Eva Zippel

Eva Zippel in her studio (2003)

Eva Zippel (born April 30, 1925 in Stuttgart ; † May 25, 2013 there ) was a German sculptor and draftsman .

Life

Origin and family

Eva Zippel was born on April 30, 1925 in Stuttgart as the daughter of the mechanic Waldemar Zippel (1891–1965) and his wife Emilie Zippel nee. Dohl (1891–1965) born. The father was a talented craftsman and tinkerer who was also interested in art, and the mother was gifted in drawing.

Her older sister Herta Poddine geb. Zippel (1921–1986) was a painter and graphic artist. She was married to Salvatore Poddine (1936–1972), who worked as a ballet dancer under John Cranko and from 1967 was director of the Tübingen room theater . In 1958, the two sisters jointly published the picture book Nunu the Little Elephant . Herta Poddine's daughter Dorothee Zippel-Mariano is a painter and set designer and was married to the jazz musician Charlie Mariano (1923–2009).

Note: Eva Zippel is not related to the artist Jeanette Zippel (* 1963).

Life in Paris (until 1939)

A year after Eva's birth, the family moved to France, where Eva spent her childhood and youth until she was fourteen. The family lived first in L'Haÿ-les-Roses, then in neighboring Bourg-la-Reine, both small towns in the south of Paris. In Paris, the father visited museums and exhibitions and also took his daughters with him. He was in contact with the art dealer Wilhelm Uhde and decorated the family's apartment with paintings. Eva attended the Lycée Marie Curie in Paris, which she graduated with a secondary school leaving certificate.

School and study in Stuttgart (until 1952)

When the Second World War broke out in 1939, the family returned to Stuttgart, where Eva Zippel finished her schooling at Katharinenstift in 1943 with the Abitur. Then she was drafted into the Reich Labor Service , where she had to serve until the end of the war. After the war she worked until 1946 in Tübingen as an interpreter for Carlo Schmid , who played a key role in the reopening of the Eberhard Karls University of Tübingen . Then she began a five-year study of sculpture at the newly constituted Stuttgart Art Academy . Together with Hans Dieter Bohnet , Bruno Knittel and Fritz Melis, she was one of the first seven students in Otto Baum's sculpting class , who, together with Willi Baumeister, was considered a “protagonist of modern art at the Stuttgart Academy”. Zippel profited a lot from Baum professionally (his influence can be clearly seen in her works), but the educational skills of her teacher qualify her as a “pedagogy of getting ready”. Zippel financed her studies and her livelihood with translations and plastic models for the plastics industry.

Working life

After graduating, Eva Zippel worked as a freelance sculptor in Stuttgart from 1952 to 1975. During this time over 40 sculptures, reliefs and fountains were created for public and private clients, as well as numerous free sculptural works and drawings. In 1975 she was employed in the building construction department of the city of Stuttgart as head of art and building and monument preservation and as a color consultant for new buildings and building renovation. She held this position until 1985 and then turned back to freelance sculpture. In addition, she worked as a consultant for art in construction and color design.

In addition to her artistic work, Eva Zippel was also active as a writer. A selection of aphoristic wisdoms, anecdotal stories and a sensitive biography of her father, which at the same time represents an informative contemporary document, can be found in the volume Written. Night thoughts, stories, literary sketches .

In 1988/1989 the state of Baden-Württemberg granted her a scholarship to study at the Cité Internationale des Arts in Paris. In 1995 she was awarded the Elle Hoffmann Prize for her complete artistic work .

In 1954 she won an invitation to tender in Besigheim for her sculpture Tamed Force and received 4,000 German marks as prize money. She paid this money to the artists' association GEDOK as a building cost subsidy and was able to move into a studio apartment in the newly built GEDOK house in Stuttgart at Hölderlinstrasse 17 in autumn. She was one of the first residents and lived in the house until her death. Eva Zippel died on May 25, 2013 at the age of 88.

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  Father Waldemar Zippel, 1962.

• 

  Mother Emilie Zippel, portrait by Eva Zippel, 1949.

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  Sister Herta, portrait by Eva Zippel, 1949.

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  From the Paris sketches on the occasion of her study visit to the Cité Internationale des Arts, 1989.

plant

Main sources: #Gundel 1995 , #Fellmer 1990 .

During her studies with Otto Baum and later, the influence of her teacher on Zippel's work is evident: “Not only in the formal language, but also in their motifs such as“ Shepherd ”and“ Resting cattle ”as well as in the choice of the materials shell limestone or limestone. Marble, Eva Zippel oriented herself to her teacher. "

Works in public space

In the years 1952 to 1975 Zippel designed over 40 often architecture-related works for public space, which gave her a livelihood. Like her few colleagues, Zippel had difficulties “asserting herself in this sector”: her designs were not infrequently judged from the outset, she had better chances in anonymous competitions because she was not recognizable as an artist. Zippel's works for public spaces are characterized by their “narrative as well as harmoniously cheerful basic trait”, and even if Baum's style is recognizable, it was given a “female interpretation”. Zippel's public works include:

• The sculpture Tamed Force in Besigheim from 1954.
• The Neidhart fountain with a mother and child animal relief in the spa gardens of Bad Überkingen from 1959.
• The sculpture father and son with a depiction of the Christophorus motif for the Ameisenberg School in Stuttgart from 1961.
• The abstract, biomorphic double sculpture to one another in the main state archive in Stuttgart from 1970.

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  Restrained Force , 1954.

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  Neidhart fountain , 1959.

