Pomace

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Alpinia pomace in the Austrian Folklore Museum in Vienna on January 14, 2017

Tresterer are in the Salzburg Pinzgau (in Bruck , Saalfelden , Stuhlfelden , Zell am See , Unken ) and in the city ​​of Salzburg resident Schönperchten , which are acting and dancing figures of the Bavarian-Austrian alpine customs .

Origin of the marc

The use of pomace is documented for the first time in 1841. Only guesses can be made about origins that are further back. Pinzgauer pomace people assume that the pomace is derived from threshing the grain by stamping with the feet. Folklorists, on the other hand, explain the custom with, among other things, European cultural transfers along old trade routes. The derivation of the word “pomace” from the practice of pounding must or wine, as expressed by Richard Wolfram and Ulrike Kammerhofer-Aggermann, is not proven by any source.

The need

The custom of pomace has been documented since 1841 and takes place mainly in Pinzgau, more precisely Oberpinzgau . In the city of Salzburg there has been a pomace group since 1911, which until 1988 only performed the dance, regardless of the custom. The groups, they are called passports, differ in the costumes depending on the location and have different accompanying figures with them depending on the location. What they have in common is the date on which the custom is held, which takes place on January 5th and / or 6th. For example, the Stuhlfeldener Tresterer only go to the farms in a different part of the village every year on the evening of January 5th and in the afternoon on January 6th in the center. But it also happens again and again that there are performances on other dates, especially earlier there were often performances at traditional costume festivals in summer or during the Advent season at Salzburg Advent singing or television programs like Licht ins Dunkel . Integrated into a certain choreography of the various accompanying figures, the dance of the Tresterer represents the real highlight. A dancer called Vorpercht enters the dance floor after the Hanswurst cleared it (before that the Schiachperchten and other figures raged in the room), after this rhythmically with his shoes stamps, the remaining marc dancers join in and perform a complicated round dance with hopping and stamping steps with and without musical accompaniment. Afterwards, New Year's wishes are expressed and most of the time, a hand is offered to everyone present. The dancers are all men of different ages. The "Pinzgauer Tresterertanz der Salzburger Alpinia" was awarded in 2013 by the UNESCO intangible cultural heritage . Some local museums or municipal offices exhibit the costumes during the year, old costumes can only be seen in special exhibitions for conservation reasons, for example in a cultural-scientific-artistic reflection on the custom in the traveling exhibition "Matthias dances. Salzburg Tresterer on stage" in the Folklore Museum Vienna and Folklore Museum, Hellbrunn Month Castle. The costumes of the Salzburg Museum and the Volkskundemuseum Vienna date from the second half of the 19th century. The Salzburg State Institute for Folklore has published extensive research results in two books.

The dance of the Schönperchten promises rich harvest blessings, fertility, happiness and health for the farming families. That is why the pomace is always welcome to the farmers. Before the Perchten move on to the next farm, the families invite them for a snack . Then they disappear again in the darkness of the winter night.

The pomace workers are always accompanied by other Perchten (accompanying figures), in Zell am See they are:

The text recited by the Zeller Hanswurst reads:

Griass Eich Gott, liabe Leit, sad it just stad and
watch it , the Tresterer especially Zell like to run.
As a Hanswurst I must z'erscht a Kreiz nei 'schlog'n
then kinnan the pomace vurtrogn their dance.
Doa tuats emerge from Droad (grain) her kemma
and soid bring happiness and blessings to all.
Lopp, Lappin, Zopfn- und Werchmandl
Hobergoassn, Kropfnschnapper, Heanapeacht,
the Schiachen and a few musicians
tan a umanaunda ziachn with us.
And so Eich waved the Tresterer Pass
fias neiche Joahr to peace, to Gsund and to rhyme.

