The opera line-ups for the Salzburg Festival from 1922 to 1926 include all opera performances in the founding years of the Salzburg Festival . Franz Schalk , Richard Strauss and Bruno Walter were among the most important conductors of this period .
concept
The Salzburg Festival was founded in 1920 with a play, Hofmannsthal's play about the dying of the rich man, Jedermann , staged by Max Reinhardt . The opera was anchored in all festival concepts as the mainstay of the festival, but only gradually established itself in the Salzburg festival program. The first three years were shaped by three internationally renowned conductors, Richard Strauss and Franz Schalk , who jointly directed the Vienna State Opera from 1919 to 1924 , and from 1925 also by Bruno Walter . The opera program in those years did not yet have an independent profile, at that time the festival was often referred to as the “summer branch of the Vienna State Opera”, because the choir and orchestra, the sets, the singers and conductors came from Vienna. The set designer Alfred Roller played an important role in the festival performances, and he significantly shaped the visual components of the performances.
Mozart was at the beginning of the festival - and at the center. Strauss and Schalk chose the three Da Ponte operas for the opera prelude in Salzburg , which are still very important in Salzburg's repertoire, as well as the Abduction from the Seraglio . This was followed in 1925 by Donizetti with the comic opera Don Pasquale , in 1926 by the Fledermaus by Karl Haffner , Richard Genée (libretto) and Johann Strauss, and for the first time a contemporary opera, Ariadne auf Naxos by Hugo von Hofmannsthal and Richard Strauss , co-founders of the festival. From then on, the opera was firmly established in the festival program.
The occupations were exquisite. Singers from all over Europe formed excellent Mozart ensembles. The Salzburg style means that smaller parts are also cast with high-class singers.
1922
Orchestra, choir, conductor
Direction, set design, costumes
singers
Singer
Don Juan by Lorenzo Da Ponte and Wolfgang Amadeus Mozart , August 14-26, 1922, Salzburg City Theater (five performances)
Vienna Philharmonic, Vienna State Opera Choir Richard Strauss
Hans Breuer Alfred Roller set design
Gertrud Kappel Donna Anna Claire Born Donna Elvira Lotte Beautiful Zerlina
Alfred Jerger Don Juan Richard Mayr Leporello Franz Markhoff The Commander Richard Tauber Don Ottavio Viktor Madin Masetto
Così fan tutte by Lorenzo Da Ponte and Wolfgang Amadeus Mozart , August 15-27, 1922, Salzburg City Theater (three performances)
Vienna Philharmonic, Vienna State Opera Choir Richard Strauss
Hans Breuer Alfred Roller set design
Felicie Hüni-Mihacsek Fiordiligi Rosette Anday Dorabella Elisabeth Schumann Despina
Hermann Wiedemann Ferrando Fritz Krauss Guglielmo Josef by Manowarda Don Alfonso
Le nozze di Figaro by Lorenzo Da Ponte and Wolfgang Amadeus Mozart , August 16-28, 1922 (four performances)
Vienna Philharmonic Vienna State Opera Choir Franz Schalk
Harry Stangenberg , Hans Breuer Alfred Roller set design
Elisabeth Rethberg Countess Almaviva Elisabeth Schumann Susanne Hermine Kittel Marcellina Lotte Beautiful Cherubino Paula by Hentke Barbarina
Hans Duhan Count Almaviva Alfred Jerger Figaro Hans Breuer Basilio Julius Betetto Bartolo Viktor Madin Antonio Hermann Gallos Don Curzio
The Abduction from the Seraglio by Johann Gottlieb Stephanie and Wolfgang Amadeus Mozart , August 17-29, 1922 (four performances)
Vienna Philharmonic Vienna State Opera Choir Franz Schalk
Hans Breuer Alfred Roller set design
Selma Kurz Konstanze Elisabeth Schumann Blondchen
Gerhard Stehmann Bassa Selim Richard Tauber Belmonte Hermann Gallos Pedrillo Nikola Zec Osmin
Line-up change in the following performances:
Don Giovanni . Conductor: Carl Alwin ; Don Giovanni: Hans Duhan , Donna Elvira: Felicie Hüni-Mihacsek , Donna Anna: Rose Pauly , Don Ottavio: Georg Maikl , Leporello: Karl Norbert , Zerline: Editha Fleischer , Masetto: Julius Betetto .
So fan tutte . Conductor: Carl Alwin ; Dorabella: Claire Born , Despina: Charlotte Brunner , Don Alfonso:: Karl Norbert .
Le nozze di Figaro . Countess: Claire Born , Felicie Hüni-Mihacsek , Susanne: Editha Fleischer , Figaro: Richard Mayr , Basilio: Paul Kuhn , Bartolo: Karl Norbert , Cherubino: Rosette Anday , Barbarina: Karola Jovanović .
