Tobis Tonbild Syndicate
The Tobis Tonbild Syndicate AG , later Tobis industry GmbH (term) and Tobis Filmkunst GmbH , was a great German film production company that existed as an independent company from 1927 to 1942 and significant contribution to the film production in the era of National Socialism had.
It is not to be confused with Tobis Film , which was founded in the 1970s and is so called because its founder's career began as a cashier at Tobis , which is covered in this article.
history
1927-1933
The company was founded on May 12, 1927 as a subsidiary of the record and license company Tri-Ergon-Musik-AG . For sound film company it was only on 30 August 1928 when the Tri-Ergon music AG (St. Gallen) with the Dutch-German H. J. Kitchen Master Limited Partnership (Berlin), the German sound film AG (Hannover) and the Messterton AG (Berlin) merged to form Tobis. The aim of the merger, as the report of the working committee noted, was to unite the various patents in one hand. Behind the struggle for its own patent was the intention to get rid of competition from the American company Warner Bros. , which was using a Western Electric patent .
Through an agreement with Klangfilm GmbH (February 13, 1929) and the American electrical companies General Electric and Western Electric (" Pariser Tonfilmfrieden ", July 22, 1930), the new company, which was initially called "Tonbild-Syndikat AG", But now it was renamed Tobis-Klangfilm, the patents of Klangfilm GmbH, of Siemens, AEG, Polyphon and also of the American corporations are available.
1933-1945
After the UFA , Tobis was the largest German film production company, which made it particularly interesting after the seizure of power in 1933 for the new rulers who wanted to expand their propaganda apparatus and free the UFA, which had already been synchronized, from competitors. Director was Goebbels ' favorite Helmut Schreiber . The sound film patents owned by the parent company Intertobis also played a role . The restructuring of Tobis into a company that could be mediated by the Reich, which began in 1934 and was completed in 1939, represented Goebbels' - successful - first attempt at a hostile takeover of a film company that was completely unnoticed by the public.
Berlin's Tobis, which - like almost all German film production companies - was at the bottom of a profitability crisis in 1936/37, was reorganized. After the purchase of the majority shareholding in Intertobis by Cautio Treuhand GmbH film production in which was Tobis industry GmbH ( term ) transferred, which was renamed "Tobis Filmkunst" on 27 November 1937th The actor Emil Jannings was appointed chairman of the board. In 1942 Tobis was incorporated into the UFA Group and only retained formal independence.
1945–1962
After the end of the Second World War , the Tobis production facilities became part of the newly founded Ufa Group. With the collapse of this group in 1962, the Tobis story came to an end.
Subsidiaries
Numerous subsidiaries belonged to Tobis, including a. Tobis-Cinéma-Film AG , founded on April 6, 1933 in Berlin , which loaned and sold Tobis films abroad. This company has occasionally also produced its own films ( Das Gäßchen zum Paradies , 1936; Condottieri , 1936/37).
In 1933 the Austrian Sascha-Film was majority taken over and renamed Tobis-Sascha-Film AG .
Employee
Actors who often worked for the Tobis were e.g. B. Fita Benkhoff , Charlott Daudert , Elisabeth Flickenschildt , Gustav Fröhlich , Ilse Fürstenberg , Heinrich George , Käthe Haack , Heidemarie Hatheyer , Paul Henckels , Lucie Höflich , Emil Jannings , Eugen Klöpfer , Hilde Körber , La Jana , Günter Lüders , Else von Möllendorff , Harald Paulsen , Mady Rahl , Franz Schafheitlin , Sybille Schmitz , Olga Chekhova , Eduard von Winterstein and the child actor Norbert Rohringer .
Tobis's in-house directors were Karl Anton , Volker von Collande , Erich Engel , Veit Harlan , Paul Heidemann , Max W. Kimmich , Werner Klingler , Wolfgang Liebeneiner , Wolfgang Staudte , Paul Verhoeven and Hans H. Zerlett .
Production group leaders: Karl Anton , Ludwig Behrends , Hans Bertram , Volker von Collande , Herbert Engelsing , Walter F. Fichelscher , Conrad Flockner , Heinrich George , Hermann Grund , Veit Harlan , Heinz Hille , Heinrich Jonen , Fritz Klotzsch , Fred Lyssa , Werner Malbran , Erich von Neusser , Willy Reiber , Bernhard F. Schmidt , Helmut Schreiber , Gerhard Staab , Robert Wuellner .
