Raimund connector

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Raimund connector (2010)

Raimund Stecker (* 1957 in Duisburg ) is a German art historian .

Vita

Raimund Stecker was born in Duisburg in 1957. He is married and has two daughters. He lives and works in Berlin , Düsseldorf and Essen .

From 1971 to 1974 he completed a bookbinder apprenticeship, during which he at Tünn Konerding books and runs for Otto Piene , Uecker , Blinky Palermo and January Schoonhoven manufactured and Joseph Beuys first met. Then he made the technical college entrance qualification and his Abitur. He studied art history, philosophy, modern history, journalism and communication studies in Bochum , Hamburg and Florence . He received his doctorate from the Ruhr University Bochum with Max Imdahl. He wrote his dissertation on The Stations of the Cross - Lema Sabachthani by Barnett Newman .

Since 1981 he has been writing and writing as a freelancer for the Westdeutsche- and Frankfurter Allgemeine Zeitung , Die Welt and various international art magazines, including for a long time for “The Artwork” and the International Art Forum , as well as for the Swiss Art Bulletin . Since then he has also been active as a freelance journalist and author of numerous articles on art history and theory for catalogs of international museums, galleries and artists.

From 1988 to 2015 he was a lecturer and honorary professor for art history and the history of contemporary art at the Art Academy in Münster , as well as teaching assignments at the Academy of Fine Arts in Munich and the Art Academy in Mainz.

From 1993 to 2000 he was managing director of the Kunstverein für die Rheinlande und Westfalen , Düsseldorf. From 2000 to 2005 he was founding director of the Arp-Museum Rolandseck in Remagen near Bonn. From 2005 to 2009 he was an advisor to the Ministry of Finance in Rhineland-Palatinate on architectural issues - renovation of Hambach Castle, development of Eltzer Höfe, castles in the Middle Rhine Valley World Heritage ...; Project manager for the development of a private art museum and cultural center in Ljubljana , Slovenia (Lah Art Collection), active as a freelance curator.

From 2009 to 2013 he was artistic director of the Lehmbruck Museum in Duisburg .

Raimund Stecker has been a lecturer for art studies at the University of Fine Arts in Essen since 2015 and has been professor for art studies there since 2016 .

He is also a member of numerous committees, including a. in juries of Art Cologne , of ECCE (European Center for creative economy) and since 2006 in the advisory board for the UNESCO World Heritage Middle Rhine Valley.

Publications (selection)

dissertation

The Stations of the Cross - lema sabachthani by Barnett Newman. Investigation into the elimination of the contradictions of form and content . Bochum, 1993.

Book publications

(published or responsible due to the activity as director or curator)

