Tina Haase
Tina Haase (* 1957 in Cologne ) is a German sculptor and object artist as well as professor of fine arts at the Technical University of Munich (TUM).
Life
Tina Haase began her studies at the Art Academy in Münster in 1979 , moved to the Art Academy in Düsseldorf in 1980 , where she finished her studies in 1987 as a master student of Fritz Schwegler . Foreign scholarships took her to the USA and Italy. After completing her sculpture studies, she developed a lively exhibition activity. Exhibitions in Germany, Italy, Spain, Belgium, Austria, Poland, the Netherlands and the USA brought her work to international attention. Since 2004 she has taught as a professor of design at the Niederrhein University of Applied Sciences in Krefeld, and in 2007 she was appointed to the chair for visual design (since 2014 chair for fine arts) at the Technical University of Munich (Faculty of Architecture) .
Tina Haase is a member of the German Association of Artists . She lives and works in Cologne and Munich.
plant
The focus of Tina Haase's oeuvre is on the one hand the object ( object art ) that emerges from the accumulation of industrially manufactured everyday objects and on the other hand the sculptural installation through to the room installation . Further facets of her diverse work are: film , performance , drawing and projects in the field of art in architecture / art in public space .
Tina Haase's objects and assemblages are often created from objects of everyday use and mass consumption or from their remains. The elementary appearance of the individual part used is mostly preserved, while at the same time the collection and connection of similar items increases both the sensitivity for the aesthetic quality of the individual and opens up a new aesthetic dimension of the whole. In correspondence with this interplay between the individual and the whole, Haase's works often evoke an alternation, a jumping back and forth between the two-dimensionality of the pictorial space and the three-dimensionality of the sculptural. In the work “Worpswede 1”, for example, differently colored paper napkins are stacked on top of one another in a precisely dimensioned acrylic glass box so that the viewer primarily gets a glimpse of the surfaces formed by the edges of the napkins from the front side. What is de facto a sculpture has the appearance of an abstract painting made up of colored surfaces . In addition, the often intensely contrasting colors of the sculptural objects emphasize their painterly quality.
Irony is another characteristic stylistic device in Tina Haase's work. When, for example, a multitude of nested plastic paper baskets ("full house") emerges into a twisting visual pipeline through which - at least in the mind of the beholder - large amounts of liquid can be transported, while the scooping with the individual, openwork container is an overwhelming amount would be a tedious undertaking. Or when the exterior design of a prison wall ( JVA Neuruppin-Wulkow ) uses illusionistic painting to apparently satisfy the secret desire to look into and through the world behind, while the sphere of the bourgeoisie is at the same time concerned about the seamless closeness of that wall.
Awards (selection)
- 1982: Travel grant from the Düsseldorf Art Academy ( Poensgen Foundation )
- 1989: Work grant Progetto Civitella d'Agliano , Italy (catalog)
- 1989: Working grant for the Ministry of Culture of North Rhine-Westphalia
- 1992: Chargesheimer Prize of the City of Cologne
- 1993: Art Cologne Förderkoje
- 1994: Scholarship at Thomas Art Projects , Birmingham (Alabama), USA
- 2002: Winner of the art-in-building competition of the state of Brandenburg, JVA Neuruppin-Wulkow (exterior design)
- 2003/04: Winner of the art-in-building competition, University Hospital of the Martin Luther University Halle-Wittenberg (interior design), Halle ad Saale
- 2004/05: Barkenhoff scholarship , Worpswede
- 2013: Scholarship from the Bartels Fondation , Basel
- 2015: Résidence d'été, FABRIKculture , Hégenheim (France)
