Art in public space in Frankfurt (Oder)
In Frankfurt (Oder) about 270 are sculptures and murals in public places to see.
Sculptures
The "Sculpture of Heinrich von Kleist" was designed from sandstone by the sculptor Wieland Förster . The city commissioned the abstract work in 1974 on the initiative of Rodolf Loch, director of the Kleist Museum. On November 18, 1977, the 80,000 mark sculpture was inaugurated in the garden of the Kleist Museum. It was relocated in 1980 and is now opposite Kleist's birthplace, southeast of St. Mary's Church .
The “Sitting Nude ” by the sculptor Ernst Sauer is located on the edge of the Lennépark . The clinker stone sculpture was acquired by the city in 1976.
In Schmalzgasse there are three sculptures by Eckhard Herrmann , which were installed between 1988 and 1991. The face of the actor was supposed to have that of the Lord Mayor Fritz Krause , but he refused. The contemplative seated person wears the face of the city architect Manfred Vogler . The third sculpture is that of the juggler .
Roland Rother's “ Muse ” is a sculpture in Lindenstrasse at the Haus der Künste. It was set up in 1991. The muse is a mixture of Greek antiquity, represented by the head with a bun, and a farmer's wife, strong upper arms and breasts. Below the figure, bent forward, there are two other figures that are supposed to represent artists. They are looking for food, based on the story of Romulus and Remus . On the sandstone pedestal there are further figures, through which the arts of the adjacent house are represented. The man with the frame stands for the architect, the painter for the visual artist, the curtain for the theater, the writer with Pegasus for poetry and the ball that holds the muse for folk art. The original plan was to include the names of all the Haus der Künste associations on the base . Due to the political change and the associated uncertainty, rhymes were used instead.
The bronze sculpture siblings of the sculptor and painter Liz Mields-Kratochwil is in the main road. Two naked girls are shown. The models for the sculpture were the daughter of the sculptor Anne-Kathrin , the somewhat larger one, and her friend Friederike . The sculpture was created around 1987 and erected about three years later.
The Gothic stele on the stadium in the direction of Ziegenwerder by Jürgen Hartmann and Harald K. Schulze was erected in 2003. The work is seven meters high and is made of wood, acrylic and stainless steel.
The fox by the sculptor Stephan Horota stands in the Rosengasse in front of the Hilde Coppi day care center . It is the only sculpture by the artist in Frankfurt (Oder), which was created in the 1960s after an order from the city council.
The standing knot by Egidius Knops is located in the courtyard of the Konrad-Wachsmann-Oberstufenzentrum. The tubes, made of two stainless steel, were inaugurated on February 16, 2000. The four-meter-high sculpture was the result of a competition on the subject of free implementation of a junction system constructed by Wachsmann .
Revolution is the name of the sculpture by Christian Roehl (* 1940 in Berlin, † 2013 in Stahnsdorf near Potsdam) in Birkenallee. A preliminary contract between the city and Roehl was signed as early as 1978, and in 1986 the five-ton, five-meter-diameter steel ring was cast at VEB Chemieanlagen Staßfurt . Originally there was the saying Our goal is to establish the socialist social order on the sculpture , which after the abolition of the division of mankind into classes and after the elimination of all exploitation of man by man and a nation by other nations absolutely eliminates any possibility of war becomes. This was a quote from Lenin, whose name the birch avenue bore at the time. Due to slow construction work, the erection of a mound of earth for the sculpture, the installation was delayed and on March 20, 1990 the artist was asked by the city to revise the work of art, especially with regard to the quotation. Instead of the quotation, the dates of various revolutions were now attached and on December 5, 1991 the plant in Neuberesinchen was set up. The dates in detail: 73–71 BC. - Spartacus Uprising , 1524–1525 - German Peasants' War , 1597 - Union of Utrecht , 1688 - Glorious Revolution , 1789–1795 - French Revolution , 1830 - July Revolution in Paris, 1848 - February Revolution in Paris in 1848 , Vienna October Uprising , 1867 - Battle of Cerro de las Campanas in Mexico, 1871 - uprising of the Paris Commune , 1905–1906 - revolution in Russia after St. Petersburg's Bloody Sunday , 1911 - revolution in China , 1917 - February revolution in Russia , 1956 - popular uprising in Hungary , 1989 - turning point in the GDR . Today the artwork is unfortunately smeared with graffiti.