Important pomace

  • DANKL, Blasius (* February 2, 1846 in Unken ; † August 21, 1913 in Lofer ) comes from the Rempichlgut in Unken and died as a businessman in Lofer. Shortly before his death he passed the Unkener Tresterer-Tanz to the Pfannhausbauer Martin Fuchs in Unken.
  • EDER, Mathias, commonly known as "Höller Hias" (* December 11, 1875 in Uttendorf ; † June 20, 1949 in Kaprun ), was born on Köttingeinödengut. When Herbert Lager and Ilka Peter recorded the Tresterer dance in 1939, Mathias Eder, then 65, was able to perform a total of 12 dances, although he was never a passport himself. Eder learned the Tresterer dances together with Alois Neumayr from his grandfather Johann Neumayr (Seethal) in Uttendorf. Eder's father Peter Eder (* July 16, 1839 ; † January 29, 1915 ) and his father Balthasar were both Perchtenläufer in Uttendorf, but not pomace dancers. The cinematic recordings of the dances and dance steps performed by Eder were made known to a wider public in 2012, primarily through the artistic work of Thomas Hörl , and were a template for his intervention “Matthias tanzt. Salzburg pomace on stage ".
  • FELLERER, Anton ( October 13, 1886 in Uttendorf ; † April 8, 1953 in Uttendorf) comes from the Reichersberggut in Uttendorf. He was the buffoon of the Tresterer Pass in Mittersill and an important information person on this role for Ilka Peter .
  • FUCHS, Martin (born November 11, 1891 in Unken) was born on Pfannhausgut and around 1912 learned the Unken pomace dance from the 66-year-old Blasius Dankl. He was then head of the Tresterer Pass in Unken.
  • MAIER, Georg (born April 9, 1860 in Uttendorf ; † 1941 in Piesendorf ) (commonly known as "Tischler-Jörgäu") was from 1875 to 1925 Vorpercht the Tresterer Pass in Piesendorf, which existed from 1870 to 1925. A photograph of the Tresterer Pass Piesendorf with Georg Maier, who was 20 years old at the time, has been preserved from 1880.
  • NEUBAUER, August (1870-1950) was chairman from 1904 and honorary chairman of ALPINIA Salzburg in 1911. At his instigation, the Tresterer dance was included in the club's program in 1911.
  • RUPP, August (Gustl) (born November 6, 1902 in Bludenz , † August 12, 1973 in Salzburg ) A "Mr. Rupp" taught Richard Wolfram the dances of the pomace for twelve hours. August (Gustl) Rupp was a Plattler, from 1930 Vorplattler at the Salzburg Mountain Association Alpinia. In 1934 he was elected first Vorplattler and remained in this position until at least 1939.
  • SCHIEDER, Georg, commonly known as "Schorsch Schieder", was born in Saalfelden (Ramseiden 7) in 1922 and died in 1943 as a soldier. Although, according to the story, Schieder was not a Tresterer and did not belong to a Tresterer Pass, he can be seen in a photo from 1939 in the Tresterer costume that probably belonged to Alois Neumayr. It is possible that Ilka Peter was given it by Alois Neumayr and she then asked Georg Schieder, then 17, to wear it for a photograph. Ilka Peter wrote the step recordings at the Laböck farmer and reports that Schieder was very interested in learning the pomace dance. Mathias Eder probably wore this Neumayr costume when filming in Vienna, as he didn't own one. Georg Schider's father Georg Schider (1873–1951) was the owner of the Laböckgut in Ramseiden near Saalfelden, in which Ilka Peter had lifelong right of residence and in which she always spent her summer holidays. From here she took a bicycle to visit the two persons providing information on the Tresterer dance, Alois Neumayr in Dorfen near Saalfelden, and Mathias Eder in Kaprun.

Pomace Pass

  • Alpinia Salzburg: Founded in 1909, documented from 1911 (1st appearance).
  • Bruck an der Glocknerstrasse (Glocknerpass): Founded in 1997.
  • Krimml: Documented in 1894 by Wilhelm Hein, documented in 1909 by two photographs by Jurischek.
  • Mittersill: Documented from 1841 by Kürsinger in Pirtendorf (?), Documented by a photograph in 1877/78. Was active until the 1930s. Handover of the costumes to the Tresterer Pass of the "Kitzstoana" in Zell am See.
  • Piesendorf: Founded in 1870, dissolved in 1925. Documented using a photograph from 1880.
  • Saalfelden: Documented 1939. ALois Neumayr was Vorpercht in Saalfelden, before that in Zell am See. New foundation in 2017 based on the records of Ilka Peter and by passing on active Tresterer dancers.
  • Stuhlfelden: Documented by Kürsinger in 1841 based on an appearance in a farmhouse parlor in Pirtendorf near Stuhlfelden. New establishment in 1963 on the occasion of the 1000th anniversary, rehearsed by Jusef Fuchs based on the notes of Ilka Peter and the memories of former Perchtentancers.
  • Uttendorf: Alois Neumayr and Mathias Eder studied the Tresterer dance in Uttendorf. Whether there is a pass * Zell am See: Founded in 1874, documented from 1894 by two dated photographs. 1931 Re-establishment within the 1st Pinzgau traditional costume preservation association "d'Kitzstoana", taking over the costumes of the Tresterer-Pass Mittersill. New establishment in 1984 by Hermann Schmiderer.
  • Unken (special form): Founded before 1870, since from 1871 the Pechtentanz could no longer be practiced due to the Perchtentancers who died in the Bavarian-French War. Re-establishment in 1912 based on the memories of Blasius Dankl. In terms of form and costumes, the dance differs significantly from the other Tresterer dances in Pinzgau.

