Timo Dentler

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Timo Kaspar Dentler (born January 3, 1971 in Ulm ) is a German stage and costume designer .

Life

Timo Kaspar Dentler, son of goldsmith Rudolf Dentler , grew up in Ulm and studied from 1990 to 1999 at the Düsseldorf Art Academy under Karl Kneidl , whose master class he became in 1999. In 1996 he received the Markus Lüpertz Prize from the Düsseldorf Art Academy.

He had his first engagements from 1992 to 1998 as a stage and costume design assistant at the Berliner Ensemble , the Frankfurt Opera , the Wiener Festwochen and the Münchner Kammerspiele with Karl Kneidl , Peter Zadek and Peter Palitzsch .

Timo Dentler has been working as a stage and costume designer on major international stages since 1999. Several times for the Stuttgart State Opera , the Semperoper in Dresden, the Bregenz Festival , the Zürcher Schauspielhaus , the Nationaltheater Mannheim , the Staatstheater Nürnberg , the Staatstheater am Gärtnerplatz in Munich, the Badisches Staatstheater Karlsruhe , the Düsseldorfer Schauspielhaus , the Kölner Schauspielhaus , the Mainz State Theater , the State Theater in Wiesbaden , the State Theater in Darmstadt , the Theater Bremen and the Lucerne Theater . Most recently he designed the stage and costumes for Der Zwerg at the Chemnitz Theater , Lady Macbeth von Mzensk at the Royal Copenhagen Opera and Boris Godunow at the Nuremberg State Theater in a production by Peter Konwitschny .

Timo Dentler was nominated in 2009, 2011, 2013 and 2016 by the specialist magazine Opernwelt as the best set designer of the year and in 2011 and 2016 as the best costume designer of the year.

In 2020 he conceived and designed an exhibition for the Ulm City Hall for the first time, together with his partner, the stage and costume designer Okarina Peter. On the occasion of the 250th anniversary of the birth of the Ulm gliding pioneer Albrecht Ludwig Berblinger , it pays tribute to visionary power at the interface of fantasy and science under the title "The world, a room with wings" .

Working as a stage and costume designer (selection)

Web links

Individual evidence

  1. https://stadthaus.ulm.de/die-welt-ein-raum-mit-fluegeln
  2. ^ A b Jürgen Kanold: In the big wide theater world. : In: Südwest Presse : June 17, 2003.
  3. Rüdiger Heinze : The Silbersee is spot on. In: Augsburger Allgemeine : January 26, 2009.
  4. Thomas Heinold: When musicians hit the drum. In: Nürnberger Zeitung : March 7, 2009.
  5. Markus Thiel: Premiere review: Franz Schreker's opera - "The distant sound" In: Münchner Merkur : March 1, 2010.
  6. ^ Dietrich Bretz: A chamber opera as a plea against war. ( Memento from September 24, 2015 in the Internet Archive ) In: Südwest Presse : November 10, 2011.
  7. Siroe: Re di Persia. In: haendel-festspiele.de .
  8. Hans-Günter Fischer: busy signal as a leitmotif. In: Mannheimer Morgen : June 13, 2013.
  9. Guy Dammann: Lady Macbeth of Mtsensk: Royal Opera House: Copenhagen - review. In: Financial Times : November 4, 2014 (English).
  10. Daniel Ender: Between surrealism and hairy slapstick. In: Der Standard : October 24, 2014.
  11. ^ Eva Schulz: Comical: tragic and consoling. In: Kleine Zeitung : October 23, 2014.
  12. Juan Martin Koch: A tsar gets out: Modest Mussorgsky's “Boris Godunow” in the original version at the State Theater in Nuremberg. In: NMZ : October 2, 2016.
  13. Michael Stallknecht: Departure with a balloon. In: Neue Zürcher Zeitung : October 4, 2016.
  14. Katja Sturm: Steamer drama in the nave. In: Frankfurter Neue Presse , July 17, 2017.
  15. Stéphane Capron: Camille Razat, la nouvelle Vieux Juif Blonde. In: Sceneweb , October 6, 2018 (French).