Georg Malin

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Georg Malin (2012)

Georg Malin (born February 8, 1926 in Mauren , Liechtenstein ) is a Liechtenstein artist, historian and politician.

life and work

Childhood and family

Georg Malin is the eldest son of the plasterer and construction technician Josef Malin and Hildegard Malin, b. Batliner. He has been married to Berty Malin-Ziegler since 1956 and has six children. The high school time in the Baroque monastery Disentis had a lasting impact on Malin. In 1947 he graduated from high school and from 1947 to 1952 studied history, art history, archeology and philosophy at the universities of Zurich and Friborg . In 1952 he received his doctorate. phil. with a dissertation on the political history of Liechtenstein in the years 1800-1815.

artistic education

From 1947 to 1949 he was trained as a sculptor in Alfons Magg's (1891–1967) student studio, drawing and painting with Henry Wabel (1889–1981) and drawing with Hans Gisler (1889–1969) at the ETH Zurich . After graduating, he worked for two years as an art teacher and then as a freelance artist.

Professional and political activity

In 1952 Malin was awarded a Dr. phil. has been awarded a doctorate on a historical topic. He researched the prehistory and early history of Liechtenstein and examined the documents from the Liechtenstein archives before 1416. After 1968 he led the excavations on the church hill in Bendern (1968–1977), the church excavations in Eschen (1977–1979), the excavation of the Roman estate in Nendeln (1973–1976). From 1968 to 1996 Malin was the curator of the Liechtenstein State Art Collection . In 1995 he published an inventory catalog of the collection. As an art historian and museum director, Malin held lectures at the University of St. Gallen in 1986/87 .

In 1951 Malin was one of the founding members of the Liechtenstein Academic Society . From 1954 to 1966 he was lay judge at the higher court, 1966-1974 member of the state parliament (parliament) and member of the parliamentary observer delegation to the Council of Europe , which prepared Liechtenstein's accession to the council. As a member of the Foreign Affairs Commission, he represented Liechtenstein in 1972 at the Conference on Security and Cooperation in Europe in Helsinki during the preparatory work for the establishment of the OSCE . The four-year term of office as a government councilor (Minister for Environment and Culture) 1974–1978 enabled Malin to take on a creative role in this department.

Artistic work

The first orders to help equip sacred spaces date from around 1954 to 1963 (St. Josefskapelle Planken ; Rudolfstetten; St. Josefen, Gaiserwald; Gossau ZH church; Notre Dame de la Route, Friborg-Cormanon). During the same period, grave monuments carved in marble were created in cemeteries in Zug , St. Gallen , Dietikon and the marble relief created in 1953/56 on the south facade of the Liechtensteinische Landesbank Vaduz. In 1956/59 he created the granite sculpture Prince Johannes II of Liechtenstein as well as some portrait busts.

Sacred buildings and sacred art

Altar of Maria Krönung, Zurich-Witikon, 1964/65

Around 1960, Malin and the architects Fritz Metzger Rudolf Schwarz designed the furnishings for the Schellenberg church designed by Eduard Ladner , which anticipated the new guidelines of the Second Vatican Council regarding church construction. The gate of the church Gossau-Mettendorf, St. Gallen, from the years 1969/70 stands in the succession of the church portal of Schellenberg.

In the 1960s and 1970s, Malin furnished other church rooms with sculptural works, including the choir of a Catholic church built by Justus Dahinden in Zurich-Witikon, the neo-Gothic choir of the parish church in Schaan and the Trinity Church in Bern (1972/74).

Equipment for sacred buildings
  • 1960/61: Schellenberg parish church
  • 1962/63: St. Peter, Schaan
  • 1963/69: St. Martin, Windisch
  • 1964/65: Catholic Church of the Coronation of Mary, Zurich-Witikon
  • 1965/67: Catholic Church Thusis
  • 1966/67: Pass chapel St. Maria, Lukmanier
  • 1966/68: Trimmis Catholic Church
  • 1966/72: St. Stefanskirche, Amriswil
  • 1969/71: Catholic Church Mels-Heiligkreuz
  • 1975/77: Catholic Church Mümliswil
  • 1976/79: St. Martin, Eschen
  • 1979: Community of Stella Matutina, Feldkirch
  • 1979: Church of the Redeemer, Chur

