Gisela Uhlen
Gisela Uhlen (born May 16, 1919 in Leipzig , † January 16, 2007 in Cologne ; actually Gisela Friedlinde Schreck ) was a German actress , dancer and screenwriter . From 1936 she played in more than 60 films, 80 television plays and embodied over 100 stage roles.
life and work
Gisela Friedlinde Schreck was born in Leipzig in 1919 as the fourth child of the spirits manufacturer and opera singer Augustin Schreck and his wife Luise Frieda . The cabaret artist and silent film star Max Schreck , known from Friedrich Wilhelm Murnau 's classic silent film Nosferatu - A Symphony of Horror , was her uncle. As a five year old she attended the Mary Wigman Dance School for modern expressive dance at the Leipzig Conservatory . At the age of eleven she ran away from home and reached Hamburg from Leipzig . She later learned classical ballet and acrobatics . When she was around 15, she secretly performed in the Leipzig cabaret, thus building on the traditions of her uncle. During this time she decided to become an actress. She chose 'Gisela Uhlen' as a pseudonym .
After completing her acting training with Lilly Ackermann (1891–1976) in Berlin , she made her debut in the UFA film Annemarie in 1936 , where she played the leading role as organist . She had great success with her first films and quickly became very popular. In the same year she made her debut at the Schauspielhaus Bochum , where she received an engagement under the artistic director Saladin Schmitt . Two years later Heinrich George brought the actress to the Berlin Schiller Theater . In the same year she played a French actress as Hendrickje Stoffel's muse in the film Tanz auf dem Vulkan . Increasingly she became a star of the UFA, embodied soldier brides, young naive women and already her first character roles. During the time of the National Socialist dictatorship , Gisela Uhlen also appeared in Nazi propaganda films several times . For example in the film Ohm Krüger . Here she acted as the main actor's daughter. In the same year she starred in the film The Rothschilds . However, her main area had been set since 1938 by her membership of the ensemble of the Berlin Schiller Theater. And in 1942 she played the painter's wife in the film Eternal Rembrandt .
After the Second World War , she also began writing scripts, but initially played mainly theater. In 1949, she and her third husband, director Hans Bertram (1906–1993), directed the film drama A Great Love , where she not only played the leading female role, but also worked on the script. The film fell through with audiences and critics alike. It was similar with the film A Lifetime , for which she wrote the screenplay. Regardless of this, she remained loyal to the theater and played in the following years on the stages in Berlin, Bochum , Frankfurt am Main , Hamburg, Munich and Stuttgart .
Due to a legal dispute with Bertram about the custody of their daughter Barbara, she fled to East Berlin in 1954 via Switzerland , where she performed at the Stadttheater Basel and the Schauspielhaus Zurich , on April 22, 1954 . Here she played at the Deutsches Theater , the Maxim-Gorki-Theater and the Berlin Volksbühne . She also became a film star at DEFA in Potsdam-Babelsberg . In her fifth marriage she was married to the DEFA director Herbert Ballmann , in whose film productions she played several times. In 1960 Uhlen returned to the Federal Republic, where she was again committed to the Schiller Theater by Boleslaw Barlog . In the 1960s she starred in three Edgar Wallace films, including The Door with the Seven Locks . The casting by Rainer Werner Fassbinder as mother in The Marriage of Maria Braun was quite successful in 1979 . For this role she received the Federal Film Prize in gold in 1979 . During this period she wrote her first memoir, which was published in 1978 under the title Mein Glashaus .
At the beginning of the 1980s she founded the "Wanderbühne Gisela Uhlen", where she acted with her daughter Susanne in the drama Ghosts . It achieved late popularity through the success of the television series Forsthaus Falkenau in the early 1990s. She was also a regular guest on crime series such as Derrick . In 1991 she caused a scandal in Zurich when she played the actor Oskar Werner (1922–1984) in one play . The following year she starred in Jaco van Dormael's (* 1953) film Toto, the Hero . In the following years, two more memoirs by Gisela Uhlen were published. At the end of 2005, she gave part of her private collection of photos, newspaper articles and film accessories to the Filmmuseum Potsdam for storage and use.
