Melitta Kliege
Melitta Kliege (* 1962 in Düsseldorf ) is a German art historian and exhibition curator.
Live and act
From 1985 to 1991 Kliege studied art history, Japanese studies and comparative religious studies at the Rheinische Friedrich-Wilhelms-Universität in Bonn, at the University of Cologne and since 1987 at the Free University in Berlin. She completed her studies with a thesis on Antoni Tàpies . In 1996 she received her doctorate from Werner Busch in Berlin on the concept of participation in the art of the 1960s (using examples of works by Joseph Beuys and Antoni Tàpies). The dissertation was funded by the German National Academic Foundation.
From 1996 to 1998 she was a research assistant at the Hamburger Kunsthalle . In 1998 she was appointed exhibition director for contemporary art at the Neues Museum - State Museum for Art and Design in Nuremberg and has designed numerous exhibitions on contemporary art. Kliege was and is a lecturer at the University of the Arts in Berlin and at the Academy of Fine Arts in Nuremberg .
Kliege designed a series of exhibitions on recent art history. In 2015, the exhibition Faces - A Motif Between Figure Portrait and Mask was awarded the “Special Exhibition 2015” prize by the International Association of Art Critics AICA.
With a focus on curatorial studies and contemporary art, Kliege works at the Institute for Art History at the Friedrich-Alexander University Erlangen-Nuremberg .
Kliege is a member of the purchasing commission of the Free State of Bavaria.
Exhibitions (selection)
- 1992 Berlin 37 rooms , art works Berlin (contribution: instruments - Christiane ten Hoevel, Sigrid Lange , Auguststraße 69)
- 1993 integral (e) art projects , New Society for Fine Arts (NGBK), Berlin, (with Annette Tietenberg)
- 1998 Bruce Nauman. Experimental arrangements. Works 1965–1994, Hamburger Kunsthalle
- 2000 Abstract Art , New Museum in Nuremberg (Lucio Fontana, Serge Poliakoff, Ernst Wilhelm Nay, Hans Hartung, Rupprecht Geiger, Jean-Paul Riopelle and Sigmar Polke, Franz West, Günther Förg, Martin Kippenberger, Rupprecht Matthies, Daniel Richter)
- 2001 Richard Artschwager. Up and Across , New Museum in Nuremberg
- 2003 Julian Opie , New Museum in Nuremberg
- 2004 70/90. Dedicated art , New Museum in Nuremberg ( Stanley Brouwn , Arthur Köpcke , Bruce Nauman , Hans Haacke , Alighiero Boetti , Dan Graham , Stephen Willats and Christine and Irene Hohenbüchler , Tobias Rehberger , Andrea Zittel , Rirkrit Tiravanija , Jorge Pardo and Winter / Hörbelt, Weeks exam)
- 2006 Art as Commentary , New Museum in Nuremberg ( Georg Herold , Martin Kippenberger , Albert Oehlen , Sigmar Polke and Rosemarie Trockel )
- 2007 When actions become form. A new realism in art since the 1950s , New Museum in Nuremberg ( Arman , César, Christo , Tony Cragg , Arpad Dobriban, Signe Guttormsen, Leni Hoffmann, San Keller, Imi Knoebel , Peter Kubelka , Reinhard Mucha , Saburo Murakami, Claes Oldenburg , Arnulf Rainer , Florian Slotawa , Daniel Spoerri , Simon Starling , Günther Uecker )
- 2008 Manfred Pernice , Que - Sah , New Museum in Nuremberg
- 2009 Katharina Grosse . stuntweet , series / prospekt /, New Museum in Nuremberg
- 2009 Daniel Buren . Modulation. Working in situ , Neues Museum in Nuremberg
- 2011/12 Ghosts, Magic and Spell. Constructions of the irrational in art from Füssli to today , Neues Museum in Nuremberg (including Joseph Beuys, Anna and Bernhard Blume , Ulla von Brandenburg , Tobias Gerber, Christian Jankowski , Lili Fischer , Sigmar Polke , Arnulf Rainer , Thomas Schütte , Nina von Seckendorff , Antoni Tapies and Miwa Yanagi )
