Municipal Lapidarium Stuttgart

The Stuttgart City Lapidarium is an open-air museum in the park of the former Villa Ostertag-Siegle in Stuttgart. Over 200 mostly stone testimonies from five centuries of Stuttgart's history are on display in the lapidarium , as well as the Roman collection of antiquities owned by Carl von Ostertag-Siegle (1860–1924).

In addition to the municipal lapidarium, there is also the Roman lapidarium of the Württemberg State Museum in the New Palace in Stuttgart , whose fund consists of Roman stone monuments from southwest Germany.

Entrance to the lapidarium with a bronze knight figure by Heinz Fritz

location

The lapidarium is located at Mörikestraße 24 above the Villa Ostertag-Siegle, which is in the Karlshöhe district in the Stuttgart-Süd district . After the villa was built between 1886 and 1888, the surrounding area was still fallow. In 1905, Carl von Ostertag-Siegle had the Renaissance garden laid out in it, which today houses the lapidarium. From Mörikestrasse, whose image is consistently characterized by magnificent villas from the 19th century, it extends in a north-westerly direction to the feet of the vineyard on Karlshöhe. In the southwest it meets the Willy-Reichert-Staffel, which merges into the Römerstraße to the southeast. The north-eastern border is formed by the gateway between Villa Ostertag-Siegle and the rear building Mörikestrasse 24 a, behind which the lapidarium continues to the border of the Villa Gemmingen park .

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  Site plan (scheme)

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  General plan

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  Ground plan of the garden of the Villa Ostertag-Siegle, drawing before 1911

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  Villa Ostertag-Siegle

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  Villa Ostertag-Siegle, design drawing before 1892

history

At the turn of the last century, many houses were demolished as part of the old town renovation and the artistically valuable components were placed in the cloister of the hospital church. In World War II this first Urban Lapidary was largely destroyed. In 1950, today's municipal lapidarium opened as an open-air museum in the park of Villa Ostertag-Siegle with remains from the old lapidarium and many works of art and components from the ruins of the buildings destroyed in the war. In 1953, thousands of tons of rubble were deposited on the Birkenkopf , including many remarkable fragments of works of art and components, so that a second lapidarium of its own was created there.

Old lapidary

Hospital church with two cloisters, right: old lapidarium

In 1899, 47 residential buildings were demolished in Stuttgart's old town to make way for the new town hall, which was completed in 1905. In 1903, the catastrophic living conditions in the working-class quarters of the old town prompted the Association for the Welfare of the Working Class to renovate parts of the old town from the ground up with the support of the city over the next six years, for which a further 87 houses were demolished. 34 new buildings were built, including modern commercial buildings such as the Breuninger and the Eberhardsbau. During the demolition work, the artistically valuable components were collected and from 1905 stored in the western cloister of the former Dominican monastery near the Hospital Church, where grave monuments were already standing. This was the foundation of the first urban lapidarium.

The collection was not systematically indexed and properly looked after. There was neither an inventory list nor were the exhibits labeled, so that their urban historical significance was often incomprehensible.

Before the church was destroyed in 1944, two of the original four cloister wings were still preserved (east and west cloister). The cloister on the north wall of the Hospital Church had been torn down earlier and the exposed wall was supplemented by four high windows. Epitaphs and a Descent from the Cross were placed on the wall between the windows .

Johannes Reuchlin's epitaph from 1501 was on the left between the first and second window. It was brought to the municipal lapidarium after the Second World War (inventory number 24) and is now in the Leonhardskirche . The Descent from the Cross from 1518 was placed on the left between the second and third window and is now in the lapidary (inventory number 27).

New lapidary

Mountains of rubble on the Birkenkopf

Epitaph by Johannes Reuchlin

On 12./13. September 1944, the hospital church including the cloisters was reduced to rubble in a devastating air raid. This seemed to seal the fate of the first urban lapidary. It is thanks to the tireless efforts of two men that the lapidary was resurrected:

• the journalist, monument conservator and city historian Gustav Wais (1883–1961)
• and the chief building officer and monument conservator Wilhelm Speidel (1887–1956).

Debris collection

In 1946, the Lord Mayor of Stuttgart, Arnulf Klett, first convened the Municipal Commission for the Preservation of Works of Art and Architectural Monuments ("Art Commission"), of which Gustav Wais was one of 25 members. In 1947 at the latest, the chairmanship of the commission was transferred to Gustav Wais. On his initiative, when the rubble was cleared in 1946 and 1947, building and art-historical components were recovered and collected. From 1948 onwards, Wais was supported by Wilhelm Speidel, the long-standing monument consultant at the municipal building department. He drew up a list of 1200 components worth preserving, with the aim of later making the collected remains of the Stuttgart past accessible to the public in a new lapidarium. The collection of rubble objects was increased to include works of art from Villa Berg (1949/1950) and other objects that had survived being relocated during the war in external locations.

Relics from the hospital church

Since there was no inventory of the old lapidary, it was not possible to account for the losses retrospectively. When in 1949 the rubble was cleared from the grounds of the Hospital Church, Gustav Wais and Otto Speidel set about an excavation, during which a considerable number of valuable fragments were recovered. This included Johannes Reuchlin's epitaph from 1501 (No. 24) and a Descent from the Cross from 1518 (No. 27), both of which could be reassembled from the fragments.

Start-up

In 1950 the city of Stuttgart acquired the Villa Ostertag-Siegle at Mörikestrasse 24 with the associated garden, in which the new lapidarium was to be set up. The Stuttgart industrialist Gustav Siegle had the villa built from 1886 to 1888 for his daughter Margarete (1867–1934) and her husband Carl von Ostertag-Siegle (1860–1924). After Gustav Siegle's death in 1905, the villa and garden passed into the possession of his son-in-law, who also took over his company empire. He had the garden laid out by the architects Albert Eitel and Eugen Steigleder based on the model of Italian terrace gardens from the Renaissance and placed his collection of Roman antiquities in the lower walkway. The Lapidarium was opened on July 8, 1950, offering a new home to the “stone witnesses of Stuttgart's architectural history” in a romantic, historical setting. The first director of the museum until his death in 1961 was Gustav Wais, who also cataloged the objects available at the time (No. 1-214) and coordinated the further expansion of the collection.

Sleeping Beauty

After the death of Gustav Wais in 1961, the garden sank into a deep slumber and overgrown. It was not until three decades later that the city remembered its treasure and had it thoroughly renovated. It is thanks to a well-functioning civic institution, the Friends of the Lapidarium , that the garden has been open to visitors since then, at least during the warm season.

In 1990 the Wais inventory was updated and documented taking account of disposals and additions. Damage for any later conservation measures was also systematically recorded.

Birch head

On the Birkenkopf , a mountain in the west of Stuttgart, part of the rubble from the Second World War was deposited in the 1950s . As a result, the mountain, popularly known as Monte Scherbelino , became an open-air lapidarium, on which many remains of former Stuttgart buildings can still be viewed, albeit in a disordered manner.

inventory

The lapidarium houses two collections:

• the actual lapidary collection with over 200 monuments from five centuries of Stuttgart's city history
• and Carl von Ostertag-Siegle's Roman collection of antiquities with almost 200 exhibits.

Lapidary collection

The sign under the bearded man's head "Gratulor" bears inventory number 3 at the bottom left

The inventory of the lapidary collection is numbered with the inventory numbers from 1-388. The inventory number can also be found on the notices attached to the exhibits.

The exhibits that were available in the lapidarium in 2006 are illustrated and described in the museum guide of the municipal lapidarium. Accordingly, there were 120 of the 214 objects that Gustav Wais had numbered and described in 1954 from 1–214. According to the museum guide, later additions were “entered in a separate access book at the city archive”. These are the objects with the numbers 215–388. Of these 174 numbers, 63 are occupied. According to the museum guide 2006, the inventory of the lapidary collection consisted of 183 inventory numbers. The following table summarizes the inventory figures again.

Period	Number from-to	Number of numbers	received numbers
until 1954	1-214	214	120
after 1954	215-388	174	63
2012	1-388	388	183

This inventory includes 22 unnumbered exhibits, so that the total inventory amounts to over 200 objects. The lack of exhibits is noticeable by jumps in the numbering. The museum guide gives the following reasons for the "departures" from the lapidary:

• Installation at the old location
• Loans to other institutions
• Storage for conservation reasons
• Disposal due to excessive destruction
• Transfer to the city ​​archive .

After the first inventory of the exhibits by Gustav Wais, the inventory was re-recorded and documented in 1996 on behalf of the city archives by the art historian Axel Klumpp and the restorer Juliane Weigele .

Collection of antiquities

Water and meadow nymph by Dannecker, in the background: Antikenwand

Gustav Wais described the collection of antiquities in 1954 from a list by Oscar Paret . In doing so, he introduced the numbering that was valid until now.

The inventory of the Antikensammlung is numbered with the inventory numbers from 1-215. Objects no. 1-182 are on the antique wall, except for the expired object no. 78. The inventory number is written on the wall next to the exhibits. There are also framed panels on the wall with explanations of inventory numbers 1-155. Of the remaining 34 objects no. 183-215, 15 have been preserved, so that the inventory comprises a total of 198 objects. The following table summarizes the inventory figures again.

Period	Number from-to	Number of numbers	received numbers
until 1954	1-215	215	214
2012	1-215	215	198

Literary traces

Portal from the house of the "Russian shoemaker"

Three exhibits in the lapidarium relate to the works of the Württemberg poets Wilhelm Hauff and Eduard Mörike : the portal of the “Russian cobbler ”'s house, the portal of the“ King of England ”inn and a console figure from a market square.

Hauff's Russian cobbler

In the lively chat Free hours at the window , Wilhelm Hauff as the first-person narrator observes the hustle and bustle in the neighboring house from the window of his Stuttgart rented apartment. The “palace”, as Hauff's caretaker calls the house, belonged to the Russian shoemaker Rupfer, who had made money as a war profiteer during the “Russian era” through lucrative shoe deliveries to the Russians. In the municipal lapidary you can still see a portal (No. 142) of the house built in 1764, which has a cartouche with a boot, the guild mark of the shoemaker, above the arch . According to another source, Hauff should not have used the Russian shoemaker's house in Weinstrasse as a model, but rather the house of the baker Rupfer in Büchsenstrasse.

The inn "King of England" in Hauffs "The beggar from the Pont des Arts"

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  Inn "King of England"

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  Portal of the inn

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  The magical portrait
  of Lucas Cranach

Wilhelm Hauff's story Die Bettlerin vom Pont des Arts is set in chapters 1-8 in 1824 mainly in two buildings in Stuttgart:

• in the Gasthof König von England in Dorotheenstrasse 2 (destroyed in World War II),
• and in the gallery of the Boisserée brothers in the officer's pavilion at Königstrasse 12 (demolished in 1914), where their famous collection of paintings was exhibited from 1819–1827.

In the gallery of the Boisserée brothers, the young Eberhard von Fröben and the Spaniard Don Pedro di San Montanjo Ligez meet in front of the painting of a lady by Lucas Cranach , both of whom are magically attracted by the painting because in the lady portrayed they once loved a woman believe to recognize. They get closer to each other and meet more often in the König von England inn , of which a portal is still preserved in the lapidary (No. 90). One day the Spaniard tells the young man about his unhappy love for Donna Laura de Tortosi , which he lost to someone else twenty years ago. The next day, Fröben wanted to reveal the story of his love, but the Spaniard had left surprisingly. On the estate of a friend near Kaub am Rhein, Fröben meets Josephe , the woman of his heart, whom he met as a beggar on the Pont des Arts in Paris and from whom an unfortunate fate had separated him. After many romantic and tragic entanglements, the two become a couple.

