Anneliese Landau

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Anneliese Landau (born March 5, 1903 in Halle (Saale) ; † August 3, 1991 in Los Angeles , United States ) was a German-American musicologist who had to emigrate to the USA in 1939.

Live and act

Experienced and prevented successes in Germany

Anneliese Landau's parents were Austrian citizens who were naturalized in Germany in 1920 . Anneliese was born as their third child on March 5, 1903 in Halle (Saale). Through evening house concerts and frequent visits to the Leipzig Gewandhaus she came into contact with classical music early on . In 1910 her mother gave her piano lessons and in 1912 she received violin lessons from Wilhelm Prinz, the concertmaster at the Stadttheater Halle (Saale) , which was continued with Walther Davisson from the Royal Conservatory of Music in Leipzig . She graduated from the Lyceum am Weidenplan in Halle in 1919 and then attended the municipal college on the same street. In 1923 she passed her high school diploma.

In the same year her first newspaper article appeared in the Hallische Nachrichten , which was to be followed by more. She took up law studies at the United Friedrichs University in Halle-Wittenberg and attended lectures on music and art history . Hans Joachim Moser , assistant to Arnold Schering , finally convinced her to switch to the arts subjects. Because of this, she enrolled in musicology with Arnold Schering, art history with Paul Frankl , philosophy with Emil Utitz and journalism . When a decision had to be made about which major she majored, she chose musicology. At the same time, she continued to develop her violin playing for a year in 1925. Her teacher was Edgar Wollgandt , concertmaster of the Leipzig Gewandhaus Orchestra . From 1926 to 1927 she studied historical musicology with Hermann Abert as a guest at the Friedrich-Wilhelms-Universität zu Berlin . Because Schering was called to Berlin after the death of Hermann Abert, Landau followed him. In 1928/29 she attended lectures in historical musicology with Arnold Schering, in comparative musicology with Erich Moritz von Hornbostel , in art history with Adolph Goldschmidt and in philosophy with Max Dessoir . She completed her studies on July 25, 1929. He received his doctorate in 1930 at Schering with the dissertation The unanimous art song Conradin Kreutzers and his position on contemporary song in Swabia .

She had joined the SPD around 1928 . She took on preparatory work for the music critic of the SPD newspaper Vorwärts , Klaus Pringsheim , and represented him if necessary. There is evidence that her first musicological contribution was made in 1928 in the Zeitschrift für Musikwissenschaft . In 1929 she was the reporter for the National Music Education Conference in Hanover for the Hallische Nachrichten . In the autumn of the same year she accepted the offer to create the annual supplement Internationale Musikalische Zeitschriftenschau for the magazine for musicology . Between 1930 and 1933, four of these overview lists of current music-related publications appeared. She also compiled bibliographies for the Bach yearbook and the Handel yearbook . She now wrote articles and book reviews for Berlin newspapers such as the popular Vossische Zeitung as well as for newspapers outside Berlin and outside Germany. A permanent editorial position was not possible for a woman at the time.

On November 22, 1930, she wrote her first radio report on the mediation of Kurt Pinthus . In the Funk hour Berlin she spoke on the occasion of Kreutzer's 150th birthday. More radio posts in the way today's music features followed until a result of the February 17, 1933 seizure of power by the National Socialists termination in Germany station received and the radio hour. For the Bayerischer Rundfunk and the Südfunk Stuttgart she had to cancel the broadcast planning. The publication overviews submitted for the Bach and Handel yearbooks also fell by the wayside. She was banned from the music history lectures at the Volkshochschule Halle (Saale) as well as at the Lessing University and the Stern Conservatory in Berlin, which she had started to give in 1932. Their activities were pushed back to the isolated Jewish life. In the Jüdischer Kulturbund she gave numerous lectures, accompanied by musical performances. Her presentations to the audience in the hall enjoyed great popularity. From 1933 to 1938 she instructed her Jewish fellow citizens in music history at the Jüdisches Lehrhaus Berlin (Freie Jüdische Volkshochschule eV), and from 1936/37 also at the Jewish private music school Hollaender . A second fundamental turning point in their work was the regime’s demand in 1934 to limit the content to Jewish artists.

