List of cinemas in the Reinickendorf district of Berlin

The list of cinemas in Berlin's Reinickendorf lists all the cinemas , in the Berlin district of Reinickendorf have existed or still exist. The districts as assigned in the 2001 district reform are included in the list: Borsigwalde , Frohnau , Heiligensee , Hermsdorf , Konradshöhe , Lübars , Märkisches Viertel , Reinickendorf , Tegel , Waidmannslust , Wittenau . The list was built according to information from research in the Kino-Wiki and linked to connections with Berlin's cinema history from further historical and current references. It reflects the status of the film screening facilities that have ever existed in Berlin as well as the situation in January 2020. According to this, there are 92 venues in Berlin, which means first place in Germany, followed by Munich (38), Hamburg (28), Dresden (18) as well as Cologne and Stuttgart (17 each). At the same time, this compilation is part of the lists of all Berlin cinemas .

introduction

“In the towns just outside Berlin, cinemas did not establish themselves as permanent establishments until 1910, but performances in restaurants etc. were offered here as well.” In Reinickendorf, there was a cinematograph theater with a hall of 100 seats as early as 1910. and 30 standing places. Paul Teichert showed the cinematographic performances at Nordbahnstraße 30 (owner: innkeeper C. Volkmar). This facility (presumably) closed again in the first half of 1913. In 1913 there was a slide show in Holländerstraße. In 1919 there was the cinema operated by Adolf Zahr at Gesellschaftstrasse 30, which in 1920 no longer existed. “In the years 1914–1917 there were apparently no permanent cinema facilities in Reinickendorf. One explanation for this could have been the war that was raging at that time. ”The 1919 Kino-Pharusplan includes the Reinickendorfer Eichborn-Lichtspiele in Birkenstraße, the Hermsdorfer Lichtbildtheater in Glienicker Straße 2 and the Tegeler Union-Theater in Hauptstraße 3 (also called Bahnhofstrasse 2), as well as the Universum-Theater-Lichtspiele in Provinzstrasse , which later belonged to Niederschönhausen .

The following overview is based on the district boundaries and their districts established with the district reform of 2001. Areas that used to belong to Reinickendorf are included in the corresponding cinema lists. The pre-sorting takes place according to current or last cinema names, previously used company names are added.

Cinematograph operators and cinema owners

The northern district emerged from communities of Barnim with surviving village structures and industrial settlements that were built around 1900. The Ala-Filmpalast was the first of the 30 theaters in the district in 1912 in the industrial areas around Alt-Reinickendorf. In 1922 it had to make way for an industrial building and was rebuilt in 1928 under the architectural direction of Max Feistl. Atlas and Astoria opened here, the second area was in Tegel with the Filmpalast, a shop cinema. After the formation of Greater Berlin, the Rex and the Palast were built in hall buildings on the Schäfersee and in the 1930s the cinema came to the outskirts. In the post-war years , new cinemas were built as shop cinemas. The first free-standing movie theater was Hans Bielenberg's TeLi in 1956 .

The number of cinemas in the district fluctuated, in 1961 it should have been 13 (according to the cinema program in the newspaper Nordberliner ), then came a turning point. The cinema crisis also hit the northern district. "Occasionally, former cinemas can still be recognized by their architectural forms - like the TeLi, in the building on the corner of Bernstorffstrasse and Buddestrasse there is a supermarket. Others are no longer recognizable, such as the former cinema at Residenzstrasse 142, which includes a restaurant. ”Even the Manhattan in the Märkisches Viertel did not survive.

The Berlin address books from 1910 to 1927 list the operators of cinematographic performances and cinema owners in the commercial section .

1912 in Reinickendorf: Paul Teichert, Nordbahnstraße 30
1913 in Reinickendorf: Aurel Zacharias, Birkenstrasse 63.64
1917 and 1918 for Tegel: Luise Joschek in Hauptstrasse 3 and Martha Zierke in Veitstrasse 10
1919 in Tegel: Marta Aronsheim in Veitstrasse 10, Luise Joschek, Hauptstrasse 3
1920 in Reinickendorf: P. König in Residenzstrasse 124, B. Kuhl in Schönholzer Weg 30, A. Zahr in Gesellschaftstrasse 30
1920 for Tegel: P. Handke in Schlieperstraße 76, F. Joschek in Hauptstraße 3, Marta Zierke in Veitstraße 10
1921 in Reinickendorf: W. Ebert in Auguste-Viktoria-Allee 40, F. Jahn in Eichbornstraße 34, F. Schmitz in Residenzstraße 124
1922 in Reinickendorf: B. Kuhl in Schönholzer Weg 30
1923 in Reinickendorf B. Kuhl, Schönholzer Weg 30
1923 in Tegel: F. Joschek, Hauptstrasse 3
1924 in Reinickendorf: F. Tessendorf, Auguste-Viktoria-Allee 40
1924 in Tegel: F. Joschek in Hauptstraße 3, Luise Joschek in Bahnhofstraße 2
1925 in Reinickendorf: B. Kuhl in Schönholzer Weg 30, G. Kusche in Scharnweberstraße 74, F. Tessendorf in Auguste-Viktoria-Allee 40
1926 in Reinickendorf: B. Kuhl, Schönholzer Weg 30
1927 in Hermsdorf: E. Scheuer and J. Lorenz in Glienicker Straße 2

