Hermann hiking check

Hermann Wanderscheck (born May 16, 1907 in Rixdorf ; † April 24, 1971 near Recklinghausen ) was an editor and speaker at the Reich Ministry for Public Enlightenment and Propaganda , theater critic and playwright . His pseudonym was Hermann W. Anders .

Life

Origin and studies

Hermann Wanderscheck was the son of “ Dr. phil. Hermann Wanderscheck ”, who, according to the Berlin address book from 1907, lived in Rixdorf at“ Schönstedtstrasse 15 ”. His mother was Katharina Wanderscheck, b. Ertel . Wanderscheck attended a secondary school in Dresden . He studied literary history , history and newspaper studies at the universities: Université de Genève , University of London , Friedrich-Wilhelms-Universität Berlin and at the philosophical faculty of the Ludwig-Maximilians-Universität in Munich with the professor for "Modern History" Arnold Oskar Meyer , and with the “Scheduled Extraordinary Professor of Newspaper Science” Karl d'Ester , In the winter semester 1933/34 Hermann Wanderscheck lived in “Ohmstrasse 14/2”. Wanderscheck received his doctorate with the work The English Propaganda in the World War against Germany 1914–1918 in Munich 1934 as a Dr. phil. The oral exam took place on July 12, 1934.

With his writings, Wanderscheck served Goebbels Reich Ministry for Public Enlightenment and Propaganda in the dissemination of enemy images in preparation for the Second World War , for example with his books:

• World War and Propaganda ,
• The English lie propaganda in World War I and today ,
• Infernal machines from England. Behind the scenes of London lies baiting ,
• Dark men around Churchill .

For example, The Times or the Observer were "English Propaganda Writings". As a member of the Reichsschrifttumskammer , he was editor of the “Deutsche Theaterzeitung” from 1936 to 1938. Specialist and correspondence sheet for the entire theater industry ”. In the questionnaire of the Reichsschrifttumskammer of February 12, 1937, he stated that he was not a member of the NSDAP. From 1938 to 1943 he was chief editor of the magazine “Der Autor” and music critic of the magazine “Film-Kurier”.

Chief editor and advisor in the Reich Ministry of Propaganda

Wanderscheck noted in his article: The actor of the Third Reich - conversation with state actor Lothar Müthel : “How do playwrights and actors relate to one another today? The National Socialist playwright, who writes a new dialogue with a combative gradient, demands an actor of political intensity. The figures and people demand a belief. The form of this confession is prescribed by dramatic poetry. It is a form of stylistic and ideological discipline, discipline and a straight-line attitude, a form of steely romanticism in the concentrated dialectic and tragedy. Idea and belief have formed an indissoluble unity. The new actor expresses himself feverishly and full of commitment in this new, powerful, tense dialogue movement. ”In his book“ Deutsche Dramatik der Gegenwart ”he writes in typical Nazi fashion:“ Here the ultimate meaning of political drama becomes clear that it is not about the individual, but about what he leaves as a legacy to life. The political hero is raised into the timeless, a hero of eternal validity ”.

At the beginning of the Second World War, in September 1939 he became a consultant in the press department of the Reich Ministry of Propaganda . On November 8, 1939, Georg Elser carried out a bomb attack on Hitler and almost the entire Nazi leadership in Munich's Bürgerbräukeller . Then Wanderscheck wrote the book “Mord! Espionage! Attack! The blood trail of the English secret service and the Munich bomb attack ”, in which he blamed Great Britain for it.

Hermann Wanderscheck got excited in the "film world" about the "mean sleight of hand by Rothschild , who with his rude jobbers on the London Stock Exchange made millions of profits from millions of honor. The best soldiers in Europe, Dutch, Prussians, Rhenish and Braunschweig men died on the battlefield near Waterloo - and it was a third power that capitalized on blood: the banker Rothschild ”.

