Andrea Saemann

Andrea Saemann (born March 12, 1962 in Wilmington , Delaware, USA) is a Swiss performance and conceptual artist and performance organizer who is interested in the architectures of references, language and communication. She has been working on the Swiss Performance Prize since 2011 and coordinated the event until 2017, launched the platform for texts about Performance ApresPerf and is a founding member of PANCH - Performance Art Network CH . She is currently organizing the International Performance Art Giswil Festival .

Life

Andrea Saemann came to Basel with her parents and two sisters after her earliest youth in the USA. She completed the preliminary design course at the Kunstgewerbeschule in Bern from 1981–1982 and studied architecture at the ETH Zurich from 1982–1985 . She spent the following two years in Paris in the LEM ( laboratoire et études du mouvement ) at the École internationale de théâtre Jacques Lecoq and five more years in Hamburg at the University of Fine Arts with Marina Abramovic and BJ Blume (part of the artist duo Anna and Bernhard Blume ) to study performance and to graduate in fine arts. After a trip to Thailand, she went back to Basel, where she installed performance presentations in the Kaskadenkondensator art space together with Pascale Grau and worked as an archivist for the architects Herzog & de Meuron . Together with Lena Eriksson she organized a guest studio and is part of an artist living project called the Lodge , both in the Werkraum Warteck pp in Basel. She traveled to Asia and South Africa and started teaching performance and working as a multiplier.

Working method / work

Andrea Saemann works as a performer , spatial and narrative, with stoppages and differences between language, image, perception, memory and translation. She is interested in the organization of memory and the location and contextualization of events. In 2007, Verena Kuni wrote about Andrea Saemann in the Swiss art bulletin under the title “A saga of the real present”:

«Andrea Saemann conducts performance research with artistic means. Her performances, in which she combines re-performances and variations of historical works with new elements, combine visualization, reflection and revision - and in this way open up further perspectives. Under the working title Generation Gap , she began researching the performances of some artists of that generation in 2002 Pioneers who have undoubtedly made history - while their work has only survived in the form of more or less rudimentary documentation. ... Together with her colleague from Hamburg, Chris Regn , she contacted the artists whose performances she wanted to edit as part of the project in order to question them in video interviews and thus create a new basis for herself. ... The artistic-performative reconstruction of a historical performance - the re-enactment, i.e. the re-performance - was only a first step that had to be tackled again and again. Because even in this first phase it was important for Saemann to include levels of reflection: on the one hand, to question their own perception and to open them up to new perspectives; also with a view to a story that has always been fragmentary, calls for a polyphonic narrative. She asked artist friends from her network to also design scores for her re-enactments. "

The art scholar Sabine Gebhardt Fink wrote in 2016 about Andrea Saemann on behalf of the Swiss Institute for Cultural Studies:

“Changing collaborations and at the same time insisting on an independent performative work are central to Andrea Saemann. Her curatorial work and the creation of “conceptual frames” for other performers - for example in the work Tskaltubo Hot Pots in Georgia (2016) - can be described as “Salonology”; Conviviality, exchange and non-hierarchical discourses play a central role. "

Awards

• 1999: Basel artist grant , art credit Basel-Stadt
• 2000: Otzenrath grant
• 2002: Funding of the research project “generation gap”, together with Chris Regn, performance competition of the Kunstkredit Basel-Stadt
• 2005: work grant, art credit Basel-Stadt
• 2007: Funding of Performance Saga, free art projects, art credit Basel-Stadt, together with Katrin Grögel
• 2018: Atelier grant URRA Buenos Aires, Atelier mondial
• 2019: Swiss Performance Prize / Audience Prize: Manifesto Reflex Collective, with Monika Dillier , Iris Ganz, Sibylle Hauert, Lysann König, Fränzi Madörin , Muda Mathis , Dorothea Mildenberger, Sarah Elena Müller, Barbara Naegelin , Chris Regn, Dorothea Schürch , Sus Zwick .