Cinema list

Name / location	District, address	Duration	description
Ala movie palace ( Location )	Reinickendorf Scharnweberstrasse 67/68	1928-1943	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW In 1928 Jakob Reichert opened the Ala-Filmpalast with 600 seats in Reinickendorf-West at Scharnweberstraße 67/68 at the corner of Antonienstraße. There was daily play, the cinema had a stage 4 x 7 m and five people provided musical accompaniment for the silent films. In 1930 Siegfried Freudenheim became a co-owner and ran the business, and in 1931 Melorob had set it up for sound film playback; the band still consisted of four people. In 1932 Freudenheim became the sole operator. When Gertrud Schultze took over the cinema in 1934 and Fritz Sewitzkat led the performances, a mechanical music system was procured and the capacity was increased to 665 (from 1939: 677) seats. The Ala-Film-Palast is still listed in the Reichskinoe address book in 1943. The cinema building was destroyed in the war, which ended cinema operations. On the corner plot there is a renovated residential area.
Astoria Marvin-Lichtspiele Korso-Palast ( Location )	Reinickendorf Scharnweberstrasse 101-104	1926-1965	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW In 1926 the Marvin-Lichtspiele opened with 310 seats in the rooms of the Gastwirtschaft H. Baborowski, the former dance hall of the beer garden of the Berliner Schlossbrauerei. On the corner plot of Scharnweberstrasse 101-104 on Tegeler Weg (access to the shooting range, since 1953: Uranusweg), next to the defeat of the castle brewery, there was the Kroth chemical factory. There was a weekly market on the neighboring undeveloped plot of land 92-100, and to the south, on the site of the former shooting range, the “Am Tegeler Schießplatz” settlement. In 1928 von Plessen was the tenant of the Korso-Palast to the cinema owners Arthur Schwede and Georg Casper. As early as 1929 Reichert took over the Corso Palace [now with C-spelling]. The stage in the cinema was 4 m × 5 m and three musicians accompanied the silent films of the performances. At first, films were shown over four days, and from 1930 there were daily screenings. Jakob Reichert and Siegfried Freudenheim are registered as cinema owners in the 1930 cinema directory. From 1931 Freudenheim (address book 1932 Part I, p. 791: Kaufmann Siegfried Freudenheim, Tempelhof, Hohenzollerncorso 8 III.) Operated the cinema alone and from 1932 could also play sound films (Kinoton). The last entry in the address book followed in 1933: there was no cinema operation between 1934 and 1947. In the post-war period , cinema operations were resumed in 1948 with 464 seats by Eva Richter. In 1950 the company "Waldfried Barthel, Vereinigte Lichtspielbetriebe" owned the Astoria film theater , for which there was a theater and opera license. The stage was 11 mx 10 mx 18 m, there were two performances every day and three on Sunday. An Ernemann II projector , the Eurodyn sound film amplifier and a DIA device were available as cinema technology . "Since July 1, 1955, Mr. Erich Wolff has been the owner of the Astoria-Lichtspiele and Kleines Filmtheater." He had the cinema renovated by Leopold Ostrowski and Erich Birkholz. The former taproom was removed to the foyer and the existing stage for the widescreen presentation was removed, whereupon a CinemaScope with 4-channel magnetic sound was installed in 1956 . Image and sound systems for single-channel optical sound and SuperScope were available, the (new) projection apparatus was a Bauer B8B , and the possible image formats were 1: 2.35, 1: 2 and 1: 2.55. The facility had 534 seats, some with wooden folding chairs, some with upholstered chairs from Kamphöner. There were 15 performances and one youth performance every week. In keeping with the trend of the times, Erich Wolff stopped operating the Astoria film theater in 1965 for economic reasons. After the closure, an Albrecht supermarket moved into the hall. The former cinema building (no. 104) was demolished around 1978 in favor of roadside development 101-104 (apartment block with shop on the ground floor of house number 101).
Astra movie theater ( Location )	Wittenau Roedernallee 88/90	1955-1974	The property at Roedernallee 88-90 is located near the northern connection to Oranienburger Strasse and was used commercially. Around 1949, a three-storey residential building with a shop was built at number 89/90, access to the area beyond Zangenstrasse 55/61 was via number 88. In 1955 Georg Becker and William Oertel directed the Astra film theater in the hall at the rear of the building. The owners equipped the cinema with 654 seats and widescreen films. The CinemaScope picture and sound system in single-channel optical sound was projected onto the 1: 2.35 screen with an Askania AP 12 projector, sound film amplifiers and the "sounding slide" system supplemented the technology. Wegener's seating was flat upholstered armchairs. The game was played with two performances every day, plus youth / matinee and late night performances. In 1959, upholstered seating was added. The cinema was closed in 1974. The hall behind the house on the street front has been used by an event agency as a ballroom and partly by a social goods store since the 2010s.
Atlas-Filmtheater Eichborn-Lichtspiele, Viktoria ( Location )	Reinickendorf Eichborndamm 38	1917-1976	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW In 1918 Paul Krause set up a cinematograph theater in the restaurant of his house at Auguste-Viktoria-Allee 40 (corner of Eichbornstrasse 18/19). The cinema addressed under the name Eichborn-Lichtspiele , Eichbornstraße 18, so it is (probably) in this part of the building. The operator of the facility with 200 seats (136 seats and some box seats) was Paul Lippok. According to Paul Lippok, in 1919 the cafetier A. Caro, in 1920 the cinema owner W. Ebert and in 1921 the innkeepers F. Tessendorf and O. Wiechert are named for the guest rooms (corresponding to the Berlin address book for Reinickendorf) . In the following year (1922) Tessendorf is the owner of the cinema and Wiechert was called the porter. According to the cinema directory, the 300-seat cinema was used daily under the name Lichtspieltheater Reinickendorf — West in 1920/1921 and was owned by Eduard Gabriel and his projectionist Artur Caro. In 1923 F. Tessendorf (residing at Auguste-Victoria-Allee 40) took over the Lichtspiel-Theater. In 1927 Richard Schulze appeared as the new operator (with 224 seats). Played in the Eichborn cinema with 265 seats every day, silent films are accompanied by one to three musicians, the stage was 3 m × 6 m in size. For 1930 the house owners Clara Schulz is also responsible for the cinema. From 1931, sound film presentations could be carried out using sound film technology, and the musicians were replaced by mechanical music equipment. The 386-seat cinema was initially renamed Eboli (for Eichborn-Lichtspiele) in 1938 and then in 1939 by Clara Schulze as Viktoria-Lichtspiele , with Kurt Hinz as its projectionist and manager. In 1943 and 1945 the building was badly damaged by bombs . After Kurt Hinz rebuilt the cinema, the Viktoria-Filmtheater was soon able to reopen. Kurt and Klara Hinz were now named as owners, the number of seats fluctuated between 391 and 405. The game was played daily, and there were 15 performances a week. The demonstration technology consisted of the slide device, the Ernon IV demonstration device and the Euronette-Klarton amplifier . From 1957 the wide screen technology could be used and there were 17 performances per week. The Stuttgart model cinema seats from Schröder & Henzelmann were partially upholstered. The CinemaScope / one-channel optical sound system for 1: 2.35 playback was played with the existing Ernon IV, amplifiers were Uniphon K and speakers from Klangfilm. When Erich Müller took over the cinema in 1962, it was renamed Atlas-Filmtheater . In 1971 Walter Patze (Muskauer Straße 25) became the owner of the facility, which now had 308 places ready. The cinema is said to have existed until 1976. Then the cinema building and the corner house were demolished and a five-storey block of flats in closed construction (residential and commercial building) was built in their place.
Bali ( Location )	Reinickendorf Provinzstrasse 81	1953-1969	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The property on Provinzstrasse 81 was directly opposite the southern exit of the Schönholz S-Bahn station and the development on Nordbahnstrasse 22. This location was very suitable for setting up a border cinema . Herbert Klenner opened the Bali here in 1953 with 264 seats. Two performances were played every day. The name is an abbreviation of Ba hnhofs li chtspiele. The demonstration technology consisted of sounding slides , apparatus Askania and sound system sound film . The cinema projection area was 6 mx 1.5 m. In 1956 Herbert Klenner and Irmgard Kleiner enlarged the stage and expanded the cinema technology for wide films (format 1: 2.35, CinemaScope system with single-channel light sound), sounding slides, Nitzsche Matador projection machine , amplifiers and sound film speakers . On the simple folding cinema seats from Kamphöner, 31 performances and two matinee / late night performances were given on daily game days. The number of performances fell from 1959 to 24 per week, plus two late performances, and from 1961 onwards there were 14 performances. Inevitably, the number of visitors fell as a result of the building of the Wall in the summer of 1961 due to the absence of East Berliners. The Bali had to close first; cinema operations were resumed after a year (1966 Bali Lichtspiele, B 51, Provinzstrasse 81, Tel. 493481) and finally ended in 1969. The cinema no longer exists. At the beginning of the 1970s, the building situation and the course of the street on Nordbahnstraße were changed, instead of the demolished buildings there is a five-storey residential building on the property at Nordbahnstraße 22 as well as a green and parking area.
Beba light games ( Location )	Reinickendorf Residenzstrasse 124	1919-1971	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW In 1919 Paul Koenig opened the Linden-Lichtspiele with 175 seats at Residenzstrasse 124. The cinematographic performances took place in Reinickendorf Ost in the "Linden-Lichtspiele" in the guest rooms in the house of the innkeeper G. Sadau. 1921 was registered for Koenig's photography workshop and F. Schmitz as the owner of the cinema. The cinema address book 1920 names for the Linden-Lichtspiele Dr. Bock from Dahlem as owner and for 1921 Julius Schmitz. In the shop cinema with 195 seats (1920, 230 seats for 1921) there were daily shows with two program changes per week, and the silent films were accompanied by a three-man band. When Hans Rieger became the cinema owner in 1923, he initially entered 452 seats in the address book, but corrected it to 200 in 1925. The stated capacity fluctuates around this value for the following cinema owners of the Linden-Lichtspiele: 1927 Otto Koch, 1928: Elsa Scheidtmann. Gustav Hollinger as the owner in 1929 chose the name "Eden-Filmschau" which was retained by Carl Bauch in 1930. During the rapid change of ownership in 1931 Herbert Polke changed the name to “Beba-Palast” for the cinema theater with 186 seats; Adalbert Lieban also used this name in 1932/1933. In 1934, when Karl Prichert became the owner, he introduced sound film technology. In the war years and the post-war period , Ms. Meta Peter, geb. Schmidt, the owner of the cinema on Residenzstrasse. There was no significant war damage so the cinema was almost continuously used. Up until 1950 there were two performances a day, three on Sundays, and from 1952 three times a day. In the post-war years, the demonstrations were played with Hahn-Goerz equipment and sound film amplifiers, a slide device was available. In 1953 the demonstration device "Bauer B8a" with the amplifier "Dominar L" replaced the existing technology, which in 1957 enabled the conversion to wide screen. The picture and sound system in CinemaScope mot single-channel optical sound in a ratio of 1: 2.35 was played in the “BEBA-Lichtspiele” with partly upholstered seats and otherwise wooden folding armchairs for the 250 Kamphöner cinema seats. A late performance had been added and, since 1961, a weekly youth performance. The cinema remained in the possession of Meta Peter and changing projectionists until it closed in 1971. The former cinema hall with its entrance on the corner of the house on Amendestrasse was later used as a shop.
Camera ( Location )	Reinickendorf Ollenhauerstraße 73	1949-1962	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The camera light shows were set up in the post-war hall of the former Reimers inn in the depths of the property at Berliner Straße 73 (from 1964: Ollenhauerstraße). The location was not far from the Wittenau S- Bahn station (Kremmener Bahn). Kurt Basse opened the camera with 400 seats with the Kamera-Kinobetriebgesellschaft mbH in 1949. 1952 in the cinema address book in C notation: Camera. For 1953 the "Camera-Lichtspiele" are owned by Ms. Wilhelmine Stahn, they are run by Bruno Esbold (from 1955 by Ms. Hedwig Wendrich) with 383 seats. 16 performances will be played over seven days. There was a stage measuring 6 m × 4 m, for which there was also a theater license (from 1959 as an opera license). A Euro M projection device with a sounding slide was used for the film screening and a 25 KV St. amplifier for the sound reproduction. Folding seats and flat upholstered armchairs from Schröder & Henzelmann were used for the 383 seats. From 1957 the name of the cinema is again “Camera” and there are two Euro M projectors (right and left), the amplifier is from Uniphon. In 1959, the widescreen process 1: 1.85 was introduced when Brigitte Wassileff changed hands. Despite the change of ownership, Ms. Hedwig Wendrich stayed on site. At the time of cinema dying, the cinema was closed in 1962. After the cinema was closed, it served as a furniture store (Möbel Muth). The building is still used by a commercial enterprise.
Capitol Small Movie Theater Marina West-Lichtspiele ( Location )	Reinickendorf Scharnweberstrasse 33a	1937-1983	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW On May 14, 1937, Franz Schüßler opened the “West-Lichtspiele” at Scharnweberstrasse 33a at the corner of Hechelstrasse. There was daily play and cinema operations continued until the war year 1941. The partial building at Scharnweberstrasse 33 had been damaged and was cleared. The corner development at 33a7 Hechelstrasse 1 was probably undamaged. The small movie theater was rebuilt under the retained name of West-Lichtspiele in 1946 after the Second World War by Irma Joerger on the ground floor of the corner house with 236 seats. However, judging by the frequent changes in ownership, it never went particularly well. The name of the cinema was changed to “Marina” (242 seats) in 1949 - again at Scharnweberstraße 33a - when Franz Richter took over the business. In 1953, Waldfried Barthel ("Waldfried Barthel, Vereinigte Lichtspielbetriebe") continued the 222-seat cinema as the "Kleines Lichtspielhaus". For the daily performances (14 weekly performances) the technology consisted of the Klangfilm-Europa projection device (with slide) and Klangfilm-Junior amplifiers. "Astoria-Lichtspiele and Kleines Filmtheater, Reinickendorf: owner since July 1st, 1955 Mr. Erich Wolff." From Die Filmwoche 37/1955. In 1957 he made widescreen films possible (CinemaScope 1-channel optical sound) with an Ernemann II device, size ratio: 1: 1.85, upholstered folding chairs were partially purchased for the 218 seats and a late-night performance was recorded. In 1959 Sybille Wolnicki (probably in the meantime also Frieda Schramm) continued the cinema business, she held the theater, opera and variety concession. The name of the cinema was changed from Meta Peters to Capitol in 1967. Finally, around 1980, Lothar Mock continued the performances in the Capitol, whereby the capacity sank to 198, whereby it was finally - following the course of the time - still divided into two small cinemas. Finally, on “1. September 1983 Closure: Berlin, Capitol Reinickendorf, owner: Lothar Mock "(from: Das Filmtheater 4/83) The corner house Scharnweberstrasse 33 / 33a and Hechelstrasse 2 is integrated into the apartment block in a closed construction. The pictures from the early 1980s refer to the location of the cinema in the back of the sloping corner of the building under the protruding first floor with the current kebab meeting point.
