Andrea Domesle

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Andrea Domesle (born September 9, 1969 in Heilbronn ) is a German art historian , Germanist , art critic , lecturer , cultural manager and curator on art from the 19th to 21st centuries. Century.

Career

Andrea Domesle studied art history , modern German literature , philosophy and mediaeval studies at the Ludwig Maximilians University in Munich , the University of Paris-Sorbonne (Paris IV) , the University of Basel and the Albert Ludwigs University in Freiburg . There she did her doctorate in December 1995 on the subject of luminous script art . In 2004 she finished with a thesis on Why A Mission Statement? Examination based on the exhibition and education program as well as the collection policy of three museums in Austria from the postgraduate course ECM - Exhibition and Cultural Communication Management at the University of Applied Arts Vienna .

During her studies she worked as a freelancer for the Heilbronner Voice , Badische Zeitung , Frankfurter Allgemeine Zeitung and Neue Zürcher Zeitung and became a member of the art critic association AICA . She also works for the art bulletin and artmagazine.cc.

After completing her studies, she worked as a research assistant in the Städtische Kunsthalle Mannheim , the Kunstmuseum Basel , the Museum der Moderne Salzburg , the Staatliche Museen zu Berlin , where she worked on the major project Das XX. Century. A century of art in Germany , video art , Joseph Beuys and net art manifestos presented. In 2001 and 2002 she was editor-in-chief and co-editor of EIKON - magazine for photography and media art Vienna. 2001–2003 she headed the gallery of the Brotfabrik Berlin , internationalized the program, which had previously specialized in Central European photography, which resulted in admission to the ADKV . Solo exhibitions were u. a. Dedicated to Lucinda Devlin, Bernhard Fuchs , Chantal Michel , Ken Lum, Walter Niedermayr , Simone Nieweg and Rubén Ortiz Torres. She designed the exhibition Home is around the corner for the Federal Ministry for Europe, Integration and Foreign Affairs . Look at Austria today that in 2004-2008 Europe on tour was.

Her concept Failed Hope - New Romanticism in Contemporary Photography in Germany was nominated from a competition by the Photomonth in Krakow and shown as a contribution to the guest country Germany at The Goetz Palace, Old Okocim Brewery 2007. Adam Leczcynski praised it as the best exhibition of the festival in Gazeta Wyboncza .

From 2009 to 2010 Andrea Domesle was artistic director of the Palazzo art gallery in Liestal / Basel area . Here she staged the artistic dialogue between Renée Levi and Karen Geyer as a new format , which was accompanied by the publication of an LP.

In 2013 she initiated the art-in-public-space project videocity.bs in Basel , which she has carried out annually since then with Pro Innerstadt Basel as the main cooperation partner .

Since 1997 she has curated exhibitions in Europe , Asia and America and since 2007 has worked as a lecturer in art history , curatorial studies and creative writing , etc. a. at the Jan Evangelista Purkyně University in Ústí nad Labem , at the Art History Institute of the Albert Ludwig University of Freiburg i. Br. , The University of Basel and the Haute école des arts du Rhin , Mulhouse-Strasbourg.

She lives in Basel and in the Weinviertel.

Curatorial method

She converted Harald Szeemann's method of field research into cross-border collaboration, from one person's point of view into multi-perspective viewpoints. Alone or with the director of the Kultur Forum in Dresden, Frank Eckhardt, the artist Martin Krenn ( Vienna ), Michal Koleček ( Ústí nad Labem ) or the philosopher Walter Seidl (Vienna), she initiated traveling exhibitions on socially relevant issues and the relevance of history. The exhibitions are constantly changing from station to station, further co-curators and artists are involved, the topic is contextualized in a location-specific manner, various artistic scenes are connected, exchange and artistic production are stimulated.