Stand up - fall in is the name of the 4.5 m high and 5 m wide sculpture by Christian Roehl . The stainless steel structure in the south of Ziegenwerder was erected in 2003. The wings symbolize a large bird that lands, or because it is a large bird, it invades . The name is derived from this and is also intended to indicate people and their falling and standing up.
The students of Herbert Burschik are on training home of the Telekom to find the Spitzkrug. The couple, a girl with short hair and a boy with a well-behaved parting, study in wind and weather while sitting barefoot on a bench. The boy's gaze falls on the open book which the young lady is holding in her hand. The boy is leaning on the bench with his left hand and his right leg on his left leg. He sits there with lanky crossed feet and yet attentive, tense down to the roots of his hair. The girl is sitting bolt upright and has put her right foot a little forward. Her gaze wanders into the distance, almost as if she had to learn a text or a poem, and mutely recites what she has read.
The seated dancer in Beethovenstrasse is also by Edmund Neutert . The model was his daughter Elke.
The sculpture Mother and Child by Theo Balden and Karl-Günther Möpert is located at the Thomas-Müntzer-Hof, where it was installed in 1981. The figure made of Reinersdorf sandstone is 60 cm high.
The beautiful Melusine as a harlequin on the Oder promenade not far from the Viadrina Museum comes from Erika Stürmer-Alex. It was erected in 1991 in front of the cabinet of the Viadrina Museum, the Villa Hahn, where it remained until 2003. The material used was polystyrene , plastic plaster , polyester resin and latex . Extensive restoration work was carried out in 2005.
Prof. Arnd Wittig (1921–1999) designed the plastic group Mothers , which is not far from the main entrance of the Markendorf Clinic. One mother stands and looks into the distance, the second sits and looks at the lawn in front of her and the third, lying down, holds her child in her hand. The standing figure is about 2.20 m tall. The sculpture was erected in 1994 after the artist from Schwedt had already received the order in the mid-1980s and the figure was cast in Lauchhammer in 1989 .
The visitor finds himself in Neuberesinchen on the meeting place . The six meter high work was created by Eckhard Herrmann and erected for the 5th district festival in September 1999. It shows a human-like figure with two knee joints and chicken-like feet.
The work of the Frankfurt sculptor Walter Kreisel is called Boy with Fish and is located on the Oder promenade. The one and a half meter high bronze sculpture was erected in the 1970s.
The Tower of the Animals is now on the main road and was created by Lutz Hähnel on behalf of the city in the early 1980s . The sculpture was originally located at the Tiefbrunnen on Kommunardenweg until it was dismantled in the early 1990s. In 2003 it was installed in the European garden on the island of Ziegenwerder. The lowest animal is a hippopotamus, above it are a bear, a goat, a hare and on top a bird.
The murals at the Lichtspieltheater der Jugend were created in 1955 by Rudolf Grunemann (1906–1981). The motifs on the 3.6 meter wide and seven meter high work of art come from agriculture and are a sgraffito work. They are framed by the two sculptures by the sculptor Edmund Neutert . The figures made of artificial stone are life-size and show a cooperative farmer and a smelter. The works of art were officially inaugurated when the cinema opened on May 1, 1955.
The cog is the work of Friedmann Klos and was set up in 1979 in the Hansa Nord district . The sandstone represents a cog with inflated sails. The foot of the work bears the inscription Frankfurt an der Oder - member of the Hanseatic League from the fourteenth to the beginning of the 16th century . The artist signed his first contract for work with the city in 1974, and another in 1977, which stipulated that a symbolic plastic solution for Frankfurt's historical relationship with the Hanseatic League should be designed. The artist received 18,000 marks for the work.
The bronze sculpture Die Sitzende is located in the east of Lennépark and was made by Herbert Burschik (1922–1990) from Eisenhüttenstadt . The 1.5 meter high bronze figure was erected in 1965 and shows a young seated woman.
