Music year 1509

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1505150615071508Music year 1509  | 1510  | 1511  | 1512  | 1513  |  | ►►
Overview of the music years
Further events

Music year 1509
zinc
The zinc (from mhd. Zinke: point, point, tooth) is a historical brass instrument, which was mostly made of wood, rarely also of ivory. Tines - here on a picture from the Syntagma musicum by Michael Praetorius - are important and frequently used instruments from the 15th to the middle of the 17th century, with their heyday in the early 17th century.

Events

  • September 23 : Sixt Dietrich , who was previously a choirboy at the cathedral choir in Konstanz , goes to the University of Freiburg .
  • Bonifacius Amerbach studies at the Artistic Faculty of the University of Basel and listens to music theory . He also takes music lessons from the organist Johannes Kotter . The result is a book of tablature , which as Codex Amerbach is one of the most extensive works of the early 16th century.
  • Noel Bauldeweyn worked from 1509 to 1513 as magister cantorum in the Church of St. Rombaut in Mechelen , succeeding Jean Richafort . This is evidenced by a note about the activities of "Natalis Balduini" in the chapter files of the Church of St. Rombaut.
  • Antoine Brumel is the conductor at the court orchestra of the d'Este family in Ferrara . The lifelong contract includes an annual benefice of 100 ducats, an annual salary of the same amount, the use of a house in Ferrara and money for travel. Brumel probably belonged to the court orchestra until it was dissolved in 1510.
  • Hans Buchner is the cathedral organist at the Cathedral of Our Lady in Constance .
  • Marco Cara has been a lute virtuoso in the service of the Gonzaga family in Mantua since 1495 and until 1525 , who promoted artists of all kinds in his day.
  • Carpentras is the singer of the papal chapel in Rome .
  • Nicolas Champion joined the chapel of Charles V after the disempowerment of his previous employer Johanna von Kastilien and the dissolution of her court chapel in 1508 . Here he has a high rank and is paid very well, even if he does not reach the rank of Pierre de la Rue . Through his good contacts and his services at court, he acquired a number of benefits in the cities of Bruges , Namur , Lens , Lier, Oostvoorne , Valenciennes , Geervliet and Brielle from 1508 to around 1520 .
  • William Cornysh , who was especially respected by Henry VIII , was appointed Master of the Children of the Chapel in 1509 .
  • Josquin Desprez has been provost at his former place of work in Condé-sur-l'Escaut since 1504 . He is referred to as monsieur le prevost messire Josse des pres . The position is attractive for the former music director not only for its local property ownership, but even more because of the good staffing the church and the quality of the local music exercise, second only to the cathedral in Cambrai and Saint-Vincent in Soignies exceeded becomes. The provost here (according to a list from 1523) holds the secular power in the parish and is the superior of the dean , the treasurer, 25 canons, 18 chaplains, 16 vicars and six choirboys, plus some priests without benefices; A choir of vicars and choirboys usually takes part in the lavishly designed church services, so that up to 22 music-trained voices are available and up to six-part works can be performed. Josquin Desprez worked in this position for 17 years until the end of his life. In 1509, the Burgundian regent Margaret of Austria asked Desprez to accept Jehan Lommel, the former chaplain of Philip the Fair, as dean in his collegiate church. From 1508 to 1509, the chapter of Bourges Cathedral tried unsuccessfully to hire "Dominus Josquin" as the master of the chapel boys. In May 1509 the composer negotiated with the Roman Curia about a benefit in Arras .
  • There is no information about the whereabouts of Antonius Divitis , who - like Nicolas Champion - was a member of the court orchestra of Joanna of Castile until August 1508, in 1509. In May 1510, however, he was named in the supplicary registers of the papal curia as a singer at the chapel of the French Queen Anne de Bretagne , where Jean Mouton , Claude de Sermisy and Jean Richafort were also employed at that time .
  • Pedro de Escobar is Magister Puerorum at the cathedral in Seville until his resignation 1514th
  • Antoine de Févin , whose father Pierre de Févin died in 1506, presumably lives in Paris and has a job at the French royal court or is at least associated with this institution. There is only one document for this, however, a letter from Asti in northern Italy, where King Ludwig XII. writes to France on April 18, 1507, that portraits of a Parisian painter and one of Févin's excellent chansons should be sent to him as soon as these have been completed, to be presented to the ladies in Italy.