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  Father and Son , 1961.

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  To each other , 1970.

Free plastic

The free works up to the late 1950s are figurative, block-like and stocky, play with concave-convex forms and in some cases replace the sculptural formation with incisions, e.g. B. Elderly couple and cellist , both from 1956. From the second half of the sixties onwards, Zippel tended to formulate her sculptures in an abstract way, even if they also have symbolic titles, e.g. B. Conversation from 1956, Keimling from 1969 and Liegender Torso from 1962. From 1968 to 1973 Zippel created a series of reliefs and relief-like sculptures in wood and lead, which mostly revolve around the principle of duality, e.g. B. Two , you feel and flying seeds from 1969 or two squared from 1970.

Even during her studies at the art academy until the 1980s, Zippel repeatedly created portrait heads of great expressiveness, the stylistic form of which changes from case to case and expressively reflects the character of the person being portrayed. B. the portraits of Marcia Haydée and Anton Stankowski .

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  Cellist , 1956.

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  Lying torso , 1962.

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  Seedling , 1969.

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  Two in the square , 1970.

In addition to fully plastic portraits, portrait reliefs were created which, by alternating between deepening and highlighting, achieve graphic light / dark effects and emphasize the characteristics of the people as “plastic sketches”. In doing so, Zippel vividly implemented pencil sketches that she made during readings in the Writer's House in Stuttgart "in the quiet of the memory of the expression, the posture, the voice, the gaze".

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  Self , 1947.

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  Portrait of Elle Hoffmann , 1965.

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  Portrait of Marcia Haydée , 1989.

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  Portrait of Anton Stankowski , 1989.

drawings

The published graphic work consists mainly of ink drawings made with the rapidograph (if one disregards the book illustrations in #Zippel 1958 and #Grohmann 1982 ). The ink drawings “are not sculptural drawings in the usual sense with strong lines and contours”, they rather have “no contours at all”. "The extreme delicacy of the pointed pen spins the entire surface with a constant, but very variable line structure in the light and dark sense, a single, infinite line movement continuously forms all partial forms and levels of light". In this way, Zippel captures seemingly surreal interiors on paper, lonely, deserted landscapes and in his own series of works “Body Landscapes”, which repeatedly show changing sections of the female body. They are pictures of "serene serenity and sensuality, in which the recessed surface, the unspoken has the say".

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  Clouds , 1972.

• 

  Outlook , 1979.

• 

  Pine , 1986.

• 

  Swabian Alb , 1989.

Besigheim art scandal 1954

Sources: #Degreif 1979 , #Seebach 2005 , pages 79-80, #Fellmer 1990 , page 7.

In 1953 Eva Zippel took part in a competition for a bridge figure for the Neckar barrage in Besigheim . Their model of a farmer who takes a bull by the horns (tamed power) was awarded first prize by the jury. According to their judgment, "[the sculpture] expresses the idea of" restrained power "in an original way. The design is very tight, closed and dynamic, so that an extraordinary effect can be expected from the execution. ” Ludwigsburg District Administrator Hermann Ebner, on the other hand, who represented the“ majority opinion ”, thought the sculpture was wrong and opposed its realization . This is a warning to the art experts to “spare the population an art dictatorship”. The sculptor Alfred Lörcher took the side of his young colleague and turned against an "officially controlled art policy" and recalled the relevant practice in the Third Reich. To put an end to the dispute, Neckar AG bought the plot of land intended for the sculpture so that it could be carried out and erected without public interference.

Almost at the same time, Zippel's former teacher at the Otto Baum art academy was also involved in an art dispute. He also won a competition for a bridge sculpture in Esslingen , which was not realized after a public polemic.

• 

  Restrained Force , 1954.

• 

  Dto.

Exhibitions

Main source: #Fellmer 1990 , p. 127.

Solo exhibitions

• 1952: Spendhaus , Reutlingen .
• 1956: Kunstverein, Stuttgart.
• 1970: Eva Zippel, reliefs, Stuttgart City Gallery , room 1.
• 1971: Eva Zippel, reliefs and graphics / Gisela Sternstein, painting - Qualerie 1, Esslingen .
• 1972: Old House, Heidenheim .
• 1975: Maercklin Gallery, Stuttgart.
• 1990: Eva Zippel, sculptor portraits and drawings from the years 1949–1989, Galerie GEDOK , Stuttgart.
• 1994: body and space. Eva Zippel, drawings / Karin Kieltsch, painting, series 22, Galerie Künstlertreff, Stuttgart.
• 2000: Eva Zippel, plastic sketches, Wilhelmspalais , Mörike-Kabinett, Stuttgart.
• 2000: Eva Schorr, painting / Gabriele Panhans, painting / Eva Zippel, sculpture, Schönaich Town Hall.
• 2002: Eva Zippel, Body Landscapes, Galerie GEDOK Stuttgart.
• 2005: Retrospective for Eva Zippel's 80th birthday, works from five decades: sculptures, reliefs and drawings, GEDOK Gallery, Stuttgart.
• 2014: Eva Zippel, Animal Studies from Wilhelma, GEDOK Gallery, Stuttgart.

Group exhibitions

• 1957: Peintres allemands contemporains, Musée de Lyon.
• 1961: Contemporary sculpture, Hugo von Montfort Prize , Bregenz, Künstlerhaus.
• 1961: Artists' Association of Baden-Württemberg, 7th state exhibition, Heidelberg , Kurpfälzisches Museum .
• 1967: Stuttgart Secession, Stuttgart, art building .
• 1987: 27 artists from GEDOK Stuttgart.
• 1991: Lütze II collection , 80 sculptures and objects from the 1980s from southern Germany, stables of Rastatt Castle.