Capitol Frohnau ( Location )	Frohnau Ludolfingerplatz 6	1939-1965	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW In 1939 the "Capitol" opened with around 600 seats in Frohnau. It was built in 1938 by Fritz Henschke based on a design by Kurt Nowak. The venue was located in Ludolfingerplatz 6, the central square in Frohnau, not far from the Frohnau S-Bahn station . The cinema had a stage so that other cultural events could also take place. The initial owner of the Capitol with its 595 seats and a stage of 6.8 m × 4 m was Kurt Wüstefeld. The hall capacity for 1940 is given as 640 seats. Since the war influences in the outskirts of Frohnau remained low, it survived the war without further damage. The film theater continued to operate in the post-war period . In the French sector - to which Frohnau belonged - the Controle des biens was accepted for 1949 and Werner Lücke was appointed managing director. “At the time of the renovation in 1949, the Capitol was under French administration. It is quite possible that the stage was installed at that time, the dimensions of which were given as 6 meters wide, 3½ meters high and 5 meters deep. In this context, contemporary sources report an extensive cultural program that was carried out in the Capitol. ”There were daily film screenings for visitors to the 645 seats. Merkur-Filmtheater GmbH from Mainz (Managing Director Werner Lücke) ran the cinema in 1950 with two to three shows a day. The stage size is entered as 6 m × 3 m and 4 m × 5 m. The playback of slides was possible, the device was an Ernemann VII B and the amplifier from AEG. In 1952 Helga Hedwig Lüthen (from 1953 married Hessel) took over the cinema (managing director Ernst Klawikofsky, in 1956 it became Klaus Oehlschlägel, from 1959 Walter Haenzler) with 14 performances a week on seven days. (Demonstration device Askania AP. XII, amplifier AEG. KV. 41). The stage was 2 m × 6 m; There were 17 performances per week, as well as one late night and one youth performance. In 1957 the wide screen was introduced. In addition to an Askania AP XII, there were amplifiers and loudspeakers from Telefunken and a screen with a size ratio of 1: 2.35 for the CinemaScope image and sound system with 1-channel optical sound. The Kamphöner seating had high and flat cushions. In 1961 the light source is named: pure coal. The cinema closed in 1965 in line with the trend towards film development. After the closure, a supermarket moved into the cinema. In 1979 the old cinema building was torn down and replaced by a commercial building with an underground car park.
Capitol ( Location )	Heiligensee, Bekassinenweg 24	1937-1961	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW On September 10, 1937, Hugo Ringel opened the "Capitol" in Heiligensee, the market square was on the opposite corner. The cinema building was at the corner of Bekassinenweg and Wildgansweg 30. In the 1935 address book, the properties on Bekassinenweg are not yet numbered, the Beck'sche Haus (on the following property 24) on the right-hand side of the street at the corner of Wildganssteig belongs to the innkeeper O. Beck. The cinema had 331 seats and a stage measuring 6.60 mx 4.50 m. It was played continuously every day. In the post-war years, 15 performances a week and since 1955 an additional two cultural evenings a month, as well as a youth and a late-night performance since the 1950s. The seating of the 350 seats (from 1955) was partly made by Otto & Zimmermann and Schröder & Henzelmann with high-upholstered folding armchairs. The device was an Ernemann III (also indicated IV and V), amplifier from Klangfilm, amplifiers and loudspeakers from Uniphon since the end of the 1950s and an AEG projection apparatus is indicated for 1960. CS 1 KL is listed as the image and sound system. The canvas was 1: 2.35 in size. The cinema building was used as a movie theater until 1960 and was retained until the early 1970s, and around 1980 it was replaced by a new supermarket.
Central light plays ( Location )	Tegel Brunowstrasse 47	1915-1921	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW In 1913, Joseph Koschinski gave cinematographic performances at Brunowstrasse 47. In the Berlin address book 1914 he is listed as a cinema-theater owner on the ground floor of this house, but his residence was Bahnhofstrasse 17. The "Central-Lichtspiele" are listed in the cinema address book for 1917–1921 at the address Brunowstrasse 47. An entry in the cinema address book is made according to the information provided by the owner. For the Tegeler Central-Lichtspiele with 120 seats for 1918 Martha Aronsheim from Veitstraße 10 and for 1920 with 150 seats in the cinema Paul Handtke from Schlieperstraße 76 are named. They played every day. For 1921 the entry for the Central Theater then reads “z. Currently closed ”and in 1922 operations were not resumed. The Berlin address book explicitly mentions the “Central-Lichtspiele” in the 17-party house of the Janic heirs in the years 1920–1922, which the Immanuel congregation of the Methodist Church probably followed from 1923 in the use of the rooms. Martha Zierke lived in the house Veitstrasse 10, first staircase, newly built by the municipality of Tegel. Paul Handke lived at Schlieperstrasse 76 in 1920 and then (probably) left Berlin_Tegel again. Veitstrasse, Schlieperstrasse and Brunowstrasse are the three parallel streets to the north of what was then the Borsig site.
Cinestar ( Location )	Tegel Am Borsigturm 2	since 1999	The Cinestar Tegel was opened on March 25, 1999 with nine halls and a total of 2318 seats. The multiplex was created as a new building in the halls at the Borsig tower on the former industrial site with the address Am Borsigturm 2. The overall planning of the Borsig hall renovation tendered in 1994 was won by Claude Vasconi & Partner, the ARGE Tillmann-Meyer responsible for the interior design. Steel pillars of the old industrial architecture are integrated into the building. Retail and offices were planned from the start. The Cinestar is operated by Greater Union Filmpalast GmbH. “An instant success was expected for this cinema, as there was only one cinema at all in this large district, which is largely inhabited by high-income people. Unfortunately, it took more than a year before the cinema was really well attended. Nobody had thought that it would take time for people to get used to the fact that there was a big cinema there, so that you didn't have to drive long into town, that is, at most every couple of weeks at the weekend to go to the cinema, if at all . But over time you discovered the cinema ... " In all nine halls there has been a projection suitable for 3D films with "Digital 3D HFR" and for the spatial tone Dolby Digital 5.1 . For rooms 1, 3, 6 and 8 there is a demonstration of 4K resolution . The interior architecture and design of the halls are different. The largest room 1 is held in red and offers 471 seats, divided into parquet and a box, with a screen size of 8.9 m × 20.5 m. Room 8 is smaller with 329 seats with a starry sky made of incandescent lamps and a 6.5 m × 16.6 m screen. Hall 3 and Hall 6 are mirror-inverted and are opposite each other with 315 seats, the screens are 6.6 m × 14.4 m and 6.1 m × 15.2 m in size. At the end of the foyer, hall 4 and 5 are structurally identical, each with 219 seats, opposite each other, screen size 5.7 m × 12.3 m, in hall 5 each 10 cm larger. The small halls have 151 seats (2 and 7) and room 9 has 148. Accordingly, the canvases are 5.8 m × 10.3 m; (Hall 2), × 10.7 m; (Hall 7) and Hall 9 with 5.8 m × 11.0 m. In terms of symmetry, hall 7 and hall 9, which are identical in construction, belong together, both without a film curtain in a 'black box' with slide projection.
Filmsck ( Location )	Reinickendorf Markstrasse 20	1952-1962	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW “In Berlin-Reinickendorf, at the corner of the lake and Markstrasse, a new movie theater, the“ Filmsck ”, has been opened. … Further new building projects: in Hermsdorf, Falkentaler Steig 2 (Otto Buckwitz) and in Berlin N. Provinzstrasse 81 (Herbert Klenner). ”In 1952, Dipl.-Ing. Heinz Conrad das Filmsck as a shop cinema with 181 seats in the corner rooms on the ground floor at Markstrasse 20. With standard equipment, sound film amplifier and sounding slide device, 16 presentations were given per week. The seating was unpadded folding seats from Kamphöner. In 1957, the Filmsck also switched to showing widescreen films. With the demonstration machine Erko IV right and left, amplifiers and sound film speakers, playback in CinemaScope / 1-channel optical sound with an aspect ratio of 1: 2.35 was possible. From 1959 the sound technology was changed by TeKaDe amplifiers and Isophon loudspeakers. In addition to three performances a day, there was a late night performance and a youth performance. The cinema was stopped by Heinz Conrad around 1960 and the rooms were used by restaurants.
Movie palace ( Location )	Tegel Grußdorfstrasse 2	1919-1966	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW “In 1919 it was built on Bahnhofstrasse . 2 (today Grußdorfstrasse 1/2) Tegel's largest and most modern cinema at the time. It had over 600 seats and was operated by Fritz Joschek. ”The entrance to the Filmpalast was at Bahnhofstrasse 2, the house belonged to Fritz Joschek. The cinema hall (with a projection room 15 m × 25 m floor space) was on the first floor at Buddestrasse 13. There were 635 seats for the audience, and there were two program changes a week in the cinema. The cinema had a stage of 7 m × 5 m. The number of seats is alternately entered by the owner in the cinema address book: in 1921 700 seats, from 1925 687 and for 1928 even 1200 seats, but from 1930 again 687 and 700, from 1940 then 670. In the large cinema, silent films were included by a group accompanied by ten musicians. In 1930, sound films were shown using a "universal apparatus of all systems". The musicians as a sound source are still registered until the mid-1930s. In 1937 the cinema was run by "Vereinigte Lichtspiele Tegel Wilhelm Werner" (CEO: Alfred Unger). In the post-war years (when the houses changed hands, Bahnhofstrasse 1/2 and Buddestrasse 13 form one piece of land, in 1961 Bahnhofstrasse was renamed Grußdorfstrasse. Bruno Gaebler and projectionist Walter Kiessling continued to make films with the Ernemann VII B sound film machine and Eurodyn in the preserved cinema building There was also a theater and opera concession for the 7 m × 5 m × 8 m stage.In 1956/1957 the wide screen image and sound system was introduced: CinemaScope 1-channel optical sound, 1: 2.35 . 683 flat and high upholstered armchairs from Otto & Zimmermann were available for the audience for the three daily performances and a weekly late performance, matinee performances initially every fortnight. The number of seats fell to 555 in 1962, there was no entry in the cinema directory in 1961. Eventually, operations ended in the Filmpalast 1966. On the facade on Buddestrasse above the discounter market, the three arched openings of the Filmplast can still be seen, brown bricked up d with indicated windows.
Film theater on Lake Tegel ( Location )	Konradshöhe Tegelort Scharfenberger Strasse 20/22	1947-1960	In the post-war period, the “Filmtheater am Tegeler See” with 300 seats was opened by the innkeeper Käte Krichelsdorff in the dance hall of the former restaurant “Strandhotel Tegelort”. In 1949 the Filmpalast Tegelort, Scharfenberger Straße 16, was shown directly on Lake Tegel. From 1953 there are still 200 places with unpadded folding seats. 1957 was prepared for wide screen demonstration. There are 13 performances per week, there are six game days and the owner is Dr. Hermann Krichelsdorff displayed. The cinema technology for the CinemaScope picture and sound system in single-channel light sound 1: 2.35 on the 8.2 mx 3.2 m screen consists of an Ernemann II demonstration machine, the sounding slide and sound film amplifiers. Due to a lack of spectators, it had to be closed again in 1960. After the renovation, there is now a pure four-storey residential building on the banks of the Havel, whose past can still be guessed from the two-storey arched windows on the facade.
Fortuna movie theater ( Location )	Lübars Alt-Lübars 8	1949-1960	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW Movies have been played in the former dance hall since moving images were considered commercial entertainment. In the outskirts existed in the post-war period still infrastructures in the war were destroyed in the city center. In 1949 the dance hall of the Alter Dorfkrug inn, built in 1896, was converted into a cinema and opened by Else Rage as "Lichtspiele Lübars", and from 1952 as "Fortuna-Filmtheater". A small ticket hall was built especially for this purpose. Werner Jucan ran the business. With around 400 seats (1952: 396, 1953 to 1956: 411, 1957 to 1959: 378, 1960 still 320 seats), the cinema was played seven days a week with nine (from 1957 with 13) sound films . “In the cinema hall not far from the sector boundary, many GDR residents watched what the West had to offer on the screen.” The cinema hall had a stage measuring 6 mx 4 mx 5 m. An “AEG Euro M” demonstration device was available for the recording, the amplifiers were “Lorenz 30 watts”. From 1957 a widescreen image system is listed with a screen in a 1: 1.85 size ratio. In 1960 sound film amplifiers were still used. Films were shown in the hall for eleven years until it closed in 1960. The lab room lost most of its audience at that time. After that, the ticket hall was torn down again and the space was used as a terrace. From 1968 to 1983 the hall served as a fertilizer store . In 1981 the inn was restored. The hall was built from 1983 by the association “Natur & Kultur (LabSaal-Lübars) e. V. “rented. In 1998 the association bought the inn and hall. The hall is used as a cultural stage and dance hall and can be rented, the inn is a restaurant for excursions from the Märkisches Viertel and was popular from the eastern districts when the Wall came down . The Dorfkrug is a monument in the village ensemble around the Anger.
