List of cinemas in Berlin's Tempelhof-Schöneberg district

The list of cinemas in the Berlin district of Tempelhof-Schöneberg gives an overview of all cinemas that have existed or are still in existence in the Berlin district of Tempelhof-Schöneberg . In the list, the districts have been taken into account according to the district boundaries since the 2001 reform and sorted alphabetically: Friedenau , Lichtenrade , Mariendorf , Marienfelde , Schöneberg , Tempelhof . The list was built according to information from research in the Kino-Wiki and linked to connections with Berlin's cinema history from further historical and current references. It reflects the status of the film screening facilities that have ever existed in Berlin as well as the situation in January 2020. According to this, there are 92 venues in Berlin, which means first place in Germany, followed by Munich (38), Hamburg (28), Dresden (18) as well as Cologne and Stuttgart (17 each). At the same time, this compilation is part of the lists of all Berlin cinemas .

introduction

The history of the cinemas in the district reflects the development of the population. Schöneberg with Friedenau belonged more to the inner city, while the districts in the Tempelhof administrative district, formed in 1920, were settled from Kreuzberg to the south. Not to forget that the city of Schöneberg was only a suburb until 1920 . There are 67 cinemas in the former Schöneberg district and 25 in the former Tempelhof district . In the 1960s, closed cinemas were often redesigned into shops and in some supermarkets (such as the " LPG " or the " Denn’s "), details of the former "glory of light games" can be discovered with a look at the ceiling. After the war years, some buildings specially designed as cinema structures were built.

The completeness of the list cannot be guaranteed. In the 1910s the demand for Kintöppen boomed and a demonstration device in a guest room was often sufficient. Of the 93 cinemas ever existing in the district, 62 were founded before 1945. Of these 62, 11 cinemas closed by 1920 and 12 more by 1930. Of 20 movie theaters that survived the war and those 21 that opened since the 1940s , 60% closed in the 1960s. In 1916 there were eleven “Lichtspiele” in Friedenau, four of which were in the immediate vicinity of Rheinstraße and there are still (as of 2016) the Cinema on Walther-Schreiber-Platz , which opened in 1912, and the Cosima from 1935 in Friedenau the cinema location of the (formerly) suburb area between Haupt- and Martin-Luther-Straße, in what was then the inner city the larger movie theaters were built on Bülow and Potsdamer Straße. There are still six movie theaters in the entire district. There has always been competition and financial difficulties for cinemas.

The district's history includes the film productions in the UFA halls in the south of Tempelhof, the area of AFIFA , which was incorporated into UFA in 1925.

The films offered from the early days were often brand new, thematically sometimes sensational, not always suitable for young people and, from the point of view of some virtuous citizens, vicious . In 1907 the attempt was made against these films by the “Cinematographic Reform Party” to create a vice-free zone with the Friedenau “ Kronen-Lichtspiele ” as a “reform cinematographic theater ”: where “[not…] the sensual tickle of lonely circles offered satisfaction and our youth is seduced [...] where the vice is not at home. "()

The cinemas in the southern parts of the district could also have given “East visitors” the opportunity to see “West films”. However , they did not have the status of subsidized border cinemas from 1953 onwards ; those recognized border cinemas were located in Kreuzberg and Neukölln closer to the eastern city districts . The cinemas in Marienfelde and Lichtenrade, on the other hand, received additional visitors from beyond the city limits of Brandenburg. In any case, additional financial income ended in 1961 with the construction of the wall , which exacerbated the profitability problems of the cinema crisis .

