Trio (album)
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| Studio album by Trio | ||||
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Publication |
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| Label (s) | Mercury Records | |||
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Format (s) |
LP; MC; CD; Music download |
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Title (number) |
14th |
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running time |
40 m 33 s |
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| occupation | Singing: Stephan Remmler Guitar: Kralle Krawinkel |
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Studio (s) |
Pigsty studio, Husum |
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Trio is the first studio album by the northern German band Trio of the same name . It was released on October 27, 1981 with a bonus single and a handle on the cover on the Mercury Records label . The album was produced by Klaus Voormann . The album's commercial success did not begin until mid-1982 with the release of its third edition, which contained the song Da Da Da , which was previously only available on a separate single . This song had developed into a national and later international success since April 1982 as part of the Neue Deutsche Welle . In Germany the album reached number three on the album charts. The album trio contains a total of 14 songs, the instrumentation of which is mostly limited to the use of drums , electric guitar and vocals . Most of the songs describe failed love relationships , and there is also a few media criticism .
Emergence
prehistory
The singer Stephan Remmler and the guitarist Kralle Krawinkel had already played together in a north German beat band called Just Us in the 1960s . After their dissolution in 1970 and unsuccessful attempts to gain a foothold as solo artists in the music business, Remmler and Krawinkel became civil servants in the early 1970s. In January 1979 - after a one-time re-appearance as Just Us - they made the decision to make a second attempt to produce commercially successful music. The first songs for the later album Trio were written in Krawinkel's former farm in Rastede , Lower Saxony . During this phase, the tracks, including Nasty and Energie , were still interpreted with the classic rock line-up: guitar, bass, drums, keyboard and vocals. The accompanists from Remmler and Krawinkel fluctuated; Among them was the then unemployed drummer Peter Behrens . Stephan Remmler describes the final decision to only make music with Behrens as a trio as follows:
“We usually jammed with the candidates all weekend, but Peter started coming during the week too. There were three of us working, two new ones came over the weekend, and when we compared the recordings afterwards, we noticed that our trio things were much closer to what we actually wanted. "
The three of them moved into a single-family house rented for DM 600 per month in the Grossenknetener Regente settlement in the Sage district. In the basement was the rehearsal room , where the songs for the album Trio were gradually created. Almost all of the texts were written by Stephan Remmler, who also used everyday situations from the shared flat- sharing community. In 2008, Krawinkel described the origin of the text for the song Los Paul , which was written when he and Behrens watched a football game on television:
“... then Paul Breitner was in the national team, Stephan came in, I said: 'You have absolutely no idea about football! Get out!' 'No no, I would like to be a part of it!' He had a writing pad with him. Then I said: 'Come on Paul, you have to give him a bang.' I said that, he wrote it down. 'Quickly seen, quickly shot ...' the announcer had said. 'Two men with him ...' - was the speaker. Stephan wrote that down; the next day it was instantly part of the song. That was life. A good life."
The band, which has now simply called itself a trio , recorded a selection of the resulting songs on a Teac four-track machine in their own rehearsal room. Trio had two tracks ( Lady-O-Lady and Sunday You Need Love Monday Be Alone ) and a nearly nine-minute live version of the song Broken Hearts for You and Me pressed onto a 10 ″ mini-LP in a small edition. With these records, the band applied to record companies for a record contract, but received 23 rejections. The A&R manager Louis Spillmann of the German record company Phonogram received a copy from an employee of the music publisher Francis, Day & Hunter. Because the song Sunday You Need Love Monday Be Alone caught his attention, he attended a trio concert . The convincing live performance of the band persuaded Spillmann to offer the band a record deal that same evening.
Klaus Voormann, Beatles intimate and formerly bassist with John Lennon , was a consultant for Spillmann at the time. He also attended a trio concert and was a guest at a rehearsal for the band in Großenkneten. He confirmed Spillmann's decision to sign the band, not least because of their professional stage show, but also because of the ideal role distribution within the formation that corresponds to the characters. From then on, Spillmann used Voormann as the producer of Trio and a record deal was signed.
production
In the summer of 1981, Klaus Voormann asked Spillmann for DM 10,000 for two eight-track machines in order to start producing Trio's debut album . The choice of music studio fell on the pigsty studio near Husum , which the producer and former keyboardist Detlef Petersen from the German-English band Lake ran together with Geoffrey Peacey. The latter worked as a sound engineer on the album.
