List of cinemas in Berlin-Friedrichshain
The list of cinemas in Berlin-Friedrichshain contains an overview of all cinemas that existed or still exist in the Berlin district of Friedrichshain . The list was built according to information from research in the Kino-Wiki and linked to connections with Berlin's cinema history from further historical and current references. It reflects the status of the film screening facilities that have ever existed in Berlin as well as the situation in January 2020. According to this, there are 92 venues in Berlin, which means first place in Germany, followed by Munich (38), Hamburg (28), Dresden (18) as well as Cologne and Stuttgart (17 each). At the same time, this compilation is part of the lists of all Berlin cinemas .
introduction
Principles for the establishment of film projection facilities
The Friedrichshain district is located in the heart of Berlin. With the beginning of the 20th century, in the early days of cinema , numerous emerged cinematograph theater, later short movie called. Shop cinemas (also called “flea cinemas”), the smallest projection rooms with a cinematograph and a few chairs, opened, but could not last long. Often the new cinema entrepreneurs were previously merchants or innkeepers, and owners of cinematographers also set them up in restaurants and bars to show rented silent films. From the frequent change of owners of cinemas it can be concluded that the showing of silent films only led to a sufficient business income for a short time. For the results of the research it should be noted that it is often not the owner of the cinematograph but the innkeeper who is listed as the tenant in the street section of the Berlin address book. The rapid changes of ownership between 1921 and 1924, the inter-war and inflationary years, are striking .
particularities
The first cinema fire in Berlin occurred on December 26th, 1911. “In the Frankfurter Allee 153, in Lichtenberg area, the cinematograph theater of A. Trentliner Films caught fire. While trying to extinguish the flames, the projectionist, who, like the rest of the staff, was apparently a bit drunk, burned his hands and cried out for help in pain. ”() In the projection room, the film was torn during the performance and was lost ignited. It later emerged that the demonstrator had acted deliberately. The fire in the dark room caused panic among the spectators , who wanted to go to the street instead of the emergency exits. Six children and one woman were seriously injured in the crowd and two children died. "The new, tightened safety regulations for cinematograph theaters will soon be introduced on the occasion of the fire disaster in Lichtenberg: they have already been approved by the Minister of the Interior." ()
As a result of the many cinema openings, the municipalities began to levy cinema taxes. The tax for Berlin was passed on April 1, 1913. For the suburbs, taxes on cinematograph theaters were introduced - if at all - on different dates and in different types and amounts. Between 1931 and 1932 the new technology and the pressure of competition led to the fact that the sound film found its way into almost all Friedrichshain venues .
Some cinema tendencies in the later Friedrichshain district
In 1910 there were at least twelve “cinematographs” and “Kintöppe” in what is now the district, in 1920 there were 33 and in 1930 the number rose to 36, in 1940 (before the damage from air raids ) there were 31 cinemas.
After the war damage, 15 cinemas were still preserved in 1950, and around 1960, when the VEB Berliner Filmtheater took over privately run facilities, eleven cinemas were still active in Friedrichshain. The general trend of dwindling visitor numbers in cinemas was followed by the reduction to four theaters in 1970. In 1980, two cinemas were in operation in the East Berlin district of Friedrichshain : Intimes and, since 1962, the Kosmos (the Tilsiter therefore closed). Four cinemas are still active in Friedrichshain in 2019. - The Filmtheater am Friedrichshain bears the name of the district (which refers to the park to the south ), but belongs to the district of Berlin-Prenzlauer Berg (see there ).
By moving the district border in 1938 , the parts of the Lichtenberg district to the west of the Ringbahn became part of Friedrichshain district (1933–1936: Horst-Wessel-Stadt , 1936–1945: Horst-Wessel ). These areas, which formerly belonged to the municipality of Boxhagen-Rummelsburg in the Niederbarnim district, were incorporated into the city of Lichtenberg in 1912 and from 1920 belonged to the Berlin-Lichtenberg administrative district .
In the district of the survived Intimate which as since 1993 cinema acted, but was closed in 2019, and the Tilsit (1908 to 1961, reactivated 1994). There are also two large cinemas: the UCI Friedrichshain is a new building, opened in 1998 but closed in 2018, and the Kosmos cinema , built in the GDR era in 1962 , which has not shown any films since 2005.
The following list gives the current addresses for the alphabetically sorted names of the 51 cinemas (as of 2017), previous addresses of the cinemas are included in the list text and, if necessary, explained in more detail. All facilities of the district are taken into account within the limits of the administrative reform of 2001. The figures may differ from other sources because the pubs and taverns in which silent films were shown were often not designated as venues. Examples of such facilities are given below .
List of cinemas
| Name previous names |
Address location |
Duration |
Description and possibly a picture |
|---|---|---|---|
| Aboli-Lichtspiele --- Explanation of name: A lt- Bo xhagener Li chtspiele |
Boxhagener Strasse 59
( Location ) |
1912-1974 |
 All operators stated in the cinema address books 1912 as the year of foundation. Christian Gebauer in Alt-Boxhagen 53 is recorded as the owner in the cinema address book 1917 and 1918. In 1920 Adolf Schacher was named as the owner of the Lichtspiele Alt-Boxhagen with 200 seats, and games were played every day. According to Schacher's statement, the cinema is said to have been founded as early as 1907. After the inflation of 1923 , Mrs. J. Lindemann became the owner with 150 seats (163 were also mentioned), with daily performances and two program changes a week. On the Pharus cinema plans for 1919 and 1925, the Lichtspiele Alt-Boxhagen are shown in the signature Lichtspiel-Theater with up to 300 seats at the corner of Boxhagener Straße and Gürtelstraße (since 1925: Neue Bahnhofstraße). From 1929, Oskar Radnitz continued to run the light shows. Two to three musicians accompanied the playing of the silent films. In 1930 Robert Georg Wille became the owner of the cinema and named the facility Aboli . In the following year, 1930, the new owners Anna Wendel and Henry Oebels-Oebström enabled sound films to be shown using new technology. Your tenant Richard Jamzow showed the films and ran the cinema business with 190 then 174 seats. When Anneliese Wirth changed ownership in 1935, the number of seats changed again. In the war year 1941 Hildegard Jasper continued to run the cinema. The building had survived the war events of 1943 and 1945 and the owner Willi Piepenburg resumed cinema operations in the post-war years with three screenings each day. Its technology consisted of slide equipment, Ernemann II demonstration device and sound film Junior amplifier. The alternating cinema name Aboli-Lichtspiele or the short form Aboli solidified on Aboli in 1957 when the VEB Berliner Filmtheater took over the venue at Boxhagener Strasse 59. The aboli with around 180 seats was one of the six theaters in the (eastern) district of Friedrichshain that remained after the incorporation into the state-owned cinema. Due to the general trend, it was closed in 1974 compared to the better equipped theaters . In 2008 there was an Asian shop in the former cinema, a wooden plaque hanging on the outside, which had been preserved for a long time, presumably served to announce the cinema program earlier. |
| Alhambra |
Koppenstrasse 29
( Location ) |
1912-1944 |
In 1912 the large hall on the first floor of the Keller Festsäle establishment at Koppenstraße 29 was converted for cinema purposes. The number of seats was initially limited to 988 by requirements of the police authorities. In the 1920s, it was expanded to 1200 seats. “During the First World War it seems to have been used less for film screenings. After 1920 it got its name Alhambra. Other events also took place in the spacious complex and in the cinema hall. The rapid change of operator is noticeable, which could indicate that the capacity utilization of the large cinema was not always optimal. ”In 1919 the cinema was run as a film palace (Winterfeld & Co.), played daily and had 980 seats and a licensed stage. In the Pharus cinema plan, the Filmpalast Kellers Festsäle over 1000 seats and 1925 Alhambra Koppenstraße are shown on Koppenstraße . In 1921, the owner was Filmpalast GmbH under director A. Lewinthal. From 1922, Czutzka & Co used the name Alhambra , they were replaced by the Lieban brothers. From 1924 the film u. Bühnenschau GmbH of Gebr. Lieban and Lampel (actor Adalbert Lieban, engineer Alfred Lampel) opened the cinema under the name Alhambra Koppenstraße , the number of spectators increased to 1200. The year of the establishment stated in the cinema directory is between 1918 and 1922. The Ph. Und M. Kopf GmbH with the managing director Herbert Groß took over the film theater from 1926/1927, it was played daily and nine musicians accompanied the silent films. In 1929 the owners Willy Zemlin, Emil Eilermann and Max Förster even gave 1750 seats. Another change of ownership followed in 1930: Alhambra Koppenstraße GmbH, film and stage show, Josef Kronig, Max Förster . The owners entered 1918 as the year of foundation and 1200 seats as audience capacity in the cinema directory. In 1932, the Vereinigte Lichtspiele Spandau GmbH (Leopold Storch and Jacob Neiß, Leopold Storch is managing director in 1934) became the owner of the Alhambra, film and stage show , and Tobis sound film technology was installed. From 1937 the Lichtspiel-Theater-Betriebe Hans Plettner & Pollak became the owners of the large cinema and ran the cinema until 1944, when the cinema was destroyed in the war . In 1957 a residential complex was built on the cleared site. |
| Amor-Lichtspiele --- UT Lichtspiele |
Wühlischstrasse 15/16
( Location ) |
1924-1964 |
In the corner of Wühlischstrasse and Knorrpromenade, a residential building built in 1912 and now a listed building, film screenings were given from at least 1920 onwards. In 1920 the U T-Lichtspiele with 185 seats are entered in the cinema directory (1920: "Property of the Projections Act. Ges. Union Frankfurt a. M." - UT Provinz Lichtspielhäuser GmbH, Köthener Strasse 1-4) and the cinema guide was Walter Ulrich from Niederschöneweide; he gave performances every day. In 1921 Emil Lawatzek is the commissioned owner. Julius Cornelius from Dahlem (GF: Willy Loehr) began in 1924 with the name “Amor-Lichtspiele”, followed by a change of ownership to Julius Stelter, then Franz and G. Sogeda in 1925. After that, Franz Schüßler led, from 1932 Paul Käsler had technology built in to seduce sound films. From 1934 Christian Paul Körber took over and gave 200 places, from 1937 Karl Memminger appeared as the owner. In 1941, Paul Körber handed over responsibility to Christian Körber. In the post-war years, Ella Körber continued the Amor-Lichtspiele with 220 seats. Around 1960 the cinema was taken over by the VEB Berliner Filmtheater. In 1964 the cinema was closed. The house was renovated in 2012 and there is a shop and a bakery in the former cinema room. |