Cinema list

Name / location	address	Duration	description
Baby movie theater ( Location )	Friedenau Stubenrauchstrasse  21	1952-1969	The baby movie theater with its 156 seats was opened in 1952. The cinema was located on the ground floor of the four-story corner house at Stubenrauchstrasse / Wilhelmshöher Strasse. In the north of Schillerplatz, buildings were destroyed in the air raids in 1943 and the cinema rooms were set up during the reconstruction in 1952. After the cinema was closed, the mixed-use building with apartments was used as a café, later renovated and refurbished. Today there is the “Meerchenhaft” children's café on the ground floor. In the cinema of Jensen & Weise oHG there were 16 screenings per week, three screenings per day and one youth and one late show. “Ernemann II” projectors, right and left, were available for the demonstration and the sound was transmitted with a sound film amplifier, there was slide projection with sound. There were upholstered cinema seats for the audience. The widescreen technology is mentioned in the cinema directory in 1957 as being in preparation; after all, CinemaScope in single-channel light tone in the format 1: 2.35 (light source: Becklicht) was made possible from 1959. From 1959 Günter Kuphal was the owner of the cinema. The “Baby” in Berlin 41 was also affected by the general decline in visitor numbers and was closed in 1969.
Biophon ---- BTL ( Location )	Friedenau Rheinstrasse  14	1909-1932	“New cinema theater in Berlin. W. Hulke & Co., Alexanderstr. 39/40, opened in November 1909 in Friedenau near Berlin, Rheinstr. 14, a cinematograph theater. ”() The Biophon-Theater-Lichtspiele on the suburban main road (Friedenau in the Teltow district, 28,000 inhabitants) had 300 seats and there were daily silent films with a biographer . “… The oldest cinematograph theater that was 'well ventilated' after renovation work in 1914, the“ Biophon ”in Rheinstrasse 14, played an important role at that time, including the constantly changing Sunday children's programs. Whether little Lilian Pape, who allegedly lived with her mother at the time in Fregestraße, later famous when Lilian Harvey was a guest there, is not clearly recorded in the chronicles. ”From 1918 onwards, the cinema name BTL was used for Biophon-Theater-Lichtspiele, which mag are based on a brand decision . From 1924 Arnold Isenheim, Mrs. Minna Hulke and Hermann Brand are the owners who run the business, Hermann Brandt and Arnold Isenheim. The program change for the daily performances takes place on Friday and Tuesday. In 1927 the National-Film-Theater GmbH took over the ownership from Friedrichstrasse. Whereby W. Hulke & Co. will probably remain involved. In the cinema address book, 1905 is even mentioned as the year of foundation. The number of seats for spectators is given as 299. From 1930 Isenheim & Brandt became the owner of the cinema. Finally, the demonstration of sound films with cinema technology was from 1931 Klangfilm possible. However, in 1932 the cinema location was given up and the rooms were used for shops. The site was probably in the war badly damaged in air raids, rebuilt but extended to 1953rd On the ground floor of the changed house - in particular the rear part of the building was closed - there is currently a supermarket (2008: Kaisers branch, as of 2016: REWE).
Cinema at Walther-Schreiber-Platz ---- Corso Kolibri Friedenauer Lichtspiele ( Location )	Friedenau Bundesallee  111	since 1912	In 1910, Kaiserallee was a main line through the Friedenau district (1912: 45,000 inhabitants). In the Kaiserallee 111 1912 a new building was built and it opened a Kinematographentheater with 200 seats. In 1920 and 1921 the cinema address book at Kaiserallee 111 names the “Colibri-Lichtspiele”. The owners of the cinema with daily screenings and 200 seats are Horst von Platen from Wilmersdorf & Erich Kattwinkel. There are no entries for 1918 and 1924. In the beginning there were boxes to the side in the cinema despite the cramped space. These are removed in 1941 in favor of the toilets and the foyer. From 1925 onwards, the name “Kolibri”, which was now owned by the National-Film-Theater GmbH (based in Friedrichstrasse), was called Friedenauer Lichtspiele at Kaiserallee 111. The 210-seat cinema and daily screening of silent films went to Wilhelmine Brunsfeld in 1927, 1930 to the owners Friedrich and Johanna Hiller, they state 1912 as the year of foundation. There are 196 seats for spectators, a 146 m² stage and one or two performers provide the background music for the silent films. The Hillers and their successor as owner Erich Schulz (probably) decided not to show the sound films that were emerging at the time, but continued to have silent films interpreted acoustically. The reduced number of 188 seats when Paul Schwindke became the cinema owner in 1937 refers to the renovation that was carried out. He is replaced as owner in 1938 by Erwin Hanke. Hanke, at times together with Arthur Bachmann, guides the Friedenauer Lichtspiele through the war . Games continued during the bombing war, and the building at Kaiserallee 111 and the neighboring buildings across from Fröaufstraße survived the war. Even in the post-war period , Erich Hanke's “Friedenauer Lichtspiele” continued with 185 seats. Only the address changes in 1950 when the Kaiserallee was renamed Bundesallee in line with the zeitgeist . Erich Hanke remains the owner until 1959. In that year the box office is expanded and the small cinema is technically upgraded to be able to show the widescreen format CinemaScope, which was introduced in 1953. This modernization is followed by the new name "Cinema", the curved neon letters on the facade are still glowing. When Lothar Rösner became the owner of the cinema in 1960, he noted “CinemaScope 1: 2.35 is in preparation”, but in 1961 the technology for widescreen films of 1: 1.85 was retained. The cinema has three shows every day. The existing cinema technology consists of an AEG projection apparatus with pure coal light source, for sound reproduction are amplifiers and loudspeakers from sound film and, ultimately, the projection of slides with sound. There are 163 high upholstered cinema seats from Kamphöner and a hearing aid system for the audience. In 1973 the cinema is bought by Gertrud and Udo Zyber and it is part of the early off-cinema scene from the 1970s to the 1980s. Program specials are offered again and again despite financial restrictions. In 1988 the houses "Cinema" and "Die Kurb" are acquired by the real estate agent Korenzecher. Heinz Riech, at that time chairman of the supervisory board of UFA Theater GmbH, expressed his interest in "Die Kurb". Mr. Korenzecher was only willing to do this if he could also leave the “Cinema” to the UFA, which then took over both cinemas. At the beginning of 1989 the cinema received the new foyer in a three-month renovation phase, the ticket booth and walls were clad with white-painted wood and the southern wall in the foyer was mirrored to make the very small anteroom appear larger. A glass door leads the viewer to the left of the box office through a narrow corridor to the cinema. When the “UFA Theater GmbH” gave up the cinema in 1993, the Cineplex group took over and recorded it as a “One-Dollar-Kino” in 1997: post-actors were shown for a very low price, that is, films immediately before their video start. However, the concept was abandoned and the hall was run as a supplement to the nearby Cineplex-Titania and the Adria in Steglitz . The cinema is operated by "To the movies Filmverleih- und Filmtheaterbetriebs GmbH" from Kleinmachnow with the managing directors Günther Mertins and Peter Sundarp as part of the Cineplex group. The Friedenauer Lichtspiele, such as the → Cinema on Walther-Schreiber-Platz, then as now, have a focus on youth and children's films (youth performances). The hall offers 119 seats in 20 rows with a screen of 5 m × 3 m, the projection is digital with Dolby Digital sound . Under the leadership of the Zyber couple, the hall was painted black from 1973 to 1988 and larger, illuminated black-and-white pictures of Charlie Chaplin loosened up the area. From 1989 to 2015, the light-painted, tube-like hall had the classic plant-adorned wall coverings from 'UFA Theater GmbH', as in the closed UFA Royal Palace and in the UFA Film-Bühne Vienna. In 2015, the Cineplex Group invested in digital projection technology and also renovated the hall. The 2016 admission price for all days and all seats is a uniform 7.00 euros.
Cosima movie theater ( Location )	Friedenau Sieglindestraße  10	since 1935	The Cosima-Filmtheater in Sieglindestraße 10 not far from the S-Bahn station Bundesplatz (at that time Wilmersdorf-Friedenau station) was opened in 1935. The entrance is at Varziner Platz on the corner of Brünnhildestrasse 1. The building survived the war without damage and the game was quickly resumed. Since its opening, the “Cosima” has been operated by W. Schönstedt (Polygon-Lichtspiel-Betriebe Schönstedt & Co. KG in Binger Strasse 5) together with the “Bundesplatzkino” in Wilmersdorf. The Cosima is one of the oldest family movie theaters in Berlin. The cinema had 364 seats from the start. “The building that curves around the corner shows that it survived the Second World War relatively unscathed - even the ornate neon sign is still the original from the opening times. [...] While the facade is presented in different shades of gray, the entrance area of ​​the porch supported by a column stands out with its brownish color scheme. A large title display and a showcase with a green frame, also curved around the corner, draws attention to the program. " "W. Schönstedt's Cosima film theater at Wilmersdorf train station has now been completely renovated by cinema architect Hans Bielenberg. To celebrate the reopening of the now very representative building, the Metro short films 'Bear and Beaver', 'Milky Way' and 'Kinokrakeeler' and (a little late) the New Year's Eve Finck newsreel. ”() As a cinema owner is in the post-war years W. Schönstedt i. Polygon-Lichtspiel-Betriebe Schönstedt & Co. KG with managing director W. Schönstedt in trust management by H. Pätzold. There were three performances a day. The Ernemann II equipment, sound film amplifiers and the slide projector with sound were available for the demonstrations in the Cosima. From 1952 E. Sittner is the managing director. The demonstration machine was replaced by a Bauer B8, and widescreen demonstrations have been possible since 1957. With three performances every day, one matinee and one late performance were offered each week. The image and sound system was CinemaScope with single-channel light sound in the format 1: 2.35, supplemented by sounding N-slide projection. The 364 cinema seats from Kamphöner had high upholstered seats. The cinema has been run by the same theater management in the family business since the 1960s. The owner name of the Cosima-Filmtheater changed to "Bundesplatz-Studio Kinobetrieb GmbH", 10715 Berlin, Bundesplatz 14. The cinema is equipped with 250 seats and a screen of 35 m². In the foyer there are seating groups made of silver chairs, bar tables and bar stools. The long, slightly sloping hall offers space for 22 staggered rows with turquoise folding armchairs. A corridor to the right of the rows leads to the screen and the access to the toilets. Two changing films, preferably postplayers from the current art house area, are shown daily. It can be demonstrated in "Digital 4K" as well as analog 35 mm . The admission prices are (as of 2016) a uniform 7.00 euros. Photo credits
Hohenzollern light plays ( Location )	Friedenau Handjerystraße  64	1912-1943	“Beyond the Kaisereiche , on the other side of Rheinstrasse, about across from the Sparkasse, [the Lichtspiele] could be entered through a simple house entrance (no. 20). From there you went through a long hallway into the cinema, which was at Handjerystraße 64. I think there was also the main entrance, but of course the Rheinstrasse entrance was the more prominent one. " At the originally planned settlement area is the Handjerystraße on the southeastern edge. In 1912, Schröder opened the “Restaurant Hohenzollern” on plot 64, and the Hohenzollern light plays (“Friedenau's most distinguished and largest movie theater”) in the 600-seat room. Access was from Rheinstrasse 21, the main street in what was then the Berlin suburb. The building on Handjerystraße was an inn, for 1913 the innkeeper Müller is the owner and innkeeper F. Schröder is the operator in the address book, and Wilhelm Schröder the cinematograph owner. In 1918, Mrs. Schröder is named in the cinema address book as the owner of the Hohenzollern-Lichtspiele with 465 seats. There are daily performances with silent films, with an acoustic accompaniment by six musicians. In 1920 the cinema was owned by Richard Tuesday, whose business was run by Curt Hoffmann. When Elfriede Hein owned the Lichtspiele after the inflationary year of 1923, the audience capacity was stated to be 592 in 1924, and from 1925 to 500 seats. In 1929 Feßler-Marcus is the tenant. In the course of 1929, the Friedenauer Lichtspiel-Betriebs-GmbH became the owner, initially with Hans Pawlicki, then in 1932 with Emmy Bartsch as operator and again 600 places were registered. Sound film technology is also being developed under Emmy Bartsch. In 1934 Georg and Rudolf Pollak took over the cinema before (1937 with 562 seats) the "Polygon-Lichtspiel-Betriebe Schönstedt & Co." also took over this cinema (Rheinstraße 21 and Handjerystraße 64). Due to the bomb damage, the cinema ended in 1943. The cleared ruins of Handjerystraße (64, 63 and opposite 44, 45, 46) have been rebuilt on the street front since 1960, property 64 around 1962 with a new five-story residential building.
Cinematograph theater ( Location )	Friedenau Büsingstrasse  22	1912	The corner house Büsingstrasse 22 / Bornstrasse 6 was on the border from Friedenau to Steglitz and was 200 meters away from the Rheineck. M. Meyer names the address book as the owner of the cinematograph. For the previous year, 1911, there is no cinema owner Max Meyer in the residents' section and no tenant Meyer for Büsingstrasse in the address section. For the following year 1913 there was a change of ownership of the house at Büsingstraße 22, and the tenant Max Meyer is no longer registered. The further whereabouts are not traceable (because of the name). In the Friedenau commercial section, the heading “cinematographic ideas” was previously missing and Max Meyer was missing in the following year. The cinema can only have existed in the course of 1912. The corner house and other neighboring houses on the east side of the street were destroyed in air raids in 1943. Around 1950 the property was cleared. At the end of the 1970s, an existing 2800 m² playground was built on the property on Bornstrasse 6 + Büsingstrasse 21/22 + Lefévrestrasse 27.
Cinematograph theater ( Location )	Friedenau Goßlerstrasse  18	1919	In the Friedenau industrial area, Max Victor is included in Goßlerstrasse 18 under “Cinematographic ideas”. In the address section, Max Victor is listed with a movie theater, but this reference to cinemas is missing both in the previous and in the following year. Before and after 1919, businessman Max Victor (apartment: Friedenau, Goßlerstraße 18 III.) Is only the owner of the company "Bunke & Co. Reklameartikel". From 1919 to 1920 the house owner changed. The 20 meter wide property is 70 meters deep, there are side wings on the front building and there is a free-standing garden house, the latter already existed with the expansion of Goßlerstrasse. Opposite house 18 was the Queen Luise Oberlyzeum .
Parade lights ( Location )	Friedenau Southwest Parade  64	1956-1973	The corner house on Südwestkorso 64 / Taunusstraße 18 was built by Franz Helding in 1910-11 and is a listed building. There is a staircase each on Taunusstrasse and on the parade. The semi-detached house is connected to the theater entrance by an intermediate building and in the courtyard by the part of the building with the theater hall. The rooms in the intermediate building and the hall connected to it were mainly used for gastronomy purposes. In 1956 Ernst Schreyer opened the “Korso-Lichtspiele” in the hall in the courtyard building on the south-west parade . The cinema offered 167 viewers on high-upholstered cinema armchairs from Kamphöner Platz. There were three performances every day, plus a late night and a matinee on the weekend. From the time it opened, the cinema technology was available to play widescreen films using the CinemaScope method. A Euro M device (light source: pure coal) was installed for the projection, sound film technology provided sound reproduction and the slide projection was possible with sound. The film formats 1: 1.85 or 2: 2.35 could be used, which were projected onto a cinema screen of 2.6 m × 4.6 m or 2.3 m × 4.9 m. In 1959 the cinema owner changed: Waldemar von Härder. Who had operated the parade under these conditions until 1973. The privately run “Kleine Theater” then moved into the former cinema in November 1973. It sees itself as a Berlin premiere stage and even premieres are performed. A classic chamber theater with 99 seats, the stage area has a size of 30 m².
Kronen Filmtheater ---- Reform-Kino Welt-Theater ( Location )	Friedenau Rheinstrasse  65	1907-1969	The building at Rheinstraße 65 is at a 45 ° point to the neighboring street. The cinema was along Ringstrasse (since 1962: Dickhardtstrasse), while the entrance was at Rheinstrasse 65. “On July 31st [1907] the first German reform cinematograph theater was opened in Friedenau near Berlin, Rheinstrasse 65. Numerous representatives from the press and the teaching staff were present to find out more about the basic principles of the new company. The opening speech given by our employee, Rector Lemke Gollnow, was noteworthy in that it represented the program of a new direction 'The Cinematographic Reform Party', a party that seeks to bring together the press, teachers, manufacturers and entrepreneurs to bring about cinematographic life in To lift Germany and to steer it in the right direction. What this party is striving for can best be seen from the opening speech, which we will follow in the wording: Cinematograph theater - what an abundance of thoughts and ideas does not storm at ans when you hear these words! And it is not always feelings of the most pleasant kind that are triggered in us by these ideas! The cinematograph has recently fallen into disrepute; One thinks of a place where the sensual tickle of lonely circles is offered satisfaction one thinks of a place where one wants to excite our overstimulated nerves, where our youth is seduced - in short, a place where vice is at home! In this series of presentations the cry: Reform! ”() Obviously, this concept for the screening of“ clean ”silent films was not upheld because a new opening was already mentioned two years later:“ In Friedenau, Rheinstr. 65, a world cinema theater was opened by Hermann Siepert, Fritz Wagner & Co. ”() After a few changes of ownership of the cinematograph, August Röder opened the hall cinema with 460 seats under the name“ Kronen-Lichtspiele ”. The ownership of the cinema remained in the hands of the Röder family until it closed in 1969. In the Berlin address book, the apartment buildings Rheinstrasse 64 and 65 and Ringstrasse 1 (initially as 1–3) are related to each other. From 1905 to 1913 the innkeeper Hermann Siepert was registered in house 65, who provided (at least) the hall for the reform cinema. In 1909 Siepert himself became a partner in the cinematograph with the Welt-Theater and also temporarily administrators of house 65. Siepert and Wagner were replaced by Eugen Jacobi with the "Friedenauer Lichtbildbühne" in Rheinstrasse in 1911 after the address book entry. For the next year, the cinematograph theater in Friedenau will start with performances in Rheinstrasse 64 for Theodor Obersky, who had his apartment at C 25 Landsberger Strasse 64. In 1913, the inn with the cinema was probably taken over by Julius Imm, who is registered with "Kaiser Wilhelm-Garten Julius Imm" in Rheinstrasse 64/65. A use for the cinematographic performances is obvious, but not specifically documented. The house owner Rentier Schultz later lived in Steglitz and in the following years Imm is still registered with his Kaiser Wilhelm Garden and participation in the cinema. From 1916 August Röder was listed in the cinema directory with the Kronen-Lichtspiele in Rheinstrasse. Initially noted with the addition “am Lauterplatz” (since 1964: Breslauer Platz). The cinema had daily screenings and a program change every week, it has 460 seats (also 450 and 500 seats). The silent films were accompanied by seven musicians. For the year 1927, the "National-Film-Theater GmbH" from Friedrichstrasse is named as owner, before and after August Röder, who gives the year 1916 for the founding of the Kronen-Lichtspiele. The cinema name may have referred to the Immschen Kaiser Wilhelm Garden. In 1931, August Röder built Tonfilmtechnik von Klangfilm into the Kronen-Lichtspiele with 500 seats; the seven musicians are still sold until 1934. In 1937 the number of places was reduced to 478, from 1941 there were 489. The Rheinstrasse 65 building was spared war damage and cinema operations were only briefly interrupted, and the cinema was active again by 1946 at the latest. Although the owner of the cinema in 1949 was Dr. RF Goldschmidt called, but August Röder again in 1950, the business was run by Käte Handke. From 1953 the daughter Helga Röder is the owner and the managing director became Paul Hommann. There are three performances every day. The cinema technology is performed with a "sounding slide", a projection device from Erko and an amplifier from Klangfilm. In 1957 the cinema was equipped with a Bauer B8A (light source: Xenon) for presentations of CinemaScope 1: 2.35 with single-channel optical sound. The 473 seats are equipped with high-upholstered cinema seats from Kamphöner. In keeping with the trend of the times with decreasing visitor numbers, the Krone-Lichtspiele are discontinued in 1969 and the rooms are converted into a supermarket. The rooms were used as a discounter until 2006, after 2008 the hall was used as a guest room and a restaurant. Next to the house entrance, the cinema entrance with the wall panel above can still be seen. "[...] in the direction of Kaisereiche , diagonally across from the Roxy , right next to the Nicolaische Buchhandlung, was the Kronen-Kino, which today houses a restaurant in its hall on Dickhardtstrasse."
Pfalzburg light plays ( Location )	Friedenau Bundesallee  72	1912-1915	At Kaiserallee 72 (since 1950: Bundesallee) at the corner of Bachestrasse 13, a silent film cinema opened in 1912 in a shop owned by director Martin Alexander. The cinema had 155 seats on an area of ​​almost 100 m². The Berlin address book also occupies director Alexander and the Pfalzburg-Lichtspiele in Kaiserallee 72 for 1913 and 1914. The listed Pfalzburger Lichtspiele were now managed by sub-director O. Endom, who had moved into the house. The cinema ended in 1915, according to the address book, sub-director Endom and director Alexander still live in Kaiserallee 72, but the entry “Pfalzburg-Lichtspiele” is missing in the address and commercial section.
Rheinschloß film theater ( Location )	Friedenau Rheinstrasse  60	1912-1975	"[Like the Kronen-Kino] on the same side [stood ...] where today Aldi resides the Rheinschloß-Kino , in my memory a red 'plush hell'." At Rheinstrasse 60 in Friedenau was originally the restaurant and hotel Rheinschloß. In 1912, Fritz Borghard opened the “Rheinschloß-Lichtspiele” in the existing hall of the (former) restaurant. In the Berlin address book (suburb of Friedenau 1914, V. Part p. 56), Borghard is named as a trader with cinematographic ideas at Rheinstrasse 60 and has given up the timber warehouse. The restaurant business was probably given up in 1911. The Rheinschloss-Lichtspiele had 400 seats and screenings of silent films took place daily, with a weekly change in the program; from 1925 there were two changes. There was a stage with the dimensions width 6.5 m, depth 4 m, height 5.5 m. The number of seats was increased, from 1921 there are 464, from 1928 512 seats are designated in the cinema address book. At times four to six musicians are used to create the acoustic features of the silent films. From 1918 on, Felix Borghard had Dr. Ernst Dibbern, whose residence is given as Goslar (Harz) in 1929 and Borghard is the sole owner from 1930. The year of the establishment was indicated by him in the cinema address books of the 1920s as 1910 and in the 1930s as 1911, but according to the listings in the Berlin address book, the Rheinschloss-Lichtspiele began in 1912, with performances in the restaurant hall before 1912 . From 1931, it became possible to show sound films in the light plays with technology from Kinoton. From 1938 Felix and Gertrud Borghard became the cinema owners. The cinema was run through the war years without damage and continued to operate at least from 1946 in the post-war years . HF Herz is listed as the owner for 1950 and Gertrud Borghard has been running the Lichtspiele from 1951. In the 1950s, 488 seats were registered and there were two shows a week and three on Saturday and Sunday, from 1953 three shows a day. An Ernemann VII Bm projector for the AEG's sound amplifier Europa-Klarton was used for the demonstration, and there was also a slide projection. “Rare film theater anniversary 40 years of Rheinschloß Berlin: There are not many film theaters in Germany that can look back on 40 years of existence. The Rheinschloß-Lichtspiele in Berlin-Friedenau belonged to them. They were opened on March 15, 1912. Until his death in 1947, Felix Borghard, the founder of the house in the Berlin district of Steglitz-Friedenau, which was important for the development of German film, was the director of the 'Rheinschloß'. Now his widow, Mrs. Gertrud Borghard, runs the house, which at the time of its opening was the only cinema far and wide and also one of the first sound film theaters. An Asta Nielsen film was on the program on the opening day, the sound film era was introduced by the Albers film The night belongs to us . The tastefully renovated theater, which has around 500 seats, has created a steady regular audience, which thanks to its loyalty to the tireless work of the now sixty year old Gertrud Borghard. She designs the game plan with skill. DER neue FILM wishes the exemplary film theater director Gertrud Borghard continued successful work for the best of the film and for the delight of its visitors. ”() Another press report read:“ Gertrud Borghard opened the Rheinschloß-Filmtheater in Berlin-Steglitz 45 years ago. After her husband, Felix Borghard, died in 1947, the management of the house passed into the energetic hands of the Berliner by choice, whose motto is still today: 'Good for those who haven't lost the best - in the struggle of life - their humor'. Gertrud Borghard steers the fortunes of her Berlin house with humor. "() In 1957 new seating with 488 upholstered armchairs from Ufa (Waldheim) was set up, sound film amplifiers are recorded and a slide projection with sound. In addition, according to the evidence, from 1959 Gertrud Borghard set up the CinemaScope single-channel optical sound system for an image format 1: 2.35, for which the Ernemann VII B (light source: Becklicht) and sound film loudspeakers were still used. The Rheinschloß is still owned by the Borghard family through the 1960s when the number of visitors fell until it was closed in 1975. A discount store then moved into the cinema in 1975 . When it moved out in 2014, the former hotel room was extensively restored and an organic market moved in (as of 2016: Denn's).
Roxy Palace ( Location )	Friedenau Hauptstrasse  78-79	1929-1973	“The Roxy Palace stood right next to the Friedenau town hall in Hauptstrasse, […] The modern house was built in 1929 as a cinema and office building and is a listed building. The transverse ribbon windows were supposed to symbolize film strips and thus remind of the main function of the house. In 1986, when the former cinema hall had long been used as a disco, a bomb attack frightened visitors and the people of Friedenau. ”In 1929, an office and commercial building was built on the property at Hauptstrasse 78/79, to which the part of the building intended as a movie theater at No. 78 (right part of the building) belonged. The steel frame construction is considered the main work of New Objectivity by the architect Martin Punitzer . The Roxy Palace opened on October 31, 1929 with the Berlin premiere of the silent film Andreas Hofer . The large cinema had 1200 seats and several daily screenings took place. The Roxy Palace operates the "Roxy" Lichtspieltheater GmbH, whose owners were Hermann Rosenfeld and Wilhelm Sensburg. The authorized signatory Richard Auner managed the business on site. With the introduction of the sound film in 1931, the "Roxy-Lichtspiel-Theater GmbH" went to director Hugo Lemke and businessman Ernst Defries. The new technology came from sound film . After 1933, the sponsoring company was initially run by the cinema owner Hugo Lemke on his own, from 1936 August Röder joined the company as a partner. For 1941 the information is "Roxy-Lichtspieltheater Lemke, Roeder & Co." The number of seats is given in the cinema address book from 1934 for 1040 spectators. The building at Hauptstrasse 78/79 was badly damaged in the air raids . For a short time (1947) the building was used as a department store in the post-war period . It went back to the "Lemke-Krüger Directorate" and the partially destroyed building was restored as a cinema by the architects Paul Stohrer (from Stuttgart) and Bruno Mellendorf (from Berlin) in 1951 . The reopening took place on January 23, 1951. “At the opening, a few rows of chairs were still missing (because they were not delivered from Stuttgart on time) and the smoking boxes behind glass, designed for 40 people who smoke, had not yet been cleared by the building police. [...] The house, technically furnished by Ufa-Handel, Berlin, and working with Bauer B VIII projectors, opened with the film Kissing is not a sin , which was released by Adler-Film-Verleih and was received with approving joy. "() Der Roxy-Palast belonged to "Hugo Lemke, Theater-Betriebsgesellschaft mbH", whose managing director was Karl-Heinz Krüger, from 1959 Rüdiger Beysen. At first 26, then 21 performances were given a week with daily play and there was an opera and theater license for the 12 m × 6 m stage. In addition to the demonstration machine from Bauer, a Euronor II amplifier was available for the sound, and the slide projection could be done with sound. “An orchestra room for 40 musicians has been built into the representative 1000-seat Roxy theater in Berlin-Friedenau, which belongs to the cinema group of the theater owner Hugo Lemke. The good acoustics of the house surprised when the artists' emergency service performed Figaro's wedding for the inauguration . In addition, the box offices were modernized according to the ideas of the theater manager Unger. Clever use of space and streamlined interior design accelerate ticket sales and make the cashiers' work easier. The card cabinets were combined for set cards and role cards. ”() Löffler's seating was 997 high upholstered armchairs. In 1957 the cinema technology was adapted for CinemaScope (Bauer B8 lur) and with light and magnetic sound through sound film amplifiers and loudspeakers in the film format 1: 2.35 and 1: 2.55. There were three performances a day and two to three late / matinee performances per week. The cinema ended in 1973. There is no entry for 1974. “In December 1975 the former cinema, the Roxy-Palast, in Hauptstrasse 78/79 in Friedenau became a beautifully designed club with cabaret shows, disco and live music. Unfortunately, the time is not yet ripe for this concept. The successor will be a discotheque that is not under a lucky star: La Belle . ”After the bomb attack on April 5, 1986, the original facade design was restored, but the discotheque was discontinued and a carpet shop moved into the cinema, which closed again in 2009 . An organic food market has been located in the entrance area and on the parquet floor of the former cinema hall since June 2011 .
Thalia ---- Friedenauer Lichtspiele Rheineck KammerLichtspiele ( Location )	Friedenau Bundesallee  102	1910-1958	“[The Hohenzollern Lichtspiele followed] next was the Thalia Lichtspiele, the cinema for my youth performances on Sunday. It was located in the midst of numerous small shops such as the Losch soap shop, a milk shop, a small post office, a stationery store ... all of which, lined up like pearls on a string, were on the ground floor of a large block of comfortable apartments that was completely destroyed by bombs . Today the SSC is located here. ”In 1912 the“ Kammerlichtspiele ”opened diagonally across from the“ Rheineck ”restaurant at the meeting point of Kaiserallee 104 (since 1950 Bundesallee) and Rheinstrasse 39a. In 1918 the name was changed to “Rheineck-Lichtspiele”, and in 1925 to “Thalia-Lichtspiele”. From 1950 the Thalia became a day cinema and it was closed in 1958. In 1959 it was demolished for the expansion of the Held department store (later Hertie / Karstadt ). This department store closed in 2003 and demolished in 2005. The “Schloß-Straßen-Center” shopping center was then built. The property at Kaiserallee 102/103 was still undeveloped building land in 1904. The new houses were built in 1905. In 1909 the cinematographer O. Kalies lived in the house of the reindeer F. Linke. In 1911 there was the “Empire-Theater Lichtkunstspiele” at Kaiserallee 102. The Kammerlichtspiele were run by A (ugust) Mayer. In 1914 Mayer was no longer named for Kaiserallee. The Rheineck-Lichtspiele by Max Meier with 200 seats and daily screenings are entered in the cinema address book, whereby the founding year was set to 1910 by him. In 1925, the cinema passed to Mrs. Morin, who named the remaining name Thalia-Lichtspiele for her company, with the addition of “Rheineck”. In 1928 Irma Kuntz (nee Hausen) became the owner of Lichtspiele, she listed 183 seats in the cinema directory and gives 1914 for the year the venue was founded. She remained the owner of the cinema until 1933. Ms. Anita Kamp took over the cinema in 1932 and was (probably) the one who created the possibilities of sound film reproduction with “mechanical music”. With 177 places left, Ernst Böhmer followed as entrepreneur in 1937 at the latest, Fräulein Gerda Rasp-Ewert was his managing director and from 1939 Gerda Rasp is the owner together with Ernst Böhmer. House 102 on Kaiserallee survived the air raid in 1942, just like the surrounding buildings, only badly damaged and partially burned out. From 1949 at the latest, film screenings were given again in the Thalia-Lichtspiele. Ernst Böhmer and Gerda Emmerich are registered as cinema owners. From 1950 they ran a daytime cinema with five performances a day. There was the sounding slide projection and an Ernemann VII B for film playback, as well as an amplifier Europa-Junior. From 1952 only Gerda Emmerich is registered as the owner and there were 33 performances per week. In the post-war years , the cinema still offered 174 seats, some of which were subsequently equipped with high-upholstered armchairs. In 1957, as in general in Berlin, the upgrade for CinemaScope films took place. The existing Ernemann VIIB projection apparatus allows single-channel light sound and the widescreen format 1: 2.35 as a sound system. In addition, the number of performances has been changed to 36, with two late performances per week. The cinema in Thalia was stopped in 1958 when the house at Bundesallee 102 had to give way. In the 1950s there were several renovation projects on Walther-Schreiber-Platz and the redesign on the west side of Bundesallee between Levéfre and Bornstrasse. Ultimately, the new construction of the Schloß-Straßen-Center took place in the mid-2000s .
Bismarck light plays ( Location )	Lichtenrade Zescher Strasse  5	1933-1962	Zescher Straße (until 1949: Bismarckstraße) is a side street off Bahnhofstraße; House 5 is 360 meters away from the train station . In 1930 there was still a nursery and building land on Bismarckstrasse to Bahnhofstrasse, Bismarckstrasse was continuously counted. On July 15, 1933, Willy Schönke opened the "Bismarck-Lichtspiele" in a purpose-built new building with 294 seats. The cinema had a stage measuring 4 m × 5 m × 1.50 m. In addition to silent films, the use of sound film technology and mechanical music made sound film screenings possible from the beginning of the daily performances . In the mid-1930s, Elsa Krieger became a partner. Bismarckstrasse was changed from consecutive to reciprocal numbering, and the cinema was redirected from Bismarckstrasse 25 to 5. For 1939 Willy Schönke is the owner of the property and the movie theater. The cinema was often closed at short notice from 1943 to 1945 due to repairs to war damage. The continuation of the Bismarck-Lichtspiele from 1949 can be proven, due to the cultural needs of the post-war period and the relocation of the locations to the peripheral areas at the time, the cinema should (probably) have been open again from 1947. In 1950, "Heinz Steckel & Co." and managing director Richard Starke are listed as owners. It was played twice a day for spectators on 294 seats. There was an Ernemann IV for the projection and an amplifier from Klangfilm for the sound; there was also a slide projection. From 1953 an Ernemann VII B was added to the existing projection equipment. From 1955, or probably from 1954, “Bismarck-Lichtspiele Schönke & Heller oHG” is the owner of the cinema. The existing equipment, including sound film loudspeakers, made it possible to offer wide screen film with an aspect ratio of 1: 1.85 from 1957. Otto & Zimmermann's seating is 311 flat upholstered cinema seats. From 1957 onwards there were 15 performances per week, and from 1958 onwards there were 16 performances. The light source is pure coal and pool light, the slide reproduction was given with sound. With the emerging cinema crisis , the 300-seat cinema on the outskirts of the city was also cut off from visitors to the East by the construction of the wall. In 1962 the Bismarck-Lichtspiele were closed. The existing building became a supermarket. In the 1970s, the cinema property (No. 5) was combined with the property at Zescher Straße 3 and the six-family house there was demolished. As a result, a low-rise building was erected and organically attached to the two-storey former cinema building. The Aldi supermarket is addressed at Zescher Straße 3/5. There is a cleaning company in the previous cinema building.
Casa Candida plays of light ( Location )	Lichtenrade Königsteinstrasse  19–22	1949-1963	Edgar Fuhrhop lived in Lichterfelde Augustastraße 13 before 1946 and moved to Bernauer Straße 102 after the war. The Fuhrhop Apparatebau company manufactured microphones and radio technology. The company E. Fuhrhop KG Apparatebau was relocated in the post-war period (before 1949) from Köpenick (Russian sector) to Lichtenrade (American sector) Buckower Straße 7/10 (since 1950: Töpchiner Weg 199) to a newly created commercial site. This explains the address given as the property at Königsteinstrasse 29 for the cinema. The associated building between Taunus-Siedlung and Straße 9 has been preserved (as of 2008), used by the Bezet-Werk company (signaling devices, founded in 2003, seat: Nahmitzer Damm). Before 1949, possibly as early as 1945/1946, E. Fuhrhop KG built the "Casa Candida-Lichtspiele" in a low-rise building at the north end of Königsteinstrasse (at that time in the depths of the property at Bernauer Strasse 7/10, from 1950 on Töpchiner Weg 199) opened. The cinema had 329 seats and was played with one show every day and two on Sundays (eight shows per week). The director of the cinema was Gerhard Darge. The cinema had a stage of 12 m × 4 m × 4 m for which a theater license existed. The seating consisted of the wooden folding seats that were common at the time. The film was projected with a Victoria VI B apparatus, the amplifier was self-made by E. Fuhrhop KG with 3 × 220 V three-phase current, the loudspeakers were from Klangfilm. The slide projector had sound. In 1952, Gerhard Darge took over the cinema as the owner. In 1953 the film projector was replaced by a Bauer B 6 and the number of shows increased to twelve per week. The upcoming widescreen films could be shown in the format 1: 1.85. Gerhard Darge became the leaseholder of the cinema in 1957 and from 1958 Mrs. Ursula Darge took over as the leaseholder of the cinema. The "Casa Candida" was closed on August 4, 1963 as the last Lichtenrade cinema. The associated building between Taunus-Siedlung and Straße 9 has been preserved (as of 2008) and used by the Bezet-Werk company (signaling devices, founded in 2003, later headquarters: Nahmitzer Damm). The building was addressed as number 2/4 during the expansion of Straße 9.
Mozart light plays ( Location )	Lichtenrade Hilbertstrasse  19	1920-1942	From Wolzigerzeile (until 1935 Richard-Wagner-Straße) Hilbertstraße leads north and Mozartstraße south. The Wald-Restaurant was located in the Hilbertstrasse 19/20 building, Richard-Wagner-Strasse 8 and Lortzingstrasse 2 on Eisenbahnstrasse (this street has been omitted) along the railway line belonged to the 7000 m² property . The cinema was 600 meters south of the train station. In the hall of the Forest restaurants the "Mozart Light Games" were a hall cinema set up with an initial 233 places, later 290 and 500 seats in the hall are given for moviegoers. Johanna Löffler is the owner of the Mozart-Lichtspiele, from 1925 Hans Löffler runs the hall cinema until 1929. In the “Lichtenrader Lichtspiele” silent film screenings were only held on a few days of the week. In 1928 two days per week were entered in the cinema address book with 290 seats, in 1929 one day with 500 seats. Hans Löffler, the operator of the cinema events, named 1920 as the year the cinema was founded. The forest restaurant was run and administered by the innkeeper M. Rohrmann and was probably not used continuously for cinema shows. The owner of the inn is the retired city architect, Friedrich Rohrmann. In 1930, "Juhnke & Lohde Lichtspiele" announced three game days a week for 225 seats and employed two musicians to provide background music for the silent films. Finally, in 1933, the "United Light Games Bohnsdorf" by Walter Holze from Berlin-Bohnsdorf, Wiesenstrasse 33, was the owner. Holze named the year 1932 as the founding of his “Lichtenrader Lichtspiele”. On three days of the week he offered audiences with 200 seats, sound films, for which Kinoton technology was available. The "Waldrestaurant Rohrmann" was used for SA events and from March 1933, after the seizure of power, was also an SA storm bar where opponents of the regime were locked up and mistreated. Friedrich Rohrmann is the property owner until 1936 and the property has been taken over with the tenants by Mrs. Gertrud Leborius since 1939 and managed by the innkeeper Otto Leborius. In the period from 1935 onwards, the organization of film evenings may have subsided. Ultimately, the plays of light in the forest restaurant did not last beyond 1942. The forest management building with the former cinema was cleared in the mid-1950s. The existing houses at Hilbertstrasse 19–19b and 20–20b were built around 1960.
Roma light plays ( Location )	Lichtenrade Goltzstrasse  37a	1953-1963	Gustav Schmidt opened the Roma-Lichtspiele in Goltzstraße 37a in 1953 with space for 450 spectators. The building with the cinema was rebuilt on a vacant lot. The cinema building stands from the street at the rear next to the three-story residential building with a row of shops. The entrance to the cinema, with a façade as high as a house, was on the left of the living area. In 1957 the "Gustav Schmidt heirs" became the owners of the Roma-Lichtspiele, then the Schmidt brothers as owners with Wolfgang Schmidt as managing director. The seating for the 450 cinema seats - some with high upholstery - came from the Wegener company. Two performances were played a day and each week there was a night and a youth performance. The film was shown by an Askania AP XII and a Uniphon amplifier. This made it possible to play back widescreen films in 1: 1.85 format from 1957 onwards. The slide projection was done with sound. The technical equipment remained until the Lichtspiele closed in 1963. Between 1962 and 1967, property addresses on Goltzstrasse were changed, so 36a became 37 and the previous 37 became 37a. The former cinema rooms are used by the drugstore. The surrounding buildings opposite the confluence of Bahnhofstrasse on the triangular area (Goltzstrasse / Kirchhainer Damm) in front of the cemetery were added in the 1970s.
Adler light games ( Location )	Mariendorf Mariendorfer Damm  96–98	1952-1961	The Adler-Lichtspiele were opened in 1952 in the hall of the “Schwarzer Adler” inn on the corner of Mariendorfer Damm 96-98 by Gustav Lehmann, who was already running the Capitol in Dahlem . The inn with a hotel was built before 1900 on the old trade route . The address before 1949 was Chausseestraße 43 between Prinzenstraße and Prühßstraße (until 1927: Bergstraße ). After uncertain source situation in 1918 screenings were held in the restaurant hall already with the change of ownership, as in the early days of cinema as cinema complex was common. The “Adler” light shows belonged to Elisabeth and Alexander Bartha from 1953 and offered 265 seats for spectators. A license for theatrical performances existed for the stage of the hall measuring 5 m × 5. Film screenings were staged three times a day and with two additional screenings a week. The films were played back with an Ernemann VII A with pure coal light source and an amplifier Klangfilm-Europa-Klarton, slide playback with sound. The conversion to wide screen films took place with their offer from 1957, the format 1: 1.85 was possible. At the same time, the number of weekly performances was increased to 20, including one matinee / youth performance. The 250 spectator seats were equipped with high upholstered folding armchairs by Kamphöner. The Adler was closed in 1962 when the number of visitors fell in general. The hall is located on the property boundary between Mariendorfer Damm 96 and the as yet undeveloped (as of 2016) corner property 98 on Prinzenstrasse (28 not listed). The cinema entrance to the right of the restaurant entrance was closed and included in the facade during renovation. The ground floor rooms of the property are still used as a restaurant (2017: Shisha lounge).
Alhambra ( Location )	Mariendorf Kurfürstenstrasse  44	1924-1966	The "Diana-Lichtspielhaus" was opened in 1924 by Max Droszkowski in a former dance hall in the back courtyard of Kurfürstenstrasse 44. “At that time the entrance was in the courtyard entrance [to the right of the house entrance]. A corrugated iron hall placed at the transition between the side wing and the hall building served as the entrance area. From here the visitor entered the hall to the right of the screen and orchestra. The uniform seating block continued into the single-storey stage building, on the roof of which the projector room was located. ”() From 1925 to 1927, Ms. A. Mohr and J. Berndt were the owners of the cinema on the Schäferchen property with 174 seats and in 1926 Walter Schoknecht was involved. The film screenings were given daily. For 1928 Alfred Uleer (Managing Director Ballhorn) took over. In the course of the year Ferdinand Krauss finally became the owner of the cinema, now known as the "Alhambra-Lichtspiele". He used two musicians to provide background music for the silent films and 198 seats are specified for the cinema. In 1935/1936 the Alhambra came into the possession of Elise Bartels and Leo Taschenk. In 1941 Gisela Hauschild became Elise Bartels' partner. Elise Bartels continued the cinema business in the 1940s with 200 seats and daily performances. In 1951, Ferdinand Krauss's sisters filed a lawsuit for reparation against Elise Bartels under file number 52 WGA 1501/51 , the outcome of the proceedings is not known. Due to its small size, the Alhambra was also called the Flea Cinema. From 1952 onwards, there are 224 places and two screenings per day and one or two special screenings on the weekend in the cinema address books. The Alhambra light shows were taken over by Erich and Emmi Christ in 1954 from the owners at the time. It was rebuilt and redesigned inside. "The Alhambra-Lichtspiele, Mariendorf, passed into the hands of Messrs. Christ and Tietz on April 1st, 1954." () The owners were the "Erich Christ, Willy Tietz, Filmtheaterbetriebe". With the advent of the CinemaScope image and sound system, light tone, this was made possible by adapting the technology. At this point in time, Ms. Annemarie Preil became the cinema owner for a short time. The cinema was sold at short notice, but was taken back by Erich and Emmi Christ. A Bauer B 5A with a Becklicht light source and sound film amplifier was in the house for projection. Films in the format 1: 2.35 were possible, there was a hearing system for the hard of hearing and sound slides of all formats could be projected. The seating with high upholstered cinema seats from Kamphöner took place at the latest in 1957. From 1959 Ursula Griese was the registered owner of the Alhambra-Lichtspiele. The cinema no longer exists, it closed in 1966. The "Haus Kurfürstenstrasse 44" was renovated in the 1980s (according to a contemporary witness). At that time the entrance area with a large "double door" was under the right balcony. The entrance has been made smaller. Apart from the shops, there are only apartments in this house. The Alhambra, called the Flea Box, did not end as a supermarket; the Flea Box became a meeting place for Jehovah's Witnesses. The old building structure on the south side of Kurfürstenstrasse between Rathausstrasse and Machonstrasse was changed around 1980 between 1977 and 1983 and the old buildings were renovated and the facades were adapted. In particular across from Monschauer Weg, only the four-storey front building with shops on the ground floor remained at number 44. The entrance to the courtyard can still be recognized by the simple portal of the same type above the house entrance and the shop on the right
Apollo light plays ( Location )	Mariendorf Mariendorfer Damm  30	1910-1921	At Chausseestraße 14 (since 1950: Mariendorfer Damm 30) on the corner of Markgrafenstraße there was initially a cinematograph theater from 1910, which was probably not operated permanently. The house on this property was a new building in 1910 by the Kelling & Baniecki construction company from Steglitz, which was based in Lichterfelde the following year. In 1912 the Jewish businessman Hermann Leitner became the house owner of Chausseestrasse 14 / Markgrafenstrasse 16. Max Wolff's "Apollo-Lichtbildtheater" with 200 seats is included in the cinema directory for the years 1918/1919, the cinema name Apollo existed ten times in Berlin's cinema history . In 1920, Willy Leyser was listed in the cinema directory as the owner of the cinema, who in turn entered the founding year 1910. The Berlin address book lists the cinema owner B. Knoblauch as one of the tenants for Chausseestrasse 14. The last change of ownership to Nikolaus Hollnack took place in 1921, when the cinema also ended. There are no further entries in the cinema address book, and in 1922 the Berlin address book was followed by a “facility for laundry GmbH” for Chausseestrasse 14, as well as eight tenants in the house of Kaufmann Leitner, who also lived here. The whereabouts of (cinema owner) B. Knoblauch cannot be traced. The four-storey old building with shops on the ground floor, which extends into Markgrafenstraße, survived the events of the war unscathed, while the adjoining number 28 was destroyed in the Second World War or was demolished and rebuilt afterwards. The house with shops on the ground floor reflects the state as it was around 1920. On the street front (as of 2019) there is a small fitness studio to the right of the house entrance and to the left of the entrance on the corner of the house along Markgrafenstrasse are the rooms of a restaurant, which most likely housed the cinema. Hermann Leitner was expelled from Berlin after 1933, the house and his personal belongings were stolen from him, and he and his wife were murdered in the Holocaust.
Gaby movie theater ( Location )	Mariendorf Mariendorfer Damm  95	1912-1973	In the restaurant of the innkeeper Emma Miedtbrodt (at that time Chausseestrasse 283 ) screenings of silent films are said to have taken place as early as 1912 . Such hall cinemas were widespread venues at the time when the silent film was transformed from a fairground attraction to an authority. The cinema in the restaurant was stopped again. A low-rise building between the two houses existed from 1930 at the latest. The owner of the tenement house with 45 to 50 tenants was the jeweler Berenyi from Budapest in 1925, and from 1935 to at least 1943 it was the retired bank director Bartlewski from W50 Pragerstrasse. In the post-war years (1949 at the latest) the cinema in the courtyard of the house at Chausseestrasse 283 was operated as the “Gaby Film Theater” by Erwin Griese and Johannes Linke. It was played with two to three performances a day. Chausseestrasse was named Mariendorfer Damm in 1950. At least from 1952, there were three performances a day, and in the following years youth, matineé and late performances were added. The projection apparatus was a Euro M, the sound film amplifiers Eurodyn, the slides with sound. A theater license existed for the stage of 5 m × 6 m 4 m. In 1953 Erwin Griese was the sole owner, from 1957 Ursula Griese was registered as the owner. In 1957 the projection machine Ernemann VIII (light source: Xenon) was purchased, which was the prerequisite for the reproduction of CinemaScope single-channel optical sound in the format 1: 2.35, which was only registered for the Gaby from 1960, and from 1959 there were still 404 places for spectators, the seating was upholstered armchairs. The Gaby-Filmtheater was closed in 1973. The current use of the former cinema rooms is a drugstore , and other businesses are located in the house.
Lida Light Games ---- light games at home ( Location )	Mariendorf Tauernallee  6	1956-1960	At Tauernallee 6 (corner of Albulastraße 23, a little east of Mariendorfer Damm), the Lida-Lichtspiele were located from 1956 to 1960 (see Dahlem ). Here the name was derived from the name LI chtpiele DA heim which they had in 1956/1957. On the other hand, the home goes back to the proximity to the settlement of the same name , which was developed as a garden city south of the trotting track since 1919. This cinema was opened by Heinz Thews, who built the Berolina on Bacharacher Straße in 1958 . Then Ursula Griess took over the Lida in 1958 and closed it in 1960. The cinema played with a mobile cinema machine TK35 from Zeiss Ikon and it was probably not planned for a long time. Heinz Thews, as managing director of "Heinz Thews & Co", had furnished the 151-seat cinema with Kamphöner folding wooden chairs. There were two performances a day and two special performances a week. The TK35 was supplemented with amplifiers from Klangfilm and loudspeakers from Körting for the sound. Widescreen films in 1: 1.85 were possible for showing . The slide projection was done with sound. The three-storey residential building, built in the late 1930s, has shops in both wings; the central part with the former cinema is used by a restaurant. Images on the web
Mali ---- Mariendorfer Lichtspiele ( Location )	Mariendorf Mariendorfer Damm  47–49	1927-1973	The Mariendorfer Lichtspiele were opened in 1927 by the cinema company Juhnke & Lohde GmbH. The installation of the cinema in the existing building at Chausseestrasse 305 (since 1950: Mariendorfer Damm) was carried out by the architect Paul Überholz. The daily performances took place with a seating capacity for 600 spectators. The hall had a stage of 6 m × 6 m. Silent films were accompanied by a band with five musicians. From 1931 David Kinatzer was the managing director, at this time the "Kinoton" technology for playing sound films was purchased and the number of seats was increased to 700. When Lohde left, from 1934 the "Bruno Juhnke Lichtspielbetriebe" in Tempelhof Berliner Straße 97 was represented by cinema owners and on site by Richard Wachlin. Under him, the architects Fritzsche & Löhbach rebuilt the premises in 1935. The stage was changed to 5.5 m × 3 m, but there have been 748 seats since then. The ownership structure changed when Woelke joined the company, the company "Juhnke & Woelke Lichtspiele", registered under the commercial court, had its headquarters in NO18 (Friedrichshain) Landsberger Allee 40. With Juhnke's death in 1940, Antonie Juhnke took over the property and left Mali run the business of Theodor Blaedtke. In 1940, the house was still owned by the widow L. Maaß. In the air raids in early 1943 , the cinema and the building between the neighboring lots that were not hit were destroyed. The pre-war operation of the “Mali Lichtspiele” thus ended. At the beginning of the 1950s, the Mariendorfer Damm (renamed in 1950) was rebuilt. “The large cinema extension can still be seen from the courtyard side. The cinema can be reached via the courtyard entrance, which in 1928 had an elaborately designed frame with showcases and billboards. ”“ After a construction period of five months, the Mali-Filmtheater, which was destroyed ten years ago, was reopened in Berlin-Mariendorf. The neat house, which was bought according to the most modern aspects under the construction management of the architect Andreas Doll (artistic advice: architect Bruno Meltendorf) offers space for 710 visitors. A curved widescreen screen allows films to be shown using the CinemaScope system. The seating was provided by the Kamphöner company, the theater decoration and curtains by Bernhard Mögelin, the technical equipment comes from UFA-Handel and the Märkische Maschinenfabrik. The owner of the Mali is Mrs. Gabrunas, who also owns the Tivoli-Filmtheater in Berlin-Mariendorf. ”() In 1953 the Mali-Filmtheater was owned by Anne Gabrunas and its manager Werner Hohenstein had 711 seats, there were 23 performances every day Week (sounding slide, apparatus: Askania XII, amplifier Uniphon, stage 13.5 m × 4.2 m × 6 m with theater license). “In Berlin-Mariendorf, film lovers will find a young, ultra-modern house in Mali that can also play the Cinemascope film (stage width 18 m, screen width 12 m). Architect Andreas Doll designed the plans and built the house, with artistic advice from architect Bruno Meltendorf. Kamphöner supplied the 711 dark red high upholstered armchairs. For the first time, the ceiling was made from square plasterboard with recessed grooves. UFA-Handel supplied the technical equipment (two Askania AP 12s). ”() In 1955, screenings on the MMS 4.7 m × 12 m wide screen were introduced in the district cinema. In 1957, the CinemaScope picture and sound system with single-channel optical sound and four-channel magnetic sound as well as SuperScope in the format 1: 2.35 and 1: 2.55 was created. The Kamphöner seating was 711 high upholstered armchairs. In 1960 a hearing aid system was added. The number of performances sank to 16 performances per week until the closure in 1973, plus one night and one youth performance. The ground floor of the hall building is used by a supermarket, on the upper floor there is a swingers club that operates the adventure cinema 47 .
Astrid Theater ---- South Palace ( Location )	Mariendorf Alt-Mariendorf  55	1946–1962	The “Südpalast” with 451 seats was opened in 1946 in an undamaged building that had previously been an inn with a hall. The cinema in the guest hall was on the property at Dorfstrasse 1 (from 1950: Alt-Mariendorf 55) on the south side between Marienfelder Strasse (since 1957: Forddamm) and the transition from Großbeerenstrasse to Rathausstrasse. The cinema was interrupted in 1950, the entry in the cinema address book: “z. Currently out of order ". It was operated (1951) by engineer Hans L. Sichel and was owned by Tofitheg GmbH (from Tonfilmtheater-Gesellschaft). It was played daily with 15 performances a week. The cinema had a stage with a theater license, the size is specified as 6.5 m × 3 m × 4 m (previously slightly larger), an opera license was also available from 1957. There were two projectors Mechau IV and sound technology from AEG (KV 40), as well as the slide projection with sound for the film showing. The number of seats was still 425. In 1956 the ownership situation changed: the owner became "Karl Steinert Lichtspieltheater", managing director Elly Engel. The seating was now flat upholstered folding armchairs from Schröder & Henzelmann. There was a matinee in addition to the two daily performances. Sound film technology was also used. A switch to widescreen films is not mentioned in the cinema address books. In 1960, Kurt Bohnert became the cinema owner and renamed the South Palace the Astrid Theater. Kurt Bohnert lived in Neutempelhof Boelckestraße 14 and from 1957 to 1975 he also ran the "Bambi" in Tiergarten (Perleberger Straße 59). The cinema was closed by him in 1962. In 1975 the building was still standing. In connection with the connection of the B 101 to the B 96 in Mariendorf by a one-way street system (Alt-Mariendorf in the direction of Großbeerenstraße) it was torn down around 1980 because the corner of the building would have protruded into the changed street layout. Since then, there has been a tree-lined green area on the 2300 m² site at Großbeerenstrasse / Alt-Mariendorf / Forddamm.
Victoria light plays ( Location )	Mariendorf Eisenacher Strasse  21	1957-1976	Eisenacher Straße 21 is opposite the cemetery . The Viktoria Lichtspiele were rebuilt in 1957 in the residential building that already existed on the property; the premises previously housed a restaurant. The name refers to the previous sports field of the " Tor- und Fußballklubs Viktoria ", which was located on the current tennis courts (Westphalstrasse 8/14). The project between a road 283 and the adjacent road 282 was not implemented. The restaurant owner received a severance payment. The light plays were played with two performances every day and one youth and one late performance every week. The cinema address book names Hugo and Charlotte Baier from 1960, and from 1961 only Charlotte Baier. Hugo Baier (from Wilmersdorf) had owned a cinema (Marabu in Kreuzberg) since the late 1930s. “Away from the big city, Ms. Emmi Christ recently built an intimate 340-seat theater in Berlin-Mariendorf, which was named“ Viktoria-Lichtspiele ”. According to plans by architect P. de Born, a tasteful and modern house was built that meets all the requirements of public advertising. [...] An extremely effectively designed exterior front, which is enlivened by the tasteful display cases from Otto Lubritz, attracts visitors from a great distance. A small, cozy foyer, which also serves as the cash desk, invites the visitor into the auditorium, which draws its special attraction from a tasteful wall covering made of alkor plastic film, which was supplied by Ernst Weissbach. These wall surfaces with plastic film were covered by the Richard Bölligke company, workshop for interior decoration, with finely pleated layers. The stage curtains and picture borders were also supplied by the same company, while in the foyer there is a padded wall area covered with lacquer film behind the confectionery stand. The sales counter and the wall were also made by the same company. The electrical systems from Reiche und Vogel, which equipped the auditorium with indirect cove lighting, were very effective. The dignified, extremely comfortable seating by Schröder & Henzelmann (Herford model), with a V-seat in the parquet, is harmoniously complemented by the striking padded seats (high upholstered seat in the shape of a tub). The chairs, which are 45 cm wide and have a red cord cover, allow the visitor to get to his seat in a particularly comfortable way. Of course, the new house is equipped with the latest machines. In the projection room there are Askania AP XII projectors with optical sound reproduction and a sound film system. [Reinkohle light source, CinemaScope image and sound system, 1: 2.35] All modern processes can be demonstrated on the reflex wall with an electric shutter pull device for all formats. The facility was provided by Ufa-Handel Berlin. While Artur Kramer was responsible for the painting work, the watering and drainage work was done by Paul Sonntag, the floor coverings and linoleum work by Bodo Friedrich. "() In 1976 the cinema was converted into a judo and karate school by Lothar Nest and used as such until April 1985. The building with the former cinema was sold in 1984, whereby the existing lease was not extended, and then demolished in 1985. Since then, the residential buildings at Eisenacher Strasse 21–21d have been on the property.
Cinematograph theater ( Location )	Marienfelde Kiepertplatz  8	1909-1915	"Marienfelde b. Berlin. Otto König opens a cinematograph theater at Kiepertplatz 8. ”() The innkeeper Otto König owned a restaurant at Kiepertplatz 8 at the corner of Bahnstrasse. Marienfelde in the Teltow district with 3786 inhabitants is first listed in the Berlin address book in 1912 . Otto König owned the restaurant until his death in 1918, when Hulda König replaced him as innkeeper and handed over the house and restaurant to Wildgrube. It is not certain when the theater stopped operating . The Kiepertplatz directly at Marienfelde station connects the confluence of Emilienstrasse, Kiepert and Greulichstrasse (the latter until 1948 Adolphstrasse ) with Bahnstrasse. The building on the corner lot at Kiepertstrasse 8 / Bahnstrasse 9 was destroyed by war damage and cleared by 1950. By 1958 at the latest, it was rebuilt with the three-storey residential building at Bahnstrasse 9, on which there is a restaurant extension facing Kiepertplatz.
Monopoly-Lichtspiele ---- Marien-Lichtspiele ( Location )	Marienfelde Marienfelder Allee  146	1935-1960	The inn "Zum braunen Ross" (owner Wilhelm Manntz) was originally located on the corner of Berliner Strasse 54 and Dorfstrasse , on a plot of 160 m × 40 m. “There was a great hall and some people still remember that there was once a cinema in there too. The inn was later renamed “Zum Nassen Dreieck”. When Berliner Straße was renamed in 1949, the address became Marienfelder Allee 144/146. The location of the property was redefined by the changed routing of the traffic flow of the B 101 around 1987 via the new road 427 to the new Friedenfelser road. The new street used the previously undeveloped rear part of the property (Marienfelder Allee 142). The front property (Marienfelder Allee 144 and 146) was also built over with five-storey residential buildings. The "Marien-Lichtspiele" were set up in the hall of the inn opposite the Dorfkrug and opened on November 15, 1935. The cinema was owned by Willy Schönke and Anna Laubsch. Schönke (Tempelhof apartment at Kaiser-Friedrich-Straße 34) was also the owner of the Bismarck-Lichtspiele in Lichtenrade. Played daily with an offer of 299 seats. The number of places was increased to 400 in 1940. In the post-war years the Marien-Lichtspiele by Wilhelm Schönke (probably) remained closed. "[1951:] The Monopol-Lichtspiele were opened in Marienfelder Allee 144 and have 514 seats. The rankless theater was built by the architect Franz Neumann and equipped with two Bauer B VIII machines. It has an air heating and air conditioning system and the most modern flat upholstered chairs. The cash desk and foyer allow the desired freedom of space. Good sound - good vision. And otherwise: red is the trump card, even in western movie theaters. ”() The owner of the Monopol-Lichtspiele was Else Briesch and there were two performances a day. Schröder & Henzelmann's seating consisted of both wooden and flat-upholstered folding armchairs. There was a theater license for the 10 m² stage, the sound engineering was Uniphon from Klangfilm. From 1957 the picture u. Sound system single-channel optical sound CinemaScope for wide screen 1: 2.35 with the Bauer projectors. A youth and a late night performance were added to the performances. The development of the generally falling audience figures also led to the fact that the cinema was closed in December 1961, even in the monopoly. After the closure, the user was given a "furniture discount". Because of the newly built houses on the B 101, nothing remains of the cinema except the location.
