Johannes Grenzfurthner

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Johannes Grenzfurthner in the Museumsquartier in Vienna, 2011

Johannes Grenzfurthner (born June 13, 1975 in Vienna ) is an Austrian artist , filmmaker , author , curator , performer, actor and lecturer. Grenzfurthner is the founder and artistic director of monochrom , an international art and theory group based in Q21 in Vienna's Museumsquartier . Many of his artistic works are labeled as monochrome .

He deals with topics such as art, actionism , artistic performance , urban hacking , humor , postmodernism , media theory , cultural studies , the debate on copyright and intellectual property , science fiction and blogs .

Grenzfurthner conducts research in the field of subversive underground cultures and is an expert in the interplay of sexuality and technology. In this context, he is one of the founders of the technohedonist movement .

The Boing Boing magazine describes Grenzfurthner as Leitnerd , a combination of the German word Leitkultur and the English word Nerd to characterize his position in the nerd / hacker / art scene.

Act

In the early 1990s Grenzfurthner was a member of various discussion forums. Grenzfurthner used his online contacts to bring monochrom to life, initially primarily as a zine (i.e. an alternative magazine) that dealt with the topics of art, technology and counterculture . His motivation was on the one hand to prevent the spread of conservative forces (see: Californian Ideology ) in cyber culture , on the other hand he wanted to combine his political activities in the Austrian punk and anti- fascist movement with the discourse on new technologies and cultural technologies. The monochrome publications contained interviews with and contributions from well-known personalities, u. a. Bruce Sterling , HR Giger , Eric Drexler , Terry Pratchett , Kathy Acker , Blixa Bargeld and Bob Black in an experimental layout style.

In 1995 Grenzfurthner decided to open up new artistic fields with monochrom and began to experiment with different media and forms of expression, e.g. B. computer games, puppet theater, films, artistic interventions, conferences, but also activism. Grenzfurthner calls this activist practice Urban Hacking or Context Hacking , a term that he himself coined.

Context hacking transfers the demands and approaches of the hackers to those social and societal conditions in which artistic production takes place and on which it is in turn dependent. In a metaphorical sense, these too have a source code. Programs run in them that we face on a user interface. Where we know how and through what a space, a niche, a scene, a subculture, a media or political practice functions, we can change and "recode" them, deconstruct their power relations and emancipate ourselves from their constraints and methods of preparation.

The collective is known for working in a variety of media, art and entertainment formats. Grenzfurthner describes the practice as follows: "[We] are looking for the weapon for the best possible dissemination of an idea, a so-called mass proliferation weapon."

Conferences and festivals

Grenzfurthner as keynote speaker at the Paraflows Symposium, 2012

Grenzfurthner is director and curator of the Arse Elektronika festival in San Francisco , an annual academic and artistic conference series that deals with sexuality and technology. The first Arse Elektronika was conceived by Johannes Grenzfurthner in 2007 and was devoted to the question of the effects of sexuality on technological innovation and its adaptation.

Grenzfurthner also organizes Roboexotica , an international festival for cocktail robotics, which first took place in 1999 in Vienna. The festival invites researchers, artists and hobbyists to build machines that are able to mix or serve cocktails. V. Vale says of Roboexotica that it is "an ironic attempt to criticize techno-triumphalism and dissect technological hypes."

Grenzfurthner is director of Hedonistika , a festival for artistic food technologies, which was first held in Montreal in 2014 as part of the Biennale internationale d'art numèrique . The following festival took place in Holon (near Tel Aviv ) as part of the "Print Screen" festival.

Grenzfurthner and Matt Winston talk about Stan Winston and special effects ("Traceroute", 2016)

Theater, performance art

Grenzfurthner writes plays and also directs. He produces performances (e.g. the Eignblunzn action ) and intervention art .

Movie

Grenzfurthner is a screenwriter, director and managing director of the film production company monochrom Propulsion Systems . He is a member of the Austrian Directing Association, the Association of Austrian Documentary Filmmakers and a full member of the Academy of Austrian Films .

His feature film directorial debut was the post-apocalyptic science fiction comedy Die Gstettensaga: The Rise of Echsenfriedl , which was produced for ORF III in 2014 , but was also released in cinemas and online. This was followed by Traceroute , Grenzfurthner's first feature-length documentary, in 2016, followed by the essayistic political documentary Glossary of Broken Dreams (2018). Grenzfurthner is currently working on several feature film projects, such as Sierra Zulu and Tycho , a film musical about life and the eccentric astronomer Tycho Brahe . Grenzfurthner's second feature film Je suis Auto (with Chase Masterson ) is being co-directed by Juliana Neuhuber and will be released in April 2019.