literature

  • Karl Adrian: “Salzburger Volksspiele, Aufzüge und Tänze”, in: MGSLK , Vol. 45, H. 2, 1905, S. 1–160; here p. 58ff and p. 157. [1]
  • Karl Adrian: Our Salzburg. 1816-1916. A home book for the youth and the people , Vienna 1916, pp. 292–293.
  • Karl Adrian: From Salzburger Sitt 'and Customs , Vienna: Austrian School Books Publishers 1924.
  • Marie Andree-Eysn: “Die Perchten im Salzburgischen”, in: Archive for Anthropology , New Series, Vol. III, Braunschweig: Friedrich Vieweg and Son 1905, pp. 122-141. [2]
  • Marie Andree-Eysn: “Die Perchten im Salzburgischen”, in: Special print from the Archive for Anthropology , New Series, III. Volume, 2nd issue, Braunschweig: Friedrich Vieweg and Son 1905. [3]
  • Marie Andree-Eysen: "The Perchten in Salzburg", in: Folklore. From the Bavarian-Austrian Alpine region , Braunschweig: Vieweg and Son 1910, pp. 156–185. Reprint: Hildesheim / New York: Olms 1978.
  • Josef Bichler: "Unterländer Memories", in: Österreichische Touristenzeitung , 6th Bd./Nr. 22, November 15, 1886, pp. 253-264; here p. 254.
  • Toni Blum: “On the history of the costume thing. II. “, In: Österreichische Gebirgs- und Volks-Trachten-Zeitung , 7th year / No. 4, February 15, 1924, p. 3.
  • Kuno Brandauer: “The Pinzgauer Perchtentanz. A remnant from prehistoric times ", in: Salzburger Chronik , 63rd vol., No. 47, Feb. 26, 1927, p. 2. [4]
  • Kuno Brandauer: "The Pinzgauer Perchtentanz", in: Salzburger Volksblatt with the illustrated magazine Bergland , 57th year / no. 47, Feb. 26, 1927, pp. 4-5. [5]
  • Kuno Brandauer: "Die Perchten", in: Österreichische Gebirgs-, und Volks = Trachten Zeitung , 14. Jg./Nr. 6, June 1, 1932, pp. 49-51.
  • Josef Dürlinger: From Pinzgau. Historical overviews, place and church registers , Salzburg 1866, p. 306.
  • Friedrich Johann Fischer: "The Perchtenlauf in Salzburg in the 18th century", in: MGSLK , Vol. 103, 1963, pp. 107–121.
  • Marie Eysn: “From past days”, in: 7th annual report of the Sonnblickverein for the year 1898 , Vienna 1898, p. 3–11, fig. On p. 8 (photograph of the Tresterer Pass Zell am See).
  • Ludwig Freytag: “The goddess Bercht-Holda and her entourage. Contributions to the explanation of their cults and the folk customs related to it ”, in: Zeitschrift des Deutschen und Österreichischen Alpenvereines , Vol. 12, 1881, pp. 178-216. [6]
  • J. [ohann] Granegger: "Das Perchtenwesen (conclusion.)", In: Österreichische Gebirgs- und Volks-Trachten-Zeitung , 6th year / no. 14, July 15, 1924, pp. 1-2. [7]
  • Elisabeth Groschopf (ed.): "Tresterer, -ę-", in: Dictionary of Bavarian dialects in Austria , ed. from the Institute for Austrian Dialect and Name Lexicons of the Austrian Academy of Sciences, Vienna 2015, Sp. 461.
  • Elisabeth Groschopf (ed.): "Trestern I, -ę-", in: Dictionary of Bavarian dialects in Austria , ed. from the Institute for Austrian Dialect and Name Lexicons of the Austrian Academy of Sciences, Vienna 2015, Sp. 461.
  • Elisabeth Groschopf (ed.): "Trestern II, -ę-", in: Dictionary of Bavarian dialects in Austria , ed. from the Institute for Austrian Dialect and Name Lexicons of the Austrian Academy of Sciences, Vienna 2015, Sp. 462.
