|Minus sign||- , ./.|
|Mark||⋅ , ×|
|Divided sign||: , ÷ , /|
|Plus minus sign||± , ∓|
|Comparison sign||< , ≤ , = , ≥ , >|
|Difference sign , Nabla||∆ , ∇|
|Angle sign||∠ , ∡ , ∢ , ∟|
|Vertical , parallel||⊥ , ∥|
|Triangle , square||△ , □|
|Union , cut||∪ , ∩|
|Difference , complement||∖ , ∁|
|Subset , superset||⊂ , ⊆ , ⊇ , ⊃|
|Follow arrow||⇒ , ⇔ , ⇐|
|Conjunction , disjunction||∧ , ∨|
The infinity sign ( ) is a mathematical sign that is used to symbolize infinity . It resembles a lying digit eight . In the meaning of an infinitely large number it was introduced in 1655 by the English mathematician John Wallis . The reasons for this choice are not entirely clear; possibly it originated from a ligature ↀ of the Roman numeral CIƆ for the number 1000, or as a closed variant of the last Greek lowercase letter ω ( omega ). Depending on the font, the two loops are the same size or the left one is smaller.
The mathematician John Wallis is considered to be one of the pioneers of infinitesimal calculus . In his work he further developed the principle of the individual from Bonaventura Cavalieri . Right at the beginning of his work on conic sections De sectionibus conicis from 1655, written in Latin , he wrote:
“Suppono in limine (juxta Bonaventuræ Cavallerii Geometriam Indiviſibilium ) Planum quodlibet quaſi ex infinitis lineis parallelis conflari: Vel potius (quod ego mallem) ex infinitis parallelogrammis æque altis; quorum quidem ſingulorum altitudo fit totius altitudinis , ſive aliquota pars infinite para; (eſto enim nota numeri infiniti;) adeoque omnium ſimul altitudo æqualis altitunini figuræ. "
“At first I assume (according to Bonaventura Cavalieri's Geometry of Individuals ) that every flat figure is composed of an infinite number of parallel lines: Or rather (which I prefer) of an infinite number of parallelograms of the same height; Every single one of these heights makes up the total height, or an infinitely small portion (for this denote an infinitely large number;) therefore the height of all taken together is equal to the height of the figure. "
At this point Wallis makes a significant modification of the cavalier principle. With him, a flat geometric figure does not consist of individual lines , but of parallelograms . He specifies its height as , i.e. as an infinitely small part of the total height of the figure. With the symbol he denotes an infinitely large number .
It is not known exactly why Wallis chose this symbol. He probably knew it as a 7th century ligature ↀ of the Roman numeral CIƆ (also M) for the number 1000. The Dutch mathematician Bernard Nieuwentijt also used a lowercase m as a symbol for infinity in his work Analysis infinitorum in 1695 . According to other authors, the character originated from a closed variant of the last Greek lowercase letter ω ( omega ). Interpretations of the sign as a lemniscate , Möbius strip or number 8 lying on its side ( English " lazy eight " ) are more modern in nature.
At the beginning of the 18th century, the infinity sign is mostly found in literature in connection with the concept of the infinitely small. For Gottfried Leibniz and Isaac Newton , its importance and admissibility were still considered a mathematical and philosophical problem. It was not until Leonhard Euler , who took a formal standpoint and, in contrast to Leibniz and Newton, rejected metaphysical legitimations of infinitely small sizes, that the infinity sign became an integral part of the mathematical symbolic language in the second half of the 18th century. In the course of the 19th century, the theory of infinitesimal quantities was replaced by the mathematically more stringent theory of differential and integral calculus . Since then, the infinity symbol has mainly been used to describe limit values for sequences and series .
written down. It symbolizes that the natural number should be arbitrarily large. However, the infinity sign itself is not a natural number. A series, i.e. an infinite sum of the terms of a sequence, is correspondingly through
considered. Certain divergence can also take place after and therefore there are also downward or bilateral unlimited intervals and corresponding integrals. In the topology , an extension of the real numbers by the two elements and is considered, in which certain divergent sequences then also converge. With
The sign is also used outside of mathematics with different meanings, including as a symbol for
- a logical paradox or a vicious circle , for example in the form of the ouroboros , a snake that bites its own tail
- Wholeness , for example on the tarot cards The Magician and Power
- long durability, for example on the flag of the Canadian Métis
- an infinitely distant point, for example when setting the distance in a camera
- stands for eternity and constancy in love and friendship
It is used as a trademark for the loudspeaker brand Infinity , the car brand Infiniti and the Microsoft Visual Studio software. It can also be found in the label ♾ for acid-free and therefore long-lasting paper .
Lenses e.g. B. in photography must be focused using the distance adjustment . The axial setting relative to the film plane is not linear to the object distance. For large distances (depending on the focal length used) it is no longer necessary to set very precisely because the values are very close together. From a certain distance - depending on the lens construction - all objects are perceived as sharp at the same time. This setting is usually marked with infinity ( ) on lenses .
The infinity sign is encoded in computer systems as follows:
||infinity||infinity||& # x221E;||& # 8734;||?||
Variations of the infinity sign are the following signs:
||proportional to||proportional to||& # x221D;||& # 8733;||& prop;||
||infinity negated with vertical bar||infinity negated with a vertical line||& # x22DE;||& # 8926;|
||permanent paper sign||Acid-free paper sign||& # x267E;||& # 9854;|
||incomplete infinity||incomplete infinity||& # x29DC;||& # 10716;|
||tie over infinity||Arc over infinity||& # x29DD;||& # 10717;|
- Brian Clegg: A brief history of infinity . Constable & Robinson, 2013, ISBN 978-1-4721-0764-0 .
- Maria Reményi: History of the Symbol ∞ . In: Spectrum of Science Highlights 2/13 . Spektrum Verlag, 2013.
- Paolo Zellini: A Brief History of Infinity . CH Beck, 2010, ISBN 978-3-406-59092-4 .
- John Wallis: De sectionibus conicis nova methodo expositis tractatus . 1655 ( online at Google Books ).
- Maria Reményi: History of the symbol ∞ . In: Spectrum of Science Highlights 2/13 . Spektrum Verlag, 2013, p. 41 .
- Brian Clegg: A brief history of infinity . Constable & Robinson, 2013, Chapter 6. Labeling the infinite.
- Hermann Schichl , Roland Steinbauer: Introduction to the mathematical work . Springer, 2012, p. 178 .
- Wendy Doniger O'Flaherty: Dreams, Illusion, and Other Realities . University of Chicago Press, 1986, pp. 242-243 .