List of works of art in public space in Lower Austria / Mostviertel

The list of works of art in public space in Lower Austria contains the works of art in public space (Public Art) in Lower Austria listed and realized by Niederösterreich Kultur , if they are not only temporarily in public space. For technical reasons, all of the works of art are divided into four quarters. Here are the works of art in the Mostviertel including the state capital St. Pölten .

Since the 1980s, artistic projects in public space have been created in Lower Austria. An expert jury recommends Austrian and international artists, designers and architects. Around 500 projects had been completed by the beginning of 2013. This art published in several volumes was documented until 2011 .

Works of art

The list represents the status of January 1st, 2018. ^[obsolete] The spelling of the names is based on the source, the sorting is based on the place / municipality.

photo		Surname	Type	Location	Artist	Dating	description
		Memorial in the Amstetten school park ID: 26		Amstetten location	Norbert Maringer	1999	The work consists of two circles. One remains an overgrown meadow and is clearly separated from the rest of the park's green space. On the circumference of the other, twelve glass cylinders are placed in the ground, bearing the names of the city's deceased Jews.
		Intervention in the district administration of Amstetten ID: 41		Amstetten location	Simon Wachsmuth	2000	A steel tendril with wrought iron leaves winds up the walls and ceilings of the stairwell in the new building. As a poetic metaphor for the relationship between art and nature, the design is based on the traditional use of plant ornaments in architecture.
		21 photo boards in the state pensioners home ID: 110		Amstetten location	Leo Kandl	1994	After hiking in the vicinity of Amstetten, Leo Kandl picked up fruit crops and wild plants that are familiar to the inhabitants of this region. The subjects were installed in the central corridor and in the dining room of the building.
		Grave design for Franz Wagner at the Amstetten city cemetery ID: 169		Amstetten location	Oswald Oberhuber	1991	The design of the grave emerged from a private initiative. Oswald Oberhuber designed a grave cross with a base system made of stainless steel, on which the name and life data of the deceased are screwed with punched out letters. The fence and cover were made of marble.
		Light objects at the SonnenSchule, SPZ - ASO Amstetten ID: 432		Amstetten location	Christine and Irene Hohenbüchler	2002	The four brightly colored, rounded steel structures between the special school and the polytechnic school for pupils from six to fifteen years of age are the artists' response to the desire for an identity-forming symbol. In the evening, the spheres begin to shine out of circular openings.
		de-demolition (naked building) ID: 931		Amstetten location	Arturo Hernández Alcázar	2016
		Design of the square at the Atzenbrugg elementary school ID: 174		Atzenbrugg location	Charlotte and Johannes Seidl	1991	In addition to a sculpture with the title Milestone made of colored marble, intended as a symbol for the stages of life, an earthen staircase was made as a symbol for growth. A fountain made of glazed clay with the surface effect of stone cut by water stands for life and movement.
		Graphic design for the market town of Erlauf ID: 234		Erlauf location	Dieter Auracher	2001	Dieter Auracher developed a graphic concept with orientation boards, a homepage and stationery for the municipality of Erlauf, which is nicknamed the “Friedensgemeinde”. The graphic artist chose a well-known symbol as the logo: a dove, which, however, appears again and again in a different flight position.
		Peace memorial on the main square in Erlauf ID: 349		Erlauf location	Jenny Holzer	1995	Jenny Holzer's work is intended to commemorate the first meeting of the Allies in Austria on May 8, 1945. The work consists of three parts: a stele modeled on a flak spotlight with a far-reaching light beam, engraved floor plates and the planting by Maria Auböck .
		Peace monument at the main square in Erlauf ID: 350		Erlauf location	Oleg Komov	1995	Komov's group of figures with the Russian and American officers, who met in Erlauf on May 8, 1945, is a gift from the former occupation forces. Together with a work by Jenny Holzer is designed as a peace monument.
		Is the comet coming or is it late? ID: 945		Gansbach , Falcoplatz location	Katrin Plavčak	2018	The Falco memorial in Gansbach, the place of his family on his father's side, consists of a four-meter-high Falco silhouette made of steel, a serpentinite from the Dunkelsteinerwald in the role of a comet and a spotlight that shrouds the scene in colorful light in the evening. The ground under the serpentinite is “torn open”, which shows the force of the impact of the comet. Katrin Plavčak took the title from the Falco song “Nur mit Dir”.
		Installation in the landscape near Gresten ID: 101		Gresten location	Stefan One	1994	The theme of the installation with bronze casts on stones and in the landscape are the physical-biological processes that lead to the emergence of the spine, but at the same time are also the basis for other formation processes.