  • Wilhelm Hein: "Dances and Volksschauspiele in Tirol and Salzburg", in: Mitteilungen der Anthropologische Gesellschaft Wien , Vol. 24 (The new series, 12th Vol.), Vienna 1894, pp. 45–48. [8th]
  • Mario Herger: "The dance of the Pinzgauer Tresterer", in: The happy circle. Newspaper of the Federal Association of Austrian Folk Dance , 54th year / no. 1, March 2004, pp. 5-7. [9]
  • Thomas Hochradner: “The Pinzgau Pomace Dance of the Salzburg ALPINIA”. Letter of recommendation on the application for inclusion in the list of intangible cultural heritage in Austria, February 17, 2013. [10]
  • Werner Hölzl: “The Salzburg anniversary tarot. 200 years of Salzburg near Austria ”, in: Salzburg Archive , Vol. 36, 2016, pp. 319–346.
  • Hermann Hörl: "The Perchten from Pongau and Pinzgau", in: Österreichische Alpine Gebirgs- und Volks-Trachten-Zeitung , 6th year / no. 5, May 15, 1923, p. 2.
  • Karl Horak: “Folk dances from Unken in the Salzburg region”, in: Yearbook of the Austrian Folk Song Works, Vol. 6 (1957), pp. 61–72.
  • Ernestine Hutter, Fritz Hörmann: Mask, mysticism, custom. Perchten in the province of Salzburg, Werfen 1992.
  • Ernestine Hutter (ed.): Salzburger Perchtenrauch: Proceedings of the Salzburg Perchten Symposium Mask, Mysticism, Custom - Hohenwerfen Castle, November 13th to 15th, 1992 , Salzburg: Landesverband Salzburger Volkskultur 1994.
  • Ulrike Kammerhofer-Aggermann: “Perchtenlauf between myth and carneval. Where do the Unkener Tresterer and stilt dancers really come from? ”, In: Salzburger Volkskultur , Vol. 22, H. 1, 1998, pp. 74–84.
  • Ulrike Kammerhofer-Aggermann: “Regional (Salzburg) customs. A process of meaningful identification between territorial and global homeland ”, in: Die Gasteiner Perchten , St. Johann: Hochewarter 2001, pp. 8–15.
  • Ulrike Kammerhofer-Aggermann / Gerda Dohle: "Mask prohibitions in the 17th and 18th centuries", in: Lucia Luidold / Ulrike Kammerhofer-Aggermann (eds.), Customs in the Salzburger Land , CD-ROM 1 (SBzVK 13), Salzburg 2002.
  • Ulrike Kammerhofer-Aggermann: “Regional (Salzburg) customs. A process of meaningful identification between territorial and global homeland ”, in: Antonio Pasinato (ed.), Heimatsuche: regional identity in the Austrian-Italian Alpine region , Würzburg: Königshausen & Neumann 2004, SS 37–50.
  • Ulrike Kammerhofer-Aggermann: “Salzburg 'Maschker runs' in the 17th and 18th centuries. Alpine forms of carnival on long-distance trade routes ”, in: Gerhard Ammerer / Ingonda Hannesschläger / Thomas Hochradner (eds.), From Venice to Salzburg. Reading traces of a complex transfer (publications by the research platform “Salzburger Musikgeschichte”, vol. 3), Vienna: Hollitzer Verlag 2015, pp. 137–183.
  • Ulrike Kammerhofer-Aggermann: “Salzburg Carnival under Archbishop Markus Sittikus - a total work of art. The carnival festivals at the court 1613-1619 ", in: MGSLK , vol. 154/155, Salzburg 2015, pp. 241-277. [11]
  • Ulrike Kammerhofer-Aggermann / Anna-Magdalena Kasper (ed.): Matthias dances. Salzburg pomace on stage. Art and science in dialogue. Book accompanying the exhibition. Salzburg State Institute for Folklore , Vienna: Austrian Museum for Folklore / Salzburg: Salzburg State Institute for Folklore 2017.