Grenzfurthner and Pedobear at the ROFLcon 2010

Academic work, lectures

Grenzfurthner gives lectures at art institutions, is a guest at symposia and political events, teaches at universities and looks after students.

He has authored several books, essays and articles on contemporary art, communication processes and philosophy, e.g. B. Comparative Approaches Towards Complexity, Do androids sleep with electric sheep? , Of Intercourse and Intracourse: Sexuality, Biomodification and the Techno-Social Sphere und Pr0nnovation ?: Pornography and Technological Innovation.

In addition, Grenzfurthner published the much discussed pamphlet Hacking the Spaces in 2009 , which dealt with the exclusionist tendencies in the Hackerspace movement. Grenzfurthner expanded his criticism by giving lectures at the Hackers on Planet Earth conference in New York City in 2012 and 2014.

Grenzfurthner plays a CDC agent in a fictitious virus outbreak at Art Basel Miami Beach 2005.

Entertainment and acting

Grenzfurthner works as an entertainer and comedian and has appeared on various stages, e.g. B. in the Vienna Rabenhof Theater . Parts of his comedy program Fateful Years of a Nerd formed the basis for his first documentary Traceroute (2016).

Grenzfurthner also works as a presenter and moderator at various events, including critical events such as the Golden Board in front of the head .

Grenzfurthner played leading and supporting roles in several plays. Grenzfurthner can also be seen in the films Zero Crash by Andi Haller and Clickbait by Michael J. Epstein and Sophia Cacciola. In his 2020 film Je Suis Auto , he plays one of the two main roles.

Community work

Grenzfurthner was part of the core team of netznetz , an experimental funding system for net cultures that was implemented in cooperation with the City of Vienna.

Grenzfurthner started the Hackbus Community .

Together with Florian Hufsky , Leo Findeisen and Juxi Leitner, Grenzfurthner organized the first international conference of the Pirate Party .

Commercial work

Grenzfurthner designed a robot installation for the sex toy company Bad Dragon . He also created an artistic online advertising campaign for Frito-Lay's US brand Cheetos .

Private life

Grenzfurthner on the cover of the computer game Soviet Unterzögersdorf: Sector 2 (2009).

Grenzfurthner lives and works in Vienna . He grew up in Stockerau , Lower Austria , which he also addresses in his comedy program Fateful Years of a Nerd and in his semi-autobiographical documentary film Traceroute .

If I hadn't grown up in Stockerau in the Lower Austrian pampas , then I wouldn't be what I am now. The nucleus of nerdism is difference. The desire for understanding, for the opportunity to share experiences, not to be left alone with bizarre interests, but at the same time an almost perverse joy to wallow in this deficit. Nerds love the lack: that of others, but also their own. Nerds are eager researchers who like to measure themselves against each other and then also aggressively compete, but being nerd also has something occult and secret about it. How that power is then expressed or focused is very important.

Grenzfurthner often deals with personal impressions and experiences in his art. In a conversation with Zebrabutter magazine , for example, he describes the desire to work on his claustrophobia by starting a performance series in which volunteers can be buried alive .

As a child, Grenzfurthner spent a lot of time in Unterzögersdorf, a cadastral community of Stockerau, on his grandparents' farm. The stories of his grandparents about the time of National Socialism , the resulting Second World War and the subsequent Soviet occupation initiated monochroms long-term project Soviet-Unterzögersdorf , a fictional Soviet enclave in the Weinviertel .

controversy

Grenzfurthner was one of 200 activists, politicians and artists from Germany, Austria and Switzerland (one of only ten Austrians) whose names and addresses were published on an ultra-right doxing list on several online platforms in December 2018 and January 2019 . The list was distributed with the hashtag # Wirkriegeneuchallee (sic!). Grenzfurthner spoke openly about this fact in lectures and on social media.