Mörikes Hutzelmannlein

Hutzelmännlein on a hidden corner of the Stuttgart fruit box

At the Marktplatz 5 house, which was destroyed in 1944, two Gothic stone figures were attached to the corners facing the marketplace. One was a statue of St. Christopher standing on a console under a canopy. A goblin-like fellow with the four-part Württemberg ducal shield was leaning against the console. This figure was the model for the miraculous Hutzelmännlein in Eduard Mörike's Stuttgart Hutzelmännlein , who gives Seppe a pair of lucky shoes and an everlasting Hutzelbrot on his adventurous wandering. The Christophorus figure (No. 28) as well as the console (No. 16) and the canopy (No. 11) were in the municipal lapidarium in 1954, but are no longer there today.

Inventory lists

Lapidary collection

The following list contains the exhibits of the lapidary collection according to the inventory numbers at #Wais 1954.1 and #Schmid 2006 . The exhibits of antique collection are here to find.

→ Column legend and sorting

Legend

No. Inventory number. Objects without an inventory number are at the beginning of the list and are identified by # and a sequential number. status Disposal: lost or in a magazine Unknown: nothing is known about the whereabouts. Depot: in the depot of the City Museum / City Archives Rotunda: on loan in the Rotunda of the Staatsgalerie Change of location: no longer in the Lapidarium, but at a new location. Year (obj.) Year of creation of the object. The signs -, + and ~ mean: before the year, after the year, around the year. Year (fig.) Year of creation of the illustration. Meaning of the signs -, + and ~ as above. Location Mostly last location. If there is a year after the location, e.g. B. since 1968 , the new location is indicated.

Sorting

Sort a column: click the symbol in the column header. Sort by another column: Hold down the Shift key and click the symbol .

