Jürgen Hermann
Jürgen Hermann (born July 16, 1927 in Prenzlau ; † April 9, 2018 in Lehnitz ) was a German conductor , musician and arranger .
Life
Jürgen Hermann, born on July 16, 1927 in Prenzlau, learned to play the piano at the age of nine . He later learned the clarinet and saxophone. In his youth he was interested in horses and music. This resulted in his career aspirations as a jockey and musician.
During the Second World War , Hermann was taken prisoner by the Americans . After the end of the war, he worked for the US Army in Bad Wildungen , Munich and Augsburg a . a. as a musician and interpreter . It was there that he heard swing music for the first time . After Hermann returned to his homeland in 1947, he graduated from high school in 1948 .
Hermann gained his first experience as an arranger in the orchestra of the Free German Trade Union Federation in Prenzlau. With his own band "Goldenen Sieben" played in the communities around Prenzlau. From 1949 to 1954 Hermann studied composition with a focus on film and popular music at the Berlin Stern Conservatory . Günther Klein signed Hermann in 1953 as arranger for the publishing house “ Lied der Zeit ”. Hermann worked in Berlin as a lecturer for arrangement technology at the German University of Music . He led a choir and then became an orchestral pianist.
First Hermann composed chamber music and from 1956 dance music melodies. In the same year he became a dance music editor for Germany's broadcaster . In 1957 he also took on the role of arranger and composer. He also performed this activity for the orchestras of Gerhard Honig , Kurt Henkels , Günter Gollasch and Adalbert Lutter . At the same time, he made arrangements for the NVA wind orchestra and other small orchestras.
From 1958 Hermann was second conductor under Adalbert Lutter of the Great Dance String Orchestra, which he took over on October 1, 1961. At times more than 50 musicians were active in the orchestra. The "swinging violins" and developing new strengths were particularly important to him. With the orchestra, which has since been renamed the “Rundfunk-Tanzstreichorchester Berlin”, he performed a. a. at the Berlin series of events "In the Prater the violins sound again" as well as in Rostock at "Menschen und Meer" and Dresden as a festival orchestra. The orchestra was used for national radio and television events such as B. the conclusion of the " holiday wave ", "With Berlin on you and you" and the "International TV dance tournament" of the Halle studio as well as the series such as " Die Goldene Note " ( GDR television ), "Alle Neune" ( voice of DDR ), “It should be possible to do that” ( Radio DDR ), “Hour of Melody” (broadcaster ALEX). The orchestra was also responsible for the musical design of the festive balls in the Palace of the Republic . International appearances followed. In 1968 the entire orchestra was guest in the Soviet Union . In 1969 arrangements were made in Vienna and later in Lisbon .
More than 5000 titles were produced under the direction of Jürgen Hermann. This also includes the “Chant sans paroles” from 1960, which is now considered an evergreen . Hermann also wrote ballet music for television. Many of his records were released by Amiga . In 1978 Hermann traveled to Vietnam for three weeks . In order to pass on his experiences and gather impressions, he worked with the local radio orchestra.
Hermann directed the Rundfunk-Tanzstreichorchester Berlin until it was dissolved in 1991. He died on April 9, 2018 and was buried on May 7, 2018 in the cemetery in Lehnitz.
Awards
On January 12, 1963, Jürgen Hermann received the GDR Art Prize .
Compositions (selection)
title | Interpreter | year |
---|---|---|
100,000 flowers bloom in May | Columbia Quartet | 1964 |
All the treasures of this earth | Klaus Sommer | 1967 |
Everything speaks of Casanova | Steffen Reuter | 1961 |
On the wide road | Ina Martell | 1967 |
Flower girl | Paul Schröder | 1959 |
burlesque | RTO Berlin | 1960 |
Caballeros | Pericles Fotopoulos | 1964 |
Chant sans paroles | Large dance string orchestra of the German broadcaster | 1960 |
Chant sans paroles | Klaus Wunderlich ( Hammond organ ) | 1966 |
Chant sans paroles | Peter Wieland | 1962 |
Chant sans Paroles | Orchestra Joachim Kurzweg | 1974 |
Chant sans paroles (French) | Nicole Felix | |
The orchestrion from grandfather's time | Robert Steffan | 1960 |
That was the first day with you | Peter Wieland | 1966 |
That was nice | Ray Adams ( Norway ) | 1969 |
remember | Bärbel Wachholz | 1965 |
remember | Fanny Daal | 1961 |
The fault was mine | Bärbel Wachholz | 1967 |
The blacksmith from Oberammergau | Sonja Siewert & Ralf Paulsen | 1956 |
