green Vault

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The Green Vault in Dresden is the historical museum collection of the former treasury of the Wettin princes from the Renaissance to Classicism . The name of the most extensive collection of treasures in Europe is derived from the column bases and capitals in the original vaulted rooms, which were once painted malachite green . The collection rooms of the Green Vault have been open to the public since 1724.

The Green Vault is part of the Dresden State Art Collections . The collection is exhibited in the historic Green Vault and the New Green Vault , both of which are located in the western part of the Dresden Royal Palace .



After Duke Moritz was appointed elector in 1547, he had a wing added to the west of his residential palace. Two rooms created in this way and a large hall with an adjoining tower room received magnificent ceilings, with the capitals painted in malachite green like the column bases . The latter gave these four rooms on the ground floor, officially called “Secret Storage” from the late 16th century, the common name Green Vault , which has been preserved to this day .

At that time, the vault was still used to safely store valuable objects and documents and not to display them to the public. Stone vaults were often chosen in castles of the time for the storage of valuables and documents, as they offered special protection against fire. This forward-looking decision enabled the treasures to be largely preserved to this day.

Expansion under August the Strong

Floor plan from 1727 with handwritten entries by August the Strong for expansion

Between 1723 and 1729, the Elector of Saxony and Polish King August the Strong set up a chamber of curiosities consisting of nine rooms , in which visitors could view the art objects and rarities that he and his dynastic predecessors had collected in a baroque architecture. In a first phase of construction, the precious hall and the corner cabinet in their present form were created by 1725 ; In 1727, August arranged for the original Green Vault to be expanded with wall openings by eight more vaults. The architecture of the treasure chambers was designed by Matthäus Daniel Pöppelmann , the architect of the Dresden Zwinger . The interior was created by Raymond Leplat .

20th century

The precious room , 1904

The Green Vault remained largely unchanged until the 20th century. It can therefore claim to be one of the oldest museums in the world , following the museum complex that was specially built in 1572–1583 with the armories, the chamber of art and curiosities and the library of Archduke Ferdinand II at Ambras Castle Innsbruck .

The bombing of Dresden on February 13, 1945 largely destroyed three of the nine rooms. The art treasures had been relocated to the Königstein Fortress a few years earlier . At the end of the Second World War , they were transported to the Soviet Union, but returned to the GDR in 1958 by decision of the Soviet government .

From 1959 to the beginning of 2004, the Green Vault was temporarily visible in the Dresden Albertinum .

Reopening in the Residenzschloss

On September 7, 2004, the New Green Vault was reopened with ten rooms on the first floor of the west wing of the Residenzschloss.

On September 1, 2006, the restored or reconstructed Historic Green Vault on the ground floor of the west wing was reopened . Its establishment is based on the inventories that have been preserved from 1733 and, as far as possible, restores the condition under August the Strong. More than 3000 objects returned to their old place. The renovation of the historic wall cladding cost 13 million euros, and the state of Saxony spent 45 million euros on the Green Vault.

Jewel theft on November 25, 2019

The historic part of the Green Vault was broken into on the early Monday morning of November 25, 2019 . Eleven objects, parts of two other pieces and diamond-studded skirt buttons were stolen from a showcase in the jewelery room. The “Saxon White” , a white diamond with 48 carats, was also lost.

Museum director

Today's exhibitions

The collection of the Saxon electors and kings includes over 4,000 works of art. The exhibits are unique in many ways in Europe and in the world. Due to the limited space, not all works of art can be shown, one is limited to the most famous and demanding exhibits.

Today's exhibitions are divided into the “Historic Green Vault” on the ground floor and the “New Green Vault” on the first floor, each with around 2000 square meters of exhibition space. Almost 1,100 objects of jewelery and goldsmithing can be seen in the New Green Vault, and around 3,000 pieces are exhibited in the historical vault. While the art object itself is in the foreground in the New Green Vault, the historical vault also impresses with the splendid furnishings of the rooms.

