Carl Langhein

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Carl Langhein, before 1905
Tomorrow in the harbor ( Ewer auf der Medem in Otterndorf ), lithography, 1901 (or earlier), art print, Künstlerbund Karlsruhe . In contrast to the following picture from 1902, the print appears to be reversed.
Ewer at the Medem in Otterndorf, lithography. Print after a painting from 1902
Runkel ad Lahn Castle , Art Print, Künstlerbund Karlsruhe, lithography, 1904 (maybe earlier)
Poster Nordlandfahrten Hamburg-America line , art print, Künstlerbund Karlsruhe, 1905
Poster Free and Hanseatic City of Lübeck , Art Print Künstlerbund Karlsruhe, 1906
Carl Langheins Haus Hochkamp , built in 1912. Today Otterndorf Youth Hostel
Lion sculpture that was owned by Carl Langhein for years. Location: Inner courtyard of Hadler House , Otterndorf

Carl Johannes Louis Langhein (born February 29, 1872 in Hamburg ; † June 26, 1941 in Hadamar ) was a German painter and graphic artist.

Life

Carl Langhein was born in Hamburg as the son of the upholsterer and decorator Carl Jacob Martin Langhein (1846–1914) and his wife Louise Catharina Maria, née Westphal (1849–1873). He attended an elementary school in Hamburg from 1879 to 1886. He then completed an apprenticeship as a lithographer in the Kunstanstalt AG in Wandsbek (formerly Gustav W. Seitz ) until 1890 . In addition, he took drawing courses at the trade school in Hamburg from 1888. From 1890 to 1891 he worked as a chromolithograph in the Lithographische Kunstanstalt Kaufbeuren (formerly Hans Kohler & Co. ) in the Allgäu. From 1891 to 1892 he studied at the Royal Academy of Arts in Berlin with Robert Warthmüller . From 1892 to 1896 he studied at the Art Academy in Karlsruhe with Carlos Grethe and Robert Poetzelberger . At times he stayed to paint in the Grötzingen painters' colony . In 1895 Langhein became Leopold von Kalckreuth's assistant and, until 1912, head of the art academy's lithography workshop, which they founded. Hamburg scholarships from the Averhoff Foundation and the Patriotic Society enabled Langhein to go on study trips from Karlsruhe in the mid-1890s, for example to Adolf Hölzel in the Dachauer Moos , whose pupil he became. From 1897 to 1926, Langhein was the managing director of the newly founded art print shop Künstlerbund Karlsruhe ( KKK ), which was initially called the Langhein stone printing shop. Fine art printing for the artist association . From 1900 to 1912 he was also a lecturer in lithography at the arts and crafts school, painting school and at the Polytechnic in Karlsruhe. From 1896 Langhein traveled repeatedly to the north German coastal region near Cuxhaven to paint , including with Eduard Euler . Soon he discovered the Otterndorf an der Medem east of Cuxhaven , which he often visited. In 1898 he married Anna Elisabeth Schmider (1877–1956) in Karlsruhe.

As part of the celebrations of the golden wedding of the Grand Duke of Baden Friedrich I and Grand Duchess Luise , the Grand Duke in 1906 awarded Carl Langhein and Albert Haueisen , Wilhelm Süs (1861–1933) and Hermann Göhler (1874–1959) the title of professor. The academy professors Hans Thoma and Gustav Schönleber, on the other hand, were each awarded the Golden Medal for Art and Science. In the same year Langhein had a studio house built in Otterndorf am Deich. In 1907, in his role as managing director of the art print shop Künstlerbund Karlsruhe , he co-founded the German Werkbund . In 1910 he moved from Karlsruhe to Ettlingen with his wife and three children . From 1911 he had a house built at Schleusenstrasse 147 in Otterndorf, as his studio house in Otterndorf would have been too small for himself and his family. He played a decisive role in the architectural drafts as well as in the design of the interior furnishings. In 1912 he and his family moved into the new house, which he named Haus Hochkamp .

During the First World War , Langhein was in the Imperial Navy , where he became a lieutenant in the sea defense in the 1st squad of the sailor artillery . Because of his services he was awarded the Hanseatic Cross. In 1918 he founded the GmbH Hanseatischer Kunstverlag based in Hamburg, which was entered in the Hamburg commercial register on December 19, 1918. In 1926 he fell ill with brain paralysis and steadily increasing dementia and was placed in the Lüneburg institution in 1927 . As part of the Nazi euthanasia program Aktion T4 , he was transferred from Lüneburg to the Herborn intermediate facility in 1941 and from there to the Hadamar killing center , where he was gassed with carbon monoxide on June 26, 1941 .

