List of works of art in public space in Lower Austria / industrial district
The list of works of art in public space in Lower Austria contains the works of art in public space (Public Art) in Lower Austria listed and realized by Niederösterreich Kultur , if they are not only temporarily in public space. For technical reasons, all of the works of art are divided into four quarters. Here are the works of art in the industrial district including Vienna .
Since the 1980s, artistic projects in public space have been created in Lower Austria. An expert jury recommends Austrian and international artists, designers and architects. Around 500 projects had been completed by the beginning of 2013. This art published in several volumes was documented until 2011 .
Works of art
The list represents the status of January 1st, 2018. [obsolete] The spelling of the names is based on the source, the sorting is based on the place / municipality.
photo | Surname | Type | Location | Artist | Dating | description | Metadata |
---|---|---|---|---|---|---|---|
Lighting concept for the sculpture path in Baden ID: 31 |
Bathing location |
PRINZGAU / Podgorschek | 1998 | A "guidance system" is intended to illuminate and label individual works of art that are located outside Baden or in public buildings. The concrete cylinders, which are held in different shades, have a lettering of the works and make a trail of light visible at night. | Location: industrial district | ||
Light sculpture in front of the Baden District Authority ID: 46 |
Bathing location |
Evelyne Egerer | 1996 | A concrete fountain rises steeply in front of the district authority in Baden, a city that derives its name from the healing power of water, and breaks at a height of 14 meters. At night it becomes a light sculpture with 60 fluorescent tubes in blue and green. | Location: industrial district | ||
Object in Gutenbrunn Park in Baden ID: 55 |
Bathing location |
Tomas Hoke | 1995 | The car , as the object is made of chrome-nickel steel, is modeled on the shape of a plow. As a relic from agriculture, removed from its familiar surroundings, it stands on a meadow in a park and alludes to the human urge to cultivate nature. | Location: industrial district | ||
Wall design in the elementary school Baden / Weikersdorf ID: 59 |
Bathing location |
Peter Kogler | 1997 | Peter Kogler responded to the request for a textile wall design in the extension of the elementary school with a wall covering extending over two floors. This shows various serially multiplied still images from children's television, intertwined like a ribbon. | Location: industrial district | ||
Stele in Gutenbrunner Park in Baden ID: 125 |
Bathing location |
Marianne Maderna | 1994-1995 | The bronze sculpture covered with green patina was designed years before it was erected. Now stands in the heart of a group of trees in Gutenbrunn Park. There, the sketchy sculpture is not intended to quote nature, but to assert itself in its artificiality. | Location: industrial district | ||
Wall and floor design in the Kaiser Franz Joseph School in Baden ID: 142 |
Bathing location |
Eva Wohlgemuth | 1995 | 11 photos show in 1: 1 format ground situations at the edge of a field in Baden. The photos have exact location and coordinate information. Stone slabs with the coordinates of the viewer were embedded in the floor of the entrance hall and the auditorium. | Location: industrial district | ||
Media sculpture in Gutenbrunnerpark in Baden ID: 259 |
Bathing location |
Elisabeth sheep number | 2000 | The object with the title Be -sitz-Objekt stands in a meadow at the edge of a path. Three monitors connected to an external camera were set into a concrete cuboid that can serve as a bench. The camera records the object and its surroundings. This is how the sitter sees himself. | Location: industrial district | ||
Stele in Gutenbrunner Park in Baden ID: 274 |
Bathing location |
Barbara Szüts | 1997 | The symmetrical shape of the galvanized steel column is based on the graphic representation of a module of the smallest particle movements. The title Module B 97 stands for Module Baden 1997 . The jagged contour conveys that even the smallest components and processes of nature need protection. | Location: industrial district | ||
Lighting project for the Baden train station near Vienna ID: 542 |
Bathing location |
Brigitte Kowanz | 2004-2005 | With its installation location on the square in front of the train station in Baden, the light object ANOTHER TIME ANOTHER PLACE refers to travel conditions such as location and time shifts, departure or arrival. Depending on where you stand, part of the neon sign is installed in mirror image. | Location: industrial district | ||
Live the day ID: 855 |
Bathing location |
Jakob Lena Knebl | 2014 | Location: industrial district | |||
COUNTERPOLES / RESISTORS ID: 907 |
Bathing location |
Peter Kozek | 2017 | Location: industrial district | |||
