse Isimkheb, provenant de la trouvaille de Déir-el-Bahari . Cairo 1889.
  4. ↑ Erhart Graefe: Preliminary report on the first campaign of a follow-up examination of the royal cachette TT 320 by Deir el Bahri . In: Communications from the German Archaeological Institute, Cairo Department (MDAIK) . tape 56 , 2000, pp. 215-221, plates 26-29 .
  5. ↑ a b c d e f g Herbert Zink: The Municipal Gustav Lübcke Museum in Hamm. Founded by citizens for citizens . Hamm 1981.
  6. ↑ a b c d e f g h Maria Perrefort: The museum on the move - a journey through time to the stations of the collection: 10 years of the new Gustav-Lübcke-Museum; [This publication accompanies the exhibition “The Museum on the move - a journey through time to the stations of the collection on the occasion of 10 years of the new building of the Gustav-Lübcke-Museum, September 21, 2003–22. February 2004 "] . Gustav-Lübcke-Museum, Hamm 2003, ISBN 3-9807898-0-2 .
  7. ↑ Hamm Museum Association | Begin. Retrieved November 20, 2018 .
  8. ↑ a b c d e Maria Perrefort: Long live diversity! Jumps in time - the Gustav Lübcke Collection and the history of the Gustav Lübcke Museum . Hamm 2018, ISBN 978-3-9812135-3-9 .
  9. ^ Hammer museum director with a Nazi past . In: https://www.wa.de/ . January 7, 2017 ( wa.de [accessed November 20, 2018]).
  10. ↑ Erik Beck, Arne Timm (ed.): Myth Germania. The National Socialist Germanic image in school lessons and everyday life during the Nazi era . Dortmund 2015.
  11. ↑ Additional text on Nazi OB portrait reminds of atrocities . In: https://www.wa.de/ . October 11, 2017 ( wa.de [accessed November 29, 2018]).
  12. ↑ Former museum director Ludwig Bänfer was an active National Socialist. December 8, 2017, accessed May 5, 2019 .
  13. ↑ Gustav-Lübcke-Museum reflects its own history in the Third Reich. In: Westfalenspiegel. February 19, 2018, accessed on May 5, 2019 (German).
  14. ↑ Former museum director Ludwig Bänfer was an active National Socialist . In: https://www.wa.de/ . December 8, 2017 ( wa.de [accessed November 20, 2018]).
  15. ↑ Victoria and Albert Museum, Digital Media webmaster@vam.ac.uk: “Degenerate Art”. Retrieved November 20, 2018 (UK English).
  16. ↑ Ellen Schwinzer and others: Hamm: Gustav-Lübcke-Museum. Guide to the collections . Hamm 1998, ISBN 3-9805069-6-7 .
  17. ^ Gustav-Lübcke-Museum in Hamm renovated for 5.1 million euros. Retrieved December 12, 2018 .
  18. ^ Museum director Spanke resigns after only 16 months. December 14, 2018, accessed December 17, 2018 .
  19. ↑ The Hammer Museum has a new director. March 12, 2019, accessed March 13, 2019 .
  20. ↑ Jørgen Bo, Vilhelm Wohlert, Jens Fredericksen, Axel Menges: Jørgen Bo, Vilhelm Wohlert: Louisiana Museum, Humlebæk . Wasmuth, Tübingen 1993, ISBN 3-8030-2703-9 .
  21. ^ Jorgen Bo, Vilhelm Wohlert: Museum Bochum . In: German construction magazine . tape 32 , 1984, pp. 1665-1668 .
  22. ^ Karl Otto Bergmann, Ellen Schwinzer: Guide through the collections / City of Hamm: Gustav-Lübcke-Museum . Hamm 1998, ISBN 3-9805069-6-7 .
  23. ↑ Susanne Birker: Pre- and early history . In: Gustav-Lübcke-Museum (Ed.): Guide through the collections . Hamm 1998, ISBN 3-9805069-6-7 , p. 58-77 .
  24. ↑ Bernd Berke: Mummies Hamm 3D printer. Accessed December 19, 2018 (German).
  25. ↑ Andreas Fasel: Exhibition in Hamm: "This mummy simply made the Westphalia dream" . In: THE WORLD . January 6, 2018 ( welt.de [accessed December 19, 2018]).
  26. ^ Burkhard Richter: The collection of applied arts of the Gustav-Lübcke-Museum Hamm . Hamm 2008, ISBN 978-3-00-025921-0 .
  27. ↑ Artothek is celebrating 10 years in the Sparkasse. Retrieved November 14, 2018 .
  28. ↑ Museum Education | City of Hamm. Retrieved December 11, 2018 .
  29. ^ RKM: Ruhr art neighbors. Retrieved December 11, 2018 .
  30. ↑ RKM: Offers for people with dementia. Retrieved December 11, 2018 .