  • Ulrike Kammerhofer-Aggermann (ed.): Salzburger Tresterer - found and documented (Salzburg contributions to folklore, vol. 29), Salzburg 2018.
  • Hans Karlhuber: "(Perchtenlaufen in Badgastein.)", In: Salzburger Volksblatt , 53rd Jg./Nr. 6, January 9, 1923, pp. 3-4.
  • Karl Kronfuß: "Vom Berchten = Tanz", in: Das deutsche Volkslied , Vol. 5, 1903, pp. 99-100.
  • Leopold Katscher: “From Salzburger Land und Stadt”, in: Neue Illustrirte Zeitung , Volume II, No. 49, August 31, 1884, pp. 784–786.
  • Reinhard Kriechbaum: “Kill the messenger! Background / discussions about the pomace “, in: Drehpunktkultur , February 29, 2012. [12]
  • Reinhard Kriechbaum: "'Braune' Tresterer?", In: Drehpunktkultur , August 28, 2012. [13]
  • Reinhard Kriechbaum: “From the carnival figure to the Percht. BACKGROUND / TRESTERER ", in: Drehpunktkultur , January 2nd, 2017. [14]
  • Reinhard Kriechbaum: “The dance of the pomace. Monthly Schlössl / Matthias tanzt ", in: Drehpunktkultur , March 22, 2018 [15]
  • Reinhard Kriechbaum: "From the Pinzgauer 'Indians'", in: Drehpunktkultur , January 22, 2019. [16]
  • Reinhard Kriechbaum: “An alert political mind. In portrait / Ulrike Kammerhofer-Aggermann ", in: Drehpunktkultur , March 31, 2019. [17]
  • Ignaz von Kürsinger: Ober-Pinzgau or: The Mittersill district: a historical, topographical, statistical, natural-historical sketch , Salzburg: Joseph Oberer 1841, pp. 164-167. [18]
  • Herbert Lager / Ilka Peter: Perchtentanz im Pinzgau (71st communication from the Phonogram Archive Commission), Vienna-Leipzig: Hölder-Pichler-Tempsky AG 1940.
  • Erwin Laubichler: “Pinzgauer Pinzgau Pomace Dance of the Salzburg ALPINIA”. Application form, February 21, 2013. [19]
  • Friedrich von der Leyen: "Folklore in Pictures", in: Bayerische Hefte für Volkskunde of the Bavarian State Office for Folklore , 3rd Jg./Heft 1/2, Munich: Bavarian Academy of Sciences 1916, pp. 1-20.
  • Thomas Lückewerth: "Krampusse und Tresterer", in: Heidnisches Jahrbuch 2007 , Rudolstadt: Daniel Junker 2006, pp. 168–169.
  • F. Mayr: "The Unkener Tresterer and their 'Zechen'", in: Natur Land Salzburg , Heft 1, 2006, p. 14.
  • Karl Müller: "Knowledge of the past as a future opportunity?", In: Zeitschrift Salzburger Volkskultur , Heft 2 (2012), pp. 4–9.
  • Karl Müller: Letter of recommendation for the “Pinzgauer Tresterertanz” - application for inclusion in the National Register of Intangible Cultural Heritage in Austria, December 24, 2011. [20]
  • Gunhild Oberzaucher-Schüller: “Stage dance reflections on folk dance phenomena”, in: www.tanz.at , March 11, 2017. [21] .
  • Friederike Prodinger: "Contributions to Perchenforschung", in: MGSLK , Vol. 100, 1960, pp. 545-563. [22]
  • Leopold Radauer: "Trestern - a Pinzgauer Perchtentanz", in: Das Salzburger Jahr 1963/64, pp. 52–57.
  • Wilhelm Schjerning: Die Pinzgauer (research on German regional and folklore, vol. 10), Stuttgart 1897, pp. 250-251.
  • Hermann Schmiderer: 90 years of Trachtenverein D'Kitzstoana , Zell am See 1995.
