Woserin village church

Woserin village church, 2011

View from the east, 2011

Interior view before the restoration in 2011

The Protestant village church Woserin is an early Gothic stone church in the Woserin district of Borkow in the Ludwigslust-Parchim district in Mecklenburg-Western Pomerania . It belongs to the parish of Dabel in the Sternberg church region in the Wismar provost of the Evangelical Lutheran Church in Northern Germany (Northern Church) .

history

The village of Woserin and the church have belonged to the Dobbertiner nunnery since the granting of archdeaconate rights (also known as church ban) by the Schwerin Bishop Brunward on October 27, 1234 . With this document, the existence of the place Woserin was mentioned in writing for the first time. From 1237 there were also hoof ownership with the church property and the justice at Woseriner See . Around 1292 Detlev Wackerbart became a supporter of the Dobbertin monastery on its eight Woseriner Hufen. The von Woserin also ceded their property to the von Kramon in 1319 , who ten years later also acquired the patronage of the church and kept the property until the late 17th century. They also owned the neighboring estates in Borkow and Mustin .

Little is known about the clergy of the Middle Ages. During the visitation in 1541 Pastor Heinrich Monnich did not appear despite several invitations. The years after the Thirty Years' War were marked by great poverty. In 1698 the parsonage also seemed to have been in disrepair, because Pastor Detlof Josua Müller had neither floorboards nor the tiled stove in the kitchen and bedroom. Everything had been stolen by force.

Dobbertiner provisional and monastery captain Jobst Hinrich von Bülow

After 1670 the possessions passed to von Moltke and from 1696 they belonged to von Bülow with the later provisional and monastery captain Jobst Heinrich von Bülow in Dobbertin monastery. In 1761 the estate went to the von Pritzbuer family and from 1802 the ducal chamber took over the lands.

After the end of the Second World War , Pastor Dr. Ludwig Bohnen to the Oberkirchenrat in Schwerin: “The churches in Woserin, Gägelow and Dabel did not suffer from bombardment or otherwise. Vasa sacra and other inventory available. The cemeteries of Woserin and Gägelow are neglected, church property has not been lost. ”On December 20, 1945 Pastor Dr. Beans that five cooking and heating stations for refugees and resettlers, as those expelled from the lost eastern German territories were called, have been set up on the floor and in the side chambers of the rectory. "The fight against the terrible pollution has so far been unsuccessful due to the excessive occupancy of the house." On March 8, 1946 Pastor Dr. Beans in Güstrow from typhus . Presumably he had been infected in the Woserin rectory. Thereafter, Pastor Bohnen's widow reported ten severe Tyhus cases in the rectory and the last Yugoslav refugees were housed elsewhere by the police. For the repair of the roof of the desolate parish barn in 1950, no voucher for 200 square meters of roofing felt could be obtained. From 1953 the vacant pastor's position was administered from the Dobbertin monastery . On January 9, 1953, the pastor there, Kurt-Vollrat Peters, submitted an application to the responsible district authority for purchase tickets for two bicycle tires in order to ensure that the communities in Woserin and Borkow could be supplied.

According to the GDR's new monument preservation law of June 18, 1975, the village church of Woserin was also included in the Parchim district's list of monuments in 1977.

From 1983 there had been no more services in the Woserin church, since 1971 only two weddings have taken place and in 1983 the first baptism took place after eleven years. The last burial in the Woserin cemetery took place in 1979. In 1985 the parish Woserin with Hohenfelde, Borkow and Schlowe came to the church district of Wismar.

The former parsonage, which is still preserved today, was built in 1829, connected to the electrical network in 1953 and from 1980 it was used as a summer house by the writer Christa Wolf . Until 1979, the egg collection point and the post office were housed in the hall and on the veranda of the rectory.

Building history

The church of Woserin was built in two main medieval construction phases. First, the choir and nave were built as a self-contained unit, and only two centuries later the twenty-meter-high tower. The older part is one of the later buildings of the first generation of churches. The dendrochronological examination of the last surviving oak roof timbers, two slender wind panes for longitudinal reinforcement of the rafters , revealed the exact date of the fall year to 1278 (d). Since the timber was verifiably freshly used at that time, it can be assumed that the building was completed around 1279. The two gables were built immediately after the roof structure was erected, they were anchored to this and protect the roof from storms. After the roof had been covered with tiles , the two domical vaults in the choir and nave were immediately started in order to be able to continue working in the interior of the church.