No.	Illustration	description	status	space	Year (obj.)	Year (fig.)	First name	Artist	Location	Street
# 001		Stone altarpiece by Jörg von Sachsenheim.	Change of location		1489				Hospital Church (after 1955)
# 002		Memorial plaque for Walde (1903–1911), a dog of the Ostertag-Siegle family.		B3	1910+
# 003		Dog grave for Molch (1890–1902), a dog of the Ostertag-Siegle family, colored plaster cast of a Roman marble urn.		B3	0300-1902 +
# 004		Memorial plaque for Waldine (1903–1912), a female dog of the Ostertag-Siegle family.		B3	1911+
# 006		Heraldic shield (?). Between No. 88 and 216.		R5	?
# 005		So-called Neuattisches relief, colored plaster cast.		B3	0300–
# 007		Stone with the inscription "Hanna Matz". Under No. 27.		R2	?
# 008		Capital with vegetal ornaments.		R3	300
# 009		Corner piece of a grave urn (?) With a fragment of a high relief: legs of a clothed figure with two masks.		R3	0300–
# 010		Fragment of a statuette: clothed figure from the lower legs to the feet on an irregular plinth.		R3	0300–
# 011		Fragment of a statuette: clothed female figure from the waist to the feet behind a stele with a large shell.		R3	0300–
# 012		Fragment of a statuette: clothed female figure from the waist to the feet.		R3	0300–
# 013		Fragment of a grave urn with the inscription "... DO / ... AR / ... EPICTESIS / ... NTVBERNALI / BENEMERENTI / FECIT".		R3	0300–
# 014		Lower part of a column with vegetal ornaments (?).		R3	0300–
# 015		Disc of a fluted column with relief and monogram (from the front).		R3	0300–
# 015		Disc of a fluted column with relief and monogram (from above).		R3	0300–
# 016		Stone blocks with plant reliefs on the sides.		R3	0300–
# 017		Putti dance with fruit pendants, ceramic frieze.		R4	1900 ~					New vineyards
# 018		Two wrought iron grilles.		R7	?
# 018		Two wrought iron grilles.		R7	?
# 019		Flower bowl with battle scene relief. At No. 127. Counterpart to No. # 020.		A1	?
# 020		Flower bowl with battle scene relief. At No. 127. Counterpart to No. # 019.		A2	?
# 021		Stone bench. Before number 127.		B2	1905 ~
# 022		Two coffered plinths with cornices and volutes on the sides. Used in the lapidarium as a base for nos. 270 and 271.		R4	?
001		Knight figure, bronze statue.		A3	1905		Heinz	Fritz, 1873-1927	Old town hall from 1905
002		Knight figure, bronze statue.		A3	1905		Heinz	Fritz, 1873-1927	Old town hall from 1905
003		Bearded male head Congratulations , shell limestone.		A3	1912		Karl	Seiz, * 1851	Villa Ostertag-Siegle	Mörikestrasse 24
004		Sumptuous bowl, jasper.		A3	1850-1852			Kolywan Stone Mill	Villa Berg
004		Sumptuous bowl, jasper.		A3	1850-1852	1955–		Kolywan Stone Mill	Villa Berg
005		Ofenstein with the name Johann Jakob Hägele, two angel heads and carpenter's guild mark (plane, square measure and compass).	Exit		1769
006		Baker's guild sign with the inscription Josef Weyer Miller and coat of arms, a pretzel with rolls held by two lions.	Exit		1737					Cross street 4
007		Ofenstein with the name Johann Michael Kreh, two angel heads and carpenter and stone carpenters guild signs (square, hammer and ax).	Exit		1769
008		Oven stone with fruits.	Exit		15xx
009		Pub sign with the bust of King Friedrich I.	Exit		179x		Reinhard Ferdinand Heinrich	Fisherman , architect	Inn "To the King of Württemberg"	Kronprinzstrasse 26 / Lange Strasse
009		To no. 9: "Zum König von Württemberg" inn with an inn sign.	Exit		179x		Reinhard Ferdinand Heinrich	Fisherman , architect	Inn "To the King of Württemberg"	Kronprinzstrasse 26 / Lange Strasse
010		Fountain figure of Pallas Athene (left), sandstone. Counterpart to no.36.Literature : #Wais 1954.1 , page 94, number 10, #Hofmeister 1987 , page 108.		R1	1700 ~					Urbanstrasse 41A
011		Canopy of the Christophorus figure no.28.See also no.16.	Exit		1515 ~				Haufler's house	Marketplace 5
012		Door capstone with carpenter's guild mark and the initials "GMM", sandstone.		R1	1790 ~
013		Christophorus figure.	Exit		1510 ~				Old market fountain
014		Cross vault keystone with the coat of arms of Count Ulrich the Much Beloved , sandstone.		R1	1479				Hospital Church , Princely State
014		Cross vault keystone with the coat of arms of Count Ulrich the Much Beloved , sandstone.		R1	1479	1957–			Hospital Church , Princely State
015		Corner console with a portrait of the builder Georg Beer (?), Sandstone.		R1	1578		George	Beer , architect	Hofmarschallenhaus	Kanzleistraße 24
016		Console for Christophorus No. 28 with a goblin-like figure and the four-part Württemberg ducal shield. See also No. 11.	Exit		1515 ~	1955–			Haufler's house	Marketplace 5
017		Man of Sorrows.	Exit		1510	1952–			Old town hall from 1458, chapel for poor sinners (?)
018		Vault stone with an evangelist at the lectern, sandstone. Counterpart to No. 21.		R1	1500–				Old town hall from 1458, chapel for poor sinners
019		Door end stone with Allianz coat of arms of the mayor family Rheinwald-Adlung, sandstone.		R1	1688				Rheinwald house	Esslinger Strasse 31
020		Door end stone with the initials IH (Stiftswerkmeister Johannes Heim) and GK (Georg Koch, shoemaker), sandstone.		R1	1683					Esslinger Strasse 29 / Rosenstrasse
021		Vault stone with bishop and model of a church, sandstone. Counterpart to No. 18.		R1	1500–				Old town hall from 1458, chapel for poor sinners
022		Fragment of the tombstone of Anna Straubenhart († 1459), wife of the minstrel Hermann von Sachsenheim , sandstone.		R1	1459				Hospital Church
023		Relief Samson with the city gates (Book of Judges, Chapter 16 [3] ), sandstone.		R1	1586/1587		Sem	Schlör	New pleasure house
024		Epitaph by Johannes Reuchlin .	Change of location		1501				Leonhardskirche (since 1955)
024		Epitaph by Johannes Reuchlin .	Change of location		1501	1957–			Leonhardskirche (since 1955)
024		Epitaph by Johannes Reuchlin with frame and relief medallion Reuchlin from 1871.	Change of location		1501	1945–			Leonhardskirche (since 1955)
025		Gravestone plinth with Thanatos (god of death), skull and hourglass, sandstone. The base does not belong to tombstone No. 29, which is placed above it.		R1	17xx				Hospital Church (?)
026		Tomb for the son of the Mayor of Esslingen, David Buntz, sandstone.		R1	1624				Hospital Church
026		Tomb for the son of the Mayor of Esslingen, David Buntz, sandstone.		R1	1624	1957–			Hospital Church
027		Relief Descent from the Cross , foundation of the Stuttgart citizen Hans Hack, sandstone.		R2	1518		Hans	Seyffer , school (?)	Hospital Church
028		Console figure Christophorus . See also No. 30.	Exit		1515 ~				Haufler's house	Marketplace 5
029		Gravestone of the Mayor of Cannstatt, Urias Stehelin, sandstone. The tombstone does not belong to pedestal No. 25 on which it is placed.		R1	1600 ~				Uffkirchhof
030		Re no. 30: View into Bandstrasse, on the left the Haufler house with the console figure of St. Anna Selbdritt . See also No. 28.	Exit		1515 ~	1905			Haufler's house	Marketplace 5
031		Tomb of Christina Charlotta Friderika Spitznas geb. Reichsfrau von Pölniz (1713–1749), wife of General Hans Adolph von Spitznas (1699–1758), sandstone.		R2	1749				Hospital Church
031		Tomb of Christina Charlotta Friderika Spitznas geb. Reichsfrau von Pölniz (1713–1749), wife of General Hans Adolph von Spitznas (1699–1758), sandstone.		R2	1749	1957–			Hospital Church
032		St. Florian	Exit		1520 ~				School house	Marketplace 4
033		Gravestone of Elisabeth Vetter († 1528) and Agatha Vetter geb. Steitzenberger († 1533), wife of the Stuttgart citizen Thomas Vetter, sandstone.		R2	1528/1533				Hospital Church
033		Gravestone of Elisabeth Vetter († 1528) and Agatha Vetter geb. Steitzenberger († 1533), wife of the Stuttgart citizen Thomas Vetter, sandstone.		R2	1528/1533	1957–			Hospital Church
034		Inscription cube with hospital cross and horse.	Exit		1558				Old hospital, carriage house
035		Bay console with angel figure and the coat of arms of the Lords of Sachsenheim with buffalo horns.	Exit		1476				Sachsenheim House	Narrow street 3
036		Fountain figure of Hermes (right), sandstone. Counterpart to no.10 . Literature: #Wais 1954.1 , page 100, number 36, #Hofmeister 1987 , page 108.		R1	1700 ~					Urbanstrasse 41A
037		Baptismal font.	Exit		1500 ~				Old church on the mountain
038		Base.	Exit		1479				Hospital Church , Princely State
039		Four bullets, sandstone. See also No. 43.	Exit		15xx
040		Lion head (above), sandstone.		A2	1600+				Sweet Oppenheimer house	Friedrichstrasse 34
040		Re no. 40: Joseph Suess Oppenheimer's house (left) with the lion's head on the left corner, lithograph.		A2	1600+	1858			Sweet Oppenheimer house	Friedrichstrasse 34
041		Corinthian capital (below), sandstone.		A2	1590 ~		George	Beer	New pleasure house
042		Town hall bell (front).	Exit		1459	1952			Old town hall from 1905
043		Four bullets, sandstone. See also No. 39.		A2	15xx
044		Door keystone with hospital coat of arms, sandstone.		R1	1565				Old hospital, outbuilding
045		Relief portrait of Gustav von Siegle .	Exit		1870		Pietro	Lazarini, 1842-1918
046		Relief portrait of Mrs. Julie von Siegle geb. Wetzel (1845-1921).	Exit		1870		Pietro	Lazarini, 1842-1918
047		Well relief of the water creator , marble.		A2	1906		Emil	Epple, 1877-1948	Villa Ostertag-Siegle	Mörikestrasse 24
048		Orpheus mosaic based on the Roman original in Rottweil.		A2	1908 ~				Villa Ostertag-Siegle	Mörikestrasse 24
048		Re no. 48: Orpheus mosaic from Rottweil.		A2	1xx				Rottweil, Dominican Museum
049		Muckenbüble or boy in danger , bronze.		A2	1883		Wilhelm	Rösch	Villa Berg
050		Spring nymph, marble.		A2	1888		Theodore	Bausch , execution	Neckartor fountain
050		Spring nymph, marble.		A2	1888	1955–	Theodore	Bausch , execution	Neckartor fountain
050		Spring nymph, marble.		A2	1823		Johann Heinrich of	Dannecker , model	Neckartor fountain