Andrea Domesle's art projects have a social dimension. They offer opportunities to interact in order to integrate different viewpoints. Andrea Domesle's activities belong to the beginnings of exhibition experiments carried out by art historians . From 2004 to 2008 she was part of ROOMER's SIGHT , a group that was active in Germany and Austria . This group developed the theory of an "open exhibition" and encouraged the exchange of roles between artist, curator, mediator and audience. Andrea Domesle is continuing the experimental experience in the trinational metropolitan region of the Upper Rhine for the cascade capacitor Basel . Together with Sophie Kauffenstein, director of Accélérateur de particules , Strasbourg, she initiated competence shifts / Déplacement de Compétences , an annual, multi-part exchange, research and exhibition project. The Freiburg Art Association was added in 2012 with its director at the time, Caroline Käding . The Grenzgänger / Passe frontières project conceived by the three curators followed from 2013 to 2015 .

Curated exhibition tours (selection)

  • 2014–2018 Notes on the beginning of the short 20th century / Notes on the beginning of the short 20th century, curated with Frank Eckhardt for the Motorenhalle Dresden, Faculty of Art and Design Jan-Evangelista-Purkyně-University / Emil Fila Gallery, Ústí nad Labem , freiraum International Museumsquartier Wien , National Center for Contemporary Art, Kaliningrad , Artist House, Tel Aviv
  • 2010–2012 Hidden Publics , curated with Dr. Walter Seidl, Vienna for Kunsthalle Palazzo, Liestal, rotor Kunstverein, Graz, Skuc Gallery Ljubljana, Emil Filla Gallery and Faculty of Art and Design of Jan-Evangelista-Purkyně-University in Ústí nad Labem, Motorenhalle Dresden
  • 2009–2010 The artist in the (art) society, curated with Prof. Dr. Michal Koleček and Frank Eckhardt for the Kunsthalle Palazzo, Liestal, Emil Filla Gallery and Faculty of Art and Design of Jan Evangelista Purkyně University in Ústí nad Labem and Motorenhalle Dresden (title here The artist in (art) society )
  • 2009–2010 Why do you resist ?, curated with Prof. Dr. Michal Koleček for Faculty of Art and Design of Jan-Evangelista-Purkyně-University and Emil Fila Gallery, Ústí nad Labem and Forum Stadtpark Graz and co-curated with Helen Hirsch for the Kunstmuseum Thun (title here: Pièces de Resistance ), Pia Hovi -Assad for the Pori Art Museum, Monika Szewczyk for Arsenal Gallery in Bialystok and Frank Eckhardt for the Dresden Motor Hall (title here: pieces of resistance ).
  • 2007–2009 Anna Konik - Our Lady's Forever, for the Zachęta Narodowa Galeria Sztuki, Warszawa , The Crawford Municipal Art Gallery, Cork , Galerie Eugen Lendl, Graz, Städtische Galerie Wolfsburg .
  • 2004–2008 On the Tectonics of History, curated with Martin Krenn for the Forum Stadtpark Graz, co-curated with Aneta Sylak for the WYSPA Institute of Art, Gdańsk , Dr. Michal Koleček for the Center for Contemporary Central European Art (CCCEart) / Faculty of Art and Design of Jan-Evangelista-Purkyně-University in Ústí nad Labem and Frank Eckhardt for the Dresden Motor Hall.

Editing (selection)

  • with Michal Koleček, Frank Eckhardt: Artists in the (art) society / Umělec v (umělecké) společnosti , for riesa efau . Kultur Forum Dresden and Faculty for Art and Design of the University JE Purkyně Ústí nad Labem 2012, ISBN 978-3-9807388-2-8
  • with Walter Seidl: Hidden Publics , co-editor Frank Eckhardt for riesa efau Kultur Forum Dresden and Michal Koleček for Faculty of Art and Design at Jan Evangelista Purkyne University in Ústí nad Labem 2013, ISBN 978-3-9807388-4-2
  • LeviGeyer, edition Fink Zurich 2010, for Kunsthalle Palazzo, Liestal ISBN 978-3-03746-144-0
  • with Martin Krenn: On the Tectonics of History, Vienna / Usti nad Labem 2009, ISBN 978-80-7414-114-0
  • with Carl Aigner : Walter Niedermayr. Room sequences 1991–2001, Eikon special print # 7, Vienna 2001, ISBN 3-9501157-9-X
  • Leucht-Schrift-Kunst, Reimer Verlag Berlin 1998, ISBN 978-3-496-01186-6