Light project in the state pensioners home Berndorf ID: 22 |
Berndorf location |
Brigitte Kowanz | 1998 | The area of the entrance and the cafeteria is delimited on two sides by glass walls. The glass surfaces are kept in different color and transparency values. A glass surface with a light bulb, the outline of which forms an opening in the glass, reveals a view of a TV monitor. | Location: industrial district | ||
Division of a cube [01] ID: 817 |
Breitenfurt near Vienna location |
Heliane Wiesauer-Reiterer | 2005–2012 | The title of the eight-part stone sculpture Teilung einer Würfel [01] provides detailed information about its external circumstances: Heliane Wiesauer-Reiterer had a cube of serpentinite one cubic meter in size cut out of the prehistoric rock in Prägraten (East Tyrol) and cut into eight with only three centered cuts Divide cubes measuring 50 × 50 × 50 centimeters each. | Location: industrial district | ||
Showcase concept for the district administration Bruck / Leitha ID: 35 |
Bruck an der Leitha location |
Wolfgang Schrom | 1998 | Wolfgang Schrom has re-staged the history of the ancient Roman settlement period of the place and its surroundings. Archaeological excavations found in the ground were installed in showcases outside in front of the district administration and in the building. | Location: industrial district | ||
Sculpture group in Ebenfurth ID: 122 |
Ebenfurth location |
Ljubomir Levacic | 1994 | The group of sculptures consists of eight column-like objects 2.40 m high, four in Ebenfurth and four in Wiener Neustadt . The simulated signs of destruction are symbols of the impermanence of cities in which the pillars remain as fragments. | Location: industrial district | ||
Fountain on the market square in Edlitz ID: 164 |
Edlitz location |
Alois Lindenbauer | 1992 | The fountain sculpture on Edlitz's market square consists of two stone blocks stacked on top of each other. Some of their surfaces are finely sanded, others are left raw. The water runs out of the space between the two stones through small depressions in the surface. | Location: industrial district | ||
Inner courtyard at the secondary school in Edlitz ID: 202 |
Edlitz location |
Alois Lindenbauer | 1990 | Torstein - grass lines - sitting stone standing - moving - sitting |
Location: industrial district | ||
Installation in the town hall of Enzesfeld-Lindabrunn ID: 445 |
Enzesfeld-Lindabrunn location |
Leo Schatzl | 2001 | Stein006 is a result of the artist's preoccupation with the spatial effect of objects. The picture shows two laterally shifted perspectives of an object printed on top of each other in complementary colors. When viewed through color filter glasses, this object appears three-dimensional. | Location: industrial district | ||
Never work ID: 835 |
Gramatneusiedl location |
Linda Bilda | 2013-2015 | The plexiglass boards were set up at a total of five locations and refer to the study The Unemployed von Marienthal . In 2015, the artist complimented the course through the historical structure of the place with three additional signs. | Location: industrial district | ||
Project for the State Hospital Grimmenstein ID: 77 |
Grimmenstein location |
Michael Zinganel | 1996-1997 | The architect and artist refused to design an artistic contribution for a building that did not meet his expectations and decided to intervene in the building itself by making the different functional areas of the house visible in the facade design. | Location: industrial district | ||
Sundial at the kindergarten Grub i. Wienerwald ID: 220 |
Grub in the Vienna Woods ( Wienerwald municipality ) location |
Eva Werdening-Ceru | 1990 | Sundial Playable work of art - raising awareness regarding: sun • earth • space time of day • season light • dark • shadow cold • warmth • energy direction | Location: industrial district | ||
Form as a possibility for dialogue Sculpture at the Gutenstein Nursing Home ID: 821 |
Gutenstein location |
Robert Reszner | 2012 | Location: industrial district | |||
The construction meeting ID: 853 |
Hainburg an der Donau location |
Iris Andraschek & Hubert Lobnig | 2013 | Location: industrial district | |||
Memorial Chapel for St. Vincent in Hernstein ID: 430 |
Hernstein location |
Jutta Goessler | 2002 | The architect had black pine wood used to build the chapel for the last Pecher in Hernstein. The picture of Saint Vincent, the patron saint of the Pecher and woodcutters, and the superimposed portraits of the Pecher in the form of colored glasses were incorporated into one wall. | Location: industrial district | ||
Project at the cultural workshop in Hof am Leithaberge ID: 362 |
Hof at the Leithaberge location |
the next ENTERprise - with Florian Haydn | 1999 | Instead of a fence, the architects created a walkable path made of reinforced concrete well rings. Instead of being in the ground, the concrete rings that are illuminated inside are arranged on the surface of the earth. They are provided with light and transparent spaces. | Location: industrial district | ||