Cameramen (selection): Heinz Ritter , Richard Angst , Friedl Behn-Grund , Georg Bruckbauer , Eduard Hoesch , Georg Krause , Bruno Mondi and Fritz Arno Wagner .
Composers (selection): Peter Kreuder , Leo Leux , Theo Mackeben , Norbert Schultze and Wolfgang Zeller .
Spokesman for the Tobis weekly newsreel (selection): Harry Giese .
The Tobis films
- A very rich man ( Stefan Szekely , 1931/32)
- Truxa ( Hans H. Zerlett , 1936/37)
- The Broken Jug ( Gustav Ucicky , 1937)
- Youth ( Veit Harlan , 1937/38)
- The stars shine (Hans H. Zerlett, 1937/38)
- From midnight ( Carl Hoffmann , 1937/38)
- Two women (Hans H. Zerlett, 1938)
- Adventure in Love (Hans H. Zerlett, 1938)
- Rooster scandal ( Franz Seitz Sr. , 1938)
- Napoleon is to blame for everything ( Curt Goetz , 1938)
- The fourth does not come ( Max W. Kimmich , 1938/39)
- The star of Tetuan. Moroccan romance ( Enrique Domínguez Rodiño , 1938/39)
- The immortal heart ( Veit Harlan , 1938/39)
- Ballad. The princess returns home ( Peter Hagen , 1938)
- We dance around the world ( Karl Anton , 1939)
- When men travel ( Georg Zoch , 1939)
- Relatives are people too ( Hans Deppe , 1939)
- Tip on Amalia ( Carl Heinz Wolff , Heinz Paul , 1939/40)
- Star of Rio (Karl Anton, 1939/40)
- Robert and Bertram (Hans H. Zerlett, 1939)
- Robert Koch, the fighter of death ( Hans Steinhoff , 1939)
- Renate in a quartet ( Paul Verhoeven , 1939)
- My husband shouldn't know ( Paul Heidemann , 1939)
- At the last minute ( Fritz Kirchhoff , 1939)
- Falstaff in Vienna ( Leopold Hainisch , 1939/40)
- A little night music ( Leopold Hainisch , 1939)
- A whole guy ( Fritz Peter Buch , 1939)
- Danube boatman ( Robert A. Stemmle , 1939/40)
- The uncanny wishes ( Heinz Hilpert , 1939)
- The golden mask (Hans H. Zerlett, 1939)
- The last roll call ( Max W. Kimmich , 1939)
- The way to Isabel ( Erich Engel , 1939)
- The scapegoat ( Hans Deppe , 1939/40)
- The fox by Glenarvon ( Max W. Kimmich , 1939/40)
- Disgust ( Hans Deppe , 1939)
- D III 88 ( Hans Bertram , 1939)
- From first marriage (Paul Verhoeven, 1939/40)
- Trenck, the Pandur ( Herbert Selpin , 1940)
- My life for Ireland ( Max W. Kimmich , 1940/41)
- Kampfgeschwader Lützow ( Hans Bertram , 1940/41)
- Friedrich Schiller ( Herbert Maisch , 1940)
- The last round ( Werner Klingler , 1940)
- The three codonas ( Arthur Maria Rabenalt , 1940)
- The Geierwally ( Hans Steinhoff , 1940)
- The great king ( Veit Harlan , 1940–1942)
- The sky blue evening dress ( Erich Engels , 1940)
- Bismarck ( Wolfgang Liebeneiner , 1940)
- Two in one big city ( Volker von Collande , 1941)
- We like to remember ( Werner Malbran , 1941)
- Ohm Krüger ( Hans Steinhoff , 1941)
- People in the Storm ( Fritz Peter Buch , 1941)
- Noise in the front building (Paul Heidemann, 1941)
- Jakko ( Fritz Peter Buch , 1941)
- You cannot take anything with you into the grave ( Wolfgang Staudte , 1941; short film)
- Always just you! (Karl Anton, 1941)
- I indict ( Wolfgang Liebeneiner , 1941)
- A gust of wind ( Walter Felsenstein , 1941/42)
- 1942: The thing with Styx
- The night in Venice (Paul Verhoeven, 1941/42)
- The Rainer case (Paul Verhoeven, 1941/42)
- The other me ( Wolfgang Liebeneiner , 1941)
- Existence without life ( Hermann Schwenninger , 1941/42; lost)
- White laundry (Paul Heidemann, 1942)
- Great night ( Theo Lingen , 1942/43)
- Titanic ( Herbert Selpin , Werner Klingler , 1942/43)
- Symphony of a Life ( Hans Bertram , 1942)
