Winckelmann programs of the Archaeological Society of Berlin
The Winckelmann programs of the Archaeological Society of Berlin , previously the program for the Winckelmann Festival of the Archaeological Society of Berlin , in short also the Berlin Winckelmann programs , are a classic archaeological series of publications. It publishes the speeches that have been held at the annual Winckelmanns festivals since 1841.
The Berlin Winckelmann programs are the oldest and therefore most traditional series of the Winckelmann programs. They have been published by the Berlin Archaeological Society since the very first Winckelmannsfest. As with the society, the founder of the series was the archaeologist, classical philologist and science organizer Eduard Gerhard . Gerhard also gave the Society's first four keynote speeches, the fifth time being given by the Society's co-chair Theodor Panofka . It was not until 1852 that Ernst Curtius became the focus of the festival for the first time, another speaker and thus the author of the Winckelmann programs. To this day, a large number of the well-known German classical archaeologists, especially those who are active in Berlin, gave the keynote address. With ten Winckelmann programs, Eduard Gerhard is the most active speaker and author. This is followed by Theodor Panofka with seven issues and Reinhard Kekulé von Stradonitz with six articles .
Until 1915 the booklets could appear regularly year after year, only the First World War interrupted the publication for three years. The publication could then be continued between 1919 and 1944, with the exception of 1943. After the Second World War , the series was resumed in 1948. In the 1960s there were publication failures for the first time, which were made up with duplicate issues. In the 1970s and 1980s, the publication was very irregular. The reason was that the German Research Foundation no longer took over the financing of the programs as before . It was not until after 1990 that it was regularly published again for almost ten years, in the 2000s it was cut back sharply due to the high financial burden on the Archaeological Society of Berlin; since 2000 there have only been four published Winckelmanns programs.
The Winckelmanns programs have been published by the Walter de Gruyter publishing house in Berlin since 1923 . Before that, they also appeared with the Berlin publishers Reimer , Hertz and the Association of Scientific Publishers.
Previous Winckelmann programs
number | author | title | year | Digitized |
1 | Eduard Gerhard | Fixed thoughts to Winkelmann | 1841 | |
2 | Eduard Gerhard | Phrixus the Herald | 1842 | |
3 | Eduard Gerhard | The healing of the Telephos | 1843 | |
4th | Eduard Gerhard | The decoration of Helena | 1844 | |
5 | Theodor Panofka | Antique wreath for the fifth Berlin Winckelmannsfest | 1845 | |
6th | Eduard Gerhard | The oracle of Themis | 1846 | |
7th | Theodor Panofka | Zeus Basileus and Heracles Callinikos | 1847 | |
8th | Eduard Gerhard | Two minerves | 1848 | |
9 | Theodor Panofka | Delphi and Melaine. Antique wreath for the 9th Berlin Winckelmannsfest | 1849 | |
10 | Eduard Gerhard | Mycenaean antiquities | 1850 | |
11 | Theodor Panofka | Atalante and Atlas. Antique wreath for the 11th Berlin Winckelmannsfest | 1851 | |
12 | Ernst Curtius | Heracles, the satyr and the tripod robber. A Greek vase picture | 1852 | |