Sculpture for a place in Leobersdorf ID: 700 |
Leobersdorf location |
Manfred Wakolbinger | 2009 | The sculpture with the title Rendez-vous - a reference to the communication between work and viewer - belongs to a new group of works by the artist called Placement . These are futuristic objects that are initially created on the computer: elegant metal constructions painted in matt gray, pink or light blue, which mobilize the formal language of modernism. | Location: industrial district | ||
Light banks in Lindabrunn ID: 627 |
Lindabrunn location |
Francesco Mariotti | 2007 | The two benches made of chrome-nickel steel and glass blocks at the Lower Austria Süd residential complex turn out to be light sculptures in the dark. Equipped with 84 red, green and blue light-emitting diodes and an electronic control, they change color at programmable intervals. | Location: industrial district | ||
Wall design for the Mödling hospital ID: 121 |
Mödling location |
Robert Lettner | 1994 | On three floors of the staircase, the artist places a white, silhouette-like abstract form in a three-part, two-dimensional color field and creates a lively illusion of space and movement. | Location: industrial district | ||
Project in the elementary school Mödling ID: 140 |
Mödling location |
Herwig Turk | 1995 | The object uses motion detectors to show all movement processes in the school on a digital display board in the form of geometric shapes that light up. The work should create a connection between everyday school life and art. | Location: industrial district | ||
Photo work in the regional hospital Mödling ID: 150 |
Mödling |
Susanne Gamauf | 1992 | In the cafeteria, a 20-meter-long frieze made of b / w photographs and monotypes was installed, put together in the vestibule to form a panel. The work is called dynamism , according to Duden the doctrine of life as a play of forces. In the course of renovation work, the work was removed again. | Location: industrial district | ||
Chancel in the state pensioners home Mödling ID: 161 |
Mödling location |
Brigitte Kowanz | 1992 | The semicircular chancel was accentuated by a centering wall painting laid out in stripes in yellow and gray tones. In addition, the artist designed the cross, altar table and tabernacle as variably illuminated constructions made of steel and blue, sandblasted glass. | Location: industrial district | ||
Well at the district authority Mödling ID: 162 |
Mödling location |
Richard Kuenz | 1992 | Two creative interventions determine the forecourt design: On the side, under a tree, a modified bronze cast of an old hand well was positioned. In the middle, a fountain with a sculpture reminiscent of installation pipes was built, from which the water shoots out into the open. | Location: industrial district | ||
Fountain in front of the higher educational institution for fashion and clothing technology Mödling ID: 215 |
Mödling location |
Bernhard Tragut | 1989 | The bricks from the old school building have been enlarged to make steps that support a large soup plate. In the middle of it a couple, facing away from each other, are raised from a blue-water column onto a very small platform. Both are in the jumping position, but hesitant, because the pool into which you jump is damn small and is guarded by a dangerous predatory fish. | Location: industrial district | ||
Coming home facade design at the state care home Mödling ID: 838 |
Mödling location |
Adriane Wachholz | 2013 | Location: industrial district | |||
Wall painting in the state boarding house in Neunkirchen ID: 12 |
Neunkirchen location |
Gunter Damisch | 1998 | Gunter Damisch created a 260 × 800 cm oil painting for the Neunkirchen state pensioners home. The work encompasses the large wall next to the entrance and faces the central hall. A door in the wall is enclosed in the picture, a kink in the wall is taken along. | Location: industrial district | ||
Design in the state nursing school Neunkirchen ID: 68 |
Neunkirchen location |
Werner Rischanek | 1998 | The seven oil and egg tempera pictures with the theme For the Holy Wedding were created in the studio and were glued to specially mounted panels and thus integrated into the wall. Each picture is 160 × 85 cm in size. With a distance of 12 cm each results in a width of over six meters. | Location: industrial district | ||
Installation for the state vocational school Neunkirchen ID: 547 |
Neunkirchen location |
Olaf Nicolai | 2005 | The six-meter-long and one-meter-high clock with an eight-digit digital display on the roof of the state vocational school shows the time to hundredths of a second. With this, the artist alludes to the possibility of depicting ever smaller units of measurement and the opposing ability of humans to perceive them directly. | Location: industrial district | ||