| Apollo light plays |
Sonntagstrasse 23/24
( Location ) |
1912-1943 |
On the corner of Sonntag and Holteistrasse opposite Wühlischplatz (Boxhagen-Rummelsburg) there was a new building on Sonntagstrasse 23 in 1910, later addressed as the corner house Holteistrasse 5/6 / Sonntagstrasse 23/24. The Apollo-Lichtspiele are named in the 1917 cinema address book owned by Heinrich Klingenberg, who lived at 6 Holteistraße. The 200-seat cinema was next door on Sonntagstrasse. A mixed program was held every day with two weekly changes in the program. Admission prices were 0.40–0.60 marks on Sundays and 0.30–0.50 marks on weekdays. The Apollo-Lichtspiele went to Otto Joseph in 1918, in 1920 to F. Felix from Friedenau , Odenwaldstraße 20 and on January 29, 1920, Wilhelm Siegfried (O 112, Krossener Straße 18, previously a retired teacher) and his presenter Laurenz Blessing took over for the time until the cinema rooms were destroyed. The silent films were accompanied by three musicians in the cinema; from 1931, sound films could be played by installing new technology. The part of the building with the movie theater on the corner of the house was damaged by bombs and continued cinema operations were impossible. The ruins on the corner of the street (Sonntagstraße 23 / Holteistraße 6) were cleared around 1950, only the (remaining) house No. 24 remained. On the empty street corner of the destroyed cinema are chestnuts and a snack bar. |
| Stock exchange light games --- Forckenbeck light games Park cinema |
Proskauer Strasse 19
( Location ) |
1906-1964 |
The house at Proskauer Straße 19 is opposite Forckenbeckplatz . Even in the early days of the Kintop there was a shop cinema with 150–160 seats in the backyard (which meant that the owners did not live here). The name "Forckenbeck-Lichtspiele" is listed in the 1920 cinema address book owned by Therese Huwe. The cinema was shown daily; the owners had stated 1906 as the year of foundation. In 1924 Arthur Fürstenberg and in 1925 H. Engemann were cinema operators. In the same year Anton Aschenbrenner became the owner and named the cinema "Börsenlichtspiele." In 1927 Arthur Meyer was in the 170-seat cinema and in 1928 Albert Krämer & Helmut Hucke became the cinema owners. The frequent change of ownership probably means little financial success. 190 places were registered of the latter, in 1929/1930 Zimmermann was registered as the owner. In 1931 Robert Hardtke had the sound film technology built in for playing sound films and entered 1917 as the year of foundation in the cinema directory. The change of ownership continued: in 1932 Erich Scharnitzki, from 1933 Anna Wächter and from 1937 Paul Heidrich, the latter stated that 1906 was the beginning of the film screenings in the house. The entire square at Forckenbeckplatz survived the effects of the war without significant damage. Cinema operations continued in the post-war years, and the facility was named “Park-Lichtspiele” from 1945-1948 (in the Soviet sector of Berlin). In addition, Gertrud Schultz was the owner and ran the cinema again as a stock exchange light show. In 1965, the operation of film screenings in the still privately run cinema was discontinued. The rooms were then used as a rehearsal stage by the workers' theater “Maxim Gorki” and its youth studio and used as a “TIK - theater in the cinema”. In 1998, the independent theater moved a little further to Boxhagener Strasse and also uses other venues in Friedrichshain. The cinema rooms are empty (as of March 2017). |
| b-ware! shop cinema |
Gartnerstrasse 19
( Location ) |
since 2005 |
“This is not a cinema” is written in large black letters on the facade of the house. In the b-ware! Not far from Boxhagener Platz, what has been forgotten and lost has been shown since 2008. [...] The DVD collection includes 15,000 films. " The small cinema was opened in April 2005 in an old shop on Corinthstraße near Ostkreuz train station . The first site had 40 seats on sofas, armchairs, and futons . The current cinema program was displayed on the front of the house with corresponding film posters, but the entrance to the cinema was in the adjacent house entrance. In the small entrance area there was an improvised counter, and a small room facing the back courtyard was set up as a lounge in the kitschy baroque style. In 2011 the shop cinema moved to the corner of Gärtnerstrasse and Boxhagener Strasse and in 2013 expanded its range to include a total of three cinema halls. The cinema began in the "Romy Royale" room with the 35 mm projector from the first location. Within two years, the cinema was digitized and two halls were added. In October 2013 'Le Petit Titan' opened and in December 2013 the 'living room', which was renovated in 2015. In the Romy Royale with 60 seats and in the living room with 85 seats, the demonstration takes place as Digital 3D HFR with sound in Dolby Digital 7.1. The third room, Le Petit Titan, has 30 seats, Digital 3D and Dolby Digital 5.1. fitted. For the 3D technology, the operators made a conscious decision to use the shutter glasses system (from the Volfoni brand). The shutter glasses have LCD glasses that are synchronized with the projector via infrared. The projector alternately projects an image for the left and right eye onto the screen. The “Cinethek” is operated as a film art video library. The shop cinema is the place for the recordings and presentations within the framework of the TV club with the SchleFaz (= “The worst films of all time, selected and moderated by Oliver Kalkofe”) series. In summer, the operator also organizes open-air demonstrations at Franz-Mehring-Platz , in the Prinzessinnengarten and at “vorWien” in Skalitzer Straße. In 2014, “Paulo da Senhora b-ware! Media” became the operator. The addition to the name “shop cinema” is based on the traditional line of “kintopps” built into pubs or vacant shops in the 1910s. In b-ware, too, the interior is improvised, but the program is demanding. |
| Capitol --- Marwi |
United Nations Square 9
( Location ) |
1927-1933 |
Contrary to the current land count, the building at Lichtenberger Straße 16 was in a different location until the house was destroyed and the ruins were cleared. With the development of Leninplatz , the former plot of land with the address Platz der United Nations 9 was built over and, due to changes in the alignment of houses, has since been on the southeastern arch of the square. Wilhelm Marlow opened the cinema in 1927 in the hall of the “Berliner Gesellschaftshaus” (Lichtenberger Straße 16) as “Marwi-Lichtspiele” with 480 seats. Already in 1928 Max Haßfort took over it with the projectionist Gregor Salditch under the name "Mercedes Film und Bühne". The game was played daily in front of 462 spectators. In 1929 Mary Jacoby ran the current "Capitol NO" with managing director Rolf Buny Jacoby and from 1930 Willy Schüller was the owner of "Capitol-Film und Bühne". The Capitol existed until 1933 and closed (since no sound film technology is mentioned) due to falling visitor numbers and the lack of income. |
| Central-Lichtspiele --- Zorndorfer Lichtspiele |
Mühsamstrasse 45
( Location ) |
1912-1961 |
.JPG)  The Zentral-Lichtspiele were opened in 1912 as a shop cinema at Zorndorfer Strasse 44 (opposite Eckertstrasse) near Petersburger Platz . With the renaming of the street in 1951, the changeover to reciprocal numbering of the properties was connected, so the address was Mühsamstraße 45. In 1920 the cinema address book lists the Zorndorfer Lichtspiele with 190 seats and the year 1907 was founded. The owner was Wilhelm Siegfried until 1925, and the program was played twice a week. In 1925 Irma Dumpelmann took over until 1927, after which W. Putter introduced the name “Zentral-Lichtspiele” and in 1928 Joseph Putter set the C for Central-Lichtspiele, the Putters stated that 1926 was the year of the cinema opening, which probably related to their own company . In 1930 Otto Buckwitz continued to run the cinema, and 1914 was entered as the first year of cinema. At the time, three musicians accompanied the silent films with suitable music. In 1932, Putters had sound film technology installed by the Klangfilm company, quoting 210 places and now 1910 as the year of foundation. Franz Rüschenschmidt continued to run the cinema in the "Central-Lichtspiele" from 1937 onwards. In 1941 he was the owner of the cinema together with Hans Trauthan. In contrast to the corner building (Mühsamstrasse 47 / Petersburger Platz 9) , the cinema building survived the air raids and the cinema continued to run with 193 seats in the post-war years. Probably due to the state of construction and the outdated equipment and the private management (it was not taken over by the VEB Berliner Filmtheater) the cinema ended in 1961, the year the Wall was built. |
| Comenius plays of light |
Marchlewskistraße (north of) 78
( Location ) |
1929-1943 |
 The cinema was set up in 1931 with 540 seats by director Arthur Schaumburg in the Comenius ballroom. These halls related to the land Memeler Straße 67 the Comeniusplatz over at the corner Rüdersdorferstraße her name. A band with six men provided the music for the silent films. The Comenius Halls had gone from the widow of the ballroom owner to the "Atlantic Kino-Betriebsgesellschaft mbH". The owner of the cinema was Erich Cohn, and Erich Pollak, who owned other cinemas in Berlin, took over from him in 1932. The cinema went to the "Pollak & Deutschmann", the businessman K. Deutschmann probably carried the financial burden for the redesign of the Comenius light games, in particular sound film technology was built in to play sound films. In 1937 Kuno Deutschmann became the house owner, and Anna Scheuer is also entered in the cinema address book. The capacity is indicated with 536, from 1941 with 420 places. The cinema building was destroyed by bombs in 1943, so the performances ended, the ruins were cleared around 1950. The location of the property would correspond to Marchlewskistraße 70, which was named in 1950. However, the southwest corner to Rüdersdorfer Straße and from there to the south remained an undeveloped green and fallow area. |
| Concordia Palace --- Schauburg |
Andreasstrasse 64
( Location ) |
1918-1943 |
“The halls were in the second courtyard of the complex of residential and commercial buildings and could also be reached from Krautstraße 38. From 1891 the guild house of the Concordia baker's guild was located here, which was created in 1883 in competition with the existing guild (Germania). From 1918 to 1922, the Concordia halls were used for the Schauburg-Lichtspiele, then for the Concordia-Palast cinema with more than 1,000 seats. In 1943 the Concordia halls were destroyed. Today only the now unadorned front building and the first courtyard building are preserved. A memorial plaque is dedicated to the Concordia Halls as a meeting place. In the neighboring house, the Café Cinema recalls the history of C., and the name Concordiahalle has become popular for the nearby department store. "() The Concordia Palace was created in 1918 by converting a ballroom deep into the Andreasstrasse 64 property and had 1,400 seats. In the 1918 cinema directory, the “Concordia Lichtspiel-Palast” for Rudolph & Co, Command.-Ges. registered in the course of the year as "Schauburg-Lichtspiele Rudolph & Co. KG." and in 1921 switched to Terra-Theaterbetrieb GmbH. The capacity was 1890 seats and games were played daily. After the years of inflation , C. Gerb and Martha Alperowitsch Bartel owned the Concordia Palace with 1234 seats, two program changes and daily games. Their projectionist was Paul Heine, from 1930 with the introduction of the sound film showing Paul Jebens. The auditorium had a stage of 6 m × 9 m, ten musicians accompanied the silent films. Leo Storch introduced sound film technology together with the owners Dames & Kreisle in 1933. In 1934 Jakob Neiß, who was already active in the Berlin cinema business, joined the team of owners. From 1937 the "Lichtspiel-Theater-Betriebe Hans Plettner & Pollak" became the owners of the cinema, which now has 1162 seats. The film showing ended due to the damage to the ballroom building in 1943 and the northern street. The old building of the front building at Andreasstrasse 64 was retained. The ruins of Kleine Andreasstrasse were cleared and built over with residential buildings in the 1960s. |
