Hurry Up, We're Dreaming

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Hurry Up, We're Dreaming
Studio album by M83

Publication
(s)

October 18, 2011

Label (s) Naïve, mute

Format (s)

CD, vinyl, download, stream

Genre (s)

Electropop
Synth-Pop
Synth Rock
Ambient

Title (number)

22nd

running time

73:34

chronology
Saturdays = Youth Hurry Up, We're Dreaming Junk
Single releases
August 16, 2011 Midnight City
5th February 2012 Reunion
July 30, 2012 OK Pal
November 27, 2012 Steve McQueen
5th December 2012 Wait

Hurry Up, We're Dreaming is the sixth studio album by the French electro band M83 , released on October 18, 2011 by Naïve and Mute . It's the band's first double album and M83's final album with keyboardist Morgan Kibby.

The album received mostly positive reviews. It debuted on the first weekend with 21,000 album sales at number 15 on the US Billboard 200 , the M83's highest album placement to date. As of March 2016, 300,000 records had been sold in the United States .

At the 2013 Grammy Awards , the album was nominated in the Best Alternative Music Album category. In August 2014, was included in the 100 Best Albums of the Decade So Far from Pitchfork added.

production

Background and recording

Before recording Hurry Up, We're Dreaming , Anthony Gonzalez moved from Antibes, France, to Los Angeles in mid-2010 . In an interview, Gonzalez described the move as follows:

“Having spent 29 years of my life in France, I moved to California a year and a half before the making of this album and I was excited and inspired by so many different things: by the landscape, by the way of life, by live shows, by movies, by the road trips I took alone… I was feeling alive again and this is, I feel, something that you can hear on the album. "

“After spending 29 years of my life in France, I moved to California a year and a half before the album started production and was excited and inspired by so many different things: the landscape, the way of life, the live shows, the movies, the road trips, the I did it alone ... I felt alive and that, I feel, is something you can hear on the album. "

Gonzalez's tour with The Killers , Depeche Mode and Kings of Leon as well as his road trips to Joshua Tree National Park had a lasting influence on the album. Gonzalez cited the ambition of albums like Mellon Collie and the Infinite Sadness (1995) by the Smashing Pumpkins as the reason why he designed Hurry Up, We're Dreaming as a double album. As a further source of inspiration he named the double albums Ummagumma (1969) by Pink Floyd and the White Album (1968) by the Beatles .

He also referred to the two albums as brother and sister, where each track on a disc has a sibling on the other. The double album was recorded at Sunset Studio and The Sound Factory in Los Angeles. Due to budget constraints and union problems, the strings and brass players involved in the album were not paid and were referred to by pseudonyms.

The album recordings were made in memory of Gonzalez 'childhood. Gonzalez told the music magazine Spin that the album was “ mainly about dreams, how every one is different, how you dream differently when you're a kid, a teenager, or an adult. I'm really proud of it. If you're doing a very long album, all the songs need to be different and I think I've done that with this one. "(German:" mainly about dreams, how everyone is different, how you dream differently when you are a child, a teenager or an adult. I am really proud of it. If you produce a really long album, all songs have to be different, and I think I managed it. ")

In an interview with musicOMH he described the album as a “ reflection of my 30 years as a human being ” and something that he dedicated to himself.

The English-language album title Hurry Up, We're Dreaming means Hurry up, we're dreaming , on the record cover it is stylized as “ HurryUp, We'reDreaming.” The front imperative is in bold font . The cover shows two adolescent girls sitting next to each other in a darkened bedroom in front of a shelf on a bed and looking at the viewer. The child on the left is wearing a fursuit .

style

Gonzalez describes the sound of the album as a mix between the synth-pop of the previous album Saturdays = Youth and the more ambitious pieces from Before the Dawn Heals Us . Furthermore, instruments such as acoustic guitars , flute and saxophone were used on the album , which could not be found on the previous albums of M83. The album also features contributions from Brad Laner (from the band Medicine ) and the American singer-songwriter Zola Jesus . Critics have noted musical influences from artists from the 1980s like Kraftwerk , Simple Minds , Peter Gabriel and Harold Faltermeyer , as well as from contemporary electro pop artists like Cut Copy .

publication

Chart positions
Explanation of the data
Albums
Hurry Up, We're Dreaming
  CH 65 10/30/2011 (3 weeks)
  UK 44 October 29, 2011 (3 weeks)
  US 15th 05/11/2011 (17 weeks)
  FR 38 10/22/2011 (27 weeks)

Hurry Up, We're Dreaming was first announced on June 23, 2011 in a YouTube video entitled Echoes… which also included tour dates for North America. The lead single Midnight City won an award online on July 19, 2011 and was officially released on August 16, 2011.

On October 10, 2011, the full album was offered on the website of the American clothing company Urban Outfitters as a music stream. Urban Outfitters held simultaneous listening parties in all of its clothing stores on the Saturday before Hurry Up, We're Dreaming ' s was released.