As a short, single-bay hall church with a retracted choir, the Woserin sacred building from the 13th century is a rare type of building. Its sister churches around the same age in Gägelow , Ruchow or Witzin have, like most churches of the transition style, a two-bay nave or are designed as a simple hall. The simultaneous construction of the choir and nave speaks in favor of the planned facility, a unique case without comparison.

The church was originally planned without a tower. The Woseriner tower was not built until 200 years later, as the largely intact inner wooden framework was dated to 1478 (d). The tower was completed in 1479, but it did not get its current roof shape as a simple saddle roof until 1790, when extensive roof repairs were carried out. The carpenters renewed the found medieval roof structure as a cross-strut roof, as was used in the pre-Reformation period. At that time the tower probably had an eight-sided helmet over four gables, the so-called bishop's cap, as can still be found in neighboring Witzin and especially in northern Germany.

The Woseriner Church originally had four portals, of which only the western one is used today, the others were walled up in the 19th century at the latest. A medieval burglar protection is still on the inside of the tower portal. The two field stones embedded above the door arch were supposed to prevent the door leaves from being levered out.

In 1961 the church roof was leaking in some places and the entrance to the crypt on the north side was so badly dilapidated that the crypt had to be demolished. The November storm in 1975 tore a four square meter hole in the southern church roof behind the tower, which could not be repaired until 1975 by craftsmen from Dobbertin and Hohenfelde .

After the political change , the first security measures began in 1993 on the church, which was in danger of collapsing. Thanks to the personal commitment of members of the Dorfkirchen in Not association , especially the Schwerin architect Eva-Maria Hetzer and the monument conservator Sigrid Patellis from Munich, the first emergency supports for the roof on the south wall were made after donations. In 1994 there was a power connection to the church for the first time. In 1995 the entire roof structure of the nave was raised to replace the wall crowns , eaves beams and ailing rafter feet . With manual and financial help from the Hamburg company Lehmann and Voss, the security and renovation work on the nave and choir was completed in 1996. From November 1996, roof work on the church tower was carried out by the Sturbeck company from Wismar. The western triangular gable of the tower, which was built up around 1790, was demolished as early as 1996, because at 5.15 meters it was exactly 38 cm out of perpendicular and in danger of falling. After the securing work was completed, the newly manufactured ball for the weather valve on the roof of the choir was filled with coins and documents at the Tower Festival in 1999. Storms in the winter of 1999 to 2000 caused damage to the newly covered church roof, which was repaired in spring 2000.

In preparation for the internal renovation, preliminary restoration investigations began in 2000. The restorer Anette Seifert found wall paintings in the window arches of the former patron s lodge and restored them. In 2002 the exterior renovation continued on the north side with the walling up of the old north portal. In 2004 the Wismar company Stuhrbeck was able to renovate the south wall of the nave and in 2005 the floor was renewed with old brick tiles. From 2007, further preliminary restoration examinations were carried out on the interior wall painting and the vaults by the restorer Matthias Zahn from Groß Rogahn near Schwerin. Extensive paintings, both from the time it was built and from the time around 1600, could be proven. The main problem of the interior repainting will continue to be the removal of the heavy moisture and salt damage on the walls, which have severely damaged the surface paintings.

Building description

Exterior

The village church of Woserin is a compact field stone building with windows, portals and brick gables. A square, slightly wider nave is attached to the square choir. The early Gothic design of the choir and nave appears here in the form of the distinctive three-window groups. Three individual lancets are staggered under an overlay arch, a pre-form of the later three-lane pointed arch windows.

Deer with a cross in its antlers as a weather vane, 2011

It shows the staggering of the components of the choir , nave and tower , which is characteristic of the Romanesque , but with regard to the use of the pointed arch it can be classified as early Gothic . A retracted square stone tower with a gable roof and beaver canopy rises to the west . As a special feature of this church, a gold-plated stag with a cross in its antlers was placed on the tower roof in 1999 instead of a weathercock .

The church can only be entered via the west portal of the tower. The earlier entrances on both long walls and on the south wall of the choir are bricked up. The entrance portal has a Gothic ogival arch on the outside and a round arch on the inside. The reveals and the field above the arched lintel of the 1.80 meter wide entrance door are plastered. The pillar cover of the two subsequently added brick supporting pillars consists of plain tile roofing tiles. The foundations are made of field stone packing and the masonry of the tower shaft is essentially made of uncut granite - field stones are walled up in lime mortar. The building corners and sound hatch openings are made of bricks ( monastery format ). The two gable triangles are made of brickwork and plastered outside and inside with lime mortar.