- Romance in minor ( Helmut Käutner , 1942/43)
- Philharmonic (Paul Verhoeven, 1942–1944)
- My friend Josefine (Hans H. Zerlett, 1942)
- My wife Teresa ( Arthur Maria Rabenalt , 1942)
- Lache Bajazzo ( Leopold Hainisch , 1942/43)
- Colleague is coming soon (Karl Anton, 1942/43)
- Kohlhiesel's daughters ( Kurt Hoffmann , 1942/43)
- Fritze Bollmann wanted to fish ( Volker von Collande , 1942/43)
- Flea in the ear (Paul Heidemann, 1942/43)
- The big number (Karl Anton, 1942)
- The landlady of the white horse (Karl Anton, 1942/43)
- The discharge ( Wolfgang Liebeneiner , 1942)
- The great shadow (Paul Verhoeven, 1942)
- The bath on the threshing floor ( Volker von Collande , 1942/43; color film )
- Old heart becomes young again ( Erich Engel , 1942/43)
- Acrobat schö-ö-ö-n ... (Wolfgang Staudte, 1942/43)
- Harald arrives at 9 ( Carl Boese , 1943)
- Peter Voss, the millionaire thief (Karl Anton, 1943–1945)
- My four boys ( Günther Rittau , 1943/44)
- Light Blood ( Carl Boese , 1943)
- Childhood love ( Eduard von Borsody , 1943/44)
- I will carry you on my hands ( Kurt Hoffmann , 1943)
- I dreamed of you (Wolfgang Staudte, 1943/44)
- Mr. Sanders lives dangerously ( Robert A. Stemmle , 1943)
- A little summer melody ( Volker von Collande , 1943/44)
- A beautiful day ( Philipp Lothar Mayring , 1943)
- A happy person (Paul Verhoeven, 1943)
- The impostor (Karl Anton, 1943)
- The Degenhardts ( Werner Klingler , 1943/44)
- The great price (Karl Anton, 1943/44)
- The defense attorney has the floor ( Werner Klingler , 1943/44)
- The Forester ( Alois Johannes Lippl , 1943/44)
- The concert (Paul Verhoeven, 1943/44)
- See you again ( Philipp Lothar Mayring , 1944/45)
- Soloist Anna Alt ( Werner Klingler , 1944)
- Call to conscience (Karl Anton, 1944/45)
- Gentlemen sons ( Robert A. Stemmle , 1944)
- Farewell, Christina ( Gustav Fröhlich , 1944/45)
- You have to be lucky ( Theo Lingen , 1944/50)
- An everyday story ( Günther Rittau , 1944/48)
- The Kreuzlschreiber ( Eduard von Borsody , 1944/50)
- The years go by ( Günther Rittau , 1944)
- The big fall (Karl Anton, 1944/49)
- The man whose name was stolen (Wolfgang Staudte, 1944/45)
- The man in the saddle ( Harry Piel , 1944/45)
- The Little Court Concert (Paul Verhoeven, 1944/49 color film )
- The girl Juanita (Wolfgang Staudte, 1944/52)
- The denial (Karl Anton, 1944/50)
literature
- Hans-Michael Bock , Wiebke Annkatrin Mosel, Ingrun Bewegungs (editor): Die Tobis 1928–1945. An annotated filmography. edition text + kritik, Munich 2003, ISBN 978-3-88377-748-1 .
- Jan Distelmeyer (Red.): Sound film peace / sound film war. The story of Tobis from technology syndicate to state company. edition text + kritik, Munich 2003, ISBN 978-3-88377-749-8 .
Individual evidence
- ↑ Peter Sundarp in: Dona Kujacinski: Horst Wendlandt - The man who brought Winnetou & Edgar Wallace, Bud Spencer & Terence Hill, Otto & Loriot to the cinema. A biography. Schwarzkopf & Schwarzkopf, Berlin 2006, ISBN 978-3-89602-690-3 , p. 183.
See also
Web links
- Tobis-Industrie GmbH in the Internet Movie Database (English)
- Tobis Film Art in the Internet Movie Database (English)
- Tobis film rental in the Internet Movie Database (English)
- Tobis Filmkunst GmbH in the film lexicon of the University of Kiel
- Early documents and newspaper articles on the Tobis Tonbild Syndicate in the 20th Century press kit of the ZBW - Leibniz Information Center for Economics .