		Sculpture for the Lower Austrian pensioners and nursing home in Hainfeld ID: 598		Hainfeld location	Karin Frank	2007	The sculptor Karin Frank has erected a kind of memorial to the most popular pet with a painted wooden sculpture in the LPPH cafeteria. A disproportionately large tiger cat balances on a red cue ball in the concentration that is typical for it before jumping at its prey
		Wall design in the state pensioners and nursing home Hainfeld ID: 599		Hainfeld location	Agnes Fuchs	2007
		People's altar for the Herzogenburg collegiate church ID: 95		Herzogenburg location	Wander Bertoni	1995	The artist's concern was the harmonious combination of the baroque high altar and the new popular altar. The figures made of red Portuguese marble, a self-confident Eve, an Adam lost in thought and a child as a bridge to the incarnation represent the story of creation.
		Easter chapel in the Augustinian canons of Herzogenburg ID: 236		Herzogenburg location	Ernst Beneder , Anja Fischer	2000	With an extremely reduced formal language, the architects created a simply furnished chapel in a former corridor of the monastery. The baroque vault and the windows of Jakob Prandtauer remained untouched. A glass frieze by Wolfgang Stifter closes the room at the top.
		Design of the church square in Herzogenburg ID: 427		Herzogenburg location	Eichinger or Knechtl	2002	The architects designed a new forecourt for the baroque collegiate church, the surface of which was paved with stone slabs in seven shades. The concrete blocks form the hand of a baroque sculpture from the interior of the church. Reflector lights bathe the picture in a soft light.
		Fountain in the Herzogenburg schoolyard ID: 43		Herzogenburg location	Günter Wolfsberger	1998	The center of the school yard is a spacious fountain object made of stainless steel. The shape gives a completely new appearance on each side, from a triangle to a square to an X. Water emerges from 20 nozzles in different parabolas.
		Artistic design of the event hall in Kilb ID: 520		Kilb location	Gilbert Bretterbauer	2004	Halfway up the wall, several network tarpaulins with a pattern of repeating colored stripes encircle the room. The stripes correspond to the abstraction of a drapery and evoke the impression of a curtain that is flattering to the eye, which at the same time has a practical use as a curtain for the acoustic panels.
		Way of the Cross in Kirchberg an der Pielach ID: 20		Kirchberg an der Pielach location	Josef Kaiser	1998	Josef Kaiser's fourteen stations of the cross in Kirchberg an der Pielach complement the appearance of the already redesigned Kirchenstrasse and consist of 180 cm high columns made of stainless steel and cement cast.
		Square design in Kirnberg an der Mank ID: 442		Kirnberg at the Mank location	Johann Moser	2003	The abstract wooden sculpture is also an accessible platform with a flat area of ​​150 m² and a total area of ​​200 m². A gently rising staircase, seating steps in the area of ​​the bus stop and differently sloping ramps gently compensate for the slope of the square. In 2016 the square was redesigned again.
		Seebühne for Lunz am See ID: 543		Lunz am See location	Hans Kupelwieser	2020	The floating stage is a hybrid construct that can be used both as a stage and as a lido with a diving platform. The floating stage rests under the lake surface when bathing is in progress and is brought out mechanically if necessary. The multi-level sun deck can be converted into a covered theater seating area.
		Memorial ID: 1010		Lunz am See location	Florian Pumhösl	2004
		Design of the chapel in the state retirement home Mank ID: 98		Lack of location	Sabine Bitter	1994	The chapel room is simple, calm and bright. It is determined by light, color and a simple beech wood design with a session, tabernacle, ambo and altar as well as a picture of the Madonna and Child.
		Entrance area of ​​the elementary school in Mautern ad Donau ID: 184		Mautern an der Donau , Schulgasse 2 location	Gabriele Epp	1990	The artist takes the aesthetic charm of an old wall with its layering, structure and fine differentiation of colors and shapes as an opportunity to design the entrance area with the means of ceramics.
		concave / convex-straight ID: 844		Mautern an der Donau location	Peter Paszkiewicz	2013
		Object for the Melk Abbey Library ID: 526		Melk location	Clegg & Guttmann	2004	The Moebius Library by the artist duo was originally designed as a presentation object for the 2004 Waldzell Conference . A 2.80 meter high Möbius loop made of plywood houses writings from Nobel Prize winners, scientists and journalists participating in the conference.