Boards of trustees

• 1997–1999: coordination in the art space Kaskadenkondensator , Basel, Switzerland
• 1999: Congress for artistic strategies , lectures, discussions and banquets in the Sudhaus Warteck Basel, curated and organized with the first manifesto of great and respected artists, with Monika Dillier, Lisa Fuchs, Pascale Grau , Muda Mathis, Barbara Naegelin, Sus Zwick, Basel, Switzerland
• 2001: Bright Nights , a project by the Binningen , Bottmingen and Reinach art associations , curated and organized together with Annina Zimmermann, Baselstadt , Baselland, Switzerland
• 2003: Generation Gap , Andrea Saemann, Transeuropa Festival Hildesheim, Germany
• 2004: Kunstraum Lodypop with Lena Eriksson , Basel, Switzerland
• 2007: purity & danger , a large, public bath on Münsterplatz, art action together with table discussions on Rotrausch, the festival of cultures by the Museum of Cultures , Basel, Switzerland
• 2008: the road to Nieu Bethesda , a symposium with artists from Switzerland and South Africa , initiated and organized jointly with Monika Dillier
• 2008: Performance Saga Festival - Bern, together with Katrin Grögel in cooperation with Bone: Norbert Klassen and Peter Zumstein , Schlachthaus Theater, Bern, Switzerland
• 2009: Performance Saga Festival - Basel, together with Katrin Grögel, Radio X, Voltahalle, Klingental exhibition space, Kaskadenkondensator and public space Basel, Switzerland
• 2009: Performance Saga Festival - Lausanne together with Katrin Grögel in cooperation with the théâtre de l'Arsenic, Lausanne, Switzerland
• 2011: Festival lo que lleva el viento I, curated and organized together with Katrin Grögel and Simone Rüssli in cooperation with the Las Conejeras association, performance festival in Arrecife, Lanzarote, Spain
• 2013: Festival lo que lleva el viento II, curated and organized together with Simone Rüssli in cooperation with the Las Conejeras association, performance festival in Arrecife, Lanzarote, Spain
• 2011–2017: Coordination of the Swiss Performance Prize
• since 2014: Platform for texts about performance ApresPerf with Dorothea Schürch
• since 2014: Festival International Performance Art Giswil , Switzerland
• 2014: Hecht at the border , with Cécile Hummel and Dagmar Reichert, Haus Hecht, Waaghaus, Bodman Literaturhaus, Gottlieben , Switzerland
• Getting the ball rolling in 2015 , marathon reading of "The Making of Americans" by Gertrude Stein , organized and conceived with Marcel Schwald, in coproduction with Kaserne im Exil and the VIA studio community, Basel, Switzerland
• 2016: Hot Pots - situation-specific long-term performance , curated by Jennifer Mira Ackermann, Monika Dillier, Andrea Saemann, Artas Foundation , Tskaltubo Sanatorium, Georgia
• 2018: PANCH Performance Photography, group exhibition, curated by Markus Goessi, Eliane Rutishauser , Yolanda E. Natsch, Andrea Saemann, with 80 artists as special guests at the List Art Fair , Basel, Switzerland
• 2018: Doce en Diciembre , URRA, PROA 21, Buenos Aires , Argentina