The Abduction from the Seraglio . Konstanze: Elisabeth Rethberg , Blondchen: Karola Jovanović , Belmonte: Georg Maikl .
In 1923 there were no operas in the festival program. In 1924 the festival was canceled due to the economic crisis.
1925
Orchestra, choir, conductor
Direction, set design, costumes
singers
Singer
Don Juan by Lorenzo Da Ponte and Wolfgang Amadeus Mozart , August 24 and 28, 1925, Salzburg City Theater (two performances)
Vienna Philharmonic Vienna State Opera Choir Karl Muck
Hans Breuer Alfred Roller set design
Helene Wildbrunn Donna Anna Claire Born Donna Elvira Lotte Beautiful Zerlina
Alfred Jerger Don Juan Richard Mayr Leporello Franz Markhoff The Comtur Hermann Gallos Don Ottavio Viktor Madin Masetto
Le nozze di Figaro by Lorenzo Da Ponte and Wolfgang Amadeus Mozart , August 25 and 30, 1925 (three performances)
Vienna Philharmonic Vienna State Opera Choir Franz Schalk
Hans Breuer Alfred Roller set design
Claire Born Countess Almaviva Lotte Schöne Susanne Hermine Kittel Marcellina Rosette Anday Cherubino Paula von Hentke Barbarina
Karl Renner Count Almaviva Alfred Jerger Figaro Hans Breuer Basilio Franz Markhoff Bartolo Viktor Madin Antonio Hermann Gallos Don Curzio
Don Pasquale by Giovanni Ruffini and Gaetano Donizetti , August 26-29, 1925 (two performances)
Vienna Philharmonic Vienna State Opera Choir Bruno Walter
Hans Breuer
Maria Ivogün Norina
Richard Mayr Don Pasquale Hermann Wiedemann Malatesta Karl Erb Ernesto Viktor Madin Notary
Line-up change in the following performances:
1926
Orchestra, choir, conductor
Direction, set design, costumes
singers
Singer
The Abduction from the Seraglio by Johann Gottlieb Stephanie and Wolfgang Amadeus Mozart , August 9 and 28, 1926 (two performances)
Vienna Philharmonic Vienna State Opera Choir Bruno Walter
Alois Moira Alfred Roller set design
Marie Gerhart Konstanze Anni Frind Blondchen
Hans Duhan Bassa Selim Richard Tauber Belmonte Hermann Gallos Pedrillo Paul Bender Osmin
Don Juan by Lorenzo Da Ponte and Wolfgang Amadeus Mozart , August 10 and 22, 1926, Salzburg City Theater (two performances)
Vienna Philharmonic Vienna State Opera Choir Franz Schalk
Marie Gutheil-Schoder Alfred Roller set design
Mária Németh Donna Anna Claire Born Donna Elvira Maria Rajdl Zerlina
Hans Duhan Don Juan Richard Mayr Leporello Franz Markhoff The Commander Richard Tauber Don Ottavio Viktor Madin Masetto
Die Fledermaus by Karl Haffner , Richard Genée and Johann Strauss , August 13-29, 1926, Salzburg City Theater (five performances)
Vienna Philharmonic Vienna State Opera Choir Bruno Walter
Josef Hietz
Wanda Armpit Rosalinde Rosette Anday Orlofsky Fritzi Massary Adele Paula von Hentke Ida
Karl Ziegler Eisenstein Hans Duhan Frank Erik Wirl Alfred Karl Renner Dr. Falke Viktor Madin Dr. Blind Hans Moser Frog
Ariadne auf Naxos by Hugo von Hofmannsthal and Richard Strauss , August 18 to 25, 1926 (three performances)
Vienna Philharmonic, Vienna State Opera Choir Clemens Krauss
Lothar Wallerstein Oskar Strnad set design
Lotte Lehmann Primadonna / Ariadne Maria Rajdl Composer Marie Gerhart Zerbinetta Luise Helletsgruber Najade Hermine Kittel Dryad Karola Jovanović Echo
Viktor Madin Steward Hans Duhan Music Teacher / Harlequin John Glasses Tenor / Bacchus Georg Maikl Tanzmeister / Brighella Hermann Gallos Scaramuccio Franz Markhoff Truffaldino Heinrich Berthold Brighella (prelude)
Line-up change in the following performances:
See also
source
Josef Kaut : The Salzburg Festival 1920-1981, With a list of the works listed and the artists of the theater and music by Hans Jaklitsch . Residenz Verlag, Salzburg 1982, ISBN 3-7017-0308-6 . , Pp. 244-249.
Individual evidence
^ Josef Kaut: Die Salzburger Festspiele 1920-1981 , with a list of the listed works and the artists of the theater and music by Hans Jaklitsch, Salzburg: Residenz Verlag, ISBN 3-7017-0308-6 , p. 41.
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