Exhibitions (selection)
Solo exhibitions
- 1986: No attitude, no idea , Gallery Appendix / Moltkerei Werkstatt, Wuppertal / Cologne
- 1988: Leaning sculptures (with Karin Hochstatter), Brühler Kunstverein , Brühl am Rhein
- 1991: Sculptures - Tina Haase , Ulrich Mueller Gallery, Cologne (catalog)
- 1992: Tina Haase , Artothek, Cologne
- 1994: Thick Air , Simultanhalle , Cologne
- 1994: Rolf Bier / Tina Haase / Franka Hörnschemeyer , Künstlerhaus Palais Thurn und Taxis , Bregenz
- 1995: On wire , Galerie In Situ, Aalst (Belgium)
- 1995: Tina Haase / Birgit Werres / Enne Haehnle , Birmingham Museum of Art , USA
- 1995: Tina Haase - Karin Hochstatter , Mannheimer Kunstverein (catalog)
- 1995/96: Salon pieces 3 , Städtische Galerie Villa Zanders , Bergisch Gladbach (catalog)
- 1997: InEinAnder , City Museum Schloss Salder , Salzgitter
- 1999: Full House , Galerie Schneiderei, Cologne
- 1999: Tina Haase, Marcel Berlanger, Loek Grootjans , Galeria Vanguardia, Bilbao
- 2000: In strips - an interference installation , Kunstmuseum Heidenheim (catalog)
- 2001: Checkered striped (with Regine Schumann ), Galerie In Situ, Aalst (Belgium)
- 2002: The Lowest Resistance , Ulrich Mueller Gallery, Cologne (catalog)
- 2002: Pas de deux - Tina Haase and Sekimoto Kôji , Japanese Cultural Institute , Cologne (catalog)
- 2006: Mele Kalikimaka , Fuhrwerkswaage Kunstraum e. V., Cologne
- 2007: initially objective , K12 gallery, Bregenz
- 2007: Escultures on Holiday (with Oliver Oefelein), Galeria Vanguardia, Bilbao
- 2009: répéter - rètèper (with Alix Stadtbäumer and Christian Heß), Association for Original Etching , Munich
- 2009: Trousseau - Von Doppelmuff and Delft Feeling (with Angelika Hoegerl), Neue Galerie Landshut
- 2010: ZweifelsGut , Ulrich Mueller Gallery, Cologne (catalog)
- 2012: Parking skillfully , Studio Royen, Vettelschoss
- 2012: Air change - Sculpture Outside , SüdKunst e. V., Cologne
- 2012: Tina Haase - Sculptures (with Jus Juchtmans), Galerie van den Berge, Goes (Netherlands)
- 2013: Aquaplaning , Bartels Foundation, Basel
- 2014: redensified , Ulrich Mueller Gallery, Cologne
- 2015: dans un état mésomorphhe - in a mesomorphic state (with Anja Ganster as well as Christine Camenisch and Johannes Vetsch), FABRIKculture, Hégenheim (France, near Basel)
- 2017: SITUATION BUNT , Städtische Galerie im Kornhaus, Kirchheim unter Teck
- 2019: Tina Haase. absolutely , art museum Villa Zanders , Bergisch Gladbach
Group exhibitions
- 1989: Young West Art Prize , Kunsthalle Recklinghausen (catalog)
- 1989: Stand items , Flottmann-Hallen , Herne (catalog)
- 1991: Outside of the Middle , New Society for Fine Arts (NGBK), Berlin (catalog)
- 1993: Recall Byblos , Ludwig Forum for International Art , Aachen (catalog)
- 1995: 8-woman property , Hauptplatz, Wiener Neustadt , Austria
- 1996: Watertoren , Vlissingen (Netherlands)
- 1997: Model Aurora , Munich City Museum (catalog)
- 1998: Different things , Spreehalle in the German Architecture Center , Berlin
- 1998: Plastic - The Last Years , Ulrich Mueller Gallery, Cologne
- 1999: Piazza dell'Arte , Gynaika Association, Antwerp (Belgium)
- 2000: The Very First , Galerie Gabriele Rivet, Cologne
- 2001: Confusion , Vorgebirgsparkskulptur 2001, Cologne (catalog)
- 2001: Artgalleries in Aalst from '68 until Today , Stedelijk Museum, Aalst (Belgium)
- 2001: The Very Last , Galerie Gabriele Rivet, Cologne
- 2003: In front of the sculpture - drawings by sculptors , Ulrich Mueller Gallery, Cologne
- 2005: Gekleurde Vormgeving , Belfort (Schepenhuis), Aalst (catalog)
- 2005: KölnKunst 2005 , Kleinsassen Art Station , Kleinsassen / Rhön (catalog)
- 2005: (un) limited, artist books from the Missmahl collection , Kunstmuseum Bochum (catalog)
- 2007: The back of the moon , Federal Association of Visual Artists (BBK) in the Stapelhaus, Cologne (catalog)
- 2007: Variation of the repetition , Ulrich Mueller Gallery, Cologne
- 2007: Toutes les couleurs sont autorisées à condition que cela n'empêche pas le commerce , Atelier 340 Muzeum, Brussels (catalog)
