Opera productions of the Salzburg Festival

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The opera productions of the Salzburg Festival were for much of the 20th century and are still shaping the style today. The opera in Salzburg - as a total work of art - represents the primus inter pares in the triad of drama, opera and concert. Almost all of the world's leading conductors have worked in Salzburg, as have most of the most outstanding singers, directors, stage and costume designers. Many of the performances have been preserved for posterity as audio documents or TV recordings.

history

The Salzburg focus was and is consistently on (a) Mozart , (b) Richard Strauss , (c) contemporary operas, as well as the festival operas Orfeo ed Euridice , Fidelio , Don Carlos and Falstaff . The Mozart repertoire in Salzburg is not limited to the three da Ponte operas, Die Entführung aus dem Serail and Die Zauberflöte , but also includes the rarely performed works, in particular Idomeneo and La clemenza di Tito . The first opera performance of the Festival was Don Giovanni under the musical direction of Richard Strauss on August 14, 1922 - a guest performance by the Vienna State Opera in the Salzburg State Theater . Thanks to the Vienna Philharmonic , who play four to five opera productions in Salzburg every year, the interpretations of Mozart and Strauss operas are of exceptional orchestral quality.

The Salzburg repertoire was carefully and gradually expanded - first by Bruno Walter and Arturo Toscanini , and finally by Karl Böhm and Herbert von Karajan : Walter conducted operas by Gluck and Donizetti , Hugo Wolf and Richard Wagner , and Die Fledermaus by for the first time at the Salzburg Festival Johann Strauss . Toscanini established Falstaff as a genuine Salzburg festival opera in 1935 . In 1951 and 1971, Böhm presented Alban Berg 's opera Wozzeck , which was hardly played at the time , and thus an exponent of the twelve-tone technique . Karajan finally popularized the program with a wide range of other Verdi operas and with Bizet's Carmen .

The early works of the opera and the baroque found their place in the Salzburg repertoire quite early on. Gluck has been staged in Salzburg since 1930 and Handel since 1984. From 1968 to 1973 Cavalieri's rarely played rap presentations di Anima, et di Corpo in a model production by Graf / Colosanti / Moore enjoyed the greatest public interest. In 1971, 1985 and 1993 all surviving Monteverdi operas were presented in Salzburg. The highlight of the Baroque interpretation is the 2012 staging by Giulio Cesare in Egitto with Cecilia Bartoli and four of the world's best countertenors ( Andreas Scholl , Philippe Jaroussky , Christophe Dumaux , Jochen Kowalski ).

Over time, the Salzburg Festival with almost all of the major opera houses in the world ( Wiener Staatsoper , Scala , La Fenice , Operá de la Bastille , La Monnaie , Met , Mariinski-Theater ) and some important festivals ( Aix-en-Provence , Maggio Musicale Fiorentino ) cooperates. Most of these co-productions were developed in Salzburg and could often be seen many years later at important opera houses, such as Robert Wilson's exemplary Pelléas-et-Mélisande production from 1997, which was and still was produced together with the Operá de Paris was performed in Madrid and Barcelona in 2012 .

A long production run suggests that it was a successful production. However, numerous exemplary productions could not be resumed due to scheduling conflicts or budgetary reasons. In 2012, the new artistic director Alexander Pereira decided to only play all productions for one season in general, regardless of the response from the audience or the criticism. This practice was given up by his successor.

In Salzburg, operas are mainly played in the three festival halls - Haus für Mozart , Felsenreitschule and Großes Festspielhaus - occasionally also in the Residenzhof , the Salzburg State Theater and the Kollegienkirche , and more rarely at other venues . In the 1950s and 1960s, the opera performances in the Residenzhof moved to the Carabinieri Hall of the Residenz when it rained . Today the Residenzhof can be covered when it rains .

Productions

The following list is broken down by composer: first Mozart, then Richard Strauss and the composers of modern times, finally baroque operas and finally the classical repertoire and rarities. The list includes all opera productions of the Salzburg Whitsun and Summer Festival , as well as those productions of the Mozart Week and the Easter Festival that were included in the summer program from 1956 and 1985, respectively. The respective Leading Team is represented as follows: Conductor - Director - Outfitter (whereby first stage designers, then costume designers, and finally lighting designers and, in some cases, video designers). Any cooperation partners are named in brackets at the end of the line. - There is also the opera chronology of the Salzburg Festival , which lists all titles by year.

Mozart

WA Mozart

The Obligation of the First Commandment (1767), KV 35 and Apollo et Hyacinthus (1767), KV 38

La finta semplice (1768), KV 51

Bastien and Bastienne (1768), KV 50

  • 1928 guest performance at the Leningrad Opera Studio
  • 1969, 1970 Residence: Leopold Hager - Ladislav Strohs - Marcel Pokorny
  • 2006, 2007 Salzburg Marionette Theater: Elisabeth Fuchs - Thomas Reichert

Mitridate, re di Ponto (1770), KV 87

Ascanio in Alba (1771), KV 111

La Betulia liberata (1771), KV 118

  • 2010 (Whitsun only) House for Mozart: Riccardo Muti - Marco Gandini - Italo Grassi, Gabriella Pescucci, Marco Filibeck (Ravenna Festival)

Il sogno di Scipione (1771), KV 126

Lucio Silla (1772), KV 135

La finta giardiniera (1775), KV 196

Il re pastore (1775), KV 208

Ombra felice KV 255 - arias, scenes, ensembles by Mozart .

