Léon Cogniet
Léon Cogniet (born August 29, 1794 in Paris , † November 20, 1880 there ) was a French painter of neoclassicism and romanticism .
Life
In May 1812, Cogniet came to the École des Beaux-Arts in his hometown , where he was a student of, among others, Pierre Narcisse Guérin . With the support of his teachers, he was able to make his debut with a picture at an exhibition at the Académie française in 1814 . In 1815 his painting Briseïs is brought back to Achilles was awarded the " Prix de Rome (2nd class)", and in 1817 he received the "Prix de Rome (1st class)" for his painting Liberation of Helena by Castor and Pollux . Associated with this award was a generous travel grant that enabled Cogniet to undertake a study tour of Italy and live in Rome for five years . He set out in the summer of 1817, but was able to take part in the large exhibition of the Paris Salon with a smaller work (later engraved by François Nicolas Delaistre ) and was also successful here.
During his studies at the art academy , Cogniet made the acquaintance of Jean Alaux , Eugène Delacroix , Théodore Géricault , Ary and Henry Scheffer .
In Rome, Cogniet lived in the Villa Medici until he returned to France in the spring of 1822. Immediately after his return in 1824 he presented his works Marius on the ruins of Carthage and The Bethlehemitic Child Murder at an exhibition . He had great success with both works; the child murder was soon spread as an engraving by Williams Reynolds-Stephens and Paul Girard .
In 1831 Cogniet had another great success with his painting The Rape of Rebekah by the Templar , which he had created a year earlier, inspired by reading Ivanhoe by Walter Scott .
In 1843 he achieved a sensational success with his Tintoretto , painting his dead daughter (later engraved by Achille Louis Martinet ). But the paintings Battle of Mount Tabor on April 16, 1799 and Battle of Heliopolis on May 2, 1800 , which he had designed together with Paul Girard and Félix Philippoteaux , won over audiences and official art critics.
In 1855 Cogniet took part in the Paris Salon for the last time with his portrait of Vicomtesse de Noailles and then withdrew almost completely into private life. In the following years he hardly created any pictures worth mentioning, and at exhibitions - if at all - mostly older pictures were to be seen, for example at the world exhibition in Paris in 1855 his still well-known picture Tintoretto, painting his dead daughter .
In 1863, Cogniet also gave up teaching at the École des Beaux-Arts and retired into private life. In the last few years he had hardly any students; He also gave up his private studio during these years. On November 20, 1880, he died almost forgotten at the age of 94.
Cogniet had found its own distinctive style early on. This influenced a large number of students and thus set the style for the end of the 19th century. Classicist history painting still dominated his early works ; in his later oeuvre he turned more to portraiture . His ecclesiastical subjects and his lithographs are less known today .
In addition to a few other artists, the painter Léon Bonnat Cogniet also portrayed .
Works (selection)
- The Bethlehemite child murder
- Departure of the Paris National Guard in 1792 (1836, Historical Museum in Versailles)
- Napoléon and the learned archaeologists in Egypt (ceiling painting in the Egyptian Museum)
- Tintoretto, painting his dead daughter (1843)
- Barthélemy Prosper Enfantin (portrait)
- King Louis Philippe d'Orleans as Lieutenant General (portrait)
- Achille Etna Michallon (1818/19, portrait)
- Jean-François Champollion (1831, portrait)
- Marius on the ruins of Carthage
- Rape of Rebekah by the Templars (1830)
- Battle of Mount Tabor on April 16, 1799
- Battle of Heliopolis on May 20, 1800
- Viscountess de Noailles (1855, portrait)
Honors
- 1828: Knight of the French Legion of Honor
- 1846: Officer of the French Legion of Honor
- 1865: Pour le mérite for science and the arts
Student of Léon Cogniet
In addition to his numerous students, his sister Marie Amélie (1798–1869) and Catherine Caroline Thévenin (1813–1892), his future wife, should not be forgotten, whom he not only taught, but also encouraged to the greatest extent possible.
- Auguste Allongé (1833–1898)
- Wilhelm Ambe (1822–1899)
- Louis-Ernest Barrias (1841–1905)
- Felix Joseph Barrias (1822–1907)
- Léon Benouville (1821-1859)
- Nils Blommér (1816-1853)
- Léon Bonnat (1833-1922)
- Rosa Bonheur (1822–1899)
- Pierre Auguste Cot (1837-1883)
- Alfred Cluysenaar (1837–1902)
- Alfred Dedreux (1810-1860)
- Alfred Dehodencq (1822–1882)
- Augustin Feyen-Perrin (1826–1888)
- Tony Robert-Fleury (1837-1911)
- Théodore Frère (1814–1888)
- Armand Gautier (painter) (1825-1894)
- Wojciech Gerson (1831–1901)
- Théophile Gide (1822–1890)
- Charles Girardet (1813–1871)
- Eugène Ernest Hillemacher (1818-1887)
- Jules Holzapffel (1826–1866)
- Jean Paul Laurens (1838-1921)
- Jules-Joseph Lefebvre (1834-1912)
- Évariste Vital Luminais (1821-1896)
- Egron Sellif Lundgren (1815-1875)
- Raimundo de Madrazo (1841-1920)
- Paul Mathey (1844-1929)
- Ernest Meissonier (1815-1891)
- Anna Lea Merritt (1844-1930)
- Gustave Morin (1809-1886)
- Charles Louis Muller (1815-1849)
- Benjamin Netter (1811-1881)
- Dominique Louis Papety (1815-1892)
- Félix Philippoteaux (1815-1884)
- Karl Wilhelm Pohlke (1810–1876)
- Henryk Rodakowski (1823-1894)
- Amédée Rosier (1831–1898)
- Théodore Auguste Rousseau (1825–?)
- Gustav Richter (1823-1884)
- Auguste Schenck (1828–1900)
- Félix Trutat (1824–1848)
- Émile Vernet-Lecomte (1821-1900)
literature
- Henri Béraldi, Roger Portali: Les graveurs du 19th siecle. Edition Jacob, Paris 2001, ISBN 2-913224-18-0 (3 volumes, repr. Of the Paris edition 1880/82), volume?, P.?.
- Götz Czymmek: French painting of the 19th century. Wallraf-Richardtz-Museum, Cologne 2005, ISBN 3-9808017-0-5 , p.?.
- Henri Delaborde: Notice sur la vie et les ouvrages de M. Léon Cogniet. Académie des Beaux-Arts, Paris 1881 ( gallica.bnf.fr ).
- David Ojalvo (Ed.): Léon Cogniet. 1794-1888. Musée des Beaux-Arts, Orleans 1990.
- Hans Vollmer : Cogniet, Léon . In: Ulrich Thieme (Hrsg.): General Lexicon of Fine Artists from Antiquity to the Present . Founded by Ulrich Thieme and Felix Becker . tape 7 : Cioffi – Cousyns . EA Seemann, Leipzig 1912, p. 176–177 ( Textarchiv - Internet Archive ).
- Cogniet, Léon . In: General Artist Lexicon . The visual artists of all times and peoples (AKL). Volume 20, Saur, Munich a. a. 1998, ISBN 3-598-22760-4 , p. 153.
Web links
personal data | |
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SURNAME | Cogniet, Léon |
ALTERNATIVE NAMES | Cogniet, Leon |
BRIEF DESCRIPTION | French painter |
DATE OF BIRTH | August 29, 1794 |
PLACE OF BIRTH | Paris |
DATE OF DEATH | November 20, 1880 |
Place of death | Paris |