Evelyn Hartnick-Geismeier

from Wikipedia, the free encyclopedia
Evelyn Hartnick with a lion sculpture from the Ariadne Fountain (1992)

Evelyn Ida Berta Hartnick-Geismeier (born July 17, 1931 in Finsterwalde (Niederlausitz) , † August 24, 2017 in Berlin ) was a German sculptor and medalist . She had had this name since 1990 and lived in Berlin. Until 1983 her name was Evelyn Nitzsche-Hartnick, her birth and stage name was Evelyn Hartnick.

Life

Evelyn Hartnick's father was the artist Bruno Hartnick , so she was familiar with art and artists from childhood. Her father's death in 1945, which was painful for the young girl, made her want to pursue his profession as a painter. In 1948, at the age of sixteen, she began studying at the Leipzig School of Applied Arts , where she studied painting with Max Schwimmer . In 1949, after three semesters, she switched to the Leipzig School of Graphics and Book Art . There she studied illustration and portraiture with Elisabeth Voigt as well as life drawing and sculptural design with Walter Arnold . With Arnold she discovered her inclination for sculpture and in 1951 moved to the University of Fine and Applied Arts in Berlin-Weißensee . She studied five years in the sculpture class with Heinrich Drake . In 1956 she graduated as a sculptor and has been self-employed ever since.

Hartnick had two sons with her first husband, one of whom is Jan-Pieter Nitzsche, a blacksmith and restorer. In 1990 she married Willi Geismeier , who died in 2007. In the same year, at the age of 77, she fell so badly in a bus in Berlin during an emergency braking that one of her thighbones was shattered.

Evelyn Hartnick was a member of the German Society for Medal Art and belonged to the group of Berlin medalists . She died in Berlin in August 2017 at the age of 86.

plant

In sculpture, Hartnick remained committed to the classic models and consequently followed the path followed in her sculptural training. The reality-oriented design was considered an adequate means of expression for modern contemporary art. The singing song memorial by Finsterwalde (1999–2001) illustrates her preference for group compositions in free sculptures, in which each individual figure stands in a reference system to all others. Her relief works fall into two groups: the multi-figure, multi-part and narrative compositions such as Altes Berlin - Neues Berlin and the relief portraits such as Max Planck , which ultimately served as a template for a GDR commemorative coin from 1983. The step from the relief to the cast medal with the inherent principles of these objects was relatively small. Evelyn Hartnick used the cast medal in the classic manner for portraits, but also for statements on current affairs. She has taken part in several editions of the Artists' Circle of Berlin Medalists, for example on the subjects of Art Money - Money Art (1993), Keeping Balance (1994) and 1945–1995 - 50 Years of Peace? (1995). The world of the minted medal is somewhat different. The focus here is mostly on the implementation of the ideas of state or private clients, the production of the plaster models requires precise work that is accurate to the millimeter, and the relief height that is usually available must be precisely adhered to.

Otto Nagel, 1997

Biographical references appear again and again in Evelyn Hartnick's work. The singer song memorial in Finsterwalde by the hand of this artist gets its special meaning from the fact that Hartnick's great-grandfather, Herrmann Gerhardt, was the last singer from Finsterwalde. One of the people who were important to Evelyn Hartnick is Käthe Kollwitz , with whom her father studied in 1921/22, while Elisabeth Voigt was her own teacher as a Kollwitz student. She herself got to know the painter Otto Nagel as a student. In a three-meter cycle of reliefs (1974/76) she put together Otto Nagel with Heinrich Zille and Käthe Kollwitz, among others , and thus pointed out the socially critical similarities between these three artists. She remained interested in the portrait of Otto Nagel. In 1997 she created a plaque using his death mask , with which she also pointed out the breaks in life and work. For Nagel, the painting ban imposed by the National Socialists in 1934 was the big break in life, Evelyn Hartnick herself experienced three very different forms of government.