The drums and electric guitar for all tracks on the album were recorded live by Krawinkel and Behrens, and Remmler's vocals were then recorded using the overdub method. Due to the minimal instrumentation of all songs, there was little to add or leave out of the recordings. The band mastered their repertoire through intensive rehearsals and many gigs, so that the recordings took place quickly. The perfectionism of Stephan Remmler, who “sent his band mates and Klaus Voormann around the house” for concentrated singing, caused tension at times.
Some of the band's songs contained instrumental passages that were dragged out during performances. These passages were shortened in the recording studio. For example, a long solo on a children's guitar at the end of the song Kummer , which spread to a cacophony on stage , was shortened by a very early fadeout . A long guitar solo in Broken Hearts for You and Me has also been removed without replacement. Other songs, on the other hand, were refined with small additions: In the song Nasty , the guitar solo is introduced by a clanking noise that was generated by a cardboard box filled with glass and thrown around the studio. The outro of the song Danger Is ended yet live with the fact that Trio "Da danger," cries rhythmically. For the studio version, however, the calls shouldn't be heard in time. To achieve this, the band threw balls to each other in the studio; everyone who was throwing a ball had to shout “There is danger!” to make the calls sound as random as possible.
To the total of thirteen songs recorded in the studio, two older live recordings ( yes yes yes and TRIO ) as well as the original demo version of the song Sabine Sabine Sabine were added for the album Trio .
Other songs from the live repertoire of Trio were not included on the album, including the song Or maybe - won't be that bad because the lyrics are too offensive:
"Spread
your legs and let me in, it shouldn't be your damage.
Take it in your mouth up
to your throat, it shouldn't be your damage
or should it?"
The songs You I would so much like to be with you , A Little Love , Country Boy and Nirgendwohin from Trio's live repertoire did not appear on the album Trio . It is not known whether the named tracks were even produced, as the original multi-track tapes on the album are considered lost. Or maybe - it won't be so bad was released in 1985 in a revised version under the name Ready for You on Trio's last studio album Whats the Password . You I would like to be with you has also been revised and released as Anna - Lassmichrein Lassmichraus as a single at the end of 1982. Stephan Remmler re-produced the song in its original form in 1993 and released it on his solo album Vamos .
The album was then mixed by Klaus Voormann. It is not known where the album was mastered.
The finished production was presented to the record company Phonogram and caused irritation there. Klaus Voormann recalls that product manager Thomas Quast was desperately waiting for the electric bass to be used:
“He probably believed that something big and big would come of it. That almost made me Minna. "
Ultimately, Louis Spillmann spoke a word of power, and Klaus Voormann's mix was accepted. The album Trio was released on Tuesday, October 27, 1981, on the sub-label Mercury Records of Phonogram.
The Germany tour following the release of the album and the minimal effort involved in the live performance were used by the band for advertising purposes by performing directly in the local record shop in the afternoons at every guest location. Trio played in a total of 39 record stores until the end of 1981, starting with “Montanus” in Berlin and ending in “Studio 2000” in Homburg . From the drugstore Müller in Bad Toelz trio was shown the door because they were too loud. Some short concerts were also given in the record departments of department stores such as Hertie or Karstadt . Only in the evening did the trio play their roughly two-hour live show in local clubs.
Da da da
During the German tour in 1981, the song Da Da Da was created , which was very well received by the audience. The Rolling Stone -Redakteur Joachim Hentschel linked in 2003, the career of a trio with the composition of Da Da Da :
“Da Da Da, unpopular with the experts and the musicians themselves, can also be seen as the definitive trio moment, as a three-and-a-half-minute trip through all the strange corners of the band's universe. The first song that the group composed after the exciting months and the establishment of their own image. The first song in full awareness of your own strengths. "
In early 1982 Klaus Voormann decided to publish Da Da Da as a single. In Zurich studio of fellow band Yello took Trio music and singing on the song. In the Berlin audio studio, Annette Humpe and Joachim Behrendt from the band Ideal added background vocals and castanets . A single and a maxi single by Da Da Da were released in February 1982. Became known through several television appearances, including on Bananas and in the ZDF hit parade , Da Da Da entered the German single charts on April 5, 1982 and ultimately reached number two there.