The 19.60 m high church tower hides the older, previously completely unknown west gable of the nave. Today there are three monumental pointed arches at the same height on the upper floor, which are only separated from each other by filigree clover leaves. On both sides of the group of three there are two ascending pointed arches in the side gussets. The gable is also constructed in two zones, the base is a simple one, and a double sawtooth frieze follows over the dazzling group. These friezes were originally highlighted in white lime, as has been partially preserved. The middle panel is enlivened by a brick herringbone pattern.

The east gable of the nave shows a typical Romanesque motif with four ascending round arch friezes .

The eastern choir gable and the shaped stones of the windows as well as the modern extension for the former sacristy on the north side of the choir, used in the 18th century as von Bülow's grave chapel, were made of brick. The east gable is equipped with a double German band at the foot and above it with six narrow pointed arches of the same height and in the upper gable wrap with a diaphragm cross and another German band.

Interior

The interior is illuminated by ogival three-window groups in a strongly depressed round-arch cover; the eastern one is renewed. The ship and the choir is ever a gebustes closed cross vault with round bar ribs. A pointed triumphal arch forms the break between the nave and the choir. The interior decoration with blue vaults, red ribs and red brick painting dates from 1857. The medieval paintings with crabs underneath and a Renaissance version from around 1600 were partially exposed in 2001, including a scene with the birth of Christ and fruit pendants. The medieval furnishings were lost.

The neo-Gothic furnishings date from 1856. The chairs and the wooden baptism were made in the 19th century. There are detailed material and cost estimates for the altar and the pulpit from February 11, 1856, but the drawings and cracks mentioned therein are missing in the building files. The construction costs for the altar and pulpit amounted to 219 Taler 14 Schilling 6 Pfennig.

altar

The altar retable with the painting by Gaston Lenthe with a depiction of the crucifixion with Mary and John is included as the center in a delicate neo-Gothic wooden arcade, which forms an optical space in front of the east wall with the three window group.

Crucifixion painting

Altar painting, 2011

On August 17, 1856, Grand Duke Friedrich Franz II instructed his Lord Chamberlain von Plessen to settle the costs for the production of an altar painting in the church at Woserin from the Central cash desk.

The Schwerin court painter Gaston Lenthe was commissioned with the work. Gaston Lenthe was busy with the altarpiece for the monastery church in Dobbertin , which he delivered to the local monastery captain Otto Julius Freiherr von Maltzan in June 1857 . On July 16, 1857, Gaston Lenthe asked the administrative authority of the Grand Ducal Household in Schwerin for an advance payment for the Woserin altarpiece and delivered the preliminary drawing that is still in the State Museum in Schwerin. On September 28, 1857, Lenthe informed the Lord Chamberlain of Plessen that he had already delivered the altar painting to the church.

The Woseriner painting, created a little later, shows the figures in front of gold ground, as in the Dobbertiner monastery church. The gold background gives the altar a solemn shine and transports the figures into heavenly light. What is striking about both altars is that Lenthe always varied the theme of the crucifixion in his depiction. Christ bows his head towards his favorite disciple, John , who is under the cross . In Woserin, John Christ stands on the right, in Dobbertin on the other side. In addition, in Dobbertin Maria Magdalena kneels down on the trunk of the cross, which, like in Woserin, is fastened to the floor with wooden wedges. Further differences can be seen in the crucifixion. The Dobbertiner Christ is four-nailed, because a nail is driven through each of the parallel feet. In Woserin, on the other hand, it is three-nailed, because here the feet are on top of each other and are only attached to the support board with one nail.

epitaph

Epitaph, 2011

The sandstone epitaph for Christopher von Kramon, created at the end of the 16th century, in an architectural setting with rollers and fittings, is one of the oldest preserved pieces of furniture in the Woserin church. The middle section of the epitaph is occupied by the deceased's family kneeling in a praying posture under the crucified Christ, which has only been preserved in fragments. On the left two men kneel in contemporary armor with large ruffles, on the right three women. While the men kneel on the ground, a pillow is available for the women. The youngest of the three women does not wear a headscarf and is therefore not married. It is probably Christopher von Krammon with his son Reimer and his wife Dorothea von Below with their two daughters Ilse and Anna who are named in the inscription on the lower slope. This inscription says that “the noble and honorable Christopher Cramon was born in 1524 and married in 1551 the honorable and virtuous maiden Dorothea Below, with whom he lived for 41 years and fathered three children, as if there were a son Reimer and two daughters , Ilse and Anna Cramon. In 1592 at the age of 68 he fell asleep in God as a Christian. God be gracious to him. "