The flood stone is a work of the Gronenfeld workshops based on an idea by the manager Toni Gehlsen and was built after the flood of the Oder in 1997 . The 1.5 m high stele was donated by the Lions Club . It consists of six blocks. The bottom four are exactly one above the other, the fifth is slightly twisted and the sixth is on one of its edges. On the opposite, topmost edge sits a bird looking in the direction of the Oder. Frankfurt and the Oder are depicted on the stones. The Oder is shown flat on the lowest stone and the higher the stone, the bigger and wilder it is. The plant was inaugurated in September 1998 by Lieutenant General Hans-Peter von Kirchbach . The flood stone can be found on the Oder promenade not far from the potato house .
Standing boy is the name of the bronze sculpture by the sculptor Wilfried Fitzenreiter (1932–2008) in Lennépark. It was made in 1972 and set up in the park in 1975. The work is about four feet high and shows a naked boy.
Another figure by the sculptor Fitzenreiter, the young woman , is also located in Lennépark.
City Friendship is the name of Herbert Burschik's sculpture on Moskauer Strasse. The sandstone stele is 4.60 meters high. The plinth , a square base, sits on a column and has a flower as a motif on each of its sides. These were supposed to symbolize the four twin cities which Frankfurt had when it was set up; Zielona Góra , Wraza , Wizebsk and Scandicci . In 1982 the factory which had cost 25,000 GDR marks was set up.
Girls' group is the name of the sculpture in Neuberesinchen Am Arboretum by Roland Rother (* 1944). The contract for work was signed in 1981. The sculpture was created from a sandstone block from Dresden which was delivered to the artist in 1980. You can see four women whose legs are not modeled, but grouped together in a base. While one woman of the approximately two meter tall figure wears her hair loose, the others have gathered it into a bun.
A wooden bear is located on the Südring next to the restaurant of the same name. The life-size figure was cut out of the trunk of a Douglas fir in November 2003 . The Douglas fir was probably planted in the mid-1930s when Frankfurt expanded in the direction of today's Südring and the pub opened. In 2002, due to the endangerment of the decrepit tree, its felling was ordered. The owner of the property in Bern Gottstein therefore commissioned artists to use chainsaws to create a life-size bear from the trunk. The bear is still connected to the roots and has been impregnated with so as not to sprout and remain intact.
The social events of today are the name of the metal plate in the Grosse Scharrnstrasse. The work was created by Herdegen Fehlhaber for the Workers' Festival in Frankfurt in 1988. Two years earlier, the city council had already decided in December to approve Fehlhaber’s work, thus prevailing against Manfred Vogler and Michael Voll . Fehlhaber then made a plaster model and VEB Erntemaschinen Tröbnitz operating part in Frankfurt made the gray cast iron plate from it. The Gnewuch Brigade officially started work on September 21, 1987 and handed over the plate on February 15, 1988. The plate is about five square meters in size and very detailed. In the center of the plate there are two doves of peace which are framed by the Frankfurt (Oder) 1988 lettering . This lettering is interrupted to indicate the cardinal points. Further out there is a band with the names of different cities, each of which is associated with the peace movement below. In the outermost circle there are numbers that indicate the distance of the cities from Frankfurt. There are numerous motifs between the Frankfurt lettering and the city band. Among other things the space station Mir der Halleysche Komet , aerial photos of Frankfurt, representation of the Marienkirche, plants, a neutron bomb etc. In the northwestern part of the plate there is a rose which is supposed to remind of the murder of Olof Palme .
The Lauscher and the Waldschrat as well as the mask by Erika Stürmer-Alex (1988) can also be found on Grosse Scharrnstrasse . The wall designs Technical Forms and Structures come from Michael Voll (1987). There are also three square designs in Große Scharrnstraße: one with round ceramic stones and benches by Gerhard Bondzin (1988), another with triangular and striped ceramic tiles by Friedrich Stachat (1988) and a third by Antje Scharfe with a checkerboard pattern and stripes and a ball with shells (1988) and seating elements. The horses (facades) by Walter roundabout were completed also the 1988th
In the inner courtyards between Grosse Scharrnstrasse and Kleine Scharrnstrasse there are three partition walls by Gertraude Pohl in green, red and blue (the latter is now more white / gray). They were built in 1980 and are reminiscent of leaf shapes.