On the occasion of the 60th birthday of his doctoral supervisor, Karl d'Ester, in December 1941, Wanderscheck wrote the article "Comrade Professor", obviously alluding to the common ideological attitude in the sense of the NSDAP . D'Ester had been appointed full professor by Gauleiter Adolf Wagner in October 1934 .

Hans Hömberg dedicated a copy of his comedy “ Cherries for Rome ” to him “Easter 1943 ”. Friedrich Schreyvogl dedicated his work The White Lady to him with the lines "Hermann Wanderscheck in grateful and good comradeship Friedrich Schreyvogl June 1942". Comedy based on a design by Hermann Bahr . He was still in correspondence with Schreyvogl in 1963.

After the end of the war

After May 8, 1945 , Marshal Zhukov ordered the removal of Nazi literature from the libraries for the Soviet occupation zone on September 15, 1945 . In February 1946, all of Wanderscheck's works were included in the "Directory of literature to be sorted out". But Wanderscheck, classified as allegedly “unpolluted” in the western zones, was able to appear undisturbed there after a short time and later in the Federal Republic and in West Berlin again in the features of the national newspapers. In the information given by himself in Kürschner's biographical theater manual or in Who is who? his past does not appear in the Nazi state . Since 1948 he was a Berlin theater critic and since 1950 a constant critic for the Frankfurter Abendpost . Since 1950 he was the director and founder of the Mykenae Theater Correspondence in Berlin-Charlottenburg and corresponded with Father Walter Jacob . Wanderscheck corresponded with the dramaturge Rainer Antoine . He also exchanged letters with newspaper scientist Wilhelm Klutentreter . He exchanged letters with the actor Jochen Brockmann in 1966. The actor and singer Franz Zehrer gave him a photo in 1950 with the dedication: “My experienced Dr. Hiking check to commemorate the world premiere of Love in Triad from the Ur-Mucki-Mix in Old Heidelberg! Sincerely yours, Franz Zehrer 15.XI.1950 ”. He seems to have had a close relationship with the dramaturge Hanno Lunin , who advertises on his website with articles from Wanderscheck between 1959 and 1963. Wanderscheck was also a permanent employee of the magazine Der Literat .

His texts have been included in their programs by numerous theaters. He also wrote articles for the official publications of the Berliner Festwochen .

Hermann Wanderscheck also wrote several plays based on the fairy tales of the Brothers Grimm , which were performed by numerous amateur theater groups .

Wanderscheck had been the " chief dramaturge " of the Astoria publishing house since 1950 , member of the Senate of the German Academy of Performing Arts founded in Hamburg in 1956 , member of the "Vienna Dramaturgy", the " Dramaturgical Society " and the "Berlin Society for Theater History".

He was married to the actress Erika Biebrich (1938), a daughter of Rudolf Biebrach . He was divorced between 1956 and 1967. He had two children: Rainer Wanderscheck and Regina Wanderscheck . Hermann Wanderscheck last lived in "Berlin 19, Länderallee 11" and died in a traffic accident on April 24, 1971 near Recklinghausen.