  • Hermann Schmiderer: Tresterer - Schönperchten in Pinzgau. Pomace, ancient customs with a chronicle of the Zeller Pomace people , Zell am See: Hermann Schmiderer 2006.
  • Hans Schuhladen: "On the history of Perchten customs in the Berchtesgadener Land, in Tyrol and Salzburg from the 16th to the 19th century. Basics for analyzing today's understanding of tradition", in: Bayerisches Jahrbuch für Volkskunde 1983/84 , Volkach 1984, pp. 1–29 .
  • Hans Schuhladen: “On the history of Perchten customs in Salzburg and neighboring areas up to the beginning of the 20th century. Traditions in Change and Redemption ”, in: Ernestine Hutter (ed.), Salzburger Perchtenrauch: Proceedings of the Salzburg Perchten Symposium Mask, Mysticism, Custom - Hohenwerfen Castle, November 13th to 15th, 1992 , Salzburg: Landesverband Salzburger Volkskultur 1994, p 22-48 et al. 64-70.
  • Albert Silberstein: "The Perchten running or the Perchtentanz in Pinzgau in Salzburg", in: Ueber Land und Meer. Allgemeine Illustrirte Zeitung , 1878, 20th Jg./39. Bd./Nr. 14, p. 310. [23]
  • Erwin Simonitsch: “On the trail of the marc harvesters. Raunacht or Shrovetide custom? Or even Nazi cult? Scientists should now clarify the origin of the marc. ”, In: Pinzgauer Nachrichten , November 9, 2017, pp. 4–5.
  • Erwin Simonitsch: "Stamping against the plight of the people", in: Pinzgauer Nachrichten , October 31, 2018, pp. 14-15. [24]
  • Anton Solinger: Solinger Chronik , Krimml: Kulturverein Chrumbas 1993, 2nd edition 1994.
  • Friedrich Umlauft (ed.): The countries of Austria-Hungary in words and pictures. The Duchy of Salzburg. Described by Prof. Eduard Richter , 5th vol., Vienna: Carl Graeser 1881.
  • Beda Weber: "Das Berchtenlaufen", in: Austria or Oesterreichischer Universal = calendar for the common year 1846 , Vienna: Ignaz Klang 1846, pp. 18-19. [25]
  • Vitus Weh: “Pomace autoerotic. For the exhibition 'Matthias' by Thomas Hörl ”, Booklet Hörl 2014/15.
  • Iwo Arnold Wenger: Something about the Perchten and their customs: Explanatory introduction and clarification based on the works of Mrs. ... and Mr. Karl Adrian ... , Badgastein: Holzner, 1911, p. 10ff.
  • Johann Werfring: “Stamping under the sign of the rooster crown”, column “Museum pieces”, in: Wiener Zeitung , January 5, 2017, supplement “ProgrammPunkte”, p. 7. [26]
  • Richard Wolfram: "Salzburger Volkstänze", in: Wiener Zeitschrift für Volkskunde , 38th year, 1933, pp. 85-101. [27]
  • Richard Wolfram: “The Pinzgauer Tresterertanz” (with two sheet music examples), in: Wiener Zeitschrift für Volkskunde , 41st vol., 1936, pp. 1–15.
  • Richard Wolfram: The folk dances in Austria and related dances in Europe , Salzburg: Otto Müller Verlag 1951, p. 45.
  • Franz Zillner: “National character, costumes, customs, customs and legends”, in: The Austro-Hungarian Monarchy in words and pictures. Upper Austria and Salzburg , Vienna: kk Hof- und Staatsdruckerei 1889, pp. 425–460; here pp. 456–457. [28]
  • Karl Zinnburg: in: "Der Pinzgauer Tresterer", in: ders., Salzburger Volksbräuche , Salzburg: Salzburger Druckerei 1977, pp. 366–368.