In 1990/91 in the Zurich suburb of Ebmatingen , Malin designed the choir of the St. Franziskus Church, the new lower church in the St. Jakob Cathedral in Innsbruck (1990/96), the crypt of the Theresienkirche in Schaanwald and the crypt in the Innsbruck Cathedral (1994 / 96). During the same period, the St. Fridolinskirche in Ruggell (1994/95) underwent an interior renovation. The Chapel of Grace in Einsiedeln Monastery was returned to its classicist state from 1817, while at the same time taking into account the demand for a conciliar liturgy . The work was completed in 1995/97. A small house chapel in the St. Florin retirement and nursing home, Vaduz, led to disputes in 2008/09 about the level of reasonableness of contemporary art in a prayer room for senior citizens.

In total, Malin fitted out around 30 churches and chapels.

Sculptural works

In 1955/66, Malin formed the atomic head in black Balzner marble (52.5 × 28.5 × 28.5 cm). The incentive to work was the threat to the world in the East-West conflict through armament with nuclear weapons and the planned construction of a nuclear power plant in the Sanktgallen Rhine Valley. The bald skull with burned-out eye sockets and a quartz vein that marks the top of the skull as a fatal wound shows the artist's concerns: consistent abstraction of the natural appearance, material-appropriate design, support for content and topicality.

Iron and Cortén steel played an increasingly important role in Malin's work after 1959. Portals, steles and gates in sacred buildings were bridges that led to secular works in steel and iron. At the beginning of the early creative phase, there is tension in 1956 (163.2 × 154.5 cm), the first large polished bronze sculpture. It was based on a visualized reproduction of a magnetic field, which led the artist to depict the tension between positive and negative.

Natural forms

  • Big Bud, 1979/80, polished bronze, 100 × 37.5 cm

  • Baum, 1969, polished bronze, 94 × 41.5 × 15 cm

  • Berry fruit, 1980/81, cut diabase, 63.5 × 51.5 × 51.5 cm

  • Bud, Schule Eschen, 1980/81, granite Rosso Balmoral, 405 × 160 cm

In the 1970s and 1980s, Malin increasingly dealt with the forms and forces of nature. These are alienated by the materials bronze or granite and formed into a crystalline structure. The transformation of what is perceived as a bud or blossom in nature can be seen by looking at the 405 cm high bud from 1980/81, carved from Rosso Balmoral granite. The sculpture has gone through all stages of development from the bud to the flower and finally to the fruit and, when moved closer to the tree, appears as a rootstock, stem and tree crown. Works from the last decades before the turn of the millennium show the way from the trunk to the column and stele in many different layouts.

In connection with the environmental discussions, sculptural works were created in the years 1974–1987 in which he deals with the elements light and water and with time. During this time u. a. Baptismal fonts or fountains in an open field, such as the water feature (1974/76), on which he mounts 19 enamelled bowls on a 12 meter high S-shaped support, which guide the water into a large basin. In the east courtyard of the Disentis Monastery, founded around 700, the cube sculpture made of light bronze (1986/87) stands in a round basin filled with water on a square granite plinth from which water flows in all four directions. The ensemble covers the remains of the architect-historically significant crypt of the monastery founder Placidus from Carolingian times. The bronze cube is adorned with diagonal ribbons based on the monastery coat of arms. It stands above the saint's reliquary.

Geometric shapes

Even in Malin's early works, squares, cubes and circles are clearly integrated as a basis even in near-natural objects. In the 1980s they appeared more and more as clear geometric and stereometric forms. The square became symbolically the bearer of salvation-historical significance on the way to the perfect world, which finds its spatial fulfillment in the cube. The cross is integrated in the cube .

Letter sculptures

At the end of the 1980s, bars made of steel and chrome-nickel steel formed letters in the casing of the cube. Rods and beams are really integrated in the term letter. Therefore, Malin left the closed cube and designed illuminated cubes. The first letters formed from rods are made of solid, polished chrome-nickel steel and have been 34 × 34 × 34 cm in size since the early 1990s, with the individual objects being adapted in size to local conditions and the respective accessibility. In 1987/90 Malin expanded the small bronze letter cubes to almost two meters high metal cubes. The black enameled letter housings look like architecture or fortifications and contrast with the surrounding green areas.