| Elektra light games |
Warschauer Strasse 26
( Location ) |
1907-1960 |
 In 1909, the Berlin address book mentions C. Gabriel as the owner in Warschauer Strasse 26 for the first time in the commercial section of the Kinematographen-Theater 1909 and 1910. “Warschauer Strasse 26 is an example of this. Göttling parceled it out of a larger parcel and sold it in 1899 to master bricklayer Karl Walter, who immediately had a stately tenement house built with a neo-baroque and art nouveau facade. Bay windows, masks, stucco, curved gables and wrought-iron balconies have been renovated. This means that this house is the only one on the whole street that has largely been preserved in its original condition. In 1909 a 162-seat cinema was set up by C. Gabriel in the pub. It existed as Elektra-Lichtspiele until 1960. “A cinema called Elektra-Lichtspiele in Friedrichshain also appeared in the DEFA film Die Legende von Paul und Paula (1972), a courtyard entrance with a cinema entrance is shown in the film. According to the film, it is said to have been (fictitiously) on Singerstrasse. In the cinema directory, 1907 is named as the year of foundation. In 1911, Max Hoffer from Kopernikusstrasse 28 1st floor, as the owner of the Hoffer & Rahn company, owned the Elektra. In 1912 Max Hoffer was the owner of Hoffer & Rahn and a partner at Templiner & Hoffer. In 1912 Karl Rahn owned the cinematograph theater at N 31 Usedomstrasse 7. In 1917, Carl Rahn (Gubenerstrasse 46) is the owner of the cinema at Warschauer Strasse 26. The Elektra Theater initially had 221 seats, and from 1924 it still had 163 seats. In 1924 after the inflation, Amanda Schulz became the owner and gave daily shows with program changes on Tuesday and Friday. In 1928 the house was rebuilt and the cinema was restored, so that in 1928 it was only open for half a week and in 1929 only up to four days for the time being. There was a different line-up of musicians for the silent films. In 1932, sound film technology made it possible to show sound films in front of the 181 (162) spectators of the Elektra-Lichtspiele / Theater. The street on Warschauer Strasse between Kopernikusstrasse and Gubener Strasse suffered no war damage and cinema operations continued in the post-war years. The cinema remained privately owned by Herbert Plögert, which should have been the reason for the closure of the Elektra Lichtspiele when the cinemas were taken over by the state-owned Berlin film theater in 1960. In the 2010s there is a bar on the ground floor of the old building and a small shop unit, there is no gate entrance to the courtyard (as quoted in the film). The house is a listed building. |
| Film star --- Light games Patria Sphinx light games |
Karl-Marx-Allee before 67
( Location ) |
1910-1943 |
The house at Große Frankfurter Straße 28 was on the corner of Lebuser Straße 18. The property at the eastern subway exit Strausberger Platz was built over after the war damage was repaired during the construction of the Stalinallee west of the German sports hall in front of Lebuser Straße. Due to the street widening in the 1950s and the recessed location of the new buildings, the former cinema location corresponds to the green area in front of Karl-Marx-Allee 67. In 1910 the "Lichtspiele Patria" opened at Grosse Frankfurter Straße 28. From 1911, Willibald Paeschke was registered as the owner under "Lichtspiel Theater und Fest-Säle". The cinema offered 560 seats, from 1924 447. In 1918, Paul Wohlfahrt took over the cinema as a movie theater without the addition of 'ballrooms' and from 1919 Sally Hoffmann became the owner. In the commercial section of the Berlin address book, only the owner Sally Hoffmann and then the name “Sphinx-Lichtspiele” were initially used for the cinema, followed by Bartel-Förster in 1922/1923. After the inflation year 1923, Leopold Sänger followed as owner until 1926, who earned the name 'Filmstern-Palast'. In 1927/1928 Hans Rieger became the owner of the film star, followed by Gottlieb & Ringel for 1929/1930. It was played daily and the silent films listed were accompanied by five musicians. In 1931 Walter Lopatka ran the Filmstern-Palast and was replaced by B. Heimann in 1932, who invested in the installation of technology for sound films with the takeover. Ultimately, the Berlin cinema owner Georg Schenk became the owner from 1937 and ran the film theater until the cinema was destroyed under the effects of the war in 1943. |
| Flora plays of light |
Landsberger Allee 68d
( Location ) |
1915-1943 |
The cinema in Landsberger Allee 40/41 was on the corner of Petersburger Straße 50. The changes in street names and the resulting changed house numbers meant that the property was given the number 68d and was newly built. In the cinema directory, the founding year is 1915, the entry for 1920 mentions Flora-Lichtspiele in NO 18, Landsberger Allee 40/41 with 480 seats owned by Karl Eisermann. In 1921 the new owner, Lichtspiel-Union Fürst & Co.KG, gave 600 places. In 1924 the Berlin cinema owner Hans Cerf became the owner and in 1925 it operated under the name of Filmschau-Gesellschaft Cerf & Co , with Hans Cerf being its managing director. The Flora-Lichtspiele had daily performances, a stage of 7 m × 5 m and in 1930 1010 seats. In 1931 (Managing Director Paul Gierig), the Tobis company made the sound film screening possible. Hans Cerf followed in 1937 Juhnke & Woelke with managing director Erich K. Brüning as the new owner, the capacity was increased to 1,050. Due to damage in the bombing of Berlin in 1943, the cinema rooms were lost and the Flora-Lichtspiele came to an end. |
| Försters Lichtspiele --- Parisian Lichtspiele |
Strausberger Platz before 13
( Location ) |
1913-1921 |
Gustav Förster opened the “Pariser Lichtspiele” in 1913 at Grosse Frankfurter Strasse 99. It was entered in the cinema directory in 1918 as "Försters Lichtspiele" with 188 seats, the owner Gustav Förster lived nearby at Strausberger Straße 6. The Lichtspiele are still recorded for the years 1920 and 1921 with A. Lindecke as the owner. Although no cinema owners are listed below for house no. 99, an innkeeper is mentioned. The building of the former cinema was destroyed in the Second World War, the ruins were cleared and the new buildings on Stalinallee were built over. For example, the former 50 m long property on the Große Frankfurter Straße 99, ten meters wide on the street front, is located on the southeast exit at Strausberger Platz into Karl-Marx-Allee between Strausberger Platz 13 and the green area at the fountain. |
| Friedrichshain open-air cinema |
Volkspark Friedrichshain (Landsberger Allee 15) ( Location ) |
1950– |
 In the summer season from May to September, the open-air cinema has been held since 1950 on the newly built open-air stage in Volkspark Friedrichshain . "1500 seats on comfortable benches with backrests, an additional 300 seats at tables and lush lawns to spread out with prams, blankets and picnic baskets." () The open-air stage is located in the southwestern part of the Volkspark on Landsberger Allee (Ernst-Zinna-Weg) and not only cinema screenings take place here. After the fall of the Berlin Wall , the open-air theater was operated sporadically by the Cultural Office. 1999 took over the Piffl Medien GmbH , which also operates the open-air cinemas Kreuzberg and Rehberge. The open-air theater was completely modernized in 2002 with funding. The cash registers are located in a container at the entrance, there are bicycle parking spaces and a snack and drinks kiosk. The spectators can take permanently installed rows with wooden benches, plastic chairs in the forecourt in front of the screen or the lawn in the rear area. A large screen and distributed speakers offer a good view and good sound in all seats. |
| Open air cinema island in Cassiopeia |
Revaler Straße 99 (RAW site) ( Location ) |
2006– |
In 2006 the open-air cinema of the Cassiopeia Club moved to the summer garden on the RAW area at the climbing tower. The name "Insel" takes its origin from the Insel der Jugend in Treptow , where film screenings have taken place since 1999. For the 2004 summer season, the space at Lehrter Bahnhof was used for open-air cinema screenings; in the 2005 season, they were again held on the Insel der Jugend . The venue was then relocated to Revaler Strasse 99. The operator is Andrea Stosiek from Sputnik-Kino Südstern an der Hasenheide. The capacity is 350 seats, in loungers or plastic garden chairs. The projection takes place from a converted construction trailer in digital 4K (until 2014 in analog 35mm technology ) with sound in Dolby Digital onto a screen of 5.4 mx 7.0 m. |
| Germania Palace |
Frankfurter Allee before 21
( Location ) |
1926-1945 |
In 1925, the Germania brewery burned down on the property at Frankfurter Allee 313–314 . The Germania-Brauerei AG as the property owner then built the Germania-Palast and transferred it in 1925 to "BSP-Film- und Bühnenschau GmbH". The opening ceremony took place on April 8, 1926. In addition to film screenings, there were especially theater performances. The only independent cinema building in the east of Berlin at the time, with its staggered structure, had 1835 seats, of which 1247 were in the stalls and 588 in the tier. The owner of the cinema palace is "Germania-Palast-Lichtspiele GmbH" “Frankfurter Allee 314. The east of Berlin has now received a movie theater, on which one can congratulate this part of the city. A beautiful theater in red with tasteful lighting fixtures for indirect light; Seating space of the house, which contains a parquet floor with guest boxes on the rear wall and hall boxes in the middle of the room and a tier, approx. 2000 people. The comfortable seating provided by Otto & Zimmermann, Waldheim in Saxony, is very cleverly arranged. For the stage show, a stage with all the baffles, a circular horizon, cloud apparatus, etc. An Oskalyd organ enables all musical illustration effects . The screening room built into the ceiling. Spacious lobbies in front of the parquet and tier, corridors in which one can move. The new house was officially opened on April 8th, after - unofficially - the Easter business was taken away. Sincere congratulations to the builders Schaps and Pelz, who despite all the time constraints brought the work to a good end! "() The capacity of the Germaniapalast was given differently in the cinema address book by the owners with 1620 to 1900 seats, from 1934 again 1835 seats. A Jewish entrepreneur ran the catering trade in the Germania Palace. This restaurant was liquidated in 1933 (the restaurant "Frankfurter Hof" existed on the neighboring property). The directors on behalf of Germania-Palast GmbH were: 1928: Wilhelm Elbe and E. H. Correll, 1929: Max Miodowski, 1930: Mr. Genschow. 1934 took over the Ost-Lichtspiele GmbH with W. Elbe and A. Grobmann. From 1937 to 1941, Willy Hein was the registered owner. In 1942 the Ufa-Theater-Betriebs-GmbH took over the Germania Palace. The cinema in the Schweitzer Garten was run as UFA-Palast Friedrichshain, the Germania-Palast continued to bear its name. The Germania-Palast had a stage of 8 mx 12 m, was played daily, a band of 18 musicians played for the silent films . Installation of the sound film technology by the Tobis company in 1930 enabled sound films to be shown, but the 18-man band was still listed in the cinema directory from 1934. The cinema was destroyed on February 3, 1945 and the remains removed before 1950 for the construction of the Stalinallee . With the rebuilding of the Stalinallee from 1951, the street lines changed. The floor space of the Germania-Palast lies between the recessed residential buildings Frankfurter Allee 21a and 23a (framed by numbers 21 and 23) and the green space in front of the northern edge of the road. |