Journal articles (chronological)

  • 1906 “The Perchtentanz. (With illustration.) “, In: Dillinger's Travel Guide , 17. Jg./Nr. 1, January 1, 1906, pp. 3-4. [29]
  • 1909 “The popular demonstrations”, in: Salzburger Chronik , 45th Jg./Nr. 216, September 23, 1909, p. 3. [30]
  • 1911 "The Ball of" Alpinia ".", In: Salzburger Volksblatt , 41. Jg./Nr. 47, February 27, 1911, p. 6 (1st appearance of the Alpinia pomace). [31]
  • 1911 “Big Perchtenfest in Badgastein”, in: Salzburger Volksblatt , 41. Jg./Nr. 147, July 2, 1911, p. 6c. [32]
  • 1911 "(Perchtenlaufen.)", In: Grazer Tagblatt, 21st year / no. 185, July 6, 1911, p. 3a. [33]
  • 1911 "(From health resorts and summer resorts.)", In: (Linzer) Tages-Post , 47th year / no. 153, July 7, 1911, pp. 5b-c.
  • 1911 “Big Perchtenfest in Badgastein”, in: Volksfreund , XXII.Jg./Nr. 27, July 8, 1911, p. 2c.
  • 1911 "(Perchtenlauf in Badgastein.)", In: Innsbrucker Nachrichten , year 1911 / no. 160, July 15, 1911, p. 18b. [34]
  • 1911 “Badgastein”, in: Der Tourismus , IV.Jg./Nr. 29, [Vienna] July 16, 1911, pp. 13b-14a.
  • 1911 “Conference for Monument Preservation and Heritage Protection”, in: Salzburger Volksblatt , 41. Jg./Nr. 211, September 17, 1911, pp. 7b – 8a (2nd appearance of the Alpinia pomace). [35]
  • 1912 “The folk costume festival ”, in: Salzburger Wacht , 13th year / no. 175, August 5, 1912, p. 5 (Appearance of the Alpinia pomace). [36]
  • 1922 “ Heimat Customs and Heimatspiel”, in: Österreichische Gebirgs- und Volks-Trachten-Zeitung , 5. Jg./Nr. 4, April 15, 1922, p. 2a. [37]
  • 1926 “The great Salzburg peasant wedding”, in: Salzburger Chronik , 62nd year / no. 210, September 13, 1926, pp. 3-4. [38]
  • 1926 "(Great Salzburg Peasant Wedding.)", In: (Linzer) Tages-Post , 62nd year / no. 212, September 14, 1926, pp. 5c-6a. [39]
  • 1926 “From the associations. Salzburg national costumes = association. Performance in the Salzburg Festival Hall ”, in: Österreichische Gebirgs- und Volks-Trachten-Zeitung , 8th Jg./Nr. 19, October 1, 1926, pp. 2-3. [40]
  • 1927 “It's about! Carnival customs and carnival spirits in the country ”, in: Volkspost , 9th Jg./Nr. 3, January 15, 1927, p. 5.
  • 1927 “Across Austria. Carnival games in Austria. Dr. Adelgard Perkmann of the Folklore Museum. On the lecture on Thursday, February 24th "and" Fig. 3 [recte: Fig. 8]. Tresterer Tänzer (Pinzgau, Salzburg) ”, in: Radio Wien , No. 21, February 21 to 27, 1927, p. 27 and p. 28 [here: caption swapped!].
  • 1928 “Popular masks in the present and the past. Dr. Adelheid Perkmann of the Museum of Folklore ”, in: Radio Wien , 4th year / no. 20, February 13 to 19, 1928, p. [40], ill. With Tresterer dancers, Salzburg, Pinzgau.
  • 1928 Alpha Omega: “Faschingsumzüge als Fruchtarkeitszauber ”, in: Arbeiter Zeitung , 41. Jg./ No. 56, [Vienna] February 19, 1928, p. 17.
  • 1930 Eduard Weinkopf: "Carnival customs in Austria", in: Wiener Zeitung , 227th Jg./Nr. 51, March 2, 1930, p, pp. 1-2.
  • 1930 "The Heimatfest in Saalfelden", in: Salzburger Volksblatt , 60th Jg./Nr. 195, August 26, 1930, pp. 7-8. [41]
  • 1930 “The Heimatfest in Saalfelden”, in: Allgemeine Tiroler Anzeiger , 23rd year / no. 197, August 28, 1930, p. 3.
  • 1931 “Die Perchten are coming!”, In: Salzburger Volksblatt , 61. Jg./Nr. 166, July 23, 1931, p. 7. [42]
  • 1931 "The Salzburger Landes = Trachtenfest", in: Salzburger Volksblatt , 61. Jg./Nr. 177, August 5, 1931, p. 6. [43]
  • 1931 “The traditional costume festival in Salzburg”, in: Salzburger Chronik , 67. Jg./Nr. 185, August 14, 1931, p. 4. [44]
  • 1931 “Das Landes = Trachtenfest in Salzburg”, in: Salzburger Volksblatt , 61st Jg./Nr. 185, August 14, 1931, p. 14. [45]
  • 1931 “Salzburger Landesverband = Trachtenfest”, in: (Linzer) Tages-Post , 67th year / no. 188, August 18, 1931, p. 3.
  • 1933 “For the great traditional costume festival in Salzburg”, in: Salzburger Chronik , 69th Jg./Nr. 196, August 26, 1933, p. 4. [46]
  • 1933 "To the Reichsvebands = festival on August 26, 1933", in: Österreichische Gebirgs- und Volks-Trachten-Zeitung , 15th year / no. 10, October 1, 1933, p. 74a. [47]
  • 1936 “The Pinzgauer Perchtentanz or 'Tresterer'”, in: Salzburger Chronik , 72nd year / no. 38, February 15, 1936, p. 8c. [48]
  • 1936 "The Pinzgauer Perchtentanz or" Tresterer "", in: Salzburger Volksblatt , 66th year / episode 38, 15./16. February 1936, p. 6. [49]
  • 1936 "Der Heimattag in Lofer", in: Salzburger Chronik , 72nd year / no. 166, July 22, 1936, p. 5a. [50]
  • 1936 "Lofer (Der Heimattag)", in: Salzburger Volksblatt , 66th vol. 166, July 22, 1936, p. 8c. [51]
  • 1936 “Lofer!”, In: Österreichische Gebirgs- und Volks-Trachten-Zeitung , Vorarlberger number / no. 9, September 1, 1936, p. 75.
  • 2013 "Schnalzer, Tresterer, Klöppler named UNESCO cultural heritage", in: Salzburger Volkszeitung , June 7, 2013, p. 7.