Gisela Uhlen was married six times. Her first marriage was with the ballet master Herbert Freund (1903–1988). Her second marriage was with the director Kurt Wessels. The third time she married the pilot and director Hans Bertram (1906-1993). Their daughter Barbara Bertram (* 1945) comes from this marriage with Bertram . In 1953 she married the actor Wolfgang Kieling (1924–1985) , her fourth marriage . On January 17, 1955, their second daughter Susanne Uhlen was born, who also started a career as an actress. Her fifth marriage led her to the director Herbert Ballmann (1924-2004), with whom she worked together on the TV series Das Traumschiff . And her last marriage was to the sound engineer Beat Hodel, who also divorced in 1985.
She recorded her life memories in three books. The first book, Mein Glashaus , was published in 1978, the second book, My Drug Is Life , was published in 1993, and finally the third book in 2002, Hugs and Revelations. Collages of a lifetime . For the last few years she has been living in seclusion in Cologne. She developed lung cancer and after a long illness Gisela Uhlen died on January 16, 2007 in Cologne. She was buried in the Melaten cemetery in Cologne (lit. D, between lit. V + W), in the immediate vicinity of Gunther Philipp , who had played her husband in films in the series Forsthaus Falkenau until his death.
Filmography (selection)
- 1936: Annemarie. The story of a young love
- 1938: flirtation and love
- 1938: Dance on the volcano
- 1939: man for man
- 1939: The last roll call (unfinished)
- 1939: I'll be arrested tomorrow
- 1940: Between Hamburg and Haiti
- 1940: imperfect love
- 1940: The Rothschilds
- 1941: Ohm Krüger
- 1942: Symphony of a Life
- 1942: Eternal Rembrandt
- 1942: Between heaven and earth
- 1942: fate
- 1942: June 5th
- 1943: The two sisters
- 1943: Symphony of a Life
- 1944: The magic violin
- 1945: The silent guest
- 1949: a great love
- 1950: The falling star
- 1951: The silent mouth
- 1952: Towers of Silence
- 1953: The smile of Gironada
- 1955: Robert Mayer - The doctor from Heilbronn
- 1956: Mirandolina
- 1956: The dream ship
- 1957: Mr. Lamberthier
- 1958: Emilia Galotti
- 1958: The trial is adjourned
- 1959: Ripening summer
- 1960: The Great Cophta
- 1960: At 17 you don't cry
- 1961: 1913
- 1961: Call to Passion (TV movie)
- 1961: biography and love
- 1961: The Little Foxes (TV movie)
- 1962: Isn't that all of us?
- 1962: The girl and the public prosecutor
- 1962: The gardener of Toulouse
- 1962: The door with the seven locks
- 1963: The Indian cloth
- 1963: uprising of the obedient
- 1963: Dr. Joanna Marlowe
- 1964: The Crime Museum - The Key (TV series)
- 1964: The man next door
- 1964: King Richard III.
- 1964: Eurydice
- 1964: Apollo Bellac
- 1964: The midnight mark
- 1965: Hotel of the dead guests
- 1965: Holidays with Piroschka
- 1965: Your own four walls
- 1966: Our Son Nicki (TV series)
- 1966: Closed society
- 1966: The hunchback from Soho
- 1967: The Panama scandal
- 1967: Death Chases After (TV three-part)
- 1967: The Crime Museum - Tea Roses (TV series)
- 1967: Police radio calls (TV series, episode two per thousand )
- 1968: The Crime Museum - The Tire Track (TV series)
- 1968: Lady Hamilton - Between shame and love
- 1969: The indoor battle
- 1969: Dr. med. Fabian - laughter is the best medicine
- 1970: The Commissioner - At the Last Minute (TV series)
- 1971: body wanted
- 1974: Three men in the snow
- 1975: Crime Scene - Reported as stolen
- 1975: To the bitter end
- 1975: The edelweiss king
- 1976: Tatort - Two Lives
- 1976: Lobster - Die!