Alhambra sound film stage ---- Alfa light plays ( Location )	Schöneberg Hauptstrasse  30-31	1919-1943	In the back building of the house built in 1911 at Hauptstraße 30–31, the “Society House of the West” was built with the new building. In 1919 the “Alfa-Lichtspiele GmbH” of Paul Lehmann, August Gerlt and Willy Bauch set up a cinema in the large ballroom with a capacity of 1400 seats. The Alfa-Lichtspiele in the Gesellschaftshaus des Westens were specified with almost 1000 seats. In 1921 the house was called “Operetten- u. Film-Theater ”, was played daily, had 903 seats and belonged to the“ Film-Gesellschaft Berlin ”of Grete Ly. In 1924, Karl Rudolf is the owner of the cinema and runs the film u. Bühnenschau GmbH used the name Alhambra for the 1087-seat cinema with stage. However, he then became a leaseholder and still operated 250 spaces before Frau Director Kopf continued the Alhambra with Primus-Film GmbH in 1925. In 1928 the local partners were Ph. And M. Kopf GmbH, whose business was run by Adolf Heide. The Alhambra light games are listed with 927 seats and daily play. In 1929 the cinema was transferred to Schöneberger Lichtspielgesellschaft mbH: Herbert Fischer was the artistic director and Martin Scheerle was the managing director. Six musicians were used for the acoustic background music for the silent film screenings, the stage was 14 m × 6 m. The year 1910 was also given in the cinema address book as the year the Alhambra was founded. This information can stand for films that have been shown since the opening of the Gesellschaftshaus, but the founding year 1909, given below, is unlikely, as the building did not take place until 1910/1911. Sound film screenings have been possible since 1931: when the "Kinoton" technology was installed for 970 seats. In 1932 Fritz Mischke became the managing director of Tonfilmtheater und Variete-Betriebs-GmbH, the name was specifically named Alhambra-Tonfilmbühne, since then "Klangfilm" was noted as sound film technology. From the mid-1930s, the "Filmhaus Hansa, Mischke, Böhm & Co." became the owner of the cinema, and Arthur Leonhard was in charge of their business. The cinema is then specified with 908 seats, from 1941 on 996 seats. The cinema in the Alhambra ceased in 1943. The rear of the building was badly damaged by the air raids. In the 1950s there were 30 different venues in Hauptstrasse that were increasingly frequented by members of the Allied Forces, such as the “Kleine Ballhaus Schöneberg”, “International” and the “New York City Bar”. The "Ecstasy Live Club" was in the premises in the 1990s. The Havana disco has been located in the rear building since 1997, with three floors and a large hall. The front building is a tenement house from 1910/1911 and is a listed building.
Arsenal ---- Bayreuth light plays ( Location )	Schöneberg Welserstraße  25	1912-2000	A cinematograph theater was set up in 1912 in the five-storey corner building at Bayreuther Strasse 16 / Augsburger Strasse 60. In 1957 Augsburger Strasse was renamed Fuggerstrasse and in 1958 Bayreuther was renamed Welserstrasse, the corner building has since been addressed as Welserstrasse 25 / Fuggerstrasse 35. The cinematograph was probably not operated continuously in the 1910s. For 1920/1921, the Bayreuth Lichtspiele with 227 seats for M. Sadigoff from Rosenheimer Strasse 10 as the owner are entered in the cinema address book. There was a corner entrance to the house and the floor space on the first floor along Bayreuther Strasse was 40 m long and 12 m wide. Next to the house entrance go into Augsburger Straße for another 10 m. In the years 1923–1927 the "Bayreuth Lichtspiele" with their central location are assigned to Charlottenburg. The owners of the 252-seat cinema are Alberto Civcra, Angel Fagi from 1924 and Martin Artigas, each with the managing director A. Freyer. In 1928 Wilhelm Stückrath and Margarete Schibalski were the owners of the Bayreuth Lichtspiele; there are daily screenings for spectators on 276 seats. When Kinoton made it possible to show sound films in 1930, Walter Schibalski is the owner, the light shows have 250/235 seats. Schubalski remained the owner until the post-war years and is included in the cinema address book 1941, where he stated 1910 as the year the Bayreuth Lichtspiele was founded. Walter Schibalski's (owner and managing director) Bayreuth Filmtheater continued to operate with a short interruption in 1945 with 250 seats at Bayreuther Straße 16, and there were three performances a day. The film was played back via Ernemann VII B (light source; pure coal), the sound with sound film amplifiers (Europhon, Uniphon) and slide projector. From 1957 the reproduction of the picture and sound system Cinemascope single-channel optical sound on 1: 2.35 format was achieved with this technology. The seating was the remaining upholstered armchair. In 1961/1962 Maria Magdalena Schibalski became the owner of the Bayreuth film theater, which was now addressed as Welserstraße 25. The cinema continued to operate until the late 1960s and was available for purchase in the summer of 1969. The "Friends of the Deutsche Kinemathek" applied for this venue. This association was founded in 1963 and has so far held its films and events alternately in the Academy of Arts and other cinemas. On January 3, 1970, the "Friends of the Deutsche Kinemathek" moved into their own permanent venue on Welserstrasse. In 1971 the architect Wolfgang Rasper converted it into a cinema with 175 seats. The cinema was named after the silent film Arsenal and became the prototype for a communal cinema. The program consisted of films that changed daily, were important or demanding films, if possible in their original version. Since July 1971 the “Friends of the Deutsche Kinemathek” have been the founders and organizers of the “International Forum of Young Films” during the Berlinale . In order to tie in with the tradition of the old venue, the neon sign above the entrance and the large-format pictures of silent film classics were taken from the hall to the new location of the Arsenal on Potsdamer Platz. Overall, the old venue was very crowded: there was little legroom and visibility was poor for the films with subtitles. A piano stood next to the screen to accompany a silent film. When the “Arsenal” moved into the representative rooms on Potsdamer Platz, the new operator continued to use the cinema as a porn cinema for a while. During the renovation of the old building into a residential and commercial building, the cinema was finally redesigned. Since then, there is a restaurant on the ground floor with an entrance on the corner of the house.
Astoria-Lichtspiele ---- Hubertus Theater ( Location )	Schöneberg Potsdamer Strasse  145	1909-1943	In 1909, a cinematograph theater was opened in the previous guest rooms at Potsdamer Straße 89. The initial name was Hubertus Theater. Since 1920 it was run as the Astoria Theater. The house 89 belongs to the Berlin postal district W.57 (59–96a) and organizationally to Schöneberg (24–123b). When Potsdamer Strasse was converted from horseshoe to reciprocal numbering in 1937, the cinema next to the corner building on Alvenslebener Strasse was given house number 145. The 1909 Berlin address book mentions F. Neumann's cinematograph theater in the house. Hedwig Adam is the cinematograph owner for 1910 and Theodor Lehmann is listed a further year later. In 1913 the house owner changed and the cinema owner became Willy Klages. The cinematograph theater had over 200 seats and there were probably daily performances. In addition to the cinema owners, innkeepers and waiters also lived in the house, so the restaurant business was probably maintained, in particular the innkeeper Theodor Kochintke and Ms. A. Kochintke became house owners in 1915 (apartment in Leipziger Strasse 109), while the explicit information about the cinema owner during the war years was missing . On the other hand, the Hubertus Theater at Potsdamer Strasse 89 for Potsdamer Strasse 89 was included in the cinema address book in 1917. For 1918, Johannes Glückstadt is the owner of the cinema with 221 seats in the Hubertus Theater. In 1920 Kurt Wagner became the owner and manager with 160 seats and daily performances in the Astoria Theater, replaced by Wilhelm Gerdsmann and in 1921 the actor Charles Willi Kayser became the owner, whose business was led by Peter Kluge. With daily play and two programs per week, between 170 and 200 seats are specified. Alternately, Peter Kluge has been the owner of the Astoria Cinema from 1924 and Charles Willy Kayser again from 1927. In 1929 Peter Kluge continued to run the business, now for the new cinema owner Max Attwenger. In 1931 Tartakowsky becomes his tenant for the Astoria-Lichtspiele. In 1932, Ilia Tartakowsky installed the sound film technology from the “Kinoton” system. The cinema still has 180 seats and the year it was founded was given in the cinema directory as 1915. Between 1935 and 1937 Johannes Schomacker became the owner of the cinema, who registered November 1, 1933 as the opening of the Astoria Theater and a seating capacity for 166 spectators. In 1939 Hedwig Schomacker was named as the owner with Gertrud Wilczynski as the managing director. The buildings on Potsdamer / Alvenslebenstrasse, especially number 145, were destroyed in the war. The operation of the Astoria Theater was inevitably ended in 1943. After the area was cleared around 1950, it was rebuilt so that no remains of the cinema building remained. The police union was based there for many years, there is an inn hotel in the building from the 1970s.
Broadway ( Location )	Schöneberg Wexstrasse  (63) ASt Wexstrasse south	1953-1966	“330 people can be accommodated in a new movie theater in Wexstrasse, directly on Innsbrucker Platz, in a convenient traffic location. Its name 'Broadway' suggests the program of this cinema. Limberge & Sohn is the builder and owner. Everything on Broadway is tailored to a sober purpose, no 'luxury' distracts. There are two price categories, one for 90 Pfennig, one for 1.30 DM. ”() The Broadway at Wexstraße 63 existed from 1953. The property was located at the S-Bahn station Innsbrucker Platz and has been linked to the A100 since the 1970s ( underground) and the car park in front of the train station (above ground). House 63 was opposite the confluence with Erfurter Straße and at that time covered the S-Bahn entrance. The cinema was equipped with a Bauer B8 device and a Klangfilm-Eurodyn amplifier, as well as a sounding slide projection, for showing the film. Widescreen films were possible in CinemaScope (single-channel light sound, aspect ratio: 1: 2.35, light source: Xenon) and there was even a 3-D facility . The special cinema stage was 1 m × 13 m. The seating came from Kamphöner. There were three performances a day and two special performances a week. In 1956, the client, "Limberger & Sohn KG", sold the cinema property to "Ruths & Klinge" (Ruths and Georg Ziegan). From 1957 the cinema entrepreneurs Willi Raguse and Mrs. Lisbeth Reichelt became owners and remained so until the cinema had to close. From 1959 onwards, there were still two performances a day, as well as matinee / youth and late night performances. Preparations for the construction of the city motorway and the redesign of Innsbrucker Platz after the FNP in 1965 began in the mid-1960s. The property at Wexstrasse 63 was in the planning area and so the cinema closed in 1966. The ramps of the semi-junction Wexstrasse are integrated into the structure of the A 100 at Innsbrucker Platz.,
Bülow cinema theater ( Location )	Schöneberg Bülowstrasse	1910-1913	"Berlin. A new audio stage, the “Bülow-Kinotheater”, has opened up in Bülowstrasse 45. ”() The cinematograph theater probably only existed for a short time, after 1913 there is no more information in the Berlin address books. In 1912 and 1913 M. Rudolph & Co. is registered for Bülowstrasse 45. In the 1914 address book at Bülowstrasse 45, there is no reference to cinema among the tenants; in 1915 the Stimming heirs are homeowners. A cinematograph company is included from 1914 under Hermann Rudolph C25 Münzstraße 1 pt. And No. 8, but this is already mentioned in 1913 parallel to Max Rudolph for Münzstraße. Anna Marbach, b. Hussong, is entered in the address book in 1913 with the apartment in Schöneberg Eisenacher Strasse 61 II. As co-owner of M. Rudolph & Co., no longer mentioned in 1914. The building at Bülowstraße 45 no longer exists due to the changed routing, but has been replaced by a new residential building.
Coelia cinema ( Location )	Schöneberg Hauptstrasse  19	1909-1914	“The cinematograph theater does not enjoy a particularly good reputation in the Reich capital and is not undeserved; it has mostly thrown itself into the presentation of inferior, even slippery processes and that still in a framework that is neither technically nor artistically perfect. And yet the cinematograph theater could be a means of popular education that should not be underestimated, and offer pleasant entertainment that satisfies the mind and spirit. The cinematograph theater 'Coelia', which opened yesterday afternoon in Schöneberg (Hauptstrasse 19), is striving to refine the Kientopp. The program, which offers a lot of entertainment as well as a humorous kind of entertainment, was not badly chosen. The projection of the images, which appear completely plastic, deserves special recognition. They understood how to let the theater stage and cinematograph work together very skillfully. In addition to the cinematograph, which also brings color images, the auxetophone, singing and speaking photographs have their say. ”() In the Berlin address book from 1913 and 1914, the Coelia cinema is entered in the commercial section of the Schöneberg suburb. For 1910, Helene Horn is named with a cinematograph theater at 19 Hauptstrasse. For the years 1912 and 1913, the Berlin address book names the “Coelia-Kino” in the Schöneberg commercial area. Helene Horn is missing from the 16 tenants and in the residential area.
The living image ( Location )	Schöneberg Hauptstrasse  121	1915-1920	The cinema in Hauptstrasse 121 existed from 1915 to 1920. In the Berlin address book, Julius Hartmann is named for the years 1915 and 1916 with cinematographic performances in the house of master mason A. Danneberg among 26 tenants. Hartmann lived in Potsdam and ran his cinematograph theater in Schöneberg. In the following year, 1917, there is no reference to the cinema, the pensioner J. Hartmann lives in the house as a tenant with a telephone connection. The cinema owner Margarete Weu is noted for the year 1918 on the first floor of the house, while Hartmann is now missing. The cinema owner Margarete Weu's apartment for Friedenau is mentioned in the cinema address book, and the cinema “Das lebende Bild” with 219 seats is located in the main street. The cinema “Das lebende Bild” is explicitly mentioned in the Berlin address book. In 1920 the cinema address book lists “Das lebende Bild” with 227 spaces, the owner is Otto Burzynski. In 1921 there is no longer any evidence of a cinema in number 121. The pre-war residential and commercial building was damaged in the air raids. The existing house front with number 121 on the southeast side of the main street between Dominicusstraße and the parking lot of the discounter market was built in the post-war period and renovated in the 2000s.
Diana plays of light ---- prism ( Location )	Schöneberg Grunewaldstrasse  19	1926-1949	A shop cinema was opened in 1926 in the corner house at Grunewald- / Schwäbische Strasse. Luise Bernhard is registered as the owner of Prisma-Lichtspiele. The owner company was “A. Schaps & L. Bernhard ”. The cinema was specified with 231 seats. A musician created the acoustic background music for silent films. When Mrs. Liesel Klix took over the Lichtspiele in 1931, she named three musicians. Hans Georg Hühner ran the business in 1931. With the introduction of Kinoton technology, sound films could be shown from 1932 by the new owner Herbert Palke. In 1935, the cinema entrepreneur Hugo Lemke got involved with the operating group Filmhaus Hansa Mischke Böhme & Co. The number of seats was given as 224. Associated with a renaming to “Diana-Lichtspiele” was the program concept as “Filmhaus”. From 1939 Hans Palapies-Gardler was the managing director of the "Filmhaus Hansa" Mischke, Böhm & Co. and from 1940 onwards Fritz and Hildegard Mischke, who owned other Schöneberger Lichtspiele. The building complex on the northeast corner of Grunewald- to Schwäbische Strasse was badly hit in air raids. For this reason, the Diana-Lichtspiele also ended. The modern new residential building with underground parking at this point was rebuilt on the open space cleared in the 1950s and no longer has any relation to the movie theater.
Edda light plays ---- gala light plays ( Location )	Schöneberg Hauptstrasse  48	1912-1943	On the property at Hauptstraße 48 next to the church and churchyard there was a garden of 49/50 until 1910, in 1911 it was designated a construction site for the Protestant parish. In 1912 a new residential building stood on this site and a cinematograph theater was opened. In the five-storey building with an attic, there were business premises on the ground floor. 19 tenants in house 48 have already been named for 1913, in particular F. Groß as cinema owner, Schöneberger Lichtspielhaus GmbH and chief engineer Rapaport, who became the cinema owner. In the following year, 1914, Kurt Gelich presented the cinematographic ideas as the owner of the cinema and managing director of the GmbH in tenement house 48 of construction manager A. Pförtner from Adlershof. In 1916 Schöneberger Lichtspielhaus GmbH no longer exists and Gelich is not listed either. The cinema was probably temporarily not operating, especially since the Union Theater Lichtspiele had opened in the neighboring house 49. The costume headquarters of the women’s committee of the Cooperative of German Stage Members was located in house 48. With the end of the previous cinematograph theater, the “Gala-Lichtspiele” were probably continued. The cinema with 400 seats belonged to Ludwig Türk (Berlin N39, Lindower Straße 10), who was already working at the theater in Neukölln. He entered 1915 in the cinema address book as the year the Gala-Lichtspiele was founded. Its capacity is mentioned as from 1924 with 361 places and after the takeover in 1927 by Karl Ehlert from 1928 with 365 places. Karl J. Ehlert worked for the Colonna in the late 1920s and continued the gala up to the Edda. There were daily demonstrations in the gala light shows, and there was also a 15 m² stage. From 1938 Fritz and Hildegard Mischke became the owners of the "Edda-Lichtspiele", which bore this name from 1937. The buildings on the northwest side of the main street between Dominicusstraße and the church were very badly destroyed in the air raids in World War II. The Edda-Lichtspiele were particularly hard hit and the film screenings ended in 1943. On the site there is an extension of the Paul Gerhardt Church , which was newly built between 1958 and 1962 and which was also destroyed in the World War.
Elite light games ( Location )	Schöneberg Bülowstrasse  16	1910-1943	"Leopold Aron, resident in Neuenburgerstrasse 39, received the approval to set up a cinematograph theater at Bülowstrasse 16." () In 1911, the businessman and house owner Leopold Aron was replaced by the cinematographer Max Herz in the possession of the cinema. Aron probably died in 1914 while his widow became the house owner. The cinematograph theater cannot be consistently verified, but the sources are also uncertain. In 1915, businessman Richard Salomon was probably the owner. At the beginning of the 1920s, Maria von Ebeling was named, who obviously operated the Berolina light shows with 180 to 227 seats together with Moritz Göritz. Since the name “Ortrud Wagner” theater also exists, the silent film screenings were probably linked to artistic performances . In the cinema directory, the later owners give 1915 as the year of foundation. | "Leopold Aron, resident at Neuenburgerstrasse 39, received the approval to set up a cinematograph theater at Bülowstrasse 16." () In 1911, the businessman and homeowner Leopold Aron took possession of the cinema replaced by the cinematographer Max Herz. Aron probably died in 1914 while his widow became the house owner. The cinematograph theater cannot be consistently verified, but the sources are also uncertain. In 1915, businessman Richard Salomon was probably the owner. At the beginning of the 1920s, Maria von Ebeling was named, who apparently operated the "Berolina-Lichtspiele" with 180 to 227 seats together or alternately with Moritz Göritz. Since the name “Ortrud Wagner” theater also exists, the silent film screenings were probably linked to artistic performances . In the cinema address book, the later owners give 1915 as the year of foundation. In 1924/1925 Emil Schmitz came into possession under the name "Bülow-Lichtspiele" with 150/222 seats. However, Iserlis & Tartakowski became the owners again in 1925, and Clara Schmitz is also given. The cinema, which was used every day, was called Elite Cinema / Elite Lichtspiele. Maikow & Tartakowsky were listed as owners of the 150-spectator “Elite” until 1934, then only Ilja Tartakowsky. He finally stated 1910 as the year of foundation in the cinema address book. Ultimately, the elite light games were taken over by the Schomackers in 1936 or 1937, who also took possession of the Astoriakino at that time. Initially Johannes and Hedwig Schomacker, Johannes is no longer in the Berlin address book in 1940 and Hedwig Schomacker is the sole cinema owner according to the cinema address book. Incidentally, both state November 1, 1933 as the opening day, on this day the cinema was probably converted with its slightly over 190 seats. An entry on the introduction of sound film technology for this cinema was not included. The building was damaged in the air raids, which means that the end of the 190-seat elite light shows due to the destruction in 1943. Since the district changes in the Reich capital in 1938, the property has belonged to the postal district of Berlin W35. The five-story residential building at Bülowstrasse 16 next to the corner house at Frobenstrasse was restored in the post-war years. The ground floor area was believed to have been changed on this occasion.
Elite theater light plays ( Location )	Schöneberg Potsdamer Strasse  144	1910-1921	This shop cinema was opened as an “elite theater” and existed from 1910 at Potsdamer Strasse 60. The address has changed to Potsdamer Strasse 144 since the renumbering in 1937. The building has been preserved and is a listed building as the Carisch House. The name Elite was probably transferred to the Elite-Lichtspiele in Bülowstrasse 16, 250 away in 1925. The cinema was played daily and is specified with 320 to 250 seats. The owners were the Steglitz cinema entrepreneurs Hulke & Co. in 1911, Hermann Kraatz in 1918, Sophie Stabinski in 1919 and Ludwig Meyer in 1920/1921.
Elvi light plays ( Location )	Schöneberg Belziger Strasse  22	1918-1922	The small cinema at Belziger Strasse 22 in Schöneberg, 200 m from Hauptstrasse, only existed for a short time from 1918 to 1922. The Elvi film games with 227 seats are recorded for E. Scheffler in 1920, founded in 1918. For 1921, the Elvi Lichtspiele with seats for 350 spectators and named as owner F. Felix, who named 1919 as the year of foundation. Performances were given daily. The house was destroyed in the war and replaced in 1959 by a six-storey residential building, the top floor of which was extended during the 2003/2004 modernization.
Fery light plays ---- Cranach light plays ( Location )	Schöneberg Cranachstrasse  53	1919-1922	The small cinema at Cranachstrasse 53 at the corner of Beckerstrasse on the Schöneberg side of the railway line only existed for a short time. It was set up in the hall of a restaurant. In 1920 with 227 seats and daily play as Cranach-Lichtspiele, Emil Kittler is designated as the owner. For 1921 in the “Fery” -Lichtspiele, the owner Kurt Wagner stated daily performances with 172 seats for viewers in the cinema address book, and he named 1919 as the founding year. The sloping shop entrance on the street corner speaks for the entrance of the restaurant at that time. In the four-story house there is a pharmacy on the ground floor on the corner, at the entrance to the house from Cranachstrasse there is a restaurant, the floor space of which was probably part of the hall cinema .
Forum ( Location )	Schöneberg Kaiser-Wilhelm-Platz  2	1953-1977	The residential and commercial building at Kaiser-Wilhelm-Platz 2 was destroyed in the war . The building at Kaiser-Wilhelm-Platz 3 was damaged. According to plans by the architect Hans Bielenberg , a CinemaScope movie theater with 631 seats was built on the cleared area and in 1953 the “Forum” cinema was opened. The walls and ceiling were gray and white. The CinemaScope wall was nine meters wide and the stage was 13 mx 6 m. The operator Karl Heger already owned the " Odeon ", the Europa-Palast in Neukölln, the Metropol on Nollendorfplatz, the "Filmtheater am Sportpalast" and the "Sylvia-Lichtbühne" in Wilmersdorf and ran the forum until at least 1967. His business was headed by the theater director Gerhard Huebner. There were 23 performances per week with daily play. The image and sound system had an automatic demonstration with an Ernemann X machine and Dominar (Zeiss Ikon C II) preamplifiers with four-channel magnettone and the width ratios 1: 2.35 and 1: 2.55. Demonstration of the sound format in optical sound was possible and the loudspeakers were from Klangfilm Ikovox. From 1959 amplifiers are called. The slide projection was done with sound. The seating with upholstered armchairs came from Schröder & Henzelmann. The number of seats rose to 682. The three performances daily were supplemented by a late performance and a family matinee. Ultimately, the Forum film theater was given up in 1977 and operations ceased. The end is also related to structural problems, for example the Hertie department store ended as a Bilka department store around 1980. The 1980s Kaiser-Wilhelm-Passage shopping center was built on 9000 square meters with an underground car park of over 270 parking spaces.
Peep box ( Location )	Schöneberg Penzberger Strasse  5	1928-1943	The "Guckkasten" cinema was opened in 1928 by H. Lindenau at 21 Speyerer Straße. The cinema had 183 seats and the daily shows were supported by a musician. Erwin Hesse was the owner. In 1933, the new owner, Karl Schreyer, introduced sound films for the 180-seat cinema. There was now a mechanical music system and the sound technology from Kinoton. The cinema directory gives L. Hüllemann for 1934, followed by Luise Schreyer, who had still offered 168 places. Ultimately, Lola Kreutzberg became the owner in 1940, who lost the cinema in air raids in 1943. The entire square around Speyerer Strasse between Barbarossastrasse and Bayerischer Platz was completely destroyed in the air raids in 1943. When the ruins were cleared, the sloping road in the southern part of Speyrerstraße to Bayerischer Platz was dismantled on September 1, 1958 and subsequently built over. The former cinema location thus corresponds to the five-story old new building Penzberger Straße 5 from the 1960s.
Heine-Lichtspiele ---- Vitascope Theater ( Location )	Schöneberg Potsdamer Strasse  119	1906-1921	The Deutsche Bioscope-Gesellschaft mbH equipped shop cinemas with their Vitascope. This is where the name Vitascope Theater goes back to, which existed in 1915. Such a facility with around 200 seats was opened at Potsdamer Strasse 99 in 1906. The owners of the cinema are A. Schmidt (until 1915), A. Krüger until 1918 and Fritz Kraemer from Tempelhof in 1918. In 1920/1921 the cinema was operated as "Heine-Lichtspiele" in Potsdamer Straße 99 with daily shows on behalf of the owners Hermann Leffler and Charlotte Freudemann by Robert Leffler as theater director. In 1922 the “Heine-Lichtspiele” can no longer be traced. When Potsdamer Strasse was renumbered in 1937, the site was given the address Potsdamer Strasse 119. A post-war building (Commerzbank 117/119) is on the site of the former cinema.
Island light games ( Location )	Schöneberg Kolonnenstrasse  10-11	1951-1966	“In the immediate vicinity of the Colonna film theater, but already beyond the Kolonnenbrücke, the Insel-Lichtspiele were opened in Berlin-Schöneberg, a small theater that currently offers 250 seats, but is to be expanded to 290 seats. Insel-Lichtspiel-GmbH is managed by Messrs. Höhne (theater owner who was expelled from the east) and Ziegan. The house was essentially built according to his own designs; Mr. Höhne from the Eastern Sector was able to secure part of the furnishings in good time; the theater works with sound film equipment and Saxonia machines. Although the parquet does not rise, the view is good from all seats, as the screen was installed high ”() Georg Ziegan was managing director of Insel-Lichtspiele-GmbH, there were three performances a day, from 1955 two or three performances a week (Matinee and late). From 1956/1957 the cinema was upgraded for the upcoming widescreen films. For the sound film Eurodyn, instead of the Saxonia V, an Erko IV apparatus was purchased for the projection to play CinemaScope in optical sound, the screen was set up for 1: 2.35. The seats for 258 spectators were furnished by Kamphöner with upholstered cinema armchairs. With less than 300 seats, the "island" was shut down with a general decline in visitor numbers. Since then, there has been a supermarket on the ground floor of the house at the corner of Kolonnenstrasse and Leberstrasse. The name of the movie theater was derived from the location of the cinema in the Schöneberger Insel area between the railway lines.
Chamber light games ( Location )	Schöneberg Goltzstrasse  9-10	1912-1943	In 1912 a cinema was opened in Goltzstrasse, probably in the restaurant of House 9. In 1918 the "Erika-Lichtspiele" are listed with 250 seats, owned by H. Graumann. In Goltzstr. On 9/10, in 1920, the “Kammer-Lichtspiele” by Joachim Günther and Arthur Dams were recorded. The daily game operation takes place for 280 seats. The cinema still existed in 1921, while there was probably no cinema on site in the mid-1920s. The Kammerspiele in Goltzstrasse 9/10 are listed as owners in 1927 for Berta Fried & Adele Wawerka, 1928 for Berta Fried, 1929/1930 for Mr. Fritz Naß. Game days are daily, the program changes on Friday and Tuesday. The cinema has 350 seats, a stage measuring 5.5 mx 3 m and the films are accompanied by three musicians. In the cinema address book, the owners consistently indicate 1912 as the year of foundation. In 1932, Willy Henrich became the cinema owner and introduced the technology for showing sound films. There is an apparatus for mechanical music and sound film technology. From the mid-1930s - at least 1937 - Wilhelmine Spilcker owned the 313-seat cinema. During the air raids , the land to the north up to Barbarossastraße between Goltzstraße and Gleditschstraße was destroyed, and with it the cinema. For this reason, it had to cease operations in 1943. The existing post-war houses were built in the 1950s / 1960s. As a result, there are no references to the previous chamber light shows at Goltzstrasse 9/10.
Cinematograph theater ( Location )	Schöneberg Potsdamer Strasse  124	around 1913	The building at Potsdamer Strasse 49 was on the corner of Kurfürstenstrasse 151, and from 1937 was given house number 124. In the house on this property owned by the Haasesche heirs with 13 residents and commercial users, there was at times a cinematograph theater at the beginning of the 1910s. The house, like its two neighboring buildings, was badly damaged in the air raids. The corner property on the northern border of the district was closed in the 1960s with a five-storey commercial building.
Schöneberg ( Location )	Schöneberg Potsdamer Strasse  189	1911-1915	From 1937 the house at Potsdamer Straße 79a was given house number 124, opposite the Königskolonnaden in Kleistpark . In the house on this property there was a cinematograph theater at the beginning of the 1910s, the boom times for shop cinemas in Schöneberg. The tenement house owned by the factory owner Lewinsohn (Lichtensteinallee 3a) was inhabited by 16 tenants and there was a wine bar. In 1910 Theodor Kressel was a cinematographic entrepreneur at Potsdamer Strasse 79a. For 1911 Kressel had an entry for the Südwest-Lichtspiele in Kreuzberg, Bülowstrasse 12. Kressel also lived at Grunewaldstrasse 20 and operated cinematographic activities (special cinema facility). Kressel is no longer mentioned in the Berlin address book 1915 and others. The house and the neighboring buildings on the east side of Potsdamer Strasse between Goebenstrasse and Großgörschenstrasse were destroyed in the air raids. A six-storey new residential building with shops on the ground floor was built to close the street front in the 1950s.
King games ( Location )	Schöneberg Kolonnenstrasse  18	1915-1917	The “Königsspiele” was located at Kolonnenstrasse 18 at the corner of Königsweg 42 (since 1929 Naumannstrasse). In the same house there was also an inn, in whose hall the cinematograph theater presumably existed for a short time around 1915 . In the five-storey house there is a restaurant on the ground floor to the left and a funeral home to the right of the house entrance.
Photo stage ( Location )	Schöneberg Motzstrasse  7	1910-1921	For the “Lichtbildbühne” at Motzstrasse 78 (old number), the year of its founding is 1910, but also 1913 in the cinema address book. As was customary at the time, the hall cinema was presumably operated in the guest rooms, later in the hotel's restaurant, and offered daily performances; it had 190 to 200 seats. In 1920 Scheu from Charlottenburg is listed as the owner and Hans Saß and Bruno Hertwig in 1921. The cinema existed there as a slide show from the 1910s until the early 1920s. Due to the change of the property numbers, the address of the house has been Motzstrasse 7 since 1938. The hotel "Sachsenhof", formerly "Hotel Koschel" is located in the five-story building.
Bülowstrasse cinema ( Location )	Schöneberg Bülowstrasse  99	1910-1921	“The well-known architect August Cabanis is now expanding the entire front of the house at Bülowstrasse 99, which belongs to the painter Willibald Winck-Graneist, into a larger cinema theater. With its tasteful interior architecture and artistic paintings, the same promises to become an elegant slide show. In which the better public of Berlin should soon feel at home. ”() Between 1911 and 1917 the headquarters of the Lichtspielhaus Bülowstraße GmbH is at W 57 Bülowstraße 99. The operator of the cinema since 1910 has been the Lichtspielhaus Bülowstraße GmbH, which has its headquarters in W57 Bülowstrasse 99 on the ground floor. In 1919, Lichtspielhaus GmbH is no longer in the Berlin address book; the cinema address book names Siegfried Cohn as the owner of the cinema. His apartment is indicated in Steglitz-Südende at Potsdamer Straße 22, stairway 6, 2nd floor. The cinema no longer existed after 1921. When the property numbering was changed, the address became Bülowstrasse 9. During the air raids in 1943, the buildings on the south side of Bülowstrasse from Zietenstrasse to the east were destroyed. In the seven-storey post-war building on the corner at Bülowstrasse 9 / Zietenstrasse 13, there is no evidence of the movie theater at that time.
Luna plays of light ( Location )	Schöneberg Hauptstrasse  18	1914-1972	The history of the cinema in Hauptstrasse 18 began in 1914 with the cinematographic presentations by Eduard Luft. The “women's home”, built in 1902 in neo-renaissance style, is located at Hauptstrasse 18 (at Kaiser-Wilhelm-Platz). Here, single wealthy women and "senior daughters" were given the opportunity to enter the professional world, for example as teachers and doctors. The building is a listed building as a tenement house. Eduard Luft was the operator and owner of the "Kaiser Wilhelm Cinema" until at least 1918. Anna Topp is listed in the Berlin address book for 1919 with the Luna-Lichtspiele, Eduard Luft is registered as a businessman. “Luna-Lichtspiele Kurz & Nakler” was finally recorded for 1920, also in the residents' area. The owners, Kurz & Nakler, state 250 seats, daily screenings, two program changes and the year it was founded in 1914 in the cinema directory. In 1924 Fräulein Siefrect and Hellmuth Baathe are the cinema owners, followed by H. Langer, Richard Opitz and businessman Ernst Herder the managing director of Luna-Lichtspiele Schöneberg GmbH (Derflinger Straße 8) in 1927. The number of seats is between 203 and 260, two musicians accompany the performances. According to the cinema directory, 1928 is Constant. Colocotröni the managing director of the GmbH. 1929 is G. Cohn and from 1930 to 1933 Otto Saxenberger was the owner, business led by Curt and Otto Saxenberger. Under these cinema owners, the sound film technology of Klangfilm was set up in the “Luna Day Film Cinema” in 1932. Thereupon Wilhelm Lampl becomes the owner of the Luna-Tonfilmkino in 1934. This was followed by Ernst Metzger as owner with the managing director Erich Thomann for the Luna sound film cinema (233 seats). In the war years from 1941 Ilse Hetzelberger got the ownership of the cinema. The building on Kaiser-Wilhelm-Platz was not destroyed by the air raids and Ilse Hetzelberger, as owner and manager, continued to run the cinema in the Luna-Lichtspiele (daylight plays) with 233 seats. There were six performances a day. The films were played by a Bauer B8 and the Erko IV. The sound came from sound film amplifiers. In 1953 there were still 41 performances a week with a late performance, the slide projection was done with sound. The CinemaScope image and sound system was also implemented in the Luna Lichtspiele in 1957 with the Bauer and Ernemann demonstration devices. The possible image format was 1: 2.35. 240 high upholstered armchairs from Kamphöner were probably furnished with the equipment. The cinema existed until 1972. There are now several shops on the first floor of the house.
Luther light plays ---- Hollywood light play stage ( Location )	Schöneberg Martin-Luther-Strasse  13	1930-1943	The Hollywooder Lichtspiel-Stage was opened on December 25, 1930 in the former Auguste Victoria Halls. The cinema in Berlin W62 Lutherstraße 31/32 was located opposite the Scala (ice palace), administrative district VII Charlottenburg. The Theaterbetriebs-Gesellschaft Hollywood mbH was led by Silbermann and Paul Becker. With the establishment of the cinema with its 400 seats, sound film equipment made it possible to show sound films. From 1939 the owner company was the "Hollywood-Lichtspiele P. Becker KG". In their possession, the building fell victim to the air raids and was destroyed. After the Charlottenburg section crossed the district border in 1938, it was connected to Martin-Luther-Straße in 1963, so the property number became 13. On the property, a five-storey post-war residential building was built on the eastern street front between Motz- and Fuggerstraße as a gap between the facade preserved old buildings. There is no longer any relation to the Hollywood light plays.
Menschner's travel light games ( Location )	Schöneberg Potsdamer Strasse  146	1911-1933	Walter Menschner ran a traveling cinema from his headquarters at W 57 Potsdamer Strasse 61 . Menschner's Reise-Lichtspiele was founded in 1911, initially - according to the spelling customary at the time - with the apostrophe Menschner's Reise-Lichtspiele. According to the information in the cinema address book, in addition to the travel theater on the square, there was also a venue with 200 seats daily performances and two program changes. Potsdamer Strasse was still designated as the headquarters in 1920. From the mid-1920s this became a permanent fixture, as traveling cinemas had not prevailed against fixed venues. In any case, the operation of Menschner's Reise-Lichtspiele was discontinued in 1933. With the renumbering , the property became Potsdamer Straße 146. The building survived the war unscathed, so the five-storey town house may still offer memories of the cinema era.
Meraner Lichtspiele Royal ( Location )	Schöneberg Meraner Strasse  19	1928-1977	In 1928 the “Royal-Lichtspiele” opened in a new building on Meraner Platz. The building on the property at Meraner Platz 4 was obviously addressed as Meraner Straße 19, for the cinema Meraner Platz 4 is listed until 1937. They were set up in 1928 on the ground floor of a five-story house by the architect Hesse. Until 1931, Karl Fried and Willy Brockhausen were the operators of the cinema with its 500 seats. When the engineer Siegfried Ebenstein took over the light games in 1932, he had the sound film facilities installed by Kinoton. Tonfilm-Theater GmbH was listed for corporate organization until 1934/1935. Under Paul von Tubbé, only 400 seats are registered in the cinema directory for 1935. Fritz Staar has been in charge of the cinema since 1936. In that year the cinema was rebuilt, with the boxes removed and the auditorium enlarged. The reason for the renovations was probably that the space for the seats was too small before. From 1937 384 seats are registered. Herbert Trettin was the managing director for Staar, and Gerhard Schultz from 1939. During the air raids during the war years , the building was preserved and the Meraner Lichtspiele survived with some damage. In 1949, Hans Bielenberg carried out modifications to the cinema at Meeraner Strasse 6, which was reopened in 1949 under Mr. Miethe with 402 seats, "again in a modern style". “Berlin's well-known theater owner Fritz Staar, who has been in the industry for over 40 years, has taken over the Meraner Lichtspiele and had it renewed into a real jewelery box that reopened this autumn. The theater meets the most modern requirements that can be placed on picture and sound. Ufa-Handel created the technology. Architect: Hans Bielenberg. "() In 1952 the Meraner Lichtspiele had 402 seats and films were shown every day in 17 screenings per week. A theater license existed for the 5 m x 3 m x 4 m stage. The films came from the Ernemann VII apparatus (light source: Xenon) and amplifier sound film Eurodyn, sound film loudspeakers, plus sounding slide. From 1953 Arno Zobrys became the managing director, 410 seats, plus a late night performance. When Fritz Staar died in 1957, his wife Eva took over the gaming business after his death. Eva Staat hired Elisabeth Albrecht for the business from 1959. Marcel Bohnen became the managing director of the Fritz Staar film theater company in 1957. In the same year the wide screen film offer was added, with the CinemaScope picture and sound system and optical sound for 1: 2.35 aspect ratio. The seating was 407 high upholstered armchairs from Kamphöner. Eva Staar continued to run the Meraner Lichtspiele until she closed the cinema in 1977. The poet Gottfried Benn was a regular at the Meraner. Since then, there has been a Greek supermarket in the ground floor of the former cinema.
Metropol ---- Neue Scala Nollendorf-Palast Lichtspiele Mozart Hall ( Location )	Schöneberg Am Nollendorfplatz  5	1911-1977	The "New Playhouse" was built by Albert Froelich in 1905/1906 with the 1108-seat theater and the "Mozart Hall", a concert hall completely clad in mahogany wood. In 1911 the Mozart Hall was converted into a cinematograph theater. “The Berliner Kinematographen-Theatergesellschaft leased the hall from Saalbau-Aktiengesellschaft, which owned both the Neue Schauspielhaus and the Mozartsaal, for five years in order to host cinematographic performances from September 1st under the name of the Lichtspielpalast The presentation and staging should be adapted to the framework of the Mozart Hall. The company has also secured the hall for another fifteen years. ”() The cinema closed for the first time in 1914 (1912–1914: Lichtspiele Mozartsaal W30, Nollendorfplatz 5). Union Theater GmbH operated the silent film cinema until 1921. Briefly under the direction of Hanns Brodnitz , who ran the cinema for the owners. The operating company took over Ufa (Ufa-Theater-Betriebs-GmbH) and by 1923 the Mozartsaal-Lichtspiele became the Ufa-Theater. From 1913 to 1920 the “Theater am Nollendorfplatz” Nollendorfplatz 5 (belongs to Motzstraße 80-82) with director J. Guttsmann is included in the Berlin address book, in 1918 Friedrich Frick is the manager of the “Lichtspiele Mozartsaal” with 924 seats owned by “Universum-Film -AG ". In 1921, Meßter-Film GmbH is the owner. In 1925 the UFA took over the "Lichtspieltheater am Nollendorfplatz" as the owner as the "Ufa-Theater Mozartsaal" and stated 996 seats. In 1928 the Terra-Film-AG took over the "Terra-Lichtspiele Mozartsaal" with the managing director Alex Graumann. There were daily screenings and silent films were accompanied acoustically by 20 musicians. In 1930 it was modernized under the architect Georg Leschnitzer and for sound films with technology from Western Electric (1068 seats: 711 parquet, 357 rank). The "Tonfilm im Mozartsaal GmbH" continued to operate with Alex Graumann. From 1932 onwards the cinema became “Vereinigte Lichtspiele Spandau GmbH” (Arthur Rupp) and in 1934 “Mozartsaal Theaterbetriebs-GmbH” (Auguste Barth), before in 1936 Willy Hein became the owner of the Nollendorf-Palast with 1036 seats. He ran the cinema theater during the Second World War when the theater was badly damaged by air raids , the facade, foyer and the Mozart Hall were largely preserved. After the war , the Mozart Hall was temporarily used as the “Neue Scala” all-purpose hall with film screenings and less successful variety and revue performances. In 1949 the owners are Wilk & Nerking, and Carl Oskar Liebmann is named trustee for Internationale Variete GmbH. From 1952 it was again exclusively a film theater and gained the well-known name "Metropol". "Opening in 1951: The Metropol-Film-Bühne on Nollendorfplatz (formerly: Neue Scala; very earlier: Mozart Hall) has become a film premiere again after several successful and one unsuccessful theater experiments. Under the direction of Mr. Heger, she started the post-screening of Das Haus in Montevideo and will soon premiere the Fox film Fourteen Hours . During the theater festival weeks , however, plays are to be performed again in this house. ”() In the“ Metropol-Film-Bühne a. Nollendorfplatz ”, the tenant“ Filmtheater im Sportplatz GmbH ”(by Karl Heger) gave three performances a day, the capacity was 1080 (also 998) seats. There was a theater and opera license for the 10x9 m² stage. Film screenings took place with a "Ernemann VII B" and sound film amplifiers ("34 706"), the slide projection with sound. 1955 is the "Heger & Co. oHG" owner. In 1957 the owner changed to "Rolf Budde & Paul Grosse", theater manager is E. Michaelis, and the image and sound system was renewed: CinemaScope for light and magnetic sound as well as "Perspecta" were possible to make widescreen films 1: 2.55. New seating with upholstered seats and two more shows a week, Dominar M2 amplifier. Pornographic films were also shown in the 1970s . The game was stopped in 1977. The Metropol became a disco, and concerts by well-known bands took place. In 2005 the “noble” dining and dance club “Goya” was established. It went bankrupt in March 2006 and reopened on June 16, 2007. From March 2010 the house was the exclusive venue with club operations. The "Goya" was closed again in May 2014. At the time of its construction, the building was under criticism because of its inconsistent and pompous facade decoration and has been a listed building since 1997.
Emergency exit ---- Filmhof Intimate play of light ( Location )	Schöneberg Vorbergstrasse  1	1914-1999	At the corner of Hauptstrasse there is a five-storey residential building that is located around Vorbergstrasse. The cinema in Vorbergstrasse 1 is said to have existed since 1914. In the Berlin address books there are references to a director Buchwald, but no information about a cinema. Around 1920 there was the “Intimen Lichtspiele” with 227 to 240 seats and Franz Moritz and Otto Brandenburg as owners, who named 1913 as the year of foundation in the cinema directory. The ownership of the cinema changed to Otto Saxenberger from 1921, he states 1914 as the year of foundation. The cinema address is named Hauptstraße 10, “Entrance Vorbergstraße 1”. Otto Saxenberger is the owner and Curt Saxenberger runs his business. In the cinema, known as “Intimate Lichtspiele” because of its size, there were daily silent film screenings accompanied by a musician with two programs per week. In 1932 the Saxenberger made it possible to show sound films by installing cinema sound . The name of the cinema changed to “Der Filmhof” in 1936 when Herbert and Fritz Reiss (Gebr. Reiss) took over the venue as owners. According to her, the founding year would be 1920. Fritz Reiss continued to run the Filmhof with 309 seats in the post-war 1940s. “Filmhof in Schöneberg, renovation and conversion. The attraction of the house: an illuminated fountain ”() In 1951 Gerda Lehmann became the owner and managing director. The demonstration took place with a Bauer B6 and sound film amplifiers, slide projection with sound. There were 21 performances per week with daily performance with a capacity for 300 spectators. "H. Werkmeister has been the new owner of the 'Filmhof' theater in Berlin-Schöneberg since February 1, 1956. ”() Under Georg Ziegan, the equipment of the Filmhof light shows was improved by UFA retailers with Kamphöner seating in flat upholstery. At the same time, the screenings on the CinemaScope widescreen system are being improved using the Bauer B6 machine (light source: pure coal) with single-channel optical sound and sound film amplifiers and speakers for film reproduction 1: 2.35. 1971 Gunter Rometsch took over the cinema and made it under the name of "emergency exit" for cinema . Architecturally, hardly anything had changed since 1914. In 1986 he had a figure made by Ernst Lubitsch, which sat in the cinema. The cinema emergency exit 10823 Berlin Vorbergstrasse 1 had 182 seats. When Gunter Rometsch died in 1994, Frieder Rometsch continued to run it for the time being. The operator of the "Moviemento" (Kreuzberg, Kottbuser Damm 22) Ingrid Schwibbe (10967 Berlin, Boppstrasse 11) took over the cinema in 1996 (PRK) 25 m² screen 155 seats with "Ultra-Stereo" sound technology. Other operators tried to continue operating the "emergency exit". It was part of the Berlin off-cinema scene, but the success was probably too closely linked to Gunther Rometsch. In early 1998 it was renamed "Cult Fiction" to attract new audiences. It was an attempt. In August 1998, Hendrik Buchbender announced that it would be reopened as an emergency exit after six weeks of renovation. The last operator gave the cinema back its old name and had a demanding program (for example a Billy Wilder and Sean Connery series). But even he could not save tradition. In April 1999 the cinema closed forever. The Lubitsch figure was in the foyer of the film museum for a few years and is now in the "Babylon" (center, Rosa-Luxemburg-Straße 30). Gastronomy settled in the rooms. The “Arena Sportsbar” café since the 2000s. A video library (Video World) is located on the ground floor of the residential building facing the main street.
Odeon ---- Sylvia ( Location )	Schöneberg Hauptstrasse  116	since 1951	“Some time ago [1950] a neat new movie theater, the“ Sylvia-Filmbühne ”, with 550 seats was opened on a ruined site at Hauptstrasse 116 in Berlin-Schöneberg under the direction of Robert Heger. The theater, which was built without rank, has the most modern technical facilities, flawless acoustics and is equipped with a warm air system and seats for the hard of hearing. ”() From the outside, the simple cinema bungalow with the contrasting reliefs does not look so big, it offers he space for 359 visitors and a view of a surprisingly wide cinema screen. The free-standing low-rise cinema is located a little north of the intersection of Hauptstrasse and Dominicusstrasse opposite the Paul Gerhardt Church in the area of ​​the historic Schöneberg village center. The demonstration machine was an Ernemann B VII, the amplifiers Eurodyn, there was a sounding slide and a theater license for the 6 m × 3.2 m stage. There were 23 performances a week with daily demonstrations. In 1956 Walter Kugland was theater director of the Filmbühne and Friedrich Vorwerk was managing director of Karl Heger. In 1957, the new picture and sound system was set up with the help of UFA trade. With the Ernemann VII B (amplifier Dominar L, light source: Xenon) remaining, it was possible to show CinemaScope films with light and magnetic sound in the aspect ratios 1: 2.35 and 1: 2.55. The seating with high upholstered cinema armchairs came from Schröder & Henzelmann. With daily play, 21 performances and 1 late performance were held every week. There was a hearing aid system. The Sylvia-Filmbühne on its own property remained in the possession of Karl Heger until the 1970s, who was replaced by Peter Reiff. Films in 70 mm format could also be shown. In 1982 it was taken over by the Yorck cinema group in their association, initially with the same name. In 1985 the name was changed to "Odeon" with recourse to the Schöneberger Odeon-Lichtspiele . It was the first cinema in Berlin to show films in the original English version with subtitles ( Brewster's Millions was the first film). “The cool neon lettering ODEON is his trademark. In the foyer, the ODEON is very American with salty popcorn, brownies and the lovingly tended "Celebrity Wall", on which celebrity birthday children from the film industry are paid homage every month. The cinema is a real pioneer of OV culture . ”In the 1990s, the Odeon is listed with 410 seats. From 2010 (“the cinema is 60 years old”) it became the opening location of the new festival format “Berlinale goes Kiez”. In 2012 the Odeon will also be digitized. There is a hall with 359 seats (in 22 rows) and a screen measuring 4.50 mx 10.10 m. The projection is analog in 35 mm and 70 mm format , as well as digital . “In front of the cinema, which is set back from the street, there is a barren square with a few showcases. The stairs to the cinema are used as a meeting point by the waiting audience in summer. Vera Drombusch sits as a cardboard figure in the small ticket booth in the anteroom [...] The ticket booth is only actually used when the house is full [...]. Otherwise you buy your ticket in the small foyer, which is as wide as the hall, but still insufficient in terms of space. A few bistro tables and a black leather couch are under the glittering black ceiling and the monthly birthdays of film stars from all over the world are affixed to a pin board with a lot of love and work. In the hall you can enjoy the large screen, which is covered by a red velvet curtain before the performance. The matching red folding armchairs with cup holders and the indirect lighting create a cozy atmosphere. Unfortunately the armchairs [from 2012] are not quite as good as the seating that was taken out of service in 1997. "
Odeon light games ( Location )	Schöneberg Potsdamer Strasse  180	1918-1938	The cinema was located in the building on Potsdamer Strasse and Pallasstrasse at the northern end of the former botanical garden. In 1918 it was opened by Siegmund Sborowitz under the name "Neues Lichtspielhaus" with 421 seats. He operated this venue at least until the beginning of the 1920s. It was probably closed for the following period (1923/1925). Evidence of the “Odeon-Lichtspiele” in Potsdamerstraße 75 with the National-Film-Theater GmbH as the owner is available again for 1927. The year 1926 was stated in the cinema directory as 1928. In 1928 and 1929 W. Hulke & Co. is the owner of the cinema with 429 seats, it was played daily. Isenheim & Brandt then became the cinema owners, who in 1931 also offered sound films to show sound films. In 1934 there was another change of owner by changing the partners: Brandt & Deutsch. With the district reform of 1938, the cinema came to the Schöneberg administrative district and by changing the house numbering , Potsdamer Straße 75 with the new building became Potsdamer Straße 180/182. The cinema was closed in 1938 when the building at Potsdamer Strasse 180/182 was completely occupied by the German Labor Front . The building Potsdamer Straße 180/182 is used by the BVG when a separate administration was necessary due to the division of the city.
Olympia-Lichtspiele ---- Nationalhof Lichtspiele ( Location )	Schöneberg Bülowstrasse  37	1922-1969	Bülowstrasse was partially assigned to Berlin, while 1-7 and 101-108 were in the suburb of Schöneberg. On the property of tenement house 37 of the private scholar Schoede on Dennewitzplatz across from the Luther Church, there were the “National Court Festsaal ”, previously known as the “Königshof”. From 1922 the “Nationalhof-Lichtspiele” was located in one of the ballrooms in the courtyard of the property. With 580 seats and a stage, these are owned by Georg Pourroy until 1925. “At that time there was one homo restaurant after another on Bülowstrasse: the Nationalhof, the Continental Club, the Bülow Casino, the Conti Casino, the Dorian Gray, the Hollandais, the Dédé, the Hohenzollerndiele and the Pan-Diele. Some bars had 'elite floors' reserved for one gender ”(). “The Violetta Club was founded in 1926 by Lotte Hahn. Originally intended as a dance club, this association developed into an active lesbian women group in the course of the first year. 400 women were members, women who earned their living as shop assistants, office or bank employees. For the first three years, this club was domiciled in Schöneberg, in the Nationalhof at Bülowstrasse 37 “(). In 1925 Pourroy traded this cinema as OT "Olympia-Theater", Nationalhof-Lichtspiele, film and stage show, W 57, Bülowstr. 37/40. In 1927 the sponsoring company "Olympia Film- und Bühnenschau GmbH" became the managing director of Rosner and Olmes as the owner of the "Olympia-Lichtspiele". In 1928 Fritz Kattwinkel became the managing director. According to the cinema directory, Bruno Esbold from Potsdam became the owner of the cinema with 677 seats from 1929 onwards. The stage has a size of 4 mx 6 m, played was daily and the silent film program is accompanied by eight musicians. Esbold had sound film technology (Kinoton) upgraded in 1931. During 1932 Ehlert and Windorf took over the light games. The Olympia cinema with 655 seats went to Fritz Kuske in 1937 and in the following year Brandt & Deutsch as well as Fritz Kuske and Hans Reinelt were listed as owners. The Olympia-Lichtspiele survived the war events without major damage and were operated in the post-war years by the "aco" (W 35, Bülowstrasse 37) with 682 seats for spectators. In 1950, Mr. Meurer and Ms. Zapprun are listed as managing directors of Ms. Endler-Brandt, Reinelt and Deutsch, and in 1952 Brandt & Deutsch oHG are the owners and managing directors. The cinema had 708 seats and offered 21/22 screenings a week. The stage is 5 m × 1 m × 4 m, the Erko equipment (light source: Xenon) and TKD sound film amplifiers and loudspeakers were available for the demonstration. The seating with 708 folding seats was replaced by 475 high upholstered armchairs from Wegener in 1959. With the change of managing director from Wolfgang Meurer to Margarete Gierig in the same year, the conversion to wide screen took place. With the Erko demonstration, CinemaScope was possible in single-channel light tone and the size ratio 1: 2.35. With daily screenings there were 16 to 21 a week and a late night and a youth show. The cinema in the courtyard was still in operation until 1969 as an Olympic light show. The halls and thus the cinema building in the rear property no longer exist, the front building is a listed building. The tenement house was built from 1875–1876 by the builders Stier and Hubert Ludwig Oswald according to their designs.
Olympic theater ( Location )	Schöneberg Meraner Strasse  1	1912-1915	From 1912 there was a cinematograph theater on Bayerischer Platz in the corner house Meraner Straße 14 to Innsbrucker Straße 1, the "Olympia-Theater". In 1912, director Otto Schob lived at Innsbrucker Straße 1, and in the following year, like Joseph Bartsch, he and Joseph Bartsch were admitted to the “Lichtspieltheater”. Joseph Bartsch is performed with the Olympia-Theater GmbH at Kantstrasse 162 (forerunner of the Charlottenburg Olympia am Zoo) for 1914/1915. In the Meraner Straße, Bartsch is still filmed with cinematographic ideas for 1915. For 1916, only the Linner & Co wine restaurant is still located on Meraner Strasse, while Joseph Bartsch, on the other hand, is still listed as managing director of Olympia-Theater GmbH. Otto Schob is a businessman in Schöneberg Steinacher Straße 1. With the change in the numbering type of the properties, the neighboring property of Innsbrucker Straße became Meraner Straße 1. The new building is a seven-storey residential building at Bayerischer Platz 8 with a restaurant on the ground floor and an adjoining building at Meraner / Innsbrucker Straße Flat building Innsbrucker Straße 1 on the property.
Palace theater ( Location )	Schöneberg Hauptstrasse  36	1912-1913	The cinematograph theater in Hauptstrasse 36 probably only existed from 1912 to 1913. In Schöneberg, after a dispute in March 1912, a cinema tax was introduced. This municipal tax for cinematograph theaters in connection with a further tax for merrymaking at fairgrounds and for cycling races was discussed at the suggestion of May 1911. Mr. Marbach is named as the owner of the “Palast-Theater”, who at the time had resisted the levying of a cinema tax in Schöneberg. In the Berlin address book for the suburb of Schöneberg there is the entry: M. Rudolph & Co. for Hauptstraße 36 under the keyword cinematograph theater for tradespeople. The company M. Rudolph & Co. cinematograph theater and film rental business is included in the residential area. Its owners are Max Rudolph and Ms. Anna Marbach. From 1910 Max Rudolph & Co. was located at Bülowstraße 45 with the Bülow Theater . The five-storey residential building with business premises on the ground floor opposite the confluence with Albertstrasse is still there. In contrast to the corner house at Eisenacher Strasse 60/61, it remained without war damage. The development also goes into the depth of the property. The short-term shop cinema could have offered 100 to 120 seats.
Palette movie theater ( Location )	Schöneberg Dürerplatz  1	1952-1966	“In a very favorable traffic situation in Berlin-Friedenau, after three months of construction, the Palette was opened [on October 13, 1952], a house by Julius Janowski. The attractive, modern building was built by the well-known cinema architect Bruno Mertendorf, and Max Faßhauer was in charge of the construction. UFA-Handel took care of the technical equipment of the house. The demonstration machines were supplied by Askania, and Behre provided the seating. Around 600 people are admitted. The opening program ran with great success. The beautiful Tölzerin . ”() Dürerplatz is located at the southeast exit of the Friedenau S-Bahn station on the Schöneberg side of the railway line. The property at Dürerplatz 1 and the buildings between Rembrandtstrasse and Bahn were damaged in the air raids "capable of being rebuilt", while the residential building at Rembrandtstrasse 14 was being rebuilt, the cinema building by "Janowski and Co." is being built on Dürerplatz on a changed area, which also houses the " Film-Bühne Wien “on Kurfürstendamm in Charlottenburg . The business was initially run by Mr. Rösler, from 1955/1956 by Krause. The films were shown three times every day of the week, and 587 seats are indicated in semi-upholstered areas. In 1957 the name of the owner was changed to Janowski & Co. oHG, managed by Gerda Schmidt. This year, the CinemaScope image and sound system in single-channel optical sound for films in widescreen formats 1: 2.35 was introduced in the “Palette Filmtheater”. The screenings of films in four-channel magnetic sound and format 1: 2.55 are mentioned in the cinema directory in 1957/1958, but this information no longer exists from 1959. In addition to the 21 normal performances per week, a late night and a matinee / youth performance were added in 1957. In preparation for the construction of the city ​​motorway (west bypass) to Steglitz - parallel to the S-Bahn line - the neighboring properties on the Schöneberg side were claimed. In addition, financial reasons probably led to the fact that the game was stopped in 1966 and the cinema closed. At the end of the 1970s, the corner plot of Rembrandtstrasse / Dürerplatz was built with a six-story house and a supermarket on the ground floor. The access to the underground car park is via the undeveloped Rembrandtstrasse 13.
Pamet light plays ---- Concordia Lumina ( Location )	Schöneberg Bülowstrasse  24	1912-1964	The house was built before 1900 with 24 rental apartments on four floors and small businesses on the ground floor. In 1910 a theater was set up in the left wing (corner building on Potsdamer Strasse) of the residential building. The "intimate theater" was located there, which was probably used as a casino and theater. “In the summer of 1912 the 'Intime Theater' was renovated and reopened on August 4th.” () The architect Edmund Fuchs was responsible for installing the cinematograph. In 1910 and 1911 Franz Würffel was theater director and in 1912 the Intime Theater at Bülowstraße 6 was registered. The Berliner Lichtspieltheater GmbH followed in 1913, from 1914 to 1919 A. Kühne was appointed director in Bülowstrasse and the Intimate Theater until 1925. During the war years and in the meantime , the cinema was probably used within the theater. The cinema (probably) in the theater was operated by Bullmann and was called "Lumina". From 1925 onwards, the Concordia-Lichtspiele were set up for daily cinema screenings with silent films, film and stage used to be intimate theater. Joseph Gutkind was the owner of the 315-seat cinema. 1925 is recorded in the cinema directory as the year Concordia was founded. From 1935 the Concordia was taken over by Fritz Kuske with the 301 seats. “Via the ticket hall and the spacious foyer you got into the elongated auditorium with rank. The theater façade, until then only marked by simple lettering, was given a contemporary design in 1936 with showcases and new illuminated advertising. ”() From 1938 the cinema entrepreneurs Brandt & Deutsch, Fritz Kuske & Hans Reinelt became the owners. They led the company through the war years and into the post-war period in the late 1940s. In contrast to the buildings towards Frobenstrasse, the corner of Bülowstrasse and Potsdamer Strasse was retained. In 1948 the cinema had space for 366 spectators. "A tragic incident occurred in September (according to Filmblätter in October) 1948. Despite approval by the building authorities, the ceiling, which was contaminated with rubble, collapsed during a performance and killed 19 people." () Architecturally changed and technically modernized, the cinema opened in 1949 under Paul A. Meiß as owner and his wife Anny Meiß as managing director as the “Pamet-Filmtheater”. In the auditorium, the curved wall cladding, which was placed around pillars, accommodated the lighting fixtures and gave the sleek space a dynamic look. The renovation of 1949 was carried out by Paul Schallenberger . The cinema now had 368 seats and was shown three times a week, seven days a week. It has a stage measuring 6 m × 2 m × 4 m. The film equipment was: Ernemann VIIB, amplifier TeKaDe from Klangfilm and a slide projector. A renovation was carried out by Klaus Bieler in 1956. This was followed by the late screening and for wide-screen films in the CinemaScope image and sound system with single-channel optical sound on a screen in proportion to the existing Ernemann VIIB machine, the Dominar M amplifiers and loudspeakers from Zeiss Ikon were added. There was a sounding slide apparatus. The seating by Wegener offered the audience 376 high upholstered armchairs. In 1962, in times of the cinema crisis , the cinema bar, in which films were shown on the side, was set up in the Pamet. In 1964, the cinema ended completely with the “Cinema-Tanzbar”. In addition, the "Liverpool Hoop", with the addition of "youth dance salon" was run. It belonged to Dieter Behlinda, the manager of “Boots”. From 1964 to 1967 it was a nationally known music club, whose concerts were regularly mentioned in OK magazine. After the 1970s, the properties on Bülowstraße were alternately numbered consecutively instead of before: Bülowstraße 24 / Potsdamer Straße 142, 10783 Berlin. The house was redeveloped in 2007/2008 (redevelopment area Schöneberg-Bülowstraße). Shops and restaurants are located on the ground floor of the (now) five-story residential building at Bülowstrasse 24. The two restaurants on the corner on Potsdamer Strasse are located in the former rooms of the cinema and projection room.
Passage theater ( Location )	Schöneberg Hauptstrasse  139	1911-1920	In the main street 139 opposite the post office 62, the Berlin address book for the suburb of Schöneberg mentions the “Passage-Vitaskope-Theater” in 1911. The Passage-Kino still existed at this address in 1920. For the years 1914/1915 Brückmann & Co. is given for the cinematographic performances, in 1917 the owner is not visible and in 1918 the cinematograph theater is given for the owners Ernst Krämer & James Meyer and it offered 200 seats for spectators. In 1920 the Passage-Theater was owned by Margaretha Franck and CFJ Larsen as managing director, the cinema is listed with 250 seats. During the cinema years there was also a restaurant in the house. In the post-war years, Hauptstrasse 139, which was not damaged during the war, was known as "KBS 2" and was the offshoot of the "Kleinen Ballhaus Schöneberg" ("KBS -1-", Hauptstrasse 30). On the south side of the street, southwest of Kolonnenstraße, there are still shops on the ground floor of the five-story residential building. The building has side wings, transverse buildings and a courtyard.
Principle light plays ( Location )	Schöneberg Hauptstrasse  20	1912-1921	The shop cinema opened in 1911/1912 at Hauptstrasse 20 on Kaiser-Wilhelm-Platz. It was still in operation in the early 1920s. Initially from 1911 to 1915 E. Luft offered cinematographic performances, 1917 Kinotheater von Hartmann, Erna. In 1920/1921 the cinema operator Robert Bartsch (Steglitz apartment, Schlossstrasse 88) is listed for the Prinzess-Lichtspiele. The figures for these are between 120 and 227 places. As a tenement house from 1886, the building is a listed building. There are currently two shops in the house on the ground floor.