Sculptural works in public spaces

  • Construction worker , 1961

  • Ludwig Hoffmann and Ernst Friedel

  • Otto Nagel cycle , 1975

  • Five children's drip fountain , 1980

  • Singing memorial , 2001

  • Construction worker , 1961, bronze, 1.40 m, inauguration 1965, Berlin-Niederschönhausen, Mendelstrasse / Stiftstrasse ⊙
  • Pharmacology and toxicology , cast aluminum, 2.80 × 1.35 m, Berlin-Mitte , Charité of the Humboldt University in Berlin
  • Otto Nagel cycle , 1975, bronze relief, 3 × 3 m, Lessingstrasse 85, Berlin-Wilhelmsruh ⊙
  • Old Berlin and New Berlin , bronze spraying process, 4.10 × 1.62 m
  • Relief portrait Otto Nagel (profile), bronze relief , 0.80 × 1.20 m, Berlin: Mitte Museum
  • Zille, Kollwitz and Nagel in conversation , bronze relief, 0.75 × 0.80 m,
  • Ludwig Hoffmann and Ernst Friedel , two highly sculptural relief portraits, bronze, each 0.45 × 0.70 m, Berlin-Mitte, Märkisches Museum
  • Ariadne fountain also circus fountain or lion fountain (destroyed), 1985, bronze, approx. 1.10 m long, Karl-Holtz-Platz, 12687 Berlin-Marzahn , group of three water-spouting predators (panthers, lions) with naked Ariadne on the panther lying down, destroyed a lion figure in 1990, stole the other figures in 1992; Replaced in 1995 with a pierced boulder ⊙
  • Five children's drip fountain
    • Berlin-Mitte, 1980s, bronze, Marion-Gräfin-Dönhoff-Platz ( Spittelkolonnaden ), ordered by the Berlin district of Mitte in the 1980s, cast in the Lauchhammer art and bell foundry and planned for the Gipsdreieck park or in front of the Mitte music school; The plan was not carried out because of the change in the GDR and the associated change in ownership - the location was then Hartnick's front garden at Schlossallee 24 in Berlin-Niederschönhausen; 2013 installation in Monbijou Park; dismantled after a few weeks due to vandalism (bent screen and smears of paint); Restoration and storage at the blacksmith Bernd Helmich in Berlin-Alt-Glienicke; Inauguration on May 20, 2016 on Dönhoffplatz behind the Spittelkolonnaden in Berlin-Mitte on the initiative of the neighboring community of interests Leipziger Straße / Krausenstraße ⊙
    • Berlin-Buch , 1977, ceramic hard fire, copper, made in Krauschwitz (Saxony) , location shared senior living in Rosengarten, Theodor-Brugsch-Straße 18, 13125 Berlin-Buch ⊙
    • Gera , 1977, ceramic hard fire, copper, manufactured in Krauschwitz (Saxony) , location Grüner Weg retirement home, Berliner Straße 210, 07546 Gera ⊙
  • Singing song monument also singing monument , 2001, life-size bronze statues on 1.35 m high granite plinth , Berliner Straße 43, Finsterwalde, Niederlausitz ; Cast in the art foundry Horst Borchardt in Charlottenhöhe (Stüdenitz-Schönermark) , three music-making men back to back: one with a long frock coat and violin, one with a flute, a boy singing barefoot ⊙

Medals

Numerous medals have been created since the 1970s. So far, the first minted medal for 1977, the first cast medals from 1981 onwards, has been proven.

Catalog of dated medals

The medals are also recorded in chronological order, although they do not have a date as an inscription, but whose date of origin is known.