- 1976: The clairvoyant
- 1977: Women in New York
- 1977: Police Inspection 1 - women people
- 1978: Derrick - (episode 51: Ute and Manuela)
- 1979: The marriage of Maria Braun (Fassbinder)
- 1980: Derrick - (Episode 71: The Decision)
- 1982: We did love each other once
- 1982: Master Eder and his Pumuckl
- 1983: The second woman
- 1986: The Old One - (Episode 109: Wrongly Connected)
- 1990: A Home for Animals (TV series, episode)
- 1990: Derrick - (Episode 194: Solo for four)
- 1991: Toto the hero (Toto le héros)
- 1992: Zurich - transit
- 1992–1995: The Country Doctor (3 episodes)
- 1996: Edgar Wallace - The Kensington Cat
- 1996: Inspector Rex - Under hypnosis
- 1997: The coup
- 1998: Edgar Wallace: The House of Dead Eyes
- 1998: Tatort - Iconoclasm
- 1989–2006: Falkenau Forestry House
- 2002: Edgar Wallace: The House of Dead Eyes
- 2002: SOKO Kitzbühel - Poacher (TV series)
Theater roles
- 1953: Minna von Barnhelm from Gotthold Ephraim Lessing
- 1957: Lysistrata after Aristophanes
- 1958: The Threepenny Opera by Bertolt Brecht
- 1962: The Little Foxes by Lillian Hellman
- 1964: The man next door from Norman Ginsbury
- 1964: A lifetime by William Saroyan
- 1966: A closed society of Jean-Paul Sartre
- 1969: The rooms Battle of Martin Walser
- 1972: Marriage of George Bernard Shaw
- 1974: The misunderstanding of Albert Camus
- 1976: Women in New York by Clare Booth
- 1977: Marie Tudor by Victor Hugo
- 1977: Who's Afraid of Virginia Woolf? by Edward Albee
- 1984: The visit of the old lady by Friedrich Dürrenmatt
- 1986: The madman of Chaillot by Jean Giraudoux
- 1990: Physicists by Friedrich Dürrenmatt
- 1992: The Glass Menagerie by Tennessee Williams
- 1993: Hedda Gabler by Henrik Ibsen
- 1997: Murder in the rectory of Agatha Christie
Radio plays
- 1957: Hans J. Rehfisch : Colonel Chabert (Diane) - Director: Hans Busse ( Radio of the GDR )
Fonts
- My glass house. Novel of a life. Bayreuth 1978 ISBN 3-7770-0178-3 .
- My drug is life. Weinheim, Berlin 1993 ISBN 3-88679-199-8 .
- Hugs and revelations. Collage of a life. 2002, ISBN 3-932529-33-2 .
literature
- Thomas Blubacher : Gisela Uhlen . In: Andreas Kotte (Ed.): Theater Lexikon der Schweiz . Volume 3, Chronos, Zurich 2005, ISBN 3-0340-0715-9 , p. 1982 f.
- Uhlen, Gisela (actually Gisela Friedelinde Schreck). In: C. Bernd Sucher (Ed.): Theater Lexikon. Authors, directors, actors, dramaturges, stage designers, critics. dtv, Munich 1999, ISBN 3-423-03322-3 , p. 720.
Web links
- Literature by and about Gisela Uhlen in the catalog of the German National Library
- Gisela Uhlen in the Internet Movie Database (English)
- Gisela Uhlen at filmportal.de (filmography incomplete)
- Pictures by Gisela Uhlen In: Virtual History
Individual evidence
- ↑ https://www.steffi-line.de/archiv_text/nost_filmdeutsch2/21u_uhlen.htm
- ↑ Die Welt , Immer Sie sich - On the death of actress Gisela Uhlen from January 16, 2007, accessed on March 4, 2017
- ↑ Biography about Gisela Uhlen, cinema archive at: https: www.kino.de/star/gisela-Uhlen/
- ↑ knerger.de: The grave of Gisela Uhlen
personal data | |
---|---|
SURNAME | Uhlen, Gisela |
ALTERNATIVE NAMES | Schreck, Gisela Friedlinde (maiden name) |
BRIEF DESCRIPTION | German actress |
DATE OF BIRTH | May 16, 1919 |
PLACE OF BIRTH | Leipzig |
DATE OF DEATH | January 16, 2007 |
Place of death | Cologne |