Carl Langhein was a member of the Hamburg Artists 'Association , the Karlsruhe Artists' Association, the German Werkbund , the Badischer Kunstgewerbeverein, the Association of Art Friends in the countries on the Rhine and the General German Art Cooperative . His students included Georg Scholz , Georg Tappert and Wilhelm Laage . He is with works in the collections of the Staatliche Kunsthalle Karlsruhe , the Heimatmuseum Otterndorf, the Otterndorf town hall , and the city administration Otterndorf, the Letter Foundation , the Sprengel Museum Hannover , the Museum Schloss Moyland near Bedburg-Hau in the Kleve district and in of the graphic collection of the Staatsgalerie Stuttgart . In addition, in 2013 the Professor-Carl-Langhein-Herrenzimmer was set up in Langhein's honor in the Otterndorf Youth Hostel, in the listed former residential building of Langhein, which he had built for himself and his family and has lived in since 1912 . Paintings by the painter and historical photos of the Langhein family hang on the walls of the room, which is accessible to visitors. In 1980 Otterndorf was given a lion sculpture that had belonged to Carl Langhein for years. Today it stands in the courtyard of the Hadler House .

After Carl Langhein in 1975 in the Karlsruhe district Grötzingen the Carl-Langhein Street and in Otterndorf 1996 Prof.-Carl-Langhein path named.

family

Carl Langhein's mother Louise Catharina Maria died in 1873. His father Carl Jacob Martin emigrated to the USA after 1880 , where he and his second wife Minna, née Kuster (1855–1935), had two daughters, Minna and Marie. Carl Langhein had three children with his wife Anna Elisabeth: Johann Hinrich Leopold (1899–1973) became an agricultural economist, was an agricultural councilor in the Ministry of Food in Wroclaw until 1944 and later became an agricultural councilor in the Hadeln / Otterndorf community. Luise Theres (1900–1979) married a banker from Bremen , but divorced during the Second World War. Klaus (1902–1975) became a shipbuilding engineer and was the owner of a small shipyard in Gdansk until 1945 . He later founded a shipyard in Otterndorf.

Foundation, endowment

The Prof. Carl Langhein Foundation was founded in 1999 by Carl Langhein's great-grandson, the Hamburg notary Gerd H. Langhein (1956–2015), who was born in Otterndorf. One purpose of the foundation was to keep the work of Langhein and artist colleagues close to him in memory, to build up further collections, to exhibit and to process them scientifically. In addition, his outstanding contribution to the dissemination of artist's lithography as well as to the art reform efforts at the beginning of the 20th century should be recognized. Another purpose of the foundation was the promotion of art and culture in general as well as cultural projects in Otterndorf and the surrounding area through financial support, scholarships, prizes or the like. Accordingly, she had supported various exhibitions, art projects and cultural ventures in recent years, including in Otterndorf, Ihlienworth and Neuhaus . Shortly before the founder's death, the foundation acquired a warehouse in Otterndorf, which is to become a home for the works of Carl Langhein and the photographs of the Ottendorf photographer Ernst Nöldeke (1876–1971). The renovation of the building has already started. The scholarship recipients included Frank Radmacher (* 1953) in 2000/2001, Hans Georg Assmann (* 1950) in 2003 and Anja Kalenbach (* 1961) in 2008.

Exhibitions (selection)