		Sculpture in the water basin of the Melk Abbey Park ID: 629		Melk location	Christian Philipp Müller	2006	In the stone water basin on the top floor of the monastery park, a metal tub was installed on a concrete base, the size and position of which are calculated according to the ideal proportions of the golden section. The artist has built a vegetable patch in it, which is replanted every year. The New World is called work.
		Installation in the bastion of Melk Abbey ID: 631		Melk location	Roman Ondák	2006	After the monastery had suggested in the Mozart year 2005 that Mozart's visit to the monastery should be the subject of an artistic work, Roman Ondák photographed the plaques mounted on the facades of the Mozart memorials in numerous European cities. Under the title Tourist's Trophies he showed them as replicas in the Melker Bastei in the summer of 2006.
		an installation in the Benedictine Abbey of Melk ID: 705		Melk coordinates are missing! Help.	Gor Chahal	2010	For his temporary installation in the church of the Melk Benedictine Abbey, Gor Chahal took up the tradition of the antependia, the decoration of the altar substructure with richly decorated fabrics. The artist installed nine large-format photographs that deal with central themes from the Scriptures. Three groups of still lifes were created for the eight side altars and the high altar: The Sacrifice , Jehovah God, Bread and Wine and The Miracle .
		Design in the Ostarrîchi site in Neuhofen ad Ybbs ID: 39		Neuhofen an der Ybbs location	Helmut Swoboda	1998	Behind the rows of seats in the ballroom are two large-format square pictures in the format 2.8 × 2.8 m, which are mounted on mobile, room-dividing easels and can be moved. On the long side, a dozen square pictures measuring 90 × 90 cm were lined up in a row.
		Design of the market center Neulengbach ID: 246		Neulengbach location	Architects Hiesmayr-Kratochwil-Waldbauer	2001	With the restructuring of the market square, a separation of traffic and pedestrian paths, wider sidewalks, marked parking lots, an information area and some design interventions, the municipality of Neulengbach experienced a traffic planning and aesthetic upgrade.
		artistic design in the State Hospital Mauer-Öhling ID: 156		Mauer-Öhling location	Beatrix Kaser	1992	In the entrance hall of the hospital, three woven textile objects made of colored cord were installed on a wall. The central themes of the work are the material, the structure and the color symbolism: yellow as non-reflective, red as an expression of vital power, violet as the color of magic.
		Play objects for the Petzenkirchen kindergarten ID: 218		Petzenkirchen location	Efthymios Warlamis	1990	A small dragon and three seating objects for playing outdoors, made using the concrete casting process.
		Ursa major ID: 917		Petzenkirchen location	Irena Eden / Stijn Lernout	2017
		Concept for the state vocational school Pöchlarn ID: 439		Pöchlarn location	Katarina Matiasek	2002	The openwork panorama of a forest landscape stretches like a grid over all floors of the school's dormitory, where woodworking professions are taught. Photo prints on narrow strips cover the interior walls from floor to ceiling and invite you to take imaginary walks.
		Metal sculpture on a meadow near Purgstall ad Erlauf ID: 108		Purgstall at the Erlauf location	Robert Kabas	1995	The theme for the two-part metal sculpture is the ambivalence of things and thoughts. As this she embodies the duality of art and nature. The location chosen by the artist on a meadow with a view of the place is intended to underline this idea.
		Sculpture on the Hochkogel in Randegg ID: 608		Randegg location	Gunter Damisch	2007	The seven-meter-high sculpture entitled World Path Viewer was specially designed for the location as part of the 2007 Fire & Earth state exhibition . In the cast bronze, small, human figures protrude from the interweaving of reshaped driftwood branches from the Ybbs and tree trunks.
		Installation in the Lower Austrian state pensioners and nursing home Scheibbs ID: 594		Scheibbs location	Hans Kupelwieser	2007	Hans Kupelwieser calls the installation in the vestibule of the building potato printing. Four hollow aluminum castings in the form of potato tubers are stretched between the column and the wall. As with a vault, thrust and pressure forces are diverted to the vertical, thus keeping the potatoes in a spectacular suspension.
		Design of the chapel in the retirement home in St. Peter in der Au ID: 51		St. Peter in der Au location	Franz Graf	1996-1997	The 14 stations of the cross in the chapel of the retirement home consist of a combination of biblical text quotations, ornamentation and plant drawings. The ornaments, some of which are attached directly to the wall, correspond to the simplified representation of the blood vessels in the human face.
		Design in the elementary school St. Peter in der Au ID: 109		St. Peter in der Au location	Josef Kaiser	1994	In the playground of the elementary school, symbols of school operations were depicted: on the floor, a sheet of paper from an exercise book with traces of graphics and painting. An oversized pencil is leaning against the wall.
