Prix Ars Electronica
The Prix Ars Electronica ( Prix : French for “price”, Ars : Latin for “art”) is a culture award that has been advertised since 1987 as part of the Ars Electronica Festival for Art , Technology and Society by the organizer ORF Upper Austria and the Province of Upper Austria . The “Golden Nica” will be awarded in the Brucknerhaus in Linz on the Danube . The trophy is modeled after the Nike of Samothrace , a statue of the ancient Greek goddess of victory Nike .
The aim of the Prix Ars Electronica is to show that the computer and digital technology have long become important tools for artists and creative people. Computer art should not only be understood in connection with computer culture and network culture , but also in interaction with current social and technological developments.
The Prix Ars Electronica is one of the most important prizes in the field of electronic art and culture worldwide. Each Golden Nica is endowed with prize money of 10,000 euros (up to 2001: 100,000 schillings ), making it one of the most highly endowed awards in this area.
The Ars Electronica Festival with the Prix Ars Electronica, together with the Ars Electronica Center (AEC) and the Linz Klangwolke, has made a significant contribution to the change in the image of the city of Linz from an industrial location to a center of contemporary and future-oriented art.
Winner of the Golden Nicas
Award winner 2010
(with ASIMO )
Interactive Art
The prizes for this category have been awarded since 1990. This category includes a wide variety of works from installations and performances, typically with audience participation, virtual reality, multimedia and telecommunications.
- 1990 - Videoplace by Myron Krueger (USA)
- 1991 - Think About the People Now by Paul Sermon (UK)
- 1992 - Home of the Brain by Monika Fleischmann (DE) and Wolfgang Strauss (DE)
- 1993 - Simulation room mosaic of mobile data sounds (smdk) by Knowbotic Research (DE / CH)
- 1994 - A-Volve by Christa Sommerer (AT) and Laurent Mignonneau (FR)
- 1995 - The concept of hypertext , attributed to Tim Berners-Lee (UK)
- 1996 - Global Interior Project by Masaki Fujihata (JP)
- 1997 - Music Plays Images X Images Play Music by Ryūichi Sakamoto (JP) and Toshio Iwai (JP)
- 1998 - World Skin by Jean-Baptiste Barrière (FR) and Maurice Benayoun (FR)
- 1999 - Difference Engine # 3 by construct and Lynn Hershman (USA)
- 2000 - Vectorial Elevation, Relational Architecture # 4 by Rafael Lozano-Hemmer (MX)
- 2001 - polar by Carsten Nicolai (DE) and Marko Peljhan (SI)
- 2002 - n-cha (n) t by David Rokeby (CA)
- 2003 - Can You See Me Now by Blast Theory and Mixed Reality Lab (UK)
- 2004 - Listening Post by Ben Rubin and Mark Hansen (USA)
- 2004 - Special award for Ah_Q - A Mirror of Death by Feng Mengbo (CN)
- 2005 - * / MILKproject from RIXC - Riga Center for New Media Culture (LV)
- 2005 - Special award for Strandbeest from Theo Jansen (NL)
- 2006 - The Messenger by Paul DeMarinis (US)
- 2007 - Park View Hotel by Ashok Sukumaran (IN)
- 2008 - Image Fulgurator by Julius von Bismarck (DE)
- 2009 - Nemo Observatory by Lawrence Malstaf (BE), Courtesy Galerie Fortlaan 17 - Gent (BE)
- 2010 - The EyeWriter by Zach Lieberman (US), James Powderly (US), Tony Quan (US), Evan Roth (US), Chris Sugrue (US) and Theo Watson (UK)
- 2011 - Newstweek by Julian Oliver (NZ) and Danja Vasiliev (RU)
- 2012 - Memopol-2 by Timo Toots (EE)
- 2013 - Pendulum Choir by Michel Décosterd (CH) and André Décosterd (CH)
- 2014 - Loophole for All by Paolo Cirio (IT)
Digital Music & Sound Art
This category is for anyone who makes electronic music and sound art through digital tools. From 1987 to 1998 this category was called Computer Music . In 1987 two honorary Nicas were awarded. In 1990 no Golden Nica was awarded and in 1991 the category was completely absent. In 2012 the title was expanded to include Sound Art in order to better reflect the spectrum of content.