051		Sandal loosening Venus , bronze.		A1	1854		Ivan Petrovitch	Vitali	Villa Berg
051		Sandal loosening Venus , bronze.		A1	1854		Ivan Petrovitch	Vitali	Villa Berg
052		Schiller memorial plaque, bronze.		R3	1934		Rudolf	Stocker, 1879–1949, cast	High Charles School
052		Schiller memorial plaque, bronze.		R3	1934		George	Schmückle, 1880–1948, inscription text	High Charles School
053		Inscription tablet, marble / sandstone.		R3	1611				Hofmarschallenhaus	Kanzleistraße 24
054		Original model of the water and meadow nymph . See also numbers 56, 91 and 127	Exit		?		Johann Heinrich of	Dannecker
055		Woman's head from the Hylas group, marble.	Exit		1842-1850		Ludwig von	Hofer	Castle garden
056		Head of the water nymph from Dannecker's water nymph and meadow nymph , marble. See also 54, 91 and 127.	Exit		1922-1926		Adolf	Strange
056		Head of the water nymph from Dannecker's water nymph and meadow nymph , marble. See also 54, 91 and 127.	Exit		1808-1810		Johann Heinrich of	Dannecker , model	Castle garden
057		Inscription stone, sandstone.		R3	1589				"Esslinger Hof" hospital, Bad Cannstatt	Helfergasse / Spreuergasse
058		Tomb of Maria Salome Heerbrand geb. Broadsword († 1609), wife of the clerkship administrator Paul Heerbrand (1560–1624), sandstone.		R3	1609				Hospital Church
058		Tomb of Maria Salome Heerbrand geb. Broad sword († 1609), wife of the land clerk administrator Paul Heerbrand (1560–1624), drawing.		R3	1609	1907–			Hospital Church
059		Tomb of Friedrich Johann Freiherr von Morsperg and Beffert (= Belfort) (1627–1690), sandstone.		R3	1596				Hospital Church
059		Tomb of Friedrich Johann Freiherr von Morsperg and Beffert (= Belfort) (1627–1690), sandstone.		R3	1596	1957–			Hospital Church
060		Bust of Apollo, marble. Counterpart to No. 64.	Exit		1849		Ludwig von	Hofer	Villa Berg
061		Vase, volcanite.		R4	1870			Kolywan, grinding shop	Villa Berg
062		Double portrait of Count Constantin von Benckendorff (1785–1828) and his wife Natalia geb. by Alopeus (1796-1823).	Change of location		1825	1955–	Johann Heinrich of	Dannecker , model	Heslacher Friedhof, Benckendorff Mausoleum (since 1959)
062		Double portrait of Count Constantin von Benckendorff (1785–1828) and his wife Natalia geb. by Alopeus (1796-1823).	Change of location		1828	1955–	Theodore	Wagner , execution	Heslacher Friedhof, Benckendorff Mausoleum (since 1959)
062		To no. 62: Benckendorff's tomb.	Change of location		1825	1960–	Johann Heinrich of	Dannecker , model	Heslacher Friedhof, Benckendorff Mausoleum (since 1959)
062		To no. 62: Benckendorff's tomb in the burial chapel.	Change of location		1825	1960–	Johann Heinrich of	Dannecker , model	Heslacher Friedhof, Benckendorff Mausoleum (since 1959)
062		Re no. 62: Giovanni Salucci Benckendorff mausoleum in the Heslach cemetery, watercolor also by Salucci.	Change of location		1825	1826–	Johann Heinrich of	Dannecker , model	Heslacher Friedhof, Benckendorff Mausoleum (since 1959)
063		Vase, volcanite.		R4	1862			Kolywan, grinding shop	Villa Berg
064		Diana of Versailles , marble. Counterpart to No. 60.	Exit		1849	1955–	Ludwig von	Hofer	Villa Berg
065		Ingeborg with the falcon , marble.		R4	1857-1873		Joseph of	head	Villa Berg
065		Ingeborg with the falcon , marble.		R4	1857-1873		Joseph of	head	Villa Berg
066		Relief Three Graces (listening to Cupid's song) after Thorvaldsen, marble.		R4	1870		Bertel	Thorvaldsen , model	Villa Siegle	Reinsburgstrasse 39
066		Relief Three Graces (listening to Cupid's song) after Thorvaldsen, marble.		R4	1870		Hermann	Bach, * 1842, executed	Villa Siegle	Reinsburgstrasse 39
067		Flora, marble. Counterpart to No. 72.	rotunda		1855 ~		Ludwig von	Hofer	Villa Berg
068		Bust of Agrippa , marble.	Exit		1824		Theodore	wagner
069		Miriam or The Music , Marble. Counterpart to No. 71.	rotunda		1859		Heinrich Maximilian	In the yard	Villa Berg
070		Love is blind , marble.	rotunda		1884		Donato	Barcaglia	Villa Berg
071		Ruth or The Gleaner , Marble. Counterpart to No. 69.	rotunda		1859		Heinrich Maximilian	In the yard	Villa Berg
072		Ceres , marble. Counterpart to No. 67.	rotunda		1855 ~		Ludwig von	Hofer	Villa Berg
073-074		Two lions with the coat of arms of the Barons of Palm, sandstone.		A1	1728				Palm Castle
074		One of two lions with the coat of arms of the Barons von Palm, sandstone.		A1	1728				Palm Castle
075		Coat of arms of the Barons of Palm.	Exit		1728				Palm Castle
076		Gravestone for a butcher	Exit		1734				Hoppenlauffriedhof
077		Tomb for the princely hunter Niclas von Göllnitz († 1615) and his wife Elisabeth born. Nothaft von Hohenberg († 1628), sandstone.		R5	1615				Hospital Church
077		Left: Tomb for the princely hunter Niclas von Göllnitz († 1615) and his wife Elisabeth b. Nothaft von Hohenberg († 1628), sandstone.		R5	1615	1957–			Hospital Church
078		Tomb of Johanna Christina zu Limpurg († 1598), daughter of the Reichshermarschall and Landhofmeister Eberhard Schenk zu Limpurg, sandstone.		R5	1598				Hospital Church
078		Right: Tomb of Johanna Christina zu Limpurg († 1598), daughter of the Reichshermarschall and Landhofmeister Eberhard Schenk zu Limpurg, sandstone.		R5	1598	1957–			Hospital Church
079		Foundation board, sandstone.		R2	1502				Quake houses yard	Bebenhäuser Strasse 8
080		Württemberg landscape coat of arms with stag and hind.	Exit		1934		Hans	Retzbach, 1888-1960	Landtaggeviert	Calwer Street
081		Gravestone with coat of arms of the Limpurg taverns.	Exit		1603	1957–			Hospital Church
082		Console with two Hapen ( vine knives ), sandstone.		R5	1608
083		Gravestone plinth with skull and hourglass, sandstone.		R5	16xx				Hospital Church
084		Console (front), sandstone.		R5	1600+?
085		House brand console, sandstone.		R5	1600 ~
086		Window frames , sandstone.		R5	1480 ~				Old stone house
087 from		Corner console (above) and shell niche (middle), sandstone.		R5	1586				Sick's house	Koenigstrasse 11
087 c		Corner of a rib vault (below), sandstone.		R5	14xx (?)
088		Console with lion head, sandstone.		R5	1668				Rheinwald house	Esslinger Strasse 31
089		Tomb for a daughter of the Württemberg State Minister Friedrich Emich Johann Freiherr von Uexküll. See also No. 213.	Exit		1775	1907–			Hospital Church
090		Portal with the inscription "Burg-Fried", sandstone. See also no.214.		R5	1798		Reinhard Ferdinand Heinrich	Fisherman	Inn "King of England"	Dorotheenstrasse 2
090		To no. 90: Inn "König von England", portal no. 90 on the right.		R5	1798	1905	Reinhard Ferdinand Heinrich	Fisherman	Inn "King of England"	Dorotheenstrasse 2
091		Torso of the meadow nymph from Dannecker's water nymph and meadow nymph , marble. See also 54, 56 and 127.		R5	1922-1926		Johann Heinrich of	Dannecker , model	Castle garden
091		Torso of the meadow nymph from Dannecker's water nymph and meadow nymph , marble. See also 54, 56 and 127.		R5	1922-1926		Adolf	Stranger , execution	Castle garden
091		Torso of the meadow nymph from Dannecker's water nymph and meadow nymph , marble. See also 54, 56 and 127.		R5	1922-1926		Kurt	Fang Hanging , execution	Castle garden
092		Tomb of the ducal secretary Schniering, sandstone.		B1	1749				Hospital Church
092		Tomb of the ducal secretary Schniering, sandstone.		B1	1749	1957–			Hospital Church
093		Keel arch portal, sandstone.		C1	1560				Marktstrasse 13, Bad Cannstatt
094		Gusset figure from the main portal (putto as an allegory of mathematics or algebra), sandstone. Counterpart to No. 96.	Unknown		1879				Polytechnic / Technical University	Seestrasse
095		Remnants of the von Uexküllschen garden pavilion.	Exit		?					Büchsenstrasse 21 / Rote Strasse
095		Re no. 95: Canceled from Uexküllscher garden pavilion, Büchsenstrasse 21, 1919	Exit		?	1907–
096		Gusset figure from the main portal (putto as an allegory of geometry or architecture), sandstone. Counterpart to No. 96.	Unknown	B1	1879				Polytechnic / Technical University	Seestrasse
097		Portal, sandstone.		C1	1613		Heinrich	Schickhardt	Big mill in mountain
097		Wilhelm Speidel and Gustav Wais in front of the portal.		C1	1613	1951	Heinrich	Schickhardt	Big mill in mountain
097		Re no. 97: Large mill in Berg, once opposite the Leuze-Bad.		C1	1613	1942	Heinrich	Schickhardt	Big mill in mountain
098		Attic figure Polyhymnia , zinc casting. See also no.107-109.		C3	1851		Wilhelm	Braun, 1796–1863, model	Court theater
098		Attic figure Polyhymnia , zinc casting. See also no.107-109.		C3	1851		Hugo	Pelargus , cast	Court theater
098		To no. 98: Court theater, the right of the four attic figures is the Poyhymnia		C3	1851	1952–	Wilhelm	Braun, 1796–1863, model	Court theater
099		Portal with memorial plaque and left corner mask, sandstone.		C2	1596		Heinrich	Schickhardt	Schickhardt's house	Kanzleistraße 17 / Hospitalstraße
099		Portal with memorial plaque and left corner mask, sandstone.		C2	1596	1955–	Heinrich	Schickhardt	Schickhardt's house	Kanzleistraße 17 / Hospitalstraße
099		Portal with memorial plaque and left corner mask, sandstone.		C2	1596	1952–	Heinrich	Schickhardt	Schickhardt's house	Kanzleistraße 17 / Hospitalstraße
099		Left corner mask. Right corner mask see no.134.		C2	1596		Heinrich	Schickhardt	Schickhardt's house	Kanzleistraße 17 / Hospitalstraße
099		Left corner mask. Right corner mask see no.134.		C2	1596		Heinrich	Schickhardt	Schickhardt's house	Kanzleistraße 17 / Hospitalstraße
099		Re no. 99: Heinrich Schickhardt's house, drawing by Max Bach.		C2	1596	1908	Heinrich	Schickhardt	Schickhardt's house	Kanzleistraße 17 / Hospitalstraße
100		Apollo Belvedere , marble.		C2	1851		Ludwig von	Hofer	Villa Ostertag-Siegle	Mörikestrasse 24
101		Piece of the main cornice, sandstone.		C1	1590 ~				New pleasure house