Because of this success, Da Da Da was subsequently added as the second song on the B-side in what is now the third edition of the album Trio .
Cover design
In keeping with the musical minimal concept, the cover of the Trio album was kept as minimalistic as possible. The completely white envelope background is extensive in black with the band name, a band logo and the home address and - telephone number of Trio labeled. The illustration is a greatly enlarged imprint of an address stamp from the band, with the incorrect spelling of the street name (correct is “Regenter Str.”). On the back of the album there is only a list of the songs that Remmler handwritten himself. Information about the music or the identity of the musicians or the production team cannot be found on the cover.
All lyrics are printed in black and white on the record cover. Here, too, has been minimized: punctuation marks are completely dispensed with.
The names "Remmler" and "Kralle" as composers are only found on the plate sticker. In addition, "Klaus Voormann" is named as the producer. Behrens, who was not involved in any composition on the album, is not mentioned by name anywhere on the album.
The record company Phonogram had reservations in the run-up to the album's release, as employees feared that finger dirt could accumulate on the white cover in the record store.
The first vinyl edition of the album, limited to 6,000 copies, contained a bonus single with the songs Hold me tight, I'm going crazy and Lady-O-Lady . A cardboard handle was attached to the upper edge of the record case.
The CD version of the album, released in 1984, largely retained the simple cover. Only the handwritten track listing was exchanged for a printed version. In contrast to the vinyl edition, neither the authors nor the producer are named on the CD. Overall, the information content of the CD version therefore only includes: band name, home address, telephone number, track list and texts.
The provision of Trio's telephone number inevitably led to a large and probably intended number of calls to Trio's house in Großenkneten. Due to the increasing popularity of the band, Trio got an answering machine that Remmler, then Krawinkel, and Behrens discussed. The naming of the private address also led to countless visits from fans, which made concentrated music-making almost impossible. In 1984 Remmler and Behrens moved out; In 1989, Krawinkel was the last band member to leave the house in Großenkneten.
Musical description
concept
Trio had set themselves the goal of reducing various styles of music to an absolutely necessary minimum. Almost all of the songs on the album are only played with drums and electric guitar . A simple home organ of the type "EKO Micky" was used on only a few titles ( Energie , Ya Ya ) . The singing was partially alienated by the use of a throat microphone and a megaphone . On the album are u. a. Reggae (energy) , Liebesschnulzen ( Kummer , Sabine Sabine Sabine ), punk (yes yes where are you lank Peter Pank thank you very much) , rock'n'roll (Ya Ya) or rock (Sunday You Need Love Monday Be Alone ) . Despite these clearly different musical styles, the album sounds uniform thanks to the sparing instrumentation. The binding link is the form of presentation.
The lyrics of the album Trio are partly in German and partly in English . Both languages are used in a number of songs. Almost all of the lyrics and about half of the music were written by Remmler, while Krawinkel contributed another half of the music. Behrens is not involved in any composition.
Music and lyrics
The album opens with the approximately 30-second long song Achtung Achtung , which was recorded especially for the album and was not part of the trio's live repertoire . At a guitar solo accompanied by drums, Remmler calls out the following announcement through a megaphone :
"Attention attention! Do not be fooled! While it may initially seem like your entertainment is at stake, in the end it comes down to you giving your sympathy and money to the trio. Off for it. "
The song ends abruptly, and Remmler immediately calls out "Ja Ja Ja", which introduces the second song on the album Ja Ja Ja . This very fast punk track (around 220 bpm ) is a live recording that was made in 1981 in Stade . The text is sung in German for two stanzas and two refrains. Then the guitar stops and Remmler sings - now only accompanied by the drums - in English. In addition, the singing is alienated by using a larynx microphone. At the end of the song Remmler verbally imitates an anti-aircraft cannon and hand grenades .
The very fast, aggressive Ja Ja Ja is followed by the extremely slow (around 80 bpm) ballad Kummer , which is first introduced by church bells . After a few seconds, the drums and electric guitar also set in, whereby the key of E major of the song does not correspond to the key of G major of the bells and thus a clear dissonance arises. After a few bars Remmler begins to sing in very low notes while the church bells fall silent. In terms of content, the song describes in a total of a few lines in German and English the pain of separation of the speaker after a failed love affair. The song ends with the dissonant onset of the church bells, with the dissonance being intensified by a short solo on a children's guitar.