On the side in the middle field are the coats of arms of the married children of the deceased with their spouses: Reimer von Krammon (Cramon) and Margerit Linstha (Linstow) as well as Anne von Krammon and Jochim von Bülow. The arms of the Cramons is divided and shows left and crest half a wheel. The Biilow arms shows on the shield 14 balls. In the crest sits between buffalo horns of Bülow bird, a golden oriole or Goldammer . The chubby face in the middle medallion of the essay should be understood as purely ornamental, like the similar heads in the lower part. The fruit pendants in the ornament are symbols of life and transience.

The cleaning and restoration of the epitaph was carried out in 2010 by the restorer Christine Laubert from Dresden.

organ

Before 1850 the church did not have an organ , but three bells, of which the larger one, cast in 1499, had cracked. Pastor Wilhelm Hartmann proposed at the parish conference on December 18, 1850, to buy an organ from the proceeds of the sale of the cracked bell. But in 1853 it was cast by the Wismar court bell caster Hausbrandt.

In 1898 the Rostock organ builder Julius Ludwig Ernst Wilhelm Schwarz installed the first organ. The gallery also dates from that time . The organ had not been playable for years, the wooden parts were worm-eaten and were dismantled before the renovation began in 1994.

Today's organ (I / P / 7) in an older neo-Gothic case is a work by Wolfgang Nußbücker from 1995 with seven stops on one manual . The instrument, which has been transformed into a hunting organ , with its subsidiary registers provides musical surprises at the Woserin Hubertus Masses.

Manual C – g 3 Dumped 8th' Principal 4 ′ Forest flute 2 ′ Cornet III (from c 1 ) Fifth 1 1 ⁄ 3  ′

Pedal C – c 1 Sub-bass 16 ′

• Pedal coupler

Subsidiary register

• Cuckoo, duck call, birdsong, shot

Bells

The three bells hanging in the church tower today were cast from iron by Schilling in Apolda in 1956 . The smallest bell with the dove of the Holy Spirit as a symbol bears the inscription: “God's Spirit bears witness to our spirit that we are God's children.” The middle bell with the Lamb of God is adorned with the saying: “Christ has risen from the dead and became the first fruits under which they sleep. ”The symbol of the manger with the sign of the cross can be seen on the largest bell. The saying goes: "The word was made flesh and dwelt among us, and we saw his glory."

In 1857 the Woseriner church still had three medieval bells. The largest of the three bells from 1499 with a diameter of 0.95 m had cracked. The inscription read: "O rex glorie ihesu xpe veni cum pace anno domini 1499." Underneath was the bell-founder sign, a cross and two struts on the foot. The casting was done in 1853 by the bell founder Peter Martin Hausbrandt from Wimar. The two smaller bells, 0.73 m and 0.48 m in diameter, date from the first half of the 14th century, as indicated by the Gothic capital letters used for the inscriptions.

In the visitation protocol of 1653 a fourth bell was mentioned as a prayer bell above the choir. The three bronze bells were melted down during the First World War . Since they did not fit through the tower opening after being removed from the yoke, they were hammered on the tower and the bronze goods were thrown through the sound hatches. The Gutsbimmel served as a church bell until the three cast iron bells were purchased in 1956. On April 5, 2018, the church received three bronze bells from 1924 and 1957 from a de-dedicated Evangelical Church in Schwerte . On November 2nd, 2018, Udo Griwahn and his colleague Matthias Heitmann from Turmuhren- und Läuteanlagenbau Grimmen provided them with a rotary encoder and an outwardly inconspicuous linear drive similar to the Transrapid drive.

Pastors

Names and years indicate the verifiable mention as pastor.