		Project for the State Vocational School St. Pölten ID: 67		St. Pölten location	Werner Reiterer	1997	The building undermining is a conceptually subversive intervention. By partially exposing the foundations and creating the opportunity to experience this aesthetically and physically, Werner Reiterer exposes the perfectionist, standardized appearance of architecture.
		Light object at the synagogue in St. Pölten ID: 147		St. Pölten location	Peter Daniel	1993	The object made of neon tubes in the window of the synagogue in St. Pölten reproduces the Hebrew word Emet . In rhythmic intervals the first letter of the word disappears for a short time and thus forms a new word with a different meaning: Emet-Met-Emet , translated: Truth-Death-Truth .
		Memorial in Hammerpark ID: 199 ObjectID :  26152		St. Pölten location	Hans Kupelwieser	1988	On the occasion of the commemorative year 1988, a memorial was erected for the Hammerpark, which stands as a symbol for the eventual, cultural and ideological collapse of Austria as a result of the events in 1938. This work of art is dedicated to all the victims of National Socialism.
		Sculpture at the state sports school ID: 209		St. Pölten location	Klaus Pinter	1990	It is a stele with an attachment that reacts to the residential building, which is inclined to the hall, through its axis rotation and its position.
		Design for the St. Pölten state pensioners home ID: 239		St. Pölten location	Anna Detzlhofer	2000	Landscape planner Anna Detzlhofer let passion flowers and chestnut wine climb up the roofed courtyard of the state pensioners' home using climbing ropes. Plants with different leaf structures and shades of green in troughs, distributed over all five floors, form a plant diagram.
		House and bench pair of sculptures in front of HYPO NOE ID: 833		St. Pölten location	Manfred Wakolbinger	2012
		Design of the open space at Sportwelt NOE (formerly State Sports School St. Pölten) ID: 351		St. Pölten location	Eva Afuhs	1992	The work Quadrant conceived for the sports field is a three-part object made of granite. It represents a self-contained concept that reflects the idea of ​​sporting competition in its theoretical approach. At the same time, each part can be viewed as an independent work.
		Iron curtain for the St. Pölten City Theater ID: 433		St. Pölten location	Ursula Huebner	2002	Ursula Hübner's ball came out on top in the competition for the design of the iron curtain in the St. Pölten City Theater. For the artist it is a “suggestive sign of the materialization of energy that gets something rolling”. Their three-dimensional effect changes depending on the lighting.
		Installation in the old town of St. Pölten ID: 517		St. Pölten location	Walter Berger	2005	Radnetz YN ° 1 is what Walter Berger calls his cobweb-like object, which he has stretched between two baroque houses in St. Pölten's old town. The web of platinum-coated steel wire, which exactly follows the blueprint of a cross spider, was installed in the upper third of the house walls from the roof ridge down.
		Installation in the government district ID: 87		St. Pölten (Festspielhaus) location	Eva Schlegel	1997	The two-stage competition announced in 1992 was the starting point for the artistic intervention in St. Pölten, in which seven works by Austrian artists were recommended for realization. These are the works of Josef Danner , Bruno Gironcoli , Richard Hoeck , Hans Kupelwieser , Christoph Steffner , Thomas Stimm and Heimo Zobernig . For the interior design, five orders were placed directly with Gunter Damisch , Franz Graf , Brigitte Kowanz , Eva Schlegel and Walter Vopava . Arnulf Rainer emerged victorious from his own competition for the design of the chapel (1995) . In addition, there are u. a. works by Franz Xaver Ölzant , Oskar Putz and Ruth Schnell in the government district. The works by Dara Birnbaum and Michelangelo Pistoletto , who were also selected by the first jury, were not realized.
		Installation in the government district ID: 88		St. Pölten (State Academy) location	Ruth Schnell	1997	Competition overview
		Installation in the sculpture garden of the Lower Austrian State Museum ID: 90		St. Pölten (State Museum) location	Thomas voice	1997	Competition overview
		Project for the Lower Austrian State Museum St. Pölten ID: 449		St. Pölten (State Museum) location	Lois Weinberger	2002	In the sculpture and natural garden of the Lower Austrian State Museum, Lois Weinberger has chosen a place to lay out a rowing mineral. “The room, which is intended as a ruderal garden, is filled with colored plastic buckets - empty containers close together. The containers are filled with earth / according to the Pannonian space. The planting is done by the wind / the birds / by the seeds in the ground. 'With time' - seen as an integral part of time - the buckets will dissolve as containers and only show up as colorful splinters of paint on the closed - overgrown - surface. "(Lois Weinberger)
		Installation in the government district of St. Pölten ID: 450		St. Pölten (government district) location	Leo Zogmayer	2002	The sculpture project FREI on the meadow between House 12 and the Traisenpromenade is the result of an intensive reflection on the subject of freedom. If you take a closer look at the forms made of poured concrete, you can decipher a negative form of the word FREI .
