Luchino Visconti
Luchino Visconti (born November 2, 1906 as Conte Don Luchino Visconti di Modrone in Milan , † March 17, 1976 in Rome ) was an Italian theater, opera and film director and screenwriter . He is considered one of the most important directors in European cinema. Coming from an Italian aristocratic family, Visconti was one of the founders of Italian neorealism in the 1940s . Later, his films were mainly devoted to topics such as beauty, decadence and death, in particular the decline of the European nobility and bourgeoisie was repeatedly taken up in his films.
life and work
Luchino Visconti was the third son (fourth child) of Count Giuseppe Visconti di Modrone (1879-1941), who was raised in 1937 as the first Duke of Grazzano Visconti . The Counts Visconti di Modrone, in Primogenitur since 1813 (by Napoleon I) Dukes of Modrone, are a younger branch of the Visconti Dukes, who died in 1447 . His mother was the industrial heiress Carla Erba (1880-1939) from a Milanese chemical dynasty. Visconti grew up at the family seat, the Palazzo Visconti di Modrone in Milan, and at Grazzano Visconti Castle near Vigolzone . After his parents separated in the early 1920s, his mother and the younger children, including him, moved to their own palace in Milan and the Villa Erba in Cernobbio .
In 1936 Visconti went to Paris and began his career as an assistant to Jean Renoir . After a short trip to America, on which he also visited Hollywood , he returned to Italy to work again as Renoir's assistant on the film La Tosca in 1939. The production had to be interrupted due to the war; it was later ended by the German director Carl Koch . Together with Roberto Rossellini , Visconti joined the salotto of Vittorio Mussolini , the son of Benito Mussolini and at the time a national cultural censor, where he probably met Federico Fellini . With Gianni Puccini, Antonio Pietrangeli and Giuseppe De Santis , he wrote the screenplay for his first film as a director, Obsession (1943), a work that established a new style, neorealism , which gave Italian post-war film significant impulses.
In 1948 he wrote and directed The Earth quakes based on the novel I Malavoglia by Giovanni Verga . Visconti had developed sympathy for communism during his time in Paris. He was arrested in 1944 for resisting fascism. After the war, he publicly stood up for the KPI . The conflict that arose from this worldview and his origins in an important Italian aristocratic family can be felt in his works. He himself, always financially independent, traditionally educated and comprehensively educated, considered himself to belong to a past world, that of the 19th century. In the film The Leopard (1963) he addressed the decline of an old social order and the rise of “modern times”. He was hostile to the 1968 movement .
By turning away from neorealism, Visconti succeeded in creating an unmistakable visual language in his films of the 1960s. Due to the unique mixture of aristocratic origins, political communist convictions and brilliant social analysis, he created alongside Der Leopard (1963) with Die Verdammten (1969), Death in Venice (1971) and Ludwig II. (1972) masterpieces of film history.
After Visconti had recovered from the effects of a severe stroke (July 27, 1972), he managed to make two films: In Violence and Passion (1974) he analyzed contemporary Italy, which is characterized by fascist tendencies. With his last film The Innocence (1976) he brought the novel L'innocente by Gabriele D'Annunzio to the screen. It is about the eternal game between man and woman and between good and bad.
Visconti was also a celebrated theater director. From 1946 to 1960 he realized many performances by the Rina-Morelli - Paolo-Stoppa -compagnie with Vittorio Gassman and worked for spoken theater until the 1970s. His work as an opera director was also significant . a. to the Milan Scala , the Vienna State Opera and the London Covent Garden Opera , where he mainly performed operas by Giuseppe Verdi - including a famous Traviata at La Scala in 1953 (conductor Carlo Maria Giulini ) and in 1966 the much-praised Falstaff (conductor Leonard Bernstein ) the Vienna State Opera - but also staged works by Wolfgang Amadeus Mozart , Giacomo Puccini and Richard Strauss .
The church funeral for Visconti took place on March 19, 1976 in Sant'Ignazio di Loyola in Campo Marzio in Rome. In addition to the Visconti family, the Italian President Giovanni Leone and the actors Burt Lancaster , Claudia Cardinale , Laura Antonelli , Vittorio Gassman and Helmut Berger were present.
Private
Visconti was homosexual . He did not shy away from showing himself in public with his friends and companions, such as the director Franco Zeffirelli and the German actor Udo Kier . Visconti's last long life partner was the Austrian actor Helmut Berger from 1964 .
His nephew Eriprando Visconti also worked as a film director (including Una spirale di nebbia ) .