Works in public collections

• Kreissparkasse Esslingen : Portrait of Anton Stankowski .
• Collection of the City of Esslingen : You feel yourself .
• Deutsche Bundesbank, Frankfurt am Main .
• Westermann Collection, Rastatt .
• Lütze II collection, Sindelfingen .
• House of History Baden-Württemberg , Stuttgart: Portrait of Marcia Haydée .
• Kunstmuseum Stuttgart : They touch .
• Ministry of Science, Research and Art Baden-Württemberg , Stuttgart.
• Regional Council Stuttgart : Portrait of Heinz E. Hirscher .
• Swabian Bank, Stuttgart: elephant relief .
• Staatsgalerie Stuttgart : Flying seeds .
• Stuttgart City Library , graphic library: No. 359–361.

Catalog raisonné

→ Location maps, column legend and sorting

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Legend

year Year of origin. description Work titles are in italics .

Sorting

Sort a column: click the symbol in the column header. Sort by another column: Hold down the Shift key and click the symbol . Initial sorting: by year, city and street.

Art in public space

No.	year	Illustration	description	material	Height x width x depth in cm	address	Coordinates
1	1951		Angel of the dead , high relief, Fangelsbach cemetery , vestibule of the morgue.	Sandstone	113 × 89	Stuttgart , Cottastraße / Heusteigstraße	48.7665 °  N , 9.1736 °  O
2	1952		Fountain , elementary school.	concrete		Tailfingen
3	1953		Brunnen , Gablenberg School.	Shell limestone		Stuttgart
4th	1954		Tamed power (also known as taming , popularly known as man with ox ), on the Neckar Bridge near the Neckar power station in Besigheim, Besigheim Sculpture Trail , No. 13. Literature: # Baden-Württemberg 1954 , #Degreif 1979 , #Duschek 1960 , #FW 1956 , #Seebach 2005 , Pages 79-80, #Fellmer 1990 , pages 7-8, 12, 15.	Shell limestone	300 × 300	Besigheim , Hessigheimer Strasse	49.0033 °  N , 9.1467 °  O
5	1954		Tamed power (also called taming , popularly known as man with ox ), on the Neckar Bridge at the Neckar power station in Besigheim, Besigheim Sculpture Path , No. 13.	Shell limestone	300 × 300	Besigheim , Hessigheimer Strasse	49.0033 °  N , 9.1467 °  O
6th	1955		Protection of the domestic economy through customs duties , wall relief, main customs office, entrance hall in the old building.	Italian slate	170 × 120	Stuttgart , Hackstrasse 83	48.7893 °  N , 9.2076 °  O
7th	1955		Drinking fountain , Olga pen.	Concrete, ceramic		Stuttgart
8th	1955		Drinking fountain , Olga pen.	Concrete, ceramic		Stuttgart
9	1955		Drinking fountain , Olga pen.	Concrete, ceramic		Stuttgart
10	1956		Relief wall (110 decorative tiles), elementary school, entrance.	Ceramics		Bad Saulgau
11	1956		One of three drinking fountains , elementary school.	Concrete, ceramic		Bad Saulgau
12	1957		Two relief walls , town hall.	Brick		Bad Saulgau
13	1957		Fountain with animal relief , elementary school.	Artificial stone		Hepsisau
14th	1958		Six reliefs , trade school.	Ceramics		Leutkirch
15th	1958		Six reliefs , school.	Ceramics		Rottenburg am Neckar
16	1958		Ambo , Church of the Holy Spirit.	Concrete, ceramic		Schorndorf
17th	1958		Relief , elementary school.	concrete		Sigmaringen
18th	1958		Gravestone , Botnang Cemetery.	Sandstone		Stuttgart
19th	1959		Neidhart fountain , spa garden. Literature: #Gundel 1995 , page 54, Fig. 10.	Cannstatter travertine		Bad Ueberkingen
20th	1959		Gable relief , town hall.	Shell limestone		Ehningen
21st	1959		Gable relief , vocational school.	concrete		Rottenburg am Neckar
22nd	1960		Seven reliefs , elementary school.	Ceramics		Burladingen
23	1960		Father and son , free sculpture in front of the ant mountain school. Literature: #Fellmer 1990 , page 17.	Shell limestone	Larger than life	Stuttgart , Ameisenbergstrasse 2	48.7844 °  N , 9.1947 °  O
24	1961		Gravestone , Sillenbuch cemetery.	Sandstone		Stuttgart
25th	1961		Insects , wall design, Olga pen.	Ceramics		Stuttgart
26th	1961		Insects , wall design, individual tiles, Olga pen.	Ceramics		Stuttgart
27	1961		Well , Olga pen.	Concrete, ceramic		Stuttgart
28	1962		Play plastic , kindergarten pinfield.	Artificial stone		Stuttgart
29	1963		Relief and fountain , elementary school.	Bronze, ceramic		Burladingen
30th	1963		Doorknob , town hall.	aluminum		Reichenbach an der Fils
31	1964		Relief , town hall.	Terracotta		Reichenbach an der Fils
32	1964		Gravestone , Degerloch cemetery.	Sandstone		Stuttgart
33	1965		Two drinking fountains , Catholic and Protestant schools.	Ceramics		Bad Saulgau
34	1965		Relief wall , trade school.	Ceramics		Öhringen
35	1965		Relief , elementary school.	Ceramics		Sigmaringen
36	1965		Last Supper Cross , Holy Spirit Church.	Wood		Stuttgart
37	1966		Gravestone , Fangelsbach cemetery .	Sandstone		Stuttgart
38	1967		Fountain , high school.	Concrete, ceramic		Balingen
39	1970		Fountain .	Bronze, concrete		Scharnhausen , Nellingerstrasse
40	1970		To each other , double sculpture, wall installation on the ground floor of the Stuttgart State Archives . Literature: #Fellmer 1990 , pages 7-8, 12, 25.	bronze	270 × 155 × 170	Stuttgart , Konrad-Adenauer-Strasse 4	48.7767 °  N , 9.1844 °  O
41	1971		Play sculpture , Möhringen kindergarten.	Mineros		Stuttgart
42	1971		Play plastic , Plieningen kindergarten.	Mineros		Stuttgart
43	1973		Freischw. Relief , cemetery chapel.	bronze		Hegnach
44	1973		Grave cross , forest cemetery.	bronze		Stuttgart
45	1974		Relief , state central bank.	bronze		Albstadt
46	1975		Seated figure , free sculpture, Deutsche Bundesbank, roof terrace.	bronze	140 × 100	Stuttgart , Marstallstrasse 3	48.7805 °  N , 9.181 °  O
47	1979		Memorial for the dead of the Second World War, executed by Jörg Failmezger .	red sandstone		Stuttgart , forest cemetery