Savoy plays of light ( Location )	Schöneberg Martin-Luther-Strasse  30	1929-1943	In 1929, Martin-Luther-Strasse is between the Schöneberg administrative district (numbers 25-75) and the inner city districts (Pist W30), property number 5 belongs to the inner city, and was located on the southwest corner of Neue Winterfeldtstrasse. In 1929 Natkin & Betzel opened the “Savoy-Lichtspiele”. The founding year 192 is recorded in the cinema directory. The cinema had 363 seats, there were daily screenings and the silent films of that take were accompanied and accompanied acoustically by four musicians. In 1931 sound film technology (or cinema sound?) Made it possible to show a sound film. The managing director for Natkin & Betzel became theater director Friedrich Berisch. “The Betzel family often worked together with the Natkin and Bunar families. As early as the 1930s, Johannes Betzel owned several cinemas in Berlin and Dessau. At the end of the Second World War, however, Betzel had lost most of his cinemas again, either through destruction in bombing or through the expropriation of cinemas in the Russian sector. ”() From 1934 Hans Betzel is listed as the owner, Berisch runs his business. After 1936 Paul von Tubbé became the owner of the cinema. 1941 Paula Gutterer owns the Savoy-Lichtspiele, the change probably took place in 1940. The building was destroyed in air raids during the war , affecting the entire square between Winterfeldt, Martin-Luther- and Luitpoldstrasse. The address was changed to Martin-Luther-Straße 30. A new five-storey block was built on the former cinema site.
Scala Palace ---- Ice Palace -Cinema ( Location )	Schöneberg Martin-Luther-Strasse  14-18	1910-1923	"Berlin. The 'Eispalast-Kino' is on the 10th of December. has opened, an elegant photo theater that has set up its seat on the first floor of the Berlin Ice Palace, in the same splendid hall in which the cabaret entertains its guests at night. This already indicates that the theater room presents itself as an elegant and modernly equipped place to stay. The entrance portal, ticket office, staircase and vestibule are also kept in an elegant style, so that the most pampered visitor will find his taste and requirements satisfied. A very thankful facility is that in the background of the auditorium, from where the light images can be seen most effectively, a cercle is set up at tables where refreshments are served. Reduced prices are set for visitors to the Ice Palace. The photographs bring excellent shots, the program, which changes twice a week, is chosen and extensive. ”() The Ice Palace at Lutherstrasse 22-24 was opened in 1908. The cinema in the Ice Palace continued to operate. The Scala was reopened as a variety theater in September 1920 by nine mostly Jewish business people - including the owner of the Lichtbild-Bühne publishing house , Karl Wolffsohn, and the aircraft industrialist Fokker - in the Ice Palace . The movie theater "Scala-Palast" owned by Scala-Palast GmbH had daily performances, there were 3000 seats available. The operating mode was that of a variety show, the operation as a movie theater was terminated in 1923. In the Berlin address book, Scala-Palast GmbH is recorded without the addition "Kinematograph". The building was largely destroyed on the night of November 22nd to 23rd, 1943. Until it was destroyed, La Scala was used as a variety theater, the Jewish partners were replaced in the mid-1930s . From 1960 parts were temporarily used as a provisional venue for the cabaret Die Wühlmäuse . In 1963 Lutherstrasse was incorporated into Martin-Luther-Strasse, the address became Martin-Luther-Strasse 14-18 (even). The building was later demolished. In the 1970s, the street front was closed with an eight-story functional, functional building. The area of ​​the former auditorium and stage became a non-public parking lot.
Castle brewery light games ( Location )	Schöneberg Hauptstrasse  122–123	1918	The “Dorfkrug” and the “Jagdschlösschen” were located at Hauptstrasse 122–123, a free estate with brewing rights, where the Schlegelsche Brewery was founded. The Berliner Schlossbrauerei bought the old Krug area in 1871 and opened the Schöneberger Schlossbrauerei on Dominicusstrasse (formerly Tempelhofer Strasse). This is how the beer garden of the brewery and the "pleasure palace" of the Schöneberg Castle Brewery came into being . The management of the brewery in the 1910s were Ernst Krämer & James Meyer. As is widespread in Berlin, cinematographic screenings were also given in the brewery hall around 1918. The size of the hall of the "Schloßbrauerei-Lichtspiele" was given in 1918 as 3000 seats. In place of the beer garden, the "Prelate Schöneberg" was built in 1938 as an excursion restaurant with a hall for 2000 people. After war damage, the prelate was refurbished and rebuilt in 1955. The brewery existed until 1957. The entire front of the building on Hauptstrasse was demolished in 2007 and a supermarket was built on the then fallow area.
Sports Palace ( Location )	Schöneberg Potsdamer Strasse  170–172	1919-1966	The Berlin Sports Palace was opened on November 17, 1910 with an ice rink inside, based on plans by Hermann Dernburg. It was located at Potsdamer Strasse 72. Since then there have been film premieres in the house, for example on February 3, 1912, The Power of Gold by Urban Gold. In 1919 Reinhold Clauß converted it into the Sport-Palast-Lichtspiele. They were advertised with 3013 seats (2636 parquet, 377 rank) as the "largest cinema in the world". It officially opened on September 5, 1919 with the film Those who live on love . Sport-Palast-Lichtspiele GmbH was responsible for the daily performances, and in 1919 the cinema tenants were Eduard Fischer and Moritz Ehrlich & Max Kanarienvogel. Moritz Ehrlich and Richard Joseph were the operators in 1920/1921. From 1921, however, the regular film screenings were discontinued in favor of major sporting events in the "Sports Palace". A renovation was carried out by Wilhelm Kratz in 1929, whereby a projector room was installed again for occasional demonstrations. The hall was used for sporting, political and cultural events until 1944. The sports palace survived the war relatively unscathed, and in January 1944 the building was damaged by bombs . The architects Sobotka and Fehling & Müller operated the expansion of a cinema for the "Filmtheater im Sportpalast GmbH". In 1948 the "Filmtheater im Sportpalast" was opened with 641 seats in the access wing on the 2nd floor in one of the smaller halls. In the cinema there was a theater license for the 6 m × 3 m × 5 m stage, from 1952 only 6 m × 2 m are shown. There were three performances a day, plus a late performance. The technical equipment under managing director Karl Heger for the film theaters in the Sportpalast GmbH was an apparatus Europe, AEG amplifier and slide projection. From 1953 the projection apparatus from Frieseke & Hoepfner is mentioned. From 1957 the widescreen format 1: 1.85 with amplifiers and loudspeaker system from Klangfilm was installed, sounding slide. 624 high and flat upholstered armchairs were put into the hall for the seating. In addition to the three daily performances, there was a late night and a family performance. After the death of Karl Heger, Sylvia Heger took over the management. The great hall was reopened after repairs and later became a concert arena. From 1953, film screenings took place again in the large arena as a film theater in the Sportpalast. From 1959, film screenings took place in the large hall with actually only 2500 seats, but for large screen presentations with up to “9000 folding chairs” for the spectators of the “Spectacle”. They were shown as cinemiracles with three Philips projectors on a 9.0 m × 25.0 m screen. On April 3, 1959, the film Windjammer was shown . In 1960 a screen measuring 9.5 mx 28.0 m was installed. The Sportpalast-Saal was used several times for premieres of Cinerama films until 1963. Georg Kraeft was the managing director for Sportpalast GmbH. Another renovation was carried out in 1963 by Wolfgang Bürgel. In 1966 the theater ended as a cinema. When the operation of the hall was no longer economically viable, the sports palace was demolished in 1973 in favor of a social housing project. When Potsdamer Strasse was converted to reciprocal numbering, the property was given house number 72. In 1977, a ten-story “residential center” with a bridge over Pallasstrasse was built on the demolished area and parallel to Potsdamer Strasse. Based on the former Sports Palace, the Pallasseum is also called the “Social Palace ”.
Tauentzien Palace ---- Cinema at the Tauentzien peep box ( Location )	Schöneberg Nürnberger Strasse  50-52	1950-1957	The cinema in the Tauentzien Palace was destroyed and abandoned during the war. Neighboring in this central location, in 1929 in Nürnberger Strasse in 50/52 in the transverse building (towards the rear) in the two-storey ballroom, the “Femina” (“ Berlin's Ballroom ”) with 2000 seats was opened on the 1st floor. There was a café on the first floor under the ballroom. Badly damaged in the war, the Ulenspiegel cabaret opened on the ground floor in 1946 after repairs , and the ballroom on the first floor was converted into a cinema from 1948: the “Cinema am Tauentzien”. In 1950 Werner Mörschel opened the former cabaret in the five-story office building with 563 seats at the new location near the (old) Tauentzien (palace). 1951 were built by the architect Otto Zbrzezny. Artists' rooms, cloakrooms, smoking foyer, bar and a visitor meeting point were added. The projector room was located behind the transparent, glycerine-embossed canvas using the projection method. The 10 m × 7 m × 4 m stage had a theater license. The cinema had amplifiers from Radio Büttner and an Ernemann VIIB for projection. There were three performances a day. “ Peep box in the Nuremberg funnel . Kurt Tuntsch, director of the Filmbühne Wien on Kurfürstendamm, founder of the world's largest open-air cinema in the Waldbühne and initiator of the leading Berlin cabaret 'Nürnberger Trichter' , has again set up a movie theater in the Trichter's house. From September 1st [1952] onwards, as a kind of 'dream cinema', it is to play older and old films requested by the audience for a week , the 'peep box' will be opened with Double Lottchen . There will be three afternoon performances in this 'peep box', in the evening the cabaret artists have their say. "() Kurt Tuntsch briefly ran the peep box on the ground floor of the ballroom in 1952, a cinema and the cabaret theater" Nürnberger Trichter "in the former Ulenspiegel and was in June 1953 insolvent. In 1953 the peep box cinema facility was closed due to bankruptcy. This was followed by the renovation by the architects Heinrich, Stasiak and Kynast. The cinema was redesigned as a premiere theater in all rooms. The projector was also in a normal projection position in 1954. The plan solution concealed three pillars of each of the two rows of supports with a saw-blade-like wall line. Three separate boxes were formed. The last row was equipped with the popular love seats , there were rocking chairs that could be tilted backwards. “On August 27th, the Ernst Wolff-Lichtspieltheaterbetriebe in Berlin will open the former Nuremberg funnel under the new name Tauentzien-Palast as a premiere theater. The Tauentzien Palace has been completely redesigned in all rooms. This thorough renovation was necessary because the projector room in the earlier movie theater was behind the screen and the image had to be projected onto the screen through mirrors. The new projector room, which is now, as usual, in front of the screen, was equipped with the most modern equipment. In addition to demonstrations on normal walls, wide-screen demonstrations are also possible. The auditorium has 502 seats (compared to 560 before the renovation). The interior design is particularly attractive and also creates lighting effects in the intimate space. Great emphasis was placed on the design of the facade. Effective neon advertising will draw passers-by to the theater from afar. The Nürnberger Strasse and; the adjacent side streets offer sufficient parking spaces. As reported by the Ernst Wolff-Lichtspieltheaterbetriebe, the Tauentzien-Palast will open with the most controversial film of this year, the fairground of love . The RKO chose this theater for the German premiere because it expects the film to run longer than average. The film distribution company was guaranteed 100,000 DM income from the premiere alone. That is the highest guarantee that has ever been paid for a film in Germany. ”() The opening film was the American film Polonaise . The owner Ernst Wolff named the cinema the Tauentzien Palace, and Günter Weikert ran the business. During the week there were 23 performances, there were theater and opera licenses for the stage and the Ernemann VIIB apparatus (left and right), amplifiers from Siemens Klangfilm, and sounding slide were used for the performance. In 1957 the cinema closed its doors again, and the cinema offer in the address book has "expired". From 1958 to 1973 the house became the venue for the privately financed "Berlin Theater". In 1973 the former ballroom was converted into a canteen for the Berlin tax authorities, which used the front building as an office building. Immediately after the war until the mid-1950s, the office building was used by KaDeWe as an emergency sale. The “Bathtub” jazz club established itself here, and from 1978 to 1993 the “Dschungel” disco was located at number 53 of the long building. Until 1996, the Berlin State Main Treasury was housed in office floors. After they moved out, the building, including the shops, was empty. After a few years of vacancy, the building was converted into a luxury hotel (Ellington), which opened in 2007. The conference rooms now stand on the site of the former ballroom.
Tauentzien-Palast ---- UT Kammerlichtspiele ( Location )	Schöneberg Tauentzienstrasse  19	1913-1945	The Tauentzien Palace was still in Berlin-Schöneberg on the border with Charlottenburg at the corner of Tauentzienstrasse 19 and Nürnberger Strasse 57-59. The office building was built in 1912/1913 according to plans by Johann Emil Schaudt , who was also the architect of the KaDeWe . 1910/4484 / There was a café on the ground floor and the first floor of the house, above it on the 2nd – 4th floor. Floor of the cinema hall of the “Union-Theater Kammerlichtspiele” with 1000 seats. On December 18, 1913, the Union-Theater Kammerlichtspiele opened as a branch of the Kammer-Lichtspiele on Potsdamer Platz with the Berlin premiere of the film Atlantis . As early as 1914 there were plans to convert the cinema into a theater. In 1915 minor changes were made, so in 1917 the "Lichtspiele Tauentzien-Palast" with 1,000 seats is owned by Ludwig Klopfer, who has now been the operator for many years. The admission prices for the daily screenings for the large cinema are between 0.50 and 3.00 M. Programs change on Friday. In 1920 the Tauentzien-Palast came to Universum Film AG, consequently the cinema was called "Ufa-Lichtspiele Tauentzien-Palast". For 1921 995 places and further for 990 places are officially approved. In 1922 and 1927 minor changes followed in the Tauentzienpalast, which was part of Charlottenburg, at times the National-Film AG. registered as owner, from 1927 again Ludwig Klopfer, whereby 1919 was given as the year of foundation. In 1927, a Welthe cinema organ was inaugurated in the cinema . In 1930/1931 the film theater remained closed for the renovation by Gustav Neustein for the tenant company Hein & Kreisle GmbH Hein & Kreisle GmbH with Willy Hein and Fritz Kreisle. These indicate the year of foundation in 1930 in the cinema address book. As a result of the renovation, the auditorium has 1028 seats, 732 of which are in the stalls and 296 in the tier, from 1932 there are 1083 seats. Since then, the sound film establishment has existed through sound film. January 1, 1936: Tobis (Tonbild-Syndikat AG) inaugurates the cinema in the Tauentzienpalast as its premiere theater with the Heinz Rühmann film If we were all angels . In 1937 the operator is Ufa-Theater-Betriebs-GmbH, this time with 1024 seats. In the 1940s Fritz Glenz ran the business of the “Ufa” -Theater-Betriebs-GmbH in the Ufa-Theater “Tauentzien-Palast”. The premieres of UFA films took place in the building, including The Symphony of the Big City in 1927 . In 1929 the silent film I kiss your hand, Madame with Marlene Dietrich and Richard Tauber, premiered. The Feuerzangenbowle with Heinz Rühmann premiered here on January 28, 1944. On January 30, 1945, the last of the propaganda and historical film commissioned by Joseph Goebbels was Kolberg . In 1945, during the Second World War, the neighboring buildings on Passauer Strasse were completely destroyed and the Tauentzienpalast was badly damaged. The ruins were torn down. In its place there is a new building with the (representative) branch of a fashion chain at the corner of Nürnberger Strasse and Tauentzienstrasse 19 (a flat new building with number 20 follows Passauer Strasse) .
Tauentzien day cinema ---- Tauentzien theater T.TT Lichtspiele ( Location )	Schöneberg Tauentzienstrasse  19a	1909-1945	In Tauentzienstrasse 19a next to the Tauentzienpalast (No. 19) a cinematograph theater has been operated since 1909 (Berlin-Schöneberg). The “Flea Cinema” was in the backyard and was accessible via a long corridor from Tauentzienstrasse to the left of the Tauentzien Palace. The Tauentzien-Theater or TTT-Tauentzien-Theater, also TTT-Lichtspiele (TTT for Tauentzien-Theater-Tageslichtspiele) was run by director Franz Schuler as owner. The admission price for the daily performances - program change on Friday - 0.55–1.75 marks. For the central location and the proximity of the Tauentzien-UFA-Palast, the concept of a daytime cinema offered financial profitability. The TTT-Lichtspiele had 180 to 321 seats. With the inflation of 1923 Charles Wetzler became the owner and from 1928 James Gabbe became a partner, from 1931 Herbert Davidson and James Gabbe are cinema owners. They also built the sound film facility (sound film) in 1931. In 1936 Julius Janowski became the owner and Elsa Belzing ran his business, Kurt Janowski in 1940 and Dorette and Gerda Janowski from 1941. During the Second World War in 1945, the buildings from the Tauentzienpalast to Passauer Strasse, including the TTT-Lichtspiele, were totally destroyed. When the ruins were cleared, the area for new buildings in the west center was used by fashion retail chains on plot 19 (fashion house Peek & Cloppenburg) and plot 20 (low-rise building with Leiser, Stottrop).
Thalia Theater ( Location )	Schöneberg Goebenstrasse  7	1910-1911	"C. Alexander Wiebel opened in Berlin, Goebenstr. 7, the 'Thalia-Theater', light art stage. ”() Wiebel traded in liqueurs in 1910 at Goebenstrasse 7 and ran his shop cinema in the house on an area of ​​around 60 m², effectively named after Thalia (muse of comic poetry and entertainment). Before that, Wiebel was not listed in the address book. It had been quite common since the time of traveling cinemas around 1910 to obtain or borrow a cinematograph if you had the appropriate space in order to show rented films in front of a paying audience. Neither the liquor nor the cinema business was going so well at Wiebel, because after a year it was not listed in the Berlin address book. The residential building remained undamaged during the war. On the property Goebenstrasse 7 opposite Kirchbachstrasse there is a six-storey old building with a left transverse building as a residential building and on the ground floor there are two shops on both sides of the house entrance, as well as the passage to the courtyard on the right side of the house.
Titania ( Location )	Schöneberg Hauptstrasse  49	1913-1943	In 1913 the “UT Lichtspiel-Ges. mbH “(Zimmerstrasse 16-18) opened the UT-Lichtspiele (Union Theater) in the new building at Hauptstrasse 49. The printing house Felgentreff & Co. was located in the building. In 1920, Alexander Grohmann is managing director for UFA (Köthenerstraße 1–4), the “UT” has 800 seats and shows every day. When the UFA took over the cinema in 1921, it became the Ufa-Theater Schöneberg owned by Ufa-Theater-Betriebs GmbH in Universum Film AG, and Max Hackbarth took over the business from 1924. When the cinema was transferred to the National-Film-Theater GmbH, it lost its status as a Ufa cinema and was initially called the National Theater with 774 seats. In 1928 it was named "Titania" (Titania-Theater, Titania-Lichtspiele) with 769 seats, which it carried until it was destroyed in the 1943 war. The daily screenings were accompanied by five cinema musicians. In 1930 the cinema entrepreneur Hugo Lemke took over National, initially with v. Ebeling, from 1932 with businessman Max ER Elsasser (Steglitz, Flemmingstrasse 3a) as managing director. In 1931 the sound film equipment was acquired by Klangfilm and there was mechanical music , the cinema had a stage of 24 m² and 750 seats, from 1934 380 seats were approved. In 1937 Lemke formed the "Steglitzer Kinobetriebe Hugo Lemke & Co." for its movie theaters. During air raids on Schöneberg in 1943, the buildings between Dominicusstraße and the old Paul-Gerhardt-Church were totally destroyed. The six-storey residential and commercial building is then built on plot 49 in the 1950s. The cinema memory is wiped out.
Tonburg ---- Schöneberger Lichtspiele ( Location )	Schöneberg Hauptstrasse  11	1919-1962	In 1919, the "Schöneberger Lichtspieltheater" was opened on the ground floor of the front building at Hauptstrasse 11 at the confluence of Vorbergstrasse (corner of Extended Belziger Strasse) on the ground floor of the vacated "A. Weiss department store". The Schöneberger Lichtspiel-Theater of director Bernhard Flakenfleck, whose managing director is Berthold Falkenfleck, offered daily performances for 350 spectators. In the year 1921 Wilhelm Fuchs is in the Schöneberg industrial part, named for 1920 with cinematographic performances in the Hauptstrasse 11. In the following year, Fuchs is no longer listed, the cinema was probably closed for the time being. In 1922 the Russische Gesellschaft Charlottenburg owned the house (Ukrainske Slowe, book and newspaper publisher), and the businessman Rapaport, who was involved in the cinema, also lives. From 1924 at the latest, Wilhelm Groß became the owner of the cinema, who changed the program for daily performances on Friday and Tuesday and offered 306 to 295 seats. One or two musicians supported the game. In 1932 the cinema was rebuilt by the architect Otto Schmidt. Wilhelm Lampl became a partner in Groß. With the installation of the sound film equipment in 1933, the cinema was given the name "Tonburg" (movie theater). There was technology from Kinoton and “mechanical music”. Wilhelm Lampl remained the owner of the Tonburg until 1935, after which Ernst Metzger became the owner and Erich Thomann ran the cinema. In 1940/1941 Mrs. Maria Keyser (from NW 40, Alt-Moabit 121) took over the cinema. The building with the cinema was damaged during the war. In the post-war years Wilhelmine & Otto Langer owned the "Tonburg" (Otto runs the shops), which had reopened at least from 1948. During the renovation in 1949 by the architects Schallenberger and Krebs, this war damage was removed. Tonburg-Lichtspiele had amplifiers Euronette / Eurodyn, Ernemann VIIB (from 1952: Erko) and a slide device for the three daily performances. The capacity for the audience was 330 seats. In 1954 Walter Feindt & Söhne became the owner and from 1956 Herbert Reiss. With the offer from UFA retailers, he is expanding the demonstration options to include the CinemaScope image and sound system with optical sound (one channel) and a 1: 2.35 format. The Kamphöner seating is partly flat upholstered armchairs. Amplifiers are from Klangfilm, the projection apparatus is an Erko IV (pure coal), the slide is sounding, there are also the youth and late performances. From 1959 Reinhard Schade is the owner and Herbert Reiss its managing director. With the general decrease in the number of visitors, the cinema closes in 1962. “That building [on the Schöneberger property at Hauptstrasse 11 and Belziger Strasse 1] which is large, but rather clumsy than imposing due to its modest roof and dreary facade and no resemblance at all has more with its original state. The somehow monstrous-looking house from Schöneberg's heyday has otherwise only an almost monotonous facade in gray and white tones, broken up by the colors red and bright green on the ground floor. There is an advertisement for the hotel in the building on one of the balconies running around the middle section. ”The ground floor of the house is used as a supermarket .
Turma-Flora (movie theater) ---- Saalburg Lichtspiele ( Location )	Schöneberg Hauptstrasse  144	1921-1943	“ A new big movie theater . Director Rudolph, the former owner of the Schauburg, has built a new large cinema in the former Schwarzen Adler, Hauptstrasse 144. Director Rudolph spared no expense or effort to create a motion picture theater that can compete with the most beautiful Berlin theaters and that caters to the tastes of the most spoiled audiences. The theater will open with the film operetta Miss Venus (made by the Notofilm-Gesellschaft). ”() On the property opposite the confluence of Akazienstrasse at the southern end of Kaiser-Wilhelm-Platz was the beer garden and the 8000 m² hall of the“ Black Eagle ” . The Saalburg light plays were opened in 1921 on the first floor of the side wing. The sponsor was the "Saalburg Film Bühnenschau GmbH" in the "Schwarzer Adler Schöneberger Volkstheater", in 1922 the Neue Operettenhaus Schöneberg, the Schwarzer Adler Variete and Sportarena Kurt Gründler, the Saalburg cinema owned by Karl Rudolph, the Westkammerspiele theater, the director singer and an expedition of the Berliner Morgenpost building and property at Hauptstrasse 144. The Saalburg light plays offered daily performances with a capacity for 996 spectators. In 1924 Karl Rudolph became the managing director for the “Schauburg Komm.-Ges.” In 1925 the “Turma-Film-Ges. Philippi & Co. ”became the new owner of the upper cinema and changed the name to Turma-Palast with 979 seats, from 1937 the number of seats for 950 spectators changed. On the ground floor, L. Saenger changed the concept of his “New Operettenhaus Schöneberg” to the “Flora Theater Variete Siegmund Flatow” in 1926 and also became a cinema owner and combined light play with vaudeville, the stage was 11 m × 5 m × 6 m. In 1928 the Turma Film Gesellschaft Philipp & Co. became the owner of the Flora-Palast. In the cinema address book, the owners gave 1921 as the founding year for the Turma Palace and 1926 for the Flora Palace. The Turma Palace had 979 seats and daily performances, and its stage was 11.5 mx 6 m. In 1931 Turma-Film-Gesellschaft Philipp & Co. bought the sound film equipment for both cinemas. In 1933, its sponsor was transformed into the "Society for Cinema and Theater mbH". In 1937, Clara Rodermund became the owner of the Turma-Palast and Flora-Palast, who also owned the property. The two venues Turma-Filmtheater and Flora-Filmtheater they merged in 1941 under the name "Turma-Flora-Filmtheater". The owner was Clara Rodermund until the end of the business. The entire building complex on the south side of the main street at its southwestern transition from Kaiser-Wilhelm-Platz was destroyed in the air raids. The cinema in the Turma-Flora ended in 1943. The fallow land in the center of Schöneberg after the ruins were cleared was built next to the old building 140 with commercial facilities. In 1969 a Hertie department store was built in Hauptstrasse 141-144 . Following the Kaiser-Wilhelm-Passage in 2014/2015, this was renovated to become the Kaiser-Wilhelm-Center and converted into a shopping center.
Ufa pavilion at Nollendorfplatz ---- UT-Lichtspiele Cines ( Location )	Schöneberg Nollendorfplatz  4	1912-1943	In the years 1912/1913, the first independent cinema building in Berlin was built for the "Deutsche Cines-Gesellschaft". The monumental building by the architect Oskar Kaufmann had a windowless facade and thus set an urban accent. A large circular skylight was built into the roof, which could be opened completely so that presentations in the open air were also possible. “Opposite the 'Mozart Hall', a peculiar building has been created, which already from the outside attracts the attention of passers-by with its windowless and yet elegant, original-looking facade. The stained glass, illuminated from the inside, which are the only decoration of the entrance, reveal the importance of the house through their symbolic figures: a cinema theater. […] The theater has 850 seats, the prices of which are between 1 and 3 Marks and which are spread over the stalls, tiers and boxes. The stairs to the tier do not - as is usual in German theaters - lead up outside the auditorium, but to both sides of the parquet and, with their arch-like vaulting into the gallery, form a very peculiar decoration of the house. Everything is strictly modern, simple and elegant. ”()“ Cines is a Roman cinematograph company, after whose name a peculiar, windowless stone construction kit with a sandstone facade, built by Oscar Kaufmann, is named. The construction is undoubtedly effective; but just as undoubtedly it does not fit in with its surroundings. Like its name, the house is something of a mystery. And in this “cinestopp” the opening performance was given on Wednesday: Quo vadis? First a word about the interior of the theater: delightful. Muted, effective light falls down through splendid bronze balls. The whole plain, elegant and simple interior is kept in delicate violet-white; even the numerous 'ushers' like their new purple tailcoats. All in all a very special kind of jewelry box. "() From 1916 to 1921 the "Union Theater GmbH" was the operator and the cinema name was "Union", also UT-Lichtspiele. When the company was taken over by Ufa in 1921, the name ("UT Nollendorfplatz 4") remained and this became the owner of the property. In 1924 the cinema name was "Ufa-Theater Nollendorfplatz" and in 1926 "Ufa Pavilion" followed with 865 seats, operated within Ufa AG by Ufa-Theater-Betriebs-GmbH. This took place with the performance of Fritz Lang's Metropolis . It was played every day and there was a stage measuring 11 mx 3 m. The sound film establishment with sound film took place in 1931, there were 640 places. Films were premiered in the UFA pavilion: on November 12, 1928, the German-Italian silent film Villa Falconieri , on March 20, 1928, the Winter Olympics documentary The White Stadium, and on October 3, 1937, the animated film Reineke Fuchs , but also the Nazi propaganda strip Victims of the past on April 14, 1937. Until 1938, Berlin W30 Nollendorfplatz was still in the district VII Charlottenburg with plots 1–4 and only 5–9 in the district XI Schöneberg. In 1943, the building between Kleiststrasse and Motzstrasse was destroyed due to the Allied air raids . Operations were stopped and the cinema closed. In the 1960s, a twelve-story high-rise residential building was built on the former cinema site opposite the Metropol ., Nollendorfplatz 3/4.
Urania film stage ( Location )	Schöneberg An der Urania  17	since 1962	The lecture center of the Urania e. V. (10787 Kleiststraße 13) does not call itself a cinema, but there are regular film screenings in the program. In 1962 the Urania moved to its current location in Berlin-Schöneberg An der Urania, the film screenings began on November 10, 1962. There are two halls equipped with cinema technology, so the Urania is the largest art house cinema in Berlin: award-winning films, popular hits and rarities. Until 1999 it was the main venue for the Berlinale Children's Film Festival . 'Arthouse' films from the current and previous seasons are shown continuously. Classics and films in their original versions have almost been discontinued since 2000. The private "Deutsche Kulturgemeinschaft Urania Berlin" is responsible for the mixed cultural program in cinemas and theaters and offers several reading rooms. It was founded in 1888 on Invalidenstrasse. The house at Taubenstrasse 48-49 followed, where Ufa documentaries were shown. The Humboldt Hall has 866 seats in 24 rows, films are in digital, 35 mm and 70 mm analog (multimedia lectures to films in 70 mm copies) on a screen measuring 6 m × 12 m with sound played in Dolby Digital 5.1 . The side walls are paneled with wood. There is a stage in front of the screen. Indirect side wall lighting and tapering light strips in the ceiling, plus the red armchairs and the dark red curtain look warm. The hall was renovated around the turn of the year 2007/2008, the seating revised, the walls next to the canvas painted dark and a new dark carpet laid. Before the performance begins, there is the cinema gong. The smaller Kleist-Saal has 284 to 300 seats in 18 rows and offers playback in digital and analog 35 mm technology on a 25 m² screen in sound in Dolby SR . It is used for the children's performances in the afternoon and when the larger Humboldt Hall is occupied. The hall offers an "original 1970s ambience" and was also renovated in 2007/2008. The seat cushions and curtains are blue, the ceiling and walls are still paneled with wood. The technical equipment is weaker than in the Humboldt Hall. Despite the cultural claim, the 'Urania' commercial also takes place before a film.
Victoria Movie Theater ( Location )	Schöneberg Motzstrasse  57	1951-1967	The property at Motzstrasse 57 on Hohenstaufenstrasse not far from Victoria-Luise-Platz (named for the cinema) was badly damaged by the war . After the clearance, the property was filled with a gap with cinema rooms. “Opening of the Victoria Filmtheater, 435 seats, Berlin W 30, Motzstraße 57, Direction Marie Luise Kandt and Marie Schöning. Technical setup of sound film: Ernemann VII B projectors. First Berlin film theater with an opal glass front. ”() The Victoria Film Theater offered viewers three times a day with 435 seats, and there was also a late night and a matiné show every week. From 1955 Maria Schöning became the owner and offered 423 seats. With the Ernemann VII B (light source: Xenon) and two sound film amplifiers, CinemaScope playback with optical sound in the format 1: 2.35 was made possible from 1957. The cinema owners were Felix Kandt, Marie Schöning, Marie Bayer and Felix Kandt ran the business. The 399 cinema seats from Kamphöner were partly flat and partly upholstered. The cinema was in operation until 1967. Walter Jonigkeit is said to have headed it in the last year of operation. In the six-storey refurbished apartment house Motzstrasse 57, the ground floor rooms are used by a bookstore that also offers lectures and events.
Viktoria-Luise-Lichtspiele ( Location )	Schöneberg Viktoria-Luise-Platz  5	1910-1943	From 1912 the Viktoria-Luise-Lichtspiele were located at Viktoria-Luise-Platz 5 next to the Lette-Haus, in the building on the corner of Neue Bayreuther Straße 8 (since 1958: Welserstraße 1). From 1912 onwards, the Schendels Lichtspiele were named in the address book instead of a paper shop. With the specified 170 (officially approved) seats, it was probably a shop cinema . The owners of the Luisen-Lichtspiele were subsequently E. Levy in 1913, the Thiem brothers in 1914 and 1915, which was followed by another owner in 1916, in 1917 and 1918 there was no suitable address book entry, the Luisen-Lichtspiele were probably closed. In 1921 Heinrich Peiser bought the corner house. According to the cinema directory, the “Victoria-Luisen-Lichtspiele” by Alfred Jahnke with 170 seats and screenings on weekdays except Wednesday are recorded in the building. For 1924 there are 140 seats with daily performances and two program changes, and one or two musicians also accompanied the film screening. Wilhelm Jahnke was only accepted as the owner in 1924; Albert is missing in the address book for one year. In 1926/1927 the cinema changed hands. Walter Schibalski is included in the Berlin address book, in the cinema address book from Max Mattisson 1927/28 it is still Alfred Jahnke from Berlin S59, Kottbusser Damm 75. The cinema entrepreneur Schibalski was taken over by Mrs. Knepel (Schröder's managing director) and in the course of 1929 by Else Sennewald replaced who lived on the ground floor. In 1931 the company Oebels-Oebstroem Film GmbH from SW 68 Friedrichstraße 7 followed by Henry Oebels-Oebstroem and H. Rodenbusch as owners, who offered 156 places. 1933 was Mr. Wolff and from 1934 Johanna Heckendorf owns the cinema and lived as a private in Berlin-Wilmersdorf, Wexstraße 23. 1935 the new owner Johanna Heckendorf expanded to 158 seats, had films shown daily, there was no sound film facility. The Viktoria-Luise-Lichtspiele existed until the corner house on Viktoria-Luise-Platz with Neue Bayreuther Straße was destroyed by bomb damage. At the end of the 1970s, a seven-storey residential building was built on the ground floor with restaurants and shops and an attic floor.
Wittenberg cinema ---- Bristol light shows ( Location )	Schöneberg Kleiststrasse  22	1919-1935	At Kleiststrasse 22, Andreas Barton ran the “Cafe von Hindenburg”, whose name was previously Cafe Bristol. The café in the corner building on Bismarckstrasse 37 directly on Wittenbergplatz was called "Café Bristol" before 1915. In 1920 the engineer Alfred Lampl set up the "Bristol-Lichtspiele" here, while the rooms were owned by Cafe v. Hindenburg A. Barton & Comp. stayed. The possible number of spectators initially specified as 180 seats was subsequently increased to 327. In 1923 Lampel named his cinema the "Wittenberg Cinema" with 155 seats. The Cafe von Hindenburg company is abolished, Barton is listed as a businessman. As of 1924, the Lichtspiele had 200 seats. Screenings took place daily, the year of the establishment is given in the cinema directory as 1919. Two to three cinema musicians were employed to accompany silent films. In 1932 Lampel acquired the sound film equipment. Kleiststrasse 22, like the north side of Wittenbergplatz, belonged to the Charlottenburg administrative district. With the district reform in 1938, the district border from Schöneberg was moved to Kurfürstenstrasse, and since then Wittenbergplatz and the building with the former cinema have belonged to the listed district. The cinema on the ground floor at Kleistraße 22 was given up by Alfred Lampel in 1933, and after an entry in the cinema directory, Alfons Wolff became the new owner of the cinema. However, Wolff closed the Wittenberg cinema by 1935 at the latest. The eastern corner building on Wittenbergplatz was badly damaged in the Second World War. The seven-storey commercial building at Kleistraße 22 / Bayreuther Straße 37, which was restored as a GEMA house in the 1950s, is located on the property.
Wochenschau am Tauentzien ---- Studio day cinema ( Location )	Schöneberg Tauentzienstrasse  7a	1930-1945	The cinema entrepreneurs S. Natkin and Hans Betzel opened the “Studio Tageskino” in 1930 on the corner of Tauentzienstrasse 7a and Nürnberger Strasse 60. The concept was obviously a topical cinema in a central location . It was managed by Siegfried Platen. At the beginning of the 1930s, Platen was also the managing director of the Friedrichshainer Welt-Kino, Berlin O 112, Boxhagener Strasse 104. With 270 seats and daily play, the daytime cinema had a sound film facility. From 1933 Eldon Bunar became the managing director and from 1934 Johannes Betzel - the owner of several cinemas in Berlin and Dessau - the sole owner. In the mid-1930s, Bunar was Betzel's managing director at Babylon in Mitte (Berlin C 25, Kaiser-Wilhelm-Strasse 27a → Karl-Liebknecht-Strasse). In 1939 the name was changed to “Wochenschau am Tauentzien”. During the air raids on Berlin, the corner building on Tauentzien was very badly damaged between 1943 and 1945. This affected the cinema and the game operation ended. The six-storey commercial building on the east side of Nürnberger Straße (corner building) is on the border of the Schöneberg district.
Xenon ---- Colonna ( Location )	Schöneberg Kolonnenstrasse  5/6	since 1909	On October 1, 1909, a cinematograph theater was set up on the ground floor of the newly built five-story residential building at Kolonnen- zur Feurigstrasse. Friedrich Gilles led the “Welt-Biograph-Theater” as theater director and promoted it under the name “Effect Theater” as a “distinguished institute for instructive entertainment”, which should speak for a claim that went beyond the simple cinema . The shop cinema lay like a tube to the left of the stairwell to the side wing of the house. In 1911, "theater owner" F. Schröder took over the venue and was (but only) named as the theater owner the following year. The hairdresser Joseph Sokolowski follows in Kolonnenstrasse 5.6 with a business entry under cinematographic ideas. The new cinema name "Colonna-Lichtspieltheater" came from him. After Sokolowski's death, Hedwig Sokolowski, married. Rohde continues. There were shows every day and the cinema is specified with 200 seats. In 1920 Martha Kippermann was listed as the owner of the Colonna-Lichtspiele, Joachim Günther and Felix Reyher. Karl Ehlert followed as the owner of the cinema (spelling with C and also K). In 1921 he had given up the Viktoria-Lichtspiele at Potsdamer Strasse 108. Carl J. Ehlert remained the cinema owner for the Colonna until after 1930. There were daily screenings, 200 (approved) seats, the capacity was probably increased to 250, and one or two cinema musicians accompanied the silent films with acoustics. Afterwards Emil Jorg and his managing director Heinzlothar Zehmisch became the owner of the Colonna-Lichtspiele in 1931. He gives the year 1906 as the foundation in the cinema directory and names two musicians. In 1932 Herbert and Anna Reiss bought the cinema for 15,000 marks and operated it under the name Colonna until 1974. They also owned other Berlin cinemas. With the support of Willy Mangelsdorf (Schöneberg, Grunewaldstrasse 35 3rd floor), the sound film equipment was installed by Tobis in 1932 . The cinema was shot in the mid-1930s. This actually impractical rotation of the cinema resulted in the narrow screen on Kolonnenstrasse, next to it the ticket booth, and at the back on the right a closed projection room. In contrast to the neighboring houses, the old building on Kolonnenstrasse survived the air raids from 1943 to 1945 undamaged. “Immediately after the war, the cinema was only closed for a few days due to a power failure. When the Russians came, Russian films that soldiers had brought with them were sometimes shown in rented screenings. Then the Americans came, but they had no use for the cinema. ”As a result, the cinema quickly continued to open after the end of the war by Herbert Reiss. It is specified with 198 places. There were three to four performances a day, i.e. 21 to 28 per week. From 1953 there were 23 weekly performances, including youth and late night performances. Technically, the Colonna light games were equipped with an Ernemann I demonstration and Lorenz amplifiers, as well as the slide installation. With the advent of widescreen films in 1957, the UFA trade increased the technology. A Ernemann II and the Ernemann IV and the slides can be delivered with sound for the CinemaScope image and sound system using the optical sound method in the format 1: 2.35. The seating of the 210 (208) seats by Bahre has partly flat upholstered armchairs. “Up to the 1960s there was a steady increase in visitor numbers. The introduction of television then brought about the real decline in visitor numbers. While the new US films were shown in the Ku'Damm cinemas, the Colonna kept going with films for the whole family. ”() In the 1970s, the foyer was enlarged at the expense of a few rows of seats. At the end of the 1960s, the Reiss continued cinema activity in the house with the “Friends of the German Kinemathek”. In 1974, Karl Winter (now “Verleih der Freunde der Deutschen Kinemathek”) was able to persuade Reiss to sell their cinema. He ran it until 1978. The "Colonna" became an art house cinema . However, these years were far from being as successful as the cinema changed hands every two to three years. In 1983, with one such change, the cinema was renamed Xenon. The operator changes continued. Continuity only came back in 1990 when "Sputnik Kino GmbH & Co. KG" (Arndt, Habiger, Kruse, Müller and others GbR, Motzstrasse 9) took over the 128-seat cinema. After the Kreuzberg Moviemento, the "Xenon Cinema" claims to be the second oldest cinema in Berlin still in operation and the oldest verifiable cinematographic theater in Schöneberg. When the Sputnik collective split up in 1995, Sputnik shareholders Habiger & Wieske took over the cinema on their own, and gay and lesbian films have been on the program ever since . Andreas Wieske ("Wieske FTB Filmtheaterbetriebe") has been running the xenon alone since 2004. At the end of October 2013 the cinema was digitally equipped with a Christie CP2010 projector and in spring (February 6th to March 21st) 2014 the cinema was closed due to the complete renovation of the entire building block Kolonnenstraße 5/6 to Feurigstraße 4 and was also renovated. The three former windows of the cinema were bricked up and the cinema was rotated again, the viewers come to the cinema next to the screen. The cinema has a room with 140 seats, a screen of 20 m² and sound in Dolby Digital . The glowing red neon lettering "Xenon" (was not re-attached, only the light box for the letters. As before, the program focus is on queer films (as different, including transgender ). The children's program accounts for around a third of the total number of visitors The cinema program (certificates hang in the foyer) has received several awards from the Federal Minister of the Interior . Xenon does not play premieres and original versions of gay and lesbian films anywhere else, which ensures the right audience. The walls in the hall are black Folded fabric covered and five candlesticks illuminate the room. The seats have a blue leatherette cover, wooden armrests and a metal edge in the middle-high neck area. The room only rises slightly from the 13th row, the canvas has a pleasant size ratio to the hall.
Berlin theater ( Location )	Tempelhof Tempelhofer Damm  181	1916-1921	Gustav Ernst had opened his light shows on the corner of Albrechtstrasse at Berliner Strasse 130 in 1916 under the name “Berliner Theater”. The cinema had a little over 200 seats (1920: 227, 1921: 233) and daily games. Bartoll's cinematograph theater already existed in 1910 . The cinema address book names Gustav Ernst's “Berlin Theater” for the last time for 1921. Since then, Ernst has been named as a businessman in the Berlin address book. House 130 came to Karstadt AG in 1943. When it was renamed and renumbered in 1949, the address became Tempelhofer Damm 183. The double lot 183/185 formed during the renovation is located directly next to the Karstadt department store (see the entry below ).
Berolina ( Location )	Tempelhof Bacharacher Strasse  19–21	1958-1963	In 1958, Carl-Heinz Thews built his “Berolina-Filmtheater” in Bacharacher Strasse 21, east of the Bärensiedlung , in a low-rise building on Rohrbeckstrasse. The eastern side of Bacharacher Straße between property 13 and Rohrbeckstraße was still undeveloped around 1950. Thews had previously been running the Lida in Tauernallee since 1956 . At that time, the wide Rohrbeckstrasse was narrowed by the adjacent green area from 35 to 13 meters, the house boundary was based on the building line of 1912. The cinema had 456 seats on 600 m², the seating of which came from Schröder & Henzelmann. With the Ernemann VIIB machine (light source: Becklicht), AEG amplifier and sound film loudspeakers, it was possible to reproduce the CinemaScope image and sound system in optical sound on 1: 2.35 format. With daily play, 17 (also matinee / late) performances were given each week. The co-owner was also the wife Helene Thews. After the cinema died out in the 1960s, the “Berolina” also closed in 1963 and was leased to Möbel-Hübner. After that, Bolle was there for 20 years and finally a Reichelt grocery store. The building will continue to be used commercially by a catering fitter.
Columbia ( Location )	Tempelhof Columbiadamm  9-11	1951-1993	The cinema was located directly at the former Tempelhof Airport and was built for the American military and their families. “The Air Force built the cinema in 1951 for 'All US personal and their guests'. The premiere film on October 13, 1951 was the Warner Brothers Technicolor production ' Captain Horatio Hornblower ' with Gregory Peck. Shortly afterwards, the big sister of the Columbia cinema, the OUTPOST on Zehlendorfer Clayallee, also opened. Architecturally, both solitary buildings are based on classical modernism . In view of the dwindling strength of the Allied troops in Berlin after the fall of the Berlin Wall, the Columbia cinema was closed and handed over to the German side even before the military's final withdrawal in 1994. Where the GIs consoled their 'homesick blues' with the latest Hollywood films and their local girlfriends in the 1950s, Berlin clubbers and friends of good music have had a lot of fun since November 1998. Here the gates of the old cinema at Tempelhof Airport opened again and Berlin had a new club: the Columbiaclub "() The building at Columbiadamm 9-11 was used as an event hall for rock concerts after the end of the cinema and is a listed building.
Dorfeck-Kurfürst-Lichtspiele ( Location )	Tempelhof Alt-Tempelhof  17–19	1919-1964	The Park-Restaurant Kreideweiß was located on the southeast corner between Tempelhof's village street and the main road to Dresden . On the property (since 1949: Alt-Tempelhof 17/19 and Tempelhofer Damm 145/146) of the abandoned inn with garden, Carl and Emil Schneider built the five-storey residential and commercial building "Zum Kurfürst" with a restaurant and ballrooms in 1911–1912. By 1919, the buildings on the corner of Dorfstrasse Berliner Strasse 104 / 104a owned by the construction company C. and E. Schneider E. were renumbered as 147 and 148 (Hotel zum Kurfürst). The house was rebuilt in 1919 (after " World War II ) and the coup ". In 1919 the "Kurfürst-Lichtspiele" opened in a converted hall, supported by the "Victoria-Lichtbild-Theater GmbH by E. Ellermann & M. Förster". With 900 seats an early large cinema were given daily silent film screenings. The space available in the cinema address book was changed several times and was between 900 and 680 seats. Program changes take place on Friday and Tuesday. Emil Ellermann and Max Förster remained the owners of the "Kurfürst-Lichtspiele" until 1931. With the switch to sound films in 1931, there was also a change of ownership. The Kurfürst-Lichtspiele were taken over by the Berlin cinema owner Bruno Lohde in a share with Max Lohde, the owner company was Juhnke & Lohde. The sound film technology came from Kinoton. The cinema had a stage of 8 m × 6 m and offered 1200 seats. From 1934 the "Juhnke Lichtspieltheater GmbH" is the owner and the film theater was run by Bruno Juhnke and from 1936 by Ernst Hilliger. From then on, the stage is 7.5 mx 5 m and the number of seats is 1157. Engelbert Rech became the managing director in 1939 and when Bruno's death in 1940 Antonie Juhnke ran the cinema with Richard Wachlin, managing director. “The hall wing is in the courtyard area. Three large entrances lead from the courtyard into the ballroom, which is equipped with galleries and a stage. In the basement there was a beer cellar, two bowling alleys and a bathing establishment with various steam bath and massage rooms. The public bath is still in operation today. The 'Zum Kurfürst' restaurant was located in the northern wing of the building and included two other halls. " The owner Antonie Juhnke continued to run the large-scale cinema in the post-war period , although the halls and probably also the cinema hall with the stage, for which a theater license existed, were also used for other events. The name of the venue was changed to Dorfeck-Kurfürst-Lichtspiele and the owner became Mrs. A. Sternfeld through marriage. The owner of the cinema was Dorfeck-Kurfürst-Lichtspiele GmbH, initially Mr. Sternfeld was in charge of the business. The address was renamed to Alt-Tempelhof 22 and with the mutual numbering of the property to Alt-Tempelhof 17/19. With daily screenings there were 15 screenings a week. The projection was carried out with an Ernemann VIIB apparatus and Philips amplifiers were used for the sound. The cinema offered 1211 seats, and from 1957 1057 seats. From last year onwards, CinemaScope films were also shown, with the existing technology allowing single-channel optical sound and SuperScope formats. “The large cinema in the center of Tempelhof closed in the early 1960s [1964] because the huge auditorium could no longer be filled. Otherwise nothing about the history of the cinema can be found in local sources. ”Initially, a discount department store was housed and in the 1970s the“ Cartoon ”disco was in the house. After several years of vacancy, the current operators moved into the smaller of the two listed halls with the Insomnia erotic nightclub with themed events that also dominate Internet search engines.
For cinematograph theater see also Berliner Theater ( Location )	Tempelhof Tempelhofer Damm  183	1910-1911	In the Berlin address book for 1910 to 1913 in the commercial part of Mariendorf under the keyword "Kinematograph" Rudolf Bartoll is entered for Schweriner Strasse 87 at the corner of Strelitzstrasse. The first entry in the address book names Rudolf Bartoll as a cinematograph manufacturer for 1908. In 1909 Bartoll lived on the ground floor in Mariendorf Schwerinstrasse 78, and in 1910 the business with cinematographs was designated in the Mariendorf commercial area. In 1910 Bartoll opened a cinematograph theater in Tempelhof. Lot 83/84 was still undeveloped in 1909 and he set up his shop cinema on the ground floor of the new building . Bartoll gave up this venue again in 1911. From 1913, Bartoll lived as a merchant in Mariendorf and moved to Schwerinstrasse 72 in 1914 . In the end, no Bartolls were included in the list of residents for 1915. Any war damage to the house with the short-term cinema was repaired on the Tempelhofer Damm 183/185 building in the 1950s. The Tempelhofer Karstadt department store (Tempelhofer Damm 187/191) adjoins Kaiserin-Augusta-Straße . This four-storey residential building directly at the Kaiserin-Augusta-Straße underground station with two shops on the ground floor is a renovated old building.
Cinematograph theater ( Location )	Tempelhof Friedrich-Wilhelm-Strasse  183	1910-1911	Paul Brux set up his cinematograph theater in 1910/1911 at Friedrich-Wilhelm-Straße 18. The houses at Friedrich-Wilhelm-Strasse 17 and 18 belonged to the writer H. Pohlenk, who himself lived in No. 17, among the 14 tenants in house 18 is also P. Brux Cinematographentheater. In 1909 Paul Brux is not yet among the tenants, in 1910 (sheet 372, part I, p. 349) he is entered in the list of residents: Paul Brux Kinematographentheater owner Tempelhof Friedrich-Wilhelm-Straße 18 pt. He was still living for the following year there, however, is recorded in the Berlin address book as a construction worker profession. The house itself was built before 1900. In 1912 the smaller house 19 still belonged to the writer Pohlenk, but houses 18 and 17 had become the property of master mason E. Meiendorf. In 17 the editor H. Pohlenk lived, in 18 the construction worker Brux. The tram station built in 1913 led to the demolition of the residential buildings 17/18/19, in the Berlin address book the note “17–19 go. Kaiserin-Augusta-Straße 76.77 "and for this property on the parallel street:" 76.77 E: Gr.Berl.Straßenb.Act.Ges. (Berlin), V: Zimmermann, O., Bahnh.Vorst. Depot d. Street "
Parade lights ( Location )	Tempelhof Tempelhofer Damm  2	1918-1964	The head building Tempelhofer Damm 2 / Kaiserkorso 155 opposite the Luftbrücke square is at the confluence with Manfred-von-Richthofen-Straße. It is a listed building. The house with its round facade was built in 1912–1913 by Bruno Möhring and Hermann Speck, conversions took place in 1919 and 1936. The "Korso-Lichtspiele" were here on Tempelhofer Feld near Kreuzberg in 1918 with the (then) address Kaiserkorso 69 / Berliner Strasse 1 opened. The cinema had 233 seats and was played daily. The first owners of the Korso-Lichtspiele were Martin Gerold and Otto Kittel. Another owner in 1920 was E. Rasenack & Co., a cigar factory from Niederschöneweide. At least from 1925 on Schlesinger & Skultzki GmbH with the managing director Bruno Kagan was the owner and for 1928 the light games went to the "Vereinigte Lichtspiele des Nordens AG" under the leadership of Baron von Brandenstein and for 1929/1930 to I. Bude. The number of seats indicated changes between 235 and 285. The daily silent film shows are supported acoustically by two musicians. The introduction of sound film with technology by the Kinoton company is entered in the cinema directory in 1932 by the new owner Willi Warnke. The reconstruction of the building in 1936 gave the parade space for 435 spectators. In the 1920s the address changed to Kaiserkorso 155, obviously the addressing was more concise than Berliner Straße 1 from the mid-1930s. Without changing the location again in 1949, when the multiple names in Greater Berlin were eliminated, the new street name: Tempelhofer Damm 2. Warnke led the cinema through the war and post-war years , although the Korso-Lichtspiele in 1949–1952 did not are in the address book. It is likely that Willi Warnke did not reopen until 1953. The existing cinema technology of the 1950s consisted of the Ernemann IV apparatus, sound film amplifiers and sound slide projection. There were three performances a day. By supplementing the existing demonstration system from UFA trade, the CinemaScope image and sound system was achieved in 1957 using optical sound technology and in the 1: 2.35 format. The upholstered armchairs were made by Kamphöner. From 1961 a hearing aid system was available. Given the general decline in visitor numbers, the parade no longer paid off. In 1964, the owners stopped running film screenings. The cinema address book probably still mentions the cinema in 1966. Since then, the areas on the ground floor of the attractively located square have been used by various shops - a supermarket along the Kaiserkorso and retail outlets.
Luxor palace ( Location )	Tempelhof Manteuffelstrasse  46	1951-1964	“On the Sunday before Christmas 1951, the 'Luxor' opened as the 200th West Berlin film theater. The one-story functional building was completed in a record time of only six weeks. The owner was the newly founded limited partnership 'Wallis & Limberger', which also owned the houses of the theater owner Margarethe Wallis ('Kino am Heinrichplatz' and 'Texas' [in Kreuzberg]). The cinema had 667 seats, all of which offered a good view as the floor was very high. The use of black igelite for the panel cladding was new . The projectors were from Askania. ”() The cinema building was built on a cleared site in ruins . “1951 Opening: Luxor-Palast, Berlin-Tempelhof, Manteuffelstraße 46. Wallis & Limberger limited partnership. 600 seats. Modern facility. Sound: sound film, Askania projectors, cinema technology: Siemens. ”() The“ Wallis & Limberger KG ”remained the owner until it closed in 1964. In the cinema with 567 seats, films were played daily with 23 screenings per week (one late night, one youth show ). The theater license was granted for the 7 m × 4 m stage. For the sound reproduction, an amplifier from Klangfilm-Eurodyn M was available for the “Askania AP XII”, as well as the slide projection with sound. With the year 1957 the picture and sound systems CinemaScope and SuperScope in the formats 1: 2,35 and 1: 2 were introduced. The space available for 530 spectators was reduced, the seating was from Kamphöner. In the times of the cinema crisis with the decline in visitor numbers, the “Luxor Palace” was closed at the end of 1964. The cinema building was preserved and is used by a commercial enterprise.
TeFi movie theater ( Location )	Tempelhof Alt-Tempelhof  59	1957-1965	In 1957, Anne Gabrunas & Andreas Doli opened the movie theater in a free-standing cinema building designed by architects Gustav H. Schmidt, with Gabrunas running the business. The owners stayed until it closed, and Ms. Gabrunas owned other cinemas in the 1950s and early 1960s: Tivoli and Mali in the district and the Charlottenburger MaLi. The TeFi building is on the south side of Berlinickeplatz in Alt-Tempelhof. The development at the west end of Alt-Tempelhof between Manteuffel- and Stolbergstraße was changed and renewed in the post-war years , the cinema site (formerly Dorfstraße 2) was vacated. “Old views show a wide swinging canopy, which was emphasized by neon tubes at night, and wide display cases to the left and right of the entrance door. The curved Tefi logo was emblazoned on the top left of the building, next to it large-scale poster paintings attracted visitors. “The Tefi had been equipped with wide-screen technology (UFA-Handel) since it opened. For the CinemaScope image and sound system, single-channel optical sound, single-channel magnetic sound and four-channel magnetic sound were possible, as well as the image formats 1: 2.35 and 1: 2.55. This was done with an Askania AP XII demonstration machine and Isophon speakers for the sound. For the audience, 572 seats in the hall were equipped with semi-upholstered cinema chairs from Kamphöner, and there was a hearing aid system. Films were shown daily at 22 screenings and one late screening per week. In 1965 the cinema was closed. The structure of the cinema building is still preserved, the now adjoining school building 53/57 was built in the 1960s. Building 59 is used commercially, currently (as of 2016) related to a video library .
Tivoli ( Location )	Tempelhof Friedrich-Karl-Strasse  1–3	1911-1968	The hall building at Friedrich-Karl-Straße 1–3 is a listed building. The Tempelhof Tivoli was an entertainment establishment. The hall, which is set back from the street, was built by master mason C. Müller in 1893–1895 and rebuilt in 1910–1912, with cinematographs being used in 1911. The hall building at Berliner Straße 97 (since 1949: Tempelhofer Damm 226) was converted into a cinematograph theater by architect Otto Krüger. Owned by Meyer-Weinholz & Werbelow, the facility had 800 seats. In 1920 it was completely renovated again, with the seating being rotated by 90 degrees and now running parallel to the street. On April 3, 1920, Werbelow & Meyer opened the program and called the program "Filmsketchbühne", and there were also live performances. In the autumn of 1920, the Tivoli Lichtspiele were the victim of a serious break-in, in which almost all of the technical equipment was lost. In 1921 Werbelow & Gensche at Berliner Straße 97 are the owners of the restored venue with 800 seats. After the renovation by the architect Paul H. Wilke, Werbelow continued to operate independently. From 1924 to 1929 the Tivoli light and show stage was owned by Eilermann & Förster, I. Bett & Co., from 1925 Emil Eilermann and Max Förster. With daily screenings, the program is changed on Tuesday and Friday for a possible 600 to 671 spectators. During a further renovation in 1930, the podium was moved to the northern narrow side and a Zeiss optical sound device was installed. In 1931 the Tivoli-Lichtspiele went to Juhnke & Lohde GmbH, Tivoli Tempelhof Lichtspielbetriebsges. mbH whose business is run by Bruno Juhnke and Max Lohde. With daily play, the cinema has 1,400 specified seats, and six musicians were employed to accompany silent films. The showing of sound films using cinema technology is also indicated from 1931 onwards. The stage was 6 m × 5 m. In the mid-1930s, the "Bruno Juhnke Lichtspielbetriebe Teupitz" became the cinema owner and its managing director was Bruno Mayer. The number of seats was listed as 967 in the cinema directory, the stage with 9 m × 6 m. After all, Antonie Juhnke continues to run the cinema with Bruno Mayer as the owner. In the post-war years , the Tivoli was run by Carl-Oscar Liebmann. After a renovation in 1949, the Tivoli Movie Theater was reopened with 910 seats. From 1950 Antonie Juhnke is named as the owner, whose business was run by Anne Gabrunas. There was a theater license for the house and variety and other performances were possible on a stage measuring 9 m × 7 m × 7.5 m. The capacity was again given as 965/967 there are two performances on Sundays three every day. For the demonstration the Ernemann III was available for projection and Lorenz Te-ka-De for sound amplification. In 1952 the Bauer B8 apparatus and sound film amplifier were purchased, and there were 16 performances per week. This made CinemaScope possible from 1957. For the sound system a Dominar L was used as an amplifier and Isophon Komb speaker. 8 Effect for use in the sound system with single-channel optical sound and single-channel and four-channel magnetic sound and image formats of 1: 2.35 and 1: 2.55. The seating from Kamphöner is 953 high upholstered folding armchairs in 22 performances during the week and additional late performances. After Antonie Juhnke left the company, Anna Gabrunas, who had been managing director for many years, took over the film theater in 1967, and she also ran other cinemas herself. The projection light source was Becklicht, all slide formats were possible with sound and there was a hearing aid system in the cinema. In 1968 the cinema was converted into a supermarket with a suspended ceiling. With the hall of the Tivoli restaurant, which was restored in 2002–2003, a typical entertainment venue from the turn of the century has been at least partially preserved. However, the building (as of 2016) houses a fitness studio.
UFA-Kino ---- Ufo Ufer-Palast ( Location )	Tempelhof Viktoriastraße  13-18	1949-1992	From 1921 to 1956, the lab of Afifa was on the ground in the Viktoriastraße ( A ktiengesellschaft for fi lm fa brikation), it was incorporated in 1925 to UFA and liquidated its 1956th The copy plant was built at this location because of its proximity to the former Ufa studios on Oberlandstrasse . In 1949 architect Schmidt installed a cinema in the 140-seat hall in the main building of the Ufa copier factory. This "Afifa" cinema facility was only intended and used for internal film screenings. From 1953 the hall is expanded to 270 seats. The rival copier to Ufa was the Mosaik-Film in Lankwitzer Mühlenstrasse. Both copier plants went to their knees in 1974, and a rescue attempt was made by merging to form the "Mosaik-Union", but in 1975 the end came. After the dissolution of the UFA sites, the area belonged to the Deutsche Bundespost. On June 9, 1979, the commune peacefully occupied the sites. Only after the abandoned Ufa site was converted into the “International Ufa Factory” in 1979, there were public film screenings. In 1981 the former UFA cinema was restored, equipped with new technology and opened as a public cinema in Berlin-Tempelhof. There were legal disputes with part of the former UFA film company over the name of this cinema. So the name of the cinema changed initially: alternatively as “Ufer-Palast”, later as “UFO”. Finally, the name was ordered by a court decision: with dots as "UFA Palast". The first open-air cinema in Berlin was opened in 1982 . Here, among others, Willy Sommerfeld accompanied silent films live on the piano. 1986 opened two small film studios "UFO 2" and "UFO 3" in converted former dubbing studios. The cinema in the previous cinema was stopped in 1989, but the open-air cinema was initially still operated. Converted into a variety salon, the former cinema has been used for events since 1990 and is increasingly being used less often for film screenings. The ufaFabrik became a self-managed culture and life project. For the UFO open-air cinema of the “UFA Fabrik Berlin eV” in Viktoriastraße 13, in 1993 there were 150 seats in the UFO cinema 1 and 48 seats each for UFO cinema 2 and UFO cinema 3. The figures for 1995 are 450 seats for cinema 1 as well as 180 seats and 99 seats.
Union Theater ( Location )	Tempelhof Tempelhofer Damm  124	1912-1919	At Berliner Strasse 8 at the corner of Ringbahnstrasse, the “Tempelhofer Lichtspiele” from the cinema owner Willy Erxleben were first mentioned. He ran the cinematograph theater in 1912, in the following year there was no information about a cinema at Berliner Straße 8 and the businessman Willy Erxleben lived at Borussiastraße 75 garden house ground floor. In 1914, the address number 8 was renumbered in Berliner Straße to number 48. After the cinematograph was probably not used for the time being, Otto Wolf can be found in 1916 with a cinematograph theater in Berliner Straße 48. He still runs the Union Theater on the corner of Ringbahnstrasse in the following year. After him, Max Getzvnski from Berlin SO entered the cinema address book for the 200-seat Union Theater in 1918. In 1919, Johanna Hintz from Berlin-Treptow, Graetzstraße 13, is the owner of the cinema with 227 seats, but it is already labeled “Currently out of order”. The history of the cinema probably ended in this house in 1919. In 1949 the address was renamed to Tempelhofer Damm 124, where a residential building with shops was located on the ground floor.