Alien passport as stateless person with the first name Sara (1936)

Because her parents (who both later perished in the Theresienstadt ghetto ) had moved from Halle to Berlin in 1935 after their expropriation , Anneliese Landau lived with them again from April 1935. In August 1935 her admission to the Reich Music Chamber was rejected. Her journalistic work was now limited to the newspapers Central-Vereins-Zeitung , Jüdisches Gemeindeblatt and Jüdische Rundschau . In 1935, German citizenship was revoked, which made members of the Landau family stateless and withdrew their work permits . Almost all of Anneliese Landau's activities came to an end. All that remained was the demand for articles from the journal Musica Hebraica, which is published in Jerusalem .

Emigration and new life in the USA

In 1938 she made preparations for her emigration and in the spring of 1939 she said goodbye to the Kulturbund and then from Nazi Germany. She first flew to England via Amsterdam. Then she took a ship passage to the USA and arrived in Boston on January 1, 1940 , from where she traveled on to New York a few days later .

In her first year in the USA she gave lectures in front of an audience as well as on the radio, accompanied by interpreters or recordings. Her commitment as a music teacher in youth summer camps proved to be a constant source of income . In 1941 she conceived the study material The Contribution of Jewish Composers to the Music of the Modern World , for which she came into contact with numerous composers who emigrated to the USA, and which was published in 1946. In 1942 her first articles appeared in music magazines. From 1942 to 1944 she went on a lecture tour through the United States with the Forbidden Music program for the benefit of B'nai B'rith's Army Emergency Relief Fund .

In October 1944 she was employed part-time as a music director by the Jewish Community Centers Association (JCCA) in Los Angeles, a Jewish community center association . There she was responsible for setting up the music department and library, developing a loan system for records, concert organizations, lectures and other educational concepts. In 1945 she organized the “International Composers Concert” with compositions by emigrated Jewish composers such as Paul Dessau , Erich Wolfgang Korngold , Darius Milhaud and Arnold Schönberg on their behalf in Los Angeles on the occasion of the San Francisco Conference on the drafting of the United Nations Charter . She received American citizenship in September 1945.

Building on ten years of work with music study groups, she taught from 1954 to 1973 at the Los Angeles [Community] Adult School ("Community" was added in 1968), an adult education institution. With the transfer to the Valley Cities Community Center in the San Fernando Valley in 1961 a full-time position was connected. The joy of the longed-for full employment did not last long, however, because financial bottlenecks at the JCCA repeatedly led to hourly reductions and, in 1964, to the complete cancellation.

In June 1968, at the age of 65, she retired. She withdrew from the community center out of disappointment at the low esteem she received. Elsewhere, she continued to teach until 1973. After that, she concentrated on writing a musicological book that she had long anticipated: The Lied was published in 1980.

Anneliese Landau died on August 3, 1991 in Los Angeles.

Characteristics

Anneliese Landau wanted to combine the enjoyment of music with musical education.

Already in Germany people admired her art of lecturing, with which she sensitively brought musical forms and music history closer to her audience. In 1933 a letter to the chairman of the Jüdischer Kulturbund, Kurt Singer, said: "Ms. Landau treated the material with the finest understanding in an amiable, conversational tone and made it a music-historical experience with exceptionally good musical interpretations [...]." In 1937, critics of the Israelitisches Familienblatt praised the "wonderfully simple speaker" who was able to "put those present into that happy state that only music itself can otherwise produce."

In the USA, her inexhaustible knowledge, her irresistible charm, her motherly warmth and her captivating teaching style have been highlighted with a gentle inherent accent .

On her 70th birthday, Ernst Gottfried Lowenthal paid tribute to Anneliese Landau with the words: “Just as with her generally understandable essays, her earlier audience, in Berlin and in the country, was impressed by the charm of her lectures on the history of music, the interpretation of works and the composers' 'Portrayal'. They were small masterpieces that could only be achieved by those who had effortlessly mastered the field and the art of disciplined-free speech. "

Works

Radio contributions (selection)

Lectures (selection)