At the corner house at Kleine Oderstrasse 4 you can find the aluminum panels History of Frankfurt (Oder) by Dora Kleemann (1988).
Girl on the balance beam is the name of the sculpture on the grounds of the sports school. In September 1961 the bronze sculpture by Herbert Burschik (1922–1990) was erected. The girl and the implied bronze balance beam stand on a square concrete base.
The bronze sculpture in Lennépark is called the rabbit column . Around 1972 the figure of the artist Peter Fritzsche was erected. It had cost 2,148 marks and was cast by the Seiler foundry in Schöneiche . The figure was brought to Berlin twice. The first time shortly after it was installed in 1973 at the Xth World Festival in Berlin for the plastic and flowers exhibition in Treptower Park . In 1987 the figure went to the local bronze foundry in Köpenick for restoration and was then placed back in its original place.
The works of the artist Jürgen von Woyski in Frankfurt's botanical garden are called vegetative forms . The motifs include an ear of wheat and a snail . The artist was commissioned to create a visual artistic design with a free choice of themes for the opening of the botanical garden. In December 1975 the sandstone sculptures were completed for which Woyski received 26,000 marks.
Recreation and leisure is the name of the sculptures by Friedemann Klos in Neuberesinchen not far from Hedwig's shopping park . On August 18, 1976 the city signed a contract with the sculptor. The fourth quarter of 1978 was agreed as the completion date. The work was delayed, however, so that the figures were only displayed on November 12, 1981 after the final acceptance on July 14, 1981. You can see two naked women carved in Rheinhardtsdorf sandstone. One is sitting with her arms folded behind her head. The second lies down and supports herself with her right arm. The work weighs around 15 tons in total.
Copernicus is the name of the bronze sculpture by Herbert Burschik (1922–1990). The sculpture is located in front of the Mitte elementary school not far from the town hall . In 1974 the city council commissioned the figure. It was cast in 1996 in the art and bell foundry Lauchhammer and in the same year in Frankfurt. The costs amounted to 12,100 marks for the casting and 18,000 as a fee for Burschik. The work is 1.85 meters high. It shows a seated Copernicus who is a model of the sun around which the planets revolve.
The Saint Barbara is the plastic which now stands in the courtyard of the museum Viadrina. The sculpture shows the saint with her symbol, the tower, and weighs around 3.5 tons. The 3.23 meter high sandstone factory was designed by Georg Fürstenberg for the Hoffbauerkaserne built in 1934/35. The stonemason was Wilhelm Fürstenberg so that the initials GWF are at the foot of the sculpture . An artillery regiment was housed there, whose patron saint is, among other things. Originally, the sculpture was on the gable corner directly above the entrance to the barracks. After its demolition in 1999, it was brought to the museum and restored.
The apple picker is the name of Heinz Mamat's sculpture in Lennépark behind Wollenweberstrasse. 5. The porphyry concrete work is 1.80 meters high and stands on a 0.65 meter high base. Mamat signed the contract for work in 1976 and the final acceptance took place on September 13, 1978. The costs amounted to 25,000 marks plus material costs. It then took three years until the plant was installed in Lennépark in autumn 1981.
Sonata is the name of the work by the sculptor Karl-Günter Möpert on the main road. The sandstone stele was made without an order by Möpert and exhibited for the first time at the Kunstschau Plastik und Blumen in Treptower Park in Berlin . The head of the Frankfurt art construction team, Werner Klugmann, was interested in the work and brought it to Frankfurt. The costs for the installation in the main line amounted to 1,690 marks, the artist fee 16,000 marks. The 1.90 m high stele symbolizes an ascending scale and the shape of a harp.
