Bruno Jonas

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Bruno Jonas, 2004

Bruno Jonas (born December 3, 1952 in Passau , Bavaria ) is a German cabaret artist and author .

Career

In his own words, Bruno Jonas grew up “bilingual”, as his father, as an East Prussian expellee, and his Lower Bavarian mother shaped the colloquial language at home, which often prompted his classmates to say “Now he praises again”. His parents ran a butcher's shop in Passau, where Bruno Jonas occasionally helped out in the slaughterhouse, sausage-making and sales department as a child and adolescent. He attended the Adalbert Stifter Gymnasium in Passau . During his high school days, he often worked in the production of the local Peschl brewery at all assembly line production stations to finance vacation trips (e.g. for InterRail tickets). After his community service he studied German, political science and philosophy, later theater studies at the Ludwig Maximilians University in Munich .

The first years

In 1972 he made his stage debut as a singer and guitarist with Jürgen Hellwing and Barbara Dorsch in the 3rd formation of the Passau protest singer group Bavarian City Preachers . Jonas, who founded the cabaret group “Die Verhonepeapler” in 1975 together with Sigi Zimmigart, spent his early days as a cabaret artist in the Peschl cellar of the brewery of the same name (since 2008 Aldersbach brewery ) and later at the Scharfrichterhaus in Passau. Together they performed the play Heavenly Conference . In it, the Archangel Michael (Zimmigart) calls a conference. Participants are the canned Jesus (Jonas), the drunk Holy Spirit, the God the Father with gout and the pregnant Mary. The theme of the gathering was how to explain to people the new pregnancy of Mary. The piece of scandal brought the authors a charge of "blasphemy", which was discontinued six months later. In 1979 he wrote his first solo program Zur Klage der Nation . From 1981 to 1984 he was an author and actor in the ensemble of the Munich Laughing and Shooting Society .

He gained greater fame from the mid-1980s through regular appearances in the program Scheibenwischer and the cabaret series Jonas (1989) produced by Radio Bremen and named after him . In 1986, he played the role of the postman Tango in Franz Xaver Bogner's cult series Somehow and Anyway . Jonas himself directed the television film Ein Prächtxemplar for the first time in 1989 , the screenplay of which he wrote together with Jürgen Breest . In 1992 he also wrote the screenplay for the movie comedy Wir Enkelkinder , in which he also directed and starred together with Vitus Zeplichal . In 1996 the music CD Red net was released . In June 2004 Jonas staged the musical Der Mann von La Mancha at the Theater am Gärtnerplatz in Munich and slipped into the role of Don Quixote himself .

windshield wipers

Since 2000 he has been a constant partner of Dieter Hildebrandt in the windshield wiper . After Hildebrandt's departure at the end of 2003, Jonas initially ran the windshield wiper with Mathias Richling and Georg Schramm , and from 2006 to 2008 with Richard Rogler in his place. When Rogler also withdrew, he continued the show as a duo with Mathias Richling. After Jonas had declared that he wanted to have a "TV-free" year in 2009, Richling ventured a completely new beginning in 2009 with the program Satire Gipfel .

Nockherberg

2004 las Bruno Jonas in the strong beer sample at the Munich Nockherberg at the traditional Politiker- Derb licking as Brother Barnabas the assembled CSU -Staatsregierung and other invited guests, the Levites. For the first time, the role of the fasting preacher was given to an author far from the conservative spectrum. On January 19, 2007, after three years, he announced his departure as brother Barnabas . His successor as Salvatorian speaker was Django Asül .

The smart shit

From January 2011 to 2014, Bruno Jonas was a member of the team of Die Klugscheisser , a monthly satirical show on Bavarian TV, alongside Monika Gruber and Rick Kavanian .

With a view to the controversy surrounding the Mohammed cartoons , he admitted in an interview in 2008 that he treated the subject of Islam and Islamist terror with caution in satire, as he did not want to trigger violent reactions. In 2019 he criticized the satirical broadcasts on public television: “Anyone who crosses the left playpen is treated as a renegade. The political cabaret has gradually been brought into line. "

Jonas has two grown children with his long-time partner.

Solo program: So samma mia with stage props Socrates and Willi Jonas in September 2015

Solo programs

It Goes On (2012)
  • 1979: On the nation's complaint
  • 1987: The morning before
  • 1990: Really true
  • 1995: there and back
  • 1998: my alter ego
  • 2001: Jonas-Classix
  • 2002: Not really - not quite there
  • 2007: So far and further
  • 2011: It continues
  • 2013: So samma mia - the world from a Bavarian perspective
  • 2016: only accepted

Filmography

bibliography

Awards

Web links

Commons : Bruno Jonas  - collection of images, videos and audio files

Individual evidence

  1. ^ BR Heimat: I have the honor of Bruno Jonas in conversation with Hermine Kaiser ( memento from March 15, 2018 in the Internet Archive ) from November 3, 2016
  2. Sunday newspaper of September 13, 2015 Relentlessly open  ( page can no longer be accessed , search in web archivesInfo: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice.@1@ 2Template: Toter Link / www.sonntagsblatt-bayern.de  
  3. Bruno Jonas also leaves the "windshield wiper" ( memento of the original from April 10, 2008 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. , Augsburger Allgemeine from April 9, 2008 @1@ 2Template: Webachiv / IABot / www.augsburger-allgemeine.de
  4. Satireshow with Jonas, Gruber and Kavanian ( Memento from November 27, 2010 in the Internet Archive ) on br-online.de from January 5, 2011
  5. Never laugh at Allah , interview with Bruno Jonas in Die Zeit, August 7, 2008
  6. quoted from: Wolf Reiser , Witzischkeit and their limits, in: Cicero , 03.2019, p. 22.