  • 1932: Fanny Mendelssohn as composer (Dessau and Leipzig)
  • 1932: The history of the German solo singing ballad (three-part series of events, Volkshochschule Halle (Saale))
  • 1933–1937: Offenbach and the operetta (held a total of 86 times throughout Germany as part of the Jewish Cultural Association)
  • 1933/34: The Song of Romanticism (five-part series of events, Jüdischer Kulturbund Berlin)
  • 1934: Ballads and songs without words - Mendelssohn , Schumann , Chopin (organizer: Jüdischer Kulturbund Berlin, location: Sing-Akademie zu Berlin ).
  • 1934/35: Chamber music (four-part series of events, Jüdischer Kulturbund Berlin)
  • 1934/35: Cultural history in the mirror of music (nine-part series of events, Jüdisches Lehrhaus Berlin)
  • 1935/36: The Opera (four-part series of events, Jüdischer Kulturbund Berlin)
  • 1935–1939: Dances not danced (held a total of 68 times throughout Germany as part of the Jüdischer Kulturbund Berlin, at the same time the farewell event for Germany in March 1939; continued in 1950 and 1959 udTn The Dance of Society and The Dance and Its Music. A Mirror of Culture and Society as a six-part series of events, Westside Jewish Community Center Los Angeles)
  • 1936–1938: Jewish musicians (ten-part series of events, Jüdischer Kulturbund Berlin)
  • 1940: Music of the French Salon (Friendship House New York; repeated in 1942 at New York College of Music)
  • 1941: From Mendelssohn to Gershwin . The Jewish Contribution to World Music (six-part series of events, B'nai Abraham Institute for Jewish Learning Newark, NY)
  • 1941: Jewish Composers (four-part series of events, Young Men's Hebrew Association New York)
  • 1941/42: The Architecture of Music (= Saturday-series at Carnegie Hall ) (Part I: ten-part, Part II: eleven-part series of events, Carnegie Hall, New York)
  • 1942–1944: [An] Evening of Forbidden Music (USA tour, organized by the B'nai-B'rith-Lodge)
  • 1950: Music, a Reflected Image of Politics and Culture (twelve-part series of events, Beverly-Fairfax Jewish Community Center Los Angeles)
  • 1952/53, 1958, 1959/60, 1964/65 and 1971/72: [Music Appreciation:] The Architecture of Music (fourteen to eighteen-part series of events at the Beverly Fairfax Jewish Community Center Los Angeles, the Los Angeles Community Adult School and im Westside Jewish Community Center Los Angeles)
  • 1954: Great Masters of Early Piano Music (20-part series of events, Westside Jewish Community Center Los Angeles)
  • 1956/57, 1958/59, 1961/62 and 1963/64: [Music Appreciation:] The Magic Realm of Opera (fifteen to eighteen part series of events at the Los Angeles Adult School, the Westside Jewish Community Center and the Fairfax Adult School Los Angeles)
  • 1957/58: Music of Many Voices , Part I: The Basic Forms of Choral Music , Part II: The Colorful World of the Cantata from Schubert to Stravinsky (thirteen-part series of events, Westside Jewish Community Center Los Angeles)
  • 1960: Adventures in Music. A Special Series of Musical Programs for Children 8 Years of Age and Older and Their Parents (three-part series of events for parents, Westside Jewish Community Center Los Angeles)
  • 1982: Schubert and Wilhelm Müller ("Conference on 19th-Century Music", Southampton, July 16-19, 1982)

Article (selection)