Performances and installations

• 2019: Guided tour through the exhibition by Andrea Saemann , Performance, Eile mit Weile - Zeit für Performance, AKKU, Luzern , Emmenbrücke , Switzerland
• 2019: Swiss Performance Art Medley , with Chris Regn, Konteksty, The 9th International Festival of Ephemeral Art Contexts, Sokolowsko , Poland
• 2019: Perf en Bref - Interview project and performance , Far Festival , Nyon , Switzerland
• 2019: shift the manifesto, with Manifesto Reflex Collective, Performance Prize Switzerland , Aarau
• 2019: Handover of the catalog of works , research window with Andrea Saemann and Dorothea Schürch , Kaskadenkondensator Basel, Switzerland
• 2018: Baila en 9 pasos , Performance, Zonas Reflejas, exposición, Mónica Giron, with Antonio Panno, Barro - Arte Contemporáneo, La Boca, Buenos Aires, Argentina
• 2018: Prometheus - Moving performance to text. Moving text to performance , with Nugzar Medzmariashvili, Winter Garden, National Scientific Library, Tbilisi, Georgia
• 2018: hitchhiking , performance, flat peppered, an exhibition by Tina Z'Rotz, Lex Vögtli, Klingental exhibition space , Basel, Switzerland
• 2018: Performance Art Roll On - An Approach to Gaps in the Exhibition "Performance Process" at Museum Tinguely , publication, symposium at Museum Tinguely
• 2017: Acute texts on Sympodium , performance at the trans-local Sympodium “What's Wrong with Performance Art?”, Corner College, Zurich
• 2017: about curating - a seasonal art song, Chris Regn curates Andrea Saemann , PPP Progr , Bern, Switzerland
• 2017: Kino Stella , Performance, LEGS Basel, Klingental exhibition space, Basel, Switzerland
• 2017: Introducing the Figure of Spectatorship , Performance, Akuttexte with Jakub Kisiel and Chris Regn, Piotrków Trybunalski / Poland, Interakcje Performance Festival
• 2017: Instant Camera in Forest , with Anna Ostaszewska, Present, Brzeźnie - Gdańsk, Poland
• 2017: I want to get a tattoo out of this experience , performance with Julim Rosa, Antonio Panno, Fränzi Madörin , ¿Qién está dónde ?, Villa Renata, Basel, Switzerland
• 2017: Is he from Central Switzerland? Performance with Lorenz Wiederkehr, LEGS Central Switzerland, Turbine Giswil
• 2016: Acute text on Legs Zurich and performance “Legs Zurich”, Corner College, Zurich
• 2016: The stool , performance, The approximate, Tskaltubo Hot Pots, Kaskadenkondensator Basel
• 2016: Hot Pots - situation-specific long-term performance , Jennifer Mira Ackermann, Lukas Acton, Nicole Boillat, Monika Dillier, Lisa Fuchs, Ina Hess, Gisela Hochuli, Judith Huber, Jana Kischkat, Fränzi Madörin, Ruth Marx, Muda Mathis, Barbara Naegelin, Chris Regn , Andrea Saemann, Marcel Schwald, Inga Shalvashvili, Sus Zwick & Ia Akhvlediani, Iago Akhvlediani, Otar Akhvlediani, Neli Akhvlediani, Marina Asatiani, Gia Bakradze, Teo Bandzeladze, Adeliko Chakvetolaiani Darola Chola Chola Chola Chola Cholianu Chanturaietia, Nun Tskhvaradze, Nino Gabidzashvili, Nora Kakulia, Nana Kharchilava, Naira Kirtadze, Lili Kopaliani, Gulveri Sulaberidze, Dali Tutitcani, Nino Meshveliani, Marta, Kotiko Meshveliani, Guliko Kurashvili, Translated by: Kristian Kashaduchati Kashaduchati, Koderidzei, Koderidzei, Translated by: Diana Murkladio Koderidze , Khatia Jishkariani, Nini Tskhakaia, Artas Foundation, Tskaltubo Sanatorium, Georgia, April and May 2016
• 2016: Zero Comma , performance with Dorothea Rust, Rümelinsplatz, Basel, Must or Not, Kaskadenkondensator
• 2015: Synchronism , Performance, with Ewjenia Tsanana, Frappant Galerie, Hamburg / D
• 2015: ApresPerf.ch, performative project presentation with Dorothea Schürch at «die Sprache wants to speak», Act, HGK FHNW Basel
• 2015: la Vie en Rosa Lu , performance with Chris Regn, Aubette , Strasbourg
• 2015: Spoken Doc , performance with Chris Regn, Kaskadenkondensator Basel
• 2014: Report from the council , performance with Carmen Blanco Principal, .perf, piano nobile, Geneva
• 2014: 140 kilos live weight , performance, the elephant is here - an audio walk, Helvetiaplatz, Bern
• 2014: Growth economies or: an ash tree goes , performance, performance series Neu-Oerlikon, Oerliker Park
• 2014: Gasthof zum Wilden Mann , Performance, Disparat, KunstRaum Goethestrasse xtd., Linz / A
• 2014: Gottlieber Revue , with Evi, Nic & C. Chris Regn, Evi Wiemer, Karin Kröll, Katharina Friese, Muda Mathis, Sus Zwick, Michèle Fuchs , Fränzi Madörin , Sibylle Hauert, David Kerman, Dorothea Schürch , Bärbel Schwarz , Bena Zemp , Martin Chramosta, Franziska Welti, Christoph Oertli