Prices (selection)

  • Winner (as director of "Udo77") of the Nestroy Theater Prize 2005
  • Coca Cola Light Art Edition Award Winner (2006)
  • Winner (as artistic director of monochrom) of the art prize of the Austrian FWF Science Fund (2013)
  • Winner of the Videomedeja Award, Special Mention (Novi Sad, Serbia) in the category Net / Software for Soviet Unterzögersdorf / Sector 1 / The Adventure Game , 2006
  • Winner of the aniMOTION Award, Honorary Mention (Sibiu, Romania) in the Interactive Tales category for Soviet Unterzögersdorf / Sector 1 / The Adventure Game , 2007
  • Winner at MEDIA FORUM / Moscow International Film Festival, Jury Special Mention (Moscow, Russia) for Voids Foaming Ebb , 2008
  • Winner Best Narrative Feature, Maker Film Festival 2014, for Die Gstettensaga: The Rise of Echsenfriedl
  • Winner Award of Merit, The Indie Fest 2014, for Die Gstettensaga: The Rise of Echsenfriedl
  • Winner of Best Documentary Feature Film, Subversive Film Awards 2016, for Traceroute

Filmography (selection)

  • Je Suis Auto (2019) - director, screenplay, producer, director, actor
  • Avenues (2019) - producer
  • Second door right (2019) - producer, actor
  • Glossary of Broken Dreams (2018) - Director, screenplay, producer, actor
  • Clickbait (2018) - actor
  • Traceroute (2016) - Director, screenplay, producer, narrator
  • Shingal, where are you? (2016) - co-producer
  • Valossn (2016) - co-producer
  • Zero Crash (2016) - actor
  • Die Gstettensaga: The Rise of Echsenfriedl (2014) - Director, screenplay, producer
  • Kiki and Bubu: Rated R Us (2011) - Director, screenplay

Theater (selection)

  • Udo 77 (2004) : im Rabenhof Theater - director, book, actor
  • Waiting for Goto (2006): in the Volkstheater - direction, book
  • Campaign (2006): in the Volkstheater - direction, book, actor
  • monochrom's ISS (2011): in Garage X and Ballhaus Ost - director, script, actor
  • Weltsterz (2015): at the komm.st festival - actors
  • Forest (2016): at the pararflows festival - actor
  • Steppenrot (2017): at the komm.st Festival and in the Spektakel Wien - director, book actor
  • The Hansi-Halleluja-Show (2018): at the komm.st Festival and in the Spektakel Wien - director, book actor
  • The scarlet force field (2019): at the komm.st festival and in the Spektakel Wien - director, book actor

Curatorial activities (selection)

  • Quo Vadis logo ?! . (Exhibition, Museumsquartier ), Vienna / Austria, 2003
  • Kauf Nix Tag / Buy Nothing Day , Vienna / Austria, 2003-
  • Roböxotica . (Festival, Museumsquartier), Vienna / Austria, with Günther Friesinger and Magnus Wurzer, 2003-
  • Udo 77 . Musical about Udo Proksch Theater im Rabenhof, Vienna / Austria, 2004–2005
  • Demaelstromization . Festival "Living in a Monument", Hall in Tirol / Austria, 2005
  • Experience the Experience! . Los Angeles: Machine Project, Vancouver: Contemporary Art Gallery, San Francisco: Rx Gallery, 2005
  • Birthday of capitalism . Kunstverein Baden near Vienna / Austria, with Günther Friesinger , 2005
  • forms to-do stacks! . Kunsthalle Exnergasse, Vienna / Austria, together with Günther Friesinger , 2005
  • Sci Fi Stories . Museumsquartier, Vienna / Austria, 2006
  • Mediamatics . (Festival, Museumsquartier), Vienna / Austria, with Thomas Thurner, 2006–2008
  • Ass electronics . (Festival) San Francisco / USA , with Günther Friesinger , 2007-
  • International Year of Polytheism . Toronto / Canada ; San Francisco / USA; Los Angeles / USA, 2007
  • Re: AW: [We] Fwd: Loge etc / OTS-Auss.f.Uberahme; oil / businessplan // IMPORTANT; who? , Galerie Bleich-Rossi / Vienna / Austria, 2007
  • monochrome climate training camp / HAU / Berlin / Germany, 2009
  • Who Wolf / Viertelfestival / Schönberg / Austria, 2010
  • They used to be better too. monochrom (1993–2013) / MUSA / Vienna / Austria, 2013

Exhibition participation and actions (selection)