Fonts

• Hermann W. Anders: Martyrs' novels . Publishing house "Der Aufbruch" Kurt Virneburg, Berlin 1929.
• Hermann W. Anders: Path of a Passion . Bergis Verlag, Vienna 1932. Novelle
  • Hermann W. Anders: Passion . Traduit de l'allemand par Claude Grosjean and Lily Goldscheider. Aux Editions Bergis, Paris and Vienna 1933.
• Hermann W. Anders: Annunciation. Poems . Kulturpolitischer Verlag, Berlin, Leipzig, Munich 1933.
• Hermann W. Anders: Breath of Longing . 2nd edition, Kulturpolitischer Verlag, Berlin, Leipzig, Munich 1934. Poems
• English propaganda in World War I against Germany 1914–1918 . (Inaugural dissertation Phil. I. Section. Munich 1934, 260 pp.)
• Bibliography on English propaganda during the World War . World War Library, Stuttgart 1935. ( Bibliographical quarterly books of the World War Library 7)
• World War I and Propaganda . ES Mittler & Sohn , Berlin 1936 digitized
• German drama of the present. An introduction with selected text samples. With 12 portraits of poets . Publishing house Bong & Co, Berlin 1938.
• Heinrich Zerkaulen . Deutscher Volksverlag, Munich 1939. ( Series Künder und Kampf )
• England's lie propaganda during World War and today . Series: Writings of the German Institute for Foreign Policy Research and the Hamburg Institute for Foreign Policy, 38. Junker & Dünnhaupt , Berlin 1940
  • Cherman Vanderšek: Lužitě na anglijskata propaganda prez světovnata vojna i seta . Frickert, Berlin 1941 ( Izdanija na Germanskija Inst. Za vǔnšno-polit. Izsledvanija 38) In Cyrillic script, Bulgarian
• Infernal machines from England. Behind the scenes of the London lie-baiting . ES Mittler & Sohn, Berlin 1940. Digitized title and table of contents
• Walther Koerber , Hermann Wanderscheck, Hans Zugschwert : Murder! Espionage! Attack! The blood trail from the English secret service and the Munich bomb attack . Military front, Berlin 1940
• Dark men around Churchill . ES Mittler & Sohn, Berlin 1941.
• The fairy tale of the miracle violin . Composer : Kurt Heuser , librettists : Fritz Rügamer , Hermann Wanderscheck World premiere on December 5, 1942 in Stettin
• Dramaturgical Appassionata . Max Beck, Leipzig 1943
• Ronald Jeans : Do they - or do they not? Comedy. Edited for the German stage . Edited by HW Strassegg, Bad Reichenhall 1950
• Bimbam. A fairy tale of the good spirit of music . Composed by Kurt Heuser . Text by Fritz Rügamer, Hermann Wanderscheck. Ahn & Simrock stage and music publisher, Berlin 1959.
• Dwarf piggyback. A fairy tale based on “ Snow White and Rose Red ” by the Brothers Grimm . Kiepenheuer & Witsch-Bühnenvertrieb, Cologne 1960.
• Cinderella . Kiepenheuer & Witsch -Bühnenvertrieb, Berlin 1960 Excerpt from the text.
• Snow white . Kiepenheuer & Witsch-Bühnenvertrieb, Berlin 1965.
• Rumpelstiltskin . Stage fairy tale . Kiepenheuer & Witsch, Berlin 1969.
• The frog prince . Kiepenheuer & Witsch-Bühnenvertrieb, Cologne o. J.

Article (selection)

