Wilhelm Diegelmann

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Wilhelm Diegelmann on a photograph by Alexander Binder (1927)

Wilhelm Diegelmann (born September 28, 1861 in Ellers, today in Neuhof (near Fulda) , † March 1, 1934 in Berlin ) was a German actor .

Life

He began his stage career in 1878 in the choir of the Frankfurt Opera . In 1881 he made his acting debut at the Frankfurt City Theater . There he embodied the title characters in Wallenstein , Nathan the Wise , Wilhelm Tell and King Lear .

Around 1900 he moved to Berlin, where he appeared especially at the Deutsches Theater . He was later seen at the Berlin Theater , the Great Playhouse and the German Art Theater .

In 1913 he came to film through Max Reinhardt . Diegelmann became a busy supporting actor here, often in father figures, but increasingly also in rather comical batch roles. In the classic The Blue Angel, for example, he embodied a captain who, unsuspectingly, hooks up with the singer Lola Lola ( Marlene Dietrich ) after a boat trip and who promptly feels the jealousy of her new husband ( Emil Jannings ). In his last film, he was seen as an old dyke in the Storm adaptation Der Schimmelreiter . Diegelmann continued to appear on the Berlin stages, most recently in Hans Kyser's Rembrandt on trial shortly before his death.

He found his final resting place in the south-west cemetery in Stahnsdorf , but the grave no longer exists.

Filmography (selection)

literature

  • Ludwig Eisenberg's great biographical lexicon of the German stage in the XIX. Century. List, Leipzig 1903, p. 198 .
  • Kay Less : The film's great personal dictionary. The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 2: C - F: John Paddy Carstairs - Peter Fitz. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , pp. 386-387.

Web links