Music year 1510

from Wikipedia, the free encyclopedia

◄◄ | ◄ | 1506 | 1507 | 1508 | 1509 | Music year 1510  | 1511  | 1512  | 1513  | 1514  | ►  | ►►
Overview of the music years
Further events

Music year 1510
Viola da gamba
The viola da gamba (also known in German as gambe, knee violin, leg violin or lap violin) is a collective name for a family of historical string instruments that originated at the same time as the violin family. The viol family - shown here on a picture from the Syntagma musicum by Michael Praetorius - probably originated in Spain in the 15th century and asserted itself in the music of numerous European countries until the 18th century.

Events

  • May 25 : The court of Emperor Maximilian decides to lend the composer Heinrich Isaac estates in Val Policella near Verona , the income of which is apparently intended to replace Isaac's salary.
  • Martin Agricola , who initially worked on his parents' farm, began traveling in Eastern Germany in 1510. During this phase he acquires the basics of his musical knowledge as an autodidact . The stations of his journey are unknown; Frankfurt (Oder) and Leipzig probably belonged to them.
  • Bonifacius Amerbach studies at the Artistic Faculty of the University of Basel and listens to music theory . He composes songs based on Heinrich Isaac and Ludwig Senfl . He also takes music lessons from the organist Johannes Kotter . The result is a book of tablature , which as Codex Amerbach is one of the most extensive works of the early 16th century.
  • Noel Bauldeweyn worked from 1509 to 1513 as magister cantorum in the Church of St. Rombaut in Mechelen , succeeding Jean Richafort . This is evidenced by a note about the activities of "Natalis Balduini" in the chapter files of the Church of St. Rombaut.
  • Antoine Brumel is the conductor at the court orchestra of the d'Este family in Ferrara . The lifelong contract includes an annual benefice of 100 ducats, an annual salary of the same amount, the use of a house in Ferrara and money for travel. Brumel probably belonged to the court orchestra until it was dissolved in 1510. He then went to Mantua like most of the other dismissed musicians .
  • Hans Buchner is the cathedral organist at the Cathedral of Our Lady in Constance .
  • Marco Cara has been a lute virtuoso in the service of the Gonzaga family in Mantua since 1495 and until 1525 , who promoted artists of all kinds in his day.
  • Nicolas Champion joined the chapel of Charles V after the disempowerment of his previous employer Johanna von Kastilien and the dissolution of her court chapel in 1508 . Here he has a high rank and is paid very well, even if he does not reach the rank of Pierre de la Rue . Through his good contacts and his services at court, he acquired a number of benefits in the cities of Bruges , Namur , Lens , Lier, Oostvoorne , Valenciennes , Geervliet and Brielle from 1508 to around 1520 .
  • Josquin Desprez has been provost at his former place of work in Condé-sur-l'Escaut since 1504 . He is referred to as monsieur le prevost messire Josse des pres . The position is attractive for the former music director not only for its local property ownership, but even more because of the good staffing the church and the quality of the local music exercise, second only to the cathedral in Cambrai and Saint-Vincent in Soignies exceeded becomes. The provost here (according to a list from 1523) holds the secular power in the parish and is the superior of the dean , the treasurer, 25 canons, 18 chaplains, 16 vicars and six choirboys, plus some priests without benefices; A choir of vicars and choirboys usually takes part in the lavishly designed church services, so that up to 22 music-trained voices are available and up to six-part works can be performed. Josquin Desprez worked in this position for 17 years until the end of his life.
  • Sixt Dietrich studies at the University of Freiburg .
  • Antonius Divitis is mentioned in the supplica registers of the papal curia in May 1510 as a singer in the chapel of the French Queen Anne de Bretagne , where Jean Mouton , Claude de Sermisy and Jean Richafort were also employed at that time .
  • Juan del Encina traveled several times from Rome to Spain between 1510 and 1519 , eventually settling in León, where he would also die.
  • Pedro de Escobar is Magister Puerorum at the cathedral in Seville until his resignation 1514th
  • Antoine de Févin , whose father Pierre de Févin died in 1506, presumably lives in Paris and has a job at the French royal court or is at least associated with this institution. There is only one document for this, however, a letter from Asti in northern Italy, where King Ludwig XII. writes to France on April 18, 1507, that portraits of a Parisian painter and one of Févin's excellent chansons should be sent to him as soon as these have been completed, to be presented to the ladies in Italy.