13 | Theodor Panofka | To the explanation of Pliny. Antique wreath | 1853 | |
14th | Eduard Gerhard | Danae. A Greek vase picture | 1854 | |
15th | Theodor Panofka | Phocus and Antiope. Antique wreath | 1855 | |
16 | Eduard Gerhard | Winckelmann and the present | 1856 | |
17th | Theodor Panofka | Poseidon Basileus and Athene Sthenias together with a foreword to a vase picture of the Kerkopen | 1857 | |
18th | Karl Bötticher | The grave of Dionysus on the marble base in Dresden | 1858 | |
19th | Karl Bötticher | The Omphalos of Zeus at Delphi | 1859 | |
20th | Ludwig Lohde | The skene of the ancients | 1860 | |
21st | Carl Friederichs | Apollo with the lamb | 1861 | |
22nd | Eduard Gerhard | Thetis and Priumne. Etruscan mirror from the Imperial Russian collection, also above the grave idols of the royal antiquarium | 1862 | |
23 | Carl Friederichs | The Doryphoros of Polyklet | 1863 | |
24 | Karl Bötticher | Dirke as a source and heroine | 1864 | |
25th | Henri Jordan | Vesta and the Lares on a Pompeian mural | 1865 | |
26th | Emil Huebner | Relief of a Roman warrior in the Museum zu Berlin | 1866 | |
27 | Carl Friederichs | Cupid with the Arch of Hercules, marble statue in the Museum zu Berlin | 1867 | |
28 | Emil Huebner | Augustus, marble statue of the Berlin Museum | 1868 | |
29 | Ernst Curtius | The kneeling figures of ancient Greek art | 1869 | |
30th | Heinrich Heydemann | Humorous vase pictures from southern Italy | 1870 | |
31 | Friedrich Adler | The Pantheon in Rome | 1871 | |
32 | Gustav Hirschfeld | Athena and Marsyas | 1872 | |
33 | Emil Huebner | Portrait of a Roman woman. British Museum marble bust (the so-called Clytia) | 1873 | |
34 | Friedrich Adler | The Stoa of King Attalus in Athens | 1874 | |
35 | Georg Treu | Greek clay pots in the shape of statuettes and busts | 1875 | |
36 | Adolf Trendelenburg | The muse choir. Relief of a marble base from Halicarnass | 1876 | |
37 | Richard Schillbach | Contribution to Greek weight studies | 1877 | |
38 | Alexander Conze | Theseus and Minotaur | 1878 | |
39 | Carl Robert | Thanatos | 1879 | |
40 | Adolf Furtwängler | The satyr from Pergamon | 1880 | |
41 | Wilhelm Dörpfeld | About the use of terracottas on the geison and roof of Greek buildings | 1881 | |
42 | Arthur Milchhoefer | The liberation of Prometheus. A find from Pergamon | 1882 | |
43 | Adolf Furtwängler | The gold find from Vettersfelde | 1883 | |
44 | Rudolf Weil | The artist's inscriptions on the Sicilian coins | 1884 | |
45 | Otto Richter | About antique stonemason marks | 1885 | |
46 | Christian Hülsen | The Septizonium of Septimius Severus | 1886 | |
47 | Otto Puchstein | The Ionic capital | 1887 | |
48 | Paul Herrmann | The cemetery of Marion in Cyprus | 1888 | |
49 | Reinhard Kekulé von Stradonitz | About the bronze statue of the so-called Idolino | 1889 | |
50 |
Carl Robert Furtwängler |
Homeric beakers / About a model of neo-Attic reliefs / An Argive bronze / Orpheus. Attic vase from Gela | 1890 | |
51 | Robert Koldewey | Neandria | 1891 | |
52 | Friedrich Koepp | About the portrait of Alexander the Great | 1892 | |
53 | August Kalkmann | The proportions of the face in Greek art | 1893 | |
54 | Reinhard Kekulé von Stradonitz | About a head previously named Marcellus in the Royal Museums | 1894 | |
55 | Franz Winter | An Attic lekythos from the Berlin Museum | 1895 | |
56 | Erich Pernice | Greek horse harness in the Antiquarium of the Royal Museums | 1896 | |