Hubertus-Lichtspiele Lichtspiele Waidmannslust Capitol ( Location )	Waidmannslust Waidmannsluster Damm 167	1926 (1931) -1961	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The building was built around the turn of the century as the “Gastwirtschaft Kuchenbecker” and had a dance hall in the back. In 1929 the dance hall was converted by the innkeeper Oswalt Arlt into the first cinema in Waidmannslust with 333 seats. In 1931 Anton Glombeck ran the “Lichtspiele Waidmannslust” with 324 seats at Waidmannstrasse 14 with daily performances, the property and building are owned by Arlt. Sound films could be played in the cinema. In 1935 Walfried Banthel took over the venue with 312 seats as "Capitol-Lichtspiele". When Alfred Lehmann took over the (now) "Hubertus-Lichtspiele" (now) called "Hubertus-Lichtspiele" as owner in 1939, he stated a number of 497 seats (1940: 474) in the 1939 cinema directory. In 1937 Waidmannstraße was incorporated into Waidmannsluster Damm, which meant that the cinema address was changed from Waidmannstraße 14 to Waidmannsluster Damm 167. In the post-war years , the "Hubertus-Lichtspiele" - located in the outskirts of Berlin - continued. Alfred Lehmann is still responsible for the cinema with 430 seats. Due to its location in the French sector, the cinema is under the control of the “controle des biens”, but in 1950 Lemann regained control. 1957 the upgrade for wide screen films takes place. For the CinemaScope single-channel optical sound system in a ratio of 1: 2.35, an Ernemann VIIB apparatus and sound film amplifier are available in addition to the sounding slide. For the spectators on the 474 seats, 16 performances are offered weekly. In 1960 ownership of the cinema passed to the von Lehmann heirs and the business had already been run by projectionist Walter Braun since 1959. The cinema was closed in 1962 and the hall was used as a storage room for a few years, but was then empty. In the summer of 2008 the roof collapsed over the old cinema. “The property at Waidmannsluster Damm 167 is of particular local importance. The Hubertus Lichtspiele, the only cinema in Waidmannslust, were located in the buildings that were still there. However, the property has been falling into disrepair for more than 40 years. The buildings are practically ruins, and the surrounding garden resembles a primeval forest. ”Currently (as of March 2019) , the demolition and rebuilding of residential buildings is planned.
Cinematograph Theater ( Location )	Tegel Schlieperstrasse 16	1912-1917	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW “In 1912/13 Nicolaus Grünewald set up a new home at 16 Tegeler Schlieperstrasse. Until now, Grünewald operated a paper, writing and drawing material store in the neighboring house (No. 15). Grünwald probably ran the cinema until 1917, while the paper shop next door was still available to Tegel customers. ”In the 1912 Berlin address book, Grünewald is named with paper goods at 15 Schlieperstrasse. In the following year, Nicolaus Grünewald is listed as the cinematograph owner among the residents. In 1918 Grünewald was still active with his paper shop in tenement 15.
Kosmos film stage ( Location )	Tegel Alt-Tegel 14-16	1929-1965	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW “The cosmos was created in the former Tegel clubhouse by converting the ballroom into a modern cinema. At that time, cinema owners Julius Huppert and Marie Lichtenstern asked “all of Tegel and the surrounding area” to choose a name for the new movie theater. In time for Christmas, on December 23rd, 1929, the renovation work was completed and the cinema was inaugurated. The Kosmos-Filmbühne was the first Berlin cinema to have a special screen that let through sound and light. The projectionist had two projection machines as well as two gramophone plates for the sound. ”The cinema was closed around 1965 and the cinema building has meanwhile been torn down and replaced by a residential building with shops. The Kosmos-Filmbühne in Hauptstrasse 6 was registered in 1929 with 850 seats and daily play. For the Kino GmbH with managing director Julius Huppert, who in the following year as director Huppert (CEO: Hans Herkenrath, from 1931 B. Schilling) runs it as club lighting. In 1931, Huppert and Kosmos GmbH called the Kino Filmbühne Tegel and the sound film technology came from Kinoton, there was an 11 m² stage (width × height: 10 m × 6 m) and a four-man musician group. In 1933 the company was named Kosmos-Filmbühne. In 1937, Wilhelm Werner (CEO: Alfred Unger) registered it as the owner of Vereinigte Lichtspiele Tegel. The number of places varied between 796 and 828 in the 1930s. When the street was renamed in 1938, Alt-Tegel 14 and 16 became the address. The building was not damaged during the war and Wilhelm Werner continued to operate the Kosmis-Filmbühne in the post-war period. In 1949 there are 812 places, there is daily play, from that I result in 15 weekly performances, from 1953 there are 21 on 7 days. The dimensions of the stage are 10 m × 7 m × 6 m, there is a theater and an opera license. The demonstration technology is sounding slide apparatus, demonstration machine Ernemann VII B, from 1955 Ernemann X (light source: Becklicht) and amplifier Europa-Klarton. Fritz Wolter is the managing director of Wilhelm Werner in the 1950s. In 1957, with a CinemaScope image and sound system and 1-channel optical sound and 4-channel magnetic sound with Dominar M II / Zeiss Ikon amplifier, wide-screen presentations 1: 2.35 and 1: 2.55 are possible. Retrofitted with Perspecta and 1-channel magnetic sound. For the spectators there are 820 upholstered armchairs from Kamphöner for 21 weekly performances, as well as a matinee (youth), a late performance. 1958 Elisabeth Werner takes over the management for Georg Werner. From 1961, the hearing impairment system is explicitly noted. The Kosmos-Filmbühne is mentioned again in the address book in 1966 but was closed at the end of 1965.
Kurmark light plays ( Location )	Borsigwalde Schubartstrasse 35–37	1949-1965	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The street had been laid out in Wittenau in 1903 and was numbered with horseshoe , so the building with the cinema had the address Schubartstrasse 44-49. The counting was switched to alternate . The district of Borsigwalde in the area of the workers' settlement of Borsig Tegel was formed as an independent district in 2012 in the Reinickendorf district. On November 13, 1936, Wilhelm Sandmann and Anna Laubsch opened the "Kurmark-Kino". The auditorium was lined with Heraklith panels. In the cinema directory, the cinema with 599 seats on a building area of 250 m² (with foyer: 400 m², site 1500 m²) is initially addressed at Schubertstrasse 45–49. The entrance was through the foyer directly from the street front (roughly in the middle between Holzhauser and Ernststraße), on the right there is a passage to the courtyard, on the left a residential building. Film screenings were given daily, sound film screenings were possible in accordance with the state of the art. The cinema stage had 27 m² and from 1941 the cinema was even named with 667 seats, although the stage was 19 m². After 1950 654 places are listed. In the post-war years , Helene Sandmann and J. Anna Laubsch GbR were named as owners . In 1957 the following information on cinema technology is given: Seating from Kamphöner, sounding slide, apparatus from Bauer B 8 A, sound film amplifier and Uniphon, sound film loudspeaker and two additional loudspeakers, image and sound system: CS 1 KL made. The size ratio of the screen was 1: 2.35, the hall had 645 unpadded folding seats. The cinema was shown weekly on seven days with 15 screenings and one late screening. The Kurmark-Lichtspiele, Berlin 27, Schubartstraße 35, are included in the cinema address book for 1966 for the last time. After the closure in 1965, an Aldi store moved in; currently (as of 2016) the building is used by a commercial enterprise.
Le Flambeau ( Location )	Wittenau Avenue Charles-de-Gaulle 10	1976-1994	The Cité Foch was built in 1952 for the French armed forces in Berlin and was not open to the public. The former site of the Cyclop machine factory was moved into by French units as a makeshift “Camp Foch” in August 1945. A shopping center with a culture and health center (Les Economats) was built at 10 Avenue Charles-de-Gaulle , and in 1976 the Le Flambeau cinema with a large hall opened there. In 1994 the French left the site with their departure from Germany, the federal government took over the property, sold it to a private investor in 1998, the building was empty and neglected. It has been torn down since summer 2016 and residential buildings are to be built.
Slide theater ( Location )	Hermsdorf Glienicker Strasse 2	1910-1928	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The cinema building at Glienicker Straße 2 was directly opposite the Hermsdorf S-Bahn station . The small cinema with 150 seats opened in 1910 as Hermsdorfer Lichtspiele. Karl Dreitzner was the owner until 1920, and in 1921 Hans Lüder (Bahnhofstrasse 21) took over. In 1923 Johannes Lorenz is the owner and director a. D. Eugen Scheuer. In the winter months there is daily play on four days in summer, the program change takes place on Tuesday and Friday. In 1927 there are 130 seats and in 1928 the capacity drops to 125. In that year the cinema at Glienicker Straße 2 will end. One reason is probably the “Palast-Lichtspiele Bellevue”, which opened in 1925, which was also only 200 meters away from the train station and had over 430 seats and probably more comfort. There is a residential building on the property in 1930. The two-thirds residential building, which has been in existence since the 1930s, is currently located on the property without any reference to the previous cinema era.
Linden light plays (Li-Li) ( Location )	Hermsdorf Berliner Strasse 133	1953-1964	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The Lindenlichtspiele were on Fernstraße 96 opposite Almutstraße at the old village church. The linden light plays were set up in the hall of the restaurant "Zum Lindengarten". Even in the early days of cinema in 1912, the first cinematographic screenings took place in this economy. Initially, the "Li-Li" had a "FH 66" device for projection and the amplifier from Uniphon. 17 performances were played seven days a week. From 1957, according to the cinema directory, there are folding chairs with high and flat cushions in the seating for 14 performances, plus two youth and late night performances. The cinema technology is now until the closure: from Frieseke & Hoepfner the projection apparatus, image and sound system: "CS 4 KM" and is projected onto the screen with an aspect ratio of 1: 2.55. In 1959 Wally Müller took over the Linden-Lichtspiele '(F) -Hermsdorf'. This closed the venue in 1964 , the Palast-Lichtspiele remained in Hermsdorf. The original buildings have now been torn down, making way for a group of townhouses consisting of row houses 133-133k and 134-134e, which were built soon after 1964.
Manhattan cinema in the Märkisches Viertel ( Location )	Märkisches Viertel Wilhelmsruher Damm 128	1966-2007	The large housing estate (a district since 2001) in the north of the district on Wittenauer Flur was built between 1963 and 1974. Given the size of the population, it became necessary to create new infrastructure for trade and culture. On the central Wilhelmsruher Damm, the “Kino im Märkisches Viertel” opened in 1967 in the “Märkischezeile” shopping center . The cinema was set up on the lower floor of the cone bridge, a structure spanning Wilhelmsruher Damm. The address Wilhelmsruher Damm 128 results from the northern access to the bridge structure between numbers 130/132 and 127/129 with a connection to the apartment block 125. The cinema was integrated into the administration of the shopping center, a first lease on the operation existed since 1966/1967 . Initially, Johannes Betzel, who was already active in the Berlin cinema business, ran the 328-seat cinema. Betzel also worked in Hamburg, he died at the age of 78 in November 1981. In 1984 the cinema was taken over by the Yorck group . Based on the already existing Yorck cinema in Kreuzberg, the name was given to the more marketing-effective “Manhattan”. In 1991 the hall was equipped with new, comfortable armchairs with bottle holders, and there was a “more familiar atmosphere”. Further renovations of the technical equipment that were planned in 1998 were not implemented given the situation on the Berlin cinema market at the time. Around 2000 the shopping center was supplemented and modernized by the Märkisches Zentrum shopping mall . The cinema entrance with the large neon sign had to give way. To get to the cinema, two floors were necessary through a "desolate" staircase. Finally, the Yorck group wanted to part with the cinema. However, the Yorck co-owner Knut Steenwerth took over Manhattan as the new operator in September 2002. He equipped room 1 with a new sound system and expanded the cinema in September 2004 with two more black-box-style rooms by over 100 seats. Their access was via a staircase at the end of the cinema foyer. For 2005, the information in the cinema address book (owner: Spezial EDV Beratungs GmbH, 10789 Berlin, Rankestrasse 31) is as follows: Cinema 1, 42 m² in size, offers 328 seats, Cinema 2 has 80 seats (bright folding armchairs with cord cover and wood paneling) and Cinema 3 with 59 seats (blue folding armchairs). Due to the spatial geometry, rooms 2 and 3 were at right angles to each other and were served by a projector room, so the screen and the rows of seats in room 3 were diagonally positioned. Due to declining visitor numbers and the resulting lack of income, the cinema was closed on September 27, 2007, despite efforts by Steenwerth. The rooms in the bridge structure have been unused since then (as of 2016), as the cinema halls cannot be used for other purposes (for offices or medical practices), according to the center management.
Palast-Lichtspiele Palast im Bellevue ( Location )	Hermsdorf Schloßstraße 19	1925-1972	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The cinema was on the corner of Schloßstraße and Waldseeweg on Bahnhofsplatz near the S-Bahn station . This film theater was set up in 1925 in the hall of the "Etablissements Bellevue" and opened in 1926 under the company "Palast-Lichtspiele im Restaurant Bellevue". The founding year is indicated by the owners in the cinema directory as 1925, as well as 1926 and 1927. In 1928 M. G. Koester and Max Drukker own the cinema with 431 seats. From 1930 only M. G. Koetser is registered as the owner of the "Palast-Lichtspiele Bellevue" with 380 (390, 375, 418) seats. In 1930, he installed the sound film facility for Klangfilm. Film screenings take place daily. In 1937 Alfred Lehmann ran “Palast-Lichtspiele” (without a note on Bellevue), from 1938 Richard and Alfred Lehmann ran the cinema. The company continued to operate in the post-war years , when the Controle des biens was listed as the owner, and Wally Noack was in charge of its business. Alfred Lehmann (post office and office: Hubertus-Lichtspiele) has been the owner again since 1950, Walter Braun is its managing director until Horst Budelsky takes over in 1961. There are 16 performances during the week and every day is game day. Since 1957, the Ernemann VII B apparatus, the sound film amplifiers and the CS 1 KL image and sound system have been registered as cinema technology, with a size ratio of 1: 2.35. The Palast-Lichtspiele were finally closed in 1972. The movie theater closed in December 1972 and was demolished in 1974. The residential buildings at Schloßstraße 18a and 19 were built on the site at Schloßstraße 19, three-story flat-roof houses with continuous balconies and flat roofs in the immediate vicinity of the train station.