• 2014: by Emanuel (in the handwriting of Clärle) , Performance, Hecht an der Grenz, Bodman Literaturhaus, Gottlieben
• 2013: red thread (III), Performance, Dimanche Rouge, Culture Factory Polymer, Tallinn; EMMA Espoo, Museum of Modern Art, Helsinki; Galleria Augusta, Helsinki, Estonia-Finland-France
• 2013: Report from the council , performance with Chris Regn, ACT anniversary, Kaserne Basel
• 2013: Council , interview marathon with Chris Regn, VIA Studio, Amerbachstrasse
• 2013: red thread (II), performance, with Dagmar Reichert, Katrin Grögel, Locus Metropol, Kaskadenkondensator Basel
• 2012: red thread, performance, at the Festival lo que lleva el viento II, with Dorothea Schürch, Carmen Blanco Principal, Katrin Grögel, lo que lleva el viento II, Arecife, Lanzarote / E
• 2012: Verena / Monika, performance thanks to Verena Thürkauf & Monika Dillier, PER SE / AUGENLIEDER, Kunstmuseum Olten, WARC Gallery, FADO Performance Event, Toronto / CA, RIAP - Rencontre Internationale, ale d'Art Performance Québec City / CA
• 2012: Learning Trio A - inspired by Yvonne Rainer , Performance, Dorothea Rust, Christoph Oertli, A house is a house is a house, group exhibition, Villa Renata, Basel
• 2012: Palmherz - Performance for Lisa Jenny, Kaskadenkondensator Basel
• 2012: Simply Sage n, theatrical performance, performance saga performances with Chris Regn, Martina Gmür, Christoph Oertli, Muda Mathis, Barni Palm (music), Tina Z'Rotz (objects), Anke Zimmermann (dramaturgy), Dominik Keller, Claudia Oetterli (Light), Sus Zwick (technology), Sile Bergmann (video documentation), Kaserne Basel
• 2011: Beige Quelle , exhibition, salons, performance, performance Saga Performances with Martina Gmür and Chris Regn, Kaskadenkondensator, Basel
• 2010: Beige Quelle , performance with Chris Regn, FABRIK Culture, Hegenheim / F
• 2010: collaborative performances at the euro latin performance project, performances with artists from Europe and South America, curated by Harm Lux in the Kaskadenkondensator Basel, Walcheturm Zurich, Free Museum Berlin / D
• 2010: Land surveying - Performances in the open field , Barbara Sturm, Gisela Hochuli, Boris Nieslony, Boedi S.Otong, Sandra Johnston, Judith Röthlisberger, Monica Klingler, Saskia Edens, Schwarzwaldalp, Meiringen / BE
• 2010: Aufstand, Performance, Festival Hochformat, Kaskadenkondensator, Basel
• 2010: Trunk Talk , Performance, Installation, URRA, Buenos Aires, Argentina
• 2010: Uprising , performance, URRA-group exhibition, Galerie del Infinito, Buenos Aires / Argentina
• 2009: Transformidable Wolken ziehn , performance with Chris Regn, on Die Schwitzende Löwin , with Les Reines Prochaines and guests, Wildwuchsfestival Kaserne Basel
• 2009: the ABC of Basel performance art , performance, performance chronicle Basel from 1970 to today, Kunsthalle, Basel
• 2009/11: representing presence - performance thanks to Joan Jonas , Performance Saga Performances, Kartause Ittingen , telling tales, Theater Gessnerallee Zurich, BAD Stichting Rotterdam / NL, La Muga Caula, 5a Trobada de poesia d'accio i performance, Les Escaules, Spain , 2011, Espace Piano Nobile au Batiment d'Art Contemporain, Genève
• 2009: Springboksong , at The Road to Nieu Bethesda - project presentation , with Chris Regn, Progr Bern, Kunsthaus Basel-Land Muttenz, Kunstraum Walcheturm Zurich
• 2009: Angel M - Performance thanks to Ulrike Rosenbach , Performance Saga Performances, re.act feminism - performance art from the 1960s and 1970s to the present day, Akademie der Künste, Berlin
• 2008: this diminutive , performance, "Open words - To update Iris von Rotens Frauen im Laufgitter ", Imprimerie, Basel
• 2008: Side saddle , installation and soul, sex and sensitivity to the weather , performance, at Glücksmaschine - a group exhibition in self-experiment, group exhibition table discussions: Iris Beatrice Baumann, Monika Dillier, Martina Gmür, Fränzi Madörin, Muda Mathis, Barbara Naegelin, Chris Regn, Andrea Saemann, Maria Magdalena Z'Graggen and Sus Zwick, Klingental exhibition space, Basel
• 2007: The Great Songbook Of Inspired Clouds , Les Reines Prochaines u. a., Basel barracks
• 2007: Fingsten , Performance, Gare du Nord, Basel
• 2007/08: For Monika - performance thanks to Monika Günther , Performance Saga Performances, 6th International Performance Art, Turbine Giswil, zeitraumexit, Mannheim, Navinki, Minsk / Belarus