The rock song Broken Hearts for You and Me begins with a brisk march , which is played exclusively on the drums with a pounding bass drum and drum rolls . Remmler calls on the audience to a formation dance in German using a megaphone :
"The ladies in the inner circle, the gentlemen in the outer circle, march in the opposite direction!"
After about half a minute, the drums change to a moderate 4/4 time, the guitar kicks in, and Remmler sings about the attempt to end a love affair on good terms in several English verses. To this end, the choir made up of Krawinkel and Behrens continuously sings the title of the song: "Broken hearts for you and me".
In the song Nasty, Remmler continuously insults his ex-girlfriend in English and expresses that after the apparent breakup, he can no longer understand that he has ever got involved with her. The song has no chorus, instead a strongly dissonant guitar solo begins after two stanzas, which is followed by another stanza. Towards the end, the song climbs into a crescendo in which Remmler sings “I can't go on with this feeling 'bout you” continuously and with increasing pitch. In the end of the song Remmler falls into laughter.
Instead of drums, a home organ contributes to the calypso rhythm of the song Energie . Initially, you can hear the noise of the waves and a guitar solo with a strong reverberation. Remmler gives a German introduction to this musically structured South Seas atmosphere :
“Brown boys wash up on the beach on homemade folk instruments. Sleek bodies sway in the moonlight. (...) "
After the guitar solo and the noise of the waves, the text continues in English and describes how Remmler asks his girlfriend to set it up. At first he only sings the text to the rhythm of the home organ; later guitar and choir join in. Drums cannot be heard during the entire recording. The song ends with the lines accompanied by snapping fingers
"Too much nerve, too much nerve
give me energy
Too much nerve, too much nerve
oh woman rescue me."
The end of the A-side of the album is the punk song Los Paul , which begins with the striking line “Los Paul, you have to hit him in the balls!”. To a fast beat of the drums, Krawinkel stoically only plays a single chord on the electric guitar in the verses. Remmler sings a handful of phrases taken from a commentary on a football game. After the second chorus the singing stops. In the left stereo channel, you can hear excerpts from a real football commentary, in which image repetitions are explained. In the right stereo channel, on the other hand, several newscasters can be heard in parallel, reporting on the assassination attempt on Ronald Reagan .
The B-side opens with the song Sabine Sabine Sabine . Since the song was not created in the studio, but rather in-house by Trio in the rehearsal room, the sound of this song clearly falls outside the scope of the rest of the album. The drums in particular have a more percussive timbre. To a shallow background music, which can be assigned to easy listening , the lecturer calls his ex-girlfriend Sabine, whose answers cannot be heard. The uncertainty caused by the course of the conversation in the lecturer is not expressed at any point through the choice of words, but through intonation . Although his plan to arrange a meeting with his ex-girlfriend fails, he pretends to be bored to cover up his failure.
The ironic hit Da Da Da I don't love you you don't love me aha aha aha is accompanied by drums and a keyboard in the partly German, partly English spoken verses. The song describes the end of a love relationship, which is emphasized by the constant repetition of the line "I don't love you you don't love me". The chorus, which essentially consists of the three syllables “Da Da Da”, is accompanied by an electric guitar, a soft electric bass, a female choir and castanets .
The rock song Sunday You Need Love Monday Be Alone describes a woman who is desired, although it is clear from the start that the relationship will not last the weekend. Towards the end of the song, the speaker even asks the woman not to get involved with him, because he would not treat her with enough respect.
The song Nur ein Traum describes a daydream twice - once in English, once in German. The lyric self is out in the car with its lover and raves about her. Then he realizes that he is actually sitting alone in the car and that his beloved is just a dream.
Like yes yes yes is the song Ja Ja Wo gehts lank Peter Pank thanks to the punk. Remmler sings a number of incoherent phrases in German to a guitar riff that is played very quickly and a drum figure that is only played on bass drum and snare, including trio's telephone number. The song ends by canceling it without a fadeout .
The only cover version of the album is Ya Ya , a rhythm and blues hit by Lee Dorsey from 1961. The short text is presented by Remmler - in contrast to the lecture of the original artist - emphatically monotonous. The solo after the second stanza consists of four chromatically played notes from a home organ.