The old love | Rose-Marie Heimerdinger | 1965 |
The blonde with the red car | Günter Geissler | 1964 |
The Budapest girls | Lutz Jahoda | 1958 |
The whole city is beautiful | Monika Hauff | 1968 |
The whole street can't sleep | Mary Halfkath | 1962 |
The young girls of today | Monika Grimm | 1960 |
Love is not a carousel | Nicole Felix | 1962 |
The prima ballerina of my dreams | Günter Geissler | 1963 |
The sun brings it out | Regina Thoss | 1966 |
The world won't be any younger tomorrow | Rica Déus | 1972 |
The time with you | Ellen Tiedtke | 1963 |
This night won't come again | Günter Hapke | 1963 |
Down there in the deep valley | Julia Axen & Heinz Schultze | 1959 |
Thirteen brown girls | Günter Geissler | 1964 |
You are from paris | Nicole Felix & Peter Wieland | 1962 |
You are the sunshine | Paul Schröder | 1955 |
You mustn't cry | Paul Schröder | 1965 |
You do not believe me | Monika Hauff | 1967 |
A beautiful day | Regina Thoss | 1965 |
A gondolier in love | Günter Geissler | 1963 |
A serenade for two hearts | Julia Axen | 1961 |
One day the man comes | Rec dismantling | 1968 |
El Paso | Orchestra Adalbert Lutter | 1956 |
Elisabeth | Hauff & Henkler | 1975 |
He wasn't a handsome man | Ellen Tiedtke | 1963 |
Catch my dreams | Ina Martell | 1969 |
Fortuna only kisses in Italian | Rica Déus | |
Strange girl, beautiful girl | Ingo Graf | 1967 |
Spring Festival in Cuba, | Rica Déus | 1962 |
For our big dreams | Günter Geissler | 1964 |
Believe in our love | Bärbel Wachholz | 1962 |
I think I'll never forget this night | Gabriele Kluge | 1969 |
I hear the song of the sailors in the harbor | Rose-Marie Heimerdinger | 1965 |
I can love whoever I want | Mary Halfkath | 1962 |
I love this country | Klaus Sommer | 1967 |
I'm in a mousetrap | Günter Geissler | 1964 |
I'm standing by the sea in Warnemünde again | Vera Schneidbach | 1970 |
I dance | Gisela May, Chris Doerk, Frank Schöbel, Thomas Lück | 1972 |
Again and again the ships go on the journey | Nina Urbano ( Poland ) | 1969 |
The ships go on the journey again and again | Nadá Urbankova ( CSSR ) | 1987 |
There is no guarantee in love | Rolf Hurdelhey | 1962 |
There is no guarantee in love | Günter Hapke | 1963 |
In fairy tales from ancient times | Peter Wieland | 1962 |
Lots of beautiful words | Günter Geissler | 1962 |
Let me love you | Peter Wieland & Aubry Kirby | 1962 |
Mademoiselle | Günter Geissler | 1963 |
Melanie | RTO Berlin | |
I could be happy with you | Peter Wieland | 1963 |
At night everything looks very different | Günter Hapke | 1963 |
Take your flowers and go | Bärbel Wachholz | 1957 |
Just about Amore let's sing today | Günter Geissler | 1962 |
Oh, Lake Maggiore | Rica Déus | 1962 |
Oh, Mademoiselle Ninon | Peter Wieland | 1959 |
Red is the poppy | Hemmann Quintet & Columbia Quartet | 1963 |
Say … | Gerti Möller | 1967 |
It will always be like that | Rose-Marie Heimerdinger | 1962 |
Solveig | RTO Berlin | |
day after day | Lilian Askeland | 1969 |
You have to have talent | Ping-Pongs & Hemmann-Quintet (Amigos) | 1960 |
A thousand dreams come true | Günter Geissler | 1962 |
Sweet Dreams | Rec dismantling | 1969 |
Our best time | Günter Oppenheimer Orchestra | 1963 |
Our great love | Erhard Juza | 1961 |
Valse Isabelle | Monika heart | 1979 |
Valse Isabelle | Large dance string orchestra of the German broadcaster | 1959 |
What do you want in Rio | Orchestra Gerd Natschinski | 1971 |
What do you want in Rio | Günter Geissler | 1962 |
Do you know what love is | Bärbel Wachholz | 1962 |
When love speaks | Judita Cerovska | 1965 |
When wild swans move in autumn | Sonja Siewert | 1971 |
When wild swans move in autumn | Fred Frohberg | 1963 |
When wild swans move in autumn | Gerti Möller | |
When wild swans move in autumn | Studio orchestra & Günter Gollasch | 1969 |
When the summer wind plays in the fjords | Rica Déus | 1972 |
Where I go and stand | Günter Hapke | 1963 |
Two eyes | Kirsti Sparboe | 1968 |
Trivia
- In the USA, Hermann's music is used as a sound carpet for supermarkets.
Web links
- Jürgen Hermann at Discogs (English)
Individual evidence
- ↑ a b Norbert Koch-Klaucke: Orchestra chief Jürgen Hermann: The man who taught the east rhythm. In: Berliner-Kurier.de. April 24, 2018, accessed April 30, 2018 .
- ↑ a b Josefin Roggenbuck: Head of the GDR dance string orchestra celebrates 90th birthday. In: MOZ.de. July 16, 2017, accessed April 30, 2018 .
personal data | |
---|---|
SURNAME | Hermann, Jürgen |
BRIEF DESCRIPTION | German conductor |
DATE OF BIRTH | July 16, 1927 |
PLACE OF BIRTH | Prenzlau |
DATE OF DEATH | April 9, 2018 |
Place of death | Lehnitz |