In contrast to the New Green Vault, which can be visited at any time, access to the historic vault is only possible with a time ticket purchased in advance. A limited number of tickets is also sold every morning.

Historic Green Vault

The historical green vault is located in the vaulted rooms of the castle, so that the late Baroque work of art can be experienced in the original rooms. In the midst of reconstructed Renaissance and Baroque halls, the approximately 3000 exhibits are presented as they were once free on the consoles of magnificent display walls and magnificent tables.


Ground plan of the historic Green Vault
The Jewel Room , 1904

The historical green vault consists of nine exhibition rooms and a vault:

  1. The vault with the Luther cabinet shows art from the Middle Ages and the early Renaissance . You can see, among other things, the drinking bowl Ivan the Terrible , the mouth cup and signet ring of Martin Luther and a pocket-sized Bible that belonged to King Gustav Adolf of Sweden . It is the only room that can be entered without a time pass. The vault is separated from the following rooms by an air-conditioning and dust lock.
  2. The Amber Cabinet . “The collection of amber art in Dresden's Green Vault is one of the most artistically important in Europe. Their vessels, bowls, caskets, sumptuous cutlery and statuettes come from Königsberg and Danzig workshops ”(by Georg Schreiber , Jacob Heise , Michael Redlin , Christoph Maucher, among others ).
  3. The ivory room with ivory sculptures on wall brackets, cornice and tables.
  4. The white and silver room with figures made of white silver.
  5. The silver-gilded room with goldsmith work from the 16th to 18th centuries. The room burned out completely in 1945, today it is glowing malachite green again .
  6. The precious room with corner cabinet is the largest exhibition room. It is almost completely mirrored; some mirrors made of mercury were used.
  7. The coat of arms room with astronomical table clocks.
  8. The jewel room with the “Moor with an emerald step” and the “Obeliscus Augustalis”.
  9. The bronze room with around 80 bronzes on pedestals .
  10. The room of the Renaissance bronze with significant small bronzes on stone pedestals.

Exhibits (selection)

The “Mohr with emerald step” is one of the most famous exhibits of the court goldsmith Johann Melchior Dinglinger . The sculpture, which presents a Colombian emerald stage on a tray, was created in collaboration with Balthasar Permoser . The term emerald stage describes the earth plate on the tray in which the emeralds are still stuck. The piece is 63.8 cm high and is made of lacquered pear wood , which is set with emeralds , rubies , sapphires , topazes , garnets , almandines , tortoiseshell . It probably dates from the year 1724. The Moor, an African, is actually supposed to represent an Indian, recognizable by the Indian body jewelry. The sculpture was created at the request of August the Strong in order to give the emerald crystals from Colombia and given to his predecessor, Elector August , in 1581 a worthy means of presentation.

The "Obeliscus Augustalis" is another masterpiece of the court goldsmith, created between 1719 and 1721. It represents an elaborately crafted cartouche with an oval image of Augustus the Strong. 240 gems and cameos, cut stones and gold-enamelled figures became one space-defining work of art. The height is 228 cm. This man-high, wall-bound obelisk was about as expensive as the construction of a baroque palace.

The "Amber Cabinet" was a gift from Frederick II of Prussia to King August III. from Poland . It was made in Königsberg before 1742 . There are also other extensive amber works of art on display in the amber cabinet .

The “jewelery sets” formed, at least until the art theft on November 25, 2019, the most extensive jewel treasure in Europe. The earliest sets, which were also the subject of the break-in, were created for August the Strong himself. A large part of the sets were added later and the design was subject to the respective fashionable zeitgeist. There are six different styles, mainly according to the materials used. The gemstones used were: sapphires, carnelians, diamonds and rubies, as well as pearls. The sets were the epitome of an absolutist claim to power. In addition, a worldwide unique sapphire of 648 carats, which was a gift from Tsar Peter the Great . In the historic vaulted numerous, highly decorated drinking vessels are on display, including the Vorgewölbe mouth cup Martin Luther and a drinking bowl Ivan the Terrible .