  • 1928: Late Romantic Schubert addition. In: Zeitschrift für Musikwissenschaft , Vol. 11, Issue 3, December 1928, pp. 155–159. (1931 also radio license fee.)
  • 1930: The piano music of Conradin Kreutzer. On his 150th birthday on November 22nd [1930] . In: Zeitschrift für Musikwissenschaft , Leipzig, 13th year, issue 11, November 1930, pp. 80–83.
  • 1933: The Jew as a musician. In: Kulturbund Deutscher Juden, monthly sheets , Berlin, 1st year, No. 1, October 1933, pp. 11-12. (Also in: Akademie der Künste (Ed.): Closed presentation. The Jewish Cultural Association in Germany 1933–1941. Edition Hentrich, Berlin 1992, pp. 240–241.)
  • 1934: Arnold Schönberg on his 60th birthday. In: The morning. Monthly of Jews in Germany , Berlin, 10th year, No. 6-7, September / October 1934, pp. 320–321.
  • 1935: Gustav Mahler : The “untimely”. In: Kulturbund Deutscher Juden. Almanach 1934/1935 , Berlin, No. 1, pp. 53-56.
  • 1935: Young Jewish composers [to: Berthold Goldschmidt , Gerhard Goldschlag , Edvard Moritz, Bernhard Heiden, Werner Seelig-Bass]. In: CV newspaper. Sheets for Germanness and Judaism. Organ of the Central Association of German Citizens of Jewish Faith eV Allgemeine Zeitung des Judentums , Berlin, No. 50, December 12, 1935, 1st supplement.
  • 1938: Jakob Schoenberg . In: Musica Hebraica , Jerusalem, 1st vol., No. 1–2, [June] 1938, pp. 43–44 (Ger./engl./hebr.).
  • 1940: A new beginning: American Friends Camp. In: Structure. The Jewish monthly magazine , New York, 6th vol., No. 34, 23 August 1940, p. 2. (Also in: From Berlin to Los Angeles. The musicologist Anneliese Landau , Hentrich & Hentrich Verlag, Berlin 2017, p. 139.)
  • 1942: Darius Milhaud por ocasiao de seu 50. Aniversário. In: Crónica Israelita , [Sao Paulo], September 18, 1942, p. 6.
  • 1950: About Alfred Einstein . In: Daily News , Los Angeles, December 29, 1950, p. 27. (Contribution to a column by Mildred Norton.)
  • 1952: What, exactly, is Jewish music? In: Daily News , Los Angeles, June 20, 1952. (Contribution to a column by Mildred Norton.)
  • 1972: The Mendelssohns: A Brother-Sister Collaboration. In: Los Angeles Times , September 3, 1972, Calendar, p. 38.

Books

  • 1930: The unanimous art song by Conradin Kreutzer and his position on contemporary song in Swabia (= collection of musicological individual representations ; issue 13). Breitkopf & Härtel, Leipzig. (1972 by Saendig Reprint Verlag, Vaduz, republished. ISBN 3-500-24130-1 .)
  • 1946: (As Anne L. Landau) The Contribution of Jewish Composers to the Music of the Modern World. Program Study Materials. Cincinnati National Federation of Temple Sisterhood, Cincinnati. (Study material; new edition 1966 under the name Anneliese Landau.)
  • 1980: The Lied. The unfolding of its style. University Press of America, Washington DC ISBN 0-8191-0936-3 .

Autobiographical texts

  • 1975–1980: Bridges to the Past. Reconstructed by Anneliese from her memories and based on letters
  • around 1987: Pictures you wanted to see - People you wanted to meet. Collected by Anneliese for George and Lisel (dt. UdT Pictures and People of a Life. Autobiographical Notes , Transl .: Daniela Reinhold, 2017; published in: From Berlin to Los Angeles. The musicologist Anneliese Landau , pp. 17-217).

Lexical contributions

  • 1930–1933: Musical magazine review [July] 1929 - April 30, 1933. In: Zeitschrift für Musikwissenschaft , XII.–XV. Vol. 11/12, Breitkopf & Härtel, Leipzig, pp. 1–74 (XII. Vol.), Pp. 1–70 (XIII. Vol.), Pp. 30–68 (XIV. Vol.) , Pp. 1-64 (XV. Vol.).
  • 1930–1931: Overview of the Handel literature in magazines from January 1, 1929 to June 30, 1931. In: Rudolf Steglich (Ed.): Handel Yearbook , 1931, Volumes 3–4, Breitkopf & Härtel, Leipzig, Pp. 160-164 (vol. 3), pp. 127-139 (vol. 4).
  • 1931: Overview of the Bach literature in magazines from January 1, 1928 to June 30, 1930. In: Arnold Schering (Hrsg.): Bach-Jahrbuch , 1930, Volume 27, Breitkopf & Härtel, Leipzig, p. 132– 142.
  • 1933: Overview of the Bach literature in magazines from July 1, 1930 to July 1, 1931. In: Arnold Schering (Hrsg.): Bach Yearbook , 1932, Volume 29, Breitkopf & Härtel, Leipzig, p. 146– 154.

