Christopher Rouse (film editor)

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Christopher Rouse (born November 28, 1958 in Los Angeles ) is an American film editor .

Life

Rouse is the son of screenwriter and director Russell Rouse (1913–1987) and actress Beverly Michaels (1928–2007). He grew up in Los Angeles .

He began working as an assistant editor in 1982 , including as assistant to Michael Brown on Andy Davis ' action classic Nico ( Above the Law ). He has been working as an editor since 1990. Primarily active in television in the 1990s, after receiving his Emmy nomination for the television film Anne Frank (2001) and through the agency of producer Frank Marshall, he moved to Hollywood.

The aggressive and pseudo-documentary visual style he chose for the film United 93 and the two sequels of The Bourne Identity together with the English director Paul Greengrass and the two cameramen Oliver Wood and Barry Ackroyd , that of fast cuts combined with extremely agile , was often characterized by telephoto cameras, was quite controversial among the public and critics and earned him an Oscar nomination (2007 for United 93 ) and an Oscar (2008 for The Bourne Ultimatum ).

In 2008 he edited his fourth film for Paul Greengrass, Green Zone (working title: Imperial Life in the Emerald City ), which was released in March 2010. In 2012, the fifth collaboration followed with Captain Phillips , which brought Rouse another Oscar nomination. Rouse also worked as a screenwriter for the first time in the fifth part of the Bourne series, which appeared in 2016 .

Filmography

Awards

Individual evidence

  1. The film scholar David Bordwell points out the similarity of the style he called run-and-gun with the late works of director Tony Scott , cf. David Bordwell: Unsteadicam chronicles
  2. Rouse on this in an interview for Film & Video : I've had people say to me, "Gosh, I watched your film from the third row of the theater, and I was getting physically ill." Fair enough. Personally, I wouldn't watch any film from the third row of a theater. ( People have said to me, “Help, I was in the third row of your film and I felt sick.” Well, I wouldn't watch a film from the third row myself. )

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