| Intimate ---- light plays of the east |
Boxhagener Strasse 107
( Location ) |
1909-2019 |
 In 1909, the showman Christian Gebauer from Lichtenberg (he lived at O 112 Schreinerstraße 46) opened a shop cinema with 221 seats at Boxhagener Chaussee 17, the corner house of the private owner Stolpe with the inn in Niederbarnimstraße 15 belonged to Lichtenberg. The cinema was operated by Gebauer & Haselbach, and Emil Haselbach was entered as the owner of the cinematograph. For 1909 Gebauer was no longer among the residents. Haselbach lived in Boxhagener Straße 12 2nd floor and later moved. He also owned a cinematograph on the ground floor of Litauer Strasse 27 (now Lasdehner Strasse). Haselbach had given up the Boxhagener Chaussee 17 location in 1916, he lived at Litauer Strasse 21. The entrance and the cinema at Litauer Strasse 27 and one at Wiener Strasse 34. The cinematograph theater (now) Niederbarnimstraße 15 went to Paul Schulz in 1916 under the name Lichtspiele des Ostens , who lived in the house. In 1919 Paul Schulz was (still) the owner of the cinema at 107 Boxhagener Strasse, Martha Schulz was listed as the cinema actress. According to the cinema directory, Martha Schulz was the owner of the cinema in 1920, and Alma Grottker bought it from her in 1921. After 1923, the year of inflation, the cinema at Niederbarnimstrasse 15 came to Max Perlow from Steglitz, who gave it the name “Intimate Theater”. There were two program changes every day and there were 151 spectator seats. In 1927 the cinema went to Halfenhof and Rubio, 1928–1934 it belonged to Lotte Weisse. In 1935 there is no entry for a cinema. From 1937 at the latest, Paul Körber and Karl Memminger (from 1941 Christian instead of Paul Körber) were named as operators or tenants. “On Sundays there was a children's cinema for 25 pfennigs. There were several cinemas in the area. Not just the big ones like the Germania-Palast in Frankfurter Allee, where the Ufa films were shown, but many small cinemas like the Intimate. It was a beautiful area. "() The corner building at Niederbarnimstrasse 15 referred to the location of the cinema rooms, at this address it was also temporarily included in the address book as an inn. The entrance was on the sloping side between the street fronts. Like the surrounding old buildings, the house survived the war and was continued in the post-war years by Karl Memminger in East Berlin as a private owner, initially under license from SMAD . In the small cinema with 170 seats there were five shows a day, an Erko demonstration machine , the slide playback and amplifier from Klangfilm-Europa were available. As Lichtspiele Intimes , the private cinema property was nationalized around 1960 and operated by the VEB Berliner Filmtheater , later the district film directorate, so the cinema remained in existence until the political change . Since 1981 Gudrun Litzke worked in the intimate. In 1990 she and Katrin Krischock became the tenant of the privatized BFD GmbH (successor to the Berlin District Film Directorate and institution of the Treuhandanstalt ). They carried it on until 1998. The BFD had to sell its cinemas on behalf of the Treuhandanstalt. In 1992 the owner GmbH came to BELI Filmtheater Betriebsgesellschaft mbH (Prenzlauer Promenade 6-8) and in 1993 to Vollmann Filmtheaterbetriebe (14109 Berlin, Schuchardtweg 9). From 1993 it became an art house cinema with 83 (sometimes 97) seats. In 1999, a housing association bought the house at Boxhagener Strasse 107 with the cinema on the ground floor and renovated the entire building. The operator at that time was Andre Krischok. The Intimes cinema has been preserved in the flair of the 1970s. A 35 millimeter Meopta MEO 5XB film machine previously served as a demonstration device. The projection onto the 2.5 m × 6 m screen took place in Digital 3D and Dolby Digital from 2014. The cinema was supplemented by a café-restaurant right next to the cinema entrance along the facade in Boxhagener Straße. At the entrance there was a tiled stove for a warm demonstration room, the lamps were in the shape of upturned glass cake tins. The cinema was still in operation until 2019 and showed 4 to 6 shows a day. It was closed on April 17, 2019 because the operator gave up. In May 2019 it was announced that the homeowners cooperative wants to revive the cinema. As a possible solution, three variants are being discussed (finding an investor, finding a new financier, financing by issuing share certificates to interested parties, including the approximately 600 members of the cooperative). For the resumption of operations, at least 500,000 euros would be required as start-up capital, most of which must flow into renovation and modernization, as the cooperative board had determined. A decision has been announced for autumn 2019. |
| Chamber light plays Maxim |
Frankfurter Allee 91
( Location ) |
1912-1965 |
In the rear building at Frankfurter Allee 278, the Maxim cinema with 185 seats and daily shows was opened in 1912. Through multiple changes of street name and house numbers, the property opposite Müggelstrasse became Stalinallee 377 and, after being renamed again in 1961, it was given the address Frankfurter Allee 91. In the 2000s, the theater "Extended Living Room" (formerly also “Theater in a Narrow Towel”). The cinema address book from 1918 named Karl Marks (residence: O 34, Boxhagener Straße 31a) as the owner of the Maxim-Lichtspiele (221 seats). He was succeeded as owner in 1920 by Richard Mörtzsch, and in 1924 by Walter Haussmann. The latter probably gave the cinema the name Kammer-Lichtspiele. From 1927 Otto Buckwitz (NW 52, Flemingstraße 10, from 1929: NW 40, Paulstraße 23, later living in Hermsdorf ) became the owner and gave daily shows with two program changes per week, the silent films were accompanied by three musicians. In 1932, sound film technology from Klangfilm was installed in the cinema and the number of seats was reduced to 192. The old building survived the war damage and Buckwitz continued to run the cinema in the post-war period. The cinema technology consisted of sound film projection equipment, slide equipment and Europa-Junior amplifiers. There were four performances a day in the chamber at Stalinallee 377. In 1960, VEB Berliner Filmtheater took over the facility and continued to run it until the mid-1960s. In 1966 it is still listed in the branch dictionary East, after which it can no longer be found. There was also a cinema of the same name in the Rummelsburg / Lichtenberg district . |
| Kino des Ostens --- Biographer |
Warschauer Strasse 39-40
( Location ) |
1908-1938 |
 On the west side of Warschauer Strasse between Warschauer and Oberbaumbrücke was the Industriepalast , a building complex of five buildings that was visually united to form an ensemble. The complex was built in 1906/1907 on behalf of the Kommerzienrat Rudolf Schönner according to designs by the Berlin architect Johann Emil Schaudt . Shops, restaurants and a cinema at Warschauer Straße 39 were set up on the street. For this purpose, F. Gilies set up a biographer and opened a screening facility called the "Biograph Theater". The cinema with 247 seats was used daily and in 1917 belonged to Anna Reinert, whose husband Heinrich Bolland continued it in 1918 and expanded the name to “World Biograph Theater”. Until 1930 Anna Bolland, b. Noert, and Heinrich Bolland mutually registered as owners in the cinema directory, they led the cinema through the years of inflation . For the daily screenings, there was a mechanical music facility to provide background music for the silent films , and the cinema had a stage of 27.5 m². In 1927 the company name was merged to "WBT-Lichtspiele", in 1929 M. David joined the team of owners. In 1931, when it became possible to show sound films using the needle-tone method, Adolf Bücker acquired the cinema. He used the cinema name LDO-Lichtspiele; When Willy Heinemann took over the facility in 1932, the name "Lido" came up for "Lichtspiele des Ostens" (235 seats). Walter Weigel continued gaming operations from 1937 at the latest. For 1938, the Berlin address book only contains the Air Force clothing office in the building without any further facilities. The cinema location ended at Warschauer Strasse 39/40. Presumably the buildings were confiscated by the Luftwaffe and so Walter Weigel had to move his cinema to Boxhagener Straße 132 in 1938 . |
| Cinema in the main train station |
Paris Commune Street
( Location ) |
1987-1993 |
 With the electrification and redesign of the previous Ostbahnhof and its renaming to "Berlin Hauptbahnhof", the DEFA Zeitkino was opened in the reception building. The “Nonstop Cinema” with 78 seats had its entrance from the street of the Paris Commune. The station cinema, geared towards rail travelers, played non-stop 24 hours a day, seven days, primarily short, cultural, documentary and cartoons in hourly program changes, and feature films were also shown in the evenings. For information purposes, arrivals and departures were played over loudspeakers, and a station clock could be seen next to the screen. It was maintained by the Berlin District Film Directorate and went to BFD GmbH in 1991 when it was privatized as "Kino Nonstop". Reinhold Henrik became the owner in 1992, but closed it in 1993 for financial reasons. In 1990 six train station cinemas were still in operation in Germany. |
| Cinematograph theater |
Andreasstrasse before 22
( Location ) |
1910-1918 |
On July 22nd, 1910, according to “Lichtbildbühne”, a large, modern cinematograph with two auditoriums was opened at O 27 Andreasstrasse 28. The technical peculiarity was that a film was shown on two devices at the same time. The corner house 28 on the Grüner Weg was in 1910 across from Andreasplatz . The cinematograph on the first floor belonged to M. Löber. From 1912 on, only the printer “M. Löber ”in Treptow. Allekinos.com mentions “before 1918” as the end of cinema operations. In corner house 28, F. Wenzel's installment business and Th. Wenzel's photo studio, and the photographer Zeschke, existed for residents of Berlin. Photo The cinema was closed again before 1918. The surrounding residential area was badly destroyed by the air raids in 1943 and cleared in the post-war years, the fallow land initially remained undeveloped. In the 1970s, the double residential high-rise Andreasstrasse 22 was built at the intersection of Andreas and Singerstrasse. The cinema location was on the northern section of the upstream green area. |
|
Cinema Future Open-Air Cinema Pompeii |
Laskerstrasse 5
( Location ) |
since 2011 |