Danger Is begins with a dissonant guitar riff that ends abruptly with the onset of the vocals. In terms of content, the song describes the approach of an intangible danger. After each line of stanzas, Krawinkel plays a short riff on the electric guitar. After two verses the riff from the intro starts again, but it is played even more dissonantly. A siren also howls.
The album ends with a short excerpt from a concert by Trio, which consists of a textually altered short version of the Jamaican folk song Banana Boat Song , which was especially popular in a version by Harry Belafonte . Instead of the final battle cry “Day-O” from the original, Behrens calls out on the recording: “Tri-o”, to which the audience replies “Tri-iio”.
reception
Reviews
Since the album Trio only became known to a wider audience six months after its release, there are only a few reviews that appeared after its initial release. The journalist Detlef Kinsler from the music magazine Sounds wrote that it was an album "that will make you fail even if you try to 'classify' it within the German scene." Out of five possible points, he "helplessly" awarded two to five.
The Musikexpress wrote about the album in 1981: "Sometimes the broken music reminds you of the Cramps , an almost garage sound, an original Rock'n'Roll feeling." In addition, the music magazine assumed influences of the Sex Pistols , Elvis Presley , Otto Waalkes , Peat rock and status quo . In a later edition of the Musikexpress, Bernd Gockel emphasizes the importance of the band's lyrics:
“And as far as the lyrics are concerned, there is obviously more to it than it initially appears. The clichés and scraps of language that Stefan Remmler picks up and puts together from everyday life certainly hardly make any sense according to the laws of logic (...), but behind them a reality emerges that is unconsciously very familiar to the listener. The everyday banality is the message. "
Years after its release, the album received benevolent reviews and awards. In 2001 the album was voted the third most important album from Germany by the editors of the Musikexpress . Author Christoph Lindemann sums up the album in his article: “Trio briefly recalled punk, hit songs and everyone's first singing exercises in the youth room and confronted their pling-pling and bang-bang with provocatively redundant text passages. So pop in Germany had not gotten to the point until now. "
Chart placements
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Despite unusual advertising measures such as concerts in record stores, not enough albums could initially be sold for a chart placement. The North German Broadcasting beamed end of November 1981, a radio concert of the trio in Hamburg Club uncle Pö gave, and the West German Broadcasting beamed end of February 1982, a 80-minute television concert of the trio under the Rockpalast was. However, it was only the success of the single Da Da Da that led to the fact that the album Trio was able to place itself in the German album charts at number three, while the single Da Da Da reached number two in the single charts. Although over 250,000 copies of the album were ultimately sold, this did not lead to a gold record being awarded , as the sales figures for the various editions could not be added up. Outside of the German-speaking countries, the album was only able to make it into the album charts in Sweden (40th place). The single Da Da Da was an international hit and sold 13 million copies worldwide, including 3 million copies in Europe alone.
Cover versions
In addition to countless cover versions of the world hit Da Da Da , other songs on the album were also interpreted by other artists. The American bands The Jesus Lizard and Oblivians each released a version of Sunday You Need Love Monday Be Alone . The latter band released a single with the song Ja ja ja on the B-side and the cover of the single imitated the US cover of the album Trio . The German band Samba released the song Kummer in 1997 as a single . In 1991, Die Fantastischen Vier created samples from the songs Ja ja wo gehts lank Peter Pank, thanks and Ja ja ja the song Böse , which appeared on their debut album Jetzt geht's ab . The trio tribute album Krach Bum Bäng Zack Döner , released in 2004, contains almost all of the songs on the Trio album - interpreted by northern German amateur bands.