		Installation in the government district ID: 78		St. Pölten (government district) location	Gunter Damisch	1997	Competition overview
		Poster project ID: 79		St. Pölten (government district) location	Josef Danner	1997	Competition overview
		Installation in the government district ID: 80		St. Pölten (government district) location	Bruno Gironcoli	1997	Competition overview
		Installation in the government district ID: 81		St. Pölten (government district) location	Franz Graf	1997	Competition overview
		Installation in the government district ID: 82		St. Pölten (government district) location	Richard Hoeck	1997	Competition overview
		Installation in the government district of St. Pölten ID: 83		St. Pölten (government district) location	Brigitte Kowanz	1996	Competition overview
		Installation in the government district ID: 84		St. Pölten (government district) location	Hans Kupelwieser	2000	Competition overview
		Installation in the government district ID: 85		St. Pölten (government district) location	Franz Xaver Ölzant	1997	Competition overview
		Installation in the government district ID: 86		St. Pölten (government district) location	Arnulf Rainer	1997	Competition overview
		Installation in the government district ID: 89		St. Pölten (government district) location	Christoph Steffner	1997	Competition overview
		Installation in the government district ID: 91		St. Pölten (government district) location	Walter Vopava	1997	Competition overview
		Installation in the government district ID: 92		St. Pölten (government district) location	Heimo Zobernig	1997	Competition overview
		Memorial stone ID: 208		St. Pölten (government district) location	Peter Paszkiewicz	1987	The stone in honor of St. Leopold is kept in a strict block shape. The Carrara marble is adorned with three coat of arms seals, arranged in the middle, lined up in the longitudinal direction of the block. It shows the papal coat of arms, the coat of arms of the Archdiocese of Vienna and the Diocese of St. Pölten. The sides are slightly draped, showing the coat motif as a protective function. The stone was finely ground, giving it a haptic shape - a stone you can touch. Saint Leopold in the form of a marble block is supposed to symbolize the foundation stone idea for the state capital. This importance is particularly emphasized by the consecration of the stone on the occasion of the papal visit in 1988.
		Installation in the government district of St. Pölten ID: 241		St. Pölten (government district) location	Hilde Fuchs	2001	Hilde Fuchs has installed four plastic tapestries on the floors of the lifts of the two houses that house the culture and science department in the government district of St. Pölten as "walk-in originals of painting" (Fuchs). The picture ornaments are based on Arabic carpet patterns.
		Mirror work in the state library in the government district of St. Pölten ID: 256		St. Pölten (government district) location	Michelangelo Pistoletto	1962-1988	The work Figure Showing a Mirror - Self-Portrait was purchased for the Lower Austrian State Library. It was created between 1962 and 1988 and is part of a group of works in which Pistoletto brings mirrors and photography together in a new image concept.
		Wall painting ID: 299		St. Pölten (government district) location	Oskar Putz	1997	Color concept of the interiors in the country house
		Installation in the government district of St. Pölten ID: 426		St. Pölten (government district) location	Georgia Creimer	2002	For a staircase in the St. Pölten administrative district, a construction of two interconnected, amorphous shapes on the wall and floor was created, which evokes associations with trees and flowers. The title of the work Sysiphus (2nd version) goes back to the six-part work Sysiphus .
		Project for the government district of St. Pölten - Lower Austrian cultural depot ID: 429		St. Pölten (government district) location	Norbert Fleischmann	2003	Norbert Fleischmann had his work Museum mounted on a wall in the waiting area of ​​the house in St. Pölten's government district, which houses the culture and science department. A gray exhibition wall with black borders is the carrier of his four gold-framed pictures. The work of art has been in the Lower Austrian cultural depot since January 2009.
		Sound and room installation in the government district of St. Pölten ID: 436		St. Pölten (government district) location	Bernhard Leitner	2003	Sound stone is the name of the installation in which a sound beam is projected over a parabolic dish onto a black granite stone in the St. Pölten cultural district between the state library and archive. If you move into the area of ​​the reflected sound beam, a rush of water becomes audible.