  • According to an archival document, Heinrich Finck is employed at the Stuttgart court of Ulrich von Württemberg with an annual salary of 60 guilders (term of office with interruptions from 1498 to 1550), namely as a “capellmaister” or “singemeister”.
  • Johannes Ghiselin , who left the farm of the d'Este family in Ferrara in 1505 after the outbreak of the plague, is a member of the Onze Lieve Vrouwe (Our Lady) brotherhood in Bergen op Zoom in Flanders . This shows a Brotherhood payroll dating back to 1507, with the amount paid out indicating membership for at least a year. The Brotherhood's payrolls for the years 1508-1510 have been lost, and his name no longer appears on the 1511 list. Since no other works by him have appeared since 1505, it can be concluded that Ghiselin died between 1507 and 1511.
  • Nicolas Gombert may already be a student of Josquin Desprez, who has been provost in Condé-sur-l'Escaut, about 40 km away, since 1504 .
  • Paul Hofhaimer lives in Augsburg , the "secret capital" of Emperor Maximilian I , where he works as a freelancer under his favor.
  • Erasmus Lapicida worked from 1510 as a singer and composer of religious songs at the court orchestra of Palatine Elector Ludwig V (reign 1508–1544) in Heidelberg until around 1520.
  • Rossino Mantovano , who joined the choir of Mantua Cathedral as an alto in 1509 , worked there as maestro di canto from 1510-11 .
  • Some state motets by Jean Mouton suggest that he was in the service of Queen Anne de Bretagne , wife of King Louis XII , before 1509 . of France (reign 1498–1515). More composers are gathered in her court orchestra than in King Ludwig's, besides Mouton, for example, Antonius Divitis, Jean Richafort and Claudin de Sermisy. Queen Anne particularly values ​​Mouton and provides him with a canonical with benefice at his previous place of work in Grenoble , which he enters on May 10, 1510. In the document in question he is called magister capelle ; he may share this office with Antonius Divitis. Mouton has also had a canon in the diocese of Thérouanne since 1509 at the latest .
  • According to a document from 1509, Marbrianus de Orto , who after his return from Spain at court in Brussels was reorganizing the court orchestra for the regent Margaret of Austria , was appointed premier chapelain from 1510 . He alternates in this office until 1517 with a certain Anthoine de Berghes. This change is related to residency obligations at other churches, after he was employed as a canon at the Notre-Dame Cathedral in Antwerp (Church of Our Lady) from 1510 and in the same position at Saint-Gudule in Brussels from 1513.
  • Johannes Prioris , who may have been a member of the French court orchestra since the end of the 1480s, is verifiably Kapellmeister ( maître de chapelle ) of the court orchestra from 1503 to 1512 . In 1510 Prioris was appointed first chaplain , but only amulatoire , i.e. for a limited period, with the task of building a choir school (similar to a maîtrise ) of the Sainte-Chapelle.
  • Jean Richafort has been a member of the chapel of the French Queen Anne de Bretagne since August 1509 .
  • Pierre de la Rue - like Nicolas Champion and Marbrianus de Orto - after the disempowerment of his previous employer Johanna von Kastilien and the dissolution of her court orchestra in 1508, moved from Spain to Brussels , where Margaret of Austria took over the reign of Archduke Charles, who was still underage leads, the later Emperor Charles V De la Rue has been working in the court orchestra again since May 1509 at the latest, as from this month he appears in the payroll of the singers of the Grande Chapelle . In the following years the composer stayed at the court of the governor in Mechelen, whose favorite composer he became, and in whose honor he wrote numerous occasional compositions.
  • Claudin de Sermisy works - according to papal documents of February 4 and June 8, 1510 - as a clergyman in the Diocese of Noyon and as a singer in the private chapel of Queen Anne de Bretagne ; in the same year he is mentioned as Prior at St. Jean in Bouguenais (Diocese of Nantes ).

Vocal music

Spiritually

  • Antoine Brumel - Missa de beata virgine for four voices (probably 1510/1512)
  • Josquin Desprez - Missa de Beata Virgine to five voices
  • Heinrich Isaac - Motet Quid retribuam tibi , Leo to three voices (1510/1517, thanks to Pope Leo X )
  • Jean Mouton - Motet Non nobis Domine for four voices, 2nd part Lauda Deum, o Renata (with modified text relating to Francis I , on the birth of Princess Renée, the daughter of Anne de Bretagne on October 25, 1510)

Worldly

Publications

  • Pietro Cannuzi - Flores Musices

Born

Date of birth saved

Born around 1510

See also

Portal: Music  - Overview of Wikipedia content on music