Medal on Helene Weigel, 1981
Bronze, one-sided, 107 mm
Evidence: Berlin, Münzkabinett ; Dresden 1982/66.
Literature: IX. Art exhibition 1982/83, 285 with ill. Of the Vs .; Wipplinger 1992, 76 No. 7 with ill. Of the Vs.
The medal is a by-product of the Helene Weigel Medal from 1981, which served as the GDR theater prize.
Bronze, one-sided, 156 mm
Proof: Berlin, Münzkabinett ; (Cast from 2003).
Literature: Wipplinger 1992, 75 No. 2 (not illustrated).
The portrait was created in connection with the Schinkel Medal designed by the artist and awarded by the GDR Building Academy.
Bronze, one-sided, 200 mm
Proof: Berlin. German Historical Museum : N 90 / 1.1 (197 mm); N 90 / 1.2 (197 mm).
Literature: Wipplinger 1992, 75 No. 1 (not illustrated).
Commissioned work for the exhibition: "Ich Thomas Müntzer eyn knecht gottes" (historical-biographical exhibition of the Museum of German History from December 8, 1989 to February 28, 1990). Also in the German Historical Museum is a plaster model of the medal from 1988 with a diameter of 210 mm. (Inv. DHM N 90 / 1.3).
Plastic dolly - ancient terracotta, 1993
  • Antique terracotta plastic dolly, 1993
Bronze, 70-74 mm
Proof: Berlin, Münzkabinett ;
Literature: Horbas 1994, 83 No. 106.
The medal was created in 1993 as part of the “Art Money” edition of the Berlin medalists. The upbringing of the child for branded consumption is shown. The Barbie doll as a symbol for kitsch is contrasted with the terracotta figure as a symbol for art. The work is related to the following two works. The word “Plaste Dolly” is itself an attractive testimony to a transition period, because “Plastic” is a term used only in the GDR, while the Anglicism “Dolly” refers to the American branded product.
  • Antique head - dolly head, 1993
Bronze, 73-75 mm
Proof: Berlin, Münzkabinett
Literature: Horbas 1994, 83 No. 107.
The medal was created in 1993 as part of the “Art Money” edition of the Berlin medalists. Opposing heads find their model in the coinage of the Dioskur heads of the ancient city of Istros. The inscription on the back juxtaposes art and style on the antiquity side with money and contemporary styling as opposites.
  • Maria in a good hope functional doll, 1993
Bronze, 110 mm
Proof: Berlin, Münzkabinett
Literature: Horbas 1994, 83-84 No. 108.
The medal is closely related to the works that were created in 1993 for the “Art Money” edition of the Berlin medalists. Here, the contrast from antiquity to the present is carried over to the late Middle Ages and the plastic doll known from the other medals in this series is accompanied by a Maria gravida. It is a modification of the scene in which Elisabeth, who is also pregnant, greets Mary: "You are more blessed than all women, and the fruit of your body is blessed" (Luke 1:42).
  • The fourth angel, 1994
Bronze, 74 mm
Evidence: Berlin, Münzkabinett
Literature: Heidemann 1996, 115 No. 114.
The reverse bears the inscription UND / DER VIERTE / ANGEL GOSS SEINE / ANGEL BOWL IN / THE SUN WAS GIVEN / YOU ARE GIVEN / WITH YOUR FIRE / THE PEOPLE TO BURN / BURN (Revelation of John chapter 16.8). The artist took part in the 1994 edition of Kunstgeld by the Berlin medalists under the title “Keeping Balance - Dialog”. The medal addresses the dangers of climate change with a quote from the Bible. The driver on the front represents the people who caused the apocalypse.
  • Troubled Heaven, 1994
Bronze, 74 mm
Proof: Berlin, Münzkabinett
Literature: Heidemann 1996, 116 No. 115.
Copy of a series on the subject of "Keeping the balance - dialogue" from the 1994 edition of Kunstgeld by the Berlin medalists. The medal addresses the dangers of climate change. Because of the human-made disaster, even the angels lose their balance.
Michael defeated Lucifer, 1995
  • Michael defeated Lucifer in 1994, 1995
Bronze, 80 mm
Proof: Berlin, Münzkabinett
Literature: Heidemann 1996, 116-117 no. 117.