Mass of class ID: 934 |
Neunkirchen location |
Elvedin Klačar | 2016 | Location: industrial district | |||
Plastic at the primary and secondary school Payerbach ID: 112 |
Payerbach location |
Franz Katzgraber | 1995 | Franz Katzgraber created an abstract sculpture for the forecourt of the school, the shape of which is derived from human proportions. The striving up symbolizes the life force of the human being, the cut surfaces his vulnerability. | Location: industrial district | ||
Glass painting for the chapel of the state pensioners home in Pottendorf ID: 65 |
Pottendorf location |
Max Melcher | 1994 | Max Melcher created an altarpiece made of glass and concrete for the chapel of the state pensioners' home, which is based on reflections on the cross of Jesus and the eye of God in the sacred center. Eye and cross are superimposed in the picture in a stylized form. | Location: industrial district | ||
Elementary school Pottenstein ID: 201 |
Pottenstein location |
Robert Lettner | 1990-1991 | The basic idea behind the design for the interior wall design is based on two levels. First, Robert Lettner tried to find a merger between the old stock (elementary school in the classical style) and the extension (in the new building style) by including the classical cornice in the extension as a quote in his artistic considerations. Second, the pictures are compositions on the theme of The Signs of the Times , Signals, Flags, Symbols, Writings, Hieroglyphs, Codes. They are narratives of regular processes, feelings interspersed with counterpoints, color sequences, color spaces, landscapes and ornaments. | Location: industrial district | ||
Sculpture in front of the Raxblick health resort in Prein an der Rax ID: 690 |
Prein at the Rax location |
Karl-Heinz Klopf | 2010 | The sculpture with the title Halm can be understood as a symbolic gesture of the recovery of nature within an architectural ambience. At the same time, the stele-like, slightly curved metal object serves as a lighting fixture and, with its two benches, as a meeting point for spa guests. | Location: industrial district | ||
Object in the landscape of Prigglitz ID: 73 |
Prigglitz location |
Waltrud Viehböck | 1996 | The object with windmobile was designed for the exhibition in the landscape of Prigglitz. Two rotors, each with three blades, move in opposite directions in the wind. Each wing is composed of two quarter circles, each of which is covered with canvas and stainless steel wire mesh. | Location: industrial district | ||
Installation in a meadow near Prigglitz ID: 102 |
Prigglitz location |
Paul Feichter | 1994 | The artist calls his installation “ Cow in the Cheese Bell ”, which thematizes nature in nature and the seemingly intact rural world. The life-size wooden cow in the pavilion is a monument to nature. | Location: industrial district | ||
Courtyard at the new city hall ID: 189 |
Purkersdorf location |
Wolf L. Haidinger | 1989 | The design of the courtyard in the area of the new city hall in Purkersdorf was designed from the point of view of geomantic interrelationships, in that a geomantic energy point at the old municipal office, which is integrated into the subtle power flows of the environment, served as a location for the work of art. | Location: industrial district | ||
Light object at the Haydn Hall in Gerhaus ID: 32 |
Rohrau , Gerhaus location |
Werner Reiterer | 1999 | An overloaded chandelier was removed from its historical and architectural context and placed on the forecourt of the Haydn Hall in Gerhaus. The conspicuous light object is only switched on when an event is taking place in the house. | Location: industrial district | ||
A sundial of the seasons for Schottwien ID: 693 |
Schottwien location |
Renate Kordon | 2009 | In contrast to a conventional sundial, the "seasonal sundial" provides information about the respective season. The shadow that the sun casts over a gigantic concrete bridge on the site in the different seasons was precisely measured and marked with large reflective colored dots on the main road. | Location: industrial district | ||
Installation on an escalator at Schwechat Airport ID: 52 |
Schwechat location |
Fritz Grohs | 1998 | The words ON and AND alternate on the front of the step elements of an escalator in the international area of the airport. The everyday object escalator becomes a symbol for the cycle and the constant repetition associated with it. The title of the work is On and on . | Location: industrial district | ||
Sculpture in Ternitz ID: 157 |
Ternitz location |
Franz Katzgraber | 1979 | The sheet steel sculpture entitled Bundled Forms V was created in 1979 and purchased for its installation. By emphasizing the vertical, the life-affirming should be expressed. The dividing and tearing open is intended to illustrate the diabolical, the human urge to destroy. | Location: industrial district | ||