102		Lintel, sandstone.		C1	1584-1593		George	Beer	New pleasure house
103		Door fragment, sandstone.		C1	1584-1593		George	Beer	New pleasure house
104		Statue of Albrecht Dürer as a representative of art, limestone.		B1	1879		Theodore	Scheerer	Polytechnic / Technical University	Seestrasse
105		Door capstone, sandstone.		R5	15xx				Country house	Lange Strasse 51 / Firnhaberstrasse
106		Console with builder's mark.	Exit		1866		Carl	Beisbarth Sr. , Architect		Olgastrasse 72
106		Console with builder's mark.	Exit		1866		Ludwig	Ortlieb, foreman		Olgastrasse 72
107-109		Heads of the three attic figures Terpsichore (dance art), Thalia (comedy) and Melpomene (tragedy). See also No. 98	Exit		1851		Wilhelm	Braun, 1796–1863, model	Court theater
107-109		Heads of the three attic figures Terpsichore (dance art), Thalia (comedy) and Melpomene (tragedy). See also No. 98	Exit		1851		Hugo	Pelargus , cast	Court theater
110		Statue of the master builder Matthäus Böblinger , limestone.		A1	?		Emil	Kiemlen		Büchsenstrasse / Breitscheidstrasse
111		Caryatid The Spring , Allegory of the Four Seasons No. 111-114, sandstone.		B1	1900–					Büchsenstrasse / Schloßstrasse 39
112		Caryatid The Summer , Allegory of the Four Seasons No. 111-114, sandstone.		B1	1900–					Büchsenstrasse / Schloßstrasse 39
113		Caryatid The Winter , Allegory of the Four Seasons No. 111-114, sandstone.		B1	1900–					Büchsenstrasse / Schloßstrasse 39
114		Caryatid Autumn , Allegory of the Four Seasons No. 111-114, sandstone.		B1	1900–					Büchsenstrasse / Schloßstrasse 39
115		Flora (left), baked clay.		B1	1866 (?)					Olgastrasse 72
116		Roofing of the Descent from the Cross on the north side of the Hospital Church.	Exit		1819				Hospital Church
117		Console.	Exit		1500 ~
118		Console piece with harrow.	Exit		1600 ~
119		Console with a heart.	Exit		?
120		Portal fragment.	Exit		1564	1952–			Hospital cemetery
122		Stone carving stone by Hans Hipp from the cemetery wall.	Exit		1657 or 1778				Uffkirchhof
123		Door keystone with jumping goat.	Exit		1743
124		Lion head from a lintel	Exit		1870		Adolf	Gnauth , architect	Villa Siegle	Reinsburgstrasse 39
125		Keystone with bead.	Exit		?					House number 96
126		Polyhymnia , marble.		R4	18xx		Christian	Rauch (?), Model	New castle , rose garden
127		Water and meadow nymph , marble. See also nos. 54, 56 and 91. Made by an unknown artist.		B2	1933 ~		Johann Heinrich of	Dannecker , model
127		Water and meadow nymph , marble. See also nos. 54, 56 and 91. Made by an unknown artist.		B2	1933 ~	1955–	Johann Heinrich of	Dannecker , model
128		Goddess of victory (left), marble. Inscribed: "SIEGESGÖTTIN / von Rauch".		R4	?		Christian	Rauch , model	New castle , rose garden
129		Furnace stone.	Exit		1760 ~
130		Capital, sandstone. See also no.133.		A1	1811		Reinhard Ferdinand Heinrich	Fisherman	St. Eberhard's Church
130		Re no. 130: St. Eberhardskirche.		A1	1811		Reinhard Ferdinand Heinrich	Fisherman	St. Eberhard's Church
131		Old gate from the park wall.	Exit		1595				Palm Castle
132 from		Two fragments of a column drum, sandstone.		D4	1807		Nikolaus Friedrich von	Thouret	King's Gate
133		Capital, sandstone. See also No. 130.		A1	1811		Reinhard Ferdinand Heinrich	Fisherman	St. Eberhard's Church
134		Right corner mask, sandstone. For the left corner mask, see No. 99.		R1	1596		Heinrich	Schickhardt	Schickhardt's house	Kanzleistraße 17 / Hospitalstraße
134		Right corner mask, sandstone. For the left corner mask, see No. 99. No. 386 serves as the base.		R1	1596		Heinrich	Schickhardt	Schickhardt's house	Kanzleistraße 17 / Hospitalstraße
135		Oven stone with cooper guild mark.	Exit		1790 ~
136		Inscription stone.	Exit		1550 ~				Gasthof "Lamm", Bad Cannstatt
137		Door lintel "HGK 1765".	Exit		1765					Lazarettstrasse 14
138		Stone with cooper guild mark.	Exit		1822				House of Jakob and Eberhardine Fried. Construction of	Brunnenstrasse 1
139		Inscription.	Exit		1852		Joseph of	Egle	Catholic elementary school	Schlossstrasse 13
140		Keystone.	Exit		1737					Schulstrasse
141		Inscription.	Exit		?				Leonhardspfarrhaus	Rosenstrasse 28
142		Portal with shoemaker's guild mark and inscription "1764 FH", sandstone.		B3	1764				Russian cobbler house	Weinstrasse 3
142		Portal, cartouche with shoemaker's guild mark and inscription "1764 FH".		B3	1764				Russian cobbler house	Weinstrasse 3
143		Portal piece, sandstone.		B3	1471-1493				Hospital Church
144		Wimperg, sandstone.		B3	1471-1493				Hospital Church
145		Fragment of a pilaster strip with wall pieces, sandstone.		B3	1584-1593		George	Beer	New pleasure house
146		Bust of Gustav Jäger (wool hunter or soul hunter), marble.	Exit		?		Theodore	Bulk
147		Bust of the architect Adolf Gnauth , marble.	Exit		?			friend	Villa Siegle	Reinsburgstrasse 39
148		Horse group, cast zinc.	Exit		1804	1955–			Old town hall from 1905
149		Fragment of a column with foliage threads.		A2	1553-1570				Old castle
150		Roman half column.	Exit		200–				Roman fort, Bad Cannstatt
151		Cross stick with Pietà.	Overburden		1500+
152		Spring or Childhood , one of four round reliefs with allegories of the seasons or ages, sandstone.		R6	1865/1866		Bertel	Thorvaldsen	House of Heinrich von Rustige	Neckarstrasse 53
153		Summer or Youth , one of four round reliefs with allegories of the seasons or ages, sandstone.		R6	1865/1866		Bertel	Thorvaldsen	House of Heinrich von Rustige	Neckarstrasse 53
154		Autumn or Manhood , one of four round reliefs with allegories of the seasons or ages, sandstone.		R6	1865/1866		Bertel	Thorvaldsen	House of Heinrich von Rustige	Neckarstrasse 53
155		Winter or old age , one of four round reliefs with allegories of the seasons or ages, sandstone.		R6	1865/1866		Bertel	Thorvaldsen	House of Heinrich von Rustige	Neckarstrasse 53
156 from		Pedestal and Corinthian capital, sandstone.		A1	1584-1593		George	Beer	New pleasure house
157		Allegory of architecture , marble.		R4	1864		John	Cappeller , 1827-1883	Olga Fountain	Olgastraße 35 / Gaisburgstraße
158		Head of a wind god, sandstone.		A2	1700–
159		Fountain bowl (with Orpheus No. 160), limestone.		A2	1870 ~				Villa Siegle	Reinsburgstrasse 39
160		Orpheus, bronze.		A2	1927		Joseph	Zeitler	Art building
161		Relief with a female flute player.	Exit		1904		Emil	Epple, 1877-1948	Villa Siegle	Reinsburgstrasse 39
162		Horse relief, casting mortar with small pebbles.		B3	1900 ~
163		Tomb for the preacher and consistorial councilor Johann Christian von Storr (1712–1773) and his wife Euphrosine Margarete, née. Röslin († 1784), sandstone.		R1	1773				Hoppenlauffriedhof
164		Coat of arms stone with the inscription "CM 1687".	Exit		1687
165		Cellar stone with inscription, sandstone.		B1	1751					Jagdstrasse 9, Stuttgart-Münster
166		Schiller memorial plaque, bronze.	Exit		?				Watchmaker Krauss-Hettenbach's house	Eberhardstrasse 63
167		Bust of Queen Olga of Württemberg, marble.	Exit		1901		Adolf of	Donndorf		Olgastrasse 50
168		Portal of the oldest town hall and department store, sandstone.		C1	14xx				Haufler's house	Marketplace 5
169		Inscription stone, sandstone. At portal no.168.		C1	1725					Hirschstrasse
170		Coat of arms stone of the von Ostertag family, sandstone. At portal no.168.		C1	1900 ~ (?)
171		Wappenstein with Konstanzer and Nürtingen coats of arms, sandstone. At portal no.168.		C1	1600 ~				Uffkirchhof
172		Coat of arms stone of the Freiherrn von Palm, sandstone. At portal no.168.		C1	?				Palm Castle
173		Baptismal font, sandstone.		D2	1879 ~				Garrison Church
174		Stuttgardia , allegorical statue of the city of Stuttgart, bronze, from 1953-1968 in the Lapidarium.	Change of location		1905		Heinz	Fritz, 1873-1927	Old town hall from 1905
174		Stuttgardia , allegorical statue of the city of Stuttgart from the old town hall from 1905, bronze.	Change of location		1905		Heinz	Fritz, 1873-1927	New Town Hall (since 1968)
175		Bust of Otto von Bismarck , marble.		C1	1889		Adolf of	Donndorf	Wilhelmspalais
176		Bust of Helmut Graf von Moltke , marble.		D1	1889		Adolf of	Donndorf	Wilhelmspalais
177		Bust of Johann Heinrich Dannecker , marble.		D1	1888		serious	Curfeß, 1849-1896	New castle , rose garden
178		Base of the weather witch, sandstone.		D1	1584-1593		George	Beer	New pleasure house
178		Re no. 178: Weather witch.		D1	1584-1593	1935	George	Beer	New pleasure house
179		Bust of Freiherr Wilhelm von Spitzemberg , General of the Infantry (1825–1888), marble. Without sign.		R6	?
180		Gargoyles, sandstone.		D2	1905				Old town hall from 1905
180		Gargoyles, sandstone.		D2	1905				Old town hall from 1905
181		Bust of the builder Christian Friedrich von Leins , bronze.	Exit		1894		Karl of	Donndorf
182		Portal and window, sandstone.		D1	1480 ~				Old stone house
182		Portal and window, sandstone.		D1	1480 ~	1950			Old stone house
182		To no. 182: Old stone house.		D1	1480 ~	1935			Old stone house
183		Baptismal font.	Gaisburg Church		1584				Old Gaisburg Church
184		Ichthyosaurus from the Jura slate from Holzmaden.	Exit		1905				Old town hall from 1905
185		Wappenstein with two leopards.	Exit		1750 ~
186		Wappenstein with eagle and dove.	Exit		1750 ~
187		Tomb of Dietrich von Weiler († 1507), 1493 Obervogt von Stuttgart, sandstone.		R2	1507				Hospital Church
187		Tomb of Dietrich von Weiler († 1507), 1493 Obervogt von Stuttgart, sandstone.		R2	1507	1945–			Hospital Church
187		Tomb of Dietrich von Weiler († 1507), 1493 Obervogt von Stuttgart, sandstone.		R2	1507	1945–			Hospital Church
188		Memorial plaque for the German Natural Scientists and Doctors' Day in Stuttgart in 1906 with plaques for Julius Robert von Mayer and Johannes Kepler , shell limestone and bronze.		R5	1906				Old town hall from 1905
189		Memorial plaque for Friedrich List , shell limestone and bronze.		B1	1905				Old town hall from 1905