• Creative propaganda . In: Munich Latest News 1933, No. 228
• A general of slander. Lord Northcliffe in the making and at work . In: Munich latest news . 1934, no.230.
• Hermann W. Anders: Theater direction in transition . In: Der Neue Weg from October 15, 1935, pp. 453–454.
• Hermann W. Anders: The transformation of tragedy . In: Building blocks for the German national theater. Organ of the Nazi cultural community . Franz Eher Successor , Munich, September 1935, p. 262f.
• The opera in the present . In: Deutsche Theaterzeitung. Specialist and correspondence sheet for the entire theater industry . Berlin 1937, from July 13, 1937.
• The renewal of the German opera . In: The author . Playwright Union . Der Autor-Verlag, Berlin 1937, December 1937, p. 13.
• The actor of the Third Reich - conversation with state actor Lothar Müthel . In: Deutsche Theaterzeitung. Specialist and correspondence sheet for the entire theater industry . Berlin 1937 from June 13, 1937.
• The opera in the present . In: Deutsche Theaterzeitung. Specialist and correspondence sheet for the entire theater industry . Berlin 1937 from July 13, 1937.
• Interview with EW Möller . In: Deutsche Theaterzeitung. Specialist and correspondence sheet for the entire theater industry . Berlin, July 25, 1937
• Basic explanations on English propaganda . In: newspaper science. Monthly for international newspaper research . 13. Vol. Duncker & Humblot , Berlin, No. 12 of December 1, 1938, pp. 809-818.
• Characteristic hits and dramatic highlights . In: Film-Kurier. Theater, art, variety show, radio, picture supplements, cinematic review, film music, daily newspaper . Franke, Berlin 1939, No. 6 of January 7, 1939.
• The art of propaganda and the propaganda of art for art . In: Service to the press . Munich 1939, pp. 99-101.
• The problem of the tragic in the new drama . In: The author. Playwright Union . “Der Autor” -verlag-GmbH, Berlin 1939, No. 3, pp. 12-14.
• Living German playwright - Gerhard Schumann . In: Film-Kurier. Theater, art, variety show, radio, picture supplements, cinematic review, film music, daily newspaper . Franke, Berlin from January 18, 1939.
• Mask and actor . In: Program of the Volksbühne, Theater am Horst-Wessel-Platz . To: The pastor of Kirchfeld. Volksstück in 5 pictures by Ludwig Anzengruber . Game director Hermann Albert Schroeder . Berlin 1939.
• The transformation of the theater in the Third Reich (1939). Printed in: Gilman Sander (Ed.): Nazi literary theory . Atheneum, Frankfurt 1971, pp. 99-110.
• The allied atrocity factories . In: Will and Power. Leader organ of the National Socialist youth . Vol. 8. Franz-Eher-Verlag , Berlin 1940, issue 12 of June 15, 1940, pp. 5-8.
• English - French hate propaganda 1914-1940. Will and power. Leader organ of the National Socialist youth . 8th year Franz-Eher-Verlag, Berlin 1940. Issue 11 from June 1, 1940, p. 12.
• Wolfgang Zeller , the composer of serious films - musical preparations for " Jud Süß " . In: Film-Kurier. Theater, art, variety show, radio, picture supplements, cinematic review, film music, daily newspaper . Franke, Berlin from August 5, 1940
• Methods of English sedition . In: The Action. Battle sheet for the New Europe . Nibelungen-Verlag, Berlin, Leipzig 1940. 2nd year November 1940. pp. 86–92.
• Felix Lützkendorf . Poet and screenwriter . In: Filmwelt. The film and photo magazine . No. 148 of November 29, 1940.
• ' Hans Baumann from poet to playwright. In: Film-Kurier. Theater, art, variety show, radio, picture supplements, cinematic review, film music, daily newspaper . Franke, Berlin 1941 from June 11, 1941.
• The Bolshevik art business. A few examples of Jewish-Bolshevik “culture” experiments . In: Neue Leipziger Tageszeitung , Leipzig 1941, No. 204 of July 28, 1941.
• Theater of Joy - For planning the repertoire in war . In: Program for Hermann Sudermann's play: “The well-cut corner. A tragic comedy in five acts ”. Max Beck publishing house, Leipzig 1941.
• Do you see the dawn in the east? In: The author. Playwright Union . “Der Autor” -verlag-GmbH, Berlin 1941, July / August, p. 110.
• On the way . In: Heinrich Zerkaulen: The bridge. A selection from his work . Introduction by Hermann Wanderscheck. Heimatbücherei, Berlin 1942, pp. 9–24.
• The power of music in film . In: Film-Kurier. Theater, art, variety show, radio, picture supplements, cinematic review, film music, daily newspaper . Franke, Berlin 1942, from January 19, 1942.
• The Reichsdramatug . Ten years patron saint of German theater . In: Neue Leipziger Zeitung of August 17, 1943.
• The situation of the theater. ( Goethe and the theater) . In: German newspaper in Norway . No. 87 of April 13, 1943.
• A century of operetta . In: The musical life . 3 (1950), pp. 310-316.
• Incidental music . In: The musical life . 4, pp. 106-110 (1951).
• Incidental music, servant at work . In: The stage cooperative . 3 (1951), pp. 195-196.
• The theater in West Berlin . In: The joy of books. Monthly books for world literature . 5th year Donau-Verlag, Vienna 1954, pp. 105-108.
• “ Before sunset ” will be filmed again. Gottfried Reinhardt is shooting Hauptmann's drama. Hans Albers as Privy Councilor Clausen . In: Generalanzeiger der Stadt Wuppertal . February 4, 1956, No. 30.
• Gerhart Hauptmann and the film . In: Ostdeutsche Monatshefte. Cultural magazine for the East - Past and present. Founded by Carl Lange . Twenty-seventh year. Helmut Rauschenbusch, Stollhamm 1956, Issue 9, June 1956, pp. 563-566. ( Gerhart Hauptmann special issue )
• Music in Drama - The Role of Stage Music in Berlin Theaters . In: Berlin, the city of music between war and peace. Musical balance sheet of a four-power city . Compilation: Harald Kunz. Bote & Bock, Berlin, Wiesbaden 1956.
• The tank turret has no exit. Goering's “Sea Battle” in Hanover. In: Frankfurter Abendpost from 10. – 11. September 1960.
• Old brat and new devil. Notable premieres at the Berliner Festwochen . In: Weser Kurier of October 2, 1962.
• Polish avant-gardism at Barlog . Unmasking the Empty World Two one-act plays by Rosewicz in German premiere . In: Frankfurter Abendpost . Frankfurt, June 14, 1963.
• Goetz with the light hand. How Kurt Goetz met his wife . In: Program: Curt Goetz : Dr. med. Job Praetorius . Comedy in 6 pictures. (New version). Big house in the Bayerischer Hof. Program for the season 1966/67 . Issue 3. Little Comedy Munich .
• When Chatterton comes. Interesting premiere . In: Hamburger Abendblatt , February 3, 1970.