• 2007/08: with prime numbers - performance thanks to Esther Ferrer , Performance Saga Performances, meetings, Kaskadenkondensator, Basel, Theater am Neumarkt, Zurich, Circulo de Bellas Artes, Madrid, Valencia, Arrt d'Accció, contenedores, Sevilla, Undisclosed territory # 2 , Java, Indonesia
• 2006: When the people ask me, Damensattel , Meine Chinesin - room installation, table discussions: Iris Beatrice Baumann, Monika Dillier, Martina Gmür, Fränzi Madörin, Muda Mathis, Barbara Naegelin, Chris Regn, Andrea Saemann, Maria Magdalena Z'Graggen, Annina Zimmermann , oT room for contemporary art, Lucerne
• 2005: when the people ask me - video installation thanks to Marina Abramovic , Kunsthaus Baselland, Muttenz / Basel, work grants, art credit Canton Basel-Stadt
• 2005: this and that and that too , wall installation, at Chris Regn Meisterwerke , Lerchenfeld, HfBK Hamburg , Germany
• 2005: no projection , performance with Lena Eriksson, the longest day, Kunsthof, Zurich, Switzerland
• 2004/05/06/07/10: Saemann meets Schneemann - Performance thanks to Carolee Schneemann , Performance Saga Performances, copy, create, manipulate, [plug.in], Basel, interfiction Kulturbahnhof, Kassel / D, Arsenic, Lausanne, trouble / / 1, female body, Stadtbad Oderbergerstrasse, Berlin / D, Galerie Wildwechsel, Frankfurt / D, foreign countries, Berlin / D, momentum - platform for performance art, Brussels / B, deSingel, Antwerp, 2006, Theater am Neumarkt, Zurich 2007, Symposium Pathological Esthetica IV, topic: Seksualiteit, HAN University Nijmegen / NL 2010
• 2004: lodypop , performance, with Lena Eriksson and Marcel Furrer (music), I need you, Center Pasquart, Biel, Schlachthaus Theater, Bern
• 2004: the creation of stars , performance thanks to Emilio Maraini & Valie Export, Instituto Svizzero di Roma , Rome
• 2004: Heat balance , room installation, and excursion into the frescoes , performance thanks to Brother Klaus , for the exhibition by Monika Dillier am zu dorff gesyn , Hofmatt Gallery, Sarnen
• 2003: reenactment : semiotics of the kitchen , performance with Martha Rosler and many performers, A Short History of Performance - Part II, Whitechapel Art Gallery, London, England
• 2003: ... remote ... control ... - performance thanks to Valie Export , Performance Saga Performances, [plug.in], Basel
• 2003: liberty_5 - Performance thanks to Regula Huegli & Valie Export , Performance Saga Performances, transeuropa 2003, Roemer- und Pelizaeus-Museum , Hildesheim, performance festival across the border, Kubus, Hannover , Germany
• 2003: Model Broll , room installation (videos, objects, drawings), with Monika Dillier, Lena Eriksson, Muda Mathis, Chris Regn, Sus Zwick, at: Einreifen, Galerie Helga Broll, Thealit and Society for Contemporary Art , Bremen, Germany
• 2002: Interfaces , Muda Mathis / Sus Zwick / Andrea Saemann, HyperWerk / FHBB, Plug in, Basel, Switzerland
• 2000/2001: Terminator, Performance, Kino Movie, Basel, Bone Festival: CH-Fokus, Schlachthaus Theater, Bern, Switzerland
• 1999/2000: Performances 1989 - 1999 (CH) , video performance , documentation and installation, Kunsthaus Baselland , Basel artist grant, art credit Canton Basel-Stadt, Swiss artist grant 2000, Federal Office of Culture , Switzerland
• 1999: right now , performance, festival in a way, KuLe, Berlin, Germany
• 1999: Meta - a view , performance, Kunsthalle, Bern , Switzerland
• 1998: Schlüsselreize , performance, VIM, association for improvised music, Davidsbodeneck, Basel, Switzerland
• 1997/98/99: 3 X 3 (2nd step), performance, 3 X 3 with Pascale Grau, Festival For Eyes and Ears, Odense, Denmark, Center Civic Can Felipe, Barcelona, ​​Cruce, Arte y pensamiento contemporáneo, Madrid, D! Club, Lausanne, Malmö Kunsthall , Malmö, Sweden, oT room for contemporary art, Lucerne, Art Museum St.Gallen , Switzerland
• 1995: House S (a) egen - a theatrical facility , group from: Dorothee Daphi, Pascale Grau, Matthias Moebius, Andrea Saemann, Jungehund, Kulturfabrik Kampnagel, Hamburg
• 1993: dressing 1-5 , project, group from: Dorothee Daphi, Pascale Grau, Matthias Moebius, Kai Rickert, Andrea Saemann, young dogs, Kulturfabrik Kampnagel , Hamburg
• 1991: Weit West Wild Nah , project, group from: Dorothee Daphi, Pascale Grau, Anke Grot, Matthias Moebius, Andrea Saemann, Völkerkundemuseum Hamburg
• 1989/90/91: Wie ein Frau has a cow… a lovestory , performance with Pascale Grau, Künstlerhaus Vorwerkstift and HfbK Hamburg, Kulturbahnhof, Thun, Reithalle cinema, Bern, law firm, Zurich, Belluard Festival, Friborg, Thalia Theater, Hamburg , Class BJ Blume, Hamburg University of Applied Sciences, Haydau Monastery, Morschen