- 2008/09: All Colors Permitted as Long They Don't Interfere with Business , Galeria BWA (Contemporary Art Gallery) / Museum Narodowe , Katowice / Stettin (catalog)
- 2009: La Nature Morte - N'est pas morte! Beat Zoderer stages his own and other things , Museum Langmatt, Baden (Switzerland)
- 2011: not for you? Kunstverein Passau and Great Town Hall Gallery Landshut (catalog)
- 2011: Knüller Falter Reisser I – III , Art Museum Villa Zanders , Bergisch Gladbach
- 2012: Chamber of Art and Curiosities - revisited , Große Rathausgalerie Landshut
- 2012: Thinking - Artists' Books Collection Missmahl , Kolumba (Art Museum of the Archdiocese of Cologne) , Cologne
- 2012/13: Salon pieces RELOADED , Art Museum Villa Zanders , Bergisch Gladbach (catalog)
- 2013: EINS von HUNDERT , Art and Museum Library of the City of Cologne , Museum Ludwig , Cologne
- 2014: The river: carefree , Bartels Fondation, Basel (catalog)
- 2016: In front of the sculpture - sculptural drawings (with Karin Hochstatter , Michael Seeling , Birgit Werres ), Ulrich Mueller Gallery, Cologne
- 2016: new ends 2 (classes Fritz Schwegler) , GersonHöger Galerie, Hamburg
- 2017: Out of Office , Museum for Concrete Art (MKK), Ingolstadt
Art in architecture / art in public space
- 2000: Model Mambo 1 (outdoor sculpture), plastic chairs, 2.30 m (diameter), Colosseum Art Collection (Colosseum Theater), Essen
- 2003: Untitled (trompe-l'œil wall painting, outer wall of the Neuruppin-Wulkow prison ), 6.50 × 150.00 m, Neuruppin-Wulkow (Brandenburg)
- 2003/04: Untitled (wall installation, stairwell of the Martin Luther University Hospital), phosphorescent plastic rods of different colors, 15.00 × 4.00 × 1.00 m, Halle ad Saale
- 2010: Real-fantasy children's dream (enclosure wall of the Ingeborg-Ortner-Kinderhaus of the Technical University of Munich ), different colored Lego blocks ( acrylonitrile-butadiene-styrene ), sheet steel, 1.00 × 13.00 × 13.00 m, Garching b. Munich
- 2013: Gaby (bronze sculpture of a young pig at the Gleißnerstraße crèche), gold bronze , 63 × 37 × 68 cm (life size), Munich
literature
- Andreas Bee : Take a seat - about chairs, seating arrangements and art. In: Rolf Lauter (Ed.): For Jean-Christophe Ammann - Festschrift , Societätsverlag, Frankfurt am Main, 2001, ISBN 3-7973-0789-6 .
- Nikola Doll, Jochen Heufelder (Ed.): Schrebergarten (German / English / Portuguese), Salon-Verlag, Cologne, 2004, ISBN 3-89770-221-5 .
- Reinhard Ermen: Stacked Goods or The Birth of Sculpture from the Spirit of Reproduction. In: The least resistance. Pp. 33–35, Ulrich Mueller Gallery, Cologne, 2002.
- Reinhard Ermen (text): Pas de deux - Tina Haase and Sekimoto Kôji. Japanese Cultural Institute , Cologne, 2002
- Tina Haase: The least amount of resistance. Ulrich Mueller Gallery, Cologne, 2002.
- Tina Haase: How much color can you still bear? In: All Colors Permitted as Long They Don't Interfere with Business. Galeria BWA / Atelier 340 Muzeum, Katowice / Brussels, 2008, ISBN 978-83-8825448-2 , p. 49.
- Tina Haase: initially factual. (German / English), Ulrich Mueller Gallery / Technical University of Munich , Munich, 2010, ISBN 978-3-941370-14-2 .
- Tina Haase (ed.): For own edification. Technical University of Munich , Munich, 2011, ISBN 978-3-941370-31-9 .
- Tina Haase (Ed.): Residence in the King's Hall. Technical University of Munich , Munich, 2013, ISBN 978-3-941370-25-8 .
- Tina Haase (Ed.): Heimvorteil (German / English), Technical University of Munich , Munich, 2014, ISBN 978-3-941370-52-4 .
- Tina Haase (ed.): The double view (German / English), Technical University of Munich , Munich, 2014, ISBN 978-3-941370-55-5 .
- Jochen Heufelder: Mele Kalikimaka (excerpts), in: koelnarchitektur.de - the internet portal for the architecture city of Cologne. Cologne, December 19, 2006
- René Hirner (Ed.): Tina Haase - strips (German / English), Kunstmuseum Heidenheim, Heidenheim, 2000, ISBN 3-929935-16-3 .
- Alexander von Knorre (text): Status items. Cultural Office of the City of Herne, Herne, 1989.
