The Waldsassen monastery basilica in the Bavarian town of Waldsassen was built from 1685 to 1704 as a monastery church for the Cistercian Sisters of the Waldsassen Abbey . The monastery is dedicated to the Virgin Mary. The church is now also a parish church, under the patronage of the Assumption of Mary and St. John the Evangelist.
Important church builders like Georg Dientzenhofer and Abraham Leuthner created one of the most remarkable baroque churches in Bavaria with this pillar basilica . Artists from all over Europe were involved in the equipment. The building was completed under Abbot Albert Hausner . The church was consecrated in 1704 by Auxiliary Bishop Franz Ferdinand von Rummel . During the secularization in 1803, the monastery church was given to the Catholic community as a parish church. On December 18, 1863, the monastery was re-established as the priory of the Cistercian women by Bishop Ignatius von Senestrey in Regensburg and repopulated by Cistercian women from the Seligenthal Abbey in Landshut. In 1969 Pope Paul VI raised the collegiate church to the Basilica minor .
architecture
The church interior has a total length of 82 meters. The main nave is equipped with chapels and galleries . In the nuns choir there is a richly designed choir stalls . Precious stucco decorate the entire interior. The ceiling frescoes in the choir show scenes from the traditional founding history of the Waldsassen monastery. There is a crypt under the nave .
The basilica is in possession of twelve richly decorated relics of so-called catacomb saints , ten of which are full-body relics that are located in the main nave of the basilica. They come from the catacombs of Rome and were decorated between 1707 and 1765 by Adalbert Eder, a lay brother of the Cistercian convent. This collection of relics is the largest of its kind.
The organ with 7720 pipes was rebuilt and expanded several times. In 1989 it received its current form under Georg Jann . From 1999 to 2016 Orgelbau Hörl looked after the organ. In 2017/2018 Orgelbau Mühleisen carried out a general cleaning and careful re-intonation as part of the interior renovation of the church. The instrument is the second largest organ in the Diocese of Regensburg .
Normal coupling: I / II, III / I, III / II, IV HW / I, IV SW / I, IV HW / II, IV SW / II, IV HW / III, IV SW / III, V / I, V / III, V / IV, VI / I, VI / II, VI / IV, VI / V, I / P, II / P, III / P, IV HW / P, IV SW / P, V / P, VI / P
Sub-octave coupling: III / I, III / II, III / III
Super octave couplings: V / I, V / II, V / III, V / IV, V / V
According to an inscription on the inside, the organ positive was built on March 16, 1802 by the Bohemian organ builder Joseph Gartner from Tachau for the Steinberg Church. In 1975 it was just a ruin with no pipes or windmill . The Rieger company restored it reconstructively.
Organ positive
Traditional disposition
Manual C–
1.
Copula major
8th'
2.
Copula minor
4 ′
3.
Principal
2 ′
4th
Fifth
1 1 ⁄ 3 ′
5.
Octave
1'
Today's disposition
Manual C–
1.
Dumped
8th'
2.
Wooden pipe flute
4 ′
3.
Principal
2 ′
4th
Fifth
1 1 ⁄ 3 ′
5.
Oktavlein
1'
Bells
Six bells hang in the two towers of the monastery church. The older bell comes from Johann Joseph Perner from Pilsen / Czech Republic, the founder of the Perner family of bell- makers . The other bells were cast by the Otto bell foundry in Bremen-Hemelingen. The big bell hangs in the north tower, all others are in the south tower.
^ Eberhard Kraus: Historical organs in the Upper Palatinate. Schnell & Steiner 1990, ISBN 3-7954-0387-1 , p. 330.
^ Gerhard Reinhold: Otto bells. Family and company history of the Otto bell foundry dynasty . Self-published, Essen 2019, ISBN 978-3-00-063109-2 , p.588, especially pages 340, 341, 464, 545 .
↑ Gerhard Reinhold: Church bells - Christian world cultural heritage, illustrated using the example of the bell founder Otto, Hemelingen / Bremen . Nijmegen / NL 2019, p.556, in particular pp. 300–302, 456, 502 , urn : nbn: nl: ui: 22-2066 / 204770 (dissertation at Radboud Universiteit Nijmegen).