190		Corbels with a bearded male head, sandstone.		R1	1600–				Gasthof "Zur Geis"	Geisstrasse 20
190		To no. 190: Economy "Zur Geis".		R1	1600–				Gasthof "Zur Geis"	Geisstrasse 20
191		Column pedestal, sandstone.		B1	1580				Old pleasure house
191		Millstone, sandstone.		B1	?				Old mill in mountain
192		Four-side relief with depictions of the Crucifixion, Descent from the Cross, Pietà (picture) and Resurrection, sandstone.		A2	1400–					Rathausstrasse 4, Stuttgart-Rohr
192		Four-side relief with depictions of the Crucifixion (picture), Descent from the Cross, Pietà and Resurrection, sandstone.		A2	1400–					Rathausstrasse 4, Stuttgart-Rohr
193		Three old market houses, relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
194		Police servant with troublemakers, relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
195		Police officer with clerk, relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
196		Three actuaries, relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
197		Engagement, relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
198		Wedding, relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
199		Stork, relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
200		Seven Swabians, relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
201		Two wine growers with crabs, relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
202		Buying a horse , relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
203		Farmer with a cow, relief.	depot		1905		Joseph	Zeitler	Old town hall from 1905
204		Chimney sweep, relief.	Exit		1905		Joseph	Zeitler	Old town hall from 1905
205		Police officer, relief.	Exit		1905		Joseph	Zeitler	Old town hall from 1905
206		Dragon with lamb, relief.	Exit		1905		Joseph	Zeitler	Old town hall from 1905
207		Relief plate corridor to the Mount of Olives , sandstone.		R6	1510		Hans	Seyffer , school	Old town hall from 1458
208		Boundary stone with the Stuttgarter Rössle from the Stuttgart-Sillenbuch boundary , sandstone.		C2	1805				Stuttgart-Sillenbuch , at the Ruhbank
209		Epitaph for the furrier guild master Leonhard Schlecker († 1600).	Exit		1600	1945–			Hospital Church
210		Grave monument for the ducal lawyer Johann von Königsbach (1478–1559), sandstone.		R2	1559				Hospital Church
211		Bust of Gustav von Siegle , bronze.	Exit		?		Adolf of	Donndorf
212		Fragment of the tombstone of Maria von Engelshofen geb. Thumb von Neuburg (1563–1594), sandstone.		R5	1594				Hospital Church
213		Fragment of the tomb for a daughter of the Württemberg State Minister Friedrich Emich Johann Freiherr von Uexküll, sandstone. See also No. 89.		R5	1775				Hospital Church
214		Keystone with the initials of the café animal and councilor Heinrich Zacharias Glaser (metal letters). See also No. 90	Exit		1793		Reinhard Ferdinand Heinrich	Fisherman	Inn "King of England"	Dorotheenstrasse 2
215			Unknown
216		Grave monument of Anna Heller of Tübingen († 1569) and Sebastian Ebinger of Tübingen († 1575), sandstone.		R5	1569/1575	1945–			Hospital Church
217		Rape of Proserpine, marble.		D4	1881		Ludwig von	Hofer	Crown Prince Palace
218-221			Unknown
222		Portal, sandstone		C2	1626		Kaspar	Kretzmaier	Hoppenlauffriedhof
223-230			Unknown
231		Lower part of the tomb of Duke Manfred von Württemberg-Weiltingen (1626–1662), sandstone.		R6	1662				Collegiate church
232			Unknown
233		Fragment of a relief from the war memorial for the fallen soldiers of the collegiate church in the First World War , sandstone.		R6	1923		Theodore	Bulk	Collegiate church
234-240			Unknown
241 242 244		Window framing, sandstone.		C1	1740 (?)		Reinhard Ferdinand Heinrich	Fisherman	High Charles School
243		Triangular gable, sandstone		C1	1740 (?)		Reinhard Ferdinand Heinrich	Fisherman	High Charles School
245-246			Unknown
247		Fragment of the tomb of Countess Anna Amalia von Stolberg († 1661), sandstone.		R6	1661				Collegiate church
248		Caryatid in the shape of a herm, sandstone. See also no.249.		R6	1810 ~				New castle , rose garden
249		Caryatid in the shape of a herm, sandstone. See also no.248.		R6	1810 ~				New castle , rose garden
250-251		Two pillars, sandstone.		C2	1810 ~				New castle , rose garden
252-253			Unknown
254		Luna or moon goddess , marble.		R3	1899		Adolf	Hildebrand	Villa Siegle	Reinsburgstrasse 39
255		Bust of Marta Kopf (* 1871), the artist's daughter, marble.		R3	1889		Joseph of	head
256		Sleeping Diana , marble.		D4	1913		Emil	Epple, 1877-1948	Villa Gemmingen-Hornberg	Mörikestrasse 12
257-258		Two large round supports (outside), cast iron.		R7	1850 ~		Ludwig von	Zanth	Wilhelma , Moorish ballroom
259-260		Two small round supports (inside), cast iron.		R7	1850 ~		Ludwig von	Zanth	Wilhelma , Moorish ballroom
261		Frieze, sandstone.		R6	1850 ~		Ludwig	Friedrich Gaab	Crown Prince Palace
262		Frieze, sandstone.		R6	1850 ~		Ludwig	Friedrich Gaab	Crown Prince Palace
263		Frieze, sandstone.		R6	1850 ~		Ludwig	Friedrich Gaab	Crown Prince Palace
264		Frieze, sandstone.		R6	1850 ~		Ludwig	Friedrich Gaab	Crown Prince Palace
265		Frieze, sandstone.		R6	1850 ~		Ludwig	Friedrich Gaab	Crown Prince Palace
266			Unknown
267		Capital with acanthus leaves, sandstone.		R6	1850 ~		Ludwig	Friedrich Gaab	Crown Prince Palace
268		Capital with acanthus leaves, sandstone.		R6	1850 ~		Ludwig	Friedrich Gaab	Crown Prince Palace
269		Window, sandstone, from the front.		D1	1850 ~		Ludwig	Friedrich Gaab	Crown Prince Palace
269		Window, sandstone, from behind.		D1	1850 ~		Ludwig	Friedrich Gaab	Crown Prince Palace
270		Flora , marble.		R4	1908		Karl	Gabriel, 1879-1915	Weissenburg Villa	Hohenheimer Strasse 119
271		Pan with flute , marble.		R4	1908		Karl	Gabriel, 1879-1915	Weissenburg Villa	Hohenheimer Strasse 119
272-273		One of two lions, cast iron.		C2-D2	1913				Weissenburg Villa	Hohenheimer Strasse 119
272-273		Two lions, cast iron.		C2-D2	1913				Weissenburg Villa	Hohenheimer Strasse 119
274		Trophy figure, sandstone.		C3	1807		Nikolaus Friedrich von	Thouret	King's Gate
275-278			Unknown
279		Weathercock, copper.		C2	1900 ~		G.	Carpenter, court bottler		Eberhardstrasse 55
280 a		Young girl with a wreath from the Schiedmayer grave, marble.		A1	1893		Georg Emil	Rheineck, 1848-1916	Prague cemetery
280 b		Young girl with urn from the Schiedmayer grave, marble.		A1	1893		Georg Emil	Rheineck, 1848-1916	Prague cemetery
281-283			Unknown
284-285		Two round supports, iron.		R7	1900 ~					Eberhardstrasse 55
286			Unknown
287		Column, sandstone, from 1845 at Villa Berg .		C3	1600 ~				House of Lords
288 from		Lintel with angel's head and window ledge, sandstone.		C2	1740 ~				High Charles School
289		Weingärtner, sandstone.		R6	1902		Emil	Kiemlen , model	Urban fountain
289		Weingärtner, sandstone.		R6	1902		Richard	Schönfeld, stonemason, execution	Urban fountain
290			Unknown
291		Stones with stonemason's mark.	Overburden		1600				Schillerplatz, well room
292 from		Two gate leaves, iron.		R7	1840 ~				Rosenstein Park
293 from		Two gate leaves, iron.		R7	1840 ~				Palm Castle
294-302			Unknown
303		Door surround, sandstone.		D2	14xx				Weberstrasse 90
304		Death genius from the grave of Theodor Harpprecht and Heinrich Harpprecht (1836–1888), bronze.		C3	1885/1888		A.	summer	Prague cemetery
305 from		Load beam bracket and part of a pilaster capital, sandstone.		R6	1584-1593		George	Beer	New pleasure house
305 cd		Load carrier bracket and deer bracket, sandstone.		R6	1584-1593		George	Beer	New pleasure house
306		Mourners from the artist's grave, Unterberger marble.		D2	1906		Karl	Scharrath, 1870-1907	Prague cemetery
307		Bear guide , sandstone / metal, the bear was stolen.		R6	1909		Joseph	Zeitler	Geißstrasse
308 a		Corbels with a man's head, sandstone. Counterpart to No. 308 b.		R6	1700–					Austraße 51, Stuttgart-Münster
308 b		Cantilever with lion-like mask, sandstone. Counterpart to No. 308 a.		R6	1700–					Austraße 51, Stuttgart-Münster
309			Unknown
310 from		Two consoles with bearded male heads, sandstone.		R6	1850 ~ (?)					Eberhardstrasse 55
310 from		Two consoles with a bearded male head, sandstone.		R6	1850 ~ (?)					Eberhardstrasse 55
310 cd		Two consoles with eagles, sandstone.		R6	1850 ~ (?)					Eberhardstrasse 55
310 e- f		Two stones with leaf capital, sandstone.		R6	1850 ~ (?)					Eberhardstrasse 55
311		Crowning, sandstone.		R6	17xx (?)
312			Unknown
313		Funerary angel from an unknown grave, bronze.		D3	1893		Jacob	Ungerer , model	Prague cemetery
313		Funerary angel from an unknown grave, bronze.		D3	1893		Paul	Stotz , cast	Prague cemetery
314-373			Unknown
374		Fragment of an Ionic capital, sandstone.		R5
375		Column of the original garden inventory, limestone. See also no.376.		B1	1905 ~				Villa Ostertag-Siegle	Mörikestrasse 24
376		Column of the original garden inventory, limestone. See also No. 375.		B2	1905 ~				Villa Ostertag-Siegle	Mörikestrasse 24
377 ad		Four Ionic capitals, sandstone.		D4	?
378		Female head, terracotta.		A3	1905 ~ (?)				Villa Ostertag-Siegle (?)	Mörikestrasse 24
379		Female head, terracotta.		A3	1905 ~ (?)				Villa Ostertag-Siegle (?)	Mörikestrasse 24
380		Six stone blocks, sandstone. Without sign.		C1	?
381		Allegorical female figure, limestone.		R6	1892+		Georg Emil	Rheineck, 1848-1916	Villa Gaucher	Heilbronner Strasse 157/159
382		Inscription block "1868 LES FRUITS DU TRAVAIL 1893", sandstone.		D2	1893				Villa Gaucher	Heilbronner Strasse 157/159
383		Bell, bronze.		R6	1894		Heinrich	Kurtz, caster	Villa Gaucher	Heilbronner Strasse 157/159
384		Pedestal with rosette (below), marble.		R6	1910 ~
385			Unknown
386		Base, mortar casting. Serves as a base for no.134.		R1	?
387			Unknown
388 from		Entablature and capital, sandstone.		R6	?