Front: MICHAEL - 1945 - LUCIFER. The Archangel Michael pushes Lucifer, who is falling backwards, upside down, with his sword. Inscription on the back: 1945 / LIBERATION / OCCUPATION / PARTITION / COLD WAR / BUILDING WALLS / RECOGNITION / PEACEFUL REVOLUTION / BEITRITT / TWO GERMAN / 1995. Due to the year 1945 on the front, the biblical motif symbolizes the annihilation of the National Socialist tyranny in Germany Second world war. The falling Lucifer forms the shape of a swastika in his contortion. The medals were created as part of a series by Berlin medalists on the subject of "1945–1995".
  • 1945-1995-2045, 1995
Bronze, 79 mm
Proof: Berlin, Münzkabinett
Literature: FIDEM XXV 1996, 16 No. 26; Heidemann 1996, 116-117 No. 118.
Inscription on the back: 2045 / WILL NOT BE ANY MORE / MY YEAR / BUT MINE'S / GRANDSON. The theme of the medal is impermanence and survival in the offspring. The transience is made clear by the vanitas motif of the skull with rose bush in a classic manner and modern design language. The defiant "but that of my grandchildren" reflects the confidence that something will remain and will be passed on from generation to generation. The world in which the grandchildren will live must also be cared for by the older generation. The medals were created as part of a series by Berlin medalists on the subject of "1945–1995". She was in Neuchâtel in 1996 as a FIDEM contribution.
Bronze, one-sided, 114 mm
Proof: unknown.
Literature: Heidemann 1999, 127 No. 141.
The work is related to the commemorative medal for the anniversary of the Kiel School of Academics.
  • Euro symbol, 1996
Bronze, one-sided, 118 mm
Proof: unknown
Literature: Heidemann 1999, 127 No. 142.
The hands depicted on the medal were the subject of the artist's picture when she took part in the competition to introduce the euro.
Bronze, 80 mm
Proof: Berlin, Münzkabinett
Literature: Heidemann 1999, 128 No. 143.
The front shows a naked person with outstretched arms, behind them circles with chemical symbols, connected by arrows. One of them broke open and lets energy pour out like a volcano. On the back, in eight lines, is LABORIZING / GOTTSPIELER / EXPLOSION OF THE / INVENTIONS / FASCINATION / OF THE UNNECESSARY / THE BIRTH OF THE / WAHNS (H. GRUHL). The medal criticizes nuclear fission as an energy source that cannot ultimately be controlled by humans. Herbert Gruhl (1921–1993) was the author of the book A Planet is Plundered. The horror record of our politics from 1975 and the book The Atomic Suicide from 1986.
Downfall, 1999, front page
Downfall, 1999, back cover
  • Otto Nagel - Breaks in Life and Work, 1997
Hollow bronze cast, one-sided, 109 × 76 mm
Proof: Berlin, Münzkabinett
Literature: XXVI FIDEM Den Haag 1998, 131 No. 56 (not illustrated); Heidemann 1999, 128-129 No. 144; Grund 2003, 203–204 with illus. (Dresden copy).
FIDEM contribution 1998 in The Hague.
Bronze, one-sided, 80 mm
Proof: Berlin, Münzkabinett
Literature: Heidemann 1999, 128–129 No. 145.
The work is related to the artist's participation in the competition for the commemorative coinage for the 500th birthday of Philipp Melanchthon, which took place in 1996.
  • Downfall, 1999
Bronze, 79 mm
Proof: Berlin, Münzkabinett ; Dresden 2003/548.
Literature: Heidemann 1999, 128–129 No. 146; Steguweit 2000 (FIDEM), 51 No. 27.
The obverse shows five drowning in water. Three of you are still fighting against death, two are already sinking into the floods. On the back it says BE IN ANY WAY / YOU LOST / THE ELEMENTS ARE / SWIRLED WITH US / AND ON DESTRUCTION / RUNNING OUT. The quote is taken from JW von Goethe, Faust II, Act V. The downfall is to be understood here quite literally: human bodies sink into the floods. Some are still fighting back and striving upwards, others have already had to give up the fight and sink to the sea floor.
  • Käthe Kollwitz, 2002
One-sided hollow bronze cast, 100–110 mm
Proof: Berlin, Münzkabinett ; Dresden Inv. 2003/01.
Literature: XXVIII FIDEM Paris 2002, 19; Grund 2003, 203–204 with illus. (Dresden copy).
FIDEM contribution 2002 in Paris.
  • Terror global 2003, 2002/2004
Bronze, 110 mm
Proof: unknown.

