Ingried Brugger

Ingried Brugger (* 1960 in Zell am See ) is an Austrian art historian , museum director and fashion designer . She has been the managing director of the Bank Austria Kunstforum since 2000 .

Life

Ingried Brugger, daughter of Bundesforste employee Karl Brugger († 2018), studied art history and German at the University of Vienna and the Free University of Berlin as well as architecture at the Technical University of Vienna . In her dissertation, she examined the "influence of Venetian painting on painting north of the Alps between 1580 and 1620". After graduating, she was one of the founders of the Orbis Parvus gallery. In 1988 she began to work as a curator at the Kunstforum Wien (today: Kunstforum Bank Austria). She was the editor of the magazine Kunstpresse . She has headed the Bank Austria Art Forum since 2000.

Brugger is head of the Bank Austria -own collection Fotografis and member of the expert commission of the Bank Austria art collection. From 2004 to 2007 Brugger was a university councilor at the Art University Linz , and since 2008 she has been a university councilor at the Academy of Fine Arts Vienna . Since 2008 she has been a board member of the interest group of Austrian museums and exhibition houses.

Brugger is married to the artist Christian Ludwig Attersee and lives in Vienna .

Act

Exhibitions

Since Brugger took over the management of the Bank Austria Kunstforum, she has designed countless exhibitions herself or in cooperation. These included thematic exhibitions on architecture in Central Europe (2001), on the principle of prominence (2006), on Eros in modern art (2007), futurism (2003), symbolism in Belgium (2007/2008), impressionism (2002/2003), on abstract painting (2008) and still life (2010). The art of classical modernism occupies an important place. The exhibition Frida Kahlo (2010), produced in cooperation with the Berlin Martin Gropius Bau , was the best-attended in the history of the house. Other presentations showed the work of Pablo Picasso (2000), Joan Miró (2001), Kasimir Malewitsch (2001), Emil Nolde (2001/2002), Kurt Schwitters (2002), Wassily Kandinsky (2004), Tamara de Lempicka (2004 / 2005), René Magritte (2005), Marc Chagall (2006/2007), Georges Braque (2008/09) and works by Dalí to Francis Bacon from the Ulla and Heiner Pietzsch collection. In 2003/2004 she took a look at Pop Art and American avant-garde with a personal by Roy Lichtenstein and in 2005 with one for Willem de Kooning. Central figures in Austrian painting were Arnulf Rainer (2000), Adolf Frohner (2001) and Christian Ludwig Attersee (2005) in her program. Contemporary positions included a. Monographic exhibitions by Anna Jermolaewa and Markus Lüpertz (2006), Dan Perjovschi and Nedko Solakov (2007), Stefan Sandner (2008), Bertram Hasenauer (2009) and Birgit Jürgenssen (2010).

As a curator and author, Brugger is the editor of publications in the field of art of the 20th and 21st centuries.

Fashion design

In 2010, Brugger founded the INGRIED BRUGGER fashion label .