literature

• Astrid Bähr: Alhambra light plays . In: Sylvaine Hänsel, Angelika Schmitt (eds.): Cinema architecture in Berlin 1895–1995 . Berlin 1995.
• Sylvaine Hänsel, Angelika Schmitt (eds.): Cinema architecture in Berlin 1895–1995 . Verlag Reimer, Berlin 1995, 296 pages, ISBN 3-496-01129-7 .
• Reich cinema address book. Berlin, LBB 1918–1942. ( Location lists )
• Matthias Gibner: Challenges and tendencies in the German cinema market with special consideration of the Berlin situation . Diploma thesis, 2006. In addition: Online in the Google book search

Web links

• filmtheater.square7.ch : this is the address where the Kinowiki information is hosted. Its information was preferably gathered from special address books : Reichskino Adressbuch (Verlag Lichtbühne) and Kinoadressbuch (Verlag Max Mattisson) and the cinema list (1907-1910) published regularly in the first specialist journal for the entire art of photography , Der Kinematograph . More details: [1] and cinematograph
• Old district Tempelhof on KinoWiki
• Old district Schöneberg on KinoWiki
• allekinos.com/berlin Collection of all cinemas : Keyword Tempelhof and Schöneberg
• Berlin's independent cinema guide
• luise-berlin.de: On the trail of cinemas - all cinemas on the computer
• berlin-magazin.info: Berlin cinemas