Catalog of undated medals (alphabetically by title)

  • Ernst Haeckel, undated
Copper, gold-plated, 40 mm
Proof: private ownership
Literature: Wipplinger 1992, 76 No. 5 (not illustrated).
  • Max Planck, undated
One-sided hollow bronze cast, 147 mm
Proof: Dresden 1998/38.
Literature: Wipplinger 1992, 76 No. 6 (not illustrated).

Medals exhibitions

Participation in group exhibitions at home and abroad

Commemorative coins

As small state monuments, commemorative coins are evidence of the respective self-portrayal of a country. In 1983 Evelyn Hartnick was commissioned with the design of two commemorative coins that were created in the " VEB Münze der DDR " in Berlin. The dies produced there were the result of a close collaboration between sculptors, graphic artists and the engravers working at the mint, based on a mutual understanding of their respective skills. Since 1992 Hartnick has been invited to artist competitions for commemorative coins of the Federal Republic of Germany. The details of their participation in these competitions are contradictory and only two drafts are shown with images. All references are therefore given here with the relevant literature citation.

10 Mark commemorative coin of the GDR in honor of 30 years of working class combat groups from 1983
Graphic artist: Dietrich Dorfstecher, engraver: Lothar Rasch
Commemorative coin, face value: 10 marks
Literature: Dethlefs and Steguweit 2005, 410 No. 196.
5 marks commemorative coin of the GDR for the 125th birthday of Max Planck from 1983
Graphic artist: Dietrich Dorfstecher , engraver: Klaus Langanke
Commemorative coin, face value: 5 marks
Literature: X. Art Exhibition of the GDR 1987/88, 512; Dethlefs and Steguweit 2005, 411 No. 197.
Graphic artist: Dietrich Dorfstecher
Plaster model for the jury meeting on December 5, 1992
Literature: Steguweit with Bannicke and Schön 2000, 61 Note 5. No longer listed in Dethlefs and Steguweit 2005,: 452.
Plaster model for the jury meeting on June 16, 1993
Literature: Steguweit with Bannicke and Schön 2000, 61 Note 5. No longer listed in Dethlefs and Steguweit 2005,: 452.
Graphic artist: Dietrich Dorfstecher
Plaster model for the jury meeting on October 7, 1993
Literature: Steguweit with Bannicke and Schön 2000, 61 note 5; Dethlefs and Steguweit 2005, 332 No. 72.
Graphic artist: Dietrich Dorfstecher
Plaster model for the jury meeting on November 25, 1993
Literature: Steguweit with Bannicke and Schön 2000, 61 note 5; Not listed in Dethlefs and Steguweit 2005, 452.
  • 50 years warning for peace and reconciliation / reconstruction of the Frauenkirche in Dresden
Plaster model for the jury meeting on August 11, 1994
Literature: Steguweit with Bannicke and Schön 2000, 61 note 5; Dethlefs and Steguweit 2005, 333 no.73
Plaster model for the jury meeting on May 4, 1995
Literature: R. Flören, Geldgeschichtliche Nachrichten 30, 1995, 311 with illus .; Steguweit with Bannicke and Schön 2000, 61 note 5; Dethlefs and Steguweit 2005, 337 No. 76.
  • 500th birthday of Philipp Melanchthon
Plaster model for the jury meeting on June 13, 1996
Literature: R. Flören, Geldgeschichtliche Nachrichten 32, 1997, 18 with ill .; Steguweit with Bannicke and Schön 2000, 61 note 5; Dethlefs and Steguweit 2005, 338 No. 77.
Plaster of paris from the coin model Hildegard von Bingen, 1997
Plaster model for the jury meeting on 28/29 August 1997
Literature: Steguweit with Bannicke and Schön 2000, 61 note 5; Dethlefs and Steguweit 2005, 342 No. 81.
Plaster model for the jury meeting on 27./28. August 1998
Literature: Steguweit with Bannicke and Schön 2000, 61 note 5; Dethlefs and Steguweit 2005, 348 No. 85.
Drawing for the jury meeting on August 30, 1999
Literature: Dethlefs and Steguweit 2005, 353 No. 90.
  • 200th birthday of Justus von Liebig
Plaster model for the jury meeting on April 18, 2002
Literature: Dethlefs and Steguweit 2005, 365 No. 102.
  • German Euro Series
Motive hands in topic group II: Aims and ideals of the European Union
Plaster models for the jury meeting from 3rd to 5th February 1997 in Berlin
Steguweit with Bannicke and Schön 2000, 61 note 5.

Embossed Medals

The embossed medals are commissioned work in which Evelyn Hartnick demonstrates further facets of her skills, for example in the reproduction of architecture and landscape.

Palace of the Republic , 1977
  • Palast der Republik, 1977, nickel, 60 mm, proof: Berlin, Münzkabinett , literature: Steguweit 2000, 59 with ill. Of the Vs.
  • Helene Weigel Medal, Theater Prize of the GDR, 1981, bronze, 20 mm, literature: Steguweit 2000, 60 with ill. Of the Vs.
  • Schinkel medal of the Bauakademie, 1981, bronze, 40 mm, literature: Steguweit 2000, 59 with ill. Of the Vs.
  • 40 years VEB coin of the GDR Berlin, 1987, copper, 50 mm, evidence: Dresden 1998/39, literature: Wipplinger 1992, 75 No. 4 (not illustrated); Steguweit with Bannicke and Schön 2000, 59 with illus., Evelyn Hartnick's design, probably for 1987 on the occasion of the fortieth anniversary of the VEB Münze of the GDR, was provided by the Staatliche Münze Berlin with various purpose inscriptions, on various occasions and in different materials used.
  • Mint Berlin, undated (1987), copper-nickel (nickel silver), 50 mm, evidence: Dresden 1998/40.
  • Münze Berlin, undated (after 1987 before 1994), silver, 50 mm, evidence: Berlin, Münzkabinett 18230185., Literature: H. Caspar, self-depiction of the Berlin coin on medals, in: W. Steguweit (ed.), Art and technology of the medal and coin. The example of Berlin. Die Kunstmedaille in Deutschland 7 (1997) 173 No. 1.93–94 (variants for the forty-year existence, 1987 and as an award medal for 25 years of service). This silver specimen served as a representation medal for the State Mint.