Fonts (selection)

  • Dan Flavin , in: Bernhard Mendes Bürgi and Nina Zimmer (eds.): Kunstmuseum Basel. The masterpieces , Basel / Ostfildern 2011, p. 274 f.
  • Failed Hope - New Romanticism in Contemporary Photography in Germany / Zawiedzione Nadzieje - Nowy Romantyzm We Wspolcesnej Fotografii , in: Miesiac Fotografii W Krakowie 2007 / Photomonth in Krakow 2007, pp. 42–76
  • Why a mission statement? , in: new museum. the austrian museum magazine, ed. Österreichischer Museumsbund, 06/2, May 2006, pp. 80–90
  • How does home come into the picture ?, in: Home is around the corner. View of Austria today from 14 artists working with photography , ed. Museum d'Arte Contemporanea Vigo, University of Salamanca, Vigo 2005, undated , ISBN 84-7800-529-3
  • Destruction and future at the same time: “Lightning strike with a light on deer”. An installation by Joseph Beuys , in: “Meteoriten. What collapses on us from outside ”in Art, Philosophy, History, ed. Nives Widauer, Zurich 2005, pp. 167–177
  • On the motif of symbolism / The motif Repertoire of Symbolism , in: Intermezzo - Gustaf Klimt and Vienna around 1900, ed. Agnes Husslein-Arco and Eleonora Louis, Museum der Moderne Salzburg Rupertinum, Salzburg 2004, pp. 53–62
  • Aesthetics of relaxation / La ricreazione fiscia e spirituale nell'arte , in: Art and Cure / arte e benessere , ed. von kunst Meran in the house of the Sparkasse, Folio Verlag Wien, Bozen 2001, pp. 13–48, ISBN 978-3-85256-198-1
  • Joseph Beuys - the way through language , in: The readability of art. Books - Manifestos - Documents , ed. Bernd Evers for State Museums in Berlin - Prussian Cultural Heritage, Art Library, Berlin 1999, pp. 204–223, ISBN 978-3-87584-873-1
  • 1st Cyberfeminist International: 100 anti-thesis, in: ibid., Pp. 270-273
  • “Il grande enigma del vero”. A comparison between photography and drawing , in: Monika Wilmowsky (Ed.): Im Lande der Sehnsucht. Through Italy with pencil and camera. 1820 to 1880 , for the Kunsthalle Bremen and the Städtische Kunsthalle Mannheim 1998, pp. 27–33, ISBN 978-3-89165-113-1
  • Paris - a city as an academy. Birthplaces of European avant-garde: Montmartre and Montparnasse , in: Manfred Fath (Ed.): From light to form. Treasures from the Petit Palais Geneva , Munich, New York 1997, pp. 85–94, ISBN 978-3-7913-1841-7