  • E-Cube, 1989/90, steel, 340 × 340 × 340 cm

  • New art on Goethe-Allee, Bad Berka spa gardens , Weimar ,

  • Z-Cube, 1989/97, Kunstmuseum Liechtenstein, Vaduz,

  • Hohenems industrial plant

Many of these symbolically charged letter cubes were installed in Liechtenstein, Switzerland, Austria and Germany in public spaces, in sculpture gardens and in private gardens.

painting

A study visit to Paris in 1955/56 gave Malin the opportunity to gain insights into the current Paris art scene. The paintings of Manessiers , Bazaines , Singiers and Bissières impressed Malin. In a cycle on "Creation" begun in 1968, representational forms of expression overlap with abstract image creation. The cycle of creation still consists of 36 large-format plywood panels. Oil, lacquer, resin paints and asphalt served as image carriers. The color matter is sometimes incorporated into geometries. Working with paint and water fascinated the artist throughout his life.

graphic

Malin prefers the pen and ink for drawing. The drawings were mostly used as drafts for the production of sculptures, sometimes also to illustrate printed matter. 107 drawings supplement the worksheets for history in Liechtenstein schools. Malin liked to use lithography for commissioned work .

Postage stamps

From 1963 to 2006 Malin designed around 100 Liechtenstein postage stamps; often focused on given topics such as “Christian symbols”, “Church patrons of Liechtenstein parishes”, “Flowers from Liechtenstein” in connection with the European Year of Nature Conservation (1970) or the preservation of monuments and heritage (1975). In 1980 he designed a special stamp with the motif of a historic Alpine descent heart from 1849, which was issued as part of the “Alpine farming equipment” series.

Monuments and memorials

Rad, 1971/73, Council of Europe Strasbourg, polished bronze, 40 × 120 cm
  • The polished bronze wheel , which stands in the entrance area of ​​the building complex of the Council of Europe in Strasbourg, symbolizes a unity with various flowing ribbons as an indissoluble circle.
  • The creation of the Principality of Liechtenstein is closely linked to the oath square in Bendern , where in 1699 the men of the former Schellenberg rule swore allegiance to the Prince of Liechtenstein. The granite fountain (165 cm high, 259 cm diameter) from 1978/80 dominates the center of the oath in Bendern as a sign of the past and a fruitful future.
  • In 1966, Malin designed a memorial in Balzers in memory of the Liechtenstein historian Johann Baptist Büchel .
  • In 1985/86 Malin designed the memorial in Eschen, which refers to the visit of Pope John Paul II to Liechtenstein in 1985.

Art in public space (selection)

Sculptural plant, 1996-97, Kaufering, Labradir granite, diameter 1600 cm

Malin's sculptures are represented in numerous examples in many places in Switzerland, Liechtenstein, Austria and Germany, both in public spaces, on company premises and in private, and document his extensive, lifelong creative work.

Germany

  • Bad Berka , Weimar , Goethe Park, L-Cube , steel
  • Kaufering , Bavaria, Hilti Germany, world wall with fountain , Labrador granite, polished

France

Liechtenstein

  • Balzers, Johann Baptist Büchel Memorial , marble
  • Balzers, indoor swimming pool, water and land , steel, baked enamel paints
  • Bendern, Oath Square, fountain , granite
  • Eschen, memorial, visit by Pope John Paul II , in collaboration with Rudolf Wenaweser
  • Ash trees, school center, bud , granite
  • Moors, community center, M-Cube , chrome-nickel steel
  • Moors, Amati, water features , steel
  • Vaduz, Liechtenstein grammar school, sundial , fountain, granite
  • Vaduz, Städtle, Z-Cube , Cortén steel, polished

Luxembourg

  • EFTA Court of Justice, E-Cube , bronze, polished

Austria

  • Alpbach , Tyrol, Congress Centrum, FL relief , steel, burned-in enamel colors
  • Dornbirn , Stadtgarten, H-Cube , steel
  • Hohenems , Otten industrial plant, O-Würfel , Corténstahl

