Music year 1519
◄◄ | ◄ | 1515 | 1516 | 1517 | 1518 | Music year 1519 | 1520 | 1521 | 1522 | 1523 | ► | ►►
Overview of the music years
Further events
| Music year 1519 | |
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Events
- Martin Agricola settles in Magdeburg as a music teacher. When the Reformation took hold in the city shortly afterwards, Agricola joins it.
- Petrus Alamire stayed several times at the court of Elector Friedrich the Wise of Saxony-Wittenberg on behalf of the Burgundian-Habsburg court from 1518 to 1519 . The aim is to win the elector's vote for the election of Charles V as emperor. This is how some splendid choir books were given to the Saxon court as "promotional gifts".
- Bonifacius Amerbach , who had previously studied in Basel and Freiburg im Breisgau , completed his training at the University of Avignon from 1519 to 1525 , where he was a student of Andreas Alciatus . His studies, he is a PhD for Doctor of Laws finish.
- Jakob Arcadelt was a choirboy ("vicariot") from 1516 to 1524 under the choirmasters Lambert Masson and Charles de Niquet at the collegiate church of St. Aubain in his hometown of Namur .
- Hans Buchner is the cathedral organist at the Cathedral of Our Lady in Constance .
- Vincenzo Capirola works in Venice. One of Capirola's pupils began writing the so-called “Capirola Lute Book” in Venice in 1515 , which he completed in 1520. It is a richly illustrated manuscript that not only contains compositions, but also information on playing technique in the foreword and thus provides important information about lute playing during the Italian Renaissance.
- Marco Cara has been a lute virtuoso in the service of the Gonzaga family in Mantua since 1495 and until 1525 , who promoted artists of all kinds in his day.
- Carpentras is Kapellmeister of the papal chapel in Rome under the Medici Pope Leo X , who is an avid patron of music and the arts.
- Marco Antonio Cavazzoni worked in Venice between 1517 and 1524 as a singer at St. Mark's Basilica and organist at Santo Stefano .
- Nicolas Champion 's as canon - Kantor in Lier successor to the late cantor de Nicolas Leesmeester. He remains temporarily in the service of Charles V's court orchestra .
- Josquin Desprez has been provost at his former place of work in Condé-sur-l'Escaut since 1504 . He is referred to as monsieur le prevost messire Josse des pres . The position is attractive for the former music director not only for its local property ownership, but even more because of the good staffing the church and the quality of the local music exercise, second only to the cathedral in Cambrai and Saint-Vincent in Soignies exceeded becomes. The provost here (according to a list from 1523) holds the secular power in the parish and is the superior of the dean , the treasurer, 25 canons, 18 chaplains, 16 vicars and six choirboys, plus some priests without benefices; A choir of vicars and choirboys usually takes part in the lavishly designed church services, so that up to 22 music-trained voices are available and up to six-part works can be performed. Josquin Desprez worked in this position for 17 years until the end of his life.
- Sixt Dietrich lives in Konstanz, teaches the choirboys in music and Latin and was ordained a deacon in 1519 .
- Antonius Divitis is the singer of the court orchestra of the French King Franz I.
- Costanzo Festa , who may have studied with Jean Mouton in Paris , has been papal choir singer in Rome since 1517 and later becomes the director of this choir.
- Franchinus Gaffurius is Kapellmeister at Milan Cathedral .
- Heinrich Glarean stayed in Paris from 1517 to 1522 during his studies, and there he met Jean Mouton .
- Lupus Hellinck returned to Bruges in the autumn of 1519 and was accepted into the choir of St. Donatian as a priest on October 19.
- Nikolaus Herman is a cantor and teacher at the Latin school in St. Joachimsthal .
- Hans Kugelmann has been employed in the court chapel of Emperor Maximilian I since 1518 .
- Jacotin Le Bel worked as a singer in the private chapel of Pope Leo X in Rome until 1520 .