  • Netznetz.net, Festival of Net-Art, Künstlerhaus, Vienna / Austria 2004
  • Arad-ii Miami Beach Crisis, Art Basel Miami Beach / USA , 2005
  • videomedeja, Novi Sad / Serbia , 2006
  • HAIP - Multimedia Festival of Open Technologies, Ljubljana / Slovenia , 2006, 2008
  • work, House of Architecture Graz - Steirischer Herbst , Graz / Austria, 2006
  • 7th Werkleitz Biennale, Happy Believers, Halle / Germany, 2006
  • Sinopale, First Sinop Biennale, Sinop / Turkey, 2006
  • There's Something Rotten In The State Of Argentinia / Transmediale 2006, Berlin / Germany, 2006
  • WE ARE WOANDERS # 2 - European Art Festival, Hamburg / Germany, 2007
  • Luksuz Film Festival, Krško / Slovenia , 2007
  • file-2007, Sesi Gallery, São Paulo , Brazil , 2007
  • aniMOTION - European Animation Festival, Sibiu / Romania , 2007
  • Miden - Video Art Festival, Kalamata / Greece , 2007
  • Technology Myth Creative Summer Camp, 9th International Festival for New Media Culture, Riga / Latvia , 2007
  • Simultan - Video and New Media Festival / Timișoara / Romania , 2007, 2008
  • Unterspiel, Blackwood Gallery, Toronto / Canada, 2007
  • Touch me Festival / Zagreb / ​​Croatia, 2008
  • Haip 08 Festival / Ljubljana / Slovenia, 2008
  • The Influencers, Center for Contemporary Culture / Barcelona / Spain, 2008
  • Subversive fair / Linz 09 / Linz / Austria, 2009
  • Absolutely Free - The Woodstock Effect / Landesmuseum Joanneum / Graz / Austria, 2009
  • monochrome-climate-training-camp / The Model / Sligo / Ireland, 2010
  • It's a kind of magic! Mystification and demystification in the context of artist publications since 1960 / Study center for artist publications in the Weserburg / Museum for Modern Art / Bremen / Germany, 2010

Organization of symposia (selection)

  • Spectacle Art Society . Kunsthalle Exnergasse, Vienna´; with Johannes Grenzfurthner and Stephan Grigat, 2005
  • Mind in the machine . Museumsquartier, Vienna; with Thomas Ballhausen and Günther Friesinger , 2007
  • MIND AND MATTER. Comparative Approaches towards Complexity . Museumsquartier, Vienna; with Thomas Ballhausen and Günther Friesinger , 2010

Publications

Editorships
  • Who Shot Immanence? On the dynamics of appropriation and intervention in the life of Georg Paul Thomann , published by edition selene . Editors: Thomas Edlinger , Johannes Grenzfurthner, Fritz Ostermayer , 2002
  • People's drawings , publisher monochrom . Editor: Johannes Grenzfurthner, 2003
  • Spectacle - art - society. Guy Debord and the Situationist International , editors: Günther Friesinger, Johannes Grenzfurthner and Stephan Grigat , Verbrecher Verlag, Berlin, 2006
  • Quo Vadis Logo !? , Editors: Günther Friesinger and Johannes Grenzfurthner, edition mono, Vienna, 2006
  • pr0nnovation? Pornography and Technological Innovation , editors: Günther Friesinger, Johannes Grenzfurthner and Daniel Fabry, RE / Search Publications, San Francisco, 2008
  • Roboexotica , editors: Günther Friesinger, Magnus Wurzer, Johannes Grenzfurthner, Franz Ablinger and Chris Veigl, edition mono, Vienna, 2008
  • Do Androids Sleep with Electric Sheep? " , Editors: Günther Friesinger, Johannes Grenzfurthner, Daniel Fabry and Thomas Ballhausen, RE / Search Publications, San Francisco, 2009
  • Protection violations - legitimation of media violence , editors: Günther Friesinger, Thomas Ballhausen and Johannes Grenzfurthner, Verbrecher Verlag , Berlin, 2010
  • Urban Hacking: Cultural Jamming Strategies in the Risky Spaces of Modernity , editors: Günther Friesinger, Johannes Grenzfurthner, Thomas Ballhausen, Transcript, Bielefeld, 2010
  • Mind in the machine. Media, processes and spaces of cybernetics , editors: Günther Friesinger, Thomas Ballhausen and Johannes Grenzfurthner, Verena Bauer, Turia & Kant, Vienna, 2010
  • Pointer. The wonderful world of absence , editors: Günther Friesinger, Daniel Fabry, Johannes Grenzfurthner, edition mono, Vienna, 2011
  • Of Intercourse and Intracourse. Sexuality, Biomodification and the Techno-Social Sphere , editors: Johannes Grenzfurthner, Günther Friesinger and Daniel Fabry, RE / Search Publications, San Francisco, 2011
  • Mind and Matter: Comparative Approaches towards Complexity , editors: Günther Friesinger, Johannes Grenzfurthner, Thomas Ballhausen, Transcript, Bielefeld, 2011
  • Context Hacking: How to Mess with Art, Media, Law and the Market , editors: Günther Friesinger, Johannes Grenzfurthner, Frank Apunkt Schneider, edition mono, Vienna, 2013
  • Screw the System: Explorations of Spaces, Games and Politics through Sexuality and Technology , editors: Johannes Grenzfurthner, Günther Friesinger and Daniel Fabry, RE / Search Publications, San Francisco, 2013
Magazine and book series
  • Editor of the magazine and book series monochrom (1993, 1994, 1995, 1996, 1997, 1998, 2000, 2004, 2006, 2007, 2010)
  • Sonne Busen Hammer 16 / monochrom # 24 , editors: Günther Friesinger, Franz Ablinger and Johannes Grenzfurthner, edition mono, Vienna, 2006
  • Sonne Busen Hammer 17 / monochrom # 25 , editors: Günther Friesinger, Franz Ablinger and Johannes Grenzfurthner, edition mono, Vienna, 2007
  • Sonne Busen Hammer 18 / monochrom # 35 , editors: Günther Friesinger, Anika Kronberger, Frank Apunkt Schneider, edition mono, Vienna, 2014