Switzerland

  • Buchs SG , Neutechnikum, communication , steel-plastic
  • Disentis , Benedictine Abbey, inner courtyard, fountain, X-cube (monastery symbol), bronze
  • Brick bridge , bricklaying school, stele , concrete

Awards

  • 1962: Lions Prize, Basel
  • 1981: Commander's Cross with the Star of the Princely Liechtenstein Order of Merit
  • 1992: Upper Rhine Culture Prize of the Johann Wolfgang von Goethe Foundation in Basel, awarded on June 24, 1992
  • 1993: Honorary member of the Liechtenstein Art Society, awarded on May 6, 1993
  • 1996: Honorary member of the Historical Association for the Principality of Liechtenstein, awarded on May 25, 1996
  • 1999: Honorary Councilor for the Liechtenstein-Weimar Cultural Area
  • 2000: Honorary member of the Switzerland-Liechtenstein Society, awarded on September 15, 2000
  • 2002: Honorary member of the Liechtenstein Academic Society, Vaduz, awarded on April 15, 2002
  • 2006: Acknowledgment Prize of the Princely Government, awarded on February 22, 2006
  • 2011: Honorary member of “IDEE-SUISSE”, awarded on February 8, 2011
  • 2016: Honorary member of visarte.liechtenstein , awarded on April 14, 2016

Exhibitions (selection)

  • 1970: Quader Gallery, Chur
  • 1970: Municipal Museum Bensberg
  • 1971: Paulus Academy Zurich
  • 1974: Gallery Theater am Kirchplatz, Schaan
  • 1983: Torkel Gallery, Maienfeld
  • 1985: Watercolors from the Rhine Valley, Haas Gallery, Vaduz
  • 1989: Sculptures, open-air exhibition at the Neu-Technikum Buchs, Buchs
  • 1990: Fine arts in Uster, 14th sculpture exhibition, Stadthauswiese, Stadthaus Uster
  • 1992: Sculptures and watercolors, Galerie Giacometti, Chur
  • 1993: Georg Malin - New Sculptures, Katharinen Gallery, St. Gallen. Kunstverein St. Gallen and cultural advisory board of the Princely Government of Vaduz
  • 1995: Georg Malin - New Sculptures and Watercolors, Liechtensteinische Landesbank AG, Vaduz
  • 1995: sculptures. New art on Goethe-Allee, Bad Berka spa gardens, Weimar
  • 1996: Georg Malin, Review - Outlook, Galerie am Lindenplatz, Schaan (under the honorary patronage SD Prince Hans Adam II. Von und zu Liechtenstein)
  • 1999: Georg Malin - watercolors, Galerie am Sachsenplatz, Leipzig, and Galerie Goethe-Institut, Weimar
  • 1999: Georg Malin - Sculptures, Galerie am Lindenplatz, Vaduz
  • 1999: Georg Malin - sculpture from stability to mobility, Galerie am Lindenplatz, Vaduz
  • 1999: Georg Malin - sculptures, together with Karol Broniatowski, works on paper, Galerie am Lindenplatz, Vaduz
  • 2004: Art in the window, VP Bank (Switzerland) AG Zurich
  • 2006: Kunstmuseum Liechtenstein , Vaduz Georg Malin, (catalog)
  • 2006: Georg Malin, exhibition Stadtraum Weimar, Schillerstrasse. Goetheplatz, Weimar
  • 2006: Together with G. Angelika Wetzel and Willi Weiner (in the Dorotheenhof Park Weimar), Wittumspalais (city theater)
  • 2007: Spring event, Pro Natura Mauren: Art Georg Malin
  • 2015: Georg Malin as a stamp designer - watercolors and drawings, Postmuseum Vaduz, cat. by Rainer Vollkommer
  • 2016: Georg Malin - museum man and artist, Kunstmuseum Liechtenstein, Vaduz, June 24th – October 2nd, 2016, curated by Friedemann Malsch
  • 2016: Georg Malin - Colors and Shapes, Kulturhaus Rössle, Mauren (FL), August 26th - October 2nd, 2016, curated by Elisabeth Huppmann
  • 2016: Helena Becker, Evelyne Bermann, Beate Frommelt, Ruth Gschwendtner-Wölfle, Gertrud Kohli, Georg Malin, Arno Oehri, Hansjörg Quaderer, Hanna Roeckle, Hanni Schierscher, Sunhild Wollwage, Carol Wyss - border crossers in Otten Kunstraum, Hohenems, 02.09.– December 1st, 2016, curated by Ingrid Adamer
  • 2019: THÜBRIA 2019 - Liechtenstein special show: Church cartridge as a stamp motif, Greiz (Thuringia), 03.10.-06.10.2019