		Installation in the porter's lodge in House 1 in the government district of St. Pölten ID: 438		St. Pölten (government district) location	Rudolf Macher	2002	Rudolf Macher clad the inside of the unoccupied porter's lodge in the St. Pölten administrative district with black-coated panels. The writing “I saw an object which prevented it from seeing” is punched out of these at eye level. Light penetrates through the fine writing.
		Natural piece for the government district of St. Pölten ID: 541		St. Pölten (government district) location	Brigitte Kordina	2004	The work Natur-Stück is located on the ground floor of House 1 in the government district. What at first looks like tufts of grass growing out of the stone floor slabs, turns out to be a montage of true-to-scale photographs of the stone slabs, into which the images of blades of grass were copied on the computer.
		Installation in the government district of St. Pölten ID: 582		St. Pölten (government district) location	Gabriele Kutschera	1997-1998	A 5 m deep and 12.5 m high room results between the glazed entrance front and the horizontal structure of the individual floors. Gabriele Kutschera has 32, in the course of min. 30 cm to max. 100 cm diameter hand-forged, interlocking circular elements made of wrought iron, surface-sealed with burned-in linseed oil varnish, suspended from the ceiling.
		Block II ID: 586		St. Pölten (government district) location	Marianne Maderna	1987	The work of art is in house 1a, terrace, 4th floor
		Cascade Fountain ID: 587		St. Pölten (government district) location	Günter Wolfsberger	2003	The fountain is located behind the shed hall of the Lower Austrian State Museum
		Wall design in the forum of the Lower Austrian Insurance Company in St. Pölten ID: 588	installation	St. Pölten (government district) location	Nikolaus Gansterer	2007	The installation Der Wechselschadenspeicher translates drawing into a spatial dimension. A drawing milled into the wall in the interior of the forum enables holistic perception, depending on the incidence of light and shadow, only from several positions taken one after the other.
		Sculpture in front of the ORF center St. Pölten ID: 644		St. Pölten (government district) location	Manfred Wakolbinger	2008	The title of the sculpture Receiver , which is installed in front of the public service broadcaster, speaks for itself in this context. In addition, it belongs to the series of works by the Travelers , which takes up the philosophical concept of the body as a mediating authority between mind and body.
		Embroidery. Mixed media project ID: 840		St. Pölten location	Marlene and Lina Streeruwitz	2013
		the ninth day ID: 858		St. Pölten location	Simon Wachsmuth	2014
		Card office ID: 873		St. Pölten location	field72	2015
		Memorial for the forced labor camp St. Pölten-Viehofen ID: 682		St. Pölten-Viehofen location	Catrin Bolt	2010	In Viehofen, a small town near St. Pölten, there were two forced labor camps in 1944 and 1945. Later, an artificial lake was added to the area, which is now used by the population as a recreational area - for swimming, walking and cycling. As usual in leisure areas, I have set up orientation boards at various places around the lake. Your own position is marked with a red dot so that the viewer tries to locate himself, but notices that the boards show the same area but a completely different time. With the help of the legend it is possible to define the two forced labor camps.
		Sculpture at the train station in St. Valentin ID: 119		St. Valentin location	Richard Kuenz	1994	The sculpture, made of plastered wooden boards with twisted surfaces and wide swinging edges, is a materialized, philosophical reflection on the interplay of visual perception between the familiar and the alien. The sculpture was dismantled during the renovation of the station.
		Project at the train station in St. Valentin ID: 126		St. Valentin location	Norbert Maringer	1993	Norbert Maringer had the ceiling of a former bunker in the shape of a cross excavated on the station grounds and covered it with earth and granite slabs to enable an informal discussion of history. The work was dismantled during renovation work.
		Painting in the elementary school Traisen ID: 99		Traisen location	Josef Danner , Franz Schwarzinger	1994	In the elementary school in Traisen, the artists covered the side walls of the glass-roofed break room with an ornamental all-over painting and loosened up the strict symmetry of the room.
		Well system for the Traismauer secondary school ID: 221		Traismauer location	Günter Wolfsberger	1990	Nine square floating bodies fill the fountain basin. They are connected to each other and can be walked on, getting wet is planned. Colorful stalks rise up on five of the floating pontos, with curves, points and spikes, similar to blades of grass or tools that move through the current and react to the wind.
		Design of the entrance and courtyard at the secondary school Tulln ID: 165		Tulln , Wiener Straße 23 location	Gert Linke	1992	The artistic design includes a wall object as well as the design of the floor, the fence and the garbage canopy. The title, borrowed from a children's game, Everything that has wings flies manifests itself in the semi-sculptural objects formed from the wall and the chair on the floor.