  • Ali Moradkhani: Otto Piene . RAINBOW . Galerie Breckner, Düsseldorf 2017, ISBN 978-3-939452-23-2 .
  • Stefan Koldehoff , Ralf Oehmke, Raimund Stecker: The Gurlitt Case - A Conversation . Nicolai, Berlin 2014, ISBN 978-3-89479-863-5 .
  • Ulrich Hensel , Ralph Heusner (collaborators), Raimund Stecker: Ulrich Hensel. SITES . Hatje Cantz, Ostfildern 2014, ISBN 978-3-7757-3890-3 .
  • Women - love and life . With further contributions by Denise Wendel-Poray, Philippe Dargen, Germano Celant and Melinda Davis Wingate, Ostfildern 2013, ISBN 978-3-7757-3534-6 .
  • Sculpture Collection – LehmbruckMuseum (inventory) . Edited by Gottlieb Leinz, Duisburg 2012, ISBN 978-3-89279-681-7 .
  • Expressionism & Expressionismi - Der Blaue Reiter vs Bridge . Franz., With further contributions by Andrei Nakov, Jacqeline Munck, Denise Wendel, Marc Restellini, Tayfun Belgin, Roman Zieglgänsberger and Ralph Melcher, Paris 2011, ISBN 978-2-35867-024-1 .
  • 100 years of the knee - Lehmbruck in Paris 1911 . Edited together with Marion Bornscheuer, with further contributions by Marion Bornscheuer, Susanne Kudielka, Denise Wendel-Poray and Hans Portsteffen, Lehmbruck Museum, Duisburg 1911, ISBN 978-3-8321-9426-0 .
  • Shaped - Uwe Karlsen . Dt./Engl./Franz., With further contributions by Denise Wendel, Jacques Derrida, Niklas Stiller and Benjamin Katz (photo), Cologne 2011, ISBN 978-3-8321-9302-7 .
  • Fabian Marcaccio: The Structural Canvas Paintants . With further contributions by Sabine Heiliger and Marc Wellmann; Berlin / Duisburg 2011/2012.
  • Herkules - monograph - Markus Lüpertz Bozzetti for a monument in the Ruhr area (German / English / Turkish); With another contribution by Eric Darragon, cat. LehmbruckMuseum, Duisburg 2010, ISBN 978-3-86678-642-4 .
  • Wilhelm Mundt : About Trashstones . German / English / Turkish, cat. LehmbruckMuseum, Duisburg 2010.
  • Hans Arp : Works from the Collection of the ARP MUSEUM . Edited together with Astrid von Asten - Jap./Engl., Tokyo 2005.
  • Michael Schmidt: Somewhere . Cologne 2005, ISBN 3-936859-18-3 .
  • Richard Deacon : The Size Of It . Dt./Engl./Baskisch/Kastilisch/Finnisch/Franz., With further texts by Javier González de Durana and Timo Valjakka; Cat .: Artium, Vitoria-Gasteiz; Sara Hilden taidemuseum, Tampere; ARPMuseum Rolandseck; Remagen, 2005/2006; ISBN 3-937572-32-5 .
  • About the spiritual of appropriation . In: Arp / Craig-Martin / Arp (Ger./Engl.); With Michael-Craig-Martins "Townsend Lecture"; Cat.ARPMuseum Rolandseck, Remagen / Düsseldorf 2004, ISBN 3-937572-14-7 .
  • PAINTING the alienated medium . Collection of 41 scientific lectures, catalog articles and feature sections on Carl Buchheister on Enrico Prampolini, Leon Kossoff , Howard Hodgkin , Bridget Riley , Gerhard Richter , Blinky Palermo to Tatjana Doll, Heike Kati Barath and Sonia Knopp, Regensburg 2003, ISBN 3-929970-51 -1 .
  • Yuji Takeoka: An empty in-between . German / English / Japanese, with further contributions by Yuji Takeoka and Minoru Shimizu; Düsseldorf, 2000, ISBN 3-925974-61-X .
  • Michael Schmidt: WOMEN . Cologne 2000, ISBN 3-88375-423-4 .
  • Eugène Leroy: Everything is color . With a contribution by Georg Baselitz, Düsseldorf 2000, ISBN 3-925974-60-1 .
  • Bridget Riley: Selected Paintings 1961-1999 . Dt./Engl., With further contributions by Ernst H. Gombrich, Robert Kudielka, Bridget Riley, Michael Craig-Martin and Michael Krajewski, Ostfildern-Ruit 1999, ISBN 3-7757-0907-X .