Video editions / publications

• 2002: bright nights. A publication edited together with Annina Zimmermann, with articles by Stuart Brisley, Dora Imhof, Philipp Kaiser, Gerhard Mack, Chris Regn, Annette Schindler and Hansmartin Siegrist. Christoph Merian Verlag, 2002, ISBN 3-85616-173-2 .
• 2002–2008: Generation Gap. Interviews with Annie Sprinkle and Elizabeth Stephens, Laurie Anderson , Valie Export , Marina Abramovic , Esther Ferrer, Monika Günther, Joan Jonas , Alison Knowles , Ulrike Rosenbach , Martha Rosler , Carolee Schneemann . Interview project with Chris Regn for bildwechsel . Edited by Andrea Saemann and Katrin Grögel. edition fink, Zurich 2008, ISBN 978-3-03746-120-4 .
• 2004: Romano Cuonz : Adventure 'Art Diaspora' - Monika Dillier and Andrea Saemann in the 'Hofmatte'. In: Obwaldner Kantonsblatt. March 12, 2004.
• 2004: Art is itself! Art mediation in-house. Cascade capacitor since 1994. Publication edited with Pascale Grau and Katrin Grögel; with text contributions by Eva Bächtold, Hans-Christian Dany, Lena Eriksson, Pascale Grau, Katrin Grögel, Samuel Herzog, Verena Kuni, Rachel Mader, Sibylle Omlin, Chris Regn, Christine Richard, Andrea Saemann, Clara Saner, Martina Siegwolf, Dorothea Strauss, Annina Zimmermann. edition fink, Zurich 2004, ISBN 3-906086-68-2 .
• 2018: Performance Art Roll On - An Approach to Gaps in the Exhibition "Performance Process" at Museum Tinguely. Publication with PANCH. Digitized
• 2018: PANCH Performance Photography. Catalog for the group exhibition, curated by Markus Goessi, Eliane Rutishauser, Yolanda E. Natsch, Andrea Saemann; with 80 artists as special guests at the List Art Fair. Cascade capacitor, Basel. Digitized