The American band Oblivians mimicked the cover of the US pressing of the album
The cover of the US version of the Trio album
Playlists
German playlists
The title lists of the Trio album vary greatly, depending on the sound carrier or the edition. The first edition on vinyl recorded the following track list:
A side
- Attention attention - 0:30
- Yes yes yes - 2:57
- Sorrow - 2:38
- Broken Hearts for You and Me - 3:33
- Nasty - 2:38
- Energy - 3:30
- Go Paul - 2:32
B side
- Sabine Sabine Sabine - 3:46
- Sunday You Need Love Monday Be Alone - 3:48
- Just a dream - 3:04
- Yes Yes where are you lank Peter Pank thanks - 2:50
- Ya Ya - 2:15
- Danger Is - 2:14
- TRIO - 0:31
Bonus single
- Hold on tight I'm going crazy - 2:02
- Lady-O-Lady - 2:52
Even this first edition appeared with different title sequences: The album was released on audio cassette and preceded by the two songs from the bonus single. In order to match the running times of the A and B sides of the audio cassette, the song Los Paul was moved to the B side. On the CD version of the album released in 1984, the audio cassette track list excluding the preceding bonus single and including Da Da Da was used, resulting in the following track list for the CD edition:
Track list CD version
- Attention attention - 0:30
- Yes yes yes - 2:57
- Sorrow - 2:38
- Broken Hearts for You and Me - 3:33
- Nasty - 2:38
- Energy - 3:30
- Sabine Sabine Sabine - 3:46
- Da Da Da I don't love you you don't love me aha aha aha - 3:23
- Sunday You Need Love Monday Be Alone - 3:48
- Just a dream - 3:04
- Yes Yes where are you lank Peter Pank thanks - 2:50
- Ya Ya - 2:15
- Go Paul - 2:32
- Danger Is - 2:14
- TRIO - 0:31
International playlists
Internationally, the title lists differed considerably from the German title lists. In Spain , for example, the six and a half minute English maxi version of Da Da Da was added to the album. For reasons of space, two titles have been deleted from the A side without replacement. In the United States, the album Trio was released in September 1982 only as an EP single with six titles, including the English version by Anna - Lassmichrein Lassmichraus , which was not released in Germany :
A side
- Anna - Letmeinletmeout - 2:40
- Da Da Da I Don't Love You You Don't Love Me Aha Aha Aha [Long Version] - 6:32
- Broken Hearts for You and Me - 3:31
B side
- Energy - 3:29
- Sunday You Need Love Monday be Alone - 3:45
- Yes yes yes - 2:56
Further publications in Europe contained even more deviating title lists. In Greece the A-side of the album corresponded to the German pressing, on the B-side, instead of the songs Danger Is and Nur ein Traum, the song Halt mich fest ich werd crazy , which in Germany only appears on the bonus single was found.
Re-release in 2003
In 2003 Universal Music , in which PhonoGram and Mercury Records had merged, released the album again as a double CD under the name Trio Deluxe Edition . All titles have been remastered . The two songs from the bonus single as well as the so-called "Long Version" and the English version of Da Da Da were added as bonus tracks on the first CD . The second CD contains almost all of the songs that Trio produced in demo versions in 1981. Only a poorly preserved compact cassette was available as the sound source for the remastering , so the songs are very noisy. The second CD also contains the complete 10 "demo record that Trio had pressed in small numbers in 1981. For these three additional songs, too, no master tapes were available, only the actual record as a sound source.
In the booklet of the double CD, the production history of the album is explained in detail by "Rolling Stone" editor Joachim Hentschel, who conducted interviews with everyone involved.
Trio Deluxe Edition track list
CD 1
- Attention attention - 0:30
- Yes yes yes - 2:57
- Sorrow - 2:38
- Broken Hearts for You and Me - 3:33
- Nasty - 2:38
- Energy - 3:30
- Sabine Sabine Sabine - 3:46
- Da Da Da I don't love you you don't love me aha aha aha - 3:23
- Sunday You Need Love Monday Be Alone - 3:48
- Just a dream - 3:04
- Yes Yes where are you lank Peter Pank thanks - 2:50
- Ya Ya - 2:15
- Go Paul - 2:32
- Danger Is - 2:14
- TRIO - 0:31
- Lady-O-Lady - 2:52
- Hold on tight I'm going crazy - 2:02
- Da Da Da I Don't Love You You Don't Love Me Aha Aha Aha - 3:26
- Da Da Da I don't love you you don't love me aha aha aha (long version) - 6:32
CD 2 (Demo Tracks)
- Los Paul - 1:56
- Yes yes where are you lank Peter Pank thanks - 2:41
- Broken Hearts for You and Me - 2:50
- You, I would love to be with you - 3:09
- Danger Is - 2:32
- Sabine Sabine Sabine - 3:47
- Energy - 3:11
- Ya Ya - 2:26
- Kummer (live) - 5:58
- Lady-O-Lady - 4:13
- Sunday You Need Love Monday Be Alone - 4:19
- Broken Hearts for You and Me (live) - 8:47
literature
- Joachim Hentschel: Liner notes for the album "Trio Deluxe Edition". (German and English). Universal Music 2003.