The group of mythological figures can be found on Rosa-Luxemburg-Strasse in Lennépark. The sandstone sculpture was probably created in 1780 as the central figure of a fountain. Its location was the park at the von Finckenstein country house at Fischerstraße 6. It was later moved to Carthausplatz, the exact date is not known, it is certain that it was there as early as 1882. In 1939 it was installed in Lennépark. In October 2006 it was brought to Berlin for restoration and is to be put up again in spring 2007.
The large seated woman is the name of the sculpture in the former Lienau Park . The sandstone factory was set up on March 18, 1977. The sculptor was Peter Makolies (* 1936). You can see a sitting naked woman. Her legs are bent and she rests her left arm on her left leg. The right hand stops on the base of the figure.
The sculpture by Axel Schulz, which stands in the garden of the House of Encounter today, is called security . The contract for the property was signed on November 21, 1966 between Schulz and the housing department. The group of figures was completed in 1968 and then set up in Lennépark. Later, the time is unknown, it was taken to the depot of the cultural enterprise of the city of Frankfurt . In March 2003 he initiated the restoration by the Seiler fine art foundry in Schöneiche. In 2006, Bernd Schwarz , the chairman of the Friends of the House of the Arts, made use of the option to rent stocks . Since then, the work can be found in its current location. The bronze sculpture is about 80 centimeters high and shows a man and a woman. The man, with his trousers tucked into his boots, is significantly taller than his wife, around whom he has wrapped his left arm. While doing so, he looks at his wife, whose belly is clearly visible through her pregnancy. Her hair is up and she is wearing a dress. Her hands rest on her stomach.
The plastic Phönix is located on the dike at the rear of the Countess Dönhof building of the European University Viadrina. The bronze sculpture was created by Roland Rother . The work reached third place in an art competition and was inaugurated by Mayor Wolfgang Pohl in July 1998 . Pohl saw the work “here on the German-Polish border also as a symbol for European integration” . Originally the phoenix stood directly in front of the state central bank, which had acquired the work and donated it to the city. The bronze sculpture was later placed a little further north.
The plastic mother and child is located on the Oder promenade north of the border crossing . It was created in 1972 by August Martin Hoffmann . A plaque directly on the work says that an Ernst-A. Hoffmann created this sculpture in 1977, but this information is incorrect. The contract for work with the artist was signed on November 14, 1971, the interim acceptance took place in March 1972 in Schwerin. The figure stood on the Oderturm until 1976 . The work was loaned out in 1976 for the Art and Sport exhibition of the German Gymnastics and Sports Association and then placed again at the Oderturm. As part of the renovation and reconstruction of the Oderturm, the bronze figure was dismantled between September 20 and 23, 1991 and taken to the city administration's depot, the Sauerhaus. The work remained in the depot until 2003, when it was set up on the island of Ziegenwerder in the Europagarten . The figure then disappeared back into the depot before it was placed in its current location in November 2006. You can see a mother holding her child by the feet and playing the wheelbarrow .
The harmonica player , also called father with son , is located on Franz-Mehring-Straße. The sculpture was created by Hans-Detlev Hennig . The city council signed the contract with the artist in 1985, and the contract sum was 16,000 marks. In 1985, the Lauchhammer art foundry , part of VEB Schwermaschinenbau Lauchhammer, cast the plant. Two years later the plant was set up on Franz-Mehring-Strasse. You can see a father who plays the harmonica. His son sits on his outstretched legs and watches him with interest.
The swimmer is a bronze sculpture by Fritz Cremer (1906–1993). She was on the promenade until February 22nd, 2016. After the theft of art in public spaces in Frankfurt (Oder) increased, the city decided to dismantle and store it. The figure shows a naked woman whose gaze was directed towards the Oder. The swimmer was acquired in 1979 for the Frankfurt building stock for 24,880 marks. The location at that time is unknown. In June 2003 it was repaired in a workshop for art casting in Schöneiche.
The sculpture of the harvest helper by the sculptor Walter Kreisel has been back in the Markendorf district since June 2019 , after being lifted from its pedestal and seized in 2008 on behalf of the city of Frankfurt (Oder) after metal art theft in the city. The sculpture was commissioned in 1977 by the city of Frankfurt (Oder) for the former fruit-growing combine in Markendorf. In 1992 a freight forwarding company acquired the combine from the Treuhandanstalt, including everything on the property. The company announced that the city had secured its property and successfully sued for its surrender.