  • mode of art . With contributions by Michael Krajewski, David Moss, Catrin Backhaus (Lorch); Udo Kittelmann, Uta M. Reindl, Almine Rech, Dirk Steinmann, Bernd Finkeldey, Rafael von Uslar, Nicole Heusinger and Georg Elben, Düsseldorf 1999, ISBN 3-925974-58-X .
  • Berenice Abbott: Changing New York . With a contribution by Bonnie Yochelson, Munich 1999. ISBN 3-925974-57-1 .
  • Michael Bach, Andreas Gurski, Axel Hütte, Andreas Schön, Michael van Ofen: Landscapes / Landscapes . Dt./Engl., Düsseldorf 1998, ISBN 3-928762-79-6 .
  • Allen Ginsberg in Wuppertal / Allen Ginsberg in Düsseldorf ; Booklet for the CD with contributions by Allen Ginsberg, Dirk Steinmann, Günter Ohnemus and Lawrence Ferlinghetti, Düsseldorf 1998.
  • Hamish Fulton and Peter Hutchinson; With further contributions by the artists, Düsseldorf 1998, ISBN 3-925974-53-9 .
  • Henri Cartier-Bresson : Europeans . With a contribution by Jean Clair, Munich 1998, ISBN 3-88814-887-1 .
  • Thomas Schütte and Henrik Wolff; With a contribution by Matthias Winzen, Düsseldorf 1997, ISBN 3-925974-51-2 .
  • Robert Doisneau : Three seconds of eternity . With a contribution by Robert Doisneau, Munich 1997, ISBN 3-88814-847-2 .
  • Michael Craig-Martin and Raymond Pettybon; With contributions by Craig-Martin and Katja Blomberg as well as Pettybon and Frances Scholz, Düsseldorf 1997, ISBN 3-925974-50-4 .
  • Howard Hodgkin : Retrospective . With further contributions by Bruce Chatwin, Michael Auping, Susan Sontag, John Elderfield and Marla Price, Ostfildern 1996, ISBN 3-930717-37-9 .
  • Thomas Bernstein and Jürgen Drescher, Düsseldorf 1996.
  • Junior Toscanelli - painting; With a contribution by Heinz-Norbert Jocks; Düsseldorf 1996, ISBN 3-925974-49-0
  • The Adventure of Painting (German / English - Ed. Together with Martin Hentschel); With further contributions by John Berger and Christoph Schreier and an anthology on painting by Edmund Burke (1729–1797) to Tim Wolfe (1931-); Ostfieldern 1995, ISBN 3-930717-15-8
  • "Triumph of the New York School " by Mark Tansey; With another contribution by Arthur C. Danto, Düsseldorf 1995, ISBN 3-925974-45-8 .
  • UMBO - From Bauhaus to Photojournalism ; With a contribution by Herbert Molderings, Düsseldorf 1995, ISBN 3-928762-42-7 .
  • Leon Kossoff - Works 1986–1994; With contributions by David Sylvester, Rudi Fuchs and Peter Schmersal, ISBN 3-925974-46-6 .
  • 45ff - END OF THE WAR: Continuity and a new beginning; With contributions by Ingrid Bachér, Michael Hesse, Klaus Kreimeier, Eduard Trier, Jürgen Hein, Gundolf Winter, Reinhard Oelschlägel, Herbert Molderings, Raimund Hoghe, Marianne Lienau, Werner Durth and Henning Rischbieter, Düsseldorf 1995, ISBN 3-928762-41-9 .
  • Harry Shunk - Projects: Pier 18; Supplement also with the German translation of the conversation between Harry Shunk and Loic Malle, Düsseldorf 1994, ISBN 3-925974-28-8 .
  • Ernst Hermanns - One room; With contributions by Ernst Hermanns, Klaus Bußmann, Friedrich Meschede, Paul Isenrath, Katja Blomberg, Michael Krajewski and Michael Vignold, Düsseldorf 1994, ISBN 3-925974-43-1 .
  • Ansel Adams - Classic Images; Supplement to the American edition, with German translations and contributions by Jiri Svestka, John Szarkowski and James Alinder, Düsseldorf 1993, ISBN 3-925974-26-1 .
  • Serge Spitzer - INDEX, 1972-1992; (plus supplement) With contributions by Dan Cameron, Franz-W. Kaiser, Harald Szeemann ; The Hague 1992, ISBN 3-925974-29-6 .