  • Johannes Ghiselin , who left the farm of the d'Este family in Ferrara in 1505 after the outbreak of the plague, is a member of the Onze Lieve Vrouwe (Our Lady) brotherhood in Bergen op Zoom in Flanders . This shows a Brotherhood payroll dating back to 1507, with the amount paid out indicating membership for at least a year. The Brotherhood's payrolls for the years 1508-1510 have been lost, and his name no longer appears on the 1511 list. Since no other works by him have appeared since 1505, it can be concluded that Ghiselin died between 1507 and 1511.
  • Nicolas Gombert may already be a student of Josquin Desprez, who has been provost in Condé-sur-l'Escaut, about 40 km away, since 1504 .
  • Paul Hofhaimer lives in Augsburg , the "secret capital" of Emperor Maximilian I , where he works as a freelancer under his favor.
  • Heinrich Isaac , who was commissioned by the cathedral chapter of Konstanz Cathedral on April 14, 1508 with the composition of the mass propria for the main festivals, completed this commission for the most part by May 1509. On November 29, 1509, the Constance Chapter decides to honor the delivered work.
  • Hans Kotter , who was organist at the Saxon court in Torgau until 1508 , takes on positions in Breisgau and in Freiburg im Üechtland (Switzerland).
  • Rossino Mantovano comes as Alto to the choir of the Cathedral of Mantua .
  • Some state motets by Jean Mouton suggest that he was in the service of Queen Anne de Bretagne , wife of King Louis XII , before 1509 . of France (reign 1498–1515). More composers are gathered in her court orchestra than in King Ludwig's, besides Mouton, for example, Antonius Divitis, Jean Richafort and Claudin de Sermisy . Mouton has also had a canon in the diocese of Thérouanne since 1509 at the latest .
  • Anton Musa , who studied in Erfurt and obtained his baccalaureate here in 1507 , moved to the University of Leipzig in 1509 .
  • Marbrianus de Orto - like Nicolas Champion - after the disempowerment of his previous employer Johanna von Kastilien and the dissolution of her court orchestra in 1508, moved from Spain to Brussels , where Margaret of Austria reigned for Archduke Karl, who was later to become Emperor Charles V helped de Orto to reorganize the court orchestra and, according to a document from 1509, was appointed premier chapelain from 1510 .
  • From 1509, Pierre Passereau was chapel singer for the duke and later French king François d'Angoulême .
  • Johannes Prioris , who may have been a member of the French court orchestra since the end of the 1480s, is verifiably Kapellmeister ( maître de chapelle ) of the court orchestra from 1503 to 1512 .
  • Jean Richafort is maître du chant (choirmaster) at St. Romboud Church in Mechelen . In the archives of the chapter of this church there is also a note that during his tenure as Magister two brothers of his, Guillaume and François Richafort, were admitted to the choir. On August 31, 1509, Noel Bauldeweyn succeeded him. There is no direct evidence, but it is almost certain that Jean Richafort became a member of the chapel of the French Queen Anne de Bretagne from this time on , because in November 1512 he was given a benefice that was in Brittany.
  • Pierre de la Rue - like Nicolas Champion and Marbrianus de Orto - after the disempowerment of his previous employer Johanna of Castile and the dissolution of her court orchestra in 1508, moved from Spain to Brussels , where Margaret of Austria took over the reign of Archduke Charles, who was still underage the future Emperor Charles V De la Rue comes back into the field of vision of Margaret of Austria in April 1509, who asks her father Maximilian for a benefice for Pierre de la Rue at the Sainte-Faraïde church in Ghent , with the intention of to win him back for the court orchestra. This apparently with success, because de la Rue appears again in the payroll of the singers of the Grande Chapelle for the month of May 1509 . In the following years the composer stayed at the court of the governor in Mechelen, whose favorite composer he became, and in whose honor he would write numerous occasional compositions.
  • Arnolt Schlick has been employed as organist for life at the Electoral Palatinate Court in Heidelberg since at least 1509 .
  • Claudin de Sermisy is the singer at the Chapelle Royale of King Ludwig XII.
  • Crispinus van Stappen returned to northern France in July 1509 and basically stayed at Cambrai Cathedral until the end of his life . Excluded from this are short trips to Italy and a brief employment as Kapellmeister at Santa Casa in Loreto in the years 1524/25. In Cambrai he is responsible for important tasks, such as recruiting new singers for the cathedral there and also for the papal chapel. corresponding journeys are documented for the years 1523, 1526 and 1529 (Craigh Wright 1976). It was also one of his duties to supervise the activity of the magister puerorum Johannes Lupi (II). Towards the end of his life, van Stappen's special devotion to Mary becomes evident in his relationship with Loreto, but also in his foundation for the renovation of the altar in the St. Anne's Chapel in Cambrai Cathedral in 1526.

Vocal music

Spiritually

Worldly

Publications

Born

Exact date of birth unknown

Born around 1509

See also

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