Johann Liss
Johann Liss (* around 1597 in Oldenburg, Holstein ; † November 5, 1631 in Verona ) was an important German painter of the 17th century.
Life
Johann Liss's parents were probably painters in the service of the Duke of Holstein-Gottorf and provided for his first training. He left his home early. From 1614 to 1619 he lived in Amsterdam , Haarlem and Antwerp . Around 1620 he traveled to Italy via Paris , first working in Venice and settling in Rome around 1622 , where he joined Caravaggio 's successors . He returned to Venice around 1627 and took on the commission for a large altarpiece, the inspiration of St. Jerome , in San Nicolò da Tolentino , which can still be seen there today. Liss died of the plague that broke out in Venice in 1629 .
As a result of his early death, he left only a small life's work. He was a passionate figure painter who valued both mythological and biblical subjects. According to Joachim von Sandrart , who lived with Liss for a while in Venice from 1628, Liss probably never sought a permanent position and led an erratic way of life with an unusual way of working, in which he “was often away from home for two or three nights” and then worked all night where he hardly got any sleep and ate little. He turned down warnings that he was harming his health.
Liss cultivated his very own, very painterly and colouristic style, which is mainly influenced by Venetian baroque painting, by models such as Titian , Rubens and Domenico Fetti . Its artistic impact was only able to develop in the 18th century, especially in Venice ( Sebastiano Ricci , Piazzetta , Tiepolo ).
Works
- Salmacis and Hermaphrodit ( Bathing Nymphs ), painting (canvas), 104.5 × 95 cm, Schaezlerpalais , Augsburg
- The rapture of St. Paul , painting (canvas), 80 × 58.5 cm, Gemäldegalerie , Berlin
- The dentist , painting (canvas), 129 × 96.5 cm, Kunsthalle , Bremen
- Rural wedding procession , painting (canvas), 65.5 × 31.5 cm, Szépművészeti Múzeum , Budapest
- Amor vincit , painting (canvas), 87.7 × 65.7 cm, Museum of Art , Cleveland, Ohio
- Abraham's Sacrifice , painting (canvas), 88 × 70 cm, Uffizi Gallery , Florence
- The toilet of Venus , painting (canvas), 82 × 69 cm, Uffizi Gallery, Florence
- The Decision of Hercules , painting (canvas), 61 × 75 cm, Gemäldegalerie Alte Meister , Dresden
- The return of Adonis , painting (copper), 52.5 × 69 cm, Staatliche Kunsthalle , Karlsruhe
- The Morra Game , painting (canvas), 75.3 × 55.9 cm, Gemäldegalerie Alte Meister , Kassel
- The temptation of St. Anthony , painting (copper), 23.3 × 17.8 cm, Wallraf-Richartz-Museum , Cologne
- The discovery of Moses , painting (canvas), 155 × 106 cm, Musée des Beaux-Arts, Lille
- The fall of Phaeton , painting (canvas), 128 × 110 cm, National Gallery , London
- Judith , painting (canvas), 128.6 × 104.1 cm, National Gallery, London
- The Temptation of Magdalena , painting (canvas), 98.8 × 125.8 cm, private collection, London
- Christ on the Mount of Olives , painting (copper), 28.2 × 21 cm, private collection, London
- The Flay of Marsyas , painting (copper), 49.5 × 37 cm, Pushkin Museum , Moscow
- The temptation of St. Anthony , painting (copper), 22 × 19.9 cm, Alte Pinakothek , Munich
- The death of Cleopatra , painting (canvas), 97.5 × 85.5 cm, Alte Pinakothek, Munich
- The Triumph of David , painting (canvas), 161 × 121 cm, Palazzo Reale , Naples
- Cimon and Efigenia , painting (canvas), 104.5 × 95 cm, Metropolitan Museum of Art , New York City
- The prodigal son , painting (canvas), 160.5 × 240 cm, Germanisches Nationalmuseum , Nuremberg
- Peasant dispute , painting (canvas), 67.4 × 83 cm, Germanisches Nationalmuseum, Nuremberg
- Gallant couple , painting (canvas), 63 × 49 cm, Weißenstein Castle , Pommersfelden
- The toilet of Venus , painting (wood), 80 × 59.5 cm, Weißenstein Castle, Pommersfelden
- The atoning Magdalena , painting (canvas), 90 × 80 cm, Historical Museum, Slavkov u Brna
- The mourning for Abel , painting (canvas), 67.5 × 84 cm, Accademia , Venice
- The Satyr at the Farmer's , painting (canvas), 133.5 × 166.5 cm, National Gallery of Art , Washington, DC
- The Prodigal Son , painting (canvas), 86 × 70 cm, Academy of Fine Arts , Vienna
literature
- Joseph Eduard Wessely : Liss, Johan . In: Allgemeine Deutsche Biographie (ADB). Volume 18, Duncker & Humblot, Leipzig 1883, p. 748 f.
- Rüdiger Klessmann : Liss, Johan. In: New German Biography (NDB). Volume 14, Duncker & Humblot, Berlin 1985, ISBN 3-428-00195-8 , pp. 688-690 ( digitized version ).
- Rüdiger Klessmann: Johann Liss. A monograph with a critical catalog of oeuvre . Davaco Publishers, Doornspijk 1999, ISBN 90-70288-07-9 .
- Rüdiger Klessmann: New finds and reflections on the work of Johann Liss . In: Münchner Jahrbuch der bildenden Kunst 60, 2009, pp. 59–90.
- Lars Olof Larsson : Paths to the South, Paths to the North: Essays on Art and Architecture. P. 169 ff. ( [1] )
- Eckhard Leuschner: Cephalus reveals Procris: to an etching by Johann Liss . In: Ovid: work and effect. Ceremony for Michael von Albrecht on his 65th birthday , Vol. II, Frankfurt / Main 1999, pp. 1123–1131.
- Joachim von Sandrart : Teutsche Academie der Noble Bau-, Bild- und Mahlerey-Künste. Uhl, 1994 (volumes 1–3, reprint of the Nuremberg edition 1675–79). ISBN 3-921503-79-5 . (see also online edition )
Trivia
In Oldenburg in Holstein, the secondary school was named after Johann Liss . After the amalgamation of the Realschule with the Hauptschule and Grundschule, the name was no longer used. Since then the community school has been called Wagrien School. Only the former main building of the secondary school kept the name Johann .
Web links
- Works by Johann Liss at Zeno.org .
Individual evidence
- ↑ Stefania Mason: The Venetian Painting from the late 16th to 17th Century , in: Giandomenico Romanelli (Ed.): Venice - Art and Architecture , Vol. 2, Könemann, Cologne, 1997, pp. 524-575, here: 548
personal data | |
---|---|
SURNAME | Liss, Johann |
BRIEF DESCRIPTION | German painter |
DATE OF BIRTH | around 1597 |
PLACE OF BIRTH | Oldenburg, Holstein |
DATE OF DEATH | November 5, 1631 |
Place of death | Verona |