Collection of antiquities

The following list shows the objects in the Antikensammlung. The information in the list is mainly based on #Wais 1954.1 , pages 131-147. If an object is mentioned or described in #Ronke 2006 , this is indicated.

→ Column legend and sorting

Legend

No. Inventory number. The inventory number is preceded by an A to identify the antique collection. status Departure: lost or in a magazine Unknown: nothing is known about the whereabouts. Year (obj.) Year of creation of the object. The signs -, + and ~ mean: before the year, after the year, around the year. Year (fig.) Year of creation of the illustration. Meaning of the signs -, + and ~ as above.

Sorting

Sort a column: click the symbol in the column header. Sort by another column: Hold down the Shift key and click the symbol .

No.	Illustration	description	status	plan	Year (obj.)	Year (fig.)
A001		Corner piece of a cornice with egg stick and tooth cut.			0300–
A002		Fragment of a small marble head: hair with ribbon and remnants of curls.			0300–
A003		Fragment of a grave inscription plate for Marcus Vipius Anthimus.			0300–
A004		Fragment of a colossal statue: finger with apple and leaves.			0300–
A005		Fragment of a marble frieze with palmettes.			0300–
A006		Tablet from a burial niche with the inscription "CAECILIA" ...			0300–
A007		Fragment of a barrier with braided ribbons.			0300–
A008		Inscription plaque from the tomb of Helico.			0300–
A009		Fragment: frieze with leaf stick.			0300–
A010		Fragment of a male statuette: torso from the hips and without feet.			0300–
A011		Fragment of a grave inscription plate with the inscription "DM / AGATA NIGAE" ...			0300–
A012		Fragment of a frieze: bas-relief with rosette, tendrils and leaf sticks, see also No. A022.			0300–
A013		Fragment of a high relief: head with long beard and muscular torso.			0300–
A014		Fragment of an entablature with kyma and pearl rods.			0300–
A015		Fragment of a relief frieze with a reclining woman and cupid.			0300–
A016		Fragment of a lion's head.			0300–
A017		Fragment of a grave inscription tablet for Julia Auxesis.			0300–
A018		Two fragments of a multi-cranked entablature with leaf friezes, pearl rod, egg rod and tooth cut.			0300–
A019		Fragment of a frieze with tendrils and an egg stick.			0300–
A020		Fragment of a male statuette without a head or lower leg.			0300–
A021		Epitaph for Marcia Appolonia.			0300–
A022		Fragment of a frieze: bas-relief with rosette, tendrils and leaf bars, see also No. A012.			0300–
A023		Fragment of a high relief with winged curly hair and two swans.			0300–
A024		Grave inscription tablet "ANTISTIVS" ...			0300–
A025		Fragment of a statuette: seated man without head or feet.			0300–
A025		Fragment of a statuette: seated man without head or feet.			0300–
A026		Fragment of a frieze plate with continuous tendrils, white marble.			0300–
A027		Fragment of a pillar with beaded edges and flower reliefs, white marble.			0300–
A028		Fragment of the head of a colossal statue: forehead with curls, eyes and nose.			0300–
A029		Fragment of a high relief with three male figures in toga.			0300–
A030		Fragment of a component with four fluting.			0300–
A031		Fragment of a cornice with leaf friezes and a tooth cut.			0300–
A032		Fragment of a plate with a mask, terracotta.			0300–
A033		Fragment of an equestrian statuette: rider without lower leg and rear part of the horse.			0300–
A034		Fragment of a frieze with a cup of leaves and a rosette tendril.			0300–
A035		Fragment of a fluted Ionic column.			0300–
A036		Corner piece of an entablature with acanthus leaf, leaves and kyma.			0300–
A037		Fragment of a high relief with the life-size head of a warrior.			0300–
A038		Grave inscription plate "DM LARCIAE" ... with a portrait in relief of a boy.			0300–
A039		Inscription plate with the Greek inscription "PANTHER ALEXANDREUS PALAISTES" (Panther Alexandreus the wrestler).			0300–
A040		Four fragments of a barrier in cosmata work.			1400– (?)
A041		Heraldic shield divided into four parts with an eagle, three stars, a checkerboard pattern and two standing dogs.			1500 ~ (?)
A042		Fragment of a pilaster with tendrils.			0300–
A043		Fragment of a console with a bearded mask.			0300–
A044		Tabula ansata with the inscription “C. ARRENUS "...			0300–
A045		Fragment of a cornice with egg stick, tooth cut and kyma.			0300–
A046		Fragment of a high relief or a statue: half of the head of a life-size young man.			0300–
A047		Fragment of a high relief: female torso with one arm and vase (?).			0300–
A048		Grave inscription plate for Fromania, who died at the age of three.			0300–
A049		Fragment of a fluted column, red-spotted marble.			0300–
A050		Fragment of an eaves brick: legs of a griffin between tendrils and palmettes, terracotta.			0300–
A051		Grave inscription plate for Musa Clodia.			0300–
A052		Fragment of a large bowl (?) Made of multicolored, banded marble.			0300–
A053		Fragment of a high relief: female figure from the hip to the calves.			0300–
A054		Fragment of a fluted column, striped marble.			0300–
A055		Fragment of a frieze with a cup of leaves and a rosette tendril.			0300–
A056		Fragment of a fluted column.			0300–
A057		Fragment of a life-size statue: left forefoot with a garment hem.			0300–
A058		Fragment of a cornice with tendril, egg stick and kyma.			0300–
A059		Fragment of a life-size statue: hand that holds an object (bow of arrow?).			0300–
A060		Fragment of a plate with putti and festoon, tarracotta.			0300–
A061		Part of a life-size, bearded male head: lower lip, full beard and part of the mustache.			0300–
A062		Fragment of a plate with the coat of arms of the Borghese, above: eagle with outspread wings, below: bird.			0300–
A063		Fragment of a high relief: the head and upper body of a faun under an egg stick.			0300–
A064		Fragment of a sinuous fluted column, spotted marble.			0300–
A065		Fragment of a high relief: head? and upper body of an Amazon.			0300–
A066		Heraldic shield, above: three birds with outspread wings, below: two rosettes.			1500 ~ (?)
A067		Fragment of an inscription board with the inscription "ES FECIT SIBI" ...			0300–
A068		Fragment of a high relief: charioteer with quadriga.			0300–
A069		Fragment of a relief sarcophagus with a lion mask.			0300–
A070		Grave inscription plate for Lucius Lucretius Restitutus and Julius Inulanus.			0300–
A071		Fragment of a coffered ceiling with a large and a small rosette.			0300–
A072		Corinthian capital.			0300–
A073		Fragment of a high relief: the head and torso of a naked woman with a cloak.			0300–
A074		Fragment of a high relief: the head and torso of a naked, reclining woman with a cornucopia and a putto.			0300–
A075		Fragment of a relief: ship with helmsman.			0300–
A076		Fragment of a pilaster with tendrils, mask and heraldic shield.			1500 ~ (?)
A077		Fragment of a high relief: head and torso of a clothed woman.			0300–
A078		Edge of a fountain bowl (?), Outside vine tendril in high relief.	Exit		0300–
A079		Fragment of a plate with a female head, terracotta. The number 79 is not marked on the wall.			1500 ~ (?)
A080		Fragment of a parapet plate: Relief with a spherical bottle with a high cylindrical neck and a pointed rod.			0300–
A081		Fragment of a Corinthian capital.			0300–
A082		Fragment of a life-size statue: left hand with part of the forearm.			0300–
A083		Grave inscription plate for Tiberius Claudius Melius and Claudia Agatha Merida.			0300–
A084		Fragment of an entablature with egg rod and pearl rods.			0300–
A085		Corner piece of an entablature with tooth cut and egg stick.			0300–
A086		Fragment of a plate with a relief of a male mask, terracotta.			0300–
A087		Fragment of an entablature with tooth cut, pearl rod and tendril frieze.			0300–
A088		Fragment of a grave inscription plate for Claudia Aphrodisia.			0300–
A089		Fragment of a relief with two hippocampus riders.			0300–
A090		Fragment of a grave inscription plate with the inscription "II / SIBI ET C / UXORI O" ...			0300–
A091		Fragment of a pilaster (?) With a naked man without a head and a vase.			0300–
A092		Fragment of a round altar (?) With ornamental strips, woman's head, vase and the inscription “IP. P. EXSCI. IEIAIIIN ".			0300–
A093		Fragment of a console with intertwined braided ribbons and a pan on each side.			0300–
A093		Fragment of a console with intertwined braided bands and a pan on each side, left side.			0300–
A093		Fragment of a console with intertwined braided bands and a pan on each side, right side.			0300–
A094		Grave inscription plate for the freedmen Tyrannus and Arethusa.			0300–
A095		Frieze with rosettes and tendrils.			0300–
A096		Fragment of a life-size head: mouth with lower jaw and part of the left cheek.			0300–
A097		Grave inscription plate for Aelia Helias.			0300–
A098		Corner mask of a large gravestone.			0300–
A099		Fragment of a grave inscription plate with the inscription "ABINA FRATRI" ...			0300–
A100		Fragment of a plate with the mask of a Silenus, terracotta.			0300–
A101		Fragment of a pilaster with a leaf loop and lesbian kymatias.			0300–
A102		Fragment of a grave inscription plate with the inscription "DM / AVRELIA BADI CO" ...			0300–
A103		Tomb inscription plate for Pompeia Eutychia.			0300–
A104		Fragment of a vault rib.			1500 ~ (?)
A105		Small fragment that cannot be interpreted with certainty.			0300–
A106		Fragment of a cornice with a tooth cut and kyma.			0300–
A107		Acroter with palmette, mask and meander, terracotta.			0300–
A108		Gravestone slab with the inscription "DIS MAN / CNCRETARIO SOTERICO" ...			0300–
A109		Corner attachment emes altares (?) With ram's head and palmette, reddish striped marble.			0300–
A110		Fragment of a fluted column or pilaster, red spotted marble.			0300–
A111		Torso of a standing, bearded god with a wreath in his hair			0300–
A112		Fragment of a statue: bearded god without lower legs with fruit hanging around his shoulder.			0300–
A113		Fragment of an armored statue or trophy: right breast with strap.			0300–
A114		Grave inscription plate for Lucius Helvicius.			0300–
A115		Fragment of a high relief with two lizards, a bee, a kyma, an acanthus leaf and a tendril.			0300–
A116		Fragment of a round keystone (?) With a thick-cheeked child's head.			0300–
A117		Fragment of a statuette with a garment rich in folds.			0300–
A118		Plate from a barrier (?) With a griffin.			0300–
A119		Fragment of a relief: dancing maenad without lower legs.			0300–
A120		Torso of a naked man with a cloak.			0300–
A121		Fragment of a cornice with kyma and mask.			0300–
A122		Fragment of a high relief: upper part of a naked male torso without a head.			0300–
A123		Tabula ansata with grave inscription “T. MINIUS TL LAETUS "...			0300–
A124		Torso of a statuette: clothed female figure without head, forearms and lower legs.			0300–
A125		Fragment of a colored mosaic with crane, bouquet and vine.			0300–
A126		Head of a female statuette with a ribbon in her hair.			0300–
A127		Grave inscription for the four-year-old Januarius.			0300–
A128		Tabula ansata with epitaph for Julia Numenia.			0300–
A129		Children's head with an indefinable attachment to the right forehead.			0300–
A130		Corinthian capital volute.			0300–
A131		Fragment of a sarcophagus with a half-length medallion and a youth's torso.			0300–
A132		Fragment of a frieze with a bead and palmettes.			0300–
A133		Fragment of a high relief with a bearded male head.			0300–
A134		Fragment of a basin: relief with a bearded man with a cornucopia.			0300–
A135		Fragment of a life-size female head with parted wavy hair.			0300–
A136		Fragment of a high relief: upper part of the torso of a bearded, naked man.			0300–
A137		Fragment of a high relief: four men carrying a display stand (ferculum), marble.			0300–
A138		Fragment of an inscription plate with the inscription "COMPA / LIB LIBERT" ...			0300–
A139		Fragment of a frieze with a mask medallion, palmettes and egg stick, terracotta.			0300–
A140		Fragment of a grave inscription plate for Mantonius Clarus.			0300–
A141		Fragment of a cornice with kyma and palmette frieze.			0300–
A142		Corner block of an entablature with a hippocampus rider in the frieze.			0300–
A143		A fragment of a relief: clothed youth up to his knees and an upright torch entwined by a snake.			0300–
A144		Fragment of a column drum (?): Relief with the naked torso of a seated woman, who reaches for a reed stalk.			0300–
A145		Fragment of a marble vessel (?): High relief of a naked, hurrying man.			0300–
A146		Fragment of a frieze: flying cupids.			0300–
A147		Fragment of a relief sarcophagus: lion mask with a ring in its mouth.			0300–
A148		Fragment of a relief with a bearded old man and a young man, both without lower body.			0300–
A149		Tabula ansata with epitaph for Publius Pollius Phil.			0300–
A150		Fragment of a sarcophagus lid with a country banquet scene, marble.			0300–
A150		Fragment of a sarcophagus lid with a country banquet scene, marble.			0300–	1955–
A151		Fragment of a cornice with kyma and bead.			0300–
A152		Fragment of a high relief: two standing figures from the hips down, with a boy in between.			0300–
A153		Frieze plate with hollow leaves and kyma.			0300–
A154		Two fragments of a cornice with leaf rods and braided ribbons.			0300–
A155		A fragment of a relief: two clothed women up to their hips, one sitting, the other standing behind her.			0300–
A156		Fragment of a small cornice with an ink inscription “V. Nomentana / 26.6 / 03 “(from Via Nomentana in Rome).			0300–
A157		Corner mask from the top of a tombstone.			0300–
A158		Fragment of a Corinthian capital (?).			0300–
A159		Fragment of a grave inscription plate with the inscription "DIS M / LM IRI" ...			0300–
A160		Frieze or brick with mask, terracotta.			0300–
A161		Grave inscription plate with the inscription "CURTIA CL / CHELIDO".			0300–
A162		A fragment of a relief: the neck of a bird with a lion's head, which is gripped by a paw with claws from below.			1500 ~ (?)
A163		Acroter with palmette and egg stick, terracotta.			0300–
A164		Fragment of a frieze with a mask.			0300–
A165		Crowning of an inscription tablet or a relief: two volutes in foliage, crowned by a winged calyx figure.
A166		Fragment of a frieze with Kyma.			0300–
A167		Fragment of a cornice with kyma and a bulging frieze with a garland wrapped in ribbon.			0300–
A168		Fragment of a slightly curved entablature with a pearl rod, egg rod and kyma.			0300–
A169		Acroter or brick with mask, terracotta.			0300–
A170		Fragment of a double-sided relief, left side: a forearm embraces a body inclined to the right (?).			0300–
A170		Fragment of a double-sided relief, right side: remnants of a clothed woman, including a forearm holding something.			0300–
A171		Fragment of an Ionic capital.			0300–
A172		Gravestone for the seven year old Consia Augustina.			0300–
A173		Acroter with mask, terracotta.			0300–
A174		Fragment of a mosaic.			0300–
A175		Tabula ansata with grave inscription “CANACHE”.			0300–
A176		Fragment of a pilaster with tendrils and flowers.			0300–
A177		Fragment of a relief with a beardless male head.			0300–
A178		Fragment of a slightly curved frieze with tendrils.			0300–
A179		Fragment of a fluted Ionic column, gray, slightly spotted marble.			0300–
A180		Fragment of a fluted pilaster, greenish, grained marble.			0300–
A181		Fragment of an eaves brick with a dog's head over the opening, terracotta.			0300–
A182		Fragment of a curly pilaster decorated with palmettes.			0300–
A183-A193		Objects at #Wais 1954.1 , page 146, not identifiable or disposals.	?
A194		Three virgins in a dance, one with a tuft of ears, relief. About No. 59.		R3	?
A195		Three virgins in a dance, one with a jug, relief. About No. 66.		R4	?
A196		Triumphal procession of Dionysus with Ariadne on the panther team.		R4	1800+
A196		Triumphal procession of Dionysus with Ariadne on the panther team.		R4	1800+	1955–
A197		Maenad dance.		R5	0300–
A198		Gravestone for Verania Parascevis by Caius Fisius Pardalas.		R5	0300–
A199		Gravestone for Saturnina by Hermes.		R5	0300–
A200-A201		Identical to No. 375-376.
A202		Water carrier.	Exit		0300–	1955–
A203-A205		Objects at #Wais 1954.1 , page 147, not identifiable or disposals.	?
A206		Part of the grave urn of Heraclas, colored plaster cast.		R1	0100–
A207		Fragment of a frieze.		R1	0300–
A208		Slab with epitaph for Calvia Primigenia, sandstone.		A3	0300–
A209		Window-gazing relief, marble.		B3	0050–
A210		Dancing maenads with satyr and silenus, colored plaster cast.	Exit
A211		Dancing maenad, colored plaster cast.		B3	0300–
A212 A215		Two flower bowls with antique ornaments and four corner handles, marble.		A1-A2	?
A213 A214		Two flower bowls with antique ornaments and four corner masks, marble.		A1-A2	?

literature

Basic literature : #Schmid 2006 , #Wais 1954.1 ; #Weigele 1999 .

General

• Adrienne Braun: In the middle and outside. Stuttgart's quiet corners. Konstanz 2014, pages 17–24.
• Erich Haenel ; Heinrich Tscharmann : Albert Eitel, Stuttgart: dance hall in the house of Mr. C. Ostertag-Siegle, Stuttgart . In: Die Wohnung der Neuzeit , Leipzig 1908, pages 111-112, panel after 112.
• Walter von Hueck (main editor): Ostertag-Siegle . In: Adelslexikon, Volume 10: Of-Pra , Limburg an der Lahn 1999, pages 83-84.
• Steffen Jahn: "And lived days like in Rome" - Städtisches Lapidarium Stuttgart: The Stuttgart Chamber Orchestra plays , 1 DVD, approx. 25 minutes, Stuttgart 2006.
• Stuttgart, Municipal Lapidarium . In: Yearbook of the German Museums and Art History Institutes 1, 1959, page 280.
• Wolfgang Kress (editor): 50 years of the Stuttgart City Lapidarium: a garden full of charm and history. Stuttgart 2000.
• André Lambert ; Eduard Stahl : Handbuch der Architektur, fourth part, 10th half volume: Die Gartenarchitektur , 2nd edition, Leipzig 1910, page 67-68, Fig. 75-77.
• Hermann Lenz ; Günter Beysiegel (editor): Stuttgart: from 12 years of life in Stuttgart. Belser, Stuttgart 1983, pages 460-464.
• Died: Karl von Ostertag-Siegle . In: Schwäbischer Merkur No. 60 of March 11, 1924, page 5.
• Municipal Lapidarium [Stuttgart] . In: Württembergischer Museumsverband (publisher): Museums and collections in Württemberg and Hohenzollern , Stuttgart 1960, pages 72-73, image 92.
• Gustav Wais: Old Stuttgart buildings in the picture. 640 pictures, including 2 colored ones, with explanations of city history, architectural history and art history. Stuttgart 1951, reprint Frankfurt am Main 1977.

