Bartlmä Dill Riemenschneider

from Wikipedia, the free encyclopedia

Bartlmä Dill Riemenschneider (* around 1495 / 1500 Würzburg , † 1549 / 50 ) was a German painter of the Renaissance , which in South Tyrol worked.

Life

Bartlmä Dill Riemenschneider was a son of the famous Würzburg carver Tilman Riemenschneider and his second wife Anna Rappolt that to 1506 / 07 died. He was trained to a large extent in Augsburg and perhaps also with Albrecht Dürer in Nuremberg . He migrated to South Tyrol around 1525 , and by 1526 at the latest he was based in the trading city of Bozen . In 1531 he stayed for a short time at the court of the Prince-Bishop of Trento, Bernhard von Cles . Riemenschneider belonged to the radical Reformation Anabaptist movement and was captured as an Anabaptist together with other Bolzano citizens in 1528 and forced to withdraw .

plant

Riemenschneider created altar paintings and sacred wall and vault paintings, but above all profane wall paintings and the first tiled stoves for noble castles and mansions painted using faience technology . He is considered the most important Renaissance artist in southern Tyrol.

Selected works:

Adoration by the Three Kings in the parish church of Burgstall

literature

  • Leo Andergassen, Leo: Renaissance altars and epitaphs in Tyrol (Schlern-Schriften 325), Innsbruck 2007
  • Hanns-Paul Ties: Il pittore Sudtirolese Bartlmä Dill Riemenschneider (1500 approx. - 1549/50) and the "invenzione" delle step in maiolica dipinte . In: Francesco Angelelli (a cura di): Atti del I Convegno Internazionale “Le antiche stufe ad olle in ceramica di Sfruz-Val di Non, Trentino. Produzione, storia, materie prime e tecniche: rapporti con altri centri ” , Sfruz 5-7 Settembre 2008, Trento 2011, pp. 73–90
  • Hanns-Paul Ties: The barons of Völs and antiquity. Image programs of the Renaissance in the castles of Prösels and Haselburg (South Tyrol) . In: Stefanie Lieb (ed.): Burgen im Alpenraum, research on castles and palaces , Vol. 14, Petersberg 2012, pp. 171–184
  • Hanns-Paul Ties: Bartlme Dill Riemenschneider - Transit Region and Art Transfer. Research results and perspectives on early modern art in Tyrol and Trentino . In: The Sciliar. Zeitschrift für Südtiroler Landeskunde , vol. 89, 2015, issue 12, pp. 31–43, here pp. 31–37
  • Hanns-Paul Ties: folding picture and conversion. Bartlme Dill Riemenschneider's three- king retable from the Bressanone Cathedral and the relationship between Christians and Muslims in the Renaissance , in: David Ganz / Marius Rimmele (ed.): Klappeffekte. Foldable picture carriers of the premodern (picture + picture 4), Berlin 2016, pp. 309–336
  • Johann Kronbichler / Hanns-Paul Ties (ed.): Renaissance in the mountains. The painter Bartlme Dill Riemenschneider and his time , catalog for the exhibition in the Diözesanmuseum Hofburg Brixen, May 27th - October 31st 2017, Brixen 2017
  • Hanns-Paul Ties: The painter Bartlme Dill Riemenschneider and the traces of the Reformation in Tyrolean art , in: Leo Andergassen (ed.): Luther und Tirol. Religion between reform, exclusion and acceptance , catalog for the exhibition in the South Tyrolean Museum for Cultural and Regional History Castle Tyrol, July 1 - November 26, 2017, Castle Tyrol 2017, pp. 122–138, here pp. 122–126; Pp. 128-130, cat. 4.1-4.3

Individual evidence

  1. ^ Justus Bier : Bartholomäus Dill Riemenschneider - an assistant to Albrecht Dürer? In: Der Schlern 36, 1962, pp. 180-181.

Web links