		Hospital ID: 197		Tulln location	Helmut Krumpel	1988	Wall surface in the therapy pool room: The painting behind the steps in the pool expands the space, transports light and is intended to have a relaxing and calming effect on the patient.
		Fountain in the courtyard of the hospital ID: 203		Tulln location	Gert Linke	1988	Fountain in the inner courtyard: a vertical granite plate (coral red) held by uprights (stainless steel) is sprinkled with water on both sides. The upright and the visible line are equal design elements.
		Central heating in the hospital ID: 222		Tulln location	Günter Wolfsberger	1988	The object painted with lacquer paints shows a mutation of leaf-like shapes to create an alarm signaling flag. The hot water from the central heating circulates through the hollow spaces in the plastic.
		Installation for art in the garden DIE GARTEN TULLN ID: 589		Tulln location	Emese Benczúr	2008	A mosquito net is stretched over a 10 × 7 × 2 m frame. A narrow entrance leads into the interior of the sculpture and through a labyrinth of nets stretched in parallel into a garden room. Here the sentence “Deep in Things” can be read, which is formed by the overlapping of the networks.
		Sculpture for art in the garden DIE GARTEN TULLN ID: 590		Tulln location	Ines Doujak	2008	Daphne is the name of the sculpture that, smoking in a pond behind the visitor center, provocatively represents the image of a self-confident woman. Equipped with a net, in contrast to the story, she is not the hunted but the hunter. A postcard was created parallel to the sculpture.
		Installation for art in the garden DIE GARTEN TULLN ID: 591	installation	Tulln location	Nils Norman	2008	From Gasoline to Sugar Beet is the name of the installation by the British artist, with which he refers to the global crisis in relation to energy generation. Several signposts with inscriptions such as “Atomkraft”, “Iran”, “Hydrogen”, “Brazil”, “Arab Emirates” or “Geothermal” were installed at various crossroads.
		Floor work for art in the garden DIE GARTEN TULLN ID: 592		Tulln location	Dan Perjovschi	2008	Flat world is the name of the work, which consists of 200 ceramic tiles embedded in the floor. With the cartoon-like semiotics that are characteristic of him, Dan Perjovschi branded them his critical remarks on climate change. Visitors bring a performative element when they explore the area.
		Sculpture for art in the garden DIE GARTEN TULLN ID: 593		Tulln location	Klaus Weber	2008	A monkey sits on a pile of books in the Tulln floodplain forest and looks at a human skull. A compass and a lightbulb complete the arrangement. The sculpture by the conceptual artist, entitled Cover Version, is a replica of the small sculpture Monkey with Skull by the sculptor Hugo Rheinhold from 1893.
		Design of open spaces in the Lower Austrian state nursing home Tulln-Rosenheim ID: 597		Tulln location	Regula Dettwiler	2008	The artist designed a miniature-like, purist landscape with grassy hilltops, piles of stones, sidewalks, benches, trees and two small ponds - imitations of the Aral and Chiemsee lakes - as well as small houses. She settled numerous animals in the area, which are now looked after by the home.
		from one to two ID: 868 ObjectID :  25255		Türnitz location	Anna Wickenhauser / Henny Liebhart-Ulm	2014
		Rosa ID: 930		Landespflegeheim Türnitz, Türnitz Coordinates are missing! Help.	Lazar Lyutakov	2017
		Iron sign for the HTL Waidhofen ad Ybbs ID: 153		Waidhofen an der Ybbs location	Walfried Huber	1990	After the failed attempt to have students and teachers design a fountain with a character for the school yard, Waldfried Huber's proposal to build a 4.8 meter high steel composition on granite in unity with the architectural environment was implemented.
		Design of the town square in Waidhofen an der Ybbs ID: 237		Waidhofen an der Ybbs location	Ernst Beneder	2001	The revitalization program of the architect Ernst Beneder includes the design of the town square, the restructuring of entire streets and their infrastructural upgrading, the modernization of the old town hall and a few select architectural elements such as two fountains.
		Design of the chapel in the Waidhofen an der Ybbs retirement home ID: 171		Waidhofen an der Ybbs location	Oskar Putz	1992	The subtle architectural design includes a color concept reduced to two colors, a gray carpet, a light ceiling and a skylight that provides daylight. Gilded squares mark the stations of the cross. A simple, free-floating cross was placed behind the altar.
		Design of the facade of the Wallsee boarding house ID: 57		Wallsee location	Carla Kamenik	1993	The façade design made of faience panels with enamel painting depicts a scene from the life of St. Severin in the Danube region. The illusion of body and space is largely dispensed with in favor of sign language. The proportions are determined by the importance of the people.