On October 17, 2011, the music video for Midnight City and on May 30, 2012 for the second single Reunion was released. The Reunion music video is thematically a continuation of Midnight City , which is about a group of escaped children with telekinetic skills. On October 25, 2012, the music video for the song Steve McQueen was published. The last piece on the album Outro was used as background music for the trailer for the movie Cloud Atlas (2012) and in the snowboard documentary The Art of Flight (2011).

On November 5, 2012, a deluxe edition of three records with remixes by Midnight City , Reunion and Steve McQueen was announced, in which musicians Trentemøller and Mylo , among others , were involved. On December 5, 2012, the music video for Wait was released .

reception

Professional reviews
Reviews
source rating
laut.de
Plattentests.de
Allmusic
The AV Club B−
The Daily Telegraph
Entertainment Weekly B +
NME
The Observer
Pitchfork Media 9.1 / 10
Q magazine
Rolling Stone
Spin

Hurry Up, We're Dreaming received mostly positive reviews. The album received an average rating (Metascore) of 76/100 from the rating website Metacritic based on 38 reviews.

Anna Nussbaum praised the German-language online magazine laut.de : “The common friend of catchy synth-pop-rock hymns has not heard anything better lately: a chirping synth, the shrill motif of a piece on the previous one Weeks hardly passed a path, forever inscribed in the sonic memory. In addition, the lyrics are as smooth as butter and ebb away in lavish orchestration, urgent electronica elements, multi-part vocal tracks and a saxophone solo, as seventies as was recently only heard by Dan Bejar Destroyer . "Andreas Borcholte, on the other hand, criticized Spiegel Online , that the double album and its “soundscapes between Vangelis , Tears for Fears , Cocteau Twins , Sigur Rós and Jean Michel Jarre ” “groan from time to time with sheer opulence and grand gestures”. Pitchfork Media's Ian Cohen rated Hurry Up, We're Dreaming as "Best New Music" and rated it M83's best recording to date. He praised the withdrawal of the "heavily saturated synths" of Anthony Gonzalez's earlier works in favor of more accessible pieces, adding that "the traditionally structured songs are some of the most exciting pop music released this year" ("the traditionally structured songs here are some of the most thrilling pop music released this year").

James Lachno from the British newspaper The Daily Telegraph felt that the album “ finally fuses his innate ingenuity with an accessible, commercial edge ” (German: “finally merges his very own genius with an accessible, commercial approach”).

Rudy Klapper from Sputnikmusic praised the influence of 1980s music on Hurry Up, We're Dreaming and called the recording “ near flawless, an essential distillation of the sounds of Gonzalez's youth, nostalgia and melancholy and happiness all mixed up into a sparkling pop stew ”(German:“ almost flawless, an ethereal distillate of the sounds of Gonzalez youth, nostalgia and melancholy and cheerfulness are mixed into a bubbly pop stew ”).

Simon Price praised the album in the British Internet newspaper The Independent as “ a towering city of sparkling synth edifices simultaneously summoning the best of the 1980s ( New Order , The Cure ) and the current breed ( The Knife , Empire of the Sun ) ” .

Laura Studarus of Under the Radar described Hurry Up, We're Dreaming as a "remarkable accomplishment" and a "double album of stunningly ambitious, synth-soaked dreams" .

In a review by the British music magazine NME , Jamie Crossan compared the "innocent and dreamy" album to the title character from Antoine de Saint-Exupéry's 1943 novella The Little Prince and admitted that it was "a damn bold statement, but this album was of comparable bravery “(" Quite a bold statement to make, but this is an album of equal value ").

Reef Younis of BBC Music felt that while “ some consistency may have been sacrificed in favor of a space-filling selection of tracks, this set still represents a heaving, breathing journey through the introspective and the bombastic, the striving and the exhaustive. It is the undeniable sound of one man's triumphant dreams. ”

Heather Phares from Allmusic stated, Hurry Up, We're Dreaming “ may not be quite as striking as Saturdays = Youth , it delivers a welcome mix of classic sounds and promising changes ” (German: “may not be as striking as Saturdays = Youth but it delivers a welcome mix of classic sounds and promising changes ”).

For David Marchese of the American music magazine Spin , Hurry Up, We're Dreaming is “full of goose-bump moments”, but “ lack of something as enjoyably plain (and relatively calm) as 'Kim & Jessie' […] makes Gonzalez's insistence on oversize emotions feel a tad restrictive ”(German:“ the lack of something comparably pleasantly simple (and relatively calm) like Kim & Jessie […] leaves Gonzalez's insistence on oversized emotions a little limited feeling ”).

In a comparable mixed assessment, Timothy Gabriele from PopMatters criticized the band for “ focusing too much on magnitude throughout and too little on depth ” on the album, but noted that the album's "totality of sound" " Has a way of blinding even the most critical listener to the problems that underline many of the album's lesser songs ".