Working in museums

This compilation is not complete. Only those museums are listed in which works are clearly identified.

literature

Book title of the IX. Art exhibition of the GDR, 1982

The essay by Wolfgang Steguweit provides an introduction to Evelyn Hartnick . A short autobiographical account can also be found on the artist's website.

  • Association of Visual Artists of the GDR (ed.): IX. Art exhibition of the GDR. Dresden 1982/83, p. 285.
  • Association of Visual Artists of the GDR (ed.): X. Art Exhibition of the GDR. Dresden 1987/88, p. 512 f.
  • E. Wipplinger: Medal Artists in Germany. Creativity in the past and present. 1992, pp. 75-76.
  • C. Horbas in W. Steguweit (Ed.): The Art Medal of the Present in Germany 1991–1993. With supplements since 1988. Die Kunstmedaille in Deutschland 2 Berlin 1994, pp. 83–84.
  • Wolfgang Steguweit in M. Spoerri (Ed.), FIDEM XXV. Exposition Internationale de médailles d'art contemporaines Neuchâtel 1996, p. 16 No. 26.
  • M. Heidemann in W. Steguweit (Ed.), The Art Medal of the Present in Germany 1993–1995. With supplements since 1988. Die Kunstmedaille in Deutschland 4 Berlin 1996, pp. 115–118.
  • Wolfgang Steguweit in M. Scharloo (Ed.), XXVI FIDEM Modern Art Medals Den Haag 1998, p. 131 No. 56.
  • M. Heidemann in Wolfgang Steguweit (ed.), Die Kunstmedaille in Deutschland 1995–1998. With supplements since 1990. Die Kunstmedaille in Deutschland 10 Berlin 1999, pp. 127–129.
  • Wolfgang Steguweit: The sculptor and medalist Evelyn Hartnick. In: W. Steguweit with E. Bannicke and G. Schön: The commemorative coins of the GDR and their creators. Frankfurt 2000, pp. 58-61.
  • M. Heidemann in: Wolfgang Steguweit (Ed.), XXVII FIDEM 2000 International Medal Art. The Art Medal in Germany 12 Weimar 2000, 51 No. 27, 65 Fig. 27.
  • M. Wesche in: L. Courbet-Viron (Ed.), XXVIII. FIDEM Paris Paris 2002, p. 19.
  • R. Grund: New medals as gifts to the Münzkabinett. Works by Evelyn Hartnick and Marika Somogyi. In: Dresdener Kunstblätter. Volume 4, 2003, pp. 201-208.
  • G. Dethlefs, Wolfgang Steguweit (Hrsg.): GeldKunst KunstGeld. German commemorative coins since 1949. Design and designer. The Art Medal in Germany 22. Berlin 2005, p. 200, No. 5.
  • The sculptor Evelyn Hartnick-Geismeier , Passage, Leipzig 2015, ISBN 978-3-954150-29-8 .

Web links

Commons : Evelyn Hartnick-Geismeier  - Collection of pictures, videos and audio files