The Crane group of Peter Fritzsche was until August 2019 on the Hansa square. It was damaged in a car accident in 2016, repaired and then put back up in December 2018. In August 2019, the plastic was damaged again and then dismantled.
Fountain
Wall designs
The painting Boulevard Passanten by Harald Schulze is on Grosse Scharrnstrasse. The painting was created in 1988 with acrylic paint on two aluminum plates. The picture shows, among other things, a punk and a half-naked blonde with a greyhound. The triplets in the picture on the right are supposed to symbolize the State Security and the black bag with a red star that a woman is carrying the RAF . A man in a hat and sunglasses carries an inflated bird figure. The man symbolizes the banishment of everything else. The girl on the left is the daughter of the artist Leonora .
On the west side of the Badergasse 1 block is the work Earth Structures - Tree of Life - Water by Manfred Wenck . The 30 stoneware slabs cover a total of eleven square meters and were installed in the late 1970s. In the center you can see a deciduous tree with an owl sitting in its trunk and roots of which can also be seen below. To the right of the tree is shown water with fish and air bubbles. On the left, however, the earth structures can be seen.
The wall design by Achim Kühn (* 1942) is on the Oder promenade near the music school. The five-meter-long steel wall became part of the cityscape again shortly before Easter 2006. In 1972, Achim Kühn was commissioned by the city council to contribute to the redesign of the Oder promenade with an elaborately forged wall design. Immediately after the Oder flood in 1997 , the plant was dismantled and stored by the city. Thanks to the artist's intervention and a necessary € 10,000 restoration, the work can now be seen publicly again.
Werner Voigt's wall design in Weinbergweg is called the fox in the vineyard . Voigt received the order for this at the end of the 1960s; at that time the street was still called Otto-Grotewohl-Straße . The work shows a fox who has stood up on its rear paws and is supported with its front paws on a wall. To the right of it stands a girl with her arms outstretched and a woman sitting behind picking the grapes. A sun shines over it all, shining from the right. The vine with its fruits bends to the right.
Plants , the wall design called Sabine Rachold the south gable of the former daycare children's paradise in Neuberesinchen. In terms of color, green and yellow dominate the work made of hand-shaped ceramic plates. The ceramic plates were manufactured by the Berlin Ceramic Factory based on designs by Wolfgang Müller . The contract for this work was concluded in 1975, but first with the order to design a We are building a house in which a Matryoshka , Bummi , Babuschka and Burattino should appear. The building on which the factory is located is to be renovated or partially demolished by the end of 2006, while attempts are being made to preserve the mural.
The wall design at the Brunnencafé was created by Tomas Grzimek . He received the commission from the city in 1981. In 1982 the 23,000 mark factory was finished. In 2001 the wall design was cleaned by Grzimek. The work in terracotta, blue and green shows scenes from the city's history. Among other things, you can see a fisherman on the Oder, a theater mask, fields and trees. Town houses, a town and a new building area can be seen in the middle of the work.
Semiconductor elements is the name of the wall design in Weinbergweg. It was created in 1967 by Rudolf Grunemann (1906–1981). The first draft was in July 1967, the final acceptance took place in December 1967. The working title of the work was The Importance of Frankfurt (Oder) for the GDR . In total the work costs 28,000 marks. The school building on which the plant is located was most recently an adult education center, at the moment (2006) it is unused. Overall, the work is about 90 m². In the lower part of the picture you can see three women who produce the semiconductors. Above is a person who carries out a quality check using a microscope. In the center of the picture is the stylized coat of arms of Frankfurt. Applications for the products can be seen in the rest of the picture. An electric locomotive, two radio masts, a fishing ship, a spaceship and an airplane.