New Green Vault

In contrast to the Historic Green Vault, the New Green Vault is set up as a modern treasury museum in simple rooms without a historical ambience. In ten halls with curtained windows, the almost 1100 objects in the collection are shown under artificial light in 200 showcases. They are in chronological order on different colored display bases: Kunstkammer pieces on green bases, Renaissance exhibits on blue bases and Baroque pieces on red bases. In addition to the court sculptor Balthasar Permoser , there are mainly works of art by the court goldsmith Johann Melchior Dinglinger that are exhibited here.

The objects in the New Green Vault come from e.g. Partly from the old exhibition in the Albertinum and partly from the depot.


Floor plan of the New Green Vault

The New Green Vault consists of twelve exhibition rooms or cabinets:

  1. Hall of Tricks : Treasure art from the second half of the 16th century, a. a. "Daphne as a drinking vessel".
  2. Micro cabinet : micro carvings and lathes e.g. B. made of ivory, u. a. the "cherry stone with 185 faces".
  3. Crystal cabinet : rock crystals from Freiburg and Milan, glass from Venice, reverse glass paintings .
  4. First room of the elector : treasure art from the first half of the 17th century, a. a. "Great ivory frigate carried by Neptune".
  5. Second room of the elector : treasure art from the second half of the 17th century.
  6. Room of royal treasures : ivory and pearl figures, haberdashery , table clocks, etc. a. "Nautilus Cup with Venus (Venus Cup)".
  7. Dinglinger Hall : Hall dedicated to the goldsmith Johann Melchior Dinglinger , u. a. his works of art "Court of Delhi on the birthday of the Grand Mogul Aurangzeb", the "Golden Coffee Stuff", "Bath of Diana" and "Apis Altar".
  8. Email cabinet : Email miniatures and a larger email picture.
  9. Room for traveling treasures : historical containers (cases), adapted to the respective shapes of the vessels, cups and other objects, for the transport of art objects.
  10. Neuber room : u. a. State fireplace by Johann Christian Neuber.
  11. Sponsel room : special exhibition room .
  12. Watzdorf-Kabinett : Cabinet named after the former curator Erna von Watzdorf , in which the Hutagraffe with the “ Dresden Green Diamond ” is exhibited.

Exhibits (selection)

The "cherry stone with 185 faces" was created before 1589, probably with the help of a magnifying glass . The carved core is worked into an elaborate ear jewelry. 113 faces can actually be recognized. It belongs to a group of four cherry stones from the 16th century, which also show Bible stories, portraits and coats of arms in the finest execution. They were given to Elector Christian I of Saxony in 1589 and can be seen together in the micro-cabinet today.

The Golden Coffee Stuff (1697–1701)

The “Golden Coffee Stuff” (original: Pretiosen Coffe Zeug) by Johann Melchior Dinglinger was created 1697–1701 and is Dinglinger's first major work as a court goldsmith under August the Strong . It is the epitome of a sumptuous coffee service in which 45 vessels have their place on a silver-gold-plated pyramid. The materials used are gold, silver, enamel, ivory and approx. 5600 diamonds. The cost here was 50,000 thalers. It cost more than the shell of Moritzburg Castle .