Residence theater ( Location )	Reinickendorf Residenzstrasse 142	1930-1967	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The Residenz-Lichtspiele at Residenzstraße 142 were built in 1930 as a no-frills, but spacious cinema with 1,300 m² of floor space and opened as a “Residenz-Kino”. When it opened, the cinema was equipped with technology for sound film screenings and is specified as a “large cinema” with 900 seats. The first owner was Arthur Jacobi, whose business was run by Mrs. Wolff, in 1937 the cinema (now 841 seats) was taken over by August Röder from Berlin-Friedenau. The cinema building remained (probably) without war damage and was operated in the post-war period by Ernst Wolff, whose projectionist was Erich Grawert. Two performances were played, three on the weekend (weekly 15-16, alternating between a late night, a family performance, and a matinee performance), there were 821 seats, from 1957 830. For the stage, 8 mx 6 mx 7 m existed Theater and an opera license, the name was Residenz-Theater (instead of Residenz- Lichtspiele ). The depth of the stage was given in the cinema directory as 5 m – 10 m (different values). The cinema technology consisted of the demonstration device Ernemann VII B, the amplifier Eurodyn II (also called Klangfilm-Euronor) and the sounding slide projection. The technology was supplemented for wide screen presentations in 1957 when Hildegard Nunnensiek, Elisabeth Werner and Fritz Wolter took over the Residenz-Theater. The seating was high upholstered armchairs from Wegener. An Ernemann X apparatus and Dominar M II amplifier, as well as the CinemaScope image and sound system with 1-channel optical sound and 4-channel magnetic sound, enabled projections in 1: 2.35 and 1: 2.55. The Residenz Theater was probably one of the first frontier cinemas in West Berlin (French sector) in August 1950 - a two-kilometer walk from Pankow and Niederschönhausen . In 1967 the Residenz-Lichtspiele were closed. In the cinema building (low-rise building with ground floor and first floor) there is a restaurant (restaurant Residenz, farmhouse parlor, American restaurant) with a garden and the commercial enterprise (lock service, party decorations). The hall behind the house is still there.
Rex (-Lichtspiele) National Theater Bürgergarten-Lichtspiele ( Location )	Reinickendorf Alt-Reinickendorf 50/51	1927-1963	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW In 1927 the Bürgergarten-Lichtspiele opened in Reinickendorf-Ost at Hauptstrasse 51, the performances took place in the hall of the Bürgergarten inn (on plot 49/50). The cinema owned by H. Thiede and Kurt Wagner had 541 seats and there were daily film screenings. In 1929 Paul & Otto Wernitz took over the light plays with a stage of 6 mx m4 m and provided background music for the silent films by five musicians. In 1931 they installed Tobis' sound film technology. In the following year 1932 Dietrich Krell became the cinema owner with his projectionist Max Sack handed over the Bürgergarten-Lichtspiele to Arthur Jacobi after one year. In 1934 Huppert & Tiecke became the owners of the "National Theater" and kept the cinema before Johannes Betzel became the owner of the cinema in 1936 under the name Rex (-Lichtspiele), his projectionist was Walter Weber, and from 1941 Horst Feldt. It existed under the name Rex until it was closed in 1963. The building was spared war damage and cinema operations continued with two shows a day in the post-war years. Due to additional performances on the weekend, there were also 16 to 18 performances a week. The cinema technology consisted of the Erko / Bauer Standard 5 demonstration equipment and an amplifier for sound film and sounding slide. The Rex-Filmtheater had 498 seats with Johannes Betzel, but the stage is specified as 4 mx 4 m. When Hauptstrasse was renamed Alt-Reinickendorf in 1952, the address did not change, but the location at the Bürgergarten. In the 1950s Kurt Wronna and, with the introduction of widescreen films in 1957, Karl-Heinz Conrad is the projectionist. For widescreen 1: 2.35, the sound film amplifiers for the CinemaScope single-channel optical sound process are supplemented by the Erko IV on the right and Bauer 5 on the left. The cinema seats are only partially upholstered, the 15 to 17 weekly shows are supplemented by late-night and matinee shows. From 1961 Klaus Runge KG took over the Rex-Filmtheater until it was closed due to financial reasons following the trend of the times. Berta Heil's Bürgergarten restaurant remained. The cinema was later demolished. A Volvo dealership was built on the property before a daycare center was set up there in 2013.
Roxy-Palast Wittenauer Tonlichtspiele ( Location )	Wittenau Oranienburger Strasse 89	1934-1961	In 1934, Hans Wirtz opened the Wittenauer Tonlichtspiele with 222 seats on Oranienburger Strasse. There were daily film screenings. In 1937 William Oertel became the owner. In 1938 he had the cinema enlarged in the depths of the property by a new building, which increased the number of seats considerably to 685. The stage was 7 mx 3 m. With the new building, the cinema was given the name "Roxy Palace". The cinema survived the war without any damage and operations were thus maintained - almost continuously - with film screenings. From 1941 to 1945 (probably) the name “Nord-Palast” existed in parallel. In the post-war period , Erna Krüger ran the business of William Oertel, the owner remained. In 1949 the name Roxy Palace was reactivated. However, the Roxy Palace is included in the Berlin address book in 1943. In the 950s, 15 weekly shows on the seven days of the week were named, the projection device was an Ernemann VII A. In 1957, the cinema followed the switch to wide-screen films. With the existing projection machine and amplifiers from Zeiss Ikon Dominar, CinemaScope could be reproduced in 1-channel optical sound, 1-channel magnetic sound or 4-channel magnetic sound and Perspecta in a size ratio of 1: 2.35 or 1: 2.55. Two performances a day were supplemented with three matinee / late night performances. For 1959 and 1962 there are only six game days entered. The 684 seats were made up of high and flat upholstered cinema seats. The cinema was closed in 1961/1962 and a Bolle supermarket moved into the premises. The former cinema rooms were also later used as sales areas, initially by a Gota specialist market and currently (2016) for a furniture store that displays its range in the previous foyer.
Seeschloss play of light ( Location )	Heiligensee Alt-Heiligensee 91	1949-1965	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW In 1909 the "Seeschloß" restaurant in Heiligensee, Dorfstrasse 91, was built on the former "Kossäterhof Grieft". In the outskirts existed in the post-war period still infrastructures in the war were destroyed in the city, as taught Ernst Zirzow 1949 in the hall, a cinema, a. The cinema with 513 seats was centrally located at the southern end of the village meadow and was shown seven days a week with 14 screenings (from 1958: twelve normal, one matinee, one late screening, from 1961 twelve and one late screening). It had a stage of 8 mx 3 m which was also used for other purposes. The cinema technology allowed sound films in optical sound. The projection apparatus was a Nitzsche-Matador III, the light source was from Becklicht, the amplifiers from Telefunken, the loudspeakers from Klangfilm. From 1956 the picture and sound system Cinemascope existed next to and before a "CS 1 KL". The seating was flat upholstered seats. The wide screen type was MW on a silver screen with a size ratio of 1: 2.33. With its location in West Berlin and the proximity of Hennigsdorf (three kilometers) via Stolpe, GDR citizens also visited the site until the Wall was built in 1961 . In 1965, Ernst Zirzow (owner and managing director) still ran the cinema, but had to be terminated this year for financial reasons in line with the times . After another use as an inn, the property was divided around 1980 with its two buildings (91 and with its own driveway 91a), and since 1990 it has been used as a residential building with a doctor's practice. The building is included in the list of monuments as an ensemble part.
Outskirts of light ( Location )	Frohnau Staehleweg 1 House 46	1945-1959	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The "Stadtrandlichtspiele" were from 1945 to 1959 in the Invalidensiedlung in Frohnau in the community house (building 46), which was built in 1937. The address was Hubertusweg 46, since the renaming in 1971, the invalid housing estate, numbered after the house, has been located on Staehleweg 1. Even before that, there had been film screenings from 1939. In the post-war period , the importance of the possibilities on the outskirts increased due to the destruction of the structures in the inner city. The hall cinema with 200 seats is specified as the capacity, seven days a week two performances were given. Paul Lösel and Alfred Schmidt are named as owners of the cinema. After it was closed in 1952, in 1954 the Frohnau Invalidensiedlung took over with Charlotte Lösel as tenant with two to three performances two days a week. 266 (from 1957: 199) unpadded folding seats from Kamphöner are named as seating, the technical equipment is from Bauer, the amplifiers from Baue-Lorenz. At the end of the 1950s, demand in theater venues fell. Up until the construction of the Wall in 1961, many guests from Hohen Neuendorf and Stolpe came to the cinema, which is located right on the city limits with the disabled people's settlement . When the wall was built, the settlement was at the northern end of Berlin in close proximity to the border . Despite the cessation of regular cinema operations in 1959, there were supposed to have been performances until 1963. However, these were no longer leased by Charlotte Lösel, but in the own operation of the community center. The hall with stage and projection room (two Bauer projectors) is still there. The address has been Staehleweg 1 (Invalidensiedlung 46) since 1971. The main building with ballroom is used as a restaurant ("Landhaus Hubertus"), the settlement is run by a foundation. From time to time cultural and social events - and sometimes film screenings - take place in the ballroom and in the adjoining "Bauernstuben".
Teli Te geler Li chtspiele ( Location )	Tegel Bernstorffstrasse 13a	1956-1971	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The architect Hans Bielenberg designed this cinema building with 660 seats, which was built within four months. He provided the theater with a tiered high parquet floor, which, based on his idea, was first realized in 1954 in Berlin's “Apollo”. The technology (Ernemann X machines, Becklicht light source, Zeiss Ikon amplifier, Ikovox D loudspeaker) was set up to reproduce CinemaScope films from the start. The "TELI" cinema (initially with the addition of Tegeler Lichtspiele) was built on Waidmannsluster Damm 15 (since 1977: Bernstorffstraße 13) in the center of Tegel, not far from the Alt-Tegel underground station and the S-Bahn station . The operators were Schieser & Georg Werner (as Tegeler Lichtspiele oHG), Georg Werner already owned a film stage with a CinemaScope system. The cinema advertised with the display case for picture advertising and the construction on the glass entrance hall with anodized profiles. The interior design was attractive: the inlaid foyer had a Sarotti stand and a built-in ice bar, Contan rubber was laid in diagonal strips on the floor, and green cork linoleum lay in the auditorium. For better acoustics there were perforated special plasterboards on the ceiling, tinted strawberry with a gray stucco border. The walls were covered with yellowish Cantussa silk and the stage curtain was held in a light tobacco color. The upholstered seating was covered with green cord and was supplied by Schröder & Henzelmann. Played daily, weekly for 21 performances (plus a matinee or late performance). In the widescreen type Sonora with 4.8 m × 12 m wall area, this was suitable for reproduction of 1: 2, 1: 2.35 and 1: 2.55, the Cinemascope system had stereophonic 4-channel magnetic sound and was suitable for 1-channel optical sound and SuperScope as well as Perspecta. The cinema was closed in 1971, following the general trend towards decreasing visitor numbers. After the closure, the flat building created as a cinema (like other cinemas in Berlin) was used as a supermarket. The road situation was changed with the relocation of Waidmannsluster Damm, the removal of the previous level crossing and the new management of Buddestraße with its northern continuation. Currently (as of 2016) an organic market is using the building due to the time being.
Union Theater Tegel ( Location )	Tegel Alt-Tegel 8	1913-1933	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW As early as 1913 - as mentioned by the owner in the cinema directory from 1922 - cinematographic screenings were given in the house on the property on Hauptstrasse 3 (later Alt-Tegel 8). Initially there was a front building with a doctor's practice, which was expanded into a multi-storey apartment building in 1912/1913. In 1916/1917 a third cinema with around 200 seats was opened in Tegel. Luise Joschek was a cinema tenant at Hauptstrasse 3. “It is quite possible that the cinema existed here from 1916/17 to at least 1932. The name of the cinema was recently Union-Lichtspieltheater or Union-Theater Tegel. ”According to Gerhard Völzmann: Tegeler Histories , 2013. The cinema address book names Luise Joschek in 1918, and from 1920 to 1933 the businessman Fritz Joschek as the owner. The cinema was recorded daily with two program changes a week. Until 1931, the silent films were accompanied by a three-man band. In 1932 the possibility of showing sound films was added. The capacity of the cinema is listed between 1924 and the year of closure in 1933 with 250 seats.
Forest hangover light games ( Location )	Tegel Bernauer Strasse 139	1952-1961	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW The Waldkater inn was located on the edge of the Waldidyll settlement opposite the former Tegel gasworks at the confluence of the Semmelweg and Bernauer Strasse. The cinema was set up in the hall in 1952 by Herbert Schuster. It was recorded daily at a K with 10 performances a week, the projection was a special system with slide equipment and Telefunken amplifiers and a magnetic tape recorder. The seating capacity of 109 was carried out with wooden chairs from Stüssel. In 1958/1959 the widescreen device with a projection possibility of 1: 1.85 was added: Projection with a Carl Zeiss device, the Telefunken amplifiers on speakers from Isophon. With the decreasing number of visitors, the cinema was closed in 1961. In the 1970s, it was converted into a five-story residential building on plot 139.
West Reinickendorfer Lichtspielhaus ( Location )	Reinickendorf Eichborndamm 72	1913-1920	Image wanted Wikipedia would like a picture of the place discussed here. If you'd like to help, the guide explains how to do it. BW From 1913 Aurel Zacharias ran a cinema theater in the corner house Birkenstrasse 63/64 to Eichbornstrasse 34 / 34a (since 1937: Eichborndamm 72 / Kienhorststrasse 157), which was closed again in 1914. As a result, Gustav Dyhr had a cinema system installed in his house at Birkenstrasse 63/64 (corner of Eichbornstrasse ), which was operated by Franz Jahn, according to the information provided by Gerhard Völzmann: Tegeler Histories , 2013. In the cinema address book, the West is for Eichbornstrasse -Reinickendorfer Lichtspielhaus with 200 seats named: in 1920 as owner Hermann Lade (Scharnweberstrasse 116) and for 1921 a Franz Jahn, who however did not continue the cinema.