Web links

Individual evidence

  1. ^ Johann Werfring: Stamping under the sign of the rooster crown . In: “Wiener Zeitung”, January 5, 2017, supplement “ProgrammPunkte”, p. 7.
  2. ↑ Richard Wolfram: “The Pinzgauer Tresterertanz (with two sheet music examples)”, in: Wiener Zeitschrift für Volkskunde , 41st vol. (1936), p. 14.
  3. ↑ Ulrike Kammerhofer-Aggermann on January 14, 2017: Youtube: "Brauchsalon" | "MATTHIAS" TANZT. Salzburger Tresterer on stage (Long Version) (Minute 17: 40-18: 10).
  4. ↑ Pinzgauer Tresterertanz the Salzburg ALPINIA . unesco.at. Retrieved June 11, 2020.
  5. ↑ Austrian UNESCO Commission: Pinzgauer Tresterertanz der Salzburger ALPINIA. Retrieved August 16, 2019 .
  6. ↑ Matthias dances - Salzburger Tresterer on stage. Retrieved August 16, 2019 .
  7. ↑ Matthias dances - Salzburger Tresterer on stage. Retrieved August 16, 2019 .
  8. ^ Pinzgauer Tresterer: New books document the custom. Retrieved August 17, 2019 .
  9. ↑ Baptism Book: Unken, Vol. V, p. 109; Death book: Lofer, Vol. IX, fol. 187, no.12
  10. ^ Baptismal register: Uttendorf, vol. V, p. 189, no. 39. The date and place of death can be found in the baptismal register.
  11. ↑ Baptism book: Uttendorf, Vol. IV, p. 143; Death register: ibid., Vol. V, p. 78, No. 4
  12. ↑ Lager / Peter 1940, p. 23
  13. ^ Baptismal register: Uttendorf, vol. V, p. 273, no. 34; The date and place of death are given in the baptismal register.
  14. ↑ Lager / Peter 1940, p. 6.
  15. ↑ Baptism book: Unken, Vol. VII, p. 125, No. 24
  16. ↑ Baptism book: Uttendorf, vol. V, p. 54; death book: ibid., Vol. IV, p. 212 (index).
  17. ^ Josef Lahnsteiner: Oberpinzgau from Kriml to Kaprun. A collection of historical, art-historical and local history notes for the Friends of Home , Salzburg 1956, p. 645.
  18. ↑ "The Ball of 'Alpinia'", in: Salzburger Volksblatt , 41. Jg./Nr. 47, February 27, 1911, p. 6.
  19. ^ Wedding book: Salzburg-Gnigl, vol. XI, p. 105.
  20. ↑ Richard Wolfram: "The Pinzgauer Tresterertanz" (with two sheet music examples), in: Wiener Zeitschrift für Volkskunde , vol. 41 (1936), p. 7, note 10
  21. ↑ Salzburger Volksblatt: independent. Daily newspaper f. City u. State of Salzburg , April 17, 1930, p. 7; Österreichische Alpine Volks- und Gebirgs-Trachten-Zeitung , February 1, 1932, p. 6
  22. ↑ Memorial plaque on the grave stone of the Laböck farmer in Saalfelden.
  23. ↑ Herbert Lager / Ilka Peter: '' Perchtentanz im Pinzgau '' (71st communication by the Phonogram Archive Commission), Vienna-Leipzig: Hölder-Pichler-Tempsky AG 1940, p. 77