plastic

Note: If ownership is missing, the work is in the Eva Zippel estate.

No.	year	Illustration	description	material	Height x width x depth in cm
1	1947		Deer with oak leaves , relief, design for the Württemberg Forestry Directorate in Stuttgart.	plaster	180 × 600
2	1948		Standing , sculpture.	Shell limestone	90 × 28 × 20
3	1949		Striding , sculpture, private property.	Wirbelau marble	60 × 25 × 13
4th	1950		Shepherd's song , relief.	terracotta	74 × 61
5	1950		Shepherd , sculpture.	Shell limestone	40 × 31 × 27
6th	1951		Family (side view), sculpture, owned by Charles Gordon, London.	Shell limestone	53 × 25 × 20
7th	1951		Family (front view), sculpture, owned by Charles Gordon, London.	Shell limestone	53 × 25 × 20
8th	1956		Resting cattle , sculpture.	Shell limestone	22 × 17 × 40
9	1956		Old couple , plastic.	terracotta	23 × 20 × 12
10	1956		Birth , plastic.	terracotta	15 × 24 × 12
11	1956		Cellist , plastic.	terracotta	19 × 12 × 12
12	1956		Conversation , plastic.	Waxed terracotta	15 × 13 × 13
13	1957		Last Supper , plastic, private property.	bronze	30 × 26
14th	1962		Lying torso , plastic, private property.	plaster	34 × 44
15th	1963		In the forest , relief, design for a town hall in Schönbuch .	black artificial stone
16	1965		Elephants , relief.	terracotta	62 × 83 × 10
17th	1966		Mollusk , sculpture.	alabaster	14 × 25 × 29
18th	1966		Cyclopean wall , relief.	Ceramic iron reduction	38 × 63
19th	1967		Seedling , relief.	terracotta	45 × 30
20th	1968		Torso , relief, private property.	Paduk wood	53 × 45
21st	1969		Seedling , plastic.	bronze	21 × 12 × 9
22nd	1969		Two , relief, foundation for terre des hommes .	Bog oak	40 × 38
23	1969		You feel (detail), relief, collection of the city of Esslingen .	Lead driven on bog oak	80 × 32
24	1969		They touch , relief, Stuttgart Art Museum .	Lead driven on bog oak	90 × 35
25th	1969		It spits , relief.	Lead driven on bog oak	42 × 88
26th	1969		He spits , relief.	Lead driven on bog oak	98 × 33
27	1969		A man , relief.	Lead driven on bog oak	90 × 25
28	1969		A grain (detail), relief, Friedrich Schleich collection .	Lead driven on bog oak	90 × 30
29	1969		Flying seeds , relief, State Gallery Stuttgart .	Bog oak	75 × 20
30th	1970		It finds a way , relief, private property.	Lead driven on bog oak	105 × 30
31	1970		La pure s'en va , relief.	Lead driven on bog oak	90 × 37
32	1970		Family , relief, Friedrich Schleich collection .	Bog oak	85 × 18
33	1970		Two from one trunk , relief, private property.	Bog oak	84 × 25
34	1970		Two in the square , relief.	Lead driven	43 × 43
35	1972		Untitled , relief.	Lead driven	85 × 22
36	1972		Forest , relief.	Bog oak	80 × 29
37	1972		Small forest , relief.	Lead, mahogany, bog oak	28 × 38
38	1973		Wave , relief.	Bog oak	82 × 21

Portraits (sculptures)

Note: If ownership is missing, the work is in the Eva Zippel estate.