Filmography
- 1943: Obsession (Ossessione)
- 1945: Days of Fame (Giorni di Gloria) - documentary
- 1948: The earth trembles (La Terra trema)
- 1951: Notes about an incident in the Chronicle (Appunti su un fatto di cronaca ) - documentary
- 1951: Bellissima
- 1953: We Women (Siamo donne; Episode: Anna Magnani)
- 1954: Longing (Senso)
- 1957: White Nights (Le notti bianche)
- 1960: Rocco and his brothers (Rocco ei suoi fratelli)
- 1961: Dommage qu'elle soit une putain (TV movie)
- 1962: Boccaccio 70 (episode film; episode: Il lavoro = The Job)
- 1963: The Leopard (Il Gattopardo)
- 1965: Sandra - The instinctual (Vaghe stelle dell'Orsa)
- 1967: The Stranger (Lo Straniero)
- 1967: Witches of Today (Le streghe; episode: Witches are burned alive)
- 1969: The Damned (La caduta degli dei)
- 1970: In Search of Tadzio (Alla ricerca di Tadzio) - documentary
- 1971: Death in Venice (Morte a Venezia)
- 1972: Ludwig II. (Ludwig)
- 1974: Violence and Passion (Gruppo di famiglia in un interno)
- 1976: The Innocence (L'Innocente)
Opera productions (selection)
- 1965: Don Carlos ( Schiller / Verdi ) - Teatro dell'Opera di Roma
- 1966: Falstaff ( Shakespeare / Verdi ) - Vienna State Opera
- 1966: Der Rosenkavalier ( Hofmannsthal / Strauss ) - Royal Opera House Covent Garden , London
- 1967: La traviata ( Dumas the Younger / Verdi ) - Royal Opera House Covent Garden, London
- 1969: Simone Boccanegra - Vienna State Opera
Awards
In the course of his career, Visconti has received numerous film awards; the most important honors include:
-
Oscar :
- 1970: Nomination for Best Original Screenplay for Die Verdammten
-
International Cannes Film Festival :
- Festival 1963 : Golden Palm for The Leopard
- Festival 1971 : Prix du 25e Anniversaire du Festival International du Film for death in Venice and for his life's work
-
Venice International Film Festival :
- 1965: Golden Lion for Sandra
-
David di Donatello :
- 1971: In the category of Best Director for Death in Venice
- 1973: In the Best Director category for Ludwig II.
-
Nastro d'Argento of the Italian Film Journalists Association:
- 1961: Best Motion Picture Director for Rocco and His Brothers
- 1970: Best Motion Picture Director for The Damned
- 1972: Best film director for Death in Venice category
- 1975: In the category of directing the best film for violence and passion
In 1963 Visconti was awarded the Antonio Feltrinelli Prize .
literature
- Henry Bacon: Visconti, Explorations of Beauty and Decay; Cambridge University Press, 1998
- Jörn Glasenapp (Ed.): Luchino Visconti (= Film Concepts Vol. 48). edition text + kritik, Munich 2017, ISBN 978-3-86916-640-7 .
- Genealogical Handbook of the Nobility Volume 50, Princely Houses IX p. 466, 1971, CA Starke Verlag (Limburg), ISBN 3-7980-0750-0
- Klaus Geitel (Ed.): Luchino Visconti. Munich u. Wien, Hanser 1985, ISBN 978-3-446-14511-5 .
- Christoph Kammertöns : Luchino Visconti , in: Elisabeth Schmierer (ed.): Lexikon der Oper , Volume 2, Laaber, Laaber 2002, ISBN 978-3-89007-524-2 , pp. 761-762 (focus: Viscontis opera-related resp. scenic-musical interest).
- Laurence Schifano: Luchino Visconti. Prince of the film. Gernsbach, Katz 1988 ISBN 978-3-925825-15-6
documentary
- Luchino Visconti, obsessed with film. (OT: Luchino Visconti - Entre vérité et passion. ) Documentary film, France, 2015, 58:24 min., Script and direction: Elisabeth Kapnist and Christian Dumais-Lvowski, production: arte France, Bel Air Media, INA , Avrotos, ORF , First broadcast: December 11, 2016 by arte, table of contents by ARD .
Web links
- Luchino-Visconti-Portal (Italian)
- Literature by and about Luchino Visconti in the catalog of the German National Library
- Luchino Visconti in the Internet Movie Database (English)
- Visconti biography. ( Memento from January 17, 2013 in the Internet Archive ). In: arte , April 22, 2004.
Individual evidence
- ↑ Luchino Visconti . In: KINO . ( kino.de [accessed on March 15, 2018]).
- ^ Programm.ARD.de - ARD Play-Out-Center Potsdam, Potsdam, Germany: Luchino Visconti, obsessed with film. Retrieved March 15, 2018 .
- ↑ Luchino Visconti - Biography. In: www.luchinovisconti.net. Retrieved July 2, 2016 .
personal data | |
---|---|
SURNAME | Visconti, Luchino |
ALTERNATIVE NAMES | Luchino Visconti, Count of Modrone (title) |
BRIEF DESCRIPTION | Italian writer, theater and film director |
DATE OF BIRTH | November 2, 1906 |
PLACE OF BIRTH | Milan , Italy |
DATE OF DEATH | March 17, 1976 |
Place of death | Rome , Italy |