- Georg Liban lectures at the University of Kraków and worked as cantor at the St. Mary's School from around 1506 to 1528, and as rector since 1514. He teaches Latin prosody , Greek and music.
- Johannes Lupi is a choirboy at the Notre-Dame Cathedral in his hometown of Cambrai and is thus receiving training at one of the most important ecclesiastical music centers of the time.
- Jean l'Héritier works for Pope Leo X in Rome.
- Jachet de Mantua belongs to the Rangoni family in Modena from 1519 to 1520 as “maestro Giachetto cantor” .
- Francesco Canova da Milano enters the service of Pope Leo X in Rome.
- Jean Mouton is probably - like Antonius Divitis - a member of Franz I's court orchestra . At a later, not exactly known time Mouton gets a bepfründetes canonicate at the collegiate Saint-Quentin , perhaps in the footsteps of his late colleague 1518 LOYSET COMPÈRE .
- Marbrianus de Orto is the premier chapelain of the court chapel of the Duke of the Burgundian Netherlands Charles (later Emperor Charles V ) in Brussels .
- Francisco de Peñalosa , who was a member of the Spanish Royal Chapel, has been a singer in the Papal Chapel of Pope Leo X in Rome since the late summer of 1517 . Peñalosa holds this office at least until the death of Leo X in 1521; according to other sources even until 1523.
- Matteo Rampollini worked from 1515 to 1520 as a singer at the Basilica di San Lorenzo church in Florence in the service of the Medici family .
- Georg Rhau which in since August 1518 Leipzig as choirmaster operates, performs during the Leipzig Disputation on June 27 composed by him twelve-part 1519 Mass Missa de Sancto Spiritu on.
- Ludwig Senfl is a member of King Maximilian I's court orchestra . After the king's death in January 1519, he remained in the court orchestra until it was dissolved in 1520.
- Claudin de Sermisy works as a clergyman in the Diocese of Noyon and - like Antonius Divitis and Jean Mouton - as a singer in the court orchestra of King Francis I of France.
- Thomas Stoltzer is attested from 1519 in the account books of the Breslau cathedral chapter, where he as vicarius discontinuus , i.e. as a clergyman without permanent attendance, takes care of the musical arrangement of the high ecclesiastical festivals. It is obvious that at least some of his liturgical compositions were created here.
- Adrian Willaert , who was appointed Kapellmeister to the Milanese Cardinal Ippolito I. d'Este on July 8, 1515 , traveled with him and his other entourage to Hungary in October 1517 and returned to Ferrara in August 1519 . The anecdote reported by his pupil Gioseffo Zarlino falls during this period that Willaert's six-part motet Verbum bonum et suave was initially highly valued by the singers of the papal chapel as a supposed composition by Josquin Desprez , but was then rejected after Willaert proved to be the actual author has turned out.
Vocal music
Spiritually
- Noel Bauldeweyn - Quam pulchra es : Sheet music and audio files in the International Music Score Library Project
- Jacotin Le Bel - Motette Interveniat pro rege nostro to 4 parts (published 1519 and 1520; also published as Interveniat pro Gabrieli 1526)
- Pierre de la Rue
- Missa de Sancto Antonio (Missa O sacer Anthoni) to four voices (cf: melody of the first Vesper antiphon de Santi Antonii Abbatis in the Antiphonale Pataviense; Vienna)
- Missa Ista est speciosa to five voices (cf: Vesper antiphon in Commune virginum; no longer in use; Antiphonale Pataviense; Vienna)
Worldly
- Francesco Patavino - Frottola O morte perche mi fuggi : Sheet music and audio files in the International Music Score Library Project
Publications
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Ottaviano dei Petrucci
- Motetti de la corona, Liber 2 : Sheet music and audio files in the International Music Score Library Project
- Motetti de la corona, Liber 3 : Sheet music and audio files in the International Music Score Library Project
- Motetti de la corona, Liber 4 : Sheet music and audio files in the International Music Score Library Project