57 | Reinhard Kekulé von Stradonitz | About copies of a woman statue from the time of Phidias | 1897 | |
58 | Erich Pernice | Hellenistic silver vessels in the antiquarium of the Royal Museums | 1898 | |
59 | Hermann Winnefeld | Ancient Greek bronze basin from Leontini | 1899 | |
60 | Hans Schrader | About the marble head of a negro in the Royal Museums | 1900 | |
61 | Reinhard Kekulé von Stradonitz | About a portrait of Pericles in the Royal Museums | 1901 | |
62 | Alfred Brueckner | Rules of life on Athenian wedding favors | 1902 | |
63 | Carl Watzinger | The relief of Archelaus of Priene | 1903 | |
64 | Alfred Brueckner | Anacalypteria | 1904 | |
65 |
Reinhard Kekulé von Stradonitz Friedrich Hiller von Gaertringen |
Echelos and Basile: Attic relief from Rhodes in the Koenigl. Museums | 1905 | |
66 | Kurt Regling | Terina | 1906 | |
67 | Bruno Schröder | The Victoria of Calvatone | 1907 | |
68 | Hermann Winnefeld | Hellenistic silver reliefs in the Antiquarium of the Royal Museums | 1908 | |
69 | Reinhard Kekulé von Stradonitz | Bronze statuette of a fighting Gaul in the Royal Museums | 1909 | |
70 | Adolf Trendelenburg | Phantasiai | 1910 | |
71 |
Friedrich Hiller from Gaertringen Lattermann |
Hira and Andania | 1911 | |
72 | August Frickenhaus | Lena vases | 1912 | |
73 | Theodor Wiegand | Bronze figure of a spinner in the Antiquarium of the Royal Museums | 1913 | |
74 | Bruno Schröder | Greek bronze buckets in the Berlin Antiquarium | 1914 | |
75 | Margarete Bieber | Skenika | 1915 | |
76 | Gerhart Rodenwaldt | Greek portraits from the end of antiquity | 1919 | |
77 | Alfred Brueckner | Polyklets knuckle thrower | 1920 | |
78 | Karl Anton Neugebauer | Asclepius. A contribution to the criticism of Roman statue copies | 1921 | |
79 | Bruno Schröder | Alkamenes studies | 1921 | |
80 | Walther Amelung | Heracles at the Hesperides | 1923 | |
81 | Robert Zahn | Account Chro | 1923 | |
82 | Franz Winter | The death of Archimedes | 1924 | |
83 | Gerhart Rodenwaldt | The Caffarelli sarcophagus | 1925 | |
84 | Arnold von Salis | The tomb of Aristonaut | 1926 | |
85 | Hans Schrader | Hypnos | 1926 | |
86 | Valentin Müller | Two Syrian portraits from Roman times | 1927 | |
87 | Karl Anton Neugebauer | Bronze statuette of Narkissus von Mechtersheim | 1927 | |
88 | Ludwig Curtius | Pentheus | 1929 | |
89 | Fritz Weege | The pouring satyr from the Mengarini collection | 1929 | |
90 | Carl Blümel | The disco carrier Polyklets | 1930 | |
91 | Johannes Sieveking | A Roman tank statue in the Munich Glyptothek | 1931 | |
92 | Friedrich Matz the Younger | The Lauersforter Phalerae | 1932 | |
93 | Paul Jacobsthal | Diskoi | 1933 | |
94 | Heinrich Bulle | A skenography | 1934 | |
95 | Andreas Rumpf | Roman fragments | 1935 | |
96 | Heinz Kähler | Two bases of a triumphal arch in the Boboli garden in Florence | 1936 | |
97 | Albert Ippel | Casting and driving work in silver. Investigations into antique model casts in the Pelizaeus Museum | 1937 | |
98 | Wolfgang Züchner | The Berlin maenad crater | 1938 | |
99 | Heinrich Bulle | Tarentine head of Apollo | 1939 | |
100 | Gerhart Rodenwaldt | Hundredth Winckelmann program of the Berlin Archaeological Society | 1940 | |
100 | Emil Kunze | Zeus and Ganymedes, a terracotta group from Olympia | 1940 | |
101 | Josef Liegle | Euainetos. A series of works based on originals from the State Coin Cabinet in Berlin | 1941 | |