- Günter Ehnert, Detlef Kinsler: Rock in Germany. Lexicon of German rock groups and performers. 3. Edition. Taurus Press, 1984, ISBN 3-922542-16-6 , p. 386 ff.
Web links
- Trio homepage
- Trio Review at LAUT.de
- Trio at LAUT.de
Individual evidence
- ↑ Kreiszeitung Wesermarsch from July 3, 1968.
- ↑ Portrait of Just Us on weglang.de, accessed on January 1, 2011.
- ↑ Sheet music of the group "Wind" in the archive of the German Music Archive.
- ↑ a b c d e f g h Joachim Hentschel: Liner notes for the album "Trio Deluxe Edition". (German and English). Universal Music 2003.
- ↑ Stephan Remmler in an interview at Wetten, dass ..? , 1982.
- ↑ a b c d TV documentary about the arte trio (2009).
- ↑ Stephan Remmler and Klaus Voormann in an interview with Andreas Bönte in the television program Nachtlinie, Bayerisches Fernsehen, 2009.
- ^ A b Günter Ehnert: Rock in Germany. Lexicon of German rock groups and performers. ISBN 3-922542-16-6 , p. 386.
- ↑ Song information ( Memento of the original dated February 16, 2010 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. about Nasty on stephan-remmler.de, accessed on January 1, 2011.
- ↑ Song information about Danger Is ( Memento of the original from February 16, 2010 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. on stephan-remmler.de, accessed on January 1, 2011.
- ↑ Liner notes for the Remmler album 10 years at the bar.
- ↑ Song information on Or maybe - won't be that bad ( memento of the original from February 16, 2010 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. on stephan-remmler.de.
- ↑ Lyrics ( memento of the original from December 23, 2007 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. on stephan-remmler.de
- ↑ Report on the remastering of a trio DVD ( Memento of the original from January 22, 2008 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. .
- ↑ Song information about Ready For You ( Memento of the original from February 16, 2010 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. on stephan-remmler.de.
- ↑ Song information about You, I would be with you ( Memento of the original from March 3, 2012 in the Internet Archive ) Info: The archive link was inserted automatically and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. on stephan-remmler.de.
- ↑ The music market v. December 15, 1981, issue 24, title page.
- ↑ Didi Zill: NDW - Die Neue Deutsche Welle (photo book). Schwarzkopf & Schwarzkopf, 2003, ISBN 3-89602-405-1 , p. 234.
- ↑ Da Da Da . In: Der Spiegel . No. 29 , 1982, pp. 150/151 ( online ).
- ↑ Song information about Da Da Da ( Memento of the original from January 9, 2015 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. on stephan-remmler.de, accessed on January 1, 2011.
- ↑ Figure ( Memento of the original from September 28, 2011 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. on stephan-remmler.de.
- ↑ Repertoire search on gema.de.
- ↑ Esther Eveling: Producing a radio play . Cornelsen, 1988, ISBN 3-589-20864-3 , p. 43.
- ↑ Booklet CD enclosed with Rolling Stine No. 180, October 2009
- ↑ The banality of the message . ( Memento of the original from March 5, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. In: Musikexpress , 1982.
- ↑ Musikexpress , issue 2/2001, p. 54.
- ↑ Charts DE Charts AT Charts CH Charts UK Charts US
- ^ Trio in Concert in the archive of the Rockpalast.
- ↑ swedishcharts.com
- ↑ Entry about Trio on laut.de.
- ↑ Trio Deluxe Edition ( Memento of the original from November 6, 2011 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. on stephan-remmler.de.
Members: Stephan Remmler | Claw tie | Peter Behrens
Albums: Trio (1981) | Trio live in the spring of 82 (1982) | Bye Bye (1983) | Whats the Password (1985)
Singles: Hold Me, I'm Going Crazy (1981) | Da Da Da I don't love you you don't love me aha aha aha (1982) | Anna - Lassmichrein Lassmichraus (1982) | Bum bum (1983) | Heart is trump (then you call ...) (1983) | Turaluraluralu - I do BuBu what are you doing (1983) | Tutti Frutti (1984) | Three against three (1985) | Ready for You (1985) | My Sweet Angel (1986)