- 1987 - Peter Gabriel (GB) and Jean-Claude Risset (FR)
- 1988 - Clarinet Threads by Denis Smalley
- 1989 - Kaija Saariaho
- 1992 - Alejandro Viñao
- 1993 - Bernard Parmegiani
- 1994 - Ludger Brümmer
- 1995 - Trevor Wishart
- 1996 - Robert Normandeau
- 1997 - Matt Heckert
- 1998 - Peter Bosch (artist) and Simone Simons (1961) (joint award) for Krachtgever , Hans Tutschku for Extrémités lointaines
- 1999 - Aphex Twin (Richard D. James) and Chris Cunningham (joint award)
- 2000 - Carsten Nicolai for Raster-Noton
- 2001 - Ryoji Ikeda
- 2002 - Yasunao Tone
- 2003 - Ami Yoshida , Sachiko M. and Utah Kawasaki (joint award)
- 2004 - Banlieue du Vide by Thomas Köner (DE)
- 2005 - TEO! a sonic sculpture by Maryanne Amacher (USA)
- 2006 - L'île re-sonante by Éliane Radigue (FR)
- 2007 - Reverse Simulation Music by Masahiro Miwa (JP)
- 2008 - Reactable by Sergi Jordà (ES), Martin Kaltenbrunner (AT), Günter Geiger (AT) and Marcos Alonso (ES)
- 2009 - Speeds of Time versions 1 and 2 by Bill Fontana (US)
- 2010 - rheo: 5 horizons by Ryoichi Kurokawa (JP)
- 2011 - Energy Field by Jana Winderen (NO)
- 2012 - Crystal Sounds of a Synchrotron by Jo Thomas (UK)
- 2013 - frequencies (a) by Nicolas Bernier (CA)
- 2015 - Chijikinkutsu by Nelo Akamatsu (JP)
Internet categories
Interesting web-based projects were awarded in the categories World Wide Web (1995–1996) and .net (1997–2000). The criteria are web-specific, community-oriented identity and interactivity. In 2001, the category was broadened and named Net Vision / Net Excellence as an award for innovations in the area of online media.
- World wide web
- 1995 - Idea Futures by Robin Hanson
- 1996 - The Hijack project by etoy
- .net
- 1997 - Sensorium from Taos Project
- 1998 - IO_Dencies Questioning Urbanity by Knowbotic Research
- 1999 - Linux by Linus Torvalds
- 2000 - In the Beginning… was the Command Line (excerpts) by Neal Stephenson
- NetVision / Net Excellence
- 2001 - Banja by Team CHmAn and PrayStation by Joshua Davis
- 2002 - Carnivore from Radical Software Group and They Rule from Josh On and Futurefarmers
- 2003 - Habbo Hotel by Sulake and Noderunner by Yury Gitman and Carlos J. Gomez de Llarena
- 2004 - Creative Commons (USA)
- 2005 - Processing by Benjamin Fry and Casey Reas (USA / CA)
- 2006 - The Road Movie by exonemo (JP)
Computer graphics
This category was awarded from 1987 to 1994 and was open to computer graphics from different fields - art, culture, science and research. Computer-generated graphics that were created through individual programming of computers or the creative use of available computer programs could be submitted.
- 1987 - Figure 10 by Brian Reffin Smith (GB)
- 1988 - The Battle by David Sherwin (USA)
- 1989 - Gramophone by Tamás Waliczky (H)
- 1990 - P-411-A by Manfred Mohr (D)
- 1991 - Having encountered Eve for the second time, Adam begins to speak by Bill Woodard (USA)
- 1992 - RD Texture Buttons by Michael Kass (USA) and Andrew Witkin (USA)
- 1993 - Founders Series by Michael Tolson (USA)
- 1994 - Jellylife / Jellycycle / Jelly Locomotion by Michael Joaquin Gray (USA)
Digital communities
This category was introduced in 2004, on the 25th anniversary of the festival. The first award ceremony took place in New York to underline the international orientation of the Prix Ars Electronica. One of the two statues was given to Wikipedia at the time. SAP AG is involved as the main sponsor of the category .