 “The future is only a few minutes away from Ostkreuz on the site of the former DEFA film warehouse. BUT the future is not just a cinema, but rather a cultural center. […] In the summer, films are shown in the Pompeii open-air cinema. “The future is south of Berlin Ostkreuz train station, parallel to Markgrafendamm. The film warehouse of the Progress Film Distribution with the copies of the DEFA films was located on the premises . After the political change, it remained until the move to Berlin-Adlershof . In September 2009, the building used as a techno club at that time burned down . The first film screenings at this location took place in August 2011 in the newly opened Pompeii open-air cinema. Its name comes from the ruins of the part of the building damaged by the fire. During the winter, the entire building initially closed so that the first hall of the fixed cinema Zukunft went into operation on January 6, 2012 - on Epiphany. The second hall followed on February 23, 2012. The Tilsiter Lichtspiele, also located in Friedrichshain, belong to the collective that operates the cinema. Accordingly, there is the Troika card, which enables visitors to all three cinemas to visit every 7th screening free of charge. Tickets are sold in the pub (with screen and projector : also for football broadcasts or the like), for an exhibition in the 'picture room' a culture tax of 0.30 euros is levied, which goes to the artist. The two cinema halls Z-3 and Z-4, each with 45 and 25 seats, extend from an anteroom with armchairs and posters. The projection takes place digitally from the beamer with Dolby stereo sound onto a screen of 2.0 m × 4.2 m in size. In Pompeii with 100 seats, there is also Dolby stereo sound, the presentation can be digital or as 35 mm analogue , the 35 mm projector with plate system is under a tarpaulin on the first floor. The outdoor screen has a size of 4 m × 6 m. "Artistic cinema in the future house: House with garden and brewery: Future cinema» Pompeii open-air cinema »Future theater» TIEFGRUND the small venue downstairs »Jazz bar» Folkbar »Future picture room» Dart room »Future brewery» Waldgarten Open Air »And in summer beer garden [...] "Every evening is a program!" The seating consists of upholstered folding seats. |
| Cinema (matograph) theater |
Frankfurter Allee 111a Bahnhof Frankfurter Allee ( Location ) |
1903- |
The Frankfurter Allee train station is located in front of the district border with Lichtenberg and between the Ring Center , which consists of two parts of the building in both districts. The counting of Frankfurter Allee at the Ringbahnhof began around 1903 with number 1 “ Cinematographic images - presentation of the most dignified kind offered the first cinemas around the turn of the century in Berlin. They were still small businesses that had nothing in common with the later film palaces. An example of such a shop cinema is Karl Knübbel's cinema theater at Frankfurter Allee station around 1903. "() |
| Königsberger Lichtspiele --- Lichtspiele Küstriner Platz |
Fredersdorfer Strasse 6
( Location ) |
1910-1943 |
In 1918, the “Lichtspiele Küstriner Platz” by Richard Burdow was located at Königsberger Straße 4, with 155 seats the size of a shop cinema. The year the film theater was founded is 1911 in the cinema directory, from 1928 the year 1910 is entered. Selma Rothe was the owner for 1920/1921, Wilhelm Tietz was the owner in 1924, but the cinema at that time: z. Currently closed . The owners changed, so in 1925/1927 Gottfeld & Blumenthal gave daily screenings in the now Königsberger Lichtspiele ("Lichtspielpalast") film shop, before Sylvester Hauke took over the cinema in 1928. He was followed in 1929 by Willy Brytzki, who also entered 1910 as the year of foundation. In 1932 he also had sound film technology installed to show sound films. In 1937 Helmut Scharmann took over the Königsberger Lichtspiele before the street corner Königsberger / Rüdersdorfer Straße was hit and destroyed in the air raids . The cinema was closed in 1943. In front of the old Ostbahnhof, Königsberger Strasse led from the northeast into Küstriner Platz (since 1972: Franz-Mehring-Platz). The cinema location Königsberger Straße 4 was on the south side of the street, 120 m on foot from the old station building. In 1964 the preserved southwestern section was renamed Fredersdorfer Strasse (1989–1991: Timbaudstrasse). The cinema would be located in the southwest of the day care center Fredersdorfer Straße 6 (southwest part of the building on the street). |
| cosmos |
Karl-Marx-Allee 131a
( Location ) |
1962-2005 |
 Berlin, Karl-Marx-Allee, Kino Kosmos: Zentralbild Eckleben Ge. May 7, 1963 World premiere The Russian Wonder in Berlin. The Russian Wonder - one of the most important documentary films of the post-war period - by Annelie and Andrew Thorndike, had its world premiere on May 6, 1963 in the Kosmos film theater in Berlin. Annelie and Andrew Thorndike worked on the 'documentary for over four years and traveled 800,000 km through Soviet lands with three recording staffs. The result of their work is a moving film. Shown here: view of the film theater Kosmos shortly before the start of the world premiere. When the houses on Stalinallee were built, the connection between Tilsiter Strasse (since 1969: Richard-Sorge-Strasse) and Stalinallee remained free after the ruins of the war had been cleared. In 1959, in the second construction phase of the Stalinallee (Strausberger Platz to Alexanderplatz), the architects Josef Kaiser and Herbert Aust planned the premiere and large-format cinema at this point and built it in 1960–1962 by VEB Hochbau Friedrichshain. A single-storey porch for the foyer and side rooms with a rectangular floor plan, glazed towards the street, covered the main building behind for the auditorium with an egg-shaped floor plan. As a break in the continuous development of residential and commercial buildings, the cinema took a prominent position thirteen meters set back from the street. On October 5, 1962, what was then the largest cinema in the GDR was inaugurated. The program was designed and operated by the VEB Berliner Filmtheater, which was restructured as the Berlin District Film Directorate in the 1980s. After the political change with its privatization in 1990, the BFD GmbH (Gleimstrasse 32–35, 1058 Berlin) became the owner of the cinema. The "Kosmos" was planned for 1000 spectators, it was shown in the hall for 984 seats. Ufa-Theater AG (40210 Düsseldorf, Graf-Adolf-Straße 96) bought the cinema through delocalization in May 1992 and built it in 1996 as the first modern multiplex cinema in Berlin for 3400 viewers using DM 55 million (adjusted for purchasing power in today's currency: around 39 Million euros). After the renovation (by the architects RKW (Rhode, Kellerman, Wawrowsky) and the architects Konrad Beckmann) there were nine other halls in addition to the original cinema 1 with 984 seats. Four entrances led into the auditorium of hall 1 with tier, the blue, previously white, seating, divided into several blocks, sloping down to the almost seven meter deep stage. Halls 2 and 10 with 311 seats, halls 3 and 9 with 172, halls 4 and 8 with 220 seats, halls 5 and 7 with 297 seats and finally room 6 with 409 seats were symmetrical and a horseshoe-shaped floor plan outwards from the gallery of the hall 1 going out half underground. The halls were equipped with digital stereo sound, only halls 8 and 10 had a simpler holy setting. The presentation took place in halls 3, 4, 5, 7, 9 in "digital optical sound for cinema films" with Dolby Surround, in room 8 for DTS - Playback and for room 6 the requirement according to THX was met; there was also SDDS . The building was included in the list of monuments of the GDR ( East Berlin ) in 1978 and continued with the Berlin list of monuments. The multiplex UCI Kinowelt Friedrichshain, established in 1998, led to a decline in audience numbers in the “Kosmos”. When UFA-Theater AG went bankrupt in 2002, there was no new leaseholder to continue cinema operations and so the Kosmos closed on July 27, 2005. Under the name 'Kosmos'2006 it was run by the large disco operators Olaf Ponesky and Mirko Kahle (tenants) as an event center for conferences, evening events, cinema special screenings and theater. For this purpose, hall 1 was converted into a multi-purpose hall. In a foreclosure auction in 2010, the tenants were the only bidders to buy the house and continue to offer their rooms accordingly. |
| Culture house of the construction workers |
Karl-Marx-Allee 70
( Location ) |
1953-1962 |
 |
| Lasdehner Lichtspiele --- Litauer Theater Litauer Lichtspiele Dolli-Lichtspiele |
Hildegard-Jadamowitz-Strasse before 18
( Location ) |
1908-1943 |
In the corner house on Lithauer and Boxhagener Strasse on the southern edge of Frankfurter Allee, cinematographic performances have been shown since 1908. The shop cinema had around 150 seats. By renaming and renumbering the corner house built before 1900 until 1908 as Lithauer Straße 30 and from then on Litthauer Straße 27, when the street was renamed in 1935 to Lasdehner Straße, the name of the cinema then changed. With reciprocal numbering from Frankfurter Allee, the house was given the new address Lasdehner Strasse 1/3 (on Boxhagener Strasse 1). Due to bomb damage in 1943 , a cinema in the house ended. The entire surrounding area was affected. The cinema rooms were not preserved. After the rubble had been cleared on Lasdehner Strasse at the corner of Frankfurter Allee and Boxhagener Strasse, residential buildings were built in the five-story apartment block next to the former cinema location. The cinematographic screenings began around 1908 when the house changed hands at Litthauer Straße 30, when a shop cinema was set up. The cinema address book names Emil Haselbach from Litthauerstraße 2 as the owner of the cinema at Litthauer Straße 27 in 1917. He is included in the street and commercial section of the Berlin address book in 1912 for the cinematographic screenings at Litthauer Straße 27. The “Litthauer Theater” with 180 seats was played daily and the program changed on Tuesday and Friday, the silent films were accompanied by one or two musicians. In 1920/1921 Schulz & Co., 1924/1927 Hermann Schmidt owned the cinema, who in addition to O 34 Litauer Straße 27 also operated the theater W 57 Potsdamer Straße 68. this was followed in 1927 by Gustav Beutler and in 1928/1929 by Georg Wille. In 1930, Willibald Schmidt became cinema owner together with Richard Linke for the first two years. In 1932 he had Kinoton install the technology for showing sound films. In the address part 1936 is “W. Schmidt, Kino “in Lasdehner Strasse 1/3. The cinema address book states that the Lichtspieltheater (Lasdehner Straße 1) under the newly named street for 1936 as owner Willibald Schmidt ( lives in No. 3 ) with 136 seats and daily performances, founded in 1908. According to the entry in the address book, Willibald Schmidt then took over the cinema at Elbinger Straße 47 in 1937. According to the cinema address book, Walter Weigel and Rüschenschmidt were entered in the cinema address book for the “Lasdehner Lichtspiele” from 1938 onwards, from 1941 only Franz Rüschenschmidt remained. They stated April 1, 1938 as the opening day of the “Dolli-Lichtspiele” with 160 seats, and in the following year again “Lasdehner Lichtspiele” with 146 seats; was played daily. Ultimately, the game had to be stopped in 1943, when the cinema rooms were unusable during air raids . |
| Lido (-Lights of the East) |
Hildegard-Jadamowitz-Strasse next to 25
( Location ) |
1938-1941 |