No.	year	Illustration	description	material	Height x width x depth in cm
1	1949		Portrait of my sister , sculpture, private property.	red sandstone	34 × 10 × 23
2	1947		Self , plastic, private property.	volume	11 × 5 × 6
3	1949		Portrait of my mother , sculpture, private property.	pear tree	30 × 15 × 18
4th	1954		Portrait Eva Hohrath , sculpture, owned by Eva Hohrath.	Shell limestone	38 × 19 × 20
5	1954		Portrait of Karl Münchinger , plastic.	Waxed terracotta	38 × 18 × 17
6th	1951		Portrait of Bernhard Klein , plastic.	plaster	19 × 11 × 16
7th	1956		Portrait of Heinz E. Hirscher , plastic, regional council Stuttgart .	bronze	35 × 21 × 18
8th	1956		Portrait of a singer , plastic.	bronze	15 × 9 × 10
9	1959		Portrait of the pianist Lieselotte Gierth , plastic.	terracotta	35 × 17 × 20
10	1960		Portrait of Margot Fürst , plastic.	cement	35 × 17 × 18
11	1962		Portrait Nadia Nerina, London prima ballerina , sculpture, owned by Charles Gordon, London.	Greek marble	32 × 14 × 18
12	1962		Portrait Nadia Nerina, London prima ballerina , plastic, owned by Charles Gordon, London.	terracotta	33 × 14 × 13
13	1983		Portrait of Gisela , sculpture, private collection.	Bronze, marble	14 × 7 × 9
14th	1983		Portrait of Angelika Fellmer , plastic.	bronze	14 × 8 × 9
15th	1985		Portrait Dorothee , sculpture.	terracotta	13 × 13 × 12
16	1987		Portrait of Ingeborg Kovacsics , sculpture, owned by Ingeborg Kovacsics.	Terracotta, oak	22 × 16
17th	1988		Portrait of Marguerite , clay sketch.		15 × 14 × 15
18th	1988		Portrait of Marguerite , plastic.	Bronze, shell limestone	22 × 14 × 12
19th	1989		Portrait of Angelika Fellmer , plastic, owned by Angelika Fellmer.	bronze	22 × 15 × 6
20th	1988		Portrait of Marcia Haydée , plastic.	Three-tone plaster	41 × 21 × 30
21st	1989		Portrait of Marcia Haydée , sculpture, House of History Baden-Württemberg .	bronze	39 × 18 × 22
22nd	1988		Portrait Wolf Donndorf , sculpture.	Sandstone	47 × 25 × 34
23	1989		Portrait of Anton Stankowski , plastic.	Bronze, shell limestone	50 × 27 × 34

Portraits (reliefs and drawings)

The illustrations of the following reliefs and drawings are - except for the portrait of Elle Hoffmann - contained in the booklet:

• Armin Elhardt (editor); Eva Zippel (illustration): Plastic sketches. From guests and friends of the Stuttgart Writer's House, with poems and prose contributions by the people portrayed , Edition Wuz, Volume 13, Freiberg am Neckar 2000.

Eva Zippel wrote: “My 'three-dimensional sketches' are created from memories of readings, lectures and conversations in the Writer's House in Stuttgart . With the help of a few pencil sketches - which, if possible, go unnoticed by the person concerned - the memory of the expression, the posture, the voice and the gaze are implemented in silence. "

No.	year	Illustration	description	material	Height x width x depth in cm
1	2000		Portrait relief by Josiane Alfonsi .	terracotta	22.5 x 15 x 2.5
2	2000		Portrait drawing by Hans Bender .		21 × 15
3	2000		Portrait relief by Armin Elhardt .	terracotta	22.5 x 15 x 2.5
4th	2000		Portrait relief by Günter Guben .	terracotta	22.5 x 15 x 2.5
5	2000		Portrait relief by Heinz E. Hirscher .	terracotta	22.5 x 15 x 2.5
6th	1965		Portrait relief by Elle Hoffmann , GEDOK Stuttgart.	bronze	54 × 32
7th	2000		Portrait drawing by Christoph Lippelt .		21 × 15
8th	2000		Portrait relief by Usch Pfaffinger .	terracotta	22.5 x 15 x 2.5
9	2000		Portrait relief by Helmut Pfisterer .	terracotta	22.5 x 15 x 2.5
10	2000		Portrait relief by Johannes Poethen .	terracotta	22.5 x 15 x 2.5
11	2000		Portrait relief by Claudia Beate Schill .	terracotta	22.5 x 15 x 2.5
12	2000		Portrait relief by Peter Schlack .	terracotta	22.5 x 15 x 2.5
13	2000		Portrait drawing by Christa Schuenke .		21 × 15
14th	2000		Portrait relief by Klaus F. Schneider .	terracotta	22.5 x 15 x 2.5
15th	2000		Portrait drawing by Rainer Wochele .		21 × 15
16	2000		Portrait relief by Rainer Wochele .	terracotta	22.5 x 15 x 2.5
17th	2000		Eight portrait drawings. Legend: 1 Sergiu Stefanescu, 2 Usch Pfaffinger, 3 Josiane Alfonsi 4 Klaus F. Schneider, 5 Johannes Poethen , 6 Armin Elhardt 7 Heinz E. Hirscher, 8 Helmut Pfisterer .		21 × 15 each

drawings

Note: If ownership is missing, the work is in the Eva Zippel estate.