  • 1897: Great Berlin Art Exhibition - Lithography: Night
  • 1897: International Art Exhibition, Dresden - Lithography: Night
  • 1898: Munich annual exhibition in the Glaspalast - Lithography: Night
  • 1898: XII. Exhibition of the aquarellists club of the cooperative of visual artists Vienna in the Künstlerhaus Vienna - lithography: night
  • 1898: Exhibition of artist's lithographs in the atrium of the Kunstgewerbemuseum , Berlin
  • 1901: International Art Exhibition, Dresden - Stone printing: Tomorrow in the harbor
  • 1902: Jubilee art exhibition (fifty-year reign of the Grand Duke of Baden Friedrich I ), Karlsruhe - lithography Lower Elbe
  • 1905: Great Berlin Art Exhibition - 2 colored pencil drawings, 3 lithographs
  • 1906: Anniversary exhibition for arts and crafts (golden wedding of the Grand Duke of Baden Friedrich I and the Grand Duchess Luise ), Karlsruhe - oil painting morning sun (maybe more)
  • 1906: International exhibition in Milan
  • 1906: Poster exhibition, Association of Poster Friends , Bremen local group, Kunsthalle Bremen
  • 1906: German art exhibition in Cologne, where a lithograph (Runckel Castle) and a marshland in oil were purchased. A large number of sheets from the Runkel an der Lahn lithographic edition were also purchased for the exhibition raffle.
  • 1909: Exhibition of the Künstlerbund Karlsruhe in Hamburg, organized by the Kunstverein in Hamburg - an oil painting
  • 1910: Munich annual exhibition in the Glaspalast - painting: Summer wind
  • 1910: Permanent exhibition of works by former students from the local art academy for the silver wedding celebration of the Baden Grand Duke couple , Friedrich II. And Hilda , Badischer Kunstverein , Karlsruhe
  • 1912: Exhibition of works by Hamburg artists, organized by the Kunstverein in Hamburg - 3 paintings
  • 1913: Exhibition of works by Hamburg artists , organized by the Kunstverein in Hamburg - 2 paintings
  • 1913: Lower Saxony art exhibition, Stade town hall
  • 1914: Cologne Werkbund exhibition - a painting and room arrangement in the room of the Delmenhorster linoleum factory Anker
  • 1919: Exhibition of the Hamburger Künstlerverein , organized by the Kunstverein in Hamburg - an oil painting

Posthumously

Publications

  • History and technology of color printing , part 4. In: Archiv für Buchgewerbe , Volume 39, 1902, No. 5, pp. 178–182
  • Mine sweeper to the front! with a foreword by Lieutenant Eberhard Wolfram , German National Publishing House, Hamburg, 1917 (with illustrations)
  • The war and German art . In: Deutsches Volkstum , monthly for art and intellectual life , Wilhelm Kiefer (ed.), Deutschnationale Verlagsanstalt, Hamburg, No. 4, April 1918, pp. 114–118 ( digitized version )
  • Hans von Volkmann - A German Painter. In: Yearbook 1918 for German National Handlers , Verlag der Deutschnationalen Buchhandlung, Hamburg 1918, pp. 90-94 (The yearbook also includes pictures by Hans von Volkmann) ( digitized version )
  • Friedrich Lißmann † . In: Jahrbuch 1919 für Deutschnationale Handlungsgehilfen , Verlag der Deutschnationalen Buchhandlung, Hamburg 1919, pp. 198–201 (The yearbook also includes pictures by Friedrich Lißmann (1880–1915)) ( digitized version )
  • The man with the portfolio . In: Yearbook 1920 for German National Handlers , Verlag der Deutschnationalen Buchhandlung, Hamburg 1920, pp. 202–208 and the following illustration ( digitized version )

Art Print Künstlerbund Karlsruhe

  • Künstlerbund Karlsruhe (Ed.): Catalog of the original lithographs of the Künstlerbund Karlsruhe , Verlag der Künsterei Künstlerbund Karlsruhe , Karlsruhe 1904, p. 38, 71 ( digitized version )
  • Künstlerbund Karlsruhe (Ed.): Catalog of the original lithographs, etchings, woodcuts of the Künstlerbund Karlsruhe , Verlag der Künsterei Künstlerbund Karlsruhe, Karlsruhe 1908, pp. 47–48, 104 ( digitized version )