The wall design Travel to the Soviet Union is located in the Juri-Gagarin-Ring . The reliefs were created by Carola and Axel Schulz from Schwedt. The original plan was for the artists to present the preliminary draft to the city of Frankfurt in 1972 and hand over the finished work in 1972. However, this was probably not complied with, as VEB Lauchhammer only issued an invoice for the bronze casting in April 1975. The plant was then completed in 1977. Only on April 22, 1985, VEB Baustoffversorgung Frankfurt was asked by Axel Schulz for 5,000 red-colored clinker bricks. It is not certain where and whether the work was on view between 1977 and 1985. Today the factory is damaged by graffiti. Nevertheless, you can partially recognize the works. You can see the Moscow Kremlin , the Ostankino TV Tower , Kalinin Prospect and the Suzdal Monastery .
The folk dancing adorns the pediment of the apartment blocks Carl Philipp Emanuel Bach Street / Big Oderstraße. Fritz Eisel (1929-2010), mainly active as a painter, was the artist who created this work in 1960. During the renovation of the building, the thermal insulation around the plant was omitted so that it could easily be retained. The work, with a width of 3.30 meters and a height of about five meters, shows three figures, a man and two women. The man stands on the left and plays the accordion, the two women, with brown and blond hair, dance to his right. A jug can also be seen. The figures are made in yellow, brown and blue tones.
Calyxes - Children's World - Children's World - that's what the three wall designs in blocks one to three in Pablo-Neruda-Strasse are called. They were created by Klaus Gottwald . The wall designs, consisting of ceramic plates, only reveal themselves to the viewer at a certain distance from the object. The works, in the decisive colors yellow, green and brown or blue, are three by four meters in size and were made in 1980. Due to the possible demolition of Block 1, the flower calyx work is currently (2006) threatened with disappearing from the cityscape.
Former works
The Leopold monument was located in Dammvorstadt (today Słubice in Poland) on the corner of Prinzenufer and An der Seidenfabrik . It was designed by Bernhard Rode and erected in 1788 on the spot where the body of Prince Leopold Maximilian von Braunschweig was found after the flood of the Oder in 1785. On the back it bore the inscription philanthropy, steadfastness, modesty, three heavenly siblings, carry this ash jar of the eternal Leopold, and lament with the goddess of the city, whose citizens you hasten to save, and lament with the Oder god, in whose waves you drowned, that the earth has lost its treasure . After the Second World War, the memorial was lost. According to the city administration of Słubice, the monument was removed from its pedestal by order from Poznan and transported on a Soviet truck over the wooden bridge to Frankfurt, where its traces are lost.
Web links
Footnotes
- ↑ Kotterba, Jörg, powerful flights in Märkische Oderzeitung / Frankfurter Stadtbote, 6./7. May 2006, p. 15
- ^ Märkische Oderzeitung / Frankfurter Stadtbote, 3./4. September 2005, p. 15
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, September 7, 2005, p. 18
- ^ Märkische Oderzeitung / Frankfurter Stadtbote, 17./18. September 2005, p. 17
- ^ Märkische Oderzeitung / Frankfurter Stadtbote, 24./25. September 2005, p. 15
- ^ Märkische Oderzeitung / Frankfurter Stadtbote, 27./28. August 2005, p. 15
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, 23 August 2005, p. 11
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, 20./21. August 2005, p. 13
- ^ Märkische Oderzeitung / Frankfurter Stadtbote, 8./9. April 2006, p. 21
- ^ Märkische Oderzeitung / Frankfurter Stadtbote, 13./14. May 2006, p. 20
- ↑ Kotterba, Jörg, Märkische Oderzeitung / Frankfurter Stadtbote, 15./16. October 2005, p. 15
- ^ Höfer, Margrit, Märkische Oderzeitung / Frankfurter Stadtbote, 1./2./3. October 2005, p.