literature

• Waldemar Oehlke : German literature of the present . Deutsche Bibliothek Verlagsgesellschaft, Berlin 1942, p. 310.
• Herbert A. Frenzel , Hans Joachim Moser (ed.): Kürschner's biographical theater manual. Drama, opera, film, radio. Germany, Austria, Switzerland. De Gruyter, Berlin 1956, DNB 010075518 , p. 585.
• Joseph Wulf : Theater and Film in the Third Reich '. A documentation . Ullstein, Frankfurt / M., Berlin 1989, ISBN 3-550-07058-6 First edition: Sigbert Mohn Verlag, Gütersloh 1963
• Wanderer's check, Hermann, Dr. phil. In: Erich Stockhorst: Five thousand heads. Who was what in the Third Reich . blick + bild Verlag S. cap KG, Velbert / Kettwig 1967, p. 437.
• Wanderer's check, Hermann . In: Walter Habel (Ed.): Who is who? The German Who's Who. XV. Edition of Degner's Who is it . Volume 1 (West). Arani, Berlin 1967, p. 2107.
• Bogusław Drewniak: The theater in the Nazi state . Droste, Düsseldorf 1983, pp. 220, 363, 428.
• Konrad Vogelsang: Film music in the Third Reich. A documentation . 2., completely revised and exp. Edition Centaurus-Verlag, Pfaffenhof 1993, ISBN 3-89085-800-7 , pp. 310, 314 and 315.
• Gaetano Biccari: “Refuge of the Spirit”? Conservative-revolutionary, fascist and National Socialist theater discourses in Germany and Italy, 1900–1944 . Narr, Tübingen 2001, ISBN 3-8233-5228-8 (= Forum modern theater . Ed. By Günter Ahrens Volume 28), pp. 22, 30, 249, 257, 259.

Web links

• Books by Hermann Wanderscheck in the Berlin State Library
• Pieces by Hermann Wanderscheck, the rights of which are owned by the "Verlag Kiepenheuer & Witsch", represented by the "Rowohlt Theater Verlag"
• Press reports by Hermann Wanderscheck about Hanno Lunin between 1959 and 1964. Retrieved March 18, 2014

