Gerda-Maria Juergens

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Gerda-Maria Jürgens (born May 10, 1917 in Danzig ; † December 2, 1998 ) was a German folk actress on stage, film and television.

Live and act

Jürgens began her stage career in 1940 in Berlin with the guest performance director Pleß. In 1941 she followed a call to the municipal theater of the German-occupied city of Lublin . Until the closure of all German theaters in the late summer of 1944, she was committed to the Mecklenburg State Theater in Schwerin . Her first post-war engagement took her from 1945 to 1948 at the Theater der Jugend in Stuttgart . This was followed by commitments to Eisenach , Aachen , Düsseldorf and above all (regularly since 1954) Hamburg , where she could be seen at Das Junge Theater , Theater im Zimmer and Peter Ahrweiler's Die kleine Komödie, among others . Her specialty was the boulevard theater, where she was often cast as a quarrelsome petty bourgeois, neighbor or wife.

In addition, at the end of the 1950s, film and especially television began to gain in importance. Gerda-Maria Jürgens became known primarily through broadcasts from the Millowitsch Theater in Cologne . In addition to appearances in a large number of television series ( Stahlnetz , Großstadtrevier or alongside Evelyn Hamann in Stories from Life and Adelheid and Her Murderers ), she also appeared in a number of television games, including the Frau Holle fairy tale adaptation by Rudolf Jugert and Pole Poppenspäler . In 1996, she played a small role in Francesco Rosi's poignant drama about returning concentration camp prisoners respite .

She has had radio play roles in Hui Buh - Das Schlossgespenst and Scotland Yard, among others .

Filmography (selection)

TV unless otherwise stated

Radio plays

  • 1950: André Gide / Jean-Louis Barrault : The Trial - directed by Cläre Schimmel (radio play - SDR)
  • 1950: The Landing - Director: Cläre Schimmel
  • 1956: Monsieur Job or What Doesn't Belong to a Person - Director: Gert Westphal
  • 1956: The court withdraws to deliberate (episode: The locomotive in your pocket) - Director: Gerd Fricke
  • 1956: Schloß am Meer - Director: Kurt Reiss
  • 1956: The New Coat - Director: Gert Westphal
  • 1956: Unterm Birnbaum - Director: Gert Westphal
  • 1956: The Player - Director: Gert Westphal
  • 1956: In a garden in Aviano - Director: Gert Westphal
  • 1957: The Ides of March - Director: Gert Westphal
  • 1957: The Man Who Couldn't Sleep - Director: Hans Rosenhauer
  • 1957: How Much Earth Does Man Need - Director: Gustav Burmester
  • 1958: A blind man walks through the city - Director: Kurt Reiss
  • 1958: The hunt for the perpetrator (The Lady with the Green Veil) - Director: SO Wagner
  • 1958: The Seven Days of Anna Pauly - Director: Wolfgang Schwade
  • 1958: Walk into the past (memory of a holiday / return trip) - Director: Fritz Schröder-Jahn
  • 1958: The return journey - Director: Fritz Schröder-Jahn
  • 1959: The Trial of Joan of Arc at Rouen 1431 - Director: Hans Lietzau
  • 1959: The Carafe - Director: Kurt Reiss
  • 1959: All inclusive - Director: Wolfgang Schwade
  • 1960: The hunt for the perpetrator (Panik in Pearson) - Director: Gerda von Uslar
  • 1960: The Hunt for the Perpetrator (Dance of Death in G minor) - Director: Gustav Burmester
  • 1960: Die Bittsteiger - Director: Gustav Burmester
  • 1961: The Silent Village - Director: Fritz Schröder-Jahn
  • 1961: The hunt for the perpetrator (The smashed ashtray) - Director: SO Wagner
  • 1965: Diamonds make you happy - Director: Harald Vock
  • 1967: Piano in the River - Director: Gert Westphal
  • 1984: Change of scenery - Director: Gottfried von Eine
  • 1992: Deadly Therapy - Director: Ferdinand Ludwig

Remarks

  1. other sources give the year 1921.

literature

  • Johann Caspar Glenzdorf: Glenzdorf's international film lexicon. Biographical manual for the entire film industry. Volume 2: Hed – Peis. Prominent-Filmverlag, Bad Münder 1961, DNB 451560744 , p. 771.

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