Zaide (1780), KV 344

Idomeneo (1781), KV 366, libretto by Giambattista Varesco

The Abduction from the Seraglio (1782), KV 384, text by Johann Gottlieb Stephanie

The acting director (1786), KV 486 and Bastien and Bastienne (1768), KV 50

  • 2006, 2007 Salzburg Marionette Theater: Elisabeth Fuchs - Thomas Reichert
Lorenzo da Ponte

Le nozze di Figaro (1787), KV 492, text by Lorenzo da Ponte

Don Giovanni (1787), KV 527, text by Lorenzo da Ponte

Così fan tutte (1790), KV 588, text by Lorenzo da Ponte

La clemenza di Tito (1791), KV 621, text by Caterino Mazzolà (after Pietro Metastasio )

Emanuel Schikaneder

The Magic Flute (1791), KV 620, text by Emanuel Schikaneder

Richard Strauss

Richard Strauss, 1922

Salome (1905), libretto by the composer, based on Oscar Wilde

Elektra (1909), text by Hugo von Hofmannsthal

Der Rosenkavalier (1911), text by Hugo von Hofmannsthal

Ariadne auf Naxos (1912, 1916), text by Hugo von Hofmannsthal

The woman without a shadow (1919), text by Hugo von Hofmannsthal

The Egyptian Helena (1928), text by Hugo von Hofmannsthal

Arabella (1933), text by Hugo von Hofmannsthal

The silent woman (1935), text by Stefan Zweig .

Die Liebe der Danae (1940), libretto by Joseph Gregor

Capriccio (1942), text by Clemens Krauss

Modern and post-modern opera

Wozzeck (Overture), 1925

Baroque and early works

Luck
Handel
Monteverdi

Emilio de 'Cavalieri : Rappresentatione di Anima, et di Corpo (1600). 1968 Felsenreitschule, 1969, 1970, 1971, 1972, 1973 Collegiate Church: Rolf Maedel (1968), Ernst Märzendorfer (from 1969) - Herbert Graf - Veniero Colasanti , John Moore

Francesco Cavalli : La Calisto . 1998 (Whitsun only) Small Festival Hall: René Jacobs - Herbert Wernicke , also equipment

Christoph Willibald Gluck

georg Friedrich Handel

Stefano Landi : Il Sant'Alessio . 1977, 1978 Felsenreitschule: Peter Maag - August Everding - Jean-Pierre Ponnelle , Pet Halmen

Claudio Monteverdi

Giovanni Battista Pergolesi

Henry Purcell : King Arthur . 2004 Felsenreitschule: Nikolaus Harnoncourt - Jürgen Flimm - Klaus Kretschmer, Birgit Hutter , Manfred Voss , Alfred Loch

Jean-Philippe Rameau : Les Boréades . 1999 (Whitsun and Summer) Small Festival Hall: Simon Rattle - Karl-Ernst Herrmann , Ursel Herrmann

Classical repertoire and rarities

Ludwig van Beethoven : Fidelio

Vincenzo Bellini

Hector Berlioz

Georges Bizet : Carmen

Luigi Cherubini : Médée . 2019 Großes Festspielhaus: Thomas Hengelbrock - Simon Stone - Bob Cousins, Mel Page

Domenico Cimarosa

  • Il ritorno di Don Calandrino . 2007 House for Mozart: Riccardo Muti - Ruggero Cappuccio - Edoardo Sanchi, Carlo Poggioli, Maurizio Viani
  • Il matrimonio segreto . 1931 Municipal Theater: Arturo Lucon - Mario Ghisalberti (Stagione d'Opera Italiana, La Scala )

Alexander Sergejewitsch Dargomyschski

Claude Debussy

Gaetano Donizetti : Don Pasquale

Antonín Dvořák

Charles Gounod

Joseph Haydn

Niccolò Jommelli

Saverio Mercadante

  • I due Figaro . 2011 (Pentecost only) House for Mozart: Riccardo Muti - Emilio Sagi - Daniel Bianco, Jesús Ruiz, Eduardo Bravo (Ravenna Festival, Teatro Real Madrid )

Modest Mussorgsky : Boris Godunow , version by Nikolai Rimsky-Korsakow

Jacques Offenbach

Giovanni Paisiello

  • Il matrimonio inaspettato 2008 (Pentecost only) House for Mozart: Riccardo Muti - Andrea De Rosa - Sergio Tramonti, Alessandro Lai, Pasquale Mari (Ravenna Festival)

Giacomo Puccini

Gioachino Rossini

Franz Schubert

Johann Strauss : The bat

Peter Ilyich Tchaikovsky

Giuseppe Verdi

Carl Maria von Weber

Richard Wagner

Peter von Winter : The labyrinth , the magic flute part two , text by Emanuel Schikaneder . 2012 Residenzhof: Ivor Bolton - Alexandra Liedtke

Hugo Wolf : The Corregidor . 1936 Festspielhaus: Bruno Walter - Lothar Wallerstein - Robert Kautsky, Ladislaus Coppel

Concert performances

See also

Web links

swell

  • Stephen Gallup: The History of the Salzburg Festival . Orac, Vienna 1989, ISBN 3-7015-0164-5 .
  • Josef Kaut: The Salzburg Festival. Pictures of a world theater . Residenzverlag, Salzburg 1973, ISBN 3-7017-0047-8 .
  • Josef Kaut: The Salzburg Festival 1920–1981. Residenzverlag, Salzburg 1982, ISBN 3-7017-0308-6 .
This version was added to the selection of informative lists and portals on November 21, 2012 .