Awards

  • 1951: Los Angeles Chapter of Hadassah: Annual Honorary Membership Award

Individual evidence

  1. ↑ a b c d Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , Repressalien, p. 84-90 .
  2. ↑ a b c d e f g Peri Arndt: Anneliese Landau. In: lexm.uni-hamburg.de. Claudia Maurer Zenck, Peter Petersen, November 9, 2017, accessed on February 16, 2019 .
  3. ↑ a b c d e f g h i j k l m n o p q life data . In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , pp. 335-339 .
  4. ↑ a b c Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , newspapers, p. 60-61 .
  5. ↑ Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , Universitätsjahre, p. 38-48 .
  6. ↑ a b c Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , With Beidlers in the cultural metropolis of Berlin, p. 48–56 (the supposedly precise indication of the year of joining the SPD (“1930”) in Lorenz: Exil , p. 57, is not tenable).
  7. ↑ a b Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , first job, p. 56-59 .
  8. ↑ a b Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , broadcast, p. 62-69 .
  9. ↑ Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , The year 1933, p. 69–73 , here footnote 77 .
  10. ↑ a b c d Daniela Reinhold: Foreword . In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , pp. 7-15 .
  11. ↑ a b c d Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , Kulturbund, p. 73–84 (on the apartment, see footnote 96).
  12. ↑ a b Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , emigration, p. 90-103 .
  13. ↑ Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , interlude in London 1939, p. 104-124 .
  14. ↑ a b c d Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , Looking for a job, p. 126-160 .
  15. ↑ Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , again on a lecture tour, p. 160-175 .
  16. ↑ Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , Record Lending Library and Internation Composers Concert , p. 182-190 .
  17. ↑ Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , Adult Education in Los Angeles and Beverly Hills, pp. 203-205 .
  18. ↑ Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , The Valley Jewish Community Center, p. 200-203 .
  19. ↑ a b Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , end of work at the Jewish Centers Association, p. 211-214 .
  20. ↑ Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , From speaking to writing, p. 214-217 .
  21. ↑ Anneliese Landau: Pictures and people of a life. Autobiographical records . Translated into German by Daniela Reinhold. In: Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 , Kulturbund, p. 78 ( facsimile ).
  22. ↑ M [icha] M [ichalowitz]: Dr. Anneliese Landau . In: Israelitisches Familienblatt . November 25, 1937, Berlin.
  23. ↑ a b Patterson Greene: Talented Godmother Grooms LA Music . In: Los Angeles Examiner . January 12, 1958, Music, p. 8 .
  24. ↑ a b c Dr. Annaliese [sic] Landau Discusses Music Evolution . In: The Daily Texan . November 17, 1944, p. 3 .
  25. ↑ Michael Hoffmann: Hats Off To ... Dr. Annaliese [sic] Landau . In: B'nai B'rith Messenger . April 23, 1954.
  26. ↑ a b Walter Arlen: Dr. Landau: Her Life Is Music . In: Los Angeles Times . July 10, 1968, Part IV, p. 6 .
  27. ↑ E [rnst] G [Gottfried] Lowenthal: Young At Heart. Anneliese Landau 70 years . In: Structure . America's Largest German Language Newspaper. New York March 16, 1973, p. 4 .

literature

  • Till H. Lorenz: From the “Jewish Renaissance” into exile. Anneliese Landau's life up to 1939 and her concept of “Jewish music” . Ed .: Peter Petersen (=  series of publications on music in the “Third Reich” and in exile . Volume 14 ). Bockel Verlag, Neumünster 2009, ISBN 978-3-932696-77-0 .
  • Daniela Reinhold (Ed.): From Berlin to Los Angeles. The musicologist Anneliese Landau . 1st edition. Hentrich & Hentrich Verlag, Berlin 2017, ISBN 978-3-95565-226-5 .
  • Landau, Anneliese , in: Joseph Walk (ed.): Short biographies on the history of the Jews 1918–1945 . Munich: Saur, 1988, ISBN 3-598-10477-4 , p. 212
  • Landau, Anneliese , in: Werner Röder; Herbert A. Strauss (Ed.): International Biographical Dictionary of Central European Emigrés 1933-1945 . Volume 2.2. Munich: Saur, 1983 ISBN 3-598-10089-2 , pp. 684f.

Web links

personal data
SURNAME Landau, Anneliese
ALTERNATIVE NAMES Landau, Anne L .; Landau, Annaliese (American spelling)
BRIEF DESCRIPTION German musicologist
DATE OF BIRTH March 5, 1903
PLACE OF BIRTH Halle (Saale)
DATE OF DEATH August 3, 1991
Place of death Los Angeles , United States