No.	year	Illustration	description	material	Height x width x depth in cm
1	1947		My mother , privately owned.	coal	29 × 21
2	1972		Clouds .	Rapidograph	54 × 36
3	1974		Mountains .	Rapidograph	40 × 55
4th	1974		Kornfeld , Wolf Donndorf Collection.	Rapidograph	34 × 40
5	1979		Chair with newspaper .	Rapidograph	42 × 29
6th	1979		Outlook .	Rapidograph	42 × 29
7th	1980		Dialogue .	Rapidograph	42 × 27
8th	1981		Lonely .	Rapidograph	42 × 29
9	1986		Pine .	Rapidograph	65 × 50
10	1986		Pine forest .	Rapidograph
11	1987		Death portrait of Elle Hoffmann .	pencil	29 × 21
12	1989		Jardin des Plantes .	Rapidograph	65 × 50
13	1989		Swabian Alb .	Rapidograph	40 × 40
14th	1989		Landscape .	Rapidograph	34 × 34
15th	1995		Physical landscape 95.III.2.	Rapidograph	48.5 x 41.5
16	1998		Body landscape 98.XII.1.	Rapidograph	46.5 x 41.5
17th	2000		Body landscape 00.II.1.	Rapidograph	51 × 38
18th	2000		Body landscape 00.III.1.	Rapidograph	49 x 35.5
19th	2001		Body landscape 01.XII.2.	Rapidograph	46 × 40

Memberships

• GEDOK Stuttgart.
• Association of Visual Artists Württemberg (VBKW), since 1950.
• Association pour l'étude de la pensée de Simone Weil, Paris, from 1989 to 2009.

Own writings, articles, book illustrations

• Daniela-Maria Brandt (editor); Eva Zippel (editor); Dieter Hannemann (editor); Bettina Eichin (editor): Directory of Artists Baden-Württemberg / Artists Association of Baden-Württemberg , 6 volumes, Stuttgart 1982.
• Gerbert Grohmann (text); Eva Zippel (illustration): Reading book of animal science. Eighteen animals , Stuttgart 1982 (14 drawings).
• Marie-Louise Hoerttrich-Schimming (text); Eva Zippel (illustration): Jopo (picture book) , Stuttgart 1946.
• Herta Zippel; Eva Zippel: Nunu the little elephant. A picture book , Stuttgart 1958.
• Eva Zippel (text): Architecture and Art. Supplement to the official gazette of the city of Stuttgart number 37 from September 15, 1983.
• Eva Zippel: artist in the district. Eleonore Kötter. She is one of those artists who have the kindness to express themselves clearly . In: Landkreis Freudenstadt 1985 , pages 103-106.
• Eva Zippel: Conseils à l'artiste contemporain . In: Cahiers Simone Weil , tome XVII, No. 1, Mars 1994. - Reprint and German translation: #Zippel 2011 , pages 28–48.
• Eva Zippel: The legacy of the beautiful Lau - La-Plapper-Papp . In: Kurt Weidemann (editor): La Plapper Papp. The Plunder Wunder by Anni Weigand , Stuttgart 1997, pages 18–31.
• Eva Zippel; Angelika Fellmer (Editor): Pariser Sketches , Stuttgart 1998.
• Eva Zippel; Angelika Fellmer (editor); Carola M. Hoehne (editor): Written. Night Thoughts, Stories, Literary Sketches , Stuttgart 2011.

literature

life and work

• Sculptor Eva Zippel . In: Daniela-Maria Brandt (editor): Directory of Artists Baden-Württemberg / Artists Association of Baden-Württemberg , Volume 1, Stuttgart 1982, 1 page without numbering.
• Painter Herta Zippel-Poddine . In: Daniela-Maria Brandt (editor): Directory of Artists Baden-Württemberg / Artists Association of Baden-Württemberg , Volume 1, Stuttgart 1982, 1 page without numbering.
• Painter Dorothee Zippel-Reckers (= Zippel-Mariano) . In: Daniela-Maria Brandt (editor): Directory of Artists Baden-Württemberg / Artists Association of Baden-Württemberg , Volume 1, Stuttgart 1982, 1 page without numbering.
• Nikolai B. Forstbauer: The sculptor Eva Zippel is dead . In: Stuttgarter Nachrichten No. 122 of May 29, 2013, page 19.
• Portfolio for Margot Fürst as of November 24, 1987 , [Marbach 1987], 3 pages without page number.
• Franz Goldstein; Ruth Kähler; Hermann Kähler: International directory of monograms by visual artists since 1850. Monogram Lexicon, Volume 1 , Berlin 1999, page 167 (EZ 1713), 1135.
• Marc Fredric Gundel: Academy student body and teaching after 1945. On the importance and problems using the example of Otto Baum and Herbert Baumann as art college teachers , dissertation University of Heidelberg, Heidelberg 1995, pages 53–56, 90, 91, 92, Fig. 6–15 .
• Marc Fredric Gundel: Artistic educational work during and after the Second World War. To Otto Baum (1900–1977) as private teacher of Gudrun Krüger and art college teacher . In: Peter Anselm Riedl; Marc Gundel: Gudrun Krüger - Beginning - Present , Eningen unter Achalm 1997, pages 10, 11.
• Gert K. Nagel: Swabian artist lexicon. From the Baroque to the Present , Munich 1986, page 131.
• Edith Neumann: Artists in Württemberg: on the history of the Württemberg Association of Women Painters and the Federation of Women Artists of Württemberg , Volume 2, Stuttgart 1999, page 120, 166 (Herta Poddine-Zippel).
• (ra): On duty for you. We introduce municipal employees. [Eva Zippel] . In: Stuttgart Official Gazette of April 19, 1979, page 7.
• (rz): Eva Zippel, the Schleich designer . In: Rems-Zeitung No. 127 of June 5, 2013, page 12.
• Saur General Artist Lexicon. Bio-bibliographical index A– Z , Volume 12, Munich 2009, page 823.
• Obituary. Eva Zippel. Sculptor and author . In: Stuttgarter Zeitung No. 123 of May 31, 2013, page 28.
• Zippel, Eva . In: Hans Vollmer (Hrsg.): General Lexicon of Fine Artists of the XX. Century. tape 5 : V-Z. Supplements: A-G . EA Seemann, Leipzig 1961, p. 211 .
• Friederike Voß: Resident from the very beginning - conversation with the sculptor Eva Zippel . In: Christiane von Seebach (editor); Rita E. Täuber (editor): 50 Years of the GEDOK House Stuttgart , Tübingen 2005, 78–83, page 75 (portrait of Elle Hoffmann by Eva Zippel).