Individual evidence

1. ↑ Kino-Wiki main page, accessed on January 18, 2020. Kinowiki deals with the history of movie theaters in Germany and tries to collect all information about movie theaters and movie theaters in Germany. It is sorted according to federal states and cities. Everyone is called upon to supplement the data or correct errors.
2. ↑ The breakdown by districts and districts is based on the district reform of 2001.
3. ^ Stefan Strauss: Film? Running. Publication in the Berliner Zeitung , March 27, 2017, p. 13.
4. ↑ The Schöneberg cinematograph tax approved “The dispute over the cinematograph theater tax in Schöneberg was settled this morning with the confirmation of the district committee in Potsdam . While the taxation of the latter events was immediately approved by the city council, the city council commissioned initially had concerns about recommending the tax for cinematograph theaters in the plenary ... "In: Berliner Börsen-Courier, February 21, 1912, no 87
5. ↑ ^{a b c d e f} Sigrid Wiegand: Where the Friedenauers and their neighbors once went to the cinema. In: Schöneberg district newspaper, September 25, 2012
6. ↑ Hans Land: Lichtspiele : “In the most obscure streets, desperate homeowners rented empty bars and cigar shops to cinema entrepreneurs, and the servant now knew where to lead his Miss Bride in a noble way.” From: Schaubühne, 1910, vol. VI.2, No. 38, pp. 963-964
7. ↑ Obviously there were location-related advantages in the independent suburb between Schöneberg and Steglitz.
8. ↑ ^{a b} Hartmut Ulrich: Cinematographic Den of Sin Friedenau? . In: Schöneberg district newspaper, February 29, 2016.
9. ↑ Die Volksbildung, 1912, vol. XLII, no.2, p.27 . “The Schöneberger Stadtschuldeputetion has issued an order according to which all children in elementary schools are forbidden from attending cinematographic performances, apart from the children's performances. At the same time, however, she tries to support good cinema screenings with her support, such as the light plays in the Mozart Hall in Schöneberg. The cinematographic children's performances not only offer perfectly flawless films in detail, but also give each performance coherently as a whole. "
10. ↑ The dramatic performances of the cinematograph theaters “And even if they haven't achieved much in Berlin proper, they already do so here and there on the periphery: in Schöneberg, Neukölln and Wilmersdorf high-ranking police are beginning to turn their keen interest in the dramatic productions of the cinemas. The smaller theaters, especially the provincial companies, suffer badly from the unequal competition of the slide theaters, which are so inferior in quality, but competitive due to the cheap entrance fees. ”In: Germania, April 23, 1912
11. ↑ Schöneberg and the cinemas “After the cinema tax was introduced in Schöneberg, despite the most violent counter-agitation by the cinematograph owners, [...] to organize so-called charity performances on weekdays. ... Now that this route has also been relocated due to a change in the tax regulations, the cinema owners want to close their theaters for the entire summer. Did the cinema owners in Berlin want to close their "Kientöppe" out of a "feeling of solidarity". "In: Germania, June 14, 1912
12. ↑ Arrest of two cinematograph owners in Schöneberg : "Arrested for bail fraud and brought before the public prosecutor's office the cinematograph owners M. and N., ... - they own several cinematograph theaters in Schöneberg ..." In: Berliner Börsen-Courier, 15 June 1912, No. 276
13. ↑ How films are made. “Anyone who is now forays into the suburbs of Berlin will notice those big theaters made only of glass and iron where the recordings for the big films are made. In the southern suburb of Berlin, in Tempelhof, there are several such theaters, large glass cases on a stone substructure, “In: Die Volksbildung 1913, Vol. XLIII, No. 19, p. 371.
14. ^ The German Early Cinema Database : The steamship disaster on the Tempelhof field . In: Berliner Börsen-Courier, August 8, 1913, No. 367.
15. ↑ cinegraph.de: Ateliers in Tempelhof : “On the southern edge of the Tempelhofer Feld, where the military desert previously crossed the tracks of the Ringbahn into a bourgeois desert, new life is now beginning to stir. […] The furthest advanced into the desert is currently a complex dedicated to one of the most fashionable factories. If you come from the Tempelhofer Chaussee, you can see two strange structures towering up in the distance that look like giant bird cages. There are two high, very large halls that are completely enclosed by glass walls and also have a glass roof. The light can flood in here freely from all sides, and one can immediately imagine that these systems serve that trade for which the principle applies: 'depends on the light, everything pushes towards the light!': Film production. " From Lichtbild-Bühne No. 24, June 14, 1913.
16. ↑ The Kinematograph 32/1907
17. ↑ Also: A cinema law? . In: Die Volksbildung 1914, vol. XLIV, No. 9, p. 166.
18. ^ Friedrich Wilhelm Foss: Flicker on the Iron Curtain of Berlin Border Cinemas 1950–1961. On berliner- Grenzkinos.de ( Memento from June 27, 2012 in the Internet Archive )
19. ↑ The addresses given refer to the current data. The former cinema addresses are noted in the text. According to the district reform of 2001, regardless of historical locations and assignments.
20. ↑ "The smallest cinema in Germany's largest city"
21. ↑ Damage to buildings in 1945 . Verlag B. Aust on behalf of the Senator for Urban Development and Environmental Protection
22. ↑ Café, children's paradise, courses, seminar rooms
23. ↑ Cafés for children with dolls: das Meerchenhaft, Stubenrauchstrasse 21 in Friedenau . In: Der Tagesspiegel , February 24, 2012
24. ↑ The Kinematograph 145/1909
25. ↑ Rheinstrasse . In: Berliner Adreßbuch , 1910, V., p. 197. “House 14: Owner is Rentier J. Hänel from No. 1–3; among the 15 tenants: blessed widow A. Zuntz Kaffee “(In the residential area IS 1147: W. Hulke & Co. Biograph-Theater, C25 Alexanderstraße 39/40 and NW 21 Alt-Moabit 104/105. Owners W. Hulke and A. Isenheim: Wilhelm Hulke is the owner and lives on O 112 Frankfurter Allee 16 2nd floor, businessman Arnold Isenheim lives in Wilmersdorf (Karlsruher Straße 15 -Post Halensee).
26. ↑ Cinema Bundesallee : “ Film tradition on the corner of Bundesallee / Walther-Schreiber-Platz has existed since 1919 - at that time still under the name“ Colibri ”as a silent film cinema.” In 1931, the Hillers published in the Reichskino address book volume 10 for Friedenauer Lichtspiele / Kolibri as the year of foundation 1912.
27. ↑ Kaiserallee . In: Berliner Adreßbuch , 1913, V., p. 34. "Mietshaus 111 von P. Thom (profession: owner) with 12 tenants, including managing director A. Schmidt, businessman L. Schmidt, authorized signatory G. Schmidt, and businessman H. Trautmann. ”(There is no information on local cinematographers in Friedenauer, external operators cannot be ruled out. In the address book 1912/5612 V part, page 213: 110/111 construction sites, between tenement houses 109 and 112. In 1915 the owner of the butcher C . Thom.).
28. ↑ Inhabitants of Berlin and its suburbs . In: Berliner Adreßbuch , 1915, I., p. 2368. "Horst von Platen: Engineer, Wilmersdorf, Deidesheimer Straße 11" (1920: Merchant Erich Kattwinkel, Friedenau, Levéfrestraße 19 2nd floor).
29. ↑ Research result in Kino Wiki
30. ↑ Damage to buildings 1945 from the publication Urban development of Berlin since 1650 in maps . from Geoportal Berlin / building damage 1945. No conditions apply, provider Senate Department for Urban Development and Environment Berlin Fehrbelliner Platz 1, 10707 Berlin
31. ↑ The crank was the first real “sound film cinema” in Berlin. In 1934/1935, the architect Karl Schienemann converted the corner shop in the residential building at Giesebrechtstrasse 4 at the corner of Sybelstrasse into a cinema for the Jewish operator. It was operated by UFA-Theater AG Düsseldorf and discontinued in 2011.
32. ↑ Description of Cinema in kinokompendium.de
33. ↑ Pictures from the cinema from 2008
34. ↑ Sieglindestrasse . In: Berliner Adreßbuch , 1936, IV., P. 1449. “House 10: Owner is the Rentier Schock, administered by the Berliner Grundkredit Ges., S. also Brünnhildestrasse 1: with 13 tenants ← Brünnhildestrasse → ← Varziner Strasse → “(Polygon-Lichtspiel-Betriebe GmbH, Dahlem, Schorlemerallee 2-4.).
35. ↑ Von Willy Schönstedt is named in the cinema address book as 1935 as the year it was founded. In other sources referenced 1913
36. ↑ This cinema, initially under the name "Lichtspiele Kaiserplatz", was opened in 1913 with 230 seats as a shop cinema in a residential building. It was later renamed Bundesplatz-Lichtspiele (currently Bundesplatz-Studio). After minor war damage, the cinema was reopened in May 1945.
37. ↑ Movie theaters . In: Berliner Adreßbuch , 1943, II., P. 434. “In the commercial section from 1943, both the Cosima-Lichtspiele, Steglitz, Sieglindestraße 10 and the Polygon-Lichtspiel-Betriebe GmbH, Dahlem, Breitenbachplatz 21 are listed. In the street section, the Cosima light shows are also among the tenants. The merchant Willy Schönstedt is named with Dahlem, Cecilienallee 5 in the residential part. ”(In 1942 the Cosima-Lichtspiele are not mentioned as a tenant of Sieglindestrasse, but in the commercial part.).
38. ↑ Kinokompendium.de
39. ↑ The new film 6/1952
40. ↑ Facts about Cosima on kinokompendium.de
41. ↑ Exterior views 1985
42. ^ Uwe Friedrich: Projector Room 1984
43. ↑ Uwe Friedrich: Entry 1984
44. ↑ Pictures from the Cosima from 2007
45. ↑ Handjerystrasse . In: Berliner Adreßbuch , 1913, V., p. 32. "Owner: innkeeper P. Müller, tenant: widow Machts, nurse Arendt, accountant Neumann" (As early as 1905: same owner and four tenants. The property is 50 m × 25 m in size, a floor area of ​​1020 m² of the previous restaurant and hall is built up.
46. ↑ Handjerystrasse . In: Berliner Adreßbuch , 1914, V., p. 38 (1914/5828: In the commercial part of Friedenau: Cinematographic ideas W. Schröder. In the residential part: Cinematogr. Bes. Wilhelm Schröder, as well as Friedrich Schröder, innkeeper, Hohenzollern restaurant and light games, Friedenau, Handjerystraße 64 pt., Telephone Pfzbg 2135.).
47. ↑ Handjerystraße 64 . In: Berliner Adreßbuch , 1930, IV., P. 1539 (the house owner is a head forester widow. Among the seven tenants is the rentier Friedrich Schröder, the Friedenauer Lichtspiel-Betriebs Ges.mbH and the innkeeper Bartsch.).
48. ↑ Handjerystraße 64 . In: Berliner Adreßbuch , 1935, IV., P. 1403 (The restaurant "Zum Hohenzollern", the Hohenzollern-Lichtspiele and the widows Machts and Schultz are registered in the house of the widow head forester Kudell from Charlottenburg.).
49. ↑ Büsingstrasse . In: Berliner Adreßbuch , 1913, V. (Friedenau), p. 29. “House 22 see also Bornstrasse 7: Ten tenants live in the tenement house of potter master Spiegel from Steglitz, among them Kinematogr. Bes. M. Meyer. ← Bornstrasse → // ← Büsingstrasse → Bornstrasse 7 see also Büsingstrasse 22: Owner Töpfermeister Spiegel and 14 tenants. ”(The double property had an area of ​​1000 m². In the residential part you can find the information: Max Meyer, cinema owner in Friedenau.) .
50. ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1920, V., p. 56. “M. Victor Goßlerstrasse 18. In the address section, the merchant B. Fenske from Berlin is named as the owner of Goßlerstrasse 18 and among the 16 tenants: M. Victor, Lichtspieltheater. “.
51. ↑ Bunke . In: Berliner Adreßbuch , 1919, I., p. 350 (The promotional products company was already included in the residents' area in 1918. In the Friedenau commercial part, Bunke & Co. is named under promotional items.).
52. ↑ Goßlerstrasse 18 . In: Berliner Adreßbuch , 1921, V., p. 35. “The house owner is master glazier H. Gieseler from Berlin. Among the 21 tenants, in particular, businessman Max Victor and his company Bunke & Co. ”.
53. ↑ Apartment building Südwestkorso 64 Taunusstraße 18
54. ↑ Restaurants 64 . In: Berliner Adreßbuch , 1943, II., P. 260. "Innkeeper Anna Veith, Friedenau, Südwestkorso 64, T: 63 08 66" (The restaurant operation is not continuously verifiable: for example 1925 or 1930. In the street section 1915/5705 / - V. Part page 52 - the innkeeper Stephan Wassermann can be found for the house Südwestkorso 64 / Taunusstraße 18 of the Friedenauer Hausverwertungs GmbH.).
55. ↑ The little theater about itself
56. ↑ Berlin's stages
57. ↑ Pictures from the "Small Theater"
58. ↑ Rheinstrasse 65 . In: Address book for Berlin and its suburbs , 1900, V., p. 85. "The house is a new building by butcher Bierhan from No. 67.".
59. ^ The Dickhardtstrasse continues on the Rheinstrasse to the north as Lauterstrasse. The street Schmargendorfer / Hedwigstraße crosses and opposite is the Breslauer Platz (until 1964: Lauterplatz ). The Friedenau town hall was located on this square , which resulted in the representative cinema location.
60. ↑ The Kinematograph 32/1907
61. ↑ The Kinematograph 132/1909
62. ↑ "Berlin's distributors recently congratulated Ms. Helga Röder on the 50th anniversary of the Kronen-Filmtheater in Friedenau in a small ceremony, which was opened in 1916 by her father August Röder and which has maintained its good reputation over the decades as a well-kept district premiere theater. Lord Jim from Columbia-Bavaria ran out of the jubilee program . ”: Film-Echo 17/1966
63. ↑ Rhein- / Ringstrasse . In: Berliner Adreßbuch , 1908, V., p. 176. “64: New building for Rentier C. Schultz from Schöneberg, although there was already a residential building here before. 65: same house owner, among the seven commercially active tenants (baker, jewelery, grooms, blouses, cigars, painter) also the innkeeper Hermann Siepert, whose restaurant was on the ground floor. ← Ringstrasse → ← Hedwigstrasse → // Ringstrasse 1–3 with the same owner and two users. “(In 1906 the reindeer Schultz took over the houses from the reindeer Bierhan, who still owned the surrounding houses, for example the new building on Ringstrasse 3 in 1909.) .
64. ↑ Eugene Jacobi . In: Berliner Adreßbuch , 1912, I., p. 1254 (Jacobi lives on the 3rd floor of Rheinstrasse 64 and also states the ground floor in number 64. Jacobi is not listed in the previous or following address book.).
65. ↑ Theodor Obersky . In: Berliner Adreßbuch , 1913, I., p. 2224.
66. ↑ Rheinstrasse . In: Berliner Adreßbuch , 1914, V., p. 47. "64: Kaiser Wilhelm-Garten J. Imm, 65: Both the resident Julius Imm and the company" Kaiser Wilhelm-Garten J. Imm "are registered. “(Imm is also listed as a resident and as a company in the residents section. Under Part IS 1399–1914 / 1411 / -: Kaiser-Wilhelm-Garten Julius Imm, innkeeper, Friedenau Rheinstrasse 64.65, telephone Pfbg 2028, owner Julius Imm).
67. ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1918, V., p. 54. "Imm & Röder, Rheinstraße 65" (Innkeeper Julius Imm lives in house 64 and the company is located in. House 65 is next to Imm, the Kaiser Wilhelm Garden and the Imm & Röder, Kronen-Lichtspiele and nine other tenants are listed. In the residential part there is the innkeeper Julius Imm in Rheinstraße 64.65, the company Imm & Röder Kronen-Lichtspiele in Rheinstraße 65 with owners Julius Imm and August Röder, but in 1918 and 1919 not actually August Röder himself.).
68. ↑ August Röder . In: Berliner Adreßbuch , 1920, V., p. 2394. "August Röder Kronenlichtspiele Rheinstrasse 65, apartment Wilhelmstrasse 23 Erdg." (In part IS 1201 Imm is noted as an innkeeper and see Kaiser-Wilhelm-Garten. In the street part: House 64 The Kaiser-Wilhelm-Garten and innkeeper Imm are listed in the house. August Röder is recorded with cinematographic ideas for Rheinstrasse in the trade part of Friedenau. Not yet in the Friedenau part of the road in 1920, 1921/5378 on page 53 for the house of the Haustein's heirs Wilhelmstrasse 23 on Wilmersdorfer Platz the potato wholesaler Ernst Röder and the cinema owner A. Röder added.).
69. ↑ allekinos.com: Pictures: back of the hall (Knut Steenwerth) and with discount 1975 (Hans-Joachim Andree)
70. ↑ Kaiserallee 72 . In: Berliner Adreßbuch , 1913, V., p. 34. “In the eight-tenant house of architect Bredow also Pfalzburg, Lichtspiele, as well as Martin Alexander, director.” (The Pfalzburg Lichtspiele are registered in the Friedenau commercial area. 1909 plot 72 is still Construction site> 71: New building at ← Straße 12 → 72 as a construction site // for 1910, eight tenants have already been taken in house 72.).
71. ↑ Alexander . In: Berliner Adreßbuch , 1913, I., p. 25. “Alexander, Martin, director, Friedenau, Kaiserallee 72, telephone Pfzb. 834 ”(Pfalzburger Strasse in Wilmersdorf was at least two kilometers from the cinema location, the name of the cinema is probably due to the“ Pfalzburg ”telephone exchange.).
72. ↑ Kaiserallee 72 . In: Berliner Adreßbuch , 1915, V., p. 40. "← Falkenberger Straße → 72: The house owner is the architect Bredow, among the nine users: Pfalzburg Lichtspiele, businessman Martin Alexander, (new) sub-director O. Endom.". as well as residents of Berlin and its suburbs . In: Berliner Adreßbuch , 1915, I., p. 613. “Endom, Otto, Subdirektor, Büro SW68, Lindenstraße 77 I., Telefon Mpl. 5054 9-4, Apartment Friedenau, Kaiserallee 72 II. Telephone Pfzb. 5417 ".
73. ↑ The Hotel Rheinschloss owned by the innkeeper Klamroth at Rheinstrasse 60 (the property is owned by businessman O. Förster from outside) is already mentioned in 1900/3203 / from the street section of Friedenau on page 85. 1905/4199 / is the property owner Rentier H. Hoffmann from No. 25 and hotelier W. Bergemann. For 1910/5436 / in Friedenau p. 198 the property owner is merchant F. Warnke, in the house the restaurant “Rheinschloß” and the wine wholesaler “Rheinschloß”. The “Rheinschloß” restaurant is mentioned in 1911/5616 / on page 217, no longer the hotel. According to 1912/5769 / p. 230, the house with five tenants (without a restaurant) went to the mill owner / landowner M. Habermann and the wine store E. Wander among the tenants.
74. ↑ In 1904 the merchant Felix Borghard owned a warehouse for overseas timber and veneers in S 14 Dresdener Strasse 44 and lived at S 14 Prinzenstrasse 73 2nd floor, until 1910 he moved the warehouse to his property at Liberdastrasse 11 in Rixdorf / Neukölln and moved into an apartment in SO 16 Engelufer 1d III. Floor. In 1912, Borghard moved his apartment to the new building at Rheinstrasse 62. The construction company Mais & Bütow (1913/5679 /) had built a six-tenant house on the property at Rheinstrasse 62 instead of the previous eight-tenant house from master shoemaker Härtel.
75. ↑ Rheinstrasse 60 . In: Berliner Adreßbuch , 1914, V., p. 47 (Merchant Felix Borghard lives in Rheinstrasse 62, 3rd floor, and no longer operates the timber warehouse in Neukölln. The Rheinschloß restaurant is still in the address book in 1910).
76. ↑ The new film 20/1952
77. ↑ The new film 40/1957
78. ↑ Hauptstrasse 78/79 . In: Berliner Adreßbuch , 1930, IV .. "← Stierstrasse → Mietshaus 77, 78.79: Berliner Terrain- und Bau AG Grunewald, ← district boundary Friedenau → ← Niedstrasse → ← Rheinstrasse →" (The property 78/79 is named for Schöneberg. The The following number 80 is on the opposite side 120 m in the direction of Steglitz. In 1931 the following tenants are registered: Allg. Werbeges.mbH, Richard Auner Roxy-Palast, specialist, sales office Bitumenwerke Unna, Deutsche Eisenbahn-Reklame, Groß-Ziethener Kies- und Sandwerk and the caretaker.).
79. ↑ Official map series city ​​map of Berlin on a scale of 1: 4,000 . Sheet 4141 from 1928, coordinates: X = 20370, Y = 16250.
80. ↑ Roxy Palace
81. ↑ Roxy . In: Berliner Adreßbuch , 1931, I., S. 2844. "" Roxy "Lichtspieltheater GmbH Schöneberg Hauptstrasse 78" (page 2822: Hermann Rosenfeld director Wilmersdorf Kurfürstendamm 160 II., Authorized signatory Richard Auner. Wilhelm Sensburg is missing in the Berlin address book).
82. ↑ The businessman Richard Auner from Friedenauer Rheingaustraße 16 ran a real estate company in W8 (center) until 1929 and became an authorized signatory of the Roxy company.
83. ↑ The cinema owner Hugo Lemke ran the Albrechtshof-Lichtspiele in Steglitz, where he left, however. He had moved his residence from Friedenau Rheinstrasse 58 to Schöneberg Wielandstrasse 4.5. As a profession he is in the address book with Kaufmann.
84. ^ Merchant Ernst Defries was the owner of Steglitzer Schloßstraße 48 and is registered for Wilmersdorf Jenaer Straße 10 in 1931 and Kaiserdamm 84 in 1936. Information on Defries is temporarily missing.
85. ↑ on allekinos.com years: Hugo Lemke 1933–1935 and Lemke & Röder 1936-ca.1944, then again Hugo Lemke
86. ↑ August Röder is the owner of the cinema at Rheinstraße 65 → Kronenlichtspiele, his apartment is at Friedenau Wilhelmstraße 23 Erdg., Later Kundrystraße 2
87. ↑ Hauptstrasse 78/79 . In: Berliner Adreßbuch , 1938, IV., P. 1541. "Owner: Boden-Credit Gesellschaft, Administrator JustizRat H. Modersohn (NW7, Schadowstrasse 2), users are 17 tenants, including the career advice service from the Southwest Employment Office and especially the Roxy- Lichtspieltheater GmbH. ".
88. ↑ Research results on Kino Wiki according to the cinema address book
89. ↑ Map of building damage 1945 from the publication: Urban development in Berlin since 1650 in maps under the coordinates: R = 20380, H: 16250 (as of December 31, 1945)
90. ↑ In the cinema address book there were no entries about the Roxy Palace until 1951.
91. ↑ The Film Week 8/1951
92. ^ The new film 22/1955
93. ↑ Rockinberlin.de: Roxy
94. ↑ Interior views from Film-Echo / Filmwoche combined with film sheets around 1951
95. ^ Plan of Berlin. Sheet 4141 X = 19780, Y = 15385. Compare the maps from 1928/1953: Demolition 99/100 + 101, 101 → replacement building / 1957: 99/100 + 101 undeveloped / 1960: 99… 103a as a building block / 1963: 99–103a / 1966: 97–103
96. ↑ Kaiserallee . In: Berliner Adreßbuch , 1905, V., p. 129. “102.103: Construction site ← Schloßstraße → ← Rheinstraße →” (1906/4466 / is house 103 as a new building by the Piater & Co. construction business on Rheinstraße 39a. House 102 by Hartlein from Charlottenburg is already registered with two tenants.).
97. ↑ Kalies . In: Berliner Adreßbuch , 1910, I., p. 1244. "Otto Kalies, Kinematograph, Friedenau, Kaiserallee 102" (Otto Kalies cannot be clearly assigned in the address book 1909/1216 /: Innkeeper Otto Kalies, Bornstrasse 5.).
98. ↑ Kaiserallee 102 . In: Berliner Adreßbuch , 1912, V., p. 225. “The house owned by JustizRat Wehlau is listed with 15 users / tenants. Including the Kunstlichtspiele Empire-Theater, as well as the Privatiere E. Mayer. ”(In the 1911 address book master butcher H. Mayer is one of the twelve tenants in the (still) house of the rentier F. Linke from Steglitz.).
99. ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1913, V., p. 49. “Mayer, Kaiserallee” (The house owner of Kaiserallee 102 is Justizrat K. Wehlau, among the twelve tenants is the cinematograph owner Mayer and Mrs. E. Mayer. In part I. page 1913 : Cinematographentheater owner Mayer (no first name), Friedenauer Kammerlichtspiele Kaiserallee 102. In the 1911 address book, master butcher H. Mayer is one of the twelve tenants in the house of the rentier F. Linke from Steglitz.).
100. ↑ Max Meier is entered with ei while the owner of the chamber light plays was previously entered with ay.
101. ^ In terms of "Thalia-Lichtspiele am Rheineck". In Berlin, the names of the restaurants that existed there were popularly adopted as the name of the area in many places, see Berolinism # Streets, Squares and Areas .
102. ↑ Kaiserallee 102 . In: Berliner Adreßbuch , 1929, IV., P. 1536 (Part IV. Page 1536: In the house of Rentier L. Schlesinger from Vienna: among the 14 tenants: Thalia-Lichtspiele. 1931/6399 /: Part IV. Page 1555: 14 tenants including Thalia-Lichtspiele, no Irma Kuntz in the Berlin address book.).
103. ↑ Kaiserallee 102 . In: Berliner Adreßbuch , 1933, IV., P. 1438. "Among the 15 tenants, A (nita) Kampe is a resident, but Thalia-Lichtspiele is not mentioned."
104. ↑ Ernst Böhmer . In: Berliner Adreßbuch , 1936, I., p. 236. “Merchant from Zehlendorf, Sven-Hedin-Strasse 29 in his own house.” (Same entry as merchant 1938/268 / Part II, page 244. In the street part 1938: Thalia -Lichtspiele and manageress G. Rasp for 102. 1940/5927 / in part IV. On page 1487 the Thalia-Lichtspiele are noted in house 102, the owner of the house is not named. The businessman Böhmer still for Sven-Hedin-Straße 29, Gerda Rasp is not listed separately.).
105. ↑ Kaiserallee 102 . In: Berliner Adreßbuch , 1941, IV., P. 1475. “The house is owned by the merchant Ernst Böhmer, it is managed by the widow G. Ewert, who lives in the house. Among the 15 tenants, the cinema owner Gerda Rasp-Ewert, the projectionist R. Tollkien and the Thalia-Lichtspiele Böhmer Rasp. ”(In the residential area: businessman Ernst Böhmer, widow Gertrude Ewert, cinema owner Rasp Ewert, Tollkien, but not. The relevant information still exists in the Berlin address book 1943.).
106. ↑ Sigrid Wiegand: Walther-Schreiber-Platz - the place that never existed. In: Heimatverein Steglitz (Ed.): Steglitzer Heimat 49 Jg. (1/2004) ( Memento from August 11, 2007 in the Internet Archive ) (PDF; 1.2 MB), pp. 27-30.
107. ↑ Schönke . In: Berliner Adreßbuch , 1933, I., p. 2430. "Engineer Willy Schönke Lichtenrade Kaiser-Wilhelm-Strasse 34" (Part IV. Page 1665: ← Bahnhofstrasse → Horticulture, House 8, construction sites ← Goltzstrasse → // Summer house 16, Settlement house 17, 18: construction site, 19–25 building land from gardening owner Ericsson, 26: tenement house, 27 at Bahnhofstrasse 47 ← Bahnhofstrasse →).
108. ↑ Bismarckstrasse 25 . In: Berliner Adreßbuch , 1934, IV., P. 1636. "The cinema building is owned by the cinema owner L. Müller from Berlin and the engineer Willy Schönke".
109. ↑ Bismarckstrasse 5 . In: Berliner Adreßbuch , 1940, IV., P. 1777 (Compare address book 1943/6240 / in IV. Part p. 1781: Owners are "Willy Schönke Lichtspieltheater" and Ms. Elsa Krieger from Neuenhagen, the former with an apartment, cinema owner Willy Schönke in Bismarckstrasse 5.).
110. ↑ ^{a b} cinemas on www.lichtenrade-berlin.de : According to Horst Meyer as part of the Tempelhof history workshop in December 1990.
111. ^ Former Bismarck-Lichtspiele November 2010
112. ↑ Fuhrhop . In: Berliner Adreßbuch , 1943, I., p. 732. "Edgar Fuhrhop, Apparatebau, Köpenick, Wendenschloßstraße 290, apartment Lichterfelde Augustastraße 13" (IV. Part page 1785 - # 6244: Königsteinstraße in Lichtenrade between Taunus- and Wiesbadener Straße belongs to the settlement area Taunusviertel. 50 meters north of the intersection Wiesbadener Straße was undeveloped Feldmark with the plots 27, 28 and 29. // IV. part page 1661 - # 6120: Augustastraße 13 corner Tietzenweg: house owner Mrs. K. Cramer from Berlin C2 -Friedrichshain - Blumenstrasse 94, residents: Forester Koch and manufacturer E. Fuhrhop. // Part IV, page 2169 - # 6628: The property at Wendenschloßstrasse 290.292 with access road # 12 owned by accountant Borchard was an industrial park with, among other things, the apparatus engineering company E. Fuhrhop . // 1938/709 /: Part I, page 685: Edgar Fuhrhop, technical room manager, Lichterfelde, Augustastraße 13.).
113. ↑ Film and Cinema Address Book 1949 ( Memento of the original from December 1, 2016 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
114. ↑ In the cinema address book, E. Fuhrhop KG initially stated Bernauer Strasse 92 as the residence and company headquarters, and from 1950 onwards, the house at Bernauer Strasse 102, which is 140 m on Potsdamer Strasse.
115. ^ Radiomuseum.org: Company Fuhrhop
116. ^ Berlin telephone directory 1950 4th part B: Business telephone directory
117. ↑ The site, which previously consisted of arable land, was located on the southern edge of a strip of land that was kept free for the outer freight ring and has been accessed by road 9 since the 1980s .
118. ^ Plan of Berlin. compare sheets 3032 (Lichtenrade), 4012 (Köpenick), 4046 (Lichterfelde), in particular sheet 3032 at the point X = 25510 / Y = 8200 from the years 1941 to 1966. At least the company location of Fuhrhop was the place of residence in Lichterfelde (American Sector) closer.
119. ↑ Chronicle of Lichtenrade
120. ↑ ^{a b} lichtenrade-berlin.de: Historical places : Waldrestaurant Rohrbach. Excursion bar with air swings, dice and shooting booths. Hall with space for well over 500 guests.
121. ↑ Hilbertstrasse . In: Berliner Adreßbuch , 1922, IV., P. 1466. "← Hohenzollernstrasse → Building land ← Richard-Wagner-Strasse → ← Lortzingstrasse → ← Mozartstrasse → tenement house 19.20: The owner is engineer Friedrich Rohrmann, five tenants live in the house."
122. ↑ Löffler . In: Berliner Adreßbuch , 1925, I., S. 1925. “Kaufmann Hans Löffler, Expert Wilmersdorf Burgunder Straße 2”.
123. ↑ Rohrmann . In: Berliner Adreßbuch , 1929, I., p. 2948. "Friedrich Rohrmann, retired Stadtbaumeister, Hilbertstrasse 19.20 Erdg. // Innkeeper Martha Rohrmann, Hilbertstrasse 19.20" (Five tenants and the innkeeper live in the house. 1935/5561 / is Friedrich Rohrmann registered as innkeeper.).
124. ↑ Hilbertstrasse 19/20 . In: Berliner Adreßbuch , 1937, IV., P. 1695 (In the previous year Rohrmann is still the owner, but also named as an innkeeper. The following year, the property was inherited by Mrs. Armidstädt from Oberstdorf i. Allgäu and Otto took over the inn Leborius. Ultimately, the Leborius also took over the property in the course of 1939.).
125. ↑ Please note the comments on Kino Wiki
126. ↑ Postcards from the Wald-Restaurant before 1933 (Carl Gurhke. Herman Gundlach)
127. ↑ Goltzstrasse . In: Berliner Adreßbuch , 1943, IV., P. 1783. "← Roonstrasse → 33: Pfarrhaus, 34/35 building land, cemetery, building land, 38, 39 residential buildings ← Kaiserstrasse → ← Kaiser-Wilhelm-Strasse →".
128. ↑ lichtenrade-berlin.de: Keyword: cinemas / cinemas (postcard)
129. ↑ Exterior view as it was in the 2000s
130. ↑ Chausseestrasse . In: Berliner Adreßbuch , 1905, V. (Mariendorf), p. 4258. “← Breite Straße (from 1908 Kaiserstraße) → 23a: tenement, 23b: construction site, 24: Rentier Höft, 25: construction site ← Kurzer Weg (from 1907; Prinzenstrasse) → 26: Owner: Rentier C. Haak, user of innkeeper W. Haak, 27: Tenement ← Bergstrasse (since 1927: Prühßstrasse) → “.
131. ↑ allekinos.com The movie theater can only be found in the cinema address books from 1953 to 1961, in the book Kinoarchitektur in Berlin , however, 1918 is given as the founding date.
132. ↑ Chausseestrasse . In: Berliner Adreßbuch , 1915, V., p. 183. “← Prinzenstrasse → 42/43: Gastwirtschaft von Wilhelm Haak, 44: Tenement by W. Haak ← Bergstrasse →“ (The innkeeper Wilhelm Haak had an apartment at Chausseestrasse 36, ground floor From 1918 the innkeeper Heinrich Graup was the owner.).
133. ↑ Chausseestraße 42/43 . In: Berliner Adreßbuch , 1943, IV., P. 1795. "House owner, innkeeper Anna Gohlke from Tempelhof Berliner Straße 96, manager: Fuhrherr Traimer, five tenants / 44: apartment building see also Prühßstraße 49.".
134. ↑ Marrashan
135. ↑ former Adler-Lichtspiele November 2010
136. ↑ Kurfürstenstrasse 44 . In: Berliner Adreßbuch , 1925, IV., P. 1640. "The landowner with the 14-tenant house is innkeeper J. Schäfer." (Previously house 44 was under compulsory administration.).
137. ↑ Ingeborg Wienhold quoted. in AlleKinos.com
138. ↑ Kurfürstenstrasse 44 . In: Berliner Adreßbuch , 1926, IV., P. 1693. "Owner of innkeeper J. Schäfer and spirits R. Schäfer who do not live in the house." (Walter Schoknecht -part I., page 2973- is the owner of the cinema at SO36 Wiener Straße 34 Ground floor. To Uleer in part I. Page 3445.).
139. ↑ Kurfürstenstrasse 44 . In: Berliner Adreßbuch , 1937, IV., P. 1713. “The house owners are Rentier J. Schäfer and innkeeper R. Schäfer. Besides 13 tenants also the company "E. Bartels & L. Taschenk Lichtspieltheater "." (1943 in Part IV. Page 1804 only "Elise Bartels Lichtspieltheater" is entered.).
140. ^ WGA database at the Landesarchiv Berlin
141. ↑ The new film 29/1954
142. ↑ AlleKinos.com : pictures and tips by Ingeborg Vienna hold. Cinema entrance, projector room and renovation in 1954.
143. ^ Olaf Leitner: West Berlin! The culture - the scene - the politics . Schwarzkopf Verlag.
144. ↑ Chausseestrasse 14 . In: Berliner Adreßbuch , 1919, V., p. 168. “The property is owned by businessman H. Leitner. Among the tenants are - the new businessman Hugo Wolff and the cinema owner Max Wolff. "(In the previous address book there is no suitable entry for Max Wolff, but also in the street section 1920/5165 /.).
145. ↑ Leyser . In: Berliner Adreßbuch , 1921, I., S. 1768. "Leyser Kinobesitzer, N20, Prinzenallee 72.73" (1920/1644 /: Kaufmann Willy Leyser: Neukölln Kaiser-Friedrich-Straße 67. 1921/1515 /: Kinobesitzer B. Knoblauch .).
146. ↑ B. Garlic . In: Berliner Adreßbuch , 1922, I., S. 1565. "Kinobesitzer B. Knoblauch in Mariendorf Chausseestrasse 14" (Willy Leyser and Nikolaus Hollnack are not mentioned in the address book.).
147. ^ Resident of Berlin . In: Berliner Adreßbuch , 1922, I., p. 1276. "No Hollnach, but Hollnack, but no Nikolaus.". and Chausseestrasse 14 . In: Berliner Adreßbuch , 1922, IV., P. 1470. "The house owner is still a businessman Leitner, among seven tenants B. cinema owner B. Knoblauch, the official H. Wolff."
148. ↑ The suburb of Mariendorf is included in the Berlin address book from 1905. In 1907 the building plots were compacted and the plot numbering expanded. Property 58 thus became 283. After the new building in 1907/1908 of four-story front and rear residential buildings, the intermediate building was soon built. In addition, at 40 meters, the property was twice the width of neighboring properties.
     * Chausseestrasse 283 . In: Berliner Adreßbuch , 1907, V., p. 291. "← Dorfstrasse → 53: inn, 54: residential building, 55: building land ← Eckernpfuhlweg → 56/57: building land, 58: property owner: innkeeper W. Herold, 26 tenants" (Previously: 1905/4258 / plot 58: innkeeper Herold, user: baker Westphal, selter water manufacturer Burdack + / 1906/4535 / owner: innkeeper Herold, additional tenant waiter Klinger.).
     * Chausseestrasse 283 . In: Berliner Adreßbuch , 1908, V., p. 257. “← Dorfstrasse → 276: Inn, 277: Seltmannsche Erben, 278–282: Building land ← Albrechtstrasse (previously Eckernpfuhlweg) → 283: Owner: Innkeeper Herold, 42 tenants, 284 : Six-party house, 285: Post office, built-up properties up to 303 ← Eisenacher Strasse (previously Feldstrasse) → “.
149. ↑ Gabyfilmtheater street entrance , photo by Robert Weidemann 1971, collection: ullstein bild #: 544637491. The film The Pastor of St. Pauli was shown
150. ↑ Regionales / Berlin-Mariendorf ( Memento of the original from December 3, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
151. ↑ Haus (2008) on Kino Wiki
152. ↑ Chausseestrasse 305 . In: Berliner Adreßbuch , 1929, IV., P. 1672. "The house is owned by widow Maaß, manager of Juhnke & Lode GmbH Lichtspielunternehmen SW48 Friedrichstraße 20 general tenant of the house → among the eight tenants the Mariendorfer Lichtspiele" (1928/6865: ← Eisenacher Straße → Rental house 304, 305: ten tenants owned by Rentier Maaß from Charlottenburg, 1925 Kaufmann Maaß).
153. ↑ compare the floor plan changes on the plan of Berlin. Sheet 4037 X = 23700, Y = 13500
154. ↑ Chausseestrasse 305 . In: Berliner Adreßbuch , 1936, IV., P. 1687. "The house is owned by the widow Maaß and among the eight tenants is the" B. Juhnke Lichtspiele "".
155. ↑ Chausseestrasse 305 . In: Berliner Adreßbuch , 1943, IV., P. 1797. "House owner Antonie Juhnke, eight tenants: innkeeper J. Volk" (1943/3928 /: Mali-Lichtspiele Mariendorf Chausseestrasse 305 under the keyword Lichtspiele, 1943/3758 /: Gaststätte J . People in Chausseestrasse 305.).
156. ↑ ^{a b} Mali on AlleKinos.com
157. ↑ The new film 82/1953
158. ↑ The new film 22/1954
159. ↑ Erlebniskino 47 ( Memento of the original from December 3, 2016 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. , Erotic cinema for couples, women & men 
160. ↑ Exterior view 2008
161. ↑ The Mali Hall, 1954
162. ↑ Pictures of the former Mali from November 2010
163. ↑ Dorfstrasse 1 . In: Berliner Adreßbuch , 1943, IV., P. 1797. “← Großbeerenstraße → 1: Innkeeper F. Grothe ← Marienfelder Straße →” (1905: Innkeeper Kuttke, owner of the restaurant Widow M. Adolph. 1925/6338 /: Owner waiter F. Grothe abroad, the user is the innkeeper E. Erdmann).
164. ↑ former Südpalast 1975 Image rights: Hans-Joachim Andree
165. ↑ http://filmtheater.square7.ch/wiki/images/Tempelhof_Astrid_.jpg
166. ^ Eisenacher Strasse . In: Berliner Adreßbuch , 1943, IV., P. 1798. “← Straße 282 → 17,18: do not exist, 7:20 pm: Mohnstein nursery, 21: property owner is widow Emma Salein, users: sports field, innkeeper C. Kube and another five Tenants, 22–24: sports field of the BFC Viktoria eV, 25–27: Gärtnerei Weiß, 27a, 28: residential buildings ← Kosleck Weg → “.
167. ^ Plan of Berlin. Sheet 4036 X = 24220, Y = 13350
168. ↑ Pictures of the cinema inside and outside by Ingeborg Wienhold . The information in the book Kinoarchitektur in Berlin is incorrect.
169. ↑ film sheets 14/1958
170. ^ The 2nd sports school Eisenacher Str. 21, Mariendorf
171. ↑ The cinematograph 118/1909
172. ↑ King . In: Berliner Adreßbuch , 1912, I., p. 1515. “König Otto, Gastw. Marienf., Kiepertplatz 8. ' E. ' T. Tp.286 “(No entry for 1910 because Marienfelde has not yet been included in the suburbs.).
173. ↑ Innkeepers . In: Berliner Adreßbuch , 1912, V., p. 351. “O. König, Kiepertplatz 8 “(Kiepertplatz 1, 2 was built up in 1910 with houses, 7, 8 houses with restaurants, House 8 with seven tenants. In the address book 1918/5205 / Otto König is still the owner and innkeeper Kiepertplatz 8, but in the meantime the building at Bahnstrasse 9. Hulda König became the innkeeper and owner for 1919/5141 / and the new house owner and innkeeper Wildgrube is in the address book for 1920).
174. ↑ mein-marienfelde.de: series of pictures on the village green / Dorfstrasse and postcard from the family restaurant to the wet triangle (1935)
175. ^ Plan of Berlin. Sheet 3034 X = 22120, Y = 9595. Years: 1941, 1954, 1971, 1988.
176. ↑ Wet triangle
177. ^ Berliner Strasse . In: Berliner Adreßbuch , 1930, IV., P. 1748. “← Lankwitzer Strasse → 53: Farmer; 54: Owner Lierse from Neukölln → users are innkeeper Brückmann, a forwarding company and others; 55–57: Nursery ← Lichterfelder Straße → “.
     * Berliner Strasse . In: Berliner Adreßbuch , 1937, IV., P. 1722. “← Lankwitzer Strasse → 53: Gärtner Pretzel; 54: The owner is the innkeeper R. Lierse in the house → users are Marien-Lichtspiele, innkeeper Abrahams, an electronics store and others; 55–57: Construction sites ← Lichterfelder Straße → “.
178. ↑ Schönke . In: Berliner Adreßbuch , 1938, I ..
179. ^ Berliner Strasse . In: Berliner Adreßbuch , 1943, IV., P. 1814. “← Lankwitzer Strasse → 53: Gartenbau Pretzel; 54: Owner is R. Lierse → users are W. Schönke with the Lichtspiele, the innkeeper Abrahams, an electric radio shop and others; 55–57: Construction sites ← Lichterfelder Straße → “.
180. ↑ According to KinoWiki 1949 and 1950 there are no entries in the cinema address book.
181. ↑ The Film Week 24/1951
182. ↑ mein-marienfelde.de
183. ^ Film poster 1919 - original title: Alfa-Lichtspiele in the Gesellschaftshaus des Westens Rausch - with Asta Nielsen
184. ↑ According to the owner's information in the cinema directory, 1919 is the year the Alhambra was founded.
185. ^ Resident of Berlin . In: Berliner Adreßbuch , 1922, I., S. 1984. "Frau Grete Ly-Beß, Wilmersdorf, Hohenzollerndamm 184".
186. ^ Residents and companies . In: Berliner Adreßbuch , 1928, I., p. 1729. “Kaufmann Philipp Kopf, Schöneberg, Bahnstrasse 29.30 II. // Primus-Film Ges.mbH, SW48, Friedrichstrasse 220”.
187. ^ Plan of Berlin. Sheet 4138 X = 21490, Y = 17640, compare changes from 1939 to 1951.
188. ^ Berlin telephone directory 1953
189. ^ Telephone book West Berlin 1959/60
190. ↑ Archive Rock and Revolte: The Berlin Scene
191. ^ Berlin telephone directory 1991/92: restaurants
192. ↑ Concerts in Ecstasy : “From the end of the 1980s, Ecstasy was located in the rooms of the“ International ”discotheque at Hauptstrasse 30 in Schöneberg. The predecessor was the "Empire". "
193. ↑ Tenement houses Hauptstrasse 30 & 31
194. ↑ Photo of the entrance in 1984
195. ↑ For the address Augsburger Straße 60 (Charlottenburg) there are 227 places, on the other hand for Bayreuther Straße 16 with the postal district W62 there are 252 places.
196. ↑ residents . In: Berliner Adreßbuch , 1921, I., p. 2559. "MR Sadigoff Modesalon W30 Lutherstraße 85" (In the address book of the previous year 1920/3493 / there is no entry on the name Sadigoff. On the other hand, 1916/3844 / is a merchant at Augsburger Straße 60 Emil Cerf, the Hedwig Cerf fashion salon with Dr. Diehl & Co. men's underwear and H. Meinecke men's clothing with seven other tenants).
197. ↑ Bayreuther Strasse . In: Berliner Adreßbuch , 1925, IV., P. 63. “← Augsburger Strasse → 16: s. Also Augsburger Straße 60: House owners Fagi and Artenas from Spain: seven tenants ”(Rittmeister retired Tiling, the previous owner of the house lives on Augsburger Straße.).
198. ↑ Schibalski . In: Berliner Adreßbuch , 1943, I., p. 2573. "Walter Schibalski Kinobesitzer W62 Landgrafenstraße 2" (Georg Schibalski from Friedenau Hedwigstraße 8 is also a cinema owner and Maria Schibalski is admitted to the Lichtspieltheater Charlottenburg Bismarckstraße 66).
199. ^ Facade, foyer, hall (1998)
200. ^ Fuggerstrasse 35 / Welser Strasse 25, Berlin-Schöneberg - Period: 2009/2013
201. ^ Potsdamer Strasse 89 . In: Berliner Adreßbuch , 1910, III., P. 659. “The owner of the house is A. Wolfschütz from Charlottenburg. Franz Neumann, cinematograph theater, lives among the 20 tenants ”(last year the innkeeper Siffert was in the house).
202. ↑ residents . In: Berliner Adreßbuch , 1919, I., p. 776. “Johannes Glückstadt, Kinobesitzer, W.30 Winterfeldtstrasse 10 1st floor” (In the following year Glückstadt started a trucking business for automobiles. A (?) Reinhold Wagner is the owner of one Cinematographs with an apartment in SW61 Blücherstraße 61, mezzanine. One year later at this address Ernst R. Wagner cinema and restaurant business.).
203. ^ Resident of Berlin . In: Berliner Adreßbuch , 1921, I., p. 798. “Kaufmann Wilhelm Gerdsmann Charlottenburg Kaiser Friedrich-Strasse 65 III.” (Same entry also 1922/904 / I part, p. 850).
204. ↑ Attwenger . In: Berliner Adreßbuch , 1928, I., p. 70. “Kaufmann Max Attwenger, apartment: Charlottenburg Schillerstraße 104 III. Floor".
     * Kayser . In: Berliner Adreßbuch , 1928, I., p. 1565. "Film actor Charles Willi Kayser, Wilmersdorf Hohenzollerndamm 185 4th floor".
     * Attwenger . In: Berliner Adreßbuch , 1932, I., p. 69. “Cinema owner Max Attwenger, Schöneberg Ceciliengärten (Post Friedenau)”.
     * Kayser . In: Berliner Adreßbuch , 1932, I., p. 1517. "Film actor Charles Willi Kayser, Wilmersdorf Hohenzollerndamm 185 4th floor".
205. ^ Potsdamer Strasse 89 . In: Berliner Adreßbuch , 1936, IV., P. 656. “The house owner is the pharmacist Otto Bachmann from Wilmersdorf. Among the 31 tenants is the demonstrator E. Oertel. ”.
206. ^ Potsdamer Strasse 145 . In: Berliner Adreßbuch , 1940, IV., P. 1608. “In the house of pharmacist Bachmann among the tenants, the owner of the cinema Hedig Schomacker.” (In the residents' 1940/2771 / 1st part p. 2745 Hedwig Schomaker is with her cinema W35 Bülowstrasse 16 and the apartment Schöneberg Frobenstraße 27. The house Frobenstraße 27 with eleven meters belongs to the Jewish community, N4 Oranienburger Straße 29. Johannes Schomacker is no longer in the address book 1940.).
207. ↑ building damage 1945: X = 22120 / Y = 18815
208. ↑ Kino Wiki
209. ↑ ^{a b} Development plan XI-117 of February 27, 1965: for the Berlin ring road at Innsbrucker Platz between Erfurter Strasse and the Ringbahn in the Schöneberg district of Schöneberg and Friedenau
210. ↑ The new film 89/1953
211. ↑ Wexstraße FIS Broker (map of Berlin 1: 5000 (K5 color edition)) of the Senate Department for Urban Development and Environment Berlin
212. ↑ The Kinematograph 171/1910
213. ↑ Bülowstrasse . In: Berliner Adreßbuch , 1913, III., P. 121. “Bülowstrasse 45, s. also Culmstrasse 37: The house is owned by the reindeer E. Stimming (cardboard manufacturer E. Stimming Sons). Among the 18 tenants are the cinematograph M. Rudolph & Co., the publishing house of the Deutsche Kino-Wacht, the Schutzverband Deutsche Lichtbildtheater and also the innkeeper Flick. "(In the residential part is the company M. Rudolph & Co., cinematograph theater and film rental business, Schöneberg Hauptstraße 36, owner Max Rudolph and Mrs. Anna Marbach included.).
214. ^ Vossische Zeitung, April 4, 1909 - according to The German Early Cinema Database
215. ↑ Hauptstrasse 19 . In: Berliner Adreßbuch , 1911, V., p. 559. “The house owner is now the widow M. Jobke, the number of tenants has increased from five in the previous year to twelve. Including Helene Horn Cinematograph, with telephone. In the residents' section I. Page 1185: Helene Horn, b. Behnsch, Kinomatographenbesitzerin. ”(In the Schöneberg commercial section there is the entry for Helene Horn under the keyword Kinematographentheater on sheet 1911/5995 /. In the 1910 address book there is no suitable entry for Helene Horn compared to 1911. The house at Hauptstrasse 19 is for 1906 listed as demolition and in 1907 as a new building for homeowner Baumeister Jobke, still without a tenant.).
216. ↑ On sheet 1913/5998 / under Kinematographentheater, 1914/6138 / under Kinematographic ideas.
217. ↑ Advertising poster for a cinematograph as inventory no. P 57/805 in the holdings of the German Historical Museum
218. ^ Residents: Weu . In: Berliner Adreßbuch , 1919, I., p. 3069. “Kaufmann Ernst Weu, Friedenau Varziner Straße 1 // Cinema owner Margarete Weu, Schöneberg Hauptstraße 121 Erdg.” (M. Weu is not listed in the commercial section).
219. ↑ Hauptstrasse 121 . In: Berliner Adreßbuch , 1920, V., p. 325. "Among the tenants: The living image, cinema" (The name of the cinema is not included as a company, in the residential part there is the businessman Ernst Weu from Friedenau and the businessman Otto Burzynski W57 Potsdamer Street 70 registered in part IS 357).
220. ^ Merchant Otto Burzynski is no longer living in Berlin. For the suburb of Schöneberg there is no indication in the street or in the commercial section.
221. ↑ Grunewaldstrasse 19 . In: Berliner Adreßbuch , 1943, IV., P. 1559. “The house owners of Schwäbischer Strasse 13 are the Zahn heirs, the manager is the sales representative J. Zahn. In addition to 16 tenants, there is also the Diana-Lichtspiele. ”(Main street 30.31 is listed as the place of residence for director Fritz Mischek in Schöneberg).
222. ↑ Hauptstrasse 48 . In: Berliner Adreßbuch , 1912, IV., P. 600. "46: Kirchhof, Kirche, 47: Property of the Protestant Church. and inhabited by superintendent and auxiliary church clerk, 48: construction site Ev.Kirchgem., 49: construction site by M. Reichelt & Co., 50 with Mühlenstrasse 1a: tenement ← Mühlenstrasse → “(the year before is in 48: garden to 49/50, owned by Rentier Max Bergemann from 41.42 and Rentier Otto Bergemann from house 62. In the following year, the new building by architect Becher is on 48 with initially eight tenants).
223. ↑ F. Groß is registered as the owner of a cinema in the Schöneberger street part 1914/6098 /, in the commercial part (1914/6138 /) with cinematographic performances and in the residential part Fritz Groß Cinematographentheater owner, Schöneberg Hauptstraße 48. The company is (1914/2879 /) too Schöneberger Lichtspielhaus GmbH with its headquarters at Hauptstrasse 48 and Fritz Groß as managing director.
224. ↑ Kino Wiki: Ludwig Türk
225. ↑ Hauptstrasse 30/31 . In: Berliner Adreßbuch , 1938, IV., P. 1539. “The film house Hansa, Mischke, Böhme & Co. is also listed among the residents and companies registered by the commercial court: G. Hildebrand, Gesellschaftshaus des Westens. The house owner is Elfriede Böhm. ”.
226. ↑ KinoWiki: Edda_1937 . The cinema entrance is to the left of the church in the picture.
227. ↑ Damage to buildings in 1945 (X = 21190, Y = 17300)
228. ↑ Movie theaters . In: Berliner Adreßbuch , 1943, II., P. 431. “Edda-Lichtspiele, Schöneberg, Hauptstr. 48, Tel. 718212 ".
229. ↑ Photo card on KinoWiki from the photo archive Photo Marburg of the German Documentation Center for Art History: Street view of the Titania and Edda light plays
230. ↑ The Kinematograph 187/1910
231. ↑ ^{a b} Bülowstrasse 16 . In: Berliner Adreßbuch , 1912, III., P. 120. "The house owner is the manufacturer L. Aron from Neuenburger Strasse 39. M. Herz, Lichtbildspiele is also noted for the six tenants." (1912/1145 / Part I page 1128: Max Herz Lichtbildspiele “Berolina”, W67 Bülowstraße 16, apartment: W30 Motzstraße 60 III.).
232. ↑ The Kinematograph 187/1910
233. ↑ Bülowstrasse . In: Berliner Adreßbuch , 1921, III., P. 119. “The house owner is the reindeer merchant widow Julie Aron, b. Nolte. There are six residents plus Maria von Ebeling, Lichtspiele. ”(1921/599 / and 1921/4985 /: Maria von Ebeling, Lichtspiele, W57 Bülowstraße 16).
234. ^ Tartakowsky . In: Berliner Adreßbuch , 1930, I., p. 3417. "Ilja Tartkowski, Lichtspieltheater, W57 Bülowstrasse 16. The reindeer Julie Aron is still the house owner."
235. ^ Potsdamer Strasse 60 . In: Berliner Adreßbuch , 1912, III., P. 672. “Kaufmann A. Schmidt is a house owner. Among the 18 companies and residents, Hulke & Co. is also listed with the elite theater. "
236. ↑ Carisch House: built in 1907/1908 as a residential and commercial building for the coffee wholesaler Carl Richard Schmidt.
237. ^ Potsdamer Strasse 60 . In: Berliner Adreßbuch , 1920, III., P. 664. “The house owner is businessman Schmidt from Dahlem. Among the tenants is the "Hans Cahen & Ludwig Meyer" with elite light games ".
238. ↑ Project overview - renovation of old buildings
239. ^ Kaiser-Wilhelm-Platz . In: Berliner Adreßbuch , 1943, IV., P. 1575. “← Hauptstrasse → 1: see Feurigstrasse 9: tenement of the Schmidt heirs and 14 heads of household // 2: owner of the German Reich, 33 tenants and hotel and café // 3: old City Hall: Owner City of Berlin: Alter Ratskeller and Girokasse // 4: see Kolonnenstrasse 1 // ← Kolonnenstrasse → ← Bahnstrasse → // 5: see Bahnstrasse 48 and Hauptstrasse 146: apartment building ← Hauptstrasse → “.
240. ↑ Pictures from the Forum 1953 (picture source: film sheets 17 and 27/54 - AEG / E + H. Fischer)
241. ^ W30 Speyerer Strasse . In: Berliner Adreßbuch , 1930, IV., P. 959. “21: The owners are Ms. E. and Mr. E. Jonkoff from abroad. Among the 22 tenants Erwin Hesse, cinema owner. ”.
242. ↑ 750 years Schöneberg, page 46 : Photo Schwabl: Bayerischer Platz 1949 from the south.
243. ↑ “The Deutsche Bioscope-Gesellschaft mbH (Berlin) is also demonstrating its synchroscope in addition to its Vitascope.” In: Photographische Industrie , 1908, p. 713, Die Internationale Kinematographen-Ausstellung The German Early Cinema Database Admin , and “Im In the heart of Berlin on Lindenstrasse, the second oldest of the German film factories, Vitascope, has opened its headquarters. ”In: Roland von Berlin . 1912, pp. 1705-1706. And also the merger of two film factories . In: Berliner Börsen-Courier , January 21, 1913, No. 33
244. ^ Potsdamer Strasse . In: Berliner Adreßbuch , 1907, III., P. 617. “99: The owner is Rentier Gumbertz from Kurfürstendamm 54/55. The German Bioscop Society is also listed among the 16 tenants. "
245. ^ Potsdamer Strasse 99 . In: Berliner Adreßbuch , 1915, III., P. 683. “Among the tenants in the house of the Gumpert heirs: Vitascope Theater, Lichtbilder and cinema owner A. Schmidt”.