Fonts (selection)

  • 1953: The political history of the Principality of Liechtenstein in the years 1800-1815 . In: JBL (1) 1953, pp. 1-178
  • 1955: The sovereignty of Liechtenstein . In: JBL 1955, pp. 7-22
  • 1958: The territory of Liechtenstein under Roman rule . In: JBL 1958, pp. 9-91
  • 1960: For the reconstruction of the Schaan Fort . In: JBL 1960, pp. 213-216
  • 1966: Switzerland-Liechtenstein relations: a historical sketch . Series of publications by the Switzerland-Liechtenstein Society
  • 1967: Report on the Balzers-Winkel excavation . In: JBL 1967, pp. 29-57
  • 1968: On the building history of the music school in Vaduz . In: JBL 1968, pp. 219-239
  • 1971: Liechtenstein document book . 4th vol., Vaduz 1965/1971
  • 1972: Illustrations in: Liechtenstein Education Authority, Political Rights and Social Conditions, Worksheets for History, Vaduz
  • 1972: On Liechtenstein's cultural policy . In: Liechtensteinische Politische Schriften, Heft 1, Vaduz, pp. 31–45
  • 1973: Illustrations in: On the prehistory of Liechtenstein, worksheets for history, Vaduz
  • 1973: Comments on 150 years of Liechtenstein foreign policy . In: Liechtensteinische Politische Schriften, Heft 2, Vaduz, pp. 49–55
  • 1974: Relations between Switzerland and Liechtenstein, a historical sketch . In: Gesellschaft Schweiz-Liechtenstein, series No. 1, St. Gallen, thanks, pp. 15–23
  • 1974: Whoever knows is humble . Vaduz sermon. Edited by the Liechtenstein Academic Society, Vaduz
  • 1975: Roman Era , the Migration Period, Christianization, Church Art of the Baroque Era , Liechtenstein National Museum, Vaduz, 2nd edition
  • 1975: Roman estate in Nendeln . In: JBL 1975, pp. 1-144
  • 1976: On Liechtenstein's cultural policy . In: Yearbook of the Liechtenstein Art Society, 1st vol., Pp. 181–218
  • 1977: Art Guide Principality of Liechtenstein , 2nd edition, Kümmerly & Frey, Bern, 1968/1977
  • 1978: Excavations on the church hill in Bendern . In: Helvetia Archaeologica, Archeology in the Principality of Liechtenstein, 9 / 1978-34 / 36, pp. 223-234
  • 1978: Principality of Liechtenstein, The history of Liechtenstein . In: Principality of Liechtenstein, Silva-Verlag, Zurich, pp. 76–137
  • 1978: 800 years of village history, On the history of Moors . In: Official and information sheet, Municipality of Mauren (FL), No. 30, pp. 23–30
  • 1978: What does it mean: to believe in the Creator? . In: Christoph Möhl, Vaduzer Sermons, Zurich-Cologne, pp. 112–121
  • 1980: St. Georg Chapel in Schellenberg . In: JBL 1980, pp. 7-56
  • 1980: Remnants of medieval buildings in Nendeln, Oberstädtle . In: JBL 1980, pp. 287-296
  • 1984: Cultural policy as an obligation of European small states . In: Liechtenstein Politische Schriften, Vaduz, Vol. 10, pp. 107-131