Common room of the regional vocational school Theresienfeld ID: 47 |
Theresienfeld location |
Eichinger or Knechtl | 1997 | The classroom is suitable for group study and reading, discussion, dancing and listening to music. It offers a maximum of seats and optimal freedom of movement. Large mirror surfaces store and reflect the light that glides into the room through wide wooden slats during the day. | Location: industrial district | ||
Project in the state vocational school Theresienfeld ID: 446 |
Theresienfeld location |
Schuda / Schmeiser | 2004 | The artists took up the central theme of the business school and installed murals depicting the situations in a supermarket. If you run the barcode of any goods over the integrated supermarket scanner, the digit sequences are translated into different-sounding tone sequences. | Location: industrial district | ||
Sculpture in the urban space of Traiskirchen ID: 45 |
Traiskirchen location |
Michael Blank | 1996 | The large sculpture in Traiskirchen translates Michael Blank's graphic work into space and presents its own tectonic construction. It belongs to a group of works by the artist that revolves around fundamental sculptural concerns such as statics, materials, weight and space. | Location: industrial district | ||
Mural in the retirement home in Vösendorf ID: 11 |
Vösendorf location |
Josef Dabernig | 1998 | The computer-generated, backlit mural in the Vösendorf retirement home shows the architectural plan of the building and confronts the visitor with the abstraction of the entire facility. | Location: industrial district | ||
Mischla ID: 935 |
Waldegg location |
Leni Hoffmann | 2016 | Location: industrial district | |||
Carpet for the KUNST RAUM NOE ID: 537 |
Vienna , Herrengasse 13 location |
Michael Kienzer | 2005 | It was necessary to set a concise artistic signal for the KUNST RAUM NOE in the outdoor space. Welcome is the name of the intervention in the form of a carpet, which can be rolled out on temporary occasions and which is part of a series of discussions by the artist about the importance of the carpet as a code for social agreements. | Location: Vienna | ||
Plants and light - vegetables and flowers, room concept for the Wiener Neustadt hospital ID: 9 |
Wiener Neustadt location |
Iris Andraschek | 1997 | The spatial concept for the Wiener Neustadt hospital consists of two columns with photos of parts of plants and roots as well as a light installation that projects moving patterns of plant leaves onto the floor. | Location: industrial district | ||
Stele in the district administration of Wiener Neustadt ID: 18 |
Wiener Neustadt location |
Birgit Juergenssen | 1999 | The 8 m high column is on the one hand a mirror of the different regions and on the other hand a symbolic image of the great geological leaps in development of the Vienna Basin . A shell made of acrylic glass was filled with various layers of earth from the Wiener Neustadt region around an iron structure. | Location: industrial district | ||
Sculpture in front of the secondary school Wiener Neustadt ID: 49 |
Wiener Neustadt location |
Werner Feiersinger | 1996 | The blue iron sculpture in front of the secondary school in Wiener Neustadt uses edges and curves to create spaces and gaps as well as their entanglements. It is used by the students to sit and play. | Location: industrial district | ||
Sculpture group at the Wiener Neustadt Military Academy ID: 123 |
Wiener Neustadt location |
Ljubomir Levacic | 1994 | The four pillars are symbols of destruction and imperfection, but above all they are memorials that refer to the simultaneous war in Yugoslavia. The group of sculptures complements the four pillars of Ebenfurth . | Location: industrial district | ||
Access to the triple gym in Wiener Neustadt ID: 190 |
Wiener Neustadt location |
Kurt Ingerl | 1990 | The hall was connected to the old school building by an underground passage. This connecting corridor was designed by the artist with 24 computer-generated, constructivist mirror images. | Location: industrial district | ||
Design of the hospice rooms in the state pensioners home Wiener Neustadt ID: 448 |
Wiener Neustadt location |
Transparadiso | 2003 | Subtle interventions determine the design of the architects. For example, a lamp was designed that acts as a "light fan" and draws moving light images on the floor, a parquet floor was laid and seating and stereo furniture was designed from which birds can be observed in a bird bath. | Location: industrial district |
source
- Art in public space Lower Austria (as of January 1, 2016)
- Catalog Art in Public Spaces Lower Austria. (csv) State of Lower Austria / Department of Art and Culture, June 28, 2013, accessed on August 4, 2015 (License: Creative Commons Attribution 3.0 Austria ).
Web links
Individual evidence
- ↑ Information brochure from the community of Gramatneusiedl for the opening of the art installation, viewed on March 26, 2017