Individual evidence

1. ↑ Wilfrid Eymer: Eymers Pseudonym Lexikon. Real names and pseudonyms in German literature . Kirschbaum Verlag, Bonn 1997, ISBN 3-7812-1399-4 , p. 374.
2. ^ Berlin address book 1907, part 1, p. 2568.
3. ↑ Who is who? Berlin 1967, p. 2107.
4. ↑ Kürschner's biographical theater manual .
5. ↑ Dissertation report by Arnold Oskar Meyer (Lower Saxony State and University Library Göttingen)
6. ↑ Dissertation documents
7. ^ Civil status register of the Ludwig Maximilians University in Munich. Winter half year 1933/34. Munich 1934, p. 149.
8. ^ Ingrid Klausing: Dissertations at the Munich Institute for Communication Science and Media Research in Munich. A Bibliography for the Years 1924-2008 , No. 41.
9. ^ Ordinance on the tasks of the Reich Ministry for Public Enlightenment and Propaganda of June 30, 1933.
10. ↑ “Today, after we have gained enough distance from the events, after the comprehensive work of Adolf Hitler has revealed the importance of a unified intellectual attitude within the national community for its existence, today we know that the allies did not fight the world war through their armies, but with the "General Staff of Ideas", with the help of their superbly designed propaganda organizations. "(p. 19)
11. ^ World War and Propaganda , p. 256.
12. ↑ Joseph Wulf: Literature and Poetry in the Third Reich , p. 149.
13. ^ Hermann Wanderscheck: German Drama of the Present. An introduction with selected text samples , p. 93 ff. Quoted from: Bruno Fischli: Die Deutschen-Dämmerung. On the genealogy of the Völkisch-Fascist drama and theater . Bonn 1976, p. 220 f.
14. ^ Ernst Klee : The culture lexicon for the Third Reich. Who was what before and after 1945. S. Fischer, Frankfurt am Main 2007, ISBN 978-3-10-039326-5 , p. 581.
15. ↑ Filmwelt No. 43 of October 25, 1940. Quoted from Dorothea Hollstein: "Jud Suss" and the Germans. Anti-Semitic prejudices in the National Socialist feature film . Ullstein, Frankfurt / M., Berlin, Vienna 1983, ISBN 3-548-35169-7 , p. 6.
16. ↑ Comrade Professor
17. ↑ Hamburg Foreign Gazette of October 5, 1934. (doc 1)
18. ↑ Autumn auctions special antiquariat for autographs, Detmold offer March 2014.
19. ↑ Autumn auctions special antiquariat for autographs, Detmold offer March 2014.
20. ↑ Schreyvogl to Wanderscheck Vienna, October 10, 1963. Autumn auctions special antiquariat for autographs, Detmold offer March 2014.
21. ↑ "List A I. Authors whose works are to be removed (...) Wanderscheck, Hermann May 16, 1907 Nazi writer and functionary." (P. 81)
22. ↑ Mykenae Theater Correspondence. Current theater news, personal details, new plays, premier reviews . Founded in 1950/51. Initially published by Mykenae-Verlag Baum, Darmstadt.
23. ^ Information from the SUB Hamburg
24. ↑ Three letters dated Berlin, November 15, 1963 to November 7, 1964. Offered in antiquarian bookshops in March 2014.
25. ^ Wilhelm Klutentreter: Estate in the Institute for Newspaper Research Dortmund - Klutentreter-Findbuch.pdf
26. ↑ Brockmann to Wanderscheck November 5, 1966. Autumn auctions special antiquariat for autographs, Detmold offer March 2014.
27. ↑ Autumn auctions special antiquariat for autographs, Detmold offer March 2014.
28. ↑ Hanno Lunin. Die Resonanz - W - Z Retrieved March 18, 2014.
29. ^ German Literature Archive (ed.): German literary journals 1945-1970: A repertory . Walter de Gruyter, 1992, p. 454 f.
30. ^ Hebbel-Theater , Berlin, Landestheater Hannover , Komödie am Kurfürstendamm , Berlin Schaubühne , Staatstheater Braunschweig and others.