When Walter Weigel had to leave the previous cinema in the Industrie-Palast (Warschauer Straße 39/40) in 1938 , he found suitable new premises for his Lido cinema at Boxhagener Straße 132. The new location at the end of Kadiner Strasse was 1400 meters away on foot and ensured that regular customers would remain among the spectators. It reopened with 438 (442) places on April 1, 1938. The owners of the “Lido / Lichtspiele des Ostens” west of Warschauer Strasse were Walter Weigel and H. Rüschenschmidt, and from 1940 Franz Rüschenschmidt. The cinema did not last long in the new location: the building was destroyed in the war . The entire residential buildings on plots 126–135 (with the exception of 131: St. Nikolaus Church) on the corner of Frankfurter Allee were ruins; these were cleared in the post-war period and were in the planning area of Stalinallee in the 1950s . The property at Boxhagener Straße 132 has been omitted, the section of Boxhagener Straße west of Warschauer Straße has been de-dedicated. The cinema location was on the new street corner with Kadiner Strasse on a green area west of the St. Nicholas Chapel. This address is under plot 25 of the 1957 newly laid out Hildegard-Jadamowitz-Straße. |
| Liebig light plays |
Frankfurter Allee before 3
( Location ) |
1912-1913 |
The cinema was located on the corner of Liebigstrasse and had around 200 seats; in the 1913 Berlin address book under 65 Frankfurter Allee, the cinema owner L. Wolff was listed. The existence of the venue results from a report in the “Lichtbildbühne” from March 2013: “Several fire engines from the Berlin fire brigade were fired last Thursday at 8:30 am after the corner of Frankfurter Allee / Liebigstr. called where a ceiling had collapsed in the Liebig light show. Fire director Reichel also rushed to the scene of the accident immediately. The theater, which can seat around 200 people, has existed since March last year and was attended by around a dozen spectators - mostly women and children - on Thursday evening. During the performance, a crackling noise was suddenly heard in the dark room. The owner of the theater, who suspected a fire was breaking out, quickly switched on the electric light and saw that the fireproof, finger-thick Rabitz blanket that had been drawn under the actual ceiling of the room at the instigation of the building police was coming off. He called to the theatergoers to duck under the seats. In the next instant the whole ceiling fell down. A few screams of fear were loud, but it soon became apparent that no one was seriously injured. Only one woman named Martha Piepenburg suffered slight bruises on her chest and had to be taken to the emergency room on Warschauer Strasse. The rubble of the ceiling was left on the seats and on the floor of the theater at the instigation of the police. The building police will make a detailed inspection to determine the cause of the ceiling collapse. ”It is not known whether the cinema opened again afterwards. |
| Luna Palace --- World Theater |
Karl-Marx-Allee 70f
( Location ) |
1902-1943 |
The property at Große Frankfurter Straße 121 was 100 m down from the southern street front and contained a residential building with a business floor. After war damage and clearing of rubble, new buildings on Stalinallee were built over it. The former cinema location is roughly in front of and behind building 70f in the Karl-Marx-Allee 70a-70i apartment block between Andreasstrasse and Koppenstrasse. A larger cinema theater was opened here as early as 1902, according to the later information in the cinema address book. In the 1910s Robert Müller was the owner of the "Welt-Theater" in Grosse Frankfurter Strasse, he ran the cinematograph theater "Welt-Theater" from Wedding ( Müllerstrasse ). (The Living Image probably moved on to Schönhauser Allee). Müller had the venue with 580 seats and daily performances run by his presenter Benidetti until at least 1921; the year he stated, 1907, probably refers to his own activities at this location. After the years of inflation , the "Litheko GmbH" was established in 1924 and the "Vereinigte Lichtspieltheaterges" in 1925. mbH ", whose business I. Hein ran. As Hein & Kreisle GmbH from Berlin-Charlottenburg, it had Fritz Wilms convert it to the “Luna Film Palast” in 1927 and expand it to 900 seats, with a 60 m² stage. Hermann Feldschuh was the demonstrator. In 1929 the company was changed to Dames & Kreisle. The stated founding years now vary between 1927 and 1902 (1930). 11–12 musicians worked to provide background music for the silent films in the daily performances. In 1931 J. Dames and Fritz Kreisle had the new Kinoton technology installed for sound films from the French film company Gaumont . In 1931 Hans Rieger and Jacob Figini in 1932/1933 were the projectionists . In 1933/1934 the audience capacity of the Luna Palace was 1000 seats; In 1934 the "Luna" Lichtspieltheater-Betriebs-Ges. mbH owner company. Friedrich Grzybeck and Achim Liebreich took over the cinema in 1937 and gave 929 seats. From 1940 Liebreich was the sole owner until the cinema building fell victim to air raids and war damage in 1943. |
| Mercury palace light plays |
Palisadenstrasse west of 30
( Location ) |
1919-1943 |
The property at Palisadenstrasse 26 lay with a street front a little west (from the old course) of Strausberger Strasse 100 m down to the (de-dedicated) Weberstrasse 22. The street lines and property locations in the surrounding area were completely changed after 1945. The location of the cinema location roughly corresponds to the green space between the western part of the building at Palisadenstraße 30 and house 15 of the Lichtenberger Straße 13-16 apartment block. A factory or hall building was located in the courtyard at Palisadenstrasse 26. In 1919 the "Lichtspiele Merkur-Palast" was opened, the owner and operator of the cinema with 500 seats was Wilhelm Koch, and it was played daily with two weekly changes in the program. In 1924/1925 Siegfried Kämpfer came into possession of the Merkur Palace, which now has 600 seats. Five musicians accompanied the silent film screenings. In 1927 the Berlin cinema owner Cerf took over the venue d 1928 in his "Filmschau-Gesellschaft Cerf & Co.", its projectionist was Paul Gierig. In 1930 Albert Schmidt became the owner of the "Merkur-Palast-Lichtspiele" with Müller & Schmidt and converted to sound film for showing sound films. In 1935 the audience capacity was expanded to 458 seats. Albert Schmidt continued to run the cinema theater in World War II until it was stopped due to bomb damage . The hall building was destroyed during the war, and the front building that had been hit was cleared. In 1966 the houses were still standing along the discontinued section of Strausberger Strasse (10–19 consecutive), and the land was gradually built over from Leninplatz in the 1960s to the early 1970s with multi-storey rental houses. |
| Mirbach plays of light |
Bänschstrasse 73
( Location ) |
1905-1964 |
In 1905 (according to the information in the cinema directory) a shop cinema with 160–170 seats and daily performances was set up on the ground floor of the residential building at Mirbachstrasse 52 (multi-party corner house Mirbachstrasse 52 / Voigtstrasse 32) built in 1902 . In 1951 the street name was changed and changed from horseshoe to reciprocal numbering. The cinema location was given the address Bänschstrasse 73. The old building was preserved during the Second World War and is now a listed building. According to the 1912 address book, P. Tornow was the owner of the cinema. At least since 1913, Ludwig Rehberg owned the cinema at Mirbachstrasse 52. In 1920 Hermann Garsuch became the owner of the Mirbach cinema with its projectionist Artur Lutze and led it through the years of inflation until 1927. In 1928, Karl Matthes became the owner of the Mirbach-Lichtspiele, in which two up to three musicians musically accompanied and interpreted the silent films. In 1931 the cinema went to Robert Hardtke (145 seats). His successor Erich Mackenroth made the sound film screening possible for an audience of 154 seats. After three years, in 1937, Elise Sieburg became the owner and led the cinema through the war and the post-war period . In 1950, Elise Sieburg was still the cinema owner and Guido Sieburg her projectionist (therefore probably briefly or alternatively called “Sieburg-Lichtspiele”). Three to five performances were given on each of the seven days of the week, 161 seats. In addition to the slide overlay, there was an Ernemann projection system and sound film amplifier Euronette. In 1952 Bruno Broscheit and in 1960 Eva Eichler took over the cinema, which was not affiliated with the VEB Berliner Filmtheatern. In 1964 the cinema ended. In the following, the rooms were used by the “Friedrich Wolf Studio” as a rehearsal stage and theater hall. In the 2010s a pharmacy (Mirbach pharmacy) used the ground floor rooms. |
| Monopoly light games |
Petersburger Strasse 61
( Location ) |
1909-1963 |
At Petersburger Strasse 20 (after 1947 the address was renamed and renumbered: Bersarinstrasse 61. With the renaming in 1991, currently Petersburger Strasse), a shop cinema with 230–250 seats on the ground floor was set up along the street side in 1909. In the corner house on Zorndorfer Strasse (since 1951: Mühsamstrasse 55) W. Kremlau was still the owner of the “Monopoly Theater” with daily performances in 1917. Ferdinand Wernicke took over the Monopol-Lichtspiele with 206 seats in the war year 1918 and led them through the inflation years before Theodor Rojitschek took over it in 1927. Walter Alm & August Heise were owners for another year in 1928 (248 places). In the following year Richard Garrei became the owner until 1931. With the next change of ownership in 1932, Adolf Walldorf converted it for sound films (from Kino-Ton). In 1936/1937 the cinema owner Franz Rüschenschmidt took over the Monopol-Lichtspiele, in 1941 together with Hans Trauthan. The corner house remained largely undamaged at the end of the ZWK; so the light shows could continue to operate in the post-war years. At the end of the 1950s they were incorporated into the VEB Berliner Filmtheater and closed in 1963. For a long time, the premises were also used by a branch of the “Sparkasse der Stadt (East) Berlin”; a photo studio was set up in the shop in the 2010s. |
| passage |
Karl-Marx-Allee 60
( Location ) |
1912-1946 |
The plot of land at Grosse Frankfurter Strasse 106 reached through to Blumenstrasse. The "Passage-Lichtspiele" with around 200 seats was opened here in 1912. "Deutsche Vitascope GmbH" had already been located on the property at Große Frankfurter Straße 106 / Blumenstraße 57 in 1909. In the address book from 1914, cinematographic ideas for R. Nedwied were entered under Blumenstraße 57. The cinema address book names Ernst Meier, Paul Schumann in 1920 and August Meier in 1921 for Große Frankfurter Straße. Richard Förster subsequently became the owner of the Passage-Lichtspiele-Theater and gave several performances every day with two program changes a week. Initially two musicians accompanied the silent films, followed in 1932 by the sound film showing with sound film. The cinema was again included in the cinema directory in 1941. In addition to the Passage-Lichtspiele in Große Frankfurter Straße 106, there were venues of the same name in Neukölln (Bergstraße 151/152) and in W 8 (Unter den Linden 35) in 1943. According to the information in the Kinowiki, the cinema building existed until 1946. Finally, the old buildings and ruins on Grosse Frankfurter Strasse were cleared to create construction space for the first section of Stalinallee . |
| Petersburg light plays |
Petersburger Strasse 16
( Location ) |
1906-1932 |