Web links

Individual evidence

  1. ↑ Born in 1966 according to Grenzgänger and GND 1031303812 . Access date: March 20, 2020.
  2. ^ Domesle, Andrea .: Luminous script art: Holzer, Kosuth, Merz, Nannucci, Nauman . Reimer, Berlin 1998, ISBN 3-496-01186-6 .
  3. ↑ Theses of the Applied: Why a Mission Statement? Investigation based on the exhibition and education program as well as the collection policy of three museums in Austria. University of Applied Arts Vienna, accessed on February 3, 2019 (2004_05 winter semester).
  4. ↑ About us - members. AICA Germany e. V. German section of the Association internationale des critiques d'art AICA, December 21, 2018, accessed on February 3, 2019 .
  5. ↑ Andrea Domesle. In: Kunstbulletin and artlog.net. Swiss Art Association, accessed on February 3, 2019 .
  6. ↑ Imprint authors. artmagazine Kunst-Informationsgesellschaft mbH, accessed on February 3, 2019 .
  7. ↑ Andrea Domesle and Joachim Jäger: “Get Wired!” Spiritualization through video . In: Andrea Bärnreuther and Peter-Klaus Schuster for National Museums in Berlin - Prussian Cultural Heritage, Altes Museum, Neue Nationalgalerie, Hamburger Bahnhof (ed.): The XX. Century: Art, Culture, Politics and Society in Germany . DuMont, Cologne 1999, ISBN 978-3-7701-5064-9 , pp. 378-381 .
  8. ↑ Andrea Domesle: Joseph Beuys - the way through language . In: Bernd Evers for National Museums in Berlin - Prussian cultural property, art library (ed.): The readability of art: books - manifestos - documents . Nicolai, Berlin 1999, ISBN 978-3-87584-873-1 , p. 204-223 .
  9. ↑ Andrea Domesle: 1st Cyberfeminist International: 100 anti-thesis . In: Bernd Evers (Ed.): The readability of art. Books, manifestos, documents . Nicolai, Berlin 1999, p. 270-273 .
  10. ↑ Authors. Austrian Institute for Photography and Media Art - EIKON, accessed on February 3, 2019 .
  11. ↑ Harald Raab: Example Austria: Home, your pictures. Opening of the cultural year with a view of the neighbors / photography with an ironic undertone. Mittelbayerische Zeitung, March 6, 2006, accessed on February 3, 2009 .
  12. ↑ Photomonth Krakow: miesiac Fotografii w Krakowie. Photomonth Krakow, May 2007, accessed February 3, 2019 (Polish).
  13. ↑ Andrea Domesle: Zawiedzione nadzieje - Nowy Romantyzm we współczesnej fotografii niemieckiej . Ed .: Photomonth Krakow. Krakow 2007 (Polish, photomonth.com ).
  14. Jump up ↑ Adam Leczcynski: Fotografrawie niemieckiey melancholii. Gazeta Wyboncza, May 7, 2007, accessed February 3, 2019 (Polish).
  15. ↑ artmagazine editor: artmagazine author Dr. Andrea Domesle is the new director of the Palazzo Liestal art gallery. artmagazine.cc, February 2, 2009, accessed on February 3, 2019 .
  16. ↑ Andrea Domesle for the Kunsthalle Palazzo (ed.): LeviGeyer . edition Fink, Zurich 2010, ISBN 978-3-03746-144-0 .
  17. ↑ Lecturer archive. Art History Institute, accessed on February 3, 2019 .
  18. ↑ Unibas.ch course catalog, semester planning
  19. ↑ artlog.net: Notes to the beginning of the short 20th century / Notes on the Beginning of the Short 20th Century . Ed .: Art Bulletin. artlog.net, Zurich March 1, 2017 ( artlog.net [accessed March 16, 2019]).
  20. ↑ riesa efau: home page. Kultur Forum Dresden eV, accessed on March 17, 2019 .
  21. ↑ contact person. riesa-efau Kultur Forum Dresden eV, accessed on March 16, 2019 .
  22. ↑ MQ21: "We are not addicted to any hubris." Ed .: Museumsquartier GmbH. Vienna June 2, 15 ( mqw.at [accessed March 16, 2019]).
  23. ↑ Déplacements de compétences n ° 1 / Skills shifts n ° 1. In: Grenzgaengerproject.net. Retrieved March 19, 2019 .
  24. ^ Cross-border commuters - Passe frontières. In: Grenzgaengerproject.net. Retrieved March 19, 2019 .
personal data
SURNAME Domesle, Andrea
BRIEF DESCRIPTION German art historian, Germanist, art critic, lecturer, cultural manager and curator
DATE OF BIRTH 9th September 1969
PLACE OF BIRTH Heilbronn