- ↑ Kotterba, Jörg, Märkische Oderzeitung / Frankfurter Stadtbote, 22./23. October 2005, p. 15
- ↑ Kotterba, Jörg, Märkische Oderzeitung / Frankfurter Stadtbote, 22./23. October 2005, p. 15
- ^ Höfer, Margrit, Märkische Oderzeitung / Frankfurter Stadtbote, 20./21. May 2006, p. 15
- ^ Höfer, Margrit, Märkische Oderzeitung / Frankfurter Stadtbote, 27./28. May 2006, p. 15
- ↑ Jörg Kotterba, Frankfurt also has a Bruno in Märkische Oderzeitung / Frankfurter Stadtbote, 15./16. July 2006, p. 17
- ↑ Margrit Höfer Walking over it is desired , Märkische Oderzeitung / Frankfurter Stadtbote, 22./23. July 2006, p. 15
- ↑ Jörg Kotterba; She has been doing gymnastics for 45 years ; Märkische Oderzeitung / Frankfurter Stadtbote, 29./30. July 2006, p. 18
- ↑ Jörg Kotterba; The long ear on the pillar ; Märkische Oderzeitung / Frankfurter Stadtbote; 5th / 6th August 2006; P. 17
- ↑ Jörg Kotterba, A snail? An ear of wheat? ; in Märkische Oderzeitung / Frankfurter Stadtbote, 12./13. August 2006, p. 17
- ^ Margrit Höfer, Dralle Tatsachen , in Märkische Oderzeitung / Frankfurter Stadtbote, 26./27. August 2006, p. 17
- ^ Märkische Oderzeitung / Frankfurter Stadtbote, 2./3. September 2006, p. 17
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, 6 September 2006, p. 17
- ↑ Jörg Kotterba, Apple pickers have been “harvesting” for 25 years in Märkische Oderzeitung / Frankfurter Stadtbote, 7./8. Oct. 2006, p. 17
- ↑ Jörg Kotterba, piece of music in sandstone , in Märkische Oderzeitung / Frankfurter Stadtbote, 21./22. Oct. 2006, p. 15
- ↑ Bernhard Klemm, Frankfurter Denkmalgeschichte - narrated on the basis of the fates of individual monuments , in communications from the historical association of Frankfurt (Oder) eV, 1997 issue 1, p. 9
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, October 24, 2006, p. 13; Picture: File: 2006-03 Frankfurt (Oder) 14.jpg
- ↑ Margrit Höfer, kiss mouth was not wanted in Märkische Oderzeitung / Frankfurter Stadtbote, 28./29. Oct. 2006, p. 15
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, November 13, 2006, p. 13
- ↑ Inauguration speech, here based on Märkische Oderzeitung / Frankfurter Stadtbote, November 27, 2006, p. 15
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, November 27, 2006, p. 15
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, December 4, 2006, p. 16
- ^ Märkische Oderzeitung / Frankfurter Stadtbote, 17./18. June 2006, p. 18
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, The woman on the promenade , June 30, 2008
- ↑ missing "harvest helper" is back, accessed on July 2, 2019
- ↑ Plastic repaired and put back up. In: neue-deutschland.de. December 11, 2018, accessed August 31, 2019 .
- ^ Dismantling of the sculpture "Kranichgruppe" by Peter Fritzsche / Frankfurt (Oder). In: frankfurt-oder.de. August 22, 2019, accessed August 31, 2019 .
- ^ Märkische Oderzeitung / Frankfurter Stadtbote, 25./26. March 2006, p. 19
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, 1./2. April 2006, p. 15
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, April 15, 2006, p. 15
- ^ Märkische Oderzeitung / Frankfurter Stadtbote, 29./30. April / 1. May 2006, p. 15
- ^ Margrit Höfer, Märkische Oderzeitung / Frankfurter Stadtbote, 25./25. June 2006, p. 17
- ^ Margrit Höfer, Scenes from the city's history , Märkische Oderzeitung / Frankfurter Stadtbote, 8./9. July 2006 p. 18
- ↑ Margrit Höfer, Frankfurt to Heaven , Märkische Oderzeitung / Frankfurter Stadtbote, 9./10. Sept. 2006, p. 17
- ↑ Margrit Höfer, With the wedding car through Leningrad in Märkische Oderzeitung / Frankfurter Stadtbote, Sept. 30, 2006, p. 17
- ↑ Margrit Höfer, accordion plays to dance , Märkische Oderzeitung / Frankfurter Stadtbote, Dec. 18, 2006, p. 15
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, January 8, 2006, p. 14
- ↑ Märkische Oderzeitung / Frankfurter Stadtbote, July 12, 2006, p. 15