literature

Sylvaine Hänsel, Angelika Schmitt (eds.): Cinema architecture in Berlin 1895–1995 . Reimer, Berlin 1995, ISBN 3-496-01129-7 .
Klaus Schlickeiser: Cinemas in the Reinickendorf district of Berlin . Editor: Support group for education, culture and international relations Reinickendorf eV, Berlin 2013, ISBN 978-3-927611-36-8 (with reports from interviewed contemporary witnesses).
Gerhard Völzmann: From the beginnings of cinematography in today's Reinickendorf district. In: The district magazine! Blickpunkt Tegel , August / September 2013.

Web links

The Kino Wiki is currently hosted on filmtheater.square7.ch . The data was compiled from the special address books Reichskino Adressbuch (Verlag Lichtbühne) and Kinoadressbuch (Verlag Max Mattisson) as well as the cinema list (1907–1910) of the first specialist journal for all of the art of photography, Der Kinematograph . The project of the Berlin cinemas is based on this data and supplements regional references.

Remarks

The information on the number of seats has been researched by Kino Wiki in the special address books and is referred to as the "number of officially approved seats". Otherwise the information was arranged by the cinema owner.

↑ In Reinickendorf (district area) there were previously 36 cinemas, of which in 1960 there were [still or already] 28 cinemas, of which 14 were closed by 1965
↑ The following years missing (1909–1911 and 1914–1916) do not have an appropriate entry. In the address books before 1921 only the suburbs Berlin-Reinickendorf, Berlin-Tegel and Berlin-Wittenau were listed. After the formation of Greater Berlin , these are grouped together under the administrative district for the first time in 1922 . In the 1922 address book, the Humboldtstadt administrative district is listed from the places Conradshöhe, Frohnau, Heiligensee, Hermsdorf, Lübars, Reinickendorf, Rosenthal, Saatwinkel, Schulzendorf, Tegel with the manor district of Schloß Tegel, Tegelort, Waidmannslust, Wittenau ; from address book 1923 as administrative district Reinickendorf.
↑ allekinos.com writes "In 1946 the apparently undamaged building was reopened as a cinema".
↑ The cinema building was at the northeast corner of the street crossing in the corner house Eichbornstrasse 18 / Auguste-Viktoria-Allee 40, which is initially given at Auguste-Viktoria-Allee 40. The plots at Auguste-Viktoria-Allee 34–48 were still under construction in 1911. The six-party house number 40 belonged to the rentier P. Krause from Neu-Barnim in 1912, the guest rooms were managed by innkeeper J. Wohlfarth. In 1918 Krause owned the house as an innkeeper and, according to the address book, was his widow M. Krause in 1919. In 1937 Eichbornstrasse became Eichborndamm and at the same time the numbering was changed from horseshoe to reciprocal numbering - 18 becomes 38. In the 1970s, the converted corner house only had the address Eichborndamm 38.
↑ Although Völzmann writes: “In 1915/16 Martha Zierke opened in Veitstr. 10, first staircase, a second theater for Tegel. Before it was closed in 1919, Moritz Aronsheim was the owner of this cinema. ”According to the Berlin address books: Veitstraße 10 was the home of the cinema owner. In the name part (1916/3392 and 1917/3372): “Martha Zierke, cinematograph owner, Veitstr. 10, 2nd staircase 1st floor “. For 1918/5432 there is only the entry in the street section: "Marta Zierke, cinematograph owner Veitstraße 10, 1st staircase". For 1919, the cinema owner Moritz Aronsheim (1919/65) and the cinematograph owner Martha Zierke (1919_3209) are recorded in the name section, the latter also in the street section (1919/5367). The list of names mentions 1920/3201: “Martha Zierke, cinematograph owner, Veitstr. 10, 2. Aufgang "and in the street section (1920_5415) both under I. and II. Aufgang:" Marta Zierke, Kinematogr. Owner ”. From 1921, neither Aronsheim nor Zierke are recorded among the Berlin residents or for Veitstrasse. (1921/106, 1921/3520, 1921/5741, 1922/116, 1922/3756, 1922/6851) → After the year, the page numbers in the address books 1900-1924 are listed here
↑ However, 1974 is registered on Alle Kinos in Berlin (Reinickendorf) for the Palast-Lichtspiele with 422 seats, without further information.
^ The entry in the cinema wiki : "1920 Residenz-Lichtspiele, Residenzstr. 76 (closed) 227 places ”does not apply to this list. In 1920 the address belonged to Berlin-Reinickendorf, with the district reform to Wedding .
↑ The name Roxy goes back to the New York Roxy Theater, as it was previously the world's largest movie theater with almost 6,000 seats and was named after several Berlin cinemas.

Individual evidence

↑ Kino-Wiki main page, accessed on January 18, 2020. Kinowiki deals with the history of movie theaters in Germany and tries to collect all information about movie theaters and movie theaters in Germany. It is sorted according to federal states and cities. Everyone is called upon to supplement the data or correct errors.

↑ The breakdown by districts and districts is based on the district reform of 2001.

^ Stefan Strauss: Film? Running. Publication in the Berliner Zeitung , March 27, 2017, p. 13.

^ Resident of Berlin: Thesenvitz-Teichler . In: Berliner Adreßbuch , 1912, Part I., p. 3086. “Teichert, Paul, Kinematogr. Bes., Reinickendorf, Nordbahnstrasse 30 part. ".

^ Gerhard Völzmann: Tegeler stories. 2013.

↑ The district magazine Blickpunkt Tegel . Edition August / September 2013, p. 11. From the beginnings of cinematography in today's Reinickendorf district

↑ Marita Iseller: Chapter Reinickendorf . In: Hänsel / Schmitt: Cinema architecture in Berlin 1895–1995. P. 145 ff.

↑ ^a ^b ^c ^d New book by Reinickendorfer Heimatforscher published . In: Berliner Woche , October 10, 2013.

↑ In Reinickendorf, Birkenstrasse became Kienhorstrasse in 1936 and Eichbornstrasse became Eichborndamm in 1937. In Tegel, the main street became Alt-Tegel in 1936 and the Bahnhofstrasse became the Grußdorfstrasse in 1961. As a result of the change in the district boundary, Provinzstraße 75 has belonged to Niederschönhausen since 1938 (location Schönholz). The entries for the address Reinickendorf (then) Provinzstrasse 75/76: 1924: K. Zappe, 1925: Universum-Lichtspiele, 1927: A. Wawerka. Also the provider of cinematographs "Prinz & Bongardt" ( Walderseestrasse 5) in Rosenthal (-West): cinematographs . In: Berliner Adreßbuch , 1922, Part II, p. 870 (Today's Wilhelmsruh part of the village belonged to Reinickendorf as a Rosenthal location.). are mentioned, but do not belong to the list definition

↑ cinematographic ideas . In: Berliner Adreßbuch , 1912, Part V., p. 235.

↑ cinematographic ideas . In: Berliner Adreßbuch , 1913, Part V., p. 273.

↑ Berlin-Tegel . In: Berliner Adreßbuch , 1917, Part V., p. 424. and Berlin-Tegel with the estate district of Schloss Tegel . In: Berliner Adreßbuch , 1918, Part V., p. 412.

^ Berlin-Tegel with the manor district of Schloss Tegel . In: Berliner Adreßbuch , 1919, Part V., p. 408.

^ Berlin-Reinickendorf . In: Berliner Adreßbuch , 1920, part V., p. 271 (1920/5262 in part V, p. 271).

↑ Berlin-Tegel . In: Berliner Adreßbuch , 1920, Part V., p. 425.

↑ cinematographic ideas . In: Berliner Adreßbuch , 1921, Part V., p. 267.

↑ Motion picture theater . In: Berliner Adreßbuch , 1922, Part II., P. 805 (in 1922 the traders were grouped together in the administrative district, but still subdivided according to the previous suburbs). and cinematographic performances . In: Berliner Adreßbuch , 1922, Part II, p. 870.

↑ Motion picture theater . In: Berliner Adreßbuch , 1923, Part II., P. 408.

↑ cinematographic ideas . In: Berliner Adreßbuch , 1924, Part II., P. 306.

↑ Motion picture theater . In: Berliner Adreßbuch , 1924, Part II., P. 364.

↑ Motion picture theater . In: Berliner Adreßbuch , 1925, Part II., P. 420.

↑ Motion picture theater . In: Berliner Adreßbuch , 1926, Part II, p. 417.

↑ Motion picture theater . In: Berliner Adreßbuch , 1927, Part II, p. 411.

↑ Berliner Telefonbuch 1941, p. 448 (Letter L: Lichtspieltheater)

↑ Scharnweberstrasse 101-104 . In: Berliner Adreßbuch , 1928, Part IV, p. 2191. “Owner: Clara Hartmann (No. 44a); User: Innkeeper H. Baborowski, branch of the Schloßbrauerei Schöneberg AG, a chemical factory, a stable master ”.

↑ quote according to The Film Week 37/1955.

↑ Histomapberlin.de : Map K4-4232.

↑ former South Palace 1975 (image rights: Hans-Joachim Andree)

^ Graf-Roedern-Allee . In: Berliner Adreßbuch , 1943, part IV, p. 2591. “88–90: Owner Narthelmes: Bohrer-Compagnie GmbH” (same owner already in the 1935 address book).

^ Plan of Berlin. Sheet 4441 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. under X = 20265, Y = 29718 @1@ 2

↑ ^a ^b ^c ^d ^e ^f Gerhard Völzmann: Tegeler histories . 2013

↑ Auguste-Viktoria-Allee 40 . In: Berliner Adreßbuch , 1919, V., p. 243. “House 40: Owner: widow Marie Krause; six tenants and P. Lippok, Lichtspiele, for 1920 Cafetier A. Caro. “(35, 36 zu Birkenstrasse, 37: school building, 38: apartment building for 12 parties, 39: master baker, 40, ← Eichbornstrasse →).

^ According to cinema directory 1918 Addendum: Eichborn-Lichtspiele, Eichbornstr. 18, 200 places, owner: Paul Lippok.

↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1921, V, p. 267. “Ebert, W., Auguste-Viktoria-Allee-40”.

↑ Auguste-Viktoria-Allee 40 . In: Berliner Adreßbuch , 1923, IV, p. 1929. “Owner: Fraulein A. Krautien, housekeeper living in America and administrator: Arbeiter F.Krautien. User: eight tenants, including F. Tessendorf, Kinobes. and O. Wiechert, Portier "(Also 1925/6748, 1926/6992: cinema owner F. Tessendorf, but widow W. Wiechert, tradeswoman. 1927/7155: Tessendorf is no longer listed on the street and is also not listed among the Berlin residents.) .

↑ F. Tessendorf is listed with cinematographic ideas in the address book 1924/3828, then 1925/4118 under Lichtspiel-Theater.

↑ Auguste-Viktoria-Strasse 40 . In: Berliner Adreßbuch , 1928, IV., P. 2174. “next to the tenants: R. Schulze, Kinobes.”.

↑ Motion picture theater . In: Berliner Adreßbuch , 1930, II., P. 475. "Schulz, Clara, Reinickendf., Auguste Viktoria-Allee 40 T. 8488." (According to the address book 1929/7493, cinema owner Clara Schulze owns the Auguste-Viktoria- Straße 40. Richard Schulze is still listed as owner in the cinema address book.).

↑ "Thirty years [since 1923] theater owner Kurt Hinz, owner of the Viktoria-Filmtheater in Berlin-Reinickendorf, has been working in the industry these days. Its movie theater was bombed twice in 1943 and 1944. In the first post-war years he rebuilt it with strong personal commitment and recently done a lot to perfect it. ”Quoted from: The new film . Number 91, Verlagsgesellschaft Feldt & Co., Wiesbaden-Biebrich 1953.

↑ Kammergericht Berlin • Order of March 25, 2011 • Az. 5 W 62/11 ; compare the annual editions of the Berlin Plan. Sheet 4346 ( Memento from November 9, 2015 in the Internet Archive ) X = 18855, Y = 27231

↑ cinematographic ideas . In: Berliner Adreßbuch , 1920, V., p. 271. “Koenig, P., Residenzstr. 124 ".

