Störtebeker's revenge
 (orig. Störtebeker's revenge ) |
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| Radio play from Germany | |
| original language | German |
| Year of production | 2010 |
| publication | January 16, 2010 |
| genre | Thriller |
| Duration | 52 min |
| production | NDR / ARD |
| Contributors | |
| author | Matthias Wittekindt |
| Machining | Hilke Veth |
| Director | Norbert Schaeffer |
| music | Hans Schüttler |
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Störtebekers revenge is a detective radio play of the series of radio crime scene . The original text comes from Matthias Wittekindt that here for the third time already by his predecessor Frank Göhre for the Norddeutscher Rundfunk designed Hamburger Detective Chief Commissioner Bettina Breuer and undercover Jac Garth man continues Ermittlerduo in his script. Störtebeker's Revenge first aired on January 16, 2010. In addition to the main actors, other well-known speakers appeared with Oliver Wnuk , Friedhelm Ptok , Julia Nachtmann , Peter Kirchberger and Ulrich Faulhaber .
The present 25th case of the entire series and fourth case of the Hamburg crime scene primarily revolves around the unrest around the planned deepening of the Elbe .
content
For the second time, Jac Garthmann is at the beginning of the radio crime scene not as an undercover investigator, but in his capacity as a musician in the public eye. Since the new lead singer of his band, 19-year-old Madeleine, raps "Störtebeker" songs against the planned deepening of the Elbe , the group makes unusual headlines in the regional press. To create general uncertainty, an SEK from the Hamburg police allegedly assaulted two girls in the nearby nature reserve in Hamburg-Moorburg , where Klaus Störtebeker once had his preferred landing stage.
As citizens' initiatives demonstrate against the deepening of the Elbe , the police are supposed to protect the Dutch ship dredger. But Garthmann, of all people, should keep an eye on the foreign crew as V-man , since the excavation is supposedly wrongly declared and "inexpensive" dumped .
Chief Detective Bettina Breuer from the LKA also has her problems with the situation, as the alleged SEC attack cannot be clarified. As during a concert by Garth man group in the fish house incendiary be ignited against the deepening of the Elbe, the musician and V-man stands in two ways between the fronts.
The cool, pragmatic career policeman Breuer and the intuitive side entrant Garthmann, whose concert activities as a pianist and solo entertainer conceal his investigative work, will collide several times, as Breuer always wonders why this amateur has been assigned to her. But Garthmann's observation and moral instinct will give her the best direction several times.
background
After the first part of the Hamburg crime scene series, Dirty Laundry , whose story and figure design was done by the writer Frank Göhre , Matthias Wittekindt took the template for the third time . In the following, the series of the Hamburg radio crime scene next to Wittekindt ( Death of a Diver , The Yellow Vices , Störtebeker's Revenge , Total Loss , The Blue Yacht ) was designed by Elisabeth Herrmann ( Schlick , Sunken Graves , Chicken Highway ).
Martin Reinke was asked in the interview that he would have created the role of Jac Garthmann in a very “Hamburg-style” way: “It's a kind of declaration of love to my hometown Hamburg. I'm a stage actor and unfortunately I only had one chance to play hamburgers on stage. And now I am finally lucky with Jac Garthmann to color him linguistically. "
The author's fiction is that Störtebeker's Bay is located in Hamburg-Moorburg, Hamburg's oldest district south of the Elbe .
review
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- “I'm pretty torn with" Störtebeker's Revenge ". On the one hand the plot is quite interesting and offers good approaches, on the other hand the story also has some quirks that at least ruined my listening pleasure. A big shortcoming starts right at the beginning: the musical background. The usual and original Jac Gartmann piano playing is abused here for protest songs which - to put it carefully - have little hit potential. Unfortunately, this is a recurring element, which is likely to have a negative impact on entertainment value. However, it is not just a question of musical taste, it unfortunately seems far too artificial to be authentic and leads to the fact that the entire history of the demonstration seems a little more implausible than it is seen from the other representation. The plot contains interesting elements, but looks a bit constructed and in some areas a bit too clichéd. The acting performances did not completely convince me either, but this is also due to the fact that some characters are barely tangible. In my opinion, the anniversary of the 25th radio station has been messed up a bit. Although the story has good beginnings and elements, the result does not correspond in terms of content and form to the quality that was last heard at the Radiotatort. Taking into account the possibilities and general conditions of production, one could certainly have expected more in all areas. "
- “In the media in which the references to radio broadcasts, if any, could only be found with a magnifying glass, radio is being heard again. And the reviews - no matter how they turn out - they are even detailed! "
Web links
- Radiotatort - Störtebeker's revenge . On: www.ard.de/radio/radiotatort/die-faelle/ Accessed on October 20, 2012.
- Störtebeker . On: www.hoerdat.in-berlin.de. Accessed October 20, 2012.
- Sabine Pahlke-Grygier: Tatort Radio - detective stories for the ears . On: www.goethe.de of the Goethe Institute . August 2008. Accessed October 20, 2012.
Individual evidence
- ↑ http://www.matthias-wittekindt.de/ Accessed on October 20, 2012.
- ↑ http://www.hansschuettler.de/ Retrieved October 20, 2012.
- ↑ Radio crime scene - death of a diver ( Memento of 2 December 2010 at the Internet Archive ). On: www.ard.de/radio/radiotatort/die-faelle/ Accessed on October 20, 2012.
- ↑ Review of Störtebeker's Revenge. ( Memento from April 21, 2012 in the Internet Archive ) On: www.hoerspieleipps.net. Accessed October 20, 2012.
- ↑ Sabine Pahlke-Grygier: Tatort Radio - detective stories for the ears . On: www.goethe.de of the Goethe Institute . August 2008. Accessed October 19, 2012.