		Sculpture for the roof of the state pensioners and nursing home Wallsee ID: 534		Wallsee location	Siggi Hofer	2005	Brown tones printed on aluminum plates look like a large piece of wood on the roof of the retirement home. Driftwood is the title of the sculpture. For the artist, it represents a metaphor for a multitude of stories and possibilities in connection with the transitory of a path that has been and has yet to be covered.
		Bridge design in Weinburg an der Pielach ID: 127		Weinburg location	Robert Marshal	1993-1994	The design of the "bridge saint" corresponds to a motif that has been common since the baroque era. Marschall has translated this tradition into the present with a flat, sketchy metal figure and places the saint in a row with other martyrs.
		Stone wall at the retirement home in Wilhelmsburg ID: 10		Wilhelmsburg location	Gabriele Berger	1998	Gabriele Berger designed a sculpture for the newly built retirement home in Wilhelmsburg in the form of a row of loose cuboid stones along the access ramp. The total area of ​​the stone sculpture takes up 35 × 2 m.
		artistic design of the chapel in Wolfsbach ID: 428		Wolfsbach location	Manfred Erjautz	2003	Manfred Erjautz responded to the request for a portrait of the community by asking associations, companies and individuals in the village to design 120 glass cubes on glass shelves according to their ideas, in order to represent themselves and later explain their works of art in a film.
		Chapel in the state pensioners home ID: 185		Ybbs on the Danube location	Herbert Fischer	1989	The theme for the design of the chapel is taken from the New Testament "Circumcision and Presentation of Jesus in the Temple, Simeon and Hanna", in which elderly people gain comfort and strength through the encounter with Christ.
		Fountain for the market square in Ybbsitz ID: 3		Ybbsitz location	Sepp Auer	1998	Fountains and drinking fountains have a reduced, clear design in Herschenberg granite. The fountain has a square base and stands in the longitudinal axis of the square that leads to the drinking fountain.
		Wehrsteg, pedestrian bridge over the Prollingbach in Ybbsitz ID: 19		Ybbsitz location	Robert Kabas	1998	The bridge is a functional, walkable sculpture that is integrated into its surroundings. The interlaced and nested structure makes the process of joining together visible. Like a molecular lattice, it creates the connection between the banks.
		Object in the Dr. Meyer-Park in Ybbsitz ID: 247		Ybbsitz location	Michael Kienzer	1998	The abstract sculpture made of bent and wound copper pipe is based on the idea of ​​the creation of a volume from a line. Due to the artificial oxidation of the metal, the individual copper pipes take a back seat, and the sculpture looks like it was made from one piece.
		Object in the outdoor pool in Ybbsitz ID: 260		Ybbsitz location	Werner Skvara	1998	With the title double bed , the object pretends to be a purely functional object. Rather, however, it is a work of art that plays with the concept of the object of use. It consists of an edged surface into which rolled sheet metal has been inserted to create the impression of bodies.
		Sculpture in the market town of Ybbsitz ID: 363		Ybbsitz location	Uwe Hauenfels	1996 - 1966	The metal, brightly yellow painted sculpture consists of three silhouette-like elements that represent an abstract eye. After it made residents feel like they were being watched, the object was placed in a meadow.
		Arched steel bridge at Ybbsitz ID: 372		Ybbsitz location	Franz Wahler	1996	The Ybbsitz master locksmith Franz Wahler and the architect Robert Schwan developed a steel footbridge with a span of 23 m, which leads over the waterfall. The filigree design, which blends unobtrusively into the landscape, and the static-constructive concept are extraordinary.
		Fountain design in Ybbsitz ID: 819		Ybbsitz location	Sepp Auer	2012
		Entrance at the elementary school Zeiselmauer ID: 211		Zeiselmauer location	Johannes and Charlotte Seidl	1990	At the elementary school, which is almost a hundred years old, the entrance and the facade were changed by the artists with a ceramic design to emphasize the entrance to the school.

source

• Art in public space Lower Austria (as of January 1, 2016)
• Catalog Art in Public Spaces Lower Austria. (csv) State of Lower Austria / Department of Art and Culture, June 28, 2013, accessed on August 4, 2015 (License: Creative Commons Attribution 3.0 Austria ). 

Web links

Commons : Public art in Lower Austria  - collection of images, videos and audio files

Individual evidence

1. ^ Bettina Kirchberger: Village square is taking shape. August 11, 2016, accessed April 8, 2018 . 

 Map with all coordinates: OSM | WikiMap