246. ^ Potsdamer Strasse 99 . In: Berliner Adreßbuch , 1918, III., P. 639. “A. Krüger, Lichtbildtheater “(No information on Vitascope Theater.).
247. ↑ Leffler . In: Berliner Adreßbuch , 1921, I., p. 1716. “Actor Hermann Leffler, Charlottenburg, Wielandstrasse 17, UV. Floor".
248. ↑ from: Die Filmwoche 24/1951
249. ↑ Goltzstrasse . In: Berliner Adreßbuch , 1912, III., P. 293. “W30 Goltzstrasse go to Schöneberg. Houses 9 and 10 belong to the banker R. Bäthge from Spandau, among the 32 tenants of No. 9 is theater director Gustav Behrens, rear building ground floor. In house 10, the innkeeper Friedrich Frehde is among the nine tenants. ”(In the following year, merchant M. Loewenthal from Ansbacher Strasse 6 became the house owner.).
250. ^ Kinotheater: W35 Potsdamer Strasse 49
251. ^ Building damage 1945: Potsdamer / Kurfürstenstrasse
252. ↑ Building age: construction period 1962–1974
253. ↑ Cinema theater. W57 Potsdamer Strasse 79a
254. ^ Resident: Kressel . In: Berliner Adreßbuch , 1911, I., p. 1534 (Kressel is also noted in the street section in 1912/4581 and 1913/4660.).
255. ^ Theodor Kressel . In: Berliner Adreßbuch , 1914, I., p. 1650.
256. ^ Damage to the building in 1945 on Potsdamer Strasse
257. ^ Building age: 1946–1961
258. ↑ Kolonnenstrasse . In: Berliner Adreßbuch , 1916, V., p. 381. “← Königsweg → No. 18 see also Königsweg 42: The house owner is the widow Franke from Friedenau. Eight tenants and the innkeeper Reinhold Stock are registered for house 18. At Königsweg 42, eight tenants and the innkeeper are listed. Both are also mentioned in the residents' area under the addresses in 1917. “.
259. ↑ “Setting up a Kientop is very easy. A shop that has been made dark by taping the windows. Rows of chairs held together by nailed slats. A canvas surface that takes the pictures. A piano or a jukebox and a buffet with beer and refreshments. You sit tightly together, every space is used up, every chair is occupied. On the walls are those who have not found a place. The adults smoke, the children cheer, and the piano player crumbles on the out of tune piano. [...] You see young couples, but also old people. Mothers with their children and white-haired, wizened men. High school students with colorful hats and typical pub crawlers. ”In: New Revue . 1909, Vol. III, pp. 76-78
260. ↑ References to KinoWiki
261. ↑ Motzstrasse 78 . In: Berliner Adreßbuch , 1920, III., P. 588. “The house owner is the hotel owner H. Münch from Leuben near Dresden. The Hotel Koschel von Münch, Blumen-Koschel, the photo stage and a retired Rittmeister are registered in the house (the photo stage is also registered in 1918 and 1916).
262. ↑ Motzstrasse 78 . In: Berliner Adreßbuch , 1915, III., P. 602. "The owner is Mrs. Koschel from Charlottenburg, the house is exclusively located in the Hotel Koschel and Blimen-Koschel." (In the 1912 address book the gardener A. Koschel is also the owner of a tenement house Residents and commercial establishments.).
263. ↑ The Kinematograph 197/1910
264. ↑ Bülowstrasse 99 . In: Berliner Adreßbuch , 1912, III., P. 123. “← Frobenstrasse → tenement houses 92–98 / 99: the house owner is (painter) W. Graneést. Lichtspielhaus GmbH was among the 15 users and residents. / Mietshaus 100 ← Zietenstraße → “(In the address book 1911/3919 / the entry Lichtbildbühne is still missing. Instead of the Allgemeine Verkehrsbank eGmbH and a cleaning studio, the Arndt wine taverns and the Lichtspielhaus GmbH were added in 1912. The 1917/3907 / is still there Lichtspielhaus GmbH noted.).
265. ^ Residents and companies . In: Berliner Adreßbuch , 1917, I., S. 1714 (Several Siegfried Cohns are listed in the address book whose assignment is not clearly possible.).
266. ↑ Research on Kino Wiki
267. ↑ Bülowstrasse . In: Berliner Adreßbuch , 1943, IV., P. 1524.
268. ↑ Map search: Damage to buildings 1945
269. ↑ residents . In: Berliner Adreßbuch , 1916, I., S. 1805. "Eduard Luft, cinematograph owner, Schöneberg Hauptstrasse 18 and 20 Erdg., Apartment, Schöneberg Eisenacher Strasse 57" (in the commercial part of Schöneberg 1916: E. Luft, Hauptstrasse 18 , Cinematographic presentations).
270. ↑ Apartment building Hauptstrasse 17-18
271. ↑ Hauptstrasse 18 . In: Berliner Adreßbuch , 1920, V., p. 323. “The house owner is Dr. M. Schöller from Düren in the Rhineland. 14 of 30 tenants are widowed, the gender of the three merchants cannot be identified. Merchant E. Luft and his apartment on Eisenacher Strasse and the Luna-Lichtspiele Anna Topp are listed. In addition the business entry on 1920/5347 / "(A. Topp is not in the population register 1920, but 1921/3188 /: engineer widow Anna Topp in Wilmersdorf Kaiserallee 48 rear building 1st floor. 1920 there is the entry" Luna-Lichtspiele Anna Topp " with the address Hauptstrasse 18. Otherwise: Kaufmann Friedrich Duckstein rear building 1st floor, but not Kaufmann E. Rein in the register of residents 1920/2239 /.).
272. ↑ Hauptstrasse 18 . In: Berliner Adreßbuch , 1921, V., p. 314 (Kinooperateur Karl Kurz, apartment NO18 Friedrichsberger Strasse 18, 3rd floor. An entry on Nakler would not be clear.).
273. ↑ Hauptstrasse 18 . In: Berliner Adreßbuch , 1943, IV., P. 1565. “The house owner is A. Richter. There are 81 tenants listed for house 18, all women. Then there are the Luna light games. Ms. Hetzelberger is not there, not even in the residents' area. "
274. ↑ Lutherstrasse 31.32 . In: Berliner Adreßbuch , 1932, IV., P. 1137. “The house owner was the businessman P. Becker from Marchstrasse 15, he also owned the house and lived on the fourth floor. The Theaterbetriebs-Gesellschaft Hollywood mbH is registered with its seat in the house. In the residents' part, the company is included as a company registered in the commercial court. ”(Silbermann cannot be assigned more precisely.).
275. ↑ Damage to buildings in 1945
276. ^ Residents: Mengers-Mensinck . In: Berliner Adreßbuch , 1933, I., p. 1743. “Kinovorführer Walter Menschner W57 Potsdamer Strasse 61.” (1914 not in the residential part, not in house 61).
277. ↑ Meraner Platz . In: Berliner Adreßbuch , 1925, IV., P. 1521. “Meraner Platz is vacant. Construction sites are indicated from Badenscher Straße 7 / Meraner Platz to Freiherr-vom-Stein-Straße. Beyond Wartburgstrasse follow tenement houses from No. 8 to Bayrischer Platz. ”(1928/6736 /: Berlin Bodengesellschaft's tenement houses 1–3 are on Meraner Platz, 4 is not mentioned. In the 1929 address book, Meraner Platz and Meraner Strasse in Schöneberg are at IV. Part page 1599, this part is missing online.).
278. ↑ Meraner Strasse 19 . In: Berliner Adreßbuch , 1930, IV., P. 1603. “Left page: ← Wartburgstrasse → 19: The house is owned by the Berlin construction company Loewe. Twelve tenants are named for the house. (Director Ginsburg) ← Badensche Strasse → “.
279. ↑ Fried . In: Berliner Adreßbuch , 1930, I., p. 782. "Karl Fried, Kinobesitzer, W30, Goltzstraße 9 rear building, ground floor".
280. ↑ Brockhausen . In: Berliner Adreßbuch , 1930, I., p. 376. “Willy Brockhausen, Kino-Zentrale, SW68, Friedrichstrasse 207 II.”.
281. ↑ Meraner Lichtspiele 1949 (Photo source: Filmblätter 35/49, Blumenstein)
282. ↑ from: Die Filmwoche 51/1951
283. ↑ As a supermarket: 2006 according to all cinemas, 2008 according to Streetview and 2016: Grigorios Commatas
284. ↑ Der Kinematograph 168/1910: The Mozart Hall as a cinema theater .
285. ↑ The light plays in the Mozart Hall - a victim of the pleasure tax “The light plays in the Mozart Hall on Nollendorfplatz, which were the first elegant cinema theater in Greater Berlin and which flourished very well before the Schöneberg pleasure tax was introduced, are now a victim of this pleasure tax and probably also because of the unfavorable location the cinema theater in general. [...] The fortune of the Lichtspiele G. mb H. Mozartsaal was announced on 15th of the M. applied for the opening of bankruptcy proceedings, but due to lack of assets the opening of bankruptcy was refused. "In: Germania, July 21, 1914
286. ↑ 1924 Mozartsaal-Lichtspiele, W 30, Nollendorfplatz 5, F: Lützow 7995, owner: Meinhard-Bernauer, director: Brodnitz, PI: 924.
287. ↑ Nollendorfplatz . In: Berliner Adreßbuch , 1913, III., P. 621 (further entries are available at http://digital.zlb.de/viewer/image/10089470_ + 1914/4714 /, 1915/4643 /, 1916/4407 /, 1917/4383 /, 1918/4215 /, 1921/4356 /, 1922/5604 /, 1922/5604 /, 1923/5450 /, 1925/5435 /, 1926/5629 /).
288. ^ "1952: The Neue Scala film theater on Nollendorfplatz in Berlin is now called Metropol '." In: Der neue Film 24/1952
289. ↑ from: Die Filmwoche 10/1952
290. ↑ ^{a b} Development plan XI-136 of October 6, 1970 for the expansion of Nollendorfplatz including the properties in Bülowstrasse 106-108, Einestrasse 2/6, Kielganstrasse 7, Kleiststrasse 41-43, Mackensenstrasse 16, 20/22 and 19/21, Motzstrasse 2/4, Nollendorfplatz 1 and 3-4, as well as partial areas of the properties Einsstraße 1, Kleiststraße 1, Mackensenstraße 17 and Nollendorfplatz 2 in the Schöneberg district
291. ↑ Entry in the Berlin State Monument List
292. ↑ Historical pictures on Kino Wiki
293. ↑ 1914–1921 Buchwald, O., Hauptstr. 10, director
294. ↑ from: Die Filmwoche 43/1951
295. ↑ film echo 16/1956
296. ↑ Ernst Lubitsch Figure in the Berlin Film Museum, December 2005 © kinokompendium
297. ↑ Two cinemas with a long history In: Berliner Zeitung, August 12, 1998.
298. ↑ In Schöneberg and Treptow, two venues reopen after a long period of renovation: traditional cinema instead of multiplex In: Berliner Zeitung, August 12, 1998.
299. ^ Emergency exit facade, around 1982 Source: Uwe Friedrich
300. ↑ Entrance from the emergency exit - Contributed by David Simpson
301. ↑ Die Filmwoche 3/1951
302. ↑ Yorck.de
303. ↑ Before that, there were OV films in the Allied cinemas "Columbia" in Tempelhof (concert hall), "Outpost" in Zehlendorf (Allied Museum) and "Jerboa" in Charlottenburg (retail), but these were not open to the general public .
304. ^ The Odeon entrance, November 2012
305. ^ Odeon ticket office, November 2012
306. ↑ Foyer of the Odeon, November 2012
307. ↑ Hall, April 2015 © kinokompendium
308. ↑ kinokompendium.de: cinema description
309. ^ Potsdamer Strasse . In: Berliner Adreßbuch , 1936, IV., P. 655. "← Pallasstrasse → 75: see also Pallasstrasse 35: The owner is Die Deutsche Arbeitsfront - asset management: among the six tenants:" Odeon-Lichtspiele Brandt & Deutsch "// 75a, 75b construction sites, 75c: H. Franck Söhne GmbH coffee additive factory, 75d: + Am Kleistpark 1: Kathreiner GmbH Malzkaffee ← Am Kleistpark → “.
310. ↑ Entry in the cinema directory 1938: Odeon-Lichtspiele, size: 1926, daily, 429 seats, owner: Brandt & Deutsch (closed)
311. ↑ Potsdamer Straße 180/182 . In: Berliner Adreßbuch , 1940, IV., P. 1610. "← Pallasstrasse → 180.182: The German Labor Front Asset Management, Wilmersdorf Hohenzollerndamm 174–177: German Labor Front - Central Office + Motor Vehicle Driver Leschke // 184: H. Franck Söhne GmbH Coffee Additive Factory, 186: Kathreiner GmbH Malzkaffee ← Am Kleistpark → ”(1939/5916 /“ Odeon-Lichtspiele Brandt & Deutsch ”is listed as the only tenant next to DAF in Potsdamer Strasse 180.182).
312. ↑ Due to the division of Berlin, a separate BVG administration was formed in the eastern part of the city on August 1, 1949, and from January 1, 1969 it operated under the name VEB Kombinat Berliner Verkehrsbetriebe (BVB).
313. ↑ Bülowstrasse 37 . In: Berliner Adreßbuch , 1921, III., P. 120. “Houses 36 and 38 belong to the Schoedesche heirs. The private scholar and surveyor H. Schoede from house 42 and Mrs. Reitmeister from outside are named for the tenant house 37. Formerly both in No. 41 Under 23 rents, especially Nationalhof Krüger & Wolff GmbH. ”(1925/4880 /: Nationalhof Riechnow & Götz).
314. ↑ Ute Scheub: Crazy about life. Berlin scenes in the twenties. Rowohlt, Hamburg 2000, p. 138f on Sabine Wortmann's dissertation, 2008-04-18 / HTML / chapter4.html
315. ↑ Adele Meyer (Ed.): Purple Nights. The women's clubs of the twenties . Zitronenpresse, Berlin 1981 page 25 on Sabine Wortmann's dissertation, 2008-04-18 / HTML / chapter4.html
316. ↑ Bülowstrasse 37 . In: Berliner Adreßbuch , 1930, IV., P. 144. “Construction technician and architect C. Walter is still administrator of the house of the Schoedesche heirs. Among the tenants both the "Nationalhof" of the innkeeper widow Zeidler and the Olympia Kinobetriebs GmbH. ".
317. ↑ (formerly) Walterchen
318. ↑ Innsbrucker Strasse 1 . In: Berliner Adreßbuch , 1912, V., p. 604. “← Bayerischer Platz → House No. 1 with Meraner Strasse belonged to master builder H. Speck from Berlin, 26 tenants, including theater director Otto Schob, III. Floor “(In the following year Otto Schob, Lichtspieltheater. 1913/5974 /: The Lichtspieltheater by J. Bartsch and a wine shop was added to Meraner Straße 14).
319. ^ Olympic Theater . In: Berliner Adreßbuch , 1917, 1, p. 2107.
320. ↑ Grace period for the cinema tax in Schöneberg # 4005: The day, March 5, 1912
321. ↑ Cinematograph Theater . In: Berliner Adreßbuch , 1913, V., p. 359.
322. ^ Residents: Rudolph . In: Berliner Adreßbuch , 1913, I., p. 2602.
323. ↑ Max Rudolph & Co. In: Berliner Adreßbuch , 1912, I. (1912/1919 /: Kaufmann Max Marbach, Eisenacher Strasse 60.61. However, it is no longer listed for 1914/1998 /. It is also no longer listed or at least cannot be assigned Max Rudolph 1914/2675 /).
324. ↑ The new film 83/1952
325. ↑ Dürerplatz . In: Berliner Adreßbuch , 1943, V., p. 1533.
326. ↑ The buildings on Cranachstrasse were largely spared from bomb hits. The house at Rembrandtstrasse 14 was rebuilt around 1950, 12 around 1960, 13 remained undeveloped. The cinema building on Dürerplatz 1 was no longer connected to house number 2.
327. ↑ Lichtbildbühne 34/1912
328. ↑ Dice . In: Berliner Adreßbuch , 1911, I, p. 3324. "Theater director Franz Würffel, W30 Hohenstaufenstrasse 4, apartment Freisinger Strasse 3".
329. ↑ Bülowstrasse 6 . In: Berliner Adreßbuch , 1916, III., P. 174. "In the house of the rentier Brockmann, the director Kühne and five other tenants are named." (In 1919 the house is under administration: Pension Neubauer, Café Sperlich and Möbel Kaßner.).
330. ↑ Bülowstrasse 6 . In: Berliner Adreßbuch , 1925, IV., P. 138. “The property company at the underground station is the house owner. The intimate theater is one of the tenants, like the Kleist coffee from Beyer. ”(According to allekinos.com there was probably no continuous use as a cinema.).
331. ↑ Cinema architecture in Berlin 1895–1995 . Reimer Verlag
332. ↑ allekinos.com: based on cinema architecture in Berlin 1895–1995 . Reimer Verlag
333. ↑ allekinos.com
334. ↑ www.rockinberlin.de
335. ↑ Pictures of Bülowstraße 24 during the house renovation
336. ↑ Large advertising Vattenfall May 2008
337. ↑ State map of the site
338. ↑ Hall and foyer of the Pamet 1949 (source: Filmblätter 23/49)
339. ↑ Hauptstrasse 20 . In: Berliner Adreßbuch , 1912, V., p. 600. “The owner of the house is Eisenberg. In the house have ten lodges located among the 20 residents and commercial tenants. Passage Vitaskope Theater "..
340. ↑ 1921/5672 / Cinematographic Concepts.
341. ↑ Hauptstrasse 139 . In: Berliner Adreßbuch , 1915, V., p. 338. “In Eisenberg's house:“ A. Brückmann & Co. Vitascope Theater ““ (1919/5273 / the house is under compulsory administration. A. Schindler has the passage coffee in the house. 1919/1444 /: Ernst Krämer, cinema owner, SW29 Bergmannstrasse 3).
342. ↑ rockarchiv.infopartisan.net : “ Bars that were visited by soldiers of the Western Allies in the 1960s. [...] These 'hot spots' were regularly the target of military police checks. "
343. ↑ Hauptstrasse 20 . In: Berliner Adreßbuch , 1912, V., p. 600. “House owner Mrs. E. Meyer from outside. Among the 17 residents and commercial tenants: E. Luft Kinematograph. ”(1912/6177 /: Cinematographic presentations in the suburb of Schöneberg: E. Luft. 1912/1880 /: Eduard Luft is the owner of cinematographs in W30 Potsdamer Strasse 35a ground floor, apartment: Schöneberg Eisenacher Strasse 52. 1915/5986 /: Luft Kinematographen Theater in Hauptstrasse 20.).
344. ↑ "According to a fairly conscientious estimate, there are around 300 'Kientöppe' 'in Berlin, or more. In the extreme west as well as in the extreme east, there with boxes and red plush seats, here with raw, timbered benches. ”In: Die Deutsche Bühne, April 25, 1910 (Vol. 2) Issue 8, pp. 129–130
345. ↑ Apartment building Hauptstrasse 20: 1885–1886 by architect H. Franzke for client Wilhelm Schulz
346. ^ Streets and houses of Berlin . In: Berliner Adreßbuch , 1928, IV .. “← Neue Winterfeldtstrasse → 5: see also Neue Winterfeldtstrasse 31: The owner is Ms. Weißpflog from Brazil. // Apartment house 6 of the owner Löw-Beer from Brno ← Luitpoldstrasse → “(1930/5843 / is owned by the former management company“ Domo ”).
347. ^ Resident of Berlin . In: Berliner Adreßbuch , 1930, I., p. 199. "Theater director Emil Berisch, Wilmersdorf Kurfürstendamm 146 IV. / Actor Siegfried Berisch, Wilmersdorf Konstanzer Straße 56 Gartenhaus II." (1928/2415 / + 1930/2341 /: Kaufmann Carl Natkin, Wilmersdorf Kurfürstendamm 144 II. (Post Halensee) / to Betzel: see Johannes Betzel on).
348. ↑ Kino Wiki: Person entry
349. ↑ Martin-Luther-Strasse 5 . In: Berliner Adreßbuch , 1938, IV., P. 1566. “Nadkin from Poland is the owner of the apartment building number 5, also Neue Winterfeldtstrasse 31. Baron Paul von Tubbé Savoy-Lichtspiele is one of the eight tenants / residents of the house. ”(1938/2949 /: Baron Paul von Tubbé Lichtspiele W30 Martin-Luther-Straße 5.).
350. ↑ Martin-Luther-Strasse 5 . In: Berliner Adreßbuch , 1943, IV., P. 1592. "The owner of the house (also Neue Winterfeldtstrasse 31) is Mrs. Spilcker, among the 21 tenants is Paul von Tubbé, the cinema owner".
351. ↑ The Kinematograph 190/1910
352. ↑ Kino Wiki: The Ice Palace 1910
353. ↑ Lutherstrasse . In: Berliner Adreßbuch , 1908, III., P. 500. "← Augsburger Strasse → 20–24: Owner: Berliner Eispalast GmbH / 25.26 Baauten ← Motzstrasse →" (1915/4559 / + 1915/207 /: Owner of 22.24 is the Berliner Eispalast Aktien-Gesellschaft. W62 Lutherstrasse 22–24. Board of Directors Directors E. Elkan and W. Westphal.).
354. ↑ Lutherstrasse 22-24 . In: Berliner Adreßbuch , 1920, III., P. 529. “The owner is Scala-Palast GmbH Kinematograph. The central procurement office for woven goods and the main sanitary dep. Dept. 12. / 1920/2398: Jules Marx and Ludwig Schuch are managing directors / “(1918/4135 /: The owner is the Berliner Eispalast Aktien-Gesellschaft / 1919/4050 /: The owner was the Charlottenburger Theaterbau-Ges.mbH.) .
355. ^ National maps: Damage to buildings 1945
356. ↑ Map of Berlin 1: 5000 (K5 - color edition)
357. ↑ The Scala on postcards
358. ↑ Michael Thomas Röblitz, Ralf Schmiedecke: Berlin-Schöneberg: not just “like once in May” on Jagdschlösschen in the Google book search
359. ↑ Jagdschlösschen: ground monument: foundation & cellar & manor
360. ↑ 1871 : The Berliner Schlossbrauerei bought the old Krug area (later used by the prelate) and opened the Schöneberger Schlossbrauerei on Dominicusstrasse.
361. ↑ The wanderings of a wild man “We learn the following about it: Arthur Stirnatis, who is better known under his stage name Poena, used to be the first hero and lover at the Petersburg court theaters for a few years. He organized so-called "Charity shows", the surplus of which should flow into existing foundations. I.a. he arranged such a performance for Schöneberg as well. […] Thanks to the efforts of his helpers , the large hall of the Schöneberg Castle Brewery was filled to the last seat on the evening of the performance. ”In: Berliner Börsen-Courier, August 14, 1913, No. 378
362. ↑ Prelate, prelate, what's the point?
363. ^ Potsdamer Strasse 72 . In: Berliner Adreßbuch , 1920, III., P. 664. "← Winterfeldtstrasse → 69, 70, 70a, 71, 72.72a: Theater- und Konzerthaus Akt. Ges., Taubenstrasse 22, 73, 73a, 74 ← Pallasstrasse →" .
364. ↑ "Behind the access tract, which is structured by pilasters and dominated by a central projectile with a semicircular porch, the elongated hall building of the arena followed. Architect Fischer converted the fully painted hall with two galleries into a cinema by placing an ornamented wall separating the rear curve with a stage framed by pilasters and a raised large canvas and darkening skylights and windows. The seating in the room, which is dominated by the unusual support structure of the ceiling, was divided into two blocks of mobile folding seats in the parquet, which complemented the rows of seats in the lower tier. ”Source: Silvaine Hänsel, Angelika Schmitt (ed.) Kinoarchitektur in Berlin 1895–1995 . Reimer Verlag, 1995
365. ↑ Three tall patio doors led into the foyer, where there was a partition between the entrance area and the rest of the building complex. The elongated hall on the second floor was reached via functional vestibules on the mezzanine floor. Steps led through a double door into the auditorium. To the right of the entrance, a curved box with four seats supplemented the closed block of wooden folding chairs. A white Rabitz apron summarized the irregular auditorium above English-red wall sections in the lower area in a fashionable curve, and recessed circular lights on the underside illuminated the narrow corridor. Neon tubes illuminated the simple stage area and made the turquoise ceiling appear in a radiant blue.
366. ↑ Cinemiracle / Cinerama in Germany
367. ↑ Development plan XI-155 of August 24, 1976 for the properties Pallasstrasse 1-7, Potsdamer Strasse 170/178 and Pallasstrasse 28-34 (partially) in the Schöneberg district
368. ^ Nürnberger Strasse . In: Berliner Adreßbuch , 1943, IV., P. 1605. “Nürnberger Strasse: Postamt Berlin W50, No. 1–28: Charlottenburg, No. 29–48 Wilmersdorf, No. 70, 71 Berlin-Mitte. ← Augsburger Straße → 50–56 Owner of the German Empire, Reich monopoly administration for spirits. Among other things: Femina restaurants, Nürnberger Straße 50/52. 57–59 belongs to Tauentzienstrasse ← Tauentzienstrasse → “.
369. ^ The hall 1951. Image source: Schwahn in Filmblätter 23/1951
370. ↑ The new film 63/1952
371. ↑ Others also report that he should have fled with debts and embezzled money. Reuter protects large fraudsters In: Neues Deutschland June 2, 1953. // He was arrested in 1954 and convicted. Cinemas: There are already enough tremors In: Der Spiegel, November 3rd 1954
372. ↑ The new film 68/1954
373. ↑ The Tauentzienpalast - Berlin 30 Nürnberger Straße 50 - was listed in the Berlin branch directory as a movie theater. Possibly this evidences occasional performances.
374. ↑ For the time being continue The Berlin Senator for Science and Art, Werner Stein, is accused of wanting to help a boulevard theater. In: Der Spiegel, February 12, 1973.
375. ↑ picture gallery ellington-hotel.com
376. ↑ Tauentzienstrasse 19 . In: Berliner Adreßbuch , 1910, III., P. 842. "← Nürnberger Strasse → 19: Owner Rentier Platz and 15 tenants, 19a.19b: Owner Rentier Appelbaum and 15 tenants, tenement house 20 ← Passauer Strasse →".
377. ↑ Tauentzienstrasse 19 . In: Berliner Adreßbuch , 1914, III., P. 890. “← Nürnberger Straße → 19: Owner Kaufmann Feiler (Meineckestraße 2.3): Kammer-Lichtspiele am Potsdamer Platz GmbH, H. Braun Tauentzien-Palast Café 19a.19b: Owner Appelbaumsche Heirs and 16 partly commercial tenants including Tauentzien Theater, tenement house 20 ← Passauer Straße → “.
378. ↑ Berliner Börsencourier, December 19, 1913, No. 593: Film Debuts : “The Kammer-Lichtspiele opened their new house yesterday in Tauentzienstrasse, the architectural charms of which we have already described. [...] Simultaneously with the opening of the Kammer-Lichtspiele, Edison's talking film, the Kinetophon, made its debut in the Admiralstheater. "
379. ^ The chamber light plays in the Tauentzienstrasse . In: Germania, July 20, 1914
380. ↑ From the cinema to the comedy stage . In: Berliner Börsen-Courier, May 19, 1914, No. 231
381. ↑ Ludwig Klopfer . In: Berliner Adreßbuch , 1918, I., S. 1344. "Theater owner Ludwig Klopfer W50 Eislebener Strasse 4 Erdg., See Lichtspiele Tauentzien-Palast Ludwig Klopfer".
382. ↑ News photo : The Tauentzienpalast on the day after the inauguration
383. ^ National maps: Damage to buildings 1945
384. ↑ National maps map of Berlin 1: 5000 (K5 - color edition)
385. ↑ 180 for 1917, 321 for 1918, 200 for 1920/1921, 143 for 1924, 133 for 1925 and from 1928 still 140 officially approved seats are given. According to cinema dress books.
386. ↑ The Kinematograph 204/1910
387. ↑ Goebenstrasse . In: Berliner Adreßbuch , 1911, V., p. 289. “← Falkenberger Strasse → 1, 2, 3: tenement houses ← Steinmetzstrasse → 4, 5, 6: tenement houses. Reindeer Jung is the house owner in house number 7. CA Wiebel liqueurs were among the 27 tenants. 8, 9,10 10a 11: Apartment buildings ← Culmstrasse → “(1911/3257 /: Clemens Alexander Wiebel Berlin liquor factory“ Union ”, W57, Göbenstrasse.).
388. ↑ Compare this with cinematographs . In: Berliner Adreßbuch , 1910, IV., P. 207.
389. ↑ "As long as the founding of new cinematographic theaters continued at a steady, even accelerated pace and there was only such a quantity of cinematographic films on the market as required, everything went quite well, [...] enough 'worn out' films were resold which, in turn, offered a number of often quite questionable existences the opportunity to open even more 'Kientöppe', whose picture requirements were then met by second-hand, often quite damaged, flickering, raining and striking films; and many picture theaters founded by both unscrupulous and destitute entrepreneurs knew how to take advantage of this, [...] the films produced by the [Société du Film d 'Art] association are only available on loan and have a considerably higher price (50 M per 100 m and per week) […] “In: Photographische Industrie, 1909, pp. 274–275 : Kinematographische Konvention .
390. ^ National maps: Berlin 1: 5000
391. ↑ Hauptstrasse 49 . In: Berliner Adreßbuch , 1914, V., p. 326. “Church / 47: Ev. Parish / 48: owner architect Becker: tenement house including large cinematographs owner / 49: owner Baugesellschaft Hauptstrasse 49 GmbH: sole user: Union-Theater-Lichtspiele / tenement house 50 see also Mühlenstrasse 1 / 1a "(1915/5987 /: owner of no. 49: Attorney Dr. Sänger, tenant: Lissenheim cardboard boxes, luxury paper mill Manes & Co. and Union-Theater-Lichtspiele).
392. ↑ Street view from 1937 from www.fotomarburg.de: LBB 164127, © Bildarchiv Foto Marburg
393. ↑ Hackbarth . In: Berliner Adreßbuch , 1925, I., p. 1032. “Theater manager Max Hackbarth, Steglitz Sachsenwaldstrasse 5”.
394. ↑ v. Ebeling . In: Berliner Adreßbuch , 1931, I., p. 620. "Alexander von Ebeling, engineer, Schöneberg, Martin-Luther-Straße 50, 2nd floor".
395. ↑ Damage to buildings 1945 Hauptstrasse / Dominicusstrasse
396. ↑ Kinohaus (1937) Source from www.fotomarburg.de: LBB 164127, © Photo Archive Photo Marburg
397. ↑ Hauptstrasse 11 . In: Berliner Adreßbuch , 1918, V., p. 314. “← Vorbergstrasse → No. 11: Owner building technician G. Schulz and councilor mason M. Schulz. 14 tenants / No. 12: Owner Wagnersche Erben ”(1918/5317 / until the 1930s: the extended Belziger Strasse led across Akazienstrasse without any land to Hauptstrasse).
398. ↑ residents . In: Berliner Adreßbuch , 1920, I., p. 583. "Theater director Bernhard Falkenfleck W30 Haberlandstrasse 4 II. / Berthold Falkenfleck, Lichtspieltheater Schöneberg Hauptstrasse 11 Erdg.".
399. ↑ Fox . In: Berliner Adreßbuch , 1921, I., p. 745. “Wilhelm Fuchs Lichtspieltheater Hauptstrasse 11” (on Fuchs also 1921/5639 / and 1921/5672 /).
400. ↑ Hauptstrasse 11 . In: Berliner Adreßbuch , 1943, IV., P. 1565. “The house owner is“ anonymous ”. In the house: The German Labor Front NSG Kraft durch Freude. ”(Ernst Metzger is the owner of a cinema in Charlottenburg Kaiser-Friedrich-Straße 90.).
401. ↑ Damage to the building in 1945 at the head building in Belziger / Hauptstrasse
402. ↑ Small outline of the house at Hauptstrasse 11
403. ↑ Pictures from 1948/1949 from film sheets 24/49
404. ↑ The Kinematograph , 762/25. September 1921
405. ↑ Hauptstrasse 144 . In: Berliner Adreßbuch , 1910, V., p. 512. "Property owner was innkeeper A. Klöhn, used by the restaurant and ballroom Schwarzer Adler, Filialexpedition Ullstein & Co., Zigarren-Kaphuhn" (1919/5273 / is the property owner Klöhn now The owner of a café in Dahlem, used by the “Schwarzen Adler Schöneberger Volkstheater L. Sanger”, theater director Sanger lives here. The newspaper expedition is part of the morning mail.).
406. ↑ Black Eagle . In: Berliner Adreßbuch , 1923, IV., P. 1415.
407. ↑ Hauptstrasse 144 . In: Berliner Adreßbuch , 1943, IV., P. 1568. "The owner is K. Rodermund, users are the Turma-Flora Filmtheater C. Rodermund, architect G. Klöhn, Reichsstelle für Wirtschafts Moral eV and the Verein gegen Briberung eV".
408. ↑ Damage to the building 1945: Main street at the south exit of the square
409. ↑ EKZ Hauptstrasse 141–144
410. ↑ News from the film “The U. T. Lichtspiele have put together a current program for this week. [] In the new weekly program in the "Cines" -Nollendorf-Theater, the three-act comedy "You can not say no" with Margret Fischbach from the local Thalia Theater in the lead role will be given for the first time. "In: Der Tag, November 30th 1914
411. ^ Berliner Börsen-Courier: The first cinema theater building . February 25, 1913, No. 93
412. ↑ Nollendorfplatz 4 . In: Berliner Adreßbuch , 1913, III., P. 621. "New building owned by the" Nollendorf-Theater Frank Joseph Goldsoll "with seat W30 Nollendorfplatz 4, owner Frank Goldsoll (businessman Paris) ← Motzstraße →".
413. ↑ ^{a b} Pictures on allekinos.com from: Lichtspieltheater (Berlin 1914) and Das deutsche Lichtspieltheater in the past, present and future (Berlin 1926)
414. ↑ Lemma . In: Berliner Adreßbuch , 1914, III., P. 639. “Nollendorfplatz 4: The owner is the“ Cines ”Theater-Aktien-Gesellsch. (Friedrichstrasse 14), theater manager H. von Luck (W30 Eisenacher Strasse 121) ”.
415. ↑ from: The cinematograph for the opening on March 19, 1913
416. ↑ Who is Cines . In: Germania, March 20, 1913
417. ↑ Nollendorfplatz 4 . In: Berliner Adreßbuch , 1916, III., P. 657. “The property owner is Fritz Flatow from Grunewald, his profession is the owner and user is the Union Theater Lichtspiele. The same entry also in 1917/4383 / and 1918/4215 / “(1917/3084 /: There are ten Union Theaters of Union-Theater GmbH with headquarters at SW 68 Zimmerstrasse 16-18).
418. ↑ Nollendorfplatz 4 . In: Berliner Adreßbuch , 1923, III., P. 673.
419. ↑ Exterior view with Metropolis announcement
420. ↑ According to KinoWiki.
421. ^ Building damage 1945: Nollendorfplatz
422. ↑ National maps: Nollendorfplatz 3/4
423. ↑ Current film program ( Memento of the original from January 3, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
424. ↑ kinokompendium.de
425. ↑ Damage to the building in 1945 on Motzstrasse
426. ↑ from: Die Filmwoche 43/1951
427. ↑ berliner-buecherhimmel.de: Events
428. ^ In the cinema directory, Alfred and Wilhelm Jahnke state 1910, the later owners Walter Schibalski 1920 and Sennewald finally 1912.
429. ↑ Viktoria-Luise-Platz 5 . In: Berliner Adreßbuch , 1910, III., P. 878. “← Neue Bayreuther Strasse → No. 5 see also Neue Bayreuther Strasse 8: The ten-tenant house is owned by the reindeer Berngard from Groß Lichterfelde / 6: see Neue Bayreuther Straße 6: Lette-Verein: Employment agency and administration office, bank for trade and industry, including apartments for teachers ”(1912/2748 /: Anna Schoor from Wilmersdorf runs a paper shop. 1912/1176 /: One of the ten branches is in the house von Hinz & Küster, Coffee, Cocoa and Tea Import Inh. Hermann Küster. The place was on Schöneberger Flur and was administratively assigned to the inner city of Berlin until 1932.).
430. ↑ Schendel . In: Berliner Adreßbuch , 1913, I., p. 2683. “In the residential part, the cinematograph theater owner S. Schendel W30 Viktoria-Luise-Platz 5 and the cinema theater owner Bernhard Schendel from N21 Wilhelmplatz 4 with the theater in Charlottenburg are named. 1913/4885 /: In the street section, D. Schendel plays with light among the users in the house. ”.
431. ↑ “The program contained eight numbers, which were dealt with again after the expiry. As a result, a few seats had to become vacant after each picture. But the rush was so strong that many visitors still had to be content with standing room, although according to the ticket they could lay claim to a seat. "In: Der Tag, March 17, 1912
432. ↑ Luisen-Lichtspiele . In: Berliner Adreßbuch , 1917, III., P. 861 (The Thiem brothers are no longer noted, the name is illegible: S? Che? Kt.).
433. ↑ Viktoria-Luise-Platz 5 . In: Berliner Adreßbuch , 1922, IV., P. 950. "The house owner is the factory owner Peiser, among the tenants A. Jahnke, Lichtspiele." (Entry also in 1923/1383 /, 1924/1263 /.).
434. ↑ Lemma . In: Berliner Adreßbuch , 1927, IV., P. 1051 (on the other hand Jahnke in Kinowiki for the year 1927 ).
435. ↑ Heckendorff . In: Berliner Adreßbuch , 1934, IV., P. 1514.
436. ↑ Damage to buildings 1945 Viktoria-Luise-Platz
437. ↑ In 1979 the square was redesigned according to monument preservation guidelines and the square was restored. Also compare the age of the building at Viktoria-Luise-Platz with the meaning: yellow-built after 1975 / violet-1870–1899 / red-1900–1918 / blue-green-1919–1932 / yellow-green-1933–1945 / dark brown-1946–1961 / light brown -1962-1974.
438. ↑ Russian cuisine in the Potemkin
439. ↑ Hilfswerk-Siedlung GmbH: Viktoria-Luise-Platz 5 Welser Str. 1 in 10777 Berlin ( Memento of the original from January 5, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
440. ^ Resident: Barton . In: Berliner Adreßbuch , 1920, I., p. 100. “Cafetier Andreas Barton, W62 Kleiststrasse 22, first floor. Company: Cafe v. Hindenburg Andreas Barton & Co. ”(listed in the street section in 1920 as a businessman A. Barton. 1915/4441 /: Cafe Hindenburg. 1914/4506 /: Café Bristol A. Barton & Son.).
441. ↑ Kleiststrasse 22 . In: Berliner Adreßbuch , 1921, III., P. 426. “See also Bayreuther Straße 37: House owner director J. Hirsch and Lewinsche Erben. The manager is the office building Börse, Burgstrasse 30. Among the tenants: Kaufmann A. Barton, Cafe v. Hindenburg A. Barton & Comp., Dipl.-Ing. A. Lampel, a boarding house and the engineer CH Schmidt "Usiba" sprachmaschinen GmbH. "(In the residential area: Andreas Barton, Cafetier, W62 Kleiststrasse 22 1st floor // Cafe von Hindenburg Andreas Barton & Co. W62 Kleiststrasse 22 // Alfred Lampel Graduate engineer cinema owner, W62 Kleiststraße 22 ground floor).
442. ↑ Kleiststrasse 22 . In: Berliner Adreßbuch , 1930, IV., P. 484. “Owner Wittenbergplatz-Grundstücke GmbH: among the 21 users / tenants: businessman A. Barton, Indra Film Produktion GmbH and Wittenberg-Kino A. Lampe ← Bayreuther Straße → ← Wittenbergplatz → “(Dipl.-Ing. Alfred Lampe, Wilmersdorf Kurfürstendamm 111.).
443. ↑ Alfred Lampel . In: Berliner Adreßbuch , 1935, I., p. 1459. "Merchant Alfred Lampel W30 Motzstrasse 33. Alfons Wolff cannot be assigned to Berlin."
444. ↑ War damage on Wittenbergplatz
445. ↑ Age of building: built 1946–1961
446. ^ Vita of Johannes Betzel
447. ↑ Damage to buildings in 1945 on the Tauentzien
448. ^ National maps: Kolonnenstrasse between Herbertstrasse and Julius-Leber-Brücke
449. ↑ Kolonnenstrasse 6 . In: Berliner Adreßbuch , 1910, V., p. 516. “← Herbertstraße → tenement Kolonnenstrasse 3 also Herbertstrasse 11 // tenement no. 4 // 5: does not exist // no. 6 see also Feurigstrasse 4: the house owner is gymnastics teacher A. Colonel, residents are theater director F. Gil? Es, hairdresser J. Sokolowski and six other tenants. // Tenement 7 with Feurigstrasse 3 // Tenement 8 and 9 ← Feurigstrasse → Property 9a ← Sedan Bridge → ← Cheruskerstrasse → “(For 1909/5548 / there is no construction site for property 5 and a construction site for the gymnast Oberst is noted for 6. From 1911 / 5964 / the plot is numbered 5/6.).
450. ↑ Seating plan from 1909 : “Colonnenstrasse to the right. From where you come in and buy your ticket, the projector can also be seen here, which threw the image back onto the screen, past the screen on the right you came down the stairs to a buffet area and the sanitary facilities. "
451. ↑ Kolonnenstrasse 5.6 . In: Berliner Adreßbuch , 1913, V., p. 329. “F. Schr o entered in the house as a theater owner. "(In the Schöneberg trader was under the heading Kinematographentheater 1912/6177 / 1913/5998 and Schröder noted).
452. ↑ on the person of Joseph Sokolowski: In 1909, the barber Joseph Sokolowski (1910/5754 /) moved into the newly built house at Kolonnenstrasse 6 / Feurigstrasse 4. The apartment is Feurigstrasse 66 (1910/2738 /). when the theater owner Schröder is no longer accepted, the same entry 1914/3085 / continues for Sokolowski. However, in 1914 (1915/3050 /) he moved his apartment to Feurigstrasse 4 1st floor (1915/5976 /), closer to the shop (1915/5994 /). In the next address book (not yet 1915/6024 / - not until 1916/5704 /) J. Sokolowski is entered with traders and tradespeople with cinematographic ideas at the place of business (1916/5676 /), in the residents' part 1916/2877 / he is both as Hairdresser and movie theater owner. 1917/2857 / with the residential and business address (1917/5645 /) as a hairdresser. 1918/2739 / the barber shop with a hairdresser for women and men is more precisely designated. In the Schöneberg trade directory 1918/5364 / the hairdresser Hedwig Sokolowski is listed, around the previous year (1917/5671 /) J. Sokolowski. Apparently Joseph died and the entry for 1918 (on 1919/2717 /) is: Hedwig Sokolowski, widow, Colonna Lichtspieltheater, Kolonnenstrasse 5.6, apartment Feurigstrasse 4 I, plus the commercial entry 1919/5302 /. Hedwig Sokolowski also runs the cinema as married Hedwig Rohde: Commercial entry for cinematographic presentations on 1920/5347 /. In the resident part it is missing at 1920/2713 / instead the entry under 1920/2305 /
453. ↑ Kolonnenstrasse 5.6 . In: Berliner Adreßbuch , 1920, V., p. 331.
454. ↑ Kolonnenstrasse 5.6 . In: Berliner Adreßbuch , 1921, IV., P. 322. “The house owner is a dance teacher, Colonel and Frau Burgsdorf; ten tenants: with shops M. Kippermann and hairdresser E. Rohde. In addition: under 1921/1455 /, 1922/1557 / and 1923/1542 /: Martha Kippermann, b. Müller's widow of a factory owner and cinema owner lives in O34, Petersburger Strasse 62 II. Further: 1922/1557 / and 1923/1542 /: no longer as a cinema owner. 1921/2549 /: The hairdresser Ernst Rohde lives in Feurigstrasse 4. “.
455. ↑ In allekinos.com O. Günther is given.
456. ↑ Kino Wiki : 1920 Colonna-Lichtspiel-Theater in Kolonnenstr. 5-6 (also existed in 1922/6331 / and 1923/6197 /), founded in 1912, daily performances, 220 seats, owner: Joachim Günther from W57, Zietenstraße 23 III. St. (not in 1921/4712 /) and Felix Reyher from Feurigstrasse 37 (1921/5629 / and 1922/6312 /: widow Elise Reyher).
457. ↑ Ehlert . In: Berliner Adreßbuch , 1922, I., S. 601. "Kinobesitzer Karl Ehlert, Schöneberg, Belziger Straße 12 Gartenhaus." (Also mentioned in 1922/655, part I., page 601 and 1923, part I. page 595. In 1921, Carl Ehlert was admitted as the owner of the cinema with the apartment at W35, Potsdamer Straße 108, Erdg., This C arl is also listed at this address in 1920/529 / in Part I. Page 525. Up until 1921, Viktoria was at this address -Light plays.).
458. ↑ In Cinema Wiki assigned to Tiergarten. At the time, it belonged to Mitte: W9 Potsdamer Straße 1–23 and 124–141, W35 for 24–58 and 96b – 123b, W57 for 59–96a and Schöneberg Potsdamer Straße 24–123b. Potsdamer Straße 108 in alternating numbering since 1937 as number 95.
459. ↑ Cinema address book secured from 1924. Based on an address book from 1923: “Colonna” is named in the street. Martha Kippermann gave up the property in 1921. Günther and Reyer no suitable entry included.
460. ↑ Ehlert . In: Berliner Adreßbuch , 1931, I., p. 635. “ C arl Ehlert: Lichtspieltheaterbesitzer in Kolonnenstrasse 5/6.” (House 5/6 still belongs to the dance teacher Oberst, the entry “Colomin” -Lichtspiele is probably a Typesetting error. Carl Ehlert is still included in the address book 1933/524 / as the owner at this address.).
461. ↑ In their self-portrayal they were never party members, although at the time every film theater operator had to be a member of the NSDAP, they managed to bring the cinema with entertainment films and children's shows through the Nazi era and World War II , and also to buy two more cinemas: in 1936 the Filmhof in Vorbergstrasse 1, later "emergency exit" and now an empty shop, and in 1956 the Tonburg in Hauptstrasse 11, which was demolished in 1960.
462. ↑ The seating plan from 1939
463. ↑ War damage to Kolonnenstrasse
464. ↑ ^{a b} Supplementary information on the cinema website , with research work and materials provided by the freelance taz author Matthias Reichelt.
465. ↑ A lifetime of cinema . Radio feature by Dieter Streipert, Deutschlandfunk 1977
466. ↑ Seating plan from 2013
467. ↑ According to allekinos.com : 1978–1983 Andreas Rudolf / 1983–1985 Lothar Fischer and Bettina Schutt → with a new cinema name: Xenon / 1985–1987 Christian Huth and Angelika Knäpper / 1987–1990 Colin Ring, Wood Printcraft, Dublin, Ireland
468. ↑ Matthias Reichelt: Focus with 137 seats : “When Andy Wieske came from Hamburg in 1984 to study advertising graphics at the HdK, he moved to Wedding and got to know the people from the Sputnik cinema there. He became part of her team, which later also ran Sputnik 2 on Südstern and the Hasenheide open-air cinema. [...] Bernhard Rudolf is 57 years old. He's already working 27 of them as a projectionist in the xenon cinema, [...] Bernhard actually only helped his brother, who had taken over the Colonna in 1978. In the beginning it was just a job for the physics student - and basically Bernhard is still not a real film buff [he] is the only permanent employee of the current xenon operator Andreas "Andy" Wieske, who can otherwise only employ two mini-jobbers and one temporary worker and also runs an advertising agency on the side. There is no fortune to be made with the xenon: Recently, for economic reasons, Andy had to part with the splatter specialist Jörg Buttgereit , who occasionally worked as a demonstrator in the xenon. "
469. ↑ Pictures and process of the renovation from 2014
470. ↑ www.xenon-kino.de: Info and prices
471. ↑ Xenon on kinokompendium.de
472. ↑ Berliner Strasse 130 . In: Berliner Adreßbuch , 1915, V., p. 448. "The owner is a businessman A. Haase from Berlin, seven tenants / house 131 also Albrechtstrasse 123: the owner is master painter Stiewert from Parkstrasse 10 with nine tenants".
473. ↑ Berliner Strasse 130 . In: Berliner Adreßbuch , 1917, V., p. 429. “The owner is the building contractor Otto Rheinsberg and there is a cinema by Georg Ernst and six other tenants.” (In the residential part under 1917/5763 / explicitly: Gustav Ernst: Owner of the cinema “Berliner Theater “Tempelhof Berliner Straße 130 I. 9-10, 5-6. No suitable entry in the previous year.).
     * Berliner Strasse . In: Berliner Adreßbuch , 1918, V., p. 416. “The house with the motion picture theater by G. Ernst is under compulsory administration. The tenants in the house are also three merchants, an engineer and an operations manager ”.
474. ↑ Berliner Strasse 130 . In: Berliner Adreßbuch , 1921, V., p. 421. "The owner is a haulier Mätzner (Borussiastraße 32-36) among the seven tenants is a businessman Ernst." (The same entry can also be found in the following year 1922/6454 /. Later found a branch of the Condé AG washing facility in the house).
475. ↑ Bacharacher Straße, left side . In: Berliner Adreßbuch , 1943, IV., P. 1824 (Rohrbeckstrasse is undeveloped.).
476. ^ GAM Gastro: Exhibition and warehouse . Queryed November 30, 2016.
477. ↑ from: C-CLUB
478. ↑ Columbia cinema
479. ↑ Historical photo from around 1890 in the Heimatmuseum Tempelhof archive. Dorfstrasse, Berliner Strasse . In: Berliner Adreßbuch , 1905, V .. “← Berlinerstraße → Owner of 22: widow Auguste Kreideweiß inn owner and restaurant / Berliner Straße 103/104: garden belongs to Dorfstraße 22.”.
480. ^ Berliner Strasse . In: Berliner Adreßbuch , 1912, V., p. 707. “Berliner Straße 104: New building by carpenter E. u. K. Schneider from Lichterfelde ← Dorfstrasse → // ← Berliner Strasse → Dorfstrasse 22: New building by carpenter E. u. K. Schneider from Lichterfelde ”.
481. ↑ Dorfstrasse 22 . In: Berliner Adreßbuch , 1919, V., p. 415. "Dorfstraße 22, see also Berliner Straße 148: Owners are master masons C. and E. Schneider, used: Reserve-Lazarett II Abt. Kurfürst and" Zum Kurfürst "Restaurant and Festival halls Tempelhof, in front of Kreideweiß, Betriebsgesellschaft mbH ".
482. ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1920, V., p. 446. “Kurfürst-Lichtspiele Dorfstrasse 22” (In the street section: users of Dorfstrasse 22 are Ellermann & Förster Lichtspiele, Kaufmann E. Ellermann and “Zum Kurfürst” / apartment: engineer Kaufmann Emil Ellermann Tempelhof, Schönburgstrasse 19/20. Ellermann & Förster, establishment “Schwarzer Adler” Lichtenberg Frankfurter Allee 99. Merchant Max Förster Tempelhof Dorfstrasse 22, see F. Max Förster.).
483. ↑ Zum Kurfürst residential and commercial building
484. ↑ Text and images at allekinos.com
485. ↑ The usual formulations are "cinematographic ideas" and later "movie theater". The keyword “cinematograph” for the trader also includes producers and rental of cinematographic apparatus.
486. ↑ Bartoll . In: Berliner Adreßbuch , 1909, I., p. 94. “Rudolf Bartoll cinematograph manufacturer N37 (Prenzlauer Berg) Choriner Straße 42, 1. Portal IV.” (Widow Bartoll still NW40, Lehrter Bahnhof).
487. ↑ Rudolf Bartoll . In: Berliner Adreßbuch , 1910, I., p. 99.
488. ↑ cinematograph . In: Berliner Adreßbuch , 1911, V., p. 329. "R. Bartoll Schwerinstraße 78: among the 14 tenants of the cinematograph owner, ← Strelitzstraße → “(In the address book 1911/126 / residents part: under the name Bartoll: the cinematographer Rudolf Bartoll for Tempelhof Berliner Straße 84 pt and cinematographer Rudolf Bartoll Mariendorf Schweriner Straße 78 pt still: Franz Bartoll factory worker in Britz and the widow Minna Bartoll in NW40.).
489. ^ Berliner Strasse . In: Berliner Adreßbuch , 1911, V., p. 659. “← Kaiserin-Augusta-Strasse → 80/81: widow of innkeeper Guntermann, 82, 83 tenement houses, 84: owner is carpenter O. Rheinsberg from Theodorstrasse 5, administrator Blietz is a porter from house 83, there are three tenants, including R. Bartoll Kinematographen-Theater, 85 is a tenement house with Albrechtstrasse 122 ← Albrechtstrasse → “(In the Tempelhof commercial area, Bartoll is entered under“ Cinematographic ideas ”. Up to the address book 1910/5839 / Part V. Page 601, property 83/84 was designated as a construction site.).
490. ↑ Berliner Strasse 84 . In: Berliner Adreßbuch , 1912, V., p. 707. “The house owner is a master carpenter Rheinsberg, among the five tenants is in particular“ Genossenschaftsbank Tempelhof und Umgebung eGmbH ”” (In the commercial section, the keyword cinematographic ideas is missing. In the population register and a year later in 1913/123 / Rudolf Bartoll, cinematographer with the apartment in Mariendorf is listed.).
491. ↑ Local residents are worried about the future of Karstadt Tempelhof . In: Berliner Morgenpost , July 17, 2014
492. ↑ Berliner Allee 130 . In: Berliner Adreßbuch , 1943, IV., P. 1828. “Like 128 the owner is the“ R. Karstadt GA department store "with headquarters in Wilmersdorf Fehrbelliner Platz, ten tenants: including Tempelhof pawnshop and Klötz children's clothing."
493. ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1911, V. (Tempelhof), p. 668. “Paul Brux, Friedrich-Wilhelm-Straße 18”.
494. ^ Friedrich-Wilhelm-Strasse . In: Address book for Berlin and its suburbs , 1900, V., p. 236. “Herz-Jesu-Kirche, parish school house ← Werderstrasse → construction sites, 17 * 18 * 19: rental houses of writer H. Pohlenk in house 17, with 11/13/4 tenants, 20: tenement house ← Berliner Straße → “.
495. ↑ Kaiserin-Augusta-Strasse . In: Berliner Adreßbuch , 1914, V., p. 449.
496. ↑ Residential and commercial building Dudenstrasse 9 Manfred-von-Richthofen-Strasse 2 Tempelhofer Damm 2 Kaiserkorso 155
497. ^ FIS Broker (map of Berlin 1: 5000 (K5 color edition)) of the Senate Department for Urban Development and Environment Berlin
498. ↑ Imperial Parade 69 . In: Berliner Adreßbuch , 1920, I., S. 1419. "Korso-Lichtspiele Kittel & Gerold Tempelhof Kaiserkorso 69 Office: Burgherrenstraße 10 // Page 749: Operations manager and engineer Martin Gerold Niederschöneweide Berliner Straße 80 see Korso-Lichtspiele Kittel & Gerold / / Page 1316: Otto Kittel Tempelhof Burgherrenstrasse 10 see Korso-Lichtspiele Kittel & Gerold "(Part V. Page 437: The owner of Kaiserkorso 69 is master builder Speck from Berlin, Berliner Strasse is a separate address but belongs to Kaiserkorso 69: 18 tenants, including Korso-Lichtspiele Kittel & Gerold).
499. ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1921, V., p. 438. "Korso-Lichtspiele Emil Rasenack & Co., Kaiserkorso 69" (1921/2445 / and 1922/2601 / in part I. Page 2378: Emil Rasenack, cigar manufacturer, Niederschöneweide Brückenstraße 3, III. However, for 1922/6462 / under Berliner Straße 1 → Kaiserkorso 69 in Part IV. Page 1490, no light play and no Rasenack entered among the users.).
500. ↑ Parade lights . In: Berliner Adreßbuch , 1930, IV., P. 1753. “← Dreibundstrasse → ← Kaiserkorso → Untergrundbf. Kreuzberg Berliner Straße 1 → Kaiserkorso 69: but → 155: The owner is Mrs. Lüderitz from Charlottenburg: 20 tenants and the Korso-Lichtspiele GmbH “(The GmbH also under residents / companies registered in the commercial court in Part I.).
501. ^ Imperial parade . In: Berliner Adreßbuch , 1925, IV., P. 1648. “← Dreibundstraße → ← Kaiserkorso → Berliner Straße 1 belongs to Kaiserkorso 69 → page 1658: however, there is information as Kaiserkorso 155 with house owner E. Sundberg from Sweden and 18 tenants, including also Schlesinger & Skutetzki Lichtspiele. ”.
502. ↑ alleKinos.com: Luxor Berlin
503. ↑ from: Die Filmwoche 3/1952
504. ↑ former Luxor 1975, image rights: Hans-Joachim Andree
505. ↑ picture and descriptive text
506. ↑ Tivoli hall building
507. ↑ opening of a new Tonkinos in Tempelhof Berlin Volkszeitung September 10, 1930
508. ↑ Exterior view and picture from 1950 from Filmblätter / Wimmer
509. ↑ The hall as it was in 1950. Image source: Filmblätter
510. ↑ ^{a b} The ufaFabrik Berlin ›Background and history› Chronicles ›The ufo cinema
511. ↑ Experience . In: Berliner Adreßbuch , 1913, I, p. 625. "Willy Erxleben, Tempelhofer Lichtspiele in Berliner Straße 8" (1913/6070 /: ← Ringbahnstraße → Berliner Straße 8 Owner is Dr. med. Vet. Schmidt and among the 20th Tenants Erxleben Lichtspiele. Then in the residential part 1914/662 / Kaufmann Willy Erxleben Borussiastraße 75 Gh. Pt.).
512. ↑ Berliner Strasse 48 . In: Berliner Adreßbuch , 1917, V., p. 428. “The house owner is the rentier Schmidt, 15 tenants, including O. Wolf, Lichtspiel. Theat. ”(In the residential part 1917/3302 /: Otto Wolf, Lichtspiel. Theat., Tempelhof, Berliner Straße 48 Eg.).
513. ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1918, V, p. 431 (Otto Wolf is no longer registered among the 14 tenants in the street section 1918/5437 /. Otto Wolf's whereabouts cannot be explained in the residential section.).
514. ↑ Writing in Kinowiki as Getzvnski. No other suitable spelling in the Berlin address book.
515. ↑ Graetzstrasse 13 . In: Berliner Adreßbuch , 1919, V, p. 296. “In the house of the Rindermann construction business, among others, the jam dealer H. Hinz lives. // 1920/1079 /: Hinze, b. Böde, jam dealer SO36 Wiener Straße 58b Eg. // 1919/5372 / Merchant M. Hintze junior lives at Berliner Straße 48. and G. Hintze photographic supplies. // 1920/5420 /: The merchants M. Hintze junior live at Berliner Straße 48. and G. Hintze sen. ”.