• 1541– 0000Heinrich Monnich
• 1569–1587 Caspar Voigt
• 1588– 0000Joachim Duncker
• 1627–1659 Werner Caloander
• 1660–1674 Georg Philipp Spon, came from Bavaria.
• 1675–1688 Friedrich Sopanus, came from Silesia.
• 1690–1713 Detlov Josua Müller
• 1714–1757 Friedrich Passow
• 1758–1793 Detlov Friedrich Passow, son of the predecessor.
• 1796–1833 Friedrich Wilhelm Passow, son of the predecessor.
• 1834–1881 Wilhelm Peter Carl Hartmann, 1856 representation in Dobbertin.
• 1881–1898 Julius Paul Barnewitz
• 1898–1912 Gustav Hermann Christian Stolzenburg
• 1912– 0000Wilhelm Johannes Tilse
• 1931–1933 Gustav Stock
• 1933–1946 Dr. jur. Ludwig beans.
• 1946–1950 Reinhold Thulke.
• 1950–1953 Karl August Brand from Lohmen.
• 1951– 0000Kurt-Vollrath Peters from Dobbertin.
• 1982–2016 Hansherbert Lange

Parish

The parish of Woserin has been part of the Evangelical Lutheran parish of Dabel since December 1, 2003 with the districts of Borkow , Dabel with church, Gägelow with church , Hohenfelde , Holzendorf, Neu Pastin, Neu Woserin , Pastin, Rothen , Schlowe and Zülow . Today Woserin is a dormant pastorate.

literature

• Friedrich Schlie : The art and history monuments of the Grand Duchy of Mecklenburg-Schwerin. IV. Volume: The district court districts of Schwaan, Bützow, Sternberg, Güstrow, Krakow, Goldberg, Parchim, Lübz and Plau. Schwerin 1901. (Reprint 1993), ISBN 3-910179-08-8 , pp. 378-381.
• Gustav Willgeroth : The Mecklenburg-Schwerin Parishes since the Thirty Years' War. Wismar 1924.
• Franz Engel: German and Slavic influences in the Dobbertiner cultural landscape. Settlement geography and economic development of a Mecklenburg sand area. Kiel 1934.
• Burkhard Keuthe: Parchimer legends. Part II: Bruel - Crivitz - Sternberg. Parchim 1999, ISBN 3-932370-27-9 .
• ZEBI eV, START eV: Village and town churches in the Wismar-Schwerin parish. Bremen, Rostock 2001, ISBN 3-86108-753-7 pp. 56-57.
• Fred Beckendorff, Reinhard Schaugstat: The village, town and monastery churches in the Nossentiner-Schwinzer Heide nature park and its surroundings. (= From culture and science. Issue 3). Karow 2003, DNB 987487019 , pp. 70-72.
• Ingrid Lent: Gaston Lenthe. A Schwerin court painter. Schwerin 2012, ISBN 978-3-940207-33-3 .
• Georg Dehio : Handbook of the German art monuments. Mecklenburg-Western Pomerania. 2nd Edition. Deutscher Kunstverlag, Berlin / Munich 2016, ISBN 978-3-422-03128-9 , p. 784.
• Borkow municipality: 775 years of Woserin, 1234–2009. Borkow 2009.
• Tilo Schöfbeck, Detlev Witt: Building and art history of the church to Woserin. (= Dabeler Hefte. No. 6). 2009, OCLC 553884380 .
• Tilo Schöfbeck: Medieval churches between Trave and Peene. Berlin 2014, ISBN 978-3-86732-131-0 .

swell

Printed sources

• Mecklenburg record book (MUB)
• Mecklenburg Yearbooks (MJB)

Unprinted sources

• State Main Archive Schwerin (LHAS)
  • LHAS 1.5-4 / 3 documents Dobbertin monastery.
  • LHAS 3.2-3 / 1 Provincial Monastery / Monastery Office Dobbertin.
• State Church Archives Schwerin (LKAS)
  • OKR Schwein, Specialia, Dept. 2 Woserin Church and Parish Buildings and the Patrone's Liabilities to Cover the Costs, Volume 3. 1818–1955 No. 36.
  • LKA, Woserin Patronage Building File, Volume 2. Buildings on sacred buildings 1851–1938, No. 473.
• Dabel parish archive
  • Michael Voss: Church Woserin, art collection. 2004.
  • Matthias Zahn: Church of Woserin, preliminary restoration studies. 2007 documentation.
• State Office for Culture and Monument Preservation Mecklenburg-Western Pomerania (LAKD)
  • LAKD, archive, Woserin No. 0532.
  • LAKD, Monument Preservation Objective Church Woserin from February 28, 1997.