The throne of the Grand Mogul Aureng-Zeb or The Court of Delhi on the birthday of the Grand Mogul Aureng-Zeb (Johann Melchior Dinglinger, 1701–1708)

The “Court of Delhi on the birthday of the Grand Mogul Aurang-Zeb ”, recently also under the title “The Throne of the Grand Mogul Aureng-Zeb”, depicts the notion of European monarchs of the pomp of the Mughal palaces by holding a festival at the court of the Indian Grand Mogul Aureng -Zeb, a contemporary of August the Strong, shows. Neither August nor his court goldsmith had ever been to India, so the work of art was made by Johann Melchior Dinglinger, his brothers Georg Friedrich Dinglinger as an enameller and Georg Christoph Dinglinger as a jeweler, as well as twelve other assistants, exclusively based on travel reports. The result is an extremely elaborate and detailed miniature representation in the form of a table top with 137 people and additional animals, decorated with 5223 diamonds, 189 rubies, 175 emeralds, a sapphire and 53 pearls. The work was created between 1701 and 1708, it is 58 cm high, 142 cm wide and 114 cm deep. The cost was 58,485 Reichstaler, which corresponds to the annual salary of 1000 civil servants.

“The bath of Diana ” depicts the Roman goddess of the hunt on a decorative bowl. Two dolphins spew water into the bowl, on the edge of which there are toilet utensils. Opposite Diana, who is ready to swim, one of her dogs is guarding her hunting equipment. This idyllic scene is juxtaposed with the tragic outcome of Ovid's saga of Diana and Actaeon on the foot and shaft. The hunter Aktaeon caught a glimpse of the shy goddess while bathing, whereupon she turned him into a deer as punishment, which was torn apart by his own dogs. The shaft consists of an enamelled deer head, the golden antlers of which the bowl bears, and two enamelled dogs. The head of the transformed Actaeon, over which the dogs greedily attack, lies on the base of the bowl, designed as a forest floor. - The work created by Dinglinger was created around 1705, the height is 38 cm. The decorative bowl made of chalcedony is covered in gold, additionally set with pearls, diamonds, enamel pictures, silver and steel ornaments, implements and animals. The inscription on the base of the bowl reads: "DISCRETION SERT EFFRONTERIE PERD" (tact and decency adorns, shamelessness loses).

At 41 carats, the “ Dresden Green Diamond ” is one of the largest diamonds in the world. It was found in India and owes its unique color to natural radioactivity . August III , the son of August the Strong, bought it at the Easter fair in Leipzig in 1742 for the enormous amount of 400,000 thalers, although the price is not guaranteed. His way from India to Europe is unclear; he was first mentioned in London in 1722. The "Dresden Green Diamond" has been part of an extremely valuable hat ornament since 1768, in which two further large diamonds of 6.3 and 19.3 carats as well as 411 medium-sized and small diamonds are incorporated.


"Fairy Palace"

"In the Green Vault I saw that the elector is a very rich man."

“The eye never looks enough:
says Solomon in his Proverbs.
Oh, that he has
not seen Dresden ! "

- Daniel Triller , 1732


(in chronological order)

  • AB von Landsberg : The Green Vault in Dresden . Arnoldsche Buchhandlung, Leipzig 1844 ( digitized version ).
  • Jean Louis Sponsel : Guide through the Royal Green Vault in Dresden. Baensch Foundation, Dresden 1915 ( digitized version ).
  • Jean Louis Sponsel: The Green Vault in Dresden. A selection of masterpieces of goldsmithing. 4 volumes. Hiersemann, Leipzig 1925–1932 ( digitized version ).
  • Joachim Menzhausen : Introduction to the Green Vault. 14th edition. Staatliche Kunstsammlungen Dresden, Dresden 1988, DNB 1051352630 .
  • Dirk Syndram : Showpieces of the Green Vault in Dresden. 5th updated edition. Seemann, Leipzig 2006, ISBN 3-86502-150-6 .
  • Gerhard Glaser : The Green Vault in Dresden Castle. In: Sächsische Heimatblätter . Issue 4/2006. Gumnior, Chemnitz 2006, ISSN  0486-8234 , pp. 286-305.
  • Dirk Syndram: Baroque jewelery art. Johann Melchior Dinglinger in the Green Vault. Hirmer, Munich 2008, ISBN 978-3-7774-4445-1 .
  • Dirk Syndram, Martina Minning (ed.): The electoral Saxon art chamber in Dresden. 4 volumes: inventories from 1587, 1619, 1640 and 1741. Sandstein, Dresden 2010, ISBN 978-3-940319-99-9 .
  • Dirk Syndram: August the Strong and his Mogul. Hirmer, Munich 2014, ISBN 978-3-7774-2110-0 .
  • Dirk Syndram, Jutta Kappel, Ulrike Weinhold: The historic Green Vault in Dresden. The baroque treasury. 3. Edition. Deutscher Kunstverlag, Munich / Berlin 2016, ISBN 978-3-422-06712-7 .
  • Jutta Kappel: Ivory Art in the Green Vault in Dresden. History of a collection. Scientific inventory catalog - statuettes, groups of figures, reliefs, vessels, varia. Sandstein Verlag, Dresden 2017, ISBN 978-3-95498-226-4 .