  • 1985: Eschen St. Martin, late antique post structures and churches (Merovingian to Gothic) . In: Ergrabene Geschichte, the archaeological excavations in the Principality of Liechtenstein 1977-1984, Vaduz, 1985, pp. 16–21
  • 1986: The earliest buildings in St. Martin in Eschen . In: History and Culture of Churrätien, Festschrift for Father Iso Müller OSB on his 85th birthday. Eds. Ursus Brunold and Lothar Deplazes Disentis: Desertina, 1986 pp. 105-12
  • 1988: For the church renovation parish church Mauren . In: Renovation of the Maurer parish church of St. Peter and Paul, 1985/88, pp. 17–23
  • 1988: Kunsthaus Vaduz - an illusion? . In: Herbert Batliner, Festgabe zum 60th Birthday, Vaduz, 1988, pp. 297–303
  • 1990: Prince Franz Josef II. (1904–1989) . In: JBL 1989, pp. 7-17
  • 1990: ex depot, summer 1990, exhibition Liechtensteinische Staatliche Kunstsammlung, Vaduz, catalog, pp. 3–5
  • 1993: The Liechtenstein State Art Collection. In: From Picasso to Henry Moore, masterpieces from the Liechtenstein State Art Collection, Vaduz, catalog. Edited by the Tiroler Landesmuseum Ferdinandeum, Innsbruck, 1993
  • 1993: The artistic-liturgical design of the new lower church . In: The Cathedral of St. Jakob, FS (2) . Published on the occasion of the 350th anniversary of the establishment as an independent parish of St. Jakob and the completion of the renovation work on the cathedral, October 24, 1993, Innsbruck, 1993, pp. 67–72
  • 1995: Liechtenstein State Art Collection, inventory catalog . Edited by Georg Malin, authors: Stefan Aschwanden u. a., Benteli Verlag, Bern, 1995. - ISBN 3-7165-0868-3
  • 1996: Joseph Beuys, Späte Druckgraphik, from the publishing house production of Grafos Verlag, Vaduz
  • 1996: Franz-Joachim Verspohl, Liechtenstein State Art Collection, Vaduz, foreword catalog, Benteli Verlag, Bern 1996
  • 1999: The old rectory on the church hill in Bendern . In: JBL 1999, Vol. 98, pp. 143-202
  • 2000: Redesign of the Gnadenkapelle . In: Sankt Meginart, FS on the twelfth centenary celebration of his birth, studies and communications on the history of the Benedictine order and its purposes, Verlag Erzabtei St. Ottilien, 2000, pp. 161–164 (co-author Hans Steiner)
  • 2001: To the glass windows in the Schellenberg Church . In: Eintracht, Zeitschrift für Heimat und Customs, Easter 2001, No. 26, pp. 20–23
  • 2006: Village and parish history . In: People, Pictures and Stories, Moors from 1800 to today, Vol. 1, pp. 94–115
  • 2006: Josef Malin (1891–1981), plasterer and construction technician . In: People, Pictures and Stories, Moors from 1800 to today, Vol. 1, pp. 230–247
  • 2007: The Binza: the most beautiful place on earth . In: People, Pictures and Stories, Moors from 1800 to today, Vol. 2, pp. 130–139
  • 2009: Princely Counselor Gerard Batliner 1928-2008, An obituary . In: JBL, Nd. 108, pp. 1-10
  • 2011: The Easter chapel in the St. Florin house in Vaduz . In: Open Church, 1/2011, pp. 12-13