Discography

Studio albums
Musicals
  • Udo 77 , 2004

Web links

Commons : Johannes Grenzfurthner  - Collection of images, videos and audio files

Individual evidence

  1. ↑ Jan Petter bento: We talked to a sex robot developer about cheap sex toys, C3P0 and patriarchy. Retrieved March 18, 2019 .
  2. ↑ Stories about orcs and rape: the man behind Arse Elektronika , in: Kill Screen Magazine , accessed February 7, 2019.
  3. ↑ Quoted from Julia Carrie: Joy Stick: The Tarnished Dreams of Teledildonics' Inventor , in: “SF Weekly”, accessed February 7, 2019.
  4. ↑ Porn Film Festival: Expansion of the zone of shame - derStandard.at. Retrieved April 4, 2019 (Austrian German).
  5. ↑ Quoted from Johannes Grenzfurthner: The Story of Traceroute In: boing boing magazine , April 14, 2016, accessed on February 7, 2019.
  6. ↑ CRE062 Monochrom , in: Chaos Radio , accessed on February 7, 2019.
  7. ↑ Quoted from Marc Da Costa: Interview with Johannes Grenzfurthner of monochrom, Part 3 , in: Furtherfield , March 17, 2012, accessed on January 6, 2019.
  8. ↑ In: monochrome print . October 6, 2007, accessed January 6, 2019.
  9. ↑ “monochrom # 26–34 Ye Olde Self-Referentiality” ( Memento from May 5, 2012 in the Internet Archive ), in: Neural , May 5, 2012, accessed on February 7, 2019.
  10. ↑ “monochrom # 26–34 Ye Olde Self-Referentiality” ( Memento from May 5, 2012 in the Internet Archive ), in: Neural , May 5, 2012, accessed on February 7, 2019.
  11. ↑ Quoted from Erin Kobayashi: How to be buried alive. ( Memento of December 5, 2013 in the Internet Archive ), in: Toronto Star , February 6, 2007, accessed February 7, 2019.
  12. ↑ Quoted from Marie Lechner: 'Le festival The Influencers a rassemblé, ce week-end à Barcelone, une dissidence protéiforme.' , accessed January 6, 2019.
  13. ↑ Quoted from Johannes Grenzfurthner: The Thomann In (ter) vention by Hadas Emma Kedar , in: Youtube , accessed on January 6, 2019.
  14. ↑ Hadas Emma Kedar: Fake News in Media Art: Fake News as a Media Art Practice Vs. Fake News in Politics . In: Postdigital Science and Education . July 13, 2019, ISSN  2524-4868 , doi : 10.1007 / s42438-019-00053-y .
  15. ↑ Interview with V. Vale in Pranks! 2 ( Memento of December 6, 2007 in the Internet Archive ), in: RE / Search , accessed on February 7, 2019.
  16. ↑ monochrome: CONTEXT HACKING - Essay .
  17. ^ "Finding Your Weapons of Mass Distribution: A Conversation with Context Hacker Johannes Grenzfurthner" , in: Narrative Design, September 19, 2015
  18. ↑ Quoted from David Silverberg: "Sex Meets Tech at Kinky Conference in San Francisco" , in Digital Journal .
  19. ↑ Quoted from Violet Blue: [1] , in: SFGate, October 4, 2007.
  20. ↑ 'Dirty Deeds Done Six Feet Deep' , in: Rue Morgue, January 2011
  21. ↑ Quoted from Jenna Wortham: [2] , in: Wired, June 12, 2008.
  22. ↑ Quoted from V. Vale: Counter Culture Hour ( Memento from July 14, 2012 in the web archive archive.today ), in: SquidList
  23. ↑ http://bianmontreal.ca/en/calendar/hedonistika-montreal ( Memento from May 25, 2014 in the Internet Archive ) , in BIAN 2014.