Scientific articles and catalog articles (selection)

  • IDENTITY - Is identity worth striving for? Reprint of the lecture at the Bern Culture Conference; In: ensuite - magazine for culture & art, Bern 2015.
  • Articles on: Thomas Grünfeld, Harald Klingelhöller , Thomas Schütte, Didier Vermeiren; In: Die Bildhauer - Kunstakademie Düsseldorf 1945 to today; Cat.Artsammlung Nordrhein-Westfalen, Düsseldorf 2013, ISBN 978-3-86678-789-6 .
  • When the sight demands insight - about something new - the equal inside and outside of sculptures (Ger./Engl.); In: Emil Cimiotti - structures / Structures, Bielefeld 2013, ISBN 978-3-86678-821-3 .
  • A bright light falls on El Greco through Wilhelm Lehmbruck - and also through Otto Gutfreund; In. Catalog for the exhibition El Greco and the Modern Age, Museum Kunst Palast , Düsseldorf 2012, ISBN 978-3-7757-3326-7 .
  • Le Sublime est á Reims - On the windows by Imi Knoebel in the cathedral of Reims (French); In. Couleurs & Lumière - Cat.Musée des Beaux-Arts de Reims, Reims 2011, ISBN 978-2-915548-61-7 .
  • Seeing the world according to IMI Knoebel; In: IMI Knoebel - WEISS SCHWARZ; Salzburg 2010, ISBN 978-3-901935-42-8 .
  • About the further fog field - conversation with Christoph Worringer; In. Christoph Worringer, Landesmuseum-Münster, 2010, ISBN 978-3-7757-2640-5 .
  • Articles on: Georg Herold - Herrenperspektiven, Thomas Rentmeister - Untitled; Dieter Roth - Karnickelköttelkarnickel (shit bunny); In. Art stories - The collection of the ArpMuseum Bahnhof Rolandseck, Remagen 2009, ISBN 978-3-941263-08-6 .
  • Monument to the Timelessness of Enlightenment - On the sculptures by Richard Deacon (reprint - Slovenian / English); In: Richard Deacon, Kat, on the exhibition in TR3, Ljubljana 2008.
  • Obsolescence, temporary erosion or renaissance of the target; In: An Arcadia of Modernity? - 100 years of the artist house Villa Romana in Florence, Weimar 2005, ISBN 3-931768-85-6 .
  • Does architecture want to become a sculpture? German / Basque. In: Archiskulptur / ArquiEscultura; Catalog for the exhibition in: Fondation Beyeler, Riehen / Basel; Museo Guggenheim, Bilbao, Kunstmuseum Wolfsburg, Basel 2004, ISBN 3-7757-1490-1 .
  • Discussion about cadmium red . In: Howard Hodgkin, Berlin 2004, ISBN 3-88375-872-8 .
  • Peter Hutchinson's "Thrown Lines". A model for desired landscape pictures. In: Symposium report Which landscape do we want? The cultural landscape as a design task, Hasselbach 2002, ISBN 3-89279-580-0 .
  • A structural change in art in public space? In: direttissima . Writings of the Art Academy Münster, Münster 2001, ISBN 3-928682-28-8 .
  • Architecture as an address (together with Susanne Scheidler); In .: Medienmeile Hafen Düsseldorf - buildings, projects and visions for a new city, Wuppertal 1997.
  • Review of works by Reinhard Mucha , Wilhelm Mundt, Richard Deacon and Giuseppe Penone ; In: Cat. Ackermans Collection, Museum Kurhaus Kleve, Kleve 1997, ISBN 3-932189-92-2 .
  • Non-spatial architectures - To the "spaces" Gregor Schneider; In. Kat: Gregor Schneider, Mönchengladbach 1992.
  • The art of light; in: Cat.James Turrell, KV-Düsseldorf, Düsseldorf / Vienna 1992, ISBN 3-89322-456-4 .
  • Cadavre exquis by Thomas Wrede - Sculptures that only exist in photography . In: DELFIN, Constructivism: History and Application , ed. by Gebhard Rusch and Siegfried J. Schmidt, stw, Frankfurt a. M. 1992, ISBN 3-518-28640-4 .
  • Art is the intellectual re-evaluation of matter - On the far-reaching thoughts of Theo van Doesburg before and in the "Manifesto" called Foundations of Concrete Art . In: the artwork . 4XLIII, 1990.
  • About trust at night and in fog , in: Jårg Geismar , Future is based on trust, Galerie Littmann, Basel, 1989
  • Intervene, support, presume - on the supportive measure Eberhard Bosslets in the Fridericianum . In: Cat.DOCUMENTA 8 . Kassel 1987.

Web links

Individual evidence

  1. ^ Ruhr University Bochum.
  2. ↑ Münster Academy of Art.
  3. ^ Art Association of the Rhineland and Westphalia, Düsseldorf.
  4. ^ Arp Museum Rolandseck
  5. ^ Wilhelm-Lehmbruck Museum, Duisburg
  6. ↑ HBK-Essen lecturers accessed on October 15, 2016.
personal data
SURNAME Connector, Raimund
BRIEF DESCRIPTION German art historian
DATE OF BIRTH 1957
PLACE OF BIRTH Duisburg