Web links

Commons : Grünes Gewölbe  - collection of images, videos and audio files
Commons : Grünes Gewölbe (Dresden), Galeriewerk Sponsel  - album with pictures, videos and audio files
Wikisource: Green Vault  - Sources and full texts

Individual evidence

  1. Jutta Kappel, Ulrike Weinhold: The New Green Vault - Guide through the permanent exhibition. Deutscher Kunstverlag, Munich / Berlin 2007, ISBN 978-3-422-06546-8 , p. 6.
  2. a b Dirk Syndram: Showpieces of the Green Vault in Dresden. 5th edition. Seemann, Leipzig 2006, ISBN 3-86502-150-6 , pp. 7-16.
  3. Burglary of Dresden's treasury, the Green Vault. In: November 25, 2019, accessed November 25, 2019 .
  4. ^ Art theft in the Green Vault Dresden: About 20 pieces are missing. In: November 27, 2019, accessed November 27, 2019 .
  5. a b Jutta Kappel: Amber Art from the Green Vault. German art publisher 2005
  6. Moor with emerald step . State Art Collections Dresden. 2011. Retrieved October 29, 2011.
  7. a b Dirk Syndram: Showpieces of the Green Vault in Dresden. 5th edition. Seemann, Leipzig 2006, ISBN 3-86502-150-6 , pp. 154–157.
  8. a b Dirk Syndram, showpieces of the Green Vault in Dresden , 5th edition. Seemann, Leipzig 2006, ISBN 3-86502-150-6 , pp. 166-173.
  9. Dirk Syndram: Showpieces of the Green Vault in Dresden. 5th edition. Seemann, Leipzig 2006, ISBN 3-86502-150-6 , p. 65.
  10. Dirk Syndram: The Green Vault - The Green Vault - Le Voûte Verte. 3. Edition. Seemann, Leipzig 2006, ISBN 3-86502-159-X , p. 62.
  11. The throne of the great mogul Aureng-Zeb on the original table (accessed on May 31, 2015)
  12. Dirk Syndram: The Throne of the Great Mogul in the Green Vault of Dresden, Verlag EA Seemann, 2009
  13. Dirk Syndram: Showpieces of the Green Vault in Dresden. 5th edition. Seemann, Leipzig 2006, ISBN 3-86502-150-6 , pp. 118-121.
  14. Diana's bath . State Art Collections Dresden. 2011. Retrieved October 29, 2011.
  15. ^ Edwin W. Streeter: Dresden Green Diamond, in "The Great Diamonds of the World" . George Bell & Sons, 1898 (Retrieved October 30, 2011).
  16. Ute Grundmann: New Shine in the Green Vault ,, September 1, 2006; Retrieved December 11, 2010
  17. myth Dresden on ( Memento of 28 September 2007 at the Internet Archive )
  18. Historisches Grünes Gewölbe: Dresden has a royal treasury again on, August 24, 2006; Retrieved December 11, 2010

Coordinates: 51 ° 3 ′ 10.2 "  N , 13 ° 44 ′ 10.9"  E