Works

• The State Academy of Fine Arts Stuttgart 1946–1953 , Stuttgart 1953, page 44 (illustration: Hirtenlied ).
• In Baden-Wurttemberg. Culture, Life, Nature 1954, Issue 3, Page 14 (Figure: Tamed Power ).
• City of Besigheim (publisher): Besigheim Sculpture Path , Besigheim without a year (tamed strength) .
• Uwe Degreif: Sculptures and Scandals. Art conflicts in Baden-Württemberg , Tübingen 1997, page 50, 205–207 (Besigheim art scandal, tamed power ).
• Karl Diemer: Everything is a parable. New works by Eva Zippel in the Maercklin gallery . In: Stuttgarter Nachrichten No. 119 of May 27, 1975, page 17.
• Olga Duschk: Besigheim. Die alte Weinstadt an Neckar und Enz / The old winegrowing town / La vieille ville vinicole , Konstanz 1960, page 32.
• Armin Elhardt (editor); Eva Zippel (illustration): Plastic sketches. From guests and friends of the Stuttgart Writer's House, with poems and prose contributions by the people portrayed , Edition Wuz, Volume 13, Freiberg am Neckar 2000.
• FW: The animal as a fellow creature - reflections on sculptures carved in stone . In: Steinmetz und Steinbildhauer 72. 1956, page 204-208, Eva Zippel: page 205-206 (tamed power) .
• Warning: art! I know that! Art in Stuttgart . In: Good News from October 13, 2012 [1] (Christophorus).
• Dieter Hannemann: Art in Architecture. State capital Stuttgart. A documentation of all works of art in the field of architecture commissioned by the state capital Stuttgart from 1949 to 1979, Stuttgart 1979, pages 102-103.
• Reutlingen . In: The art and the beautiful home 50. 1951/1952, supplement, page 165 (participation in the exhibition in the Reutlinger Spendhaus ).
• The artwork. Magazine for modern art 5. 1951, issue 2, page 28 (illustration: Hirtenlied ).
• The artwork. Magazine for modern art 10. 1956–1957, issue 1/2, page 52 (illustration: Schäfer ).
• Uta Beatrice Prenger: 25 years Elle-Hoffmann-Haus , Stuttgart 1979, page 13 left (Eva Zippel in the studio), 26 (relief Elle Hoffmann ), 32 (hyenas 58) , 50 (knots) , 81.
• Artistic design of the buildings on the Neckar . In: The Rhine shipping. Trade journal for inland navigation and ferry services No. 4 from February 25, 1963, page 49 (Tamed force) .
• The Unknown Political Prisoner (sculpture competition of the "London Institute for Contemporary Arts") . In: Der Spiegel No. 3 from January 14, 1953.
• Symbol of the community . In: Stuttgarter Zeitung of August 7, 1971 (bronze sculpture to one another ).
• Fritz Wiedermann: Plastic works of art for the Neckar barrages . In: The wood and stone sculptor 1956, issue 1, pages 1–6, Eva Zippel: picture 5 (tamed power) .
• Günther Wirth: Contemporary Art from Southwest Germany. For the 7th state exhibition in the Kurpfälzisches Museum in Heidelberg . In: Ruperto Carola. Messages from the Friends of the Student Union of Heidelberg University e. V. , 13th year, volume 30, 1961, pages 166–170, Eva Zippel: page 170.
• Günther Wirth: Between tradition and open-mindedness ..., "Stuttgarter Sezession" now also brought in young artists for its show in the art building . In: In Baden-Württemberg. Culture, Life, Nature 1967, issue 7, page 39 (participation by Eva Zippel with her relief elephant wall ).

Catalogs

• Angelika Fellmer (catalog): 27 artists from GEDOK Stuttgart , Stuttgart 1987, 2 pages without page counting (curriculum vitae, illustration: two in a square ).
• Angelika Fellmer (catalog); Kurt Leonhard (introduction): Eva Zippel, sculptures and drawings from the years 1947–1989 , Stuttgart 1990.
• Angelika Fellmer (editor); Eva Zippel (illustration): Body landscapes. Ink drawings , Stuttgart 2002.
• Eugen Keuerleber: Eva Zippel, reliefs. Gallery of the City of Stuttgart, Art Building on Schloßplatz, Room 1, July 23 to September 20, 1970 , Stuttgart 1970.
• Artists Association of Baden-Württemberg. 19th annual exhibition, Stuttgart Württ. Kunstverein, November 2 to December 2, 1973 , Stuttgart 1973, page 34, 171.
• Jean-Jacques Lerrant: Peintres allemands contemporains. Musée de Lyon 1957 , Lyon 1957, No. 57 (carousel) , 58–59.
• Oscar Sandner (editor): Plastic of the present. Hugo von Montfort Prize 1961. Bregenz - Künstlerhaus, 14 July - 15 August 1961 , Bregenz 1961, No. 87 (seated woman) .
• Galerie Schlichtenmaier (editor): Sculpture in Castle II. From Antes to Zippel. Dätzingen Castle, Grafenau , Grafenau 2008, page 13 (Small forest) .
• Stuttgarter Sezession , Stuttgart 1967, pages 130-131.
• Self Portraits '78. An exhibition by members of the Association of Visual Artists Württemberg eV under the topic of self-portraits '78 in Stuttgart, Gustav-Siegle-Haus from August 5 to August 27, 1978 , [Stuttgart] 1978, 2 pages without page numbers.
• Württembergischer Kunstverein (publisher): painter and sculptor. Exhibition of the Württ. Kunstverein Stuttgart in the art building on Schloßplatz 29 March to 29 April 1956 , Stuttgart 1956, 2 pages without page number.