Individual evidence

  1. ↑ a b Obituaries of Evelyn Hartnick-Geismeier. In: lr-online.trauer.de. Retrieved January 8, 2020 .
  2. ↑ Freelance sculptor and medalist in Berlin. In: www.bildhauer-ev-hartnick.de. Archived from the original on March 26, 2017 ; accessed on January 8, 2020 .
  3. ↑ In the background at the singing song monument. In: lr-online.de. March 27, 2008, accessed January 8, 2020 .
  4. ↑ Obituary notice of her sons in the Berliner Zeitung of September 2, 2017, p. 14.
  5. ↑ a b MK-B | Hartnick, Evelyn: Otto Nagel 1997. 18229814. Retrieved January 9, 2020 .
  6. ^ Bernhard Weisser: The sculptor Evelyn Hartnick-Geismeier . 1931-2017. CoinRevue. Battenberg Gietl Verlag GmbH, Regenstauf November 2017, p. 28 f .
  7. ^ Construction workers - sculpture in Berlin. In: bildhauerei-in-berlin.de. Retrieved January 10, 2020 .
  8. ^ Public fountains in Berlin / State of Berlin. In: www.stadtentwicklung.berlin.de. Archived from the original on August 6, 2018 ; accessed on January 10, 2020 .
  9. ↑ Dirk Jericho: Bronze children are looking for a home: the sculpture is now to be set up at the Marienkirche - center. In: berliner-woche.de. November 13, 2015, accessed January 9, 2020 .
  10. ↑ a b c Dirk Jericho: bronze children sculpture is now on the Marion-Gräfin-Dönhoff-Platz - middle. In: berliner-woche.de. May 26, 2016, accessed January 9, 2020 .
  11. ↑ Inauguration of the "five-children-drip fountain" in the park at Marion-Gräfin-Dönhoff-Platz - Berlin.de. In: berlin.de. Retrieved January 9, 2020 .
  12. ↑ Tröpfelbrunnen children's group. In: gera.de. Retrieved January 9, 2020 .
  13. ↑ Rainer Ernst: Not only one monument will remain of her. In: lr-online.de. September 1, 2017, accessed January 10, 2020 .
  14. ↑ Singing memorial. In: finsterwalde.de. Retrieved January 10, 2020 .
  15. ↑ MK-B | Hartnick, Evelyn: Helene Weigel 1990 (1981). 18229790. Retrieved January 8, 2020 .
  16. ↑ MK-B | Hartnick, Evelyn: Karl Friedrich Schinkel 2003 (1981). 18229789. Retrieved January 8, 2020 .
  17. ↑ MK-B | Hartnick, Evelyn: Antique Terracotta Plaste Dolly 1995. 18229781. Retrieved January 8, 2020 .
  18. ↑ MK-B | Hartnick, Evelyn: Dolly 1993. 18229782. Retrieved January 8, 2020 .
  19. ↑ MK-B | Hartnick, Evelyn: Maria in der Hoffnung 1993. 18229791. Retrieved January 8, 2020 .
  20. ↑ MK-B | Hartnick, Evelyn: The Fourth Angel 1994. 18229783. Retrieved January 8, 2020 .
  21. ↑ MK-B | Hartnick, Evelyn: The Fourth Angel 1994. 18229784. Retrieved January 8, 2020 .
  22. ↑ MK-B | Hartnick, Evelyn: Troubled Sky 1994. 18229785. Retrieved January 8, 2020 .
  23. ↑ MK-B | Hartnick, Evelyn: Michael defeated Lucifer 1995. 18229704. Retrieved January 8, 2020 .
  24. ↑ MK-B | Hartnick, Evelyn: 1945 1995 2045 1995. 18229708. Retrieved January 8, 2020 .
  25. ↑ MK-B | Hartnick, Evelyn: Nuclear Fission 1997. 18229786. Retrieved January 8, 2020 .
  26. ^ Dresden Inv. 2002/460.
  27. ↑ MK-B | Hartnick, Evelyn: Philipp Melanchthon 1998. 18229787. Retrieved January 9, 2020 .
  28. ↑ MK-B | Hartnick, Evelyn: Untergang 1999. 18229788. Retrieved January 9, 2020 .
  29. ↑ MK-B | Hartnick, Evelyn: Käthe Kollwitz 2002. 18229813. Accessed January 9, 2020 .
  30. ↑ MK-B | Hartnick, Evelyn: Palast der Republik 1977. 18229780. Retrieved January 9, 2020 .
  31. ↑ MK-B | Hartnick, Evelyn: Zeiss Planetarium 1987. 18229780. Accessed January 9, 2020 .
  32. ↑ MK-B | Hartnick, Evelyn: 675 years Kieler Gelehreenschule 1995. 18229716. Accessed on January 9, 2020 .
personal data
SURNAME Hartnick-Geismeier, Evelyn
ALTERNATIVE NAMES Hartnick, Evelyn Ida Berta (maiden name); Nitzsche-Hartnick, Evelyn; Hartnick, Evelyn
BRIEF DESCRIPTION German sculptor and medalist
DATE OF BIRTH July 17, 1931
PLACE OF BIRTH Finsterwalde (Niederlausitz) , Luckau district , Brandenburg province
DATE OF DEATH August 24, 2017
Place of death Berlin