Monographs

  • Erika Billeter, Herbert Meier, Roswitha Feger, Robert Th Stoll, Giorgio von Arb (photos): Georg Malin sculptures . Benteli Verlag, Bern 2002, ISBN 3-7165-1274-5 .
  • Robert Th. Stoll, Hans Gerber (photos): Georg Malin sculptures . Benteli Verlag, Bern 1987, ISBN 3-7165-0576-5 .
  • Herbert Meier: Georg Malin - his time, his art . Kleine Schriften 41, Verlag der Liechtensteinischen Akademischen Gesellschaft, 2006, ISBN 3-7211-1064-1 .

Catalogs, magazines, newspaper articles

The volume Malin Sculptures , Benteli Verlag, Bern 1987, deals with the topic for the period 1952 to 1987 on pages 182 and 183.

For the period from 1987 to 1991, the volume Georg Malin, painting with water colors , Benteli Verlag, Wabern Bern 1991, pp. 112–116, contains a comprehensive list of all printed matter relating to the topic.

For the period 1991 to 2002 a continuation of the above lists can be found in the volume Georg Malin, Skulpturen , Benteli Verlag, Wabern bei Bern 2002, pp. 163–164. A small selection of publications is available below for the period from 2002 to 2012:

  • 2005: Dieter Weberbauer: The stamp maker Georg Malin . In: Aspects of Liechtenstein Philately, 1930-2005 , Issue 11, Ring der Liechtenstein Collector e. V., pp. 185-192.
  • 2006: Georg Malin, an exhibition on the occasion of his 80th birthday . Kunstmuseum Liechtenstein, catalog, #.
  • 2008: Roswitha Feger-Risch: Georg Malin . In: Art, Graubünden and Liechtenstein , 2008 edition, pp. 16–23.
  • 2008: Fine arts in Liechtenstein . Ed. Professional Association of Visual Artists. In: Liechtenstein , Vaduz, pp. 217–224.
  • 2009: Franz Näscher: Another iconoclasm? Liechtenstein Fatherland, June 2, 2009, p. 7.
  • 2009: Markus Rohner: The great anger of the artist Georg Malin against the princess . In: Die Südostschweiz , June 23, 2009, p. 7.
  • 2016: Cornelia Wieczorek: A versatile talent turns 90 years old . In: "KuL - die Kulturzeitung", Issue 1/16, January 29, 2016, p. 4.
  • 2016: Liechtenstein - Political Writings, Whoever Knows is Modest , Vol. 58, Festschrift for the 90th birthday of Georg Malin. Liechtenstein Institute, Historical Association for the Principality of Liechtenstein and Liechtenstein Art Museum (ed.), Publishing House of the Liechtenstein Academic Society

A complete list of the fonts can be found in

  • Georg Malin, Walter Koschatzky (text): Painting with watercolors: a gift for the 65th birthday of the artist . Benteli Verlag, Bern 1991, pp. 109–112.
  • Erika Billeter, Herbert Meier, Roswitha Feger, Robert Th Stoll, Giorgio von Arb (photos): Georg Malin sculptures . Benteli Verlag, Bern 2002.

Movies

  • 1965: Walter Wachter and Yves Yersin : Liechtenstein-Film; in: ZIB, Oesterreichischer Rundfunk ORF 1 and ORF 2, broadcast on June 10, 1974
  • 1985: Heinz Kremer: An artist in Liechtenstein
  • 1990: Georg Malin, artistic design of the Mauren church / artist portrait Georg Malin (2'21 ") - Landesstudio Vorarlberg, broadcast on July 28, 19901994: Living in Hidden Places - World Literature in Liechtenstein . Oesterreichischer Rundfunk ORF 2, interview with Georg Malin, broadcast on March 12, 1994
  • 1996: Georg Malin turned 70 - the artist's exhibition in Schaan . In: Vorarlberg today , Oesterreichischer Rundfunk ORF, broadcast on February 9, 1996
  • 1996: Four artists exhibit in Paris . In: Vorarlberg heute , Oesterreichischer Rundfunk ORF, broadcast on March 5, 1999
  • 2000: Film sequence from Georg Malin's studio and a view of the sculpture meadow in Maurer Riet, recordings from 1999. In: Pictures of a landscape, the Principality of Liechtenstein . A film by Helmut Görlach, Bayerisches Fernsehen, broadcast on March 16, 2000, 7:30 p.m. (recording 1999)
  • 2013: Jürgen Kindle: Contemporary witnesses of Liechtenstein: Georg Malin . JK Entertainment

Web links

Commons : Georg Malin  - collection of pictures, videos and audio files

Individual evidence

(1) Yearbook of the Historical Association for the Principality of Liechtenstein
(2) Festschrift
personal data
SURNAME Malin, Georg
BRIEF DESCRIPTION Liechtenstein artist and historian
DATE OF BIRTH February 8, 1926
PLACE OF BIRTH Mauren (Liechtenstein)