By renaming and renumbering Petersburger Strasse 57a, the address was Bersarinstrasse 16 after 1947 and since 1991 it was renamed Petersburger Strasse 16. The house at Petersburger Strasse 57a (* 16) was rebuilt in 1905. In 1906, Schönlank & Just became a shop cinema with around 115 seats opened. In the following year Karl Templiner took over the cinema, in 1908 Arthur Templiner also moved into the house. In addition, Arthur Templiner ran the cinematographic performances in the house (performances after 6 pm) and in Frankfurter Allee 153 and opened further locations (Köpenicker Strasse 35-38 and SO 33, Wrangelstrasse 52). Petersburger Strasse 57a was abandoned by the Templiners in 1914 or 1915 as a cinema location and residence. They continued to operate their cinematographs in other locations (Thaerstraße 54, Brunnenstraße 181, Frankfurter Allee 153). The rooms on Petersburger Strasse were probably still used by traders. In 1919 the Schüßlers (Helene Schüßler née Fritze, Franz Schüßler, Kopernikusstraße 23) reopened the Petersburg light show. They stated the year of establishment 1906 and the number of places 114 to 134; Played daily with a program change on Tuesday and Friday, two musicians accompanied the silent films. From 1928 Otto Maibaum ran the cinema for two years, after which the owner changed annually: Richard Ansorg (1930), Maliszewski-Jung (1931), P. Jung (1932). After only 103 seats were finally available, but a changeover to sound film screening still took place, operations had to be stopped. The rooms were probably still used commercially, the old building with the rear building survived the events of the war, while the adjacent property was cleared of rubble. In 2008 the house was renovated. |
| Plath light plays |
Frankfurter Allee 26
( Location ) |
1908-1931 |
The cinema property had different addresses from 1900 to 2000. In 1905, the tenant house 153 of the rentier J. Neumann, completed in 1905 by the architect Hoppe, was set up by Arthur Templiner with his cinematographic ideas ("Photo-Electric Theater"). In 1912 Templiner had given up this location and taken over other cinema locations. The chess master F. Plath had been working in the house since 1911 and from 1918 he was listed in the address book as a cinema owner at Frankfurter Strasse 49 (initially 151/152, the numbering of which changed). In Plaths Lichtspiele, performances were given every day, the cinema hall had 200 seats. In the cinema directory from 1920 Richard Petznick was listed as the owner of the Plath-Lichtspiele. When the film screenings ended at Frankfurter Straße 49 in 1931, Richard Petznick was listed as an innkeeper in the address book. In the immediate vicinity, the Germania-Palast opposite, corresponding to Frankfurter Allee 25 (currently) and the Viktoria-Palast on plot 48 (at that time), are to be noted . |
| Plaza --- Light plays on Küstriner Platz Faun light plays Panorama |
Franz-Mehring-Platz before 4
( Location ) |
1946-1969 |
The boys' elementary school, 30th community school, was originally located at Rüdersdorfer Straße 4/5 . After the end of the war , the "Lichtspiele am Küstriner Platz" was set up in one part of the building in 1946 and renamed "Plaza" in 1955 under the name "Faun-Lichtspiele" and when it was taken over by the VEB Berliner Filmtheater. These cinema names are reminiscent of the previous light shows on Küstriner Platz . The “Plaza” variety theater was located in the station building of the former “old Ostbahnhof” and was located across Küstriner Platz across from the cinema; it had been destroyed in the war. In 1965 the venue of the “Plaza” cinema was turned into the “Filmkunst-Theater Panorama”, and in 1969 the “Camera” cinema was housed before the film archive was moved to its new location. After it was closed in 1969, it was only used as a Protestant church. After 1972 when Küstriner Platz was redesigned to become Franz-Mehring-Platz, the buildings were demolished and new buildings were erected. The cinema in a part of the building of the former school was on the property between the department store built in 1974 on Rüdersdorfer Straße and the residential building at Franz-Mehring-Platz 4/5, in front of which a small (unnamed) street runs along the streets of which the school building was located. |
| Reform light games |
Oderstrasse 2
( Location ) |
1911-1921 |
The Reform-Lichtspiele with 140 seats and daily performances were located in the corner building at Dossestraße 14 / Oderstraße 2. The cinematograph theater was founded in 1911 by Richard Thiele. In 1912 H. Maaß became the owner and Friedrich Gosse was named in the cinema address book in 1921. In the 2000s, there were commercial premises on the ground floor of the renovated old building with an entrance door on the corner of the house. |
| Silesia light plays |
Landsberger Allee 61
( Location ) |
1919-1921 |
 The cinema was opened in 1919 at Landsberger Straße 153 with 200 seats by Walter Seefeld from Köpenick. The residential and commercial building was built in 1906 and the cinema was built in the rooms of the "Cafe Silesia" by W. Kögel, to which the name referred. They played every day. In 1921 the game was stopped again. After the film screenings were over, there was a bakery in the rooms. Due to the renaming of the street, which also changed from horseshoe to reciprocal numbering , the commercial building that has been preserved and modernized in 1994 has the address Landsberger Allee 61. The “Capital Opera” with the “Café in the Opera” is located in the building. |
| Simplon light games |
Simplonstrasse 2-4
( Location ) |
1919-1934 |
From 1919 the Simplon-Lichtspiele were located at Simplonstraße 29a (corner of Simon-Dach-Straße 34). By changing the land census, 29a and 29b became land 2/4. Hermann Wertke from Fasanenstrasse 52 opened the cinema with 350 seats, the film screenings took place daily and the program changed twice a week. Since Georg Kusche & Sohn from the first floor of Simplonstraße 29a took over the business as "Simplon-Lichtspiele und Cabaret" in 1921 and registered 400 seats, the business success was probably low. Oskar Paulsen continued to run Lichtspiele and Cabaret as the owner in 1924 and Walter Dembo took over in 1925. In 1928/1929 the performances were given by Simplon-Lichtspiele GmbH, and silent films were accompanied by two musicians. The GmbH belonged to Emil Eilermann, Max Förster and Hans Benda who operated other cinemas. In 1932 they handed over the property to Richard Petznick, who had shut down the Plath-Lichtspiele with a smaller audience in 1931. Petznick had sound film technology installed when it took over. In 1934, however, he also closed this film venue and cinema operations ended. After the bombed corner house had been cleared and the confluence of Simplonstrasse and Wühlischstrasse changed, a playground remained at the former cinema location. |
| Municipal youth stage |
Holteistraße 7/9
( Location ) |
1920-1933 |
The Holteistrasse was built on in the early 1910s. A school complex for a Lichtenberg community school was built between Sonntagstrasse and Wühlischstrasse with house numbers 7–9 opposite Wühlischplatz, in the greater Berlin administrative district of Lichtenberg : 201st, 21st, 24th, 38th primary school and 1st auxiliary school. In 1924, at the instigation of the city inspector Griepe of the Lichtenberg public education institution, the “municipal youth stage” was set up in the school auditorium. The business was run by City Councilor Köhler from the Lichtenberg District Office (Volksbildungsamt I). There were around 300 seats available in the school auditorium for daily youth performances in the afternoons, and the program of the evening performances was changed twice to the week and the longer weekend. With the seizure of power by the Nazis in 1933, the film shows ended in the school auditorium. The old school building was destroyed in World War II and the ruins were cleared by 1952. From 1953 to 1954 the Max-Kreuziger-Oberschule was built in reverse with increasing building heights to the east according to a design by the architect Hans Schmidt by the "NAP building staff" Stalinallee Southeast as a model school building. The school auditorium on the third floor now served as the district's event space, including occasional film screenings. |
| Stralauer Filmtheater --- Markgrafen-Lichtspieltheater |
Markgrafendamm 34
( Location ) |
1920-1971 |
Hermann Scholz opened the “Markgrafen-Lichtspiele” in 1916 in the Markgrafendammsäle in the 2nd back courtyard of the house at Markgrafendamm 34, where the streets were already part of the Stralau district . In the years up to 1920 Robert Müller owned the 420-seat cinema. In 1921 Eugen Petrat and in 1924 Erich Pollak from Charlottenburg were the owners. The program of the daily performances was changed on Tuesday and Friday. From 1928 "Lorks & Pollak" operated the facility. When Erich Pollak became the sole owner in 1931, he had sound film installed for playing sound films. There was a mechanical music system . Kuno Deutschmann and Anna Scheuer owned the “Markgrafen-Lichtspiele” from 1937. The cinema survived the war without any major damage and cinema operations continued in the post-war years. After 1957, with the nationalization of the privately run cinemas, the name changed to "Stralauer"; the VEB Berliner Filmtheater continued to run the Stralau film theater until 1971. When urgent repairs became necessary and the number of visitors decreased, it was closed. The substance of the old apartment building was retained and the cinema building in the back yard was demolished. |
| Tempo-Lichtspiele --- Simon-Dach-Lichtspiele Biophon-Theater |
Simon-Dach-Strasse 12
( Location ) |
1910-1960 |
The cinema was set up in 1910 as a shop cinema with a biophone device. The number of seats was about 200; in addition, space capacities between 150 and 225 were specified. For the years 1910 and 1911, the Hulke and Co. with a cinematograph theater is noted in the address book . Richard Winkler followed as owner of the cinematograph theater until 1914 and then W. Lindner. 1920/1921 is recorded in the cinema directory Adolf Schacher, who also owns the Aboli in his house (Alt-Boxhagen 59), for the "Biophon-Theater". He was replaced as owner by Reinhold Wosseng, who registered 201 seats and a stage 3 m wide and 1.2 m deep for the Biophontheater. In 1926 he replaced the name of the cinema with "Simon-Dach-Lichtspiele" (174 seats). Franz Neuenschwander became the owner in 1929 and stated 1908 as the year of foundation: it was played every day, and silent films were accompanied by two musicians. Neuenschwander named his cinema “Tempo-Lichtspiele” in 1932, which was (probably) due to the possibility of sound films created. Another change of ownership followed between 1933 and 1934, when Alfred Horstmann and Paul Wünsch became owners, from 1939 Alfred Horstmann was the sole owner. The building remained (almost) unaffected by the war. Horstmann continued operations in the post-war years in the shop cinema, which now has 164 seats. Four performances were given every day. The technology consisted of two Ernemann machines Erko III and Erko IV, amplifiers from sound film and slide playback. The last cinema operator between 1959 and around 1960 was Hannelore Rojahn. The cinema was closed because it was not integrated into the VEB Berliner Filmtheater. From 1964 to 2000 Mrs. Rojahn was the operator of the "Eva-Lichtspiele" in Blissestraße 18 . On the ground floor of the house at Simon-Dach-Straße 12 there are shops (mostly) with restaurants in the cinema rooms. |
| Thalia plays of light |
Karl-Marx-Allee 69a
( Location ) |
1904-1946 |