Remarks

• The Berlin address books are named according to the year of issue, since the editorial deadline for supplements is given around the turn of the year until January, the information relates to the year preceding the issue. In the above text or in the comments, the numbers (#) in the digital.zlb.de directory may be given after the year in the Berlin address book. The entry “construction site” in the address book does not mean a current building site, but building land. In addition, in some years only residents and not companies are included in the street section.
• Changed previous street names are given in italics to distinguish them from existing ones.

1. ↑ In the early silent film era, the strips often dealt with lasciviously erotic melodramas with beautiful melancholy actresses, the titles (from the program announcements for a week) were called “Atonement”, “The White Slave”, “The Fate of Countess Eleonore”, “Das Panther kitten ”,“ The Chinese man's mistress ”or folklorically funny topics such as“ The conductress of line 6 ”,“ We're getting a divorce ”,“ The May Queen ”,“ Little Princess Crinoline ”or“ How Axel got a costume ”. In many cases, these films were banned from young people because of the erotic scenes. The selection of titles comes from the “Schöneberger Tageblatt” from March 1916.
2. ↑ Ultimately, Handjerystraße 63 and 64, as well as the buildings opposite on the corner of Schmiljanstraße and Schmiljanstraße (then Kirchstraße) 14 were destroyed and cleared after the war.
3. ↑ Subdirector Endom still had his office in Lindenstrasse in 1918 and lived in Rheinstrasse 72 until 1917, which, like Bachestrasse 13, was under compulsory administration. In 1918 he is at Varziner Straße 4 III. Stock reported. Martin Alexander's whereabouts cannot be accessed from the address book. In 1918 the corner building at Kaiserallee / Bachestraße had a new owner and there was no longer any connection with the cinema.
4. ↑ Telefunken record (German Christmas: Great Christmas Carol Potpourri) recorded on September 26, 1933 testifies to Edgar Fuhrhop as producer (alongside Herbert Grenzebach; Walter Labenski; Seeland), Orchestra Hans Bund (1898–1982) Berlin, organ: Ernst Fischer, Recording location Sing-Akademie (Unter den Linden 5).
5. ^ Edgar Fuhrhop Apparatebau KG : Builds at least one carbon microphone around 1947/48. The Museum for Communication in Frankfurt lists the model as built in 1930 (as of April 2010). Apparatebau KG Berlin-Lichtenrade has two large letters E and F on top of each other as a logo for Edgar Fuhrhop.
6. ↑ Communal cinema explains the Federal Association of Communal Film Work (of which the 'Friends of the Deutsche Kinemathek' are a founding member) as follows: “Just like literature, the fine arts and theater, films should be accessible to everyone beyond commercial constraints. Like libraries, opera houses and museums, cinemas should have a permanent place in public life - also with public funding. "The" Friends of the Deutsche Kinemathek "have set themselves the goal of" making the film stocks of the Deutsche Kinemathek, which was recently launched, accessible to the public and, moreover, to carry out continuous film-cultural work with the films of other archives as well as with contemporary films. "
7. ↑ “Fritz Staar joins the group of senior citizens of German film theater owners. He turned 75 on May 16, 1952. For 43 years [1911] he has worked tirelessly in the industry. Fritz Staars love for Berlin and his belief in the existence of the embattled city can hardly be more clearly documented than the fact that after losing most of his theater park he returned to work in Berlin. The Arkadia light games are a jewel case, the Meraner light games could be bought back, and on May 1st of this year the Lumina light games in Schlachtensee were added. We know of the trust and respect that Fritz Staar is shown by his colleagues and employees. We sincerely wish the pioneer of the theater industry all the best. ”Source: Der neue Film 38–39 / 1952
8. ↑ “The light plays in the Mozart Hall on Nollendorfplatz, which were the first elegant cinema theater in Greater Berlin and which flourished very well before the Schöneberg amusement tax was introduced (1912), have now fallen victim to this amusement tax and probably also to the unfavorable location of cinemas in general. As a result of the extraordinarily high rates of the Schöneberg cinematograph tax, the theater was forced to apply to the Schöneberg magistrate to defer the taxes, which was also approved. Nevertheless, the theater did not succeed in making its business profitable again. About the assets of the Lichtspiele GmbH Mozartsaal was on 15. d. M. applied for the opening of bankruptcy proceedings, but due to lack of assets the opening of bankruptcy was refused. "In: Germania, July 21, 1914
9. ↑ Usher women were always dressed in costumes that matched the subject of the film. In 1925 there was the premiere of the first UFA sound film "The girl with the sulfur sticks", but it was a failure due to technical defects.
10. ↑ “On December 4, 1930, the German premiere of the film In the West Nothing New took place in front of an invited audience . As this film did not suit the National Socialists ideologically, protests were organized against the anti-war film: When it ran the next day, SA men exposed white mice and planted stink bombs , and mobbing Reichstag members of the NSDAP used their parliamentary immunity to exploit the audience disgusting the house. On the following days, the performances in the Mozart Hall could only take place under massive police protection. The campaign was successful: on December 11, 1930, the Supreme Film Inspectorate banned the screening of the film. ” According to Kinowiki In: Peter Boeger: Architecture of the movie theaters in Berlin: Buildings and projects 1919–1930 . 1993, ISBN 3-922912-28-1
11. ↑ The cinema 'Emergency Exit' not only ensured a program par excellence for decades, but was also able to look back on a unique regular guest who had been in the first place in the eighteenth row since 1986. Ernst Lubitsch. The operator at the time, Gunter Rometsch, erected a monument to his cinema idol and at the same time showed the works of Lubitsch to Berlin cinema audiences for the first time.
12. ↑ In 1985, three years after it was taken over by the Yorck Group, the program was switched almost exclusively to English-language films in their original version - a real achievement, because OVs were previously only shown in the Allied cinemas that were not open to the public. But also those who prefer to see an Almodóvar or a Chabrol in the original will get their money's worth here. And if you are still slightly intoxicated after the film in front of the entrance on the main street near the Schöneberg S-Bahn station, you will find a photo right around the corner in one of the many beautiful locations in the Akazienkiez. From: odeon-history
13. ↑ “There were bad performances […] Saturday evening around 8 1/2 o'clock in front of the Palast-Theater in Schöneberg, Hauptstrasse 36, occasionally a seizure, which was carried out by the Schöneberg magistrate against the owner of the cinema theater, Marbach. [...] The cinema owner Marbach, who was at the forefront of the movement of the Schöneberg cinema owners against the introduction of the cinematograph tax, runs a cinema in the street mentioned above that is in the name of his wife. Seizures due to cinema tax contributions are usually unsuccessful with M., as all assets are transferred to third parties. However, the magistrate learned through a report from a former cashier Ms. that M., who lives in notoriously good circumstances, had instructed the young girl sitting at the cash register never to leave any money in it so that she was protected against seizure at all times be. On Saturday the enforcement officer D. received the order from the Schöneberg authorities to seize the box office of the cinema theater between eight and nine in the evening. D. found only 2 marks, and soon afterwards Marbach appeared and explained to the official that he would have him thrown out if he did not leave the restaurant immediately. [...] "In: Berliner Börsen-Courier, August 28, 1912, No. 402: The refused cinema tax
14. ↑ The Bülowstrasse was one of the surrounding streets of Berlin until 1864 with the name Gürtelstrasse. This name comes from the belt that formed the softness of Berlin to the suburbs. The intersection with Potsdamer Straße is at the Bülowstraße underground station .
15. ↑ “The employment of musicians in cinematographic theaters has assumed such a large extent that the Berlin Musicians' Association has been compelled to set a special tariff for cinema musicians. In the case of contracts for a definite period, with five hours of daily playing time, a monthly fee of 225 marks is to be paid for the first vote and a monthly fee of 210 marks for the second. A subsidy of one mark is charged for each additional hour. In the case of cinema recordings, compensation of three marks is to be requested for the hour and person. The recording time must be calculated as at least two hours and paid for in full. ”In: Tariff of the Cinema Musicians In: Berliner Börsen-Courier, April 1, 1913, No. 150.
16. ↑ The building at Nürnberger Straße 50–55 was built in 1928–1932 according to plans by the architects Richard Bielenberg and Josef Moser on behalf of the Jewish businessman Heinrich Liemann, designed as an office building with a shop front. The 150 meter long building is one of the most important New Objectivity buildings in Berlin. The U3 tunnel required foundation measures. The Femina ballroom was located in the cross building in the courtyard and was destroyed in the Second World War, while the office floors were used for the monopoly administration for brandy. This house was named after the war as the Tauentzien Palace, in memory of the destroyed building adjacent to the Tauentzien. Partly according to: About Femina and the Tauentzien Palace on grammophon-platten.de
17. ↑ Brief outline of the house at Hauptstrasse 11 : “Originally, Hauptstrasse was the connection between Berlin and the royal seat of Potsdam. When this was laid out as a road, Schöneberg was still a farming village. In 1861 Berlin reached as far as the village of Schöneberg and part of the Schöneberg corridor was incorporated. The village of Schöneberg transformed into a medium-sized town within 30 years. The former farmers made big profits by selling their land to land speculators and built sophisticated villas on the main street ("million farmer's villas"). The community of Schöneberg and Steglitz and Friedenau now wanted to convert the old country road into a boulevard. From 1895 onwards, every new building or renovation was magnificent and 'contemporary and tasteful'. Schöneberg received city rights in 1898. "
18. ↑ “The cinema has been housed in all sorts of makeshift rooms, empty shops, crashed concert halls, but is now starting to become independent. It has become a mass phenomenon for our social [social] and economic life, filmmaking has become a necessity; now we are also experiencing how this mass need is translated into an architectural form. On Nollendorf-Platz in Berlin, a house that was specially built as a cinema theater was put into operation these weeks. It is probably the first structure of this kind, the first uniform architectural solution for the term 'movie theater' [...] The cinema entrepreneurs are, as you can hear, not owners of the building site. The building that they had performed must be written off in a certain number of years, because then, like the exhibition halls at the zoo, it falls to the landowner. [...] So they took artificial stone, even had individual fillings modeled by a well-known sculptor poured, put a green painted tin roof on top of the whole and revived the old technique of plastic paper maché ornamentation in the wood-clad auditorium. […] Oskar Kaufmann, is in the process of building their own theaters for the Berlin and Vienna Free Volksbühnen […] The two Americans who do the business here, unlike the people from the marble house on Kurfürstendamm, did not go to any architectural entrepreneur , […] The space requirement is quite modest. You need a cell for the surgeon, a white stage wall on which he projects his shadow images, the auditorium and a ticket hall. If the terrain is cut straight, it would be possible to get by with a simple cube. On the outside there are four smooth walls that are only interrupted by the entrance gates. Windows are unnecessary for the cinema, if you want, only annoying for a company that wants to ward off every ray of light from the outside. Kaufmann [...] divides the side fronts into five fields with a very light pillar profile that barely protrudes from the surface. These fields are framed by an ornamental frame, which, by the way, was modeled by Franz Metzner and cast in artificial stone. ”(Paul Westheim: The first cinema building - made entirely of artificial stone . In: Tonindustrie-Zeitung 1913 (37) No. 45, pp. 597-599)
19. ↑ However, the film was a commercial fiasco: After its premiere on January 10th in the Ufa-Palast am Zoo, it was shown in only one Berlin cinema - the UFA Pavilion on Nollendorfplatz - and moved there until May 13th, 1927, the Black Friday in Berlin, only 15,000 spectators. However, to this day it was the only place where this film was shown in its original length of two and a half hours.
20. ↑ Founded in 1888 to convey scientific knowledge to laypeople, the location has been near Wittenbergplatz since 1962, where the existing old building of the Jewish Lodge House and the later Reichsfilmakademie was expanded with a new section with the large Humboldt Hall.
21. ↑ The hall wing is in the courtyard area. Three large entrances lead from the courtyard into the ballroom, which is equipped with galleries and a stage. In the basement there was a beer cellar, two bowling alleys and a bathing establishment with various steam bath and massage rooms. The public bath is still in operation today. In the northern wing of the building (Dorfstrasse 22) the restaurant “Zum Kurfürst” was housed, to which two other halls belonged.
22. ↑ The Schwerinstraße (since 1931: Macho Street 17) meant to 1907 Zimmerstraße and was in the position parallel to the Chausseestraße (since 1950: Marie Damm) between Wiesenweg (since 1907: Markgrafenstraße) and the mountain road (1927: Prühßstraße) in the Richterstraße intended. Graphically on the plan of Mariendorf . In: Berliner Adreßbuch , 1908, V., p. 255. When it was renamed Schwerinstrasse in 1907 (recorded in the address book), the building land was added northwards to Markgrafenstrasse. The corresponding entry is here: Schwerinstrasse . In: Berliner Adreßbuch , 1909, V., p. 275. "← Kurfürstenstrasse → 75–77: building land, 78: nine tenants in the house of carpenter Machguth ← Strelitzstrasse → 79: see Strelitzstrasse 18 tenement of the company for building construction and property utilization mbH, 80–83: Building land, ← Markgrafenstraße → “.. About Bartoll, it should also be noted: Bartoll . In: Berliner Adreßbuch , 1908, I., P. 90. “Widow Minna Bartoll, geb. Gerloff, NW40 place in front of the New Gate 6 II “.
23. ↑ The numbering of Berliner Strasse in Tempelhof changed from consecutive to reciprocal between 1909 and the 1920s . The property on the southeast corner of Albrechtstrasse Berliner Strasse 84 around 1910 became Berliner Allee 130 and has been at Tempelhofer Damm 183 since 1950. The cinema in Tempelhof and Bartoll's residence in Mariendorf are 1.5 kilometers apart, but separated by the then new one opened Teltow Canal , bridged by the Stubenrauch Bridge. There are no references to Bartoll in the Kino Wiki.
24. ↑ What had been filmed there during the day was developed and copied at night, and the next morning the samples could be presented to assess whether something had to be repeated or whether the studio buildings could be torn down and replaced with new ones. The demonstration was also used for checking copies, for customer demonstrations and for the Ufa weekly newsreel, which was produced there week after week.

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