Fonts

Editor

• Frida Kahlo . Retrospective (with Florian Steininger , Helga Prignitz-Poda). Prestel, Munich 2010,
• Eye candy. About eating in still life (with Heike Eipeldauer). Prestel, Munich 2010,
• Georges Braque (with Heike Eipeldauer, Caroline Messensee). Hatje Cantz, Ostfildern 2008,
• FOTOGRAFIS Collection Reloaded . Jung und Jung Verlag, Salzburg 2008,
• Monet - Kandinsky - Rothko and the consequences. Paths of abstract painting (with Florian Steiniger). Edition Minerva, Munich 2008,
• The kiss of the Sphinx. Symbolism in Belgium (with Evelyn Benesch, Michel Draguet). German Art Publishing House, Friedrichstein 2007,
• Marc Chagall . Masterpieces 1908–1922 (with Evelyn Benesch). German Art Publishing House, Friedrichstein 2006,
• Markus Lüpertz (with Florian Steiniger). Edition Minerva, Munich 2006,
• Crazy love. From Dali to Francis Bacon (with Evelyn Benesch). Vienna 2006,
• Superstars. The principle of prominence (with Heike Eipeldauer, Gerald Matt). Hatje Cantz, Ostfildern 2005,
• Tamara de Lempicka . Femme fatale des Art Deco (with Alan Blondel). Hatje-Cantz, Ostfildern 2004,
• Attersee. The love, the house and the ring . Hatje Cantz, Ostfildern 2005,
• Willem de Kooning (with Florian Steininger). Palace Editions, Munich 2005,
• Wassily Kandinsky . The sound of color (with Evelyn Benesch, Sabine Fehlemann). Palace Editions, Formio 2004,
• Roy Lichtenstein (with Florian Steininger). Edition Minerva, Munich 2003,
• Under the spell of modernity: Picasso, Chagall, Jawlensky. The private collection Im Obersteg (with Toni Stooss ). Young and Young, Salzburg 2003,
• Futurism. Radical avant-garde (with Evelyn Benesch). Edizioni Gabriele Mazzotta, Milan 2003,
• Impressionism : America - France - Russia (with Evelyn Benesch, Evgenia Petrowa, Joseph Kiblitsky). Palace Editions, Formia 2002,
• Karel Appel (with Florian Steininger). Young and Young, Salzburg 2002,
• Kurt Schwitters (with Siegfried Gohr , Gunda Lyken). Young and Young, Salzburg 2002,
• Kasimir Malewitsch (with Joseph Kiblitsky). Palace Editions, Formia 2001,
• Emil Nolde and the South Seas (with Johann Georg Prinz von Hohenzollern, Manfred Reuther ). Hirmer, Munich 2001,
• Miró. Later rebel (with Evelyn Benesch). Edition Minerva, Munich 2001,
• Adolf Frohner . Defense of the middle (with Gabriela Fritz). Edition Minerva, Munich 2001,
• Arnulf Rainer. Bilder.Gegen.Bilder . Vienna 2000
• Picasso. Figure and portrait (with Götz Adriani , Evelyn Benesch). Edition Minerva, Munich 2000,
• Century of women. From impressionism to the present . Residenz, Salzburg 1999, pp. 21–43
• Red in Russian art (with Joseph Kiblitsky, Evgenia Petrowa, Klaus Albrecht Schröder ). Skira Editore, Milan 1998,
• Art and madness (with Peter Gorsen , Klaus Albrecht Schröder). Dumont, Cologne 1997,
• Herbert Boeckl (with Klaus Albrecht Schröder). Prestel-Verlag, Munich 1994,
• The decade of painting . Austria 1980–1990 (with Klaus Albrecht Schröder). Vienna 1991
• Fashion photography from 1900 to today . Vienna 1990

Articles and essays

• Viva la Vida. On the 100th birthday of the Mexican artist Frida Kahlo , in: Spektrum, Vienna, June 2007
• Amours on paper , in: Walter Schmögner. Erotic work. Hofstätter Gallery, Vienna 2001,
• The artist is an inventor , in: Christian Ludwig Attersee. Painting 1980 to 2000, Saint Petersburg 2000
• Dramaturgy of the insane staging , in: Ebenbilder, Bonn 2000
• Realism with breaks , in: Helmut Ditsch, Vienna 2000, pp. 10–13
• The Bridge - Style and Development , in: The Bridge. Ed .: Magdalena M. Moeller, Firmer, Munich 1995, pp. 9-27
• Paris between the wars , in: Masterpieces from the Guggenheim. Ed .: Klaus Albrecht Schröder, New York 1994, pp. 81–92
• The finding and examination of the Holy Cross by Empress Helena . On a rediscovered early work by Hans von Aachen , in: Artibus et Historie, 28, 1993, pp. 113–130
• Lovis Corinth . Biography , in: Lovis Corinth. Ed .: Klaus Albrecht Schröder, Prestel, Munich 1992, pp. 206–223
• Larve and “Silent Woman” , in: Oskar Kokoschka and Alma Mahler . The doll, epilogue of a passion, Frankfurt am Main, 1992, pp. 69–79
• The genre portrait in Biedermeier , in: Wiener Biedermeier. Painting between the Congress of Vienna and the Revolution. Ed .: Gerbert Frodl and Klaus Albrecht Schröder, Prestel, Munich 1992, pp. 9–37
• Beings arguing with beings. The Dresden group of works 1916–1923 , in: Oskar Kokoschka. Ed .: Klaus Albrecht Schröder and Johann Winkler, Prestel, Munich 1991, pp. 19–29.

Web links

• Literature by and about Ingried Brugger in the catalog of the German National Library
• Bank Austria Art Forum
• Ingried Brugger fashion label

Individual evidence

1. ↑ Obituary .
2. ↑ http://www.bankaustria-kunstforum.at/de/kunstforum/team
3. ↑ http://madonna.oe24.at/fashion/Kunstforum-Chefin-Ingried-Brugger-sehen-erste-Modekollektion/5202270