literature

Web links

Commons : Carl Langhein  - collection of images, videos and audio files

Individual evidence

  1. Personal and studio news in: The art for everyone: painting, sculpture, graphics, architecture , issue of November 15, 1906 (There is incorrectly Wilhelm Langhein instead of Carl Langhein .)
  2. Main source : Carl Langhein at LEO-BW
  3. Carl Langhein: The man with the portfolio (he calls himself Kurzhans instead of Langhein ) in the 1920 yearbook for German national handlers , Verlag der Deutschnationalen Buchhandlung, Hamburg 1920, p. 208
  4. ^ Hanseatischer Kunstverlag in the Hamburg address book from 1920. Langhein is listed there as one of the three managing directors.
  5. Walter von Zur Westen: Carl Langhein † in: Nutzgraphik , Volume 18, October 1941, p. 25 ( digitized version )
  6. Dr. Johannes Koenig: Murdered people get a face ( memento from December 29, 2017 in the Internet Archive ). In: Nassauische Neue Presse , January 15, 2014
  7. ^ List of members of the German Werkbund
  8. ↑ Directory of members of the Badischer Kunstgewerbeverein,
  9. ^ List of members of the Association of Friends of Art in the countries on the Rhine
  10. ↑ List of members 1899 of the Allgemeine Deutsche Kunstgenossenschaft (under Karlsruhe II., Künstlerbund Karlsruhe )
  11. Letter Foundation's list of artists
  12. ^ List of the number of prints per artist, Sprengel Museum. Paintings are not listed (PDF file)
  13. ^ Time travel in Haus Hochkamp , on cnv-medien.de , August 24, 2014
  14. ^ Gravestone of Minna and Carl Jacob Martin Langhein on findagrave.com
  15. ^ Biography Gerd H. Langhein, Notoriat Rathausmarkt, Hamburg
  16. Gerd H. Langhein: The mill offers an ideal platform for art and culture in Otterndorf on mahlwerk-otterndorf.de , August 21, 2013
  17. ^ Obituary notice of Gerd H. Langhein
  18. ^ Exhibition catalog , Berlin, 1897
  19. ^ Exhibition catalog , Dresden, 1897
  20. ^ Exhibition catalog , Munich, 1898
  21. ^ Exhibition catalog , Vienna, 1898
  22. ^ Exhibition catalog , Berlin 1898
  23. ^ Exhibition catalog , Dresden, 1901
  24. Exhibition catalog 1902
  25. ^ Exhibition catalog , Berlin 1905
  26. Illustration of the painting Morning Sun
  27. ^ Exhibition catalog , Milan, 1906
  28. Attribution in: Poster exhibition in Bremen in Das Plakat , January 1914, p. 47
  29. ^ Purchased works from the exhibition in Cologne in 1906
  30. List of works purchased for the exhibition raffle
  31. ^ Exhibition 1909 in: Annual report of the art association in Hamburg for 1909 . P. 10 (PDF-p. 93). PDF file from kunstverein.de
  32. ^ Exhibition catalog , Munich, 1910
  33. Die Kunst , 1911, p. 94 (PDF file)
  34. Exhibitions ( Memento from October 29, 2014 in the Internet Archive ) at the Kunstverein in Hamburg (PDF file)
  35. ^ Exhibition directory 1912 in: Annual report of the Kunstverein in Hamburg, 1912 , p. 15 (PDF-p. 39)
  36. ^ Exhibition directory 1913 in: Annual report of the Kunstverein in Hamburg, 1913 , p. 14 (PDF-p. 57)
  37. Attribution to the Stader exhibition in German art and decoration , Volume 33
  38. German form in the war year - the exhibition in Cologne in: Yearbook of the German Werkbund , 1915, p. 14
  39. ↑ List of participants in the 1919 exhibition in: Annual report of the Kunstverein in Hamburg, 1919 , p. 9 (PDF-p. 78)
  40. Angelika Storm-Rusche: Soul landscapes on stone on general-anzeiger-bonn.de , December 13, 2016
  41. From Nidden to Fischerhude on Rotenburger-rundschau.de , July 9, 2009
  42. Art and the Wadden Sea on cn-online.de
  43. Annual report 2014 of the Hademar Memorial , pp. 11, 19 (PDF file)
  44. ^ Margit Fritz MA: ... 12 minutes from Karlsruhe , booklet accompanying the exhibition (PDF file) from karlsruhe.de
  45. ^ The art and the Wadden Sea , Fischerhude on kunstverein-fischerhude.de
  46. Brochure of the exhibition Art and the Wadden Sea in Cuxhaven from cuxhaven.de (PDF file)
  47. It says that Carl Langhein came from a family who immigrated to Hamburg from Mecklenburg-Western Pomerania in the 17th century, reminiscent of Langhein-Strasse in Hamburg-Poppenbüttel and the Langhein-Kate on Schulbergredder . However, the Langhein family (previously probably Langeheine ), after whom the street and the cottage were named, have been living in the area around Poppenbüttel since the 16th century. Cf .: Günther Talke: The Langhein family in Poppenbüttel in the yearbook of the Alsterverein 1988, pp. 47–50 ( digitized version )