- Jens Peter Koerver: Instructions for use - Please read carefully! in: Tina Haase. P. 18, Mannheimer Kunstverein , Mannheim, 1995
- Jens Peter Koerver: What comes in between. In: Cologne sketches. Vol. 24, issue 2, pp. 6-7, Cologne, 2001.
- Jens Peter Koerver: Through each other or "Everything should be made as simple as possible, but not simpler." In: The slightest resistance. Pp. 5–8, Ulrich Mueller Gallery, Cologne, 2002.
- Gerhard Kolberg (text): Confusion - Vorgebirgsparkskulptur 2001. IG Kunst im Park, Cologne, 2001.
- Anita Kontrec (Ed.): Recall Byblos - The Art of Communication. Ludwig Forum for International Art , Aachen, 1993, ISBN 3-929292-14-9 .
- Julie Metzdorf: Out of Office - Office Art at MKK Ingolstadt . In: kulturWelt , broadcast on April 3, 2017, 8.30 a.m. on Bayern 2 , Bayerischer Rundfunk ( BR ), Munich.
- Reinhold Misselbeck : On the work of Tina Haase. In: Recall Byblos - The Art of Communication. P. 111, Ludwig Forum for International Art , Aachen, 1993, ISBN 3-929292-14-9 .
- Alfons Oebbeke: Houses should be individualists (interview with Tina Haase). In: Baulinks.de - Architektur Magazin , Neustadt ad Weinstrasse, April 23, 2017.
- Petra Oelschlägel: Tina Haase - Salon pieces 3. Städtische Galerie Villa Zanders , Bergisch Gladbach, 1995, ISBN 3-939227-26-9 .
- Petra Oelschlägel (Ed.): Salon pieces RELOADED. Kunstmuseum Villa Zanders , Bergisch Gladbach, 2012, ISBN 978-3-939227-32-8 .
- Claudia Posca (text): Symposium Hofgut Hohenkarpfen. Edition Ritzi, Trossingen, 1997.
- Jürgen Raap : Full House. In: Kunstforum International . Volume 144, p. 361, Cologne, 1999, ISSN 0177-3674
- Marietta Schwarz: The office worker becomes an office dweller (interview with Dr. Theres Rohde - curator of the exhibition Out of Office at the Museum für Konkrete Kunst , Ingolstadt). In: Corso , broadcast on April 3, 2017, 3:05 p.m. on Deutschlandfunk ( Dlf ), Cologne.
- Ingo Springenschmid : AXES TO FLOAT. In: initially factual. Pp. 88–89, Ulrich Mueller Gallery / Technical University of Munich , Munich, 2010, ISBN 978-3-941370-14-2 .
- Martin Stather : Balance of Opposites. In: Tina Haase. Pp. 2–3, Mannheimer Kunstverein , Mannheim, 1995
- Beatrice Stammer (Ed.): Outside of the middle. New Society for Fine Arts (NGBK), Berlin, 1991, ISBN 3-926796-18-9 .
- Thomas von Taschitzki (text): Tina Haase - Karin Hochstatter - Birgit Werres. Kunstverein Köln on the right bank of the Rhine, Cologne, 1998.
- Heinz Thiel (Ed.): Visions of a New Morning (German / English), Edition Braus, Heidelberg, 1996, ISBN 3-89466-166-6 .
- Florian Welle: Small escapes . In: Süddeutsche Zeitung ( SZ ), edition of April 18, 2017, Munich, ISSN 0174-4917 .
Web links
- Tina Haase's website
- Tina Haase's professor profile
- Films by Tina Haase and Karin Hochstatter
- Interview with Tina Haase on the real-fantasy children's dream project
- Houses should be individualists - interview with Tina Haase
Individual evidence
- ↑ Biographical data: Professor profile of Tina Haase on the website of the Technical University of Munich (TUM), accessed on April 25, 2015.
- ^ Haase, Tina in the directory of members on the website of the German Association of Artists , accessed on November 21, 2015.
- ↑ Tina Haase: initially factual. Ulrich Mueller Gallery / Technical University of Munich, Munich, 2010, pp. 64–65.
- ↑ Tina Haase: initially factual. Ulrich Mueller Gallery / Technical University of Munich, Munich, 2010, pp. 42–43.
- ↑ Tina Haase: initially factual. Ulrich Mueller Gallery / Technical University of Munich, Munich, 2010, pp. 14–17.
personal data | |
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SURNAME | Haase, Tina |
BRIEF DESCRIPTION | German sculptor, object and media artist, university lecturer |
DATE OF BIRTH | 1957 |
PLACE OF BIRTH | Cologne |