↑ Residenzstrasse . In: Berliner Adreßbuch , 1920, V., p. 265. “House 124: Owner: Gastwirt G. Sadau, User: P. Koenig Lichtspiele, soap powder“ Schneeweiß ”A. Schulz, joinery B. Grundner, colonial goods J. Janke and five tenants ”(1921 is a photo workshop for Koenig and F. Schmitz as the cinema owner. According to the information in the commercial section, Sadau was restoring the house.).

↑ Residenzstrasse 124 . In: Berliner Adreßbuch , 1921, V., p. 260.

^ The Linden-Lichtspiele 1925 on a postcard, stamped 1938

^ Reimers restaurant and ballroom, Berliner Str. 73, date of photo: 1921

^ Plan of Berlin. Sheet 4345 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 20135, Y = 20870 @1@ 2

↑ The subdivision at that time: Reinickendorf-West

↑ Scharnweberstrasse . In: Berliner Adreßbuch , 1938, part IV, p. 2460. “← Beerenhorststrasse → 32: construction site, 33 / 33a (see Hechelstrasse 1: eleven tenants): owner retired mayor K. Reichhelm from Zehlendorf; 21 tenants, including F. Schüßler Lichtspiele and Sparkasse Stadt Berlin ← Hechelstrasse → “(1940 and 1941 (also in the commercial section: Lichtspieltheater) is known as the cinema owner F. Schüßler at Hechelstrasse 1. In 1942, Schüßler is no longer registered. In 1943, the milk tenant E . Pfuhl the owner, Schüßler no longer registered.).

^ Plan of Berlin. Sheet 4341 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 19425, Y = 26565 @1@ 2

↑ Entry at allekinos.com

↑ Projector room cinema 2 before dismantling and exterior view from the 1980s

↑ ^a ^b filmvorfuehrer.de: Capitol Frohnau

↑ Corner Maximilian-Corso: Plan von Berlin, sheet 4543. ( Memento of the original dated November 16, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 17100, Y = 34050 @1@ 2

↑ to Kino-Wiki on filmtheater.square7.ch

↑ Bekassinenweg . In: Berliner Adreßbuch , 1935, Part IV., P. 2278 (From Beck's house to “Im Erpelgrund”, “construction site” is noted and along the Wildganssteig to the corner of Wunderlich's house “An der Wildbahn”).

↑ Cinema dates in detail

↑ Compare, for example, the 1974 and 1986 map editions of Plan von Berlin, sheet 4451 ( Memento of the original dated November 16, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 13565, Y = 31335. @1@ 2

^ In the cinema address book 1920, the owner Paul Handtke stated that the year it was founded was 1911.

↑ Koschinski . In: Berliner Adreßbuch , 1914, part I., p. 1603 (In the street part for Tegel - part VS 431 - Brunwostraße 47 with the pensioner E. Janisch as owner, the innkeeper Mrs. Gerike and the cinematographer Koschinski are named among the 17 tenants Matching resident of Berlin named Koschinski is listed neither before - in the address book 1912/1913 - nor afterwards - from the address book 1915 onwards.).

↑ Research data in the cinema wiki

^ Resident of Berlin: Handke . In: Berliner Adreßbuch , 1920, part I., p. 929. “Paul Handtke Kinematograph.bes, Tegel, Schliepersir.76” (In the street section “Central-Lichtspiele” is entered under Brunowstrasse and Paul Handke under Schlieperstrasse. For Schlieperstrasse 76 No Handke is named in the house of the dentist Heyde before and after 1920. In the residents section, merchants Paul Handke are listed among the inhabitants of Berlin, an assignment to the cinema owner is not possible without any doubt and is probably not applicable.).

↑ Cinema website Cinestar Tegel

↑ In 1993 the Cine-Star group emerged from the Kieft & Kieft Filmtheater GmbH Lübeck. A joint venture with the Australian GREATER UNION has existed since 2004. Company description Cinestar ( Memento from August 6, 2016 in the Internet Archive )

↑ Exterior and interior views of Cinestar

↑ filmvorfuehrer.de: Situation report on the Cinestar

↑ cinestar.de: Representation of the 3D technology for picture and sound

↑ Kinokompendium.de: Experience reports

↑ <from: The new film . 90/1952

↑ The house was registered in 1943 in the address book as a new building.

↑ Bahnhofstrasse / Buddestrasse . In: Berliner Adreßbuch , 1943, IV., P. 2592. "Buddestraße 13: owner Louise Joschek, with 13 tenants / Bahnhofstraße 2: owner Fritz Joschek, six tenants and especially the residence of Fritz and Louise Joschek".

↑ Scharfenberger Strasse 20–22 . In: Berliner Adreßbuch , 1943, IV., P. 2381. "← Barschelplatz → ← Havel → 20–22: Owner Käte Kricheldorf (residing NW7, Karlstrasse 26) with 13 tenants".

↑ “1941: Installation of sanitary facilities in the inn. 1949: Removal of all "superfluous ornaments" from the facade of the house. Conversion of the dance hall into a cinema and building of a ticket hall in front of the entrance. "From: History of our house under keyword:" Career " ( Memento from July 23, 2016 in the Internet Archive )

↑ Plan von Berlin, sheet 4438 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 21750, Y = 32605 @1@ 2

↑ Cinema data in detail according to Kino-Wiki

^ According to cinema directory 1960: Berlin F (ortuna)

↑ Picture of the inn and hall extension 1950, interior view of the hall 2007

↑ website of the association

↑ Gasthof Alter Dorfkrug Lübars gGmbH

↑ Dorfkrug & Wohnhaus & Restaurant, 1899 by building contractor Carl Sott for innkeeper August Seeger.

↑ Lübar town center with village green

↑ Waidmannstrasse . In: Berliner Adreßbuch , 1929, Part IV., P. 2234. “Waidmannstraße 14: Owner Oswald Arlt, innkeeper” (There was a weekly market on the adjacent plot of land at 12/13 at the corner of Kurhausstraße).

^ Resident of Berlin . In: Berliner Adreßbuch , 1932. “Kaufmann Anton Glombeck, Tegel Schöneberger Strasse 6, t: C8, 3315”.

↑ Waidmannsluster Damm . In: Berliner Adreßbuch , 1943, IV., P. 2584. "167: Owner M. Arlt, user A. Lehmann, cinema owner".

^ Plan of Berlin. Sheet 4237 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. X = 19135, Y = 31128 @1@ 2

^ Picture of the street view from 1974 with the lettering Hubertus

↑ The house of the former cinema in 2008

↑ [cdn.cdu-reinickendorf-fraktion.de/Zeitung/ZaF_07_0005_web.pdf|The ruins of Waidmannslust] . In: At home on the Fliessal, CDU Lübars-Waidmannslust magazine, issue 4, 2008

↑ Waidmannsluster Damm: Ruins can be found . In: Berliner Woche, June 2015

↑ in: Berliner Morgenpost, March 22nd, 2019

↑ Inhabitants of Berlin and its suburbs . In: Berliner Adreßbuch , 1912, Part I., p. 936. "Grünewald, Nicolaus, Papierhdlg., Tegel, Schlieperstr.15.".

↑ Grünewald . In: Berliner Adreßbuch , 1913, Part I, p. 954. "Grünewald> -Nicolaus, Kinematogr. Bes., Tegel, Schlieperstrasse 16 and Nicolaus, Papierhdlg, Tegel, Schlieperstrasse 15 “(In the street part Grünewald is in the 12-tenant house 15 of the owner F. Schäwel with paper and also in the 15-party house 16 of the businessman W. Rosenthal from Veitstrasse 39 is listed as the owner of the cinematograph.).

↑ Schlieperstrasse . In: Berliner Adreßbuch , 1917, V. Teil, p. 424. "Schlieperstrasse 15: Grünewald, N., Papier / Schlieperstrasse 16: Grünewald, N., Kinematograph" (under the commercial section on sheet 5743, Grünewald is only among the paper shops, but not mentioned in the cinematographic performances. And from 1918 Grünewald is only registered as a paper dealer.).

↑ Kosmos-Filmbühne on postcard (photo 1962)

^ Plan of Berlin. Sheet 4346 ( Memento of the original from November 16, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. . X = 18205, Y = 28535 @1@ 2

↑ Kurmark light plays . In: Berliner Adreßbuch , 1943, Part II, p. 430. “Borsigwalde, Schubartstraße 38” (In the street section, however, 44–48 is still registered for the cinema owners W. Sandmann and A. Röder from Friedenau. A doctor lives in this building and a driver who is 49, inhabited by the production engineer and the graduate engineer, as in 1938. Under Part IV., p. 2600, # 7057).

↑ Schubartstrasse 45-48 . In: Berliner Adreßbuch , 1938, part IV., P. 2510. "Owner is cinema owner W. Sandmann" (The house of businessman W. Sandmann with two heads of household is on plot 49, ie living parties).

↑ Kino address book 1962 (Berlin) - French sector

↑ Cinema data: filmtheater.square7.ch: Kurmark-Lichtspiele

^ Image of the Reinickendorfer Kurmark-Lichtspiele from 2008

↑ Monuments in Berlin: Cités ( Memento from July 25, 2016 in the Internet Archive )

↑ The French on the Spree . In: Die Zeit , October 26, 1979.

↑ Pictures from Le Flambeau: Exterior view bon 1983

↑ Le Flambeau in the Cité Foch

↑ Plan von Berlin, sheet 4446 ( Memento of the original dated November 16, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 18600, Y = 32332. @1@ 2

↑ Cinema dates in detail

↑ Glienicker Strasse . In: Berliner Adreßbuch , 1930, IV. Part, p. 2210. "On plot 2 is the six-party house of H. Friesecke, whose profession is named as" owner "." (In 1925 Friesecke is registered as a shoe dealer, house no 2 has six tenants. Not mentioned in the branch section of the 1920s address books under cinematographic ideas.).

↑ Plan von Berlin, sheet 4446 ( Memento of the original dated November 16, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 19100, Y = 32048. @1@ 2

↑ Cinema dates in detail

^ Plan of Berlin. Sheet 4434 ( Memento of the original from November 9, 2015 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. compare plan from 1964 and 1979 with the Soldner coordinates: 21695/30015. @1@ 2

↑ Kegelbrücke FIS-Broker (map of Berlin 1: 5000 (K5 color edition)) of the Senate Department for Urban Development and Environment Berlin

^ Vita Johannes Betzel

↑ "1. July 84 Change of ownership: Berlin, Manhattan (formerly: Kino im Märkisches Viertel) Owner: Spezial EDV Beratungs GmbH (formerly Owner: Johs. Betzel) “from: Das Filmtheater 1984.

↑ kinokompendium.de: Manhattan

↑ Too few visitors: After four decades the small cinema in the Märkisches Viertel was closed - Manhattan remains dark from Berliner Zeitung November 5, 2007: “The number of visitors has continued to decline in recent years. ... The center management had therefore agreed with the operator not to continue operating the cinema in the three halls. "(Center manager Ted Walle)

↑ Cinema compendium pictures of the halls and the exterior view

^ Plan of Berlin. Sheet 4434 ( Memento of the original from November 9, 2015 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 21695, Y = 30015 @1@ 2

↑ Plan von Berlin, sheet 4451 ( Memento of the original dated November 16, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 18460, Y = 32510. @1@ 2

↑ Schlossstrasse . In: Berliner Adreßbuch , 1925, Part IV, p. 2043. “No. 19: Owner innkeeper M. Hartung, no. 18 and no. 20: garden, belong to number 19 “(1927, according to the address book, 18, 20 and especially 19a are with new owners. 19 still belongs to the innkeeper. A. Kunze is the innkeeper and the property has a house with five tenants. After all, it belongs to the widow E. Hartung in 1940, who also lives as a private owner in the six-part tenement. The light shows in Hermsdorf cannot be found in the branch section.).

↑ Residenzstrasse . In: Berliner Adreßbuch , 1931, IV., P. 2286. "142, 143: New buildings: owner E. Jacobi" (In the address book 1930 and before, Residenzstrasse 142–149 are shown as construction sites, for 1931 144–149: construction sites. The cinema was built on a previously free area (Farmer Ganzow), the subsequent four-story residential development did not follow until 1936 to 1938.).

^ Residenzstrasse 142 . In: Berliner Adreßbuch , 1943, IV., P. 2544. "Owner: Ms. M. Jacoby from Charlottenburg, Schlueterstrasse, residents / users: A. roeder Lichtspieltheater, Stahlwaren H. Epstein, hairdresser R. Kottke, dyeing works P. Liepack & Co., State Lottery Income Wüstefeld ”.