31. ↑ "Berliner Festwochen. Almanac and official program of the festival weeks from September 18 to October 5, 1954 ” . Print: Elsnerdruck, Berlin 1954.
32. ↑ "Berliner Festwochen. ten years. Almanac and official program of the festival weeks from September 18 to October 4, 1960 ” . With contributions by: Walther Karsch , Wolfgang Schimming, Heinz Ritter, Ilse Urbach, Georg Zivier , Florian Kinzl, Hermann Wanderscheck, Horst Koegler , Otto Friedrich Regner, HH Stuckenschmidt, Heinz Joachim, Kurt Westphal, Elisabeth Mahlke, Erwin Kroll , Lothar Band, Friedrich Herzfeld , Karla Höcker , Dietrich Manicke , Will Grohmann , Hugo Zehder, Brigitte D'Ortschy , Albert Buesche, Eberhard Marx, Karl-Heinz Wuthe. Direction: Gerhart von Westerman . Printed by: Mier & Glasemann, Berlin 1960.
33. ↑ This publisher still manages the rights to Das Märchen von der Wundergeige .
34. ^ Viennese dramaturgy in the Austria Forum.
35. ^ Society for Theater History eV
36. ↑ Kürschner's biographical theater manual .
37. ↑ Who is who? The German Who's Who . Arani, Berlin 1967, p. 2107.
38. ↑ Who is who? The German Who's Who . Volume 16. Arani, Berlin 1970, p. 1394.
39. ↑ German Literature Lexicon. Biographical-bibliographical manual. Founded by Wilhelm Kosch . Continued by Carl Ludwig Lang. Edited by Hubert Herkommer (Middle Ages) and Konrad Feilchenfeldt (approx. 1500 to the present). Volume 28. Walsh - Wedegärtner . Editor: Ingrid Bigler-Marschall. 3., completely reworked. Ed. Saur, Zurich 2008, ISBN 3-908255-43-0 , p. 1695.
40. ^ List of harmful and undesirable literature , Leipzig 1938, p. 157.
41. ↑ The blood and soil poet Richard Billinger advertised the book on a publisher's banderole enclosed with the book.
42. ^ Annual reports for German history. 1935, p. 290.
43. ↑ In it the chapters: The "modern" drama ; Steely romantics ; C characters must be ; Misogynist dramatists? ; Dictator tension ; Backdrop and camera ; The premiere ; The ideal viewer and others. Also contains short biographies of German playwrights closely related to Nazi culture.
44. ↑ Schleswiger Theater Aufführung 1943. ( Memento of the original from January 18, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
45. ↑ Mentioned in Who is Who? 1967
46. ↑ Theater Reduitzhembach (1982 and 1984).
47. ↑ The fairy tale was set to music by Peter Janssens for the Lübeck Municipal Theater in 1971 . Look here.
48. ↑ Performances “VHS-Theatergruppe WIR”, Ratingen 1991 ( Memento of the original from December 7, 2013 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
49. ↑ Naturbühne Gräfenthal (1990).
50. ↑ Laienbühne Engelswies (2013).
51. ↑ Neunkircher theater association "Die Kulisse" 2011.
52. ↑ Performances “VHS-Theatergruppe WIR”, Ratingen 1986 ( Memento of the original from March 22, 2009 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. See also Bad Bentheim open-air theater . 
53. ^ Extract printed in: Joseph Wulf: Literature and Poetry in the Third Reich , pp. 152–153.
54. ↑ Excerpt from Joseph Wulf : Literature and Poetry in the Third Reich , pp. 173–174.
55. ↑ Excerpt printed in: Joseph Wulf: Literature and Poetry in the Third Reich , p. 227f.
56. ↑ Excerpt printed in: Joseph Wulf: Literature and Poetry in the Third Reich , p. 198.
57. ↑ Abridged print in Joseph Wulf: Music in the Third Reich. A documentation . Rowohlt, Reinbek bei Hamburg 1966, pp. 457-458 (rororo 818/819/820).
58. ^ For the publisher, see General Association of German Anti-Communist Associations .
59. ↑ Excerpt printed in: Joseph Wulf: Literature and Poetry in the Third Reich , p. 199.