Individual evidence

1. ↑ ^{a b} Performance Prize Switzerland. Accessed February 2, 2019 (German). 
2. ↑ ^{a b c} ApresPerf - moving performance to text. Accessed February 2, 2019 . 
3. ↑ PANCH - Performance Art Network CH. Accessed February 2, 2019 . 
4. ^ ^{A b} International Performance Art Giswil. In: International Performance Art Giswil. Accessed February 2, 2019 (German). 
5. ^ ^{A b} Sabine Gebhardt Fink: Saemann, Andrea. In: Sikart
6. ↑ Verena Kuni: A saga from the real present . In: Schweizer Kunstverein (Ed.): Art Bulletin . 11,000 copies. tape 11 . Zurich 2007.
7. ^ Atelier Mondial - Andrea Saemann. Retrieved May 28, 2020 . 
8. ↑ Performance Prize Switzerland. Retrieved September 28, 2019 (German). 
9. ^ First manifesto. Retrieved May 26, 2020 . 
10. ↑ Bright nights. Retrieved May 26, 2020 . 
11. ↑ Kultura-Extra, the online magazine. Retrieved May 26, 2020 . 
12. ↑ Yumpu.com: Brochure de program (pdf) - Museum of Cultures. Retrieved May 26, 2020 . 
13. ↑ Berner Kulturagenda 2008 N ° 49. Retrieved on May 26, 2020 (English). 
14. ↑ Quinn Latimer: Performance Saga | Frieze. In: Frieze. Retrieved May 26, 2020 (English). 
15. ↑ Open Dialogues: Performance Saga. Retrieved May 26, 2020 . 
16. ^ Lo que lleva el viento II (Del 23 de febrero al 09 de marzo). In: Ocio Lanzarote. February 17, 2013, accessed May 26, 2020 (European Spanish). 
17. ↑ Proa 21, Avenida Pedro de Mendoza 2001, Ciudad de Buenos Aires, Argentina Buenos Aires, ver Mapa: Performance final de doce en diciembre en PROA 21, Arte el Domingo 30 de Noviembre de -2 17.00. December 13, 2018, accessed May 26, 2020 (Spanish). 
18. ↑ ~ Espacioproa21: PERFORMANCE: “Doce en diciembre” en el jardín de PROA21. December 15, 2018, accessed May 26, 2020 (European Spanish). 
19. ↑ Hurry with time - time for performance - the other time: 16.4. until May 29, 2019. Retrieved October 16, 2019 . 
20. ↑ Performances - Konteksty. Retrieved May 26, 2020 . 
21. ↑ far ° festival des arts vivants Nyon - artists' collective - Perf en bref The interviews. Retrieved May 26, 2020 . 
22. ↑ 2019 - Performance Prize Switzerland. Retrieved on May 26, 2020 (German). 
23. ↑ 1.7. – 4.8.19 • Summer studio: cascade condenser. Retrieved May 28, 2020 . 
24. ↑ Barro | Arte contemporáneo | Zonas Reflejas. Retrieved May 28, 2020 . 
25. ↑ FLAT PEPPER - Program. Retrieved May 28, 2020 . 
26. ↑ about curating - a seasonal art song, Chris Regn curates Andrea Saemann, PPP Progr, at DuckDuckGo. Retrieved May 28, 2020 . 
27. ↑ Events: LEGS performance. Retrieved May 28, 2020 . 
28. ↑ Urs Schmid, code flow: LEGS 2016: Photo documentation. Retrieved May 26, 2020 (English). 
29. ↑ Tskaltubo Hot Pots - artasfoundation. Retrieved May 26, 2020 . 
30. ↑ Culture tour. February 17, 2012, accessed May 26, 2020 . 
31. ↑ Yumpu.com: For further reading - Kaserne Basel. Retrieved May 26, 2020 . 
32. ↑ 17.7. – 14.8.11 • Beige sources: cascade capacitor. Retrieved May 26, 2020 . 
33. ^ Art pavilion: Saemann Andrea. In: oT space for contemporary art. July 7, 2016, accessed on May 29, 2020 (German). 
34. ↑ Masterpieces by Chris Regn. Retrieved May 27, 2020 . 
35. ^ Electronic Arts Intermix: Semiotics of the Kitchen: An Audition, Martha Rosler. Retrieved May 27, 2020 . 
36. ↑ Mediathek - Detail - Wie ein Frau has a cow ... a lovestory, a variation with the text by Gertrude Stein [zotero-1624911.SQETQ92C]. Retrieved May 27, 2020 .