Lapidary collection

• Axel Klumpp, Juliane Weigele: Inventory of the municipal lapidarium , manuscript or database in the Stuttgart city archive (accessible).
• Manfred Schmid, Jutta Ronke: Städtisches Lapidarium, Museumführer , Stuttgart [2006].
• Stadtmuseum Stuttgart, Städtisches Lapidarium - Museum Guide , 2nd, corrected and supplemented edition, Silberburg-Verlag, Tübingen and Karlsruhe 2016, ISBN 978-3-8425-1358-7 .
• Harald Schukraft: Karlshöhe, Villa Gemmingen and Lapidarium . In: Elisabeth Szymczyk-Eggert: Gardens and Parks in Stuttgart , Stuttgart 1993, pp. 48–53.
• Richard Strobel: Preservation of monuments in the post-war period in Stuttgart . In: Minutes of the 114th meeting [of the working group for regional and local history in the Association of Württemberg History and Antiquity Associations] on November 20, 2009 in Stuttgart , Stuttgart 2009, pages 12-19, especially pages 15-16, online (PDF; 225 kB).
• Gustav Wais : Stone witnesses to Stuttgart's building history: for the opening of the Städtisches Lapidarium, Mörikestr. 24, July 8, 1950 . In: Stuttgart Official Gazette No. 27 of July 6, 1950.
• Gustav Wais: When stones speak . In: Württemberger Land. Monthly magazine for tourism, culture and economy from November 1951.
• Gustav Wais: Municipal Lapidarium (Mörikestraße 24) . In: Stuttgart's art and cultural monuments. 25 pictures with explanations of city history, building history and art history , Stuttgart [1954], pages 89-130, pictures 9-20, 22, 24.
• Gustav Wais: New Works of Art in the Lapidarium . In: Stuttgart Official Gazette No. 28 of July 14, 1955.
• Gustav Wais: Stuttgart before the destruction. 134 pictures with explanations of city history, building history and art history , Stuttgart 1959, Fig. 133.
• Juliane Weigele, Anja Stangl: The municipal lapidarium in Stuttgart . In: Preservation of monuments in Baden-Württemberg 28, 1999, pages 143-150 ( digitized version ).

Individual objects

• Gustav Wais: Johannes Reuchlin, 34 years loyal citizen of the capital. City apartment and country house of Reuchlin. The grave slab in the Leonhardskirche . In: Stuttgarter Zeitung 1955, No. 41, page 12.
• Gustav Wais: The St. Leonhard Church and the Hospital Church in Stuttgart: a representation of the two Gothic churches with explanations of architectural and art history , Stuttgart 1956, text and panels No. 34-35, 74, 76-80, 85-86, 90, 92-101.
• Walter Weber: The fate of an image in the lapidarium [Benckendorff's grave chapel] . In: Official Gazette of the City of Stuttgart 1953, No. 7, pages 5-6.
• Jutta Assel, Georg Jäger: Bertel Thorvaldsen. The four seasons , Munich 2009, online [4] .
• Michael Kienzle, Bernd Langner, Herbert Medek, Kai Loges (photography): Staged happiness. The renewed Stuttgart old town 1909. Stuttgart 2009, page 33.
• Christian von Holst : Johann Heinrich Dannecker, Part 1: The Sculptor , Stuttgart 1987.
• Patricia Peschel: The Stuttgart court sculptor Johann Ludwig von Hofer (1801–1887). Work monograph , Stuttgart 2009, catalog no.14.1, 15, 20, 25, 27, 48.
• Inge Petzold (text), Christel Danzer (photos): Water for utility and ornament. Stuttgart fountain and water features. Motives, design, history, fortunes. Stuttgart 1989, page 94.
• Harald Schukraft: Stuttgart - a lost cityscape , Stuttgart 1995, page 56 (allegory of the "architecture" from the Olga fountain).
• Gustav Wais: Jean Paul, Hauff and Ludwig Börne dined here. Something from the history of a famous Stuttgart inn ["King of England"] . In: Stuttgarter Zeitung 1952, No. 291, page 12.

Collection of antiquities

• Oskar Paret : The antique collection of the municipal lapidarium . In: Official Gazette of the City of Stuttgart 1950, No. 29, page 3.
• Jutta Ronke: The “antique wall” of the municipal lapidarium in the garden of the Villa Ostertag-Siegle in the south of Stuttgart . In: #Schmid 2006 , pages 16-37.
• Gustav Wais : Collection of antiquities of the municipal lapidary . In: Stuttgart's art and cultural monuments. 25 pictures with explanations of city history, building history and art history , Stuttgart [1954], pages 131-147, images 21, 23.

Roman lapidary

• G. Sixt: The Stuttgart [Roman] Lapidarium . In: State Gazette for Württemberg, special supplement 1896, pages 332–343.

Literary traces

• Julius Hartmann: "Chronicle of the city of Stuttgart. Six hundred years after the first memorable mention of the city (1286)", Stuttgart 1886, page 194 US proxy .
• Wilhelm Hauff : The beggar from the Pont des Arts . In: Morgenblatt für educated stands , Stuttgart 1826, different online version [5] .
• Wilhelm Hauff: Free hours at the window . In: Fantasias and sketches , Stuttgart 1828, pages 87-152 [6] .
• Eduard Mörike : Stuttgarter Hutzelmännlein , Stuttgart 1878 [7] .

swell

• Paul Sauer : Becoming a big city. Stuttgart between the founding of the Empire and the First World War 1871–1914 , Stuttgart 1988.
• Paul Sauer: 500 years of the Hospital Church , Stuttgart 1993.
• Harald Schukraft: Stuttgart after the Second World War - a new beginning in ruins . In: Karl Moersch, Reinhold Weber (editor): The time after the war: Cities in Reconstruction , Stuttgart 2008, pages 339-368. *Bernhard Sterra: Advisory Board of the “Headquarters for the Development of the City of Stuttgart” and Art Commission in the mirror of urban planning . In: Stuttgart city center under construction. Architecture and urban planning 1945 to 1960 , Stuttgart 1991, pages 210–213.
• Hermann Vietzen: Chronicle of the City of Stuttgart 1945-1948 , Stuttgart 1972.

Web links

Commons : Urban Lapidarium  - collection of images, videos and audio files

• The lapidarium on the Stuttgart City Museum website .

Individual evidence

1. ↑ Four bronze knight figures were attached to the four corner gables of the Old Town Hall in Stuttgart, built in 1905. They were removed when the town hall was rebuilt in 1951. Two are set up at the entrance of the municipal lapidarium, one is stored in the city ​​archive and one has perished ( #Wais 1954.1 , page 93, no. 1). Heinz Fritz (1873–1927) also created the figure of the Stuttgardia , which also comes from the old town hall and was attached to the new town hall after a stopover in the lapidarium (corner of Marktplatz and Hirschstraße).
2. ↑ #Sauer 1988 , page 45; #Schmid 2006 , pages 8-9; #Wais 1954.1 , page 90; # Weigele 1999 , pages 144-145. See also: Wikipedia article Eduard Pfeiffer , section Old Town Redevelopment Stuttgart .
3. ↑ #Wais 1951.1 , page 71.
4. ↑ #Sauer 1993 , page 71.
5. ↑ #Schmid 2006 , page 9.
6. ↑ His grave is in the Uff churchyard .
7. ↑ #Schmid 2006 , pages 8-9; #Schukraft 2008 , page 358; #Sterra 1991 ; # Vietzen 1972 , page 488; #Wais 1950 ; #Wais 1954.1 , page 91; # Weigele 1999 , pages 144-145.
8. ↑ In 1954 the following exhibits from the hospital church were on display in the new lapidarium: Nos. 14, 24, 26-27, 33, 38, 59, 77-78, 81, 83, 89, 92, 116, 143-144, 187, 209: 212-213.
9. ^ #Wais 1954.1 , page 90; # Weigele 1999 , pages 144-145.
10. ↑ #Wais 1950 .
11. ↑ #Schmid 2006 , pages 10-13; #Wais 1954.1 , pages 91-92; #Weigele 1999 , page 145.
12. ↑ The urban lapidarium - park and stone picture book on the website of the Stuttgart City Museum [1] ; Lapidarium (Stuttgart) Archived copy ( Memento of the original from April 4, 2013 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. . 
13. ↑ # Weigele 1999 .
14. ↑ #Schmid 2006 .
15. ↑ #Wais 1954.1 . The number 176 is missing from Wais' list, but it is included in the museum guide.
16. ↑ Some inventory numbers designate several objects that belong together. They are distinguished by an inventory number followed by lowercase letters, e.g. B. 132a, 132b.
17. ↑ #Schmid 2006 , page 13.
18. ↑ #Schmid 2006 , page 13; # Weigele 1999 , pages 147-149.
19. ↑ #Wais 1954.2
20. ↑ #Hauff 1828 .
21. ↑ #Wais 1954.1 , No. 142.
22. ↑ #Hartmann 1886 .
23. ↑ #Hauff 1826 .
24. ↑ # Mörike 1878 ; #Wais 1954.1 , No. 16.
25. ↑ #Wais 1954.1 , No. 11, 16, 28, plate 17.
26. ^ #Wais 1956 , page 65, plate 85.
27. ↑ #Schmid 2006 , page 18.
28. ↑ #Schmid 2006 , page 17.
29. ^ Villa Berg (works of art) .
30. ^ #Wais 1956 , p. 32, plate 35.
31. ↑ #Wais 1955.4 .
32. ^ Villa Berg (works of art) .
33. ^ Villa Berg (works of art) .
34. ↑ #Peschel 2009 , pp. 44-53, 212-215.
35. ↑ #Peschel 2009 , page 217 (?).
36. ^ Villa Berg (works of art) .
37. ↑ #Weber 1953 ; #Holst 1987 , pp. 401-40; Antikensammlung , No. 209.
38. ^ Villa Berg (works of art) .
39. ↑ # Peschel 2009 , pages 215-216; Villa Berg (works of art) .
40. ^ Villa Berg (works of art) .
41. ^ Original in the Thorvaldsen Museum: [2] .
42. ↑ #Peschel 2009 , pages 243-244; Villa Berg (works of art) .
43. ↑ #Peschel 2009 , pages 241-242; Villa Berg (works of art) .
44. ↑ The keystone "HZG 1793" mentioned in #Wais 1954.1 , page 112, is missing.
45. ↑ Commemorative plaque of the city of Stuttgart on the occasion of the 300th anniversary of the death of Heinrich Schickhardt in 1935.
46. ↑ #Peschel 2009 , pp. 219–221.
47. ↑ ^{a b} nos. 134 and 386 do not belong together.
48. ↑ #Assel 2009 .
49. ↑ #Schukraft 1995 , page 56.
50. ↑ # Peschel 2009 , pages 272–274.
51. ^ Unearthed in 1972.
52. ↑ ^{a b} Villa Berg (works of art) .
53. ↑ #Kienzle 2009 .
54. ↑ ^{a b} No. 375-376 are identical to No. A200-A201 of the Antikensammlung.
55. ↑ #Schmid 2006 , page 25.
56. ↑ #Schmid 2006 , page 27.
57. ↑ ^{a b} #Schmid 2006 , page 26.
58. ↑ #Schmid 2006 , page 31.
59. ↑ #Schmid 2006 , page 32.
60. ↑ #Schmid 2006 , pages 25, 29.
61. ↑ ^{a b} #Schmid 2006 , page 25, 32-33.
62. ↑ #Wais 1954.1 , page 146: “Relief in the walkway, left of the Benckendorff niche”. No. 62 was set up in the Benckendorff niche; today it is No. 255.
63. ↑ #Wais 1954.1 , page 146: “Relief in the walkway, to the right of the Benckendorff niche”. No. 62 was set up in the Benckendorff niche; today it is No. 255.
64. ↑ #Schmid 2006 , page 17. For the original in the Louvre see: Frédéric de Clarac: Description du Musée royal des antiques du Louvre , Paris 1830, p. 192 No. 489 ( digitized version ).
65. ↑ #Schmid 2006 , page 19.
66. ↑ #Schmid 2006 , pp. 18-19. - See also Lapidarium , No. 62.
67. ↑ According to #Wais 1954.1 , page 147: “to the right of the small entrance”.
68. ↑ ^{a b} The order in which objects A212-A215 are set up may vary.

Coordinates: 48 ° 46 '3.4 "  N , 9 ° 10' 4.6"  E