^ Children's island Alt-Reinickendorf 50/51

^ Oranienburger Strasse . In: Berliner Adreßbuch , 1932, Part IV, p. 2335. “88.89: Owner: butcher H. Schulze; Resident, innkeeper P. Behnke, five more “(In 1939, a new building was named for property 88, without separate identification of Oranienburger Strasse 89).

^ Resident of Berlin . In: Berlin address book , 1939. "Merchant William Oertel, Heiligensee, Am Hirschwechsel Strasse 33 (owner)".

↑ Oranienburger Strasse 88 . In: Berliner Adreßbuch , 1939, Part IV, p. 2567. “← Wilhelmsruher Damm → Number 87 / Number 88: owner butcher H. Schulze; Resident innkeeper blank; Fleischer P. Schulze and H. Schulze jun .; in addition new building / house number 90 “(Compare also plan of Berlin. Sheet 4441 of the years 1936 and 1939 X = 20192, Y = 29936).

↑ Accordingly, the Astoria in Reinickendorf was run as a south palace - but only for information purposes.

↑ Cinema address book from 1941 and 1946

↑ Movie theaters . In: Berliner Adreßbuch , 1943, Part II, p. 431. "Roxy-Palast Wittenau Oranienburger Strasse 89, T 49 50 53".

↑ Closure in 1966, seats 513

↑ Country and inn Wilhelm Kühne

↑ Dorfstrasse . In: Berliner Adreßbuch , 1925, IV. Part, p. 2037. "Owner Stellmachermeister Zergubel, residents: Stellmachermeister F. Beutel, Police officer P. Wehde" (same information also after 1935).

↑ Dorfaue plan of Berlin. Sheet 4452 ( Memento of the original from November 16, 2016 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. . X = 11855, Y = 30970 @1@ 2

↑ Before the Seeschloss-Lichtspiele 1952 ( source: Photo gallery 1946-1960 )

↑ detailed cinema data

↑ Heiligensee town center with village green, church and Alt-Heiligensee road

↑ Staehleweg: map of Berlin. Sheet 4547 ( Memento of the original from November 16, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. . X = 16890, Y = 36555 @1@ 2

↑ Pictures from the hall on filmtheater.square7.ch: Stadtrand-Lichtspiele

↑ "The outskirts of light shows in Berlin-Frohnau have been closed since December 1, 1952." In: Der neue Film. 15/1953.

↑ Welcome to Landhaus Hubertus!

↑ ^a ^b hall and foyer 1956 (source: film sheets 6/56)

^ Plan of Berlin. Sheet 4443 ( Memento of the original from November 9, 2015 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. . X = 17010, Y = 29435 @1@ 2

^ Plan of Berlin. Sheet 4443 ( Memento of the original from November 9, 2015 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Soldner coordinates X = 16680, Y = 29242 @1@ 2

↑ Residential and commercial building Alt-Tegel 8, built 1912–1913 by order of Wilhelm Rathcke (doctor) by bricklayer Gustav Müller based on a design by Liepe and Gerres

↑ Hauptstrasse 3 . In: Berliner Adreßbuch , 1918, V. Teil, p. 406. “Owner: Frau Dr. E. Rathcke, users are 19 tenants, including the cinema owner Luise Joschek ”(In the address book from 1905 to 1912 only the doctor Ehlers is named, then W. Rathcke as the house owner without any tenants.).

^ Bernauer Strasse . In: Berliner Adreßbuch , 1943, Part IV, p. 2595. “No. 139: Rebschläger heirs, manager of innkeeper A. Rebschläger: restaurant "Waldkater", cook W. Rebschläger, mechanic Dittebrand ".

↑ inhabitants of Berlin: Z . In: Berliner Adreßbuch , 1914, part I., p. 3591. "Innkeeper Aurel Zacharias, innkeeper, Reinickendorf, Antonienstraße 9, Tel. 531".

↑ Eichbornstrasse - Birkenstrasse . In: Berliner Adreßbuch , 1914, part V., p. 259. "Eichbornstrasse: 30–33: Construction sites, 34.34a (see also Birkenstrasse 63.64): owner Rentier G. Dyhr, eleven tenants ← Birkenstrasse → // Birkenstrasse 63.64 (see also Eichbornstrasse 34 / 34a) Owner: Rentier G. Dyhr ”.

Map with all coordinates: OSM | WikiMap

[8] In Reinickendorf (district area) there were previously 36 cinemas, of which in 1960 there were [still or already] 28 cinemas, of which 14 were closed by 1965

[10] The following years missing (1909–1911 and 1914–1916) do not have an appropriate entry. In the address books before 1921 only the suburbs Berlin-Reinickendorf, Berlin-Tegel and Berlin-Wittenau were listed. After the formation of Greater Berlin , these are grouped together under the administrative district for the first time in 1922 . In the 1922 address book, the Humboldtstadt administrative district is listed from the places Conradshöhe, Frohnau, Heiligensee, Hermsdorf, Lübars, Reinickendorf, Rosenthal, Saatwinkel, Schulzendorf, Tegel with the manor district of Schloß Tegel, Tegelort, Waidmannslust, Wittenau ; from address book 1923 as administrative district Reinickendorf.

[28] s.com writes "In 1946 the apparently undamaged building was reopened as a cinema".

[35] The cinema building was at the northeast corner of the street crossing in the corner house Eichbornstrasse 18 / Auguste-Viktoria-Allee 40, which is initially given at Auguste-Viktoria-Allee 40. The plots at Auguste-Viktoria-Allee 34–48 were still under construction in 1911. The six-party house number 40 belonged to the rentier P. Krause from Neu-Barnim in 1912, the guest rooms were managed by innkeeper J. Wohlfarth. In 1918 Krause owned the house as an innkeeper and, according to the address book, was his widow M. Krause in 1919. In 1937 Eichbornstrasse became Eichborndamm and at the same time the numbering was changed from horseshoe to reciprocal numbering - 18 becomes 38. In the 1970s, the converted corner house only had the address Eichborndamm 38.

[65] Although Völzmann writes: “In 1915/16 Martha Zierke opened in Veitstr. 10, first staircase, a second theater for Tegel. Before it was closed in 1919, Moritz Aronsheim was the owner of this cinema. ”According to the Berlin address books: Veitstraße 10 was the home of the cinema owner. In the name part (1916/3392 and 1917/3372): “Martha Zierke, cinematograph owner, Veitstr. 10, 2nd staircase 1st floor “. For 1918/5432 there is only the entry in the street section: "Marta Zierke, cinematograph owner Veitstraße 10, 1st staircase". For 1919, the cinema owner Moritz Aronsheim (1919/65) and the cinematograph owner Martha Zierke (1919_3209) are recorded in the name section, the latter also in the street section (1919/5367). The list of names mentions 1920/3201: “Martha Zierke, cinematograph owner, Veitstr. 10, 2. Aufgang "and in the street section (1920_5415) both under I. and II. Aufgang:" Marta Zierke, Kinematogr. Owner ”. From 1921, neither Aronsheim nor Zierke are recorded among the Berlin residents or for Veitstrasse. (1921/106, 1921/3520, 1921/5741, 1922/116, 1922/3756, 1922/6851) → After the year, the page numbers in the address books 1900-1924 are listed here

[124] However, 1974 is registered on Alle Kinos in Berlin (Reinickendorf) for the Palast-Lichtspiele with 422 seats, without further information.

[125] The entry in the cinema wiki : "1920 Residenz-Lichtspiele, Residenzstr. 76 (closed) 227 places ”does not apply to this list. In 1920 the address belonged to Berlin-Reinickendorf, with the district reform to Wedding .

[132] The name Roxy goes back to the New York Roxy Theater, as it was previously the world's largest movie theater with almost 6,000 seats and was named after several Berlin cinemas.

[1] Kino-Wiki main page, accessed on January 18, 2020. Kinowiki deals with the history of movie theaters in Germany and tries to collect all information about movie theaters and movie theaters in Germany. It is sorted according to federal states and cities. Everyone is called upon to supplement the data or correct errors.

[2] The breakdown by districts and districts is based on the district reform of 2001.

[3] Stefan Strauss: Film? Running. Publication in the Berliner Zeitung , March 27, 2017, p. 13.

[4] Resident of Berlin: Thesenvitz-Teichler . In: Berliner Adreßbuch , 1912, Part I., p. 3086. “Teichert, Paul, Kinematogr. Bes., Reinickendorf, Nordbahnstrasse 30 part. ".

[5] Gerhard Völzmann: Tegeler stories. 2013.

[6] The district magazine Blickpunkt Tegel . Edition August / September 2013, p. 11. From the beginnings of cinematography in today's Reinickendorf district

[Iseller-7] Marita Iseller: Chapter Reinickendorf . In: Hänsel / Schmitt: Cinema architecture in Berlin 1895–1995. P. 145 ff.

[BW2013-9] New book by Reinickendorfer Heimatforscher published . In: Berliner Woche , October 10, 2013.

[11] In Reinickendorf, Birkenstrasse became Kienhorstrasse in 1936 and Eichbornstrasse became Eichborndamm in 1937. In Tegel, the main street became Alt-Tegel in 1936 and the Bahnhofstrasse became the Grußdorfstrasse in 1961. As a result of the change in the district boundary, Provinzstraße 75 has belonged to Niederschönhausen since 1938 (location Schönholz). The entries for the address Reinickendorf (then) Provinzstrasse 75/76: 1924: K. Zappe, 1925: Universum-Lichtspiele, 1927: A. Wawerka. Also the provider of cinematographs "Prinz & Bongardt" ( Walderseestrasse 5) in Rosenthal (-West): cinematographs . In: Berliner Adreßbuch , 1922, Part II, p. 870 (Today's Wilhelmsruh part of the village belonged to Reinickendorf as a Rosenthal location.). are mentioned, but do not belong to the list definition

[12] tographic ideas . In: Berliner Adreßbuch , 1912, Part V., p. 235.

[13] tographic ideas . In: Berliner Adreßbuch , 1913, Part V., p. 273.

[14] Berlin-Tegel . In: Berliner Adreßbuch , 1917, Part V., p. 424. and Berlin-Tegel with the estate district of Schloss Tegel . In: Berliner Adreßbuch , 1918, Part V., p. 412.

[15] Berlin-Tegel with the manor district of Schloss Tegel . In: Berliner Adreßbuch , 1919, Part V., p. 408.

[16] Berlin-Reinickendorf . In: Berliner Adreßbuch , 1920, part V., p. 271 (1920/5262 in part V, p. 271).

[17] Berlin-Tegel . In: Berliner Adreßbuch , 1920, Part V., p. 425.

[18] tographic ideas . In: Berliner Adreßbuch , 1921, Part V., p. 267.

[19] Motion picture theater . In: Berliner Adreßbuch , 1922, Part II., P. 805 (in 1922 the traders were grouped together in the administrative district, but still subdivided according to the previous suburbs). and cinematographic performances . In: Berliner Adreßbuch , 1922, Part II, p. 870.

[20] Motion picture theater . In: Berliner Adreßbuch , 1923, Part II., P. 408.

[21] tographic ideas . In: Berliner Adreßbuch , 1924, Part II., P. 306.

[22] Motion picture theater . In: Berliner Adreßbuch , 1924, Part II., P. 364.

[23] Motion picture theater . In: Berliner Adreßbuch , 1925, Part II., P. 420.

[24] Motion picture theater . In: Berliner Adreßbuch , 1926, Part II, p. 417.

[25] Motion picture theater . In: Berliner Adreßbuch , 1927, Part II, p. 411.

[btb1941-26] Berliner Telefonbuch 1941, p. 448 (Letter L: Lichtspieltheater)

[27] Scharnweberstrasse 101-104 . In: Berliner Adreßbuch , 1928, Part IV, p. 2191. “Owner: Clara Hartmann (No. 44a); User: Innkeeper H. Baborowski, branch of the Schloßbrauerei Schöneberg AG, a chemical factory, a stable master ”.

[29] quote according to The Film Week 37/1955.

[30] Histomapberlin.de : Map K4-4232.

[31] rmer South Palace 1975 (image rights: Hans-Joachim Andree)

[32] Graf-Roedern-Allee . In: Berliner Adreßbuch , 1943, part IV, p. 2591. “88–90: Owner Narthelmes: Bohrer-Compagnie GmbH” (same owner already in the 1935 address book).