Schleich figures

• Evamaria and Erhard Ciolina; Gerhard Schützner et al. (Photos): advertising figures and comic figures , Augsburg 1993.
• Evamaria and Erhard Ciolina; Gerhard Schützner and others (photos): Advertising figures and comic figures. With current market prices, Battenberg Antiques Catalog , Augsburg 1996.
• Cornelia Dörries: Anywhere's a playground. 75 years of Schleich , Berlin 2010.
• Ulrich Gohl: Advertising figures . In: Trödler & Collector Journal from June 2001, pages 194–198.
• Ulrich Gohl: Schleich bender . In: Trödler & Collector Journal of September 2003, pages 76–81.
• Jumheidi-jumheida . In: Graphik 11.1958, issue 11, page 2 (illustration: small advertising man of the Chemischen Werke Hüls AG, Marl, design: Eva Zippel).
• Bettina Hartmann: Small animal show on the Alb. The Schleich company from Herlikofen has captured children's hearts with natural figures . In: Stuttgarter Nachrichten of October 29, 2005.
• Joachim Kellner (editor); Werner Lippert (editor): Advertising figures. Creatures of the world of goods. [Catalog for the exhibition "Advertising Figures - Creatures of the World of Goods", which took place for the first time from October 23 to 26, 1991 in the Galleria of Messe Frankfurt] , Düsseldorf 1992.
• Robert Klose: history made of PVC. A male, a cult object . In: Marler Zeitung from January 18, 2011 [2] (Hüls-Männchen).
• Robert Klose: Memories in PVC. Large family of colorful males . In: Marler Zeitung from January 19, 2011 [3] (Hüls-Männchen).
• I. Meinecke: Playfully advertise with flexible figures . In: Success 10.1961, pages 34–35.
• Michaela Schiessl: Elfenland burned down . In: Der Spiegel No. 52/2007 (Schleich company, nothing about Eva Zippel).
• "This is how characters come to life" . In: The Toy 1971, issue 2.

Web links

Commons : Eva Zippel  - Album with pictures, videos and audio files

• Literature by and about Eva Zippel in the catalog of the German National Library
• Website by Eva Zippel
• Biography of Eva Zippel on the website of the city of Stuttgart
• Works by Eva Zippel in the Schlichtenmaier Gallery in Grafenau / Stuttgart

Individual evidence

1. ^ #Neumann 1999 .
2. ↑ #Zippel 1958 .
3. ↑ Source: partly verbal information from Eva Zippel's friend Angelika Fellmer.
4. ↑ See: Carlo Schmid and the reopening of the University of Tübingen .
5. ↑ #Leonhard 1994 , p. 13
6. ↑ #Gundel 1995 , page 90.
7. ↑ #Fellmer 1987 .
8. ↑ #Zippel 2011 .
9. ↑ Excerpts from her Paris sketches are contained in #Zippel 2011 , pp. 68–75.
10. ↑ #Fellmer 1990 , pp. 32-33.
11. ↑ #Gundel 1995 , page 54.
12. ↑ #Gundel 1995 , page 54.
13. ↑ #Seebach 2005 , pp. 79–80.
14. ↑ #Gundel 1995 , page 54.
15. ↑ See section Besigheim Art Scandal .
16. ↑ #Fellmer 1990 , page 17.
17. ↑ #Fellmer 1990 , page 38 and 41st
18. ↑ #Fellmer 1990 , page 45, 44, and 46th
19. ↑ #Fellmer 1990 , pp. 75-107.
20. ↑ #Fellmer 1990 , pp. 102-103, 107.
21. ↑ #Elhardt 2000 .
22. ↑ #Fellmer 2002 .
23. ↑ #Fellmer 1990 , page 6.
24. ↑ #Fellmer 2002 .
25. ↑ Both quotations: #Degreif 1979 , page 50.
26. ↑ #Degreif 1979 , page 205th
27. ↑ #Seebach 2005 , pp. 79–80.
28. ↑ See also: Otto Baum, Esslinger Kunststreit .
29. ↑ #Art 1951 .
30. ↑ #Lerrant 1957 .
31. ↑ # Sandner 1961 .
32. ↑ # Wirth 1961 .
33. ↑ #Wirth 1967 .
34. ↑ #Fellmer 1987 .
35. ↑ #Fellmer 1990 , page 107th
36. ↑ #Fellmer 1990 , page 56th
37. ↑ #Fellmer 1990 , page 102 or 103rd
38. ↑ #Fellmer 1990 , page 57th
39. ↑ #Fellmer 1990 , page 84th
40. ↑ #Fellmer 1990 , page 70.
41. ↑ 1952–1954.
42. ↑ 1952–1954.
43. ↑ Installation: 1957.
44. ↑ The relief shows a customs officer standing protectively from the domestic economy, demanding customs duties from a merchant for goods that he has brought across the sea by ship.
45. ↑ 1961-1975.
46. ↑ January 19, 1987.