Web links

Commons : Dorfkirche Woserin  - Collection of images, videos and audio files

• Literature about the village church Woserin in the state bibliography MV
• Website of the parish of Dabel on Nordkirche.de

Individual evidence

1. ↑ MUB I. (1863) No. 469.
2. ↑ MUB III. (1865) No. 2247.
3. ↑ Gustav Willgeroth: Woserin, prepos. Sternberg 1924, p. 1333.
4. ↑ LHAS 3.2-3 / 1 Landeskloster / Klosteramt Dobbertin. No. 4600.
5. ↑ LKA Schwerin, OKR, Church and Parish Buildings and the Commitment of Patrons to cover these costs 1818–1965, Vol. 3. No. 36.
6. ↑ ^{a b c} Tilo Schöfbeck: architectural and art history of the church to Woserin. 2009, p. 7.
7. ↑ Horst Alsleben / Sabine Uhlig: The belfry was partially renewed. SVZ Sternberg August 1st, 1996.
8. ↑ Helmuth Reinke: The church must stay in the village. Ostseezeitung, 21./22. February 1998.
9. ↑ Eva-Maria Hetzer: Church to Woserin. Damage documentation. February 25, 1996.
10. ↑ Detlef Witt: The renovation of the church. 2009, p. 11.
11. ↑ Michael Beitin: Woserin's Renaissance art secured. SVZ Sternberg November 23, 2010.
12. ^ Friedrich Schlie: The church village Woserin. 1901, p. 379.
13. ↑ Horst Alsleben : Looked at the gable. SVZ Sternberg August 1st, 1996.
14. ↑ Tilo Schöfbeck: architectural and art history of the church to Woserin. 2009, p. 9.
15. ↑ Roswitha Spör: roof renovation and organ building. SVZ Sternberg July 5, 2001.
16. ↑ ^{a b} Georg Dehio: Woserin, Gem. Borkow. 2016, p. 784.
17. ^ Ingrid Lent: Gaston Lenthe. A Schwerin court painter. 2012, p. 174. Altar painting, oil on canvas, signed with full name and dated 1857, 224 × 91 cm.
18. ↑ Detleff Witt: Gaston Lenthes' painting of the crucifixion from 1857. 2009, p. 21.
19. ↑ ^{a b c} LKA Schwerin: Woserin patronage building file. Volume 2, Buildings on Religious Buildings 1851–1938, No. 473.
20. ^ State Museum Schwerin, Kupferstichkabinett, Inv. No. 2774 Hz.
21. ^ Ingrid Lent: Gaston Lenthe. A Schwerin court painter. 2012, pp. 70, 71.
22. ↑ Detleff Witt: Gaston Lenthe's painting of the crucifixion from 1857. 2009, p. 22.
23. ↑ The spelling of the family name on the epitaph varies between Cramon and Krammon.
24. ↑ Detlev Witt: The epitaph for Christopher Cramon from 1579. 2009. P. 23.
25. ↑ Detlev Witt: The epitaph for Christopher Cramon from 1579. 2009, p. 25.
26. ↑ Michael Beitin: Woserin's Renaissance art secured. SVZ Sternberg, November 23, 2010.
27. ↑ Information about the organ on the website of the Malchow Organ Museum. Retrieved January 25, 2018 . 
28. ^ Wilhelm Gottlieb Beyer: The bells of the church to Woserin. In: Mecklenburgische Jahrbücher. Volume 22, 1857, pp. 325-327.
29. ↑ Claus Peter: The bells of the Wismar churches and their history. 2016, p. 220.
30. ↑ Fred Beckendorff / Reinhard Schaugstat: Woserin. 2003, p. 71.
31. ^ Roland Güttler: Obtaining bells in the Woseriner church. SVZ Sternberg-Bruel-Warin, April 9, 2018.
32. ↑ Roland Güttler: Woserin: The most modern technology in the bell tower. SVZ Sternberg - Bruel - Warin, 3rd November 2018.
33. ^ Gustav Willgeroth: The Mecklenburg-Schwerin Parish since the Thirty Years' War. 1924.
34. ^ Friedrich Schlie: The church village Woserin. 1901.
35. ↑ died of typhus in Güstrow in 1946.
36. ↑ gave his first sermon in Woserin on May 5, 1946, and went to Zapel near Crivitz at the end of 1950.
37. ^ Horst Alsleben: List of the personalities of the Dobbertin monastery , Schwerin 2010–2013.

Coordinates: 53 ° 40 ′ 1 ″  N , 12 ° 0 ′ 14.4 ″  E