102 | Gerhart Rodenwaldt | Goethe's visit to the Maffeianum Museum in Verona | 1942 | |
103 | Eduard Schmidt | Roman portraits of the end of the republic | 1944 | |
104 | Gerda Bruns | State cameos of the 4th century after the birth of Christ | 1948 | |
105 | Gerhard Kleiner | The afterlife of the Pergamene giants' fight | 1949 | |
106 | Wilhelm Kraiker | The image of the centaur des Zeuxis | 1950 | |
107 | Roland Hampe | The stele from Pharsalus in the Louvre | 1951 | |
108 | Ernst Langlotz | Alkamenes problems | 1952 | |
109 | Emil Kunze | Three bronzes from the Helene Stathatos collection | 1953 | |
110 | Hans Diepolder | The Pistoxenos Painter | 1954 | |
111 | Ekrem Akurgal | Two pre-classical grave steles from Sinope | 1955 | |
112 | Arnold von Salis | Lion fight pictures of Lysippus | 1956 | |
113 | German Hafner | Judicium Orestis. Classic and classicistic | 1958 | |
114 | Ulf Jantzen | Greek grip phials | 1958 | |
115 | Wolfgang Züchner | About the figure | 1959 | |
116/117 | Heinz Luschey | Finds on the large frieze of Pergamon | 1962 | |
118 | Adolf Greifenhagen | A satyr play by Aeschylus? | 1963 | |
119/120 | Berta Segall | Tradition and New Creation in Early Exandrinian Cabaret | 1966 | |
121/122 | Adolf Greifenhagen | The Vestar relief from Wilton House | 1967 | |
123 | Adolf Greifenhagen | Colonette crater in early spring with depiction of the Heraclids | 1969 | |
124 | Heide Mommsen (as Heide Scharmer) | Heracles, who had been encamped | 1971 | |
125 | Elfriede R. Knauer | A skyphos of the triptolemos painter | 1973 | |
126 | Walter-Herwig Schuchhardt | Alkamenes. With a bibliography of the writings of W.-H. Schuchhardt | 1977 | |
127 | Helmut Kyrieleis | A portrait of King Antiochus IV of Syria | 1980 | |
128 | Volker Michael Strocka | The market gate of Miletus | 1981 | |
129 | Irma Wehgartner | A grave picture of the Achilles painter | 1985 | |
130/131 |
Edilberto Formigli Heilmeyer |
Tarentine gold jewelry in Berlin | 1990 | |
132 | Gerhard Zimmer | Early Greek mirrors. Aspects of technical innovations in antiquity | 1991 | |
133 | Gertrud Platz-Horster | Nile and Euthenia | 1992 | |
134 |
Ursula Kästner Borbein |
150 years of the Berlin Archaeological Society | 1993 | |
135 | Gerhard Zimmer | Etruscan mirror. Technique and style of the drawings | 1995 | |
136 |
Elke Vorbeck Heres |
The lions tomb of Miletus | 1997 | |
137 | Antje Krug | The Berlin nereid bowl made of rock crystal | 1998 | |
138 | Erika Zwierlein-Diehl | The onyx alabastron from Nottuln Abbey in Berlin | 1999 | |
139/140 |
Harald Mielsch Niemeyer |
Roman silver from Egypt in Berlin | 2001 | |
141 | Klaus Junker | Pseudo-Homerica. Art and Epic in Late Archaic Athens | 2003 | |
142 | Antje Krug | The Berlin doctor's relief | 2008 | |
143 | Ortwin Dally | On the archeology of photography. A contribution to imaging practices of the second half of the 19th and early 20th centuries | 2017 |
Web links
- Program for the Winckelmannsfest of the Archaeological Society of Berlin - digitization program of the Heidelberg University Library
- Winckelmann program of the Archaeological Society in Berlin at the Walter de Gruyter publishing house
- DNB 01277023X : Title references to the program for the Winckelmannsfest of the Archaeological Society of Berlin (1841-1919)
- DNB 015245055 : Title records for the Winckelmanns program of the Archaeological Society of Berlin (since 1920)