  24. ↑ Hedonistika at the Print Screen Festival 2016
  25. ↑ Quoted from Ronald Pohl: This is the Zuckerbäckerblues , in: Der Standard: ""; 2004
  26. ↑ Quoted from Peter Mühlbauer: Kotze, sperm and inventory in space , in: Telepolis, 2011.
  27. ↑ Steppe Red: The Sun King fell down , in: Courier; December 2017
  28. ↑ Sex, Crime and a Hallelujah for Hansi , in: Die Presse, January 2019.
  29. ^ "Protestors" call games industry a "temple of sin," demand repentance , in: Ars Technica, 2012.
  30. ^ Producer of "Traceroute", 2016
  31. ^ Profile Johannes Grenzfurthner, Austrian Association of Directors
  32. ^ Profile Johannes Grenzfurthner, dok.at
  33. ↑ Review by Amy R. Handler in 'Film Threat'; 2014
  34. ↑ Review by Brad Gibson in 'Film Threat'; 2016
  35. ↑ Review in The 405 ; 2018
  36. ↑ Quoted from Patrick Dax: Star Trek Actress in Vienna , in: Futurezone, 2018.
  37. ↑ FM4 Morning Show , November 24, 2018.
  38. ↑ VHS is dedicated to science fiction technology utopias. Retrieved October 4, 2019 .
  39. ^ CCA Montreal, 'Come and Forget, with Johannes Grenzfurthner'; April 2018
  40. ↑ Aksioma, Tactics & Practice, Ljubljana 2010
  41. ↑ Alexandra Wehrmann: Man and Machine: Digital Festival on Robotics in the NRW Forum. Retrieved March 15, 2019 .
  42. ↑ UtopiaFest 2104, Tel Aviv: "Robots in Human Society"
  43. ↑ KUPF / Symposium on Crowdfunding, Linz; 2012
  44. ↑ Left Summer Camp, Wagrain; "Context Hacking"; 2014 ( Memento from June 18, 2018 in the Internet Archive )
  45. ↑ Univ.-Lect. Johannes Grenzfurthner, Transmediale Kunst / University of Applied Arts. University of Applied Arts, accessed September 19, 2019 .
  46. ↑ Academic biography in "Art, Crisis, Subversion", mentions his teaching position at the FH Joanneum Graz and the Art University Linz
  47. ^ Academic biography in Transcript
  48. ↑ Sexual Cultures Conference 2012, Brunel University, UK (Onscenity Research, School of Arts and the School of Social Sciences at Brunel University)
  49. ^ "Keeper of Evil", 2014
  50. ↑ Me, Georg. Michtim: Designing a Pen & Paper Storytelling Game. Graz: FH Joanneum, 2012. p. 1.
  51. ↑ Guerrilla Comm? . April 21, 2009.
  52. ↑ Kroeger et al. a. (Ed.) - Intellectual property and originality ( Memento from August 3, 2016 in the Internet Archive )
  53. ↑ SF Site: "Do Androids Sleep With Electric Sheep? Critical Perspectives on Sexuality and Pornography in Science and Social Fiction. A review by Paul Graham Raven"
  54. ^ Dunbar-Hester, Christina: Hacking Diversity: The Politics of Inclusion in Open Technology Cultures . Ed .: Princeton Studies in Culture and Technology. 2020, ISBN 978-0-691-19288-8 , pp. 59 .
  55. ↑ Quoted from Nicolas Niarchos A Print Magazine for Hackers , in: The New Yorker.
  56. ↑ Dorian Waller: Porn and dead chickens .
  57. ^ Elevate Festival 2013, Grenzfurthner hosted the opening gala
  58. ↑ IT-Press: “Award for the most innovative minds in Austria: Ten domestic IT projects received the Open Minds Award”; 2017