Christian Williams of The AV Club finds the album disappointing and concludes with the opinion that “for an album of such impressive scale and nanoscopic attention to detail, it leaves only a surprisingly weak impression” (“for an album of such impressive scale and nanoscopic attention to detail, Dreams leaves a surprisingly light impression ").

Kevin Liedel from Slant Magazine criticized the album for its rehashed sound of previous M83 albums: It felt more like "a bad M83 wannabe imitation than the original" (" much more like an M83 wannabe's poor imitation than the real deal ").

“ Hurry up, we're dreaming was preceded by self-therapy. In the desert, between Joshua Trees and nostalgic reflections on childlike innocence and naive fantasies without self-censorship. The result is widescreen monumentality the length of a feature film. "

- Carolin Weidner : Plattentests.de

Awards

Hurry Up, We're Dreaming appeared on several annual highs. The music magazine Filter named it the best album of 2011. The American entertainment magazine Paste classified Hurry Up, We're Dreaming as the ninth best album of 2011 with the reason: “ As with everything the Frenchman's done so far, the album is lush and ably produced, crescendo after crescendo. " Pitchfork Media rated it as the third best album of 2011, and Jayson Greene wrote:" Hurry Up We're Dreaming doesn't just draw liberally from the spirit of the massive rock albums Gonzalez name-checked, it practically swallows them whole, regurgitating and redistributing them into something listeners from every corner of the music universe can hear a piece of their lives in. " Popmatters leads Hurry up, We're Dreaming in 5th place its list of the 75 best albums of 2011, while the magazine spin it ranked 19th on its annual best list.

publication country Award year rank
filter United States Top 10 of 2011 2011 1
paste United States The 50 Best Albums of 2011 2011 9
Pitchfork Media United States Top 50 Albums of 2011 2011 3
PopMatters United States The 75 Best Albums of 2011 2011 5
Spin United States The 50 Best Albums of 2011 2011 19th
Stereogum United States The 50 Best Albums of 2011 2011 12

The single Midnight City also received several awards. Paste called it the second best song of the year. For PopMatters , it's the best song of 2011 for the following reason:

“On this transcendent standout […] Anthony Gonzalez and co-synth-scientist Justin Meldal-Johnsen build layer upon layer of keys, arena-sized drums, and vocal atmospherics (not mentioning one of the tastiest sax solos this side of a Springsteen record ). The result? The synth Sistine Chapel. "

“On this transcendent top work […] Anthony Gonzalez and co-synthesizer scientist Justin Meldal-Johnsen layer position over position of notes, arena-sized drums and atmospheric chants (not to mention one of the tastiest saxophone solos on a Springsteen recording). The result? The Sistine Chapel of Synthesizers. "

tour

M83 during the Hurry Up, We're Dreaming tour in November 2011 at the Music Box Theater.

Before the tour, Gonzalez started an open audition on the M83 website for a multi-instrumentalist who can play guitar, bass and keyboard to accompany them on the tour. Jordan Lawloe ​​from Sparta Township, New Jersey won the audition.

The tour to Hurry Up, We're Dreaming began on 15 October 2011 in Mexico City and ended on 1 December 2011 in London . A follow-up tour started on January 12, 2012 in Los Angeles and was originally scheduled to end on August 8, 2012 in New York City .

During the follow-up tour, M83 played on April 13th and 20th at the Coachella Valley Music and Arts Festival , the St Jerome's Laneway Festival in Australia and New Zealand and the Lollapalooza in Chicago , Illinois. The tour was extended and only ended on November 8, 2012 in London.

Track list

Anthony Gonzalez composed all of the songs with the exception of Splendor , which was written by Anthony Gonzalez and Brad Laner. Some musical compositions are by Justin Meldal-Johnsen and Yann Gonzalez, Morgan Kibby and Brad Laner were involved in the lyrics.

No. Title CD1 length comment
1. "Intro" 5:22 Monologue and song by Zola Jesus
2. "Midnight City" 4:03 First single release
3. "Reunion" 3:55 Second single release
4th "Where the Boats Go" 1:46 interlude
5. "Wait" 5:43 Fifth single release
6th "Raconte-Moi une Histoire" 4:04 Monologue by Zelly Boo Meldal-Johnsen
7th "Train to Pluton" 1:15 interlude
8th. "Claudia Lewis" 4:31
9. "This Bright Flash" 2:23
10. "When Will You Come Home?" 1:23 interlude
11. "Soon, My Friend" 3:09
No. Title CD2 length comment
1. "My Tears Are Becoming a Sea" 2:31
2. "New Map" 4:22
3. "OK Pal" 3:58 Monologue by Chelsea Alden
4th "Another Wave from You" 1:53 interlude
5. "Splendor" 5:06
6th "Year One, One UFO" 3:17
7th "Fountains" 1:21 interlude
8th. "Steve McQueen" 3:48 Fourth single release
9. "Echoes of Mine" 3:39 Monologue by Lydie Benzakin
10. "Klaus I Love You" 1:44
11. "Outro" 4:07

Web links

Individual evidence

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