- 2004 - At a separate gala in New York, two months before the main party in Linz, two Golden Nicas were awarded in this category: to Wikipedia (USA) and The world starts with me! (NL / UG).
- 2005 - Akshaya (IN)
- 2006 - canal * ACCESSIBLE (ES)
- 2007 - Overmundo (BR)
- 2008 - 1kg more (CN); Honorary Mention for readme.cc
- 2009 - HiperBarrio , represented by Gabriel J. Vanegas, Álvaro R. Ospina and Diego Gomez (CO)
- 2010 - Chaos Computer Club (DE)
- 2011 - Fundación Ciudadano Inteligente (ES)
- 2012 - Syrian people know their way
- 2013 - El Campo de Cebada (ES)
- 2014 - Project Fumbaro Eastern Japan (JP)
Computer animation / film / visual effects
The Computer Animation category was awarded from 1987 to 1997 and renamed Computer Animation / Visual Effects in 1998 . It is open to computer animation from various fields - art, culture, science, and entertainment. Computer-generated films that have been created through the individual programming of computers or the creative use of available computer programs can be submitted. Digital integration of or combination with traditionally produced film material is permitted.
- 1987 - Luxo Jr. by John Lasseter (USA)
- 1988 - Red's Dream by John Lasseter (USA)
- 1989 - Broken Heart by Joan Staveley (USA)
- 1990 - Footprint of Mario Sasso (I) and Nicola Sani (I)
- 2006 - 458nm by Ilija Brunck, Jan Bitzer & Tom Weber (D)
- 2008 - Madame Tutli-Putli by Chris Lavis, Maciek Szczerbowski and Jason Walker (CA)
- 2009 - HA'Aki by Iriz Pääbo (SE / CA) / National Filmboard of Canada
- 2010 - Nuit Blanche by Arev Manoukian (CA)
- 2011 - Metachaos by Alessandro Bavari (IT)
- 2012 - Rear Window Loop by Jeff Desom (L)
- 2013 - Forms of Memo Akten (TR) and Davide Quagliola (IT)
- 2014 - Walking City by Universal Everything (UK)
- 2015 - Temps Mort / Idle Times by Alex Verhaest (BE)
Hybrid Art
Awards in this category were awarded for the first time in 2007. Works that are particularly characterized by the combination of different media and genres can be submitted.
- 2007 - SymbioticA from the Art and Science Collaborative Research Laboratory at the University of Western Australia
- 2008 - Pollstream - Nuage Vert by HEHE: Helen Evans (FR / UK), Heiko Hansen (FR / DE)
- 2009 - Natural History of the Enigma by Eduardo Kac (US)
- 2010 - Ear on Arm by Stelarc (AU)
- 2011 - May the Horse Live in me by Art Orienté Objet (FR)
- 2012 - bacterial radio by Joe Davis (US)
- 2013 - The Cosmopolitan Chicken Project by Koen Vanmechelen (BE)
- 2015 - Plantas Autofotosintéticas by Gilberto Esparza (MX)
U19 - freestyle computing
In this category, created in 1998, works by children and young people residing in Austria are honored.