- 2013 function - dysfunction. Kunstzentrum Glasgow , series / prospekt /, Neues Museum in Nürnberg (Claire Barclay, Martin Boyce , Nick Evans, Nicolas Party, Ciara Phillips and Mary Redmond)
- 2015 faces. A motif between figure, portrait and mask , New Museum in Nuremberg ( Bas Jan Ader , Candice Breitz , Marlene Dumas , Günther Förg , Roni Horn , Franz Xaver Messerschmidt , Bruce Nauman , Julian Opie , Tony Oursler , Arnulf Rainer , Thomas Ruff , Eva -Maria Schön , Thomas Schütte , Cindy Sherman , Wiebke Siem , Heidi Sill, Sam Taylor-Johnson , Rosemarie Trockel , Andy Warhol and Gillian Wearing )
Awards
- 2012: Ranking of the exhibition Ghosts, Magic and Magic among the "10 best exhibitions of the year in Germany", art year 2012
- 2015: "Special exhibition" by the German section of the International Association of Art Critics (AICA)
Publications (selection)
- Youjin Yi. Fusion , Vienna, 2020 (Ed. With Tanja Pol) ISBN 978-3-903320-72-7
- "Paloma Varga Weisz", in: Mask - In contemporary art, exhib.cat Aargauer Kunsthaus, Aarau 2019 ISBN 978-3-85881-645-0
- "Ed Atkins, Anastasia Ax, Ulla von Brandenburg, Aleksandra Chaushova, Julia Haller - five positions on drawing", in: International Faber-Castell Prize for Drawing 2015 , exhib.cat. New Museum in Nuremberg in cooperation with Faber-Castell, New Museum in Nuremberg, 2015 ISBN 978-3-903004-33-7
- Wiebke Siem. Works 1983 - 2013 , Verlag für moderne Kunst Nürnberg, 2013 (Ed. With Angelika Nollert) ISBN 978-3-86984-432-9
- "Sevda Chkoutova, Trisha Donnelly, Sabine Moritz, Paulina Olowska, Jorinde Voigt - five positions on drawing", in : International Faber-Castell Prize for Drawing 2012 , exhib.cat. New Museum in Nuremberg, 2012 ISBN 978-3-86984-365-0
- “Art as a situation. The environment of the sixties and spaces of art today ”, in: 30 artists / 30 spaces , exhibition cat. Neues Museum in Nürnberg, Kunsthalle Nürnberg, Kunstverein Nürnberg, Institute for Modern Art, 2012 ISBN 978-3-86984-320-9
- "Franz West", in: Franz West. Sisyphus: Litter & Waste , exhib.cat. Gagosian Gallery, New York 2003 ISBN 1-880154-89-7
- “Abstract art as furniture. The autonomous sculptures of Franz West ”, in: Dörte Zbikowski (ed.), Franz West , Munich 2002 ISBN 3-88960-059-X
- Forms of narration. Sculptures of the eighties and nineties, in the context of the series , Verlag für modern art Nuremberg, 2000 ISBN 3-933096-29-4
- “Color change - the lacquer pictures by Robert Lucander”, in: Robert Lucander Accattone, exhib.cat. Contemporary Fine Arts Berlin, 2000 ISBN 3-931355-07-1
- “The work of art as a sample without value. Eight reading and working pieces by Arthur Koepcke ”, in: Uwe M. Schneede (ed.), Discoveries in the Hamburger Kunsthalle. Essays in honor of Helmut R. Leppien , Hamburg 1999 ISBN 3-922909-39-6
- Functions of the viewer. Models of participation in Joseph Beuys and Antoni Tàpies , Munich, Silke Schreiber Verlag, 1999 ( plus dissertation 1996) ISBN 388960045X
- “The power of expectation. Rosemarie Trockel's Family Portraits ”, in: Rosemarie Trockel. Cologne, Brussels Paris Vienna I Vienna II Opladen Schwerte Düren Hamburg , exhib.cat. Hamburger Kunsthalle, 1998 ISBN 3-896-11-053-5
Web links
- Melitta Kliege at kunstaspekte
- Melitta Kliege at Friedrich-Alexander University Erlangen-Nuremberg
- Special exhibition 2015 at AICA
Individual evidence
- ^ Functions of the viewer / Edition Metzel. Retrieved June 10, 2020 .
- ↑ a b Homepage of AICA Germany. Retrieved June 10, 2020 .
- ↑ Exhibition receives award. Retrieved June 10, 2020 .
personal data | |
---|---|
SURNAME | Kliege, Melitta |
BRIEF DESCRIPTION | German art historian and exhibition curator |
DATE OF BIRTH | 1962 |
PLACE OF BIRTH | Dusseldorf |