  59. ↑ VHS is dedicated to science fiction technology utopias. Retrieved November 15, 2019 .
  60. ↑ Kleine Zeitung: "KOMM.ST 1.6 - Guesthouses become forest", May 23, 2016
  61. ↑ Heute.at: "Steppenrot brings musical exchanges in the station canteen"
  62. ^ Zero Crash, Official Website
  63. ↑ Starburst Magazine, Clickbait
  64. ↑ Sur la route des hackers évangélistes , in: OWNI, 2011.
  65. ↑ Mozilla Education: Everyone is a Teacher ( Memento from April 20, 2012 in the Internet Archive ), in: brand eins online.
  66. ↑ fm4v2.ORF.at / Mr. Pirate and his pirates? Retrieved November 15, 2019 .
  67. ↑ Quoted from Ben Jones: Pirates Gather at First International Pirate Party Conference , in: torrentfreak, September 9, 2007.
  68. ↑ Quoted from Philip Steffan: When robots pour: 16. Roboexotica in Vienna , in: Make; November 27, 2014.
  69. ↑ Quoted from Michael Learmonth: Frito-Lay Puts Cheetos Brand in Bloggers' Hands , in: Ad Age; 2008.
  70. ^ Film Threat, "Johannes Grenzfurthner is kinda nerdy", March 21, 2017
  71. ↑ Interview with Johannes Grenzfurthner about Traceroute; in Boing Boing Magazine; April 14, 2016
  72. ^ Nerds and Annihilation, Q&A with Johannes Grenzfurthner , in: Mental Floss.
  73. ↑ The film Glossary of Broken Dreams or: Im Schlachthaus Zum Goldenen Kalb , in: Zebrabutter, 2018.
  74. ↑ "in soviet Unterzoegersdorf, game play you", ERF_, December 11, 2010
  75. ↑ FM4: "Short visit to Soviet Unterzögersdorf", July 23, 2002
  76. ↑ Greetings from Soviet Unterzögersdorf: Johannes Grenzfurthner on the Corona-Stage - derStandard.at. Retrieved May 13, 2020 (Austrian German).
  77. ↑ Andreas Fritsche: Right threat list smuggled onto left portal . Retrieved January 16, 2019.
  78. ↑ Major hack and minor threat list . Retrieved January 16, 2019.
  79. ↑ Die Presse: The Pioneers of the Wild Worldwideweb
  80. ↑ gast.at: "COKE LIGHT ART EDITION 2006 - cult bottle becomes an art object"; May 31, 2006
  81. ^ Annual report FWF 2012 ( Memento from August 25, 2013 in the Internet Archive )
  82. ↑ Achievements, smiled at intergalactically - derStandard.at. Retrieved March 2, 2019 (Austrian German).
  83. ↑ 09:28 am, 18 May 2015: KOMM.ST-Festival: Angerer Mafia Trigen in Chicago. May 18, 2015, accessed March 1, 2019 .
  84. ↑ eSeL: Room game forest at paraflows. Retrieved March 1, 2019 .
  85. ↑ marco-wise: "Steppenrot": The Sun King fell down . ( kurier.at [accessed November 20, 2018]).
  86. ↑ Sex, crime and a hallelujah for Hansi. January 6, 2019, accessed March 1, 2019 .
  87. ↑ Fictional artists, almighty curators ...? ( Memento from July 18, 2012 in the web archive archive.today ) (accessed on May 2, 2010)
  88. ↑ Birthday of Capitalism (accessed on May 2, 2010)
  89. ↑ Spectacle - Art - Society. Guy Debord and the Situationist International, Free E-Book under CC ( Memento from January 28, 2011 in the Internet Archive ) (accessed on January 26, 2011)
personal data
SURNAME Grenzfurthner, Johannes
BRIEF DESCRIPTION Austrian artist, author, curator and director
DATE OF BIRTH June 13, 1975
PLACE OF BIRTH Vienna