- 1998 - TITANIC - the film by Michael Mossburger, Florian Nehonsky and Valerian Wurzer
- 1999 - (conspirat.) By Raimund Schumacher and Jürgen Oman
- 2000 - Harvey by Verena Riedl and Michaela Hermann
- 2001 - JIND by Markus Triska
- 2002 - TI-92 from Karola Hummer
- 2003 - Rubberduck by Georg Sochurek
- 2004 - GPS: Tron by Thomas Winkler
- 2005 - Rennacs Studies by Markus Sucher
- 2006 - Adventure to work by Ehrentraud Hager, Alexander Niederklapfer, David Wurm, Magdalena Wurm | Krmpf Krmpf Studios
- 2007 - VoIP wiki by Daniel Robinig, Manuel Salzmann and Matthäus Spindelböck ( HTL Mössingerstraße )
- 2008 - Homesick by Nana Susanne Thurner
- 2009 - In the depths of Matej Petrek
- 2010 - Automated rotary soccer table by Stefan Polic and Michael Moitzi ( Higher Technical Federal Training and Research Institute Graz-Gösting )
- 2011 - Weltherberge Schulhaus from the HBLA for Artistic Design Linz and HTBLA Leonding
- 2012 - state of revolution by Agnes Aistleitner
- 2013 - Visual: Drumset by Dominik Koller
- 2014 - Femme Chanel - Emma Fennel by Sarah Oos
- 2015 - Inside & Between by Gabriel Radwan
Further prizes and grants
Media.Art.Research Award
Awarded by the Ludwig Boltzmann Institute Media.Art.Research. excellent theoretical work is honored here.
- 2006 - AQUAplay by Himanshu Khatri (IN)
- 2007 - Exe.cut [up] able statements - Poetic calculations and phantasms by Florian Cramer (DE / NL)
- 2008 - Interact or Die! by Arjen Mulder (NL)
- 2009 - Eye hEar: Music, Art, Film & the Culture of Synaesthesia by Simon Shaw-Miller (UK)
[the next idea] Art and Technology Grant
In this special category, Ars Electronica, in cooperation with voestalpine, awards grants for future-oriented, but not yet implemented concepts in the fields of art, design or technology.
- 2004 - moony by Akio Kamisato, Satoshi Shibata, Takehisa Mashimo (JP)
- 2005 - USED Clothing by Martin Mairinger (AT)
- 2007 - SUN_D by Jonas Burki (CH)
- 2009 - Open_Sailing_Crew (opensailing.net), represented by Hiromi Ozaki (JP) and Cesar Harada (UK)
- 2010 - Hostage by Frederik De Wilde (BE)
- 2011 - Choke Point Project from P2P Foundation (NL)
- 2012 - qaul.net - tools for the next revolution by Christoph Wachter and Mathias Jud (CH)
- 2013 - Hyperform by Marcelo Coelho (BR), Skylar Tibbits (US), Natan Linder (IL) and Yoav Reches (IL)
- 2014 - BlindMaps by Markus Schmeiduch (AT), Andrew Spitz (FR) and Ruben van der Vleuten (NL)
- 2015 - SOYA C (O) U (L) TURE by Irene Agrivina Widyaningrum, Asa Rahmana, Ratna Djuwita, Eka Jayani Ayuningtias and Atinna Rizqiana (ID)
Collide @ CERN
The artist in residence program Collide @ CERN was created in 2011, initially for three years . In cooperation with CERN , artists have the opportunity to carry out projects directly in the research facility over a period of up to three months.
- 2011 - Experiment among circles by Julius von Bismarck (DE)
- 2012 - Acoustic Time Travel by Bill Fontana (US)
OHMI-Ars Electronica Prize
Since 2013, in cooperation with the OHMI ( One-Handed Musical Instruments) foundation, innovations in the field of musical instrument making have been awarded in this category , which are intended to enable the physically handicapped to play instruments with one hand at a professional level.
- 2013 - toggle-key saxophone by Jeff Stelling (US) and David Nabb (US)
Web links
Individual evidence
- ↑ http://www.boschsimons.com/krachtgever/
- ^ Hans Tutschku (DE) Awarded Prix Ars Electronica 1998
- ↑ CERN and Ars Electronica: Collide @ CERN ( Memento of the original from September 25, 2013 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice.
- ↑ Collide @ CERN: Daring to do - the final event by Julius von Bismarck, CERN's first artist in residence
- ^ The One-Handed Musical Instruments Trust