Due to the multiple renaming of the address Große Frankfurter Straße 27 on the corner of Lebuser Straße, especially with the deedication of Große Frankfurter Straße, the cinema location, defined by the eastern subway exit Strausberger Platz, is located southwest in front of the house at Frankfurter Allee 69a, more precisely diagonally in front of Lebuser Street 35d. “The Thalia was opened in 1905 as a Cinephontheater at 27 Grosse Frankfurter Strasse. It was the first fixed cinema in Friedrichshain. ”() From 1910 to 1913, Willy Neufert is the cinematograph owner on the ground floor of Frankfurter Straße 27, he lives at number 15, in the 1914 address book he is registered as a projectionist. The pensioner Minna Martiny assumed ownership of the demonstration device in 1914, so Neufert became the demonstrator and the cinema was run by the innkeeper Werner. The cinema was named “Thalia-Lichtspiele”, it had 221 seats, was played daily, two to three musicians accompanied the silent film screenings. This is how it was operated through the war years. Erich Wagner became the owners of the venue in 1920 and the Raguschanski brothers in 1921; further changes of ownership took place almost annually: Albert Göbel (1924), Thalia-Lichtspiele GmbH by Friedrich Harnisch (1925–1927), from 1928 onwards Hugo Zweig. The number of available places was between 240 and 250. In 1930, Hugo Zweig arranged for the installation of sound film technology (sound film). In 1933 Richard Förster and in 1934 Ernst Metzger became cinema owners; Kurt Thamm was the projectionist. The building and cinema were damaged by the effects of the war , but film screenings were still possible. The cinema is said to have still been in operation in 1946, but was demolished in 1950 at the latest in preparation for the construction work on the new main road to the east. First of all, the German Sports Hall (in the 1960s the Central Club of Youth and Athletes) was built east of Lebuser Straße on the property of the Weydinger Foundation - Große Frankfurter Straße 21-24 (formerly Nikolaus-Bürger-Hospital, community school, Weydinger-Stift) Frankfurter Allee 69. |
| Tilsit plays of light |
Richard-Sorge-Strasse 25a
( Location ) |
1908– |
  The "Tilsiter Lichtspiele" were one of the first cinemas in Berlin and the suburbs and in 2008 celebrated their 100th anniversary. The cinema with pub in the Richard-Sorge-Straße - right in the middle between the former cinema Kosmos in Karl-Marx-Allee and the UCI Kinowelt at Landsberger Allee - this was the second oldest in the city. The cinema was opened in 1908 on the ground floor of the old Berlin residential building at Tilsiter Straße 25a and has seen an eventful history since then. The name goes back to the location on Tilsiter Strasse , which has been called Richard-Sorge-Strasse since 1969. Originally in private family ownership, the last operator had to give its last performance in GDR times in 1961. In 1908 the 'Tilsiter Lichtspiele' (probably in the guest rooms provided) were opened in the tenement house built after 1900. Minna Mrose with Kinematographen Theater at Tilsiter Strasse 25a is in the address book. In the following year Paul Liersch became the owner of the cinema before Otto Voss, who was busy in the cinema, was listed as the owner in 1912. He played the Tilsiter Lichtspiele with their 190 (186 ... 192) seats daily, a new program begins on Tuesdays and Fridays. The admission price was 0.29 marks around 1920. For 1932, Voss handed over the Lichtspiele to Else Jahr and took over the Süd-Palast in Neukölln himself. Year named 138 seats for the cinema. In 1933 Wilhelm Reuter became the owner of the cinema and had new sound film technology installed so that sound films could also be shown from now on. Reuter ran the cinema until the post-war period, possibly because the cinema and the building remained largely undamaged by air raids and fighting. The cinema with a capacity of 170 (167… 173) seats and daily screenings was maintained until 1961. Shortly before the opening of the Kosmos with 1000 seats, the 'Tilsiter Lichtspiele' closed with 167 seats. After the empty rooms for three years first as a film studio were used, operated three filmmakers the restoration and reopening as a cinema . After a 33-year hiatus, a cinema was resumed on February 18, 1994. The former cinema served the artists as a conspiratorial address during the years of change . Despite the street being renamed in the meantime, the new operators kept the traditional cinema name. The existing hall was reduced in size and a bar was added, which was now also available as an event location. The equipment came from other movie theaters in the 1950s and 1960s. In November 2006 the facade and the pub and in February 2008 the only room at the time were renovated, the rear part was raised and a couch-seating area was set up in the last row. In September 2008 it became publicly known that the continued operation of the Tilsiter Lichtspiele was at risk due to increased rent claims. In 2011, some employees of the Tilsiter Lichtspiele opened the future with an enlarged collective at Ostkreuz south of Berlin Ostkreuz train station, connected with the open-air cinema Pompeii and Kino Zukunft. This gave the artists four cinema screens and an open-air screen. That is why the Kino-Troika was founded in 2012, an ideal superstructure for the program of the three cinemas and its distribution. For visitors to all three cinemas there is the Troika card, a stamp card that gives them free entry to every 7th cinema show. The second cinema was opened 21 years after it reopened on March 1, 2015 in a former one-room apartment on the ground floor, and regular cinema operations began on March 5, 2015. Room T-1 in the rear part of the pub has 66 seats and digital 4K with Dolby Digital 5.1 sound is projected on a 2.5 m × 3.5 m screen . Even if there is still an old 35 mm projector in the projection room, the films are almost exclusively played digitally. The projection in the 25-seat hall T2 is digital with sound in Dolby Digital 5.1 on a screen of 2.5 m × 3.90 m. The cinema (1995) was run by the Kunstgalerie e. V. and in 1997 the owner became Tilsiter-Lichtspiele GbR . |
| Traveplatz-Lichtspiele --- Vita-Theater Lichtspiele at Traveplatz |
Weichselstrasse 26a
( Location ) |
1910-1958 |
The cinema was located in the corner building Weichselstraße / Oderstraße directly on the southwest corner of Traveplatz. According to the owner, the shop cinema on Weichselstrasse was set up in 1908. However, house 26a was not built and rented until 1910, among other things to an innkeeper, so the cinema probably began in a restaurant by setting up a Vitascope for short silent film scenes. In 1911, the cinematograph theater owner P. Röhr ran the shows in the house. In 1918 the facility was called “Vita-Theater”, had 160 seats and was owned by W. Jungnickel. For the year 1920 the Traveplatz-Lichtspiele with 200 seats are proven and Elise Kloß, b. Grothe became the owner of the cinema with 190 seats, and from 1928 146 seats. They played every day. In 1932 the Selenophone technology was installed for showing sound films. The cinema remained in their possession until the post-war years , and film screenings took place until 1958. The cinema was ultimately closed after the wave of takeovers by VEB Berliner Filmtheater, which closed the venue. After the cinema was closed in 1958, there was an electronics store there, and in the 2000s the house was used as a hostel and the ground floor as a restaurant. |
| UCI Friedrichshain |
Landsberger Allee 54
( Location ) |
1998-2018 |
.JPG)  The "UCI Kinowelt Friedrichshain" was opened on April 9, 1998. The multiplex cinema has 8 cinema halls with 2095 seats. When the Kosmos cinema was modernized from UFA to multiplex (ten halls with 3420 seats reopened on December 18, 1996), United Cinemas International (UCI), a cinema subsidiary of Universal Pictures and Paramount at the time, built the 'UCI Kinowelt Friedrichshain 'her third multiplex (also: Am Eastgate - April 1999, Berlin-Gropiusstadt - October 1997) in Berlin. "The windowless, yellow-painted building is more reminiscent of a carpet or furniture store than a cinema building." () In the 2007 annual review in 'tip' magazine, the cinema made it into the list of ten "buildings that should be blown up". A narrow path leads 50 meters to the glass-roofed entrance, above which the posters for the films currently being shown hang. The basement is equipped with a small row of shops. A staircase, an escalator and an elevator lead to the cinema on the upper floor. The color scheme of the lobby is blue, red and yellow, the corporate colors of the UCI cinema group. The foyer runs through the building from which the eight halls lead, but there is no seating to wait for admission. The cinema closed in August 2018.
|
| UCI Luxe |
Mercedes place
( Location ) |
2018 | The cinema has 14 cinema halls with a total of more than 1,600 seats, which are equipped with leather luxury cinema armchairs with electrically adjustable foot and backrests. The largest cinema in the house has 368 seats. |
| Victoria light plays |
Frankfurter Allee 24
( Location ) |
1919-1943 |
"Berlin. The opening of the Victoria-Lichtbildtheater (GmbH) in the splendid halls of the east, Frankfurter Allee 151, will take place soon. The seating for the new company is from the well-known Otto Zimmermann seating factory in Waldheim i. Delivered on Sat. "() The house and the halls at Frankfurter Allee 151/152 were built in 1905 on the western edge of Friedrichsberg (at that time in Lichtenberg) as a new building by the architect Hoppe not far from Niederbarnimstraße, which initially did not exist and corresponds in location to house 24 in the apartment block that has existed since the 1950s. Since 1912 (address book 1913/4218) the entry "Viktoria Lichtbild GmbH" has existed for house 151/152 (from 1916: No. 48). The cinema halls were housed in the “splendid halls of the east”. With the formation of Greater Berlin, the building became part of the Friedrichshain inner city district and was transferred to the Lichtenberg administrative district from 1932. In the house there was now the "Lichtenberger Lichtbild-Theater GmbH". Viktoria-Lichtspiele in Berlin NO Frankfurter Allee 152 listed the cinema directory for the first time in 1917, and the company stated that the venue with 500 seats was founded in 1910. Emil Ellermann and Max Förster from Tempelhof were the owners of the GmbH. Played with two changes in the program every day, and silent films were accompanied by six musicians. Around 1929 the audience capacity was increased to 600 and in 1931 to 625. After the possibility of showing sound films was built in in 1931, the “Lichtenberger Lichtbild Theater GmbH” took over the Viktoria-Kino from Max Krüger in 1932. But in 1935 Max Krüger stopped running his photo theater. Max Krüger also became an innkeeper at Kurfürstendamm 121 in Charlottenburg. The change of owner of the cinema from "Viktoria" took place in 1937 with the (re) opening by Willy Hein, with Gustav Ellermann becoming its projectionist and managing director. The screenings probably ended in 1943 or 1944. Shortly before the end of the war, there was a forced labor camp in the halls . The “Grand Halls of the East” were rented by the operator Hans Brandt (who owned the hall in Schöneberg in 1943) to Siemens & Halske , who set up “Camp 10” here and the Deutsche Reichsbahn maintained a forced labor camp in Willi Hein's “Viktoria-Theater” cinema . |
| People's picture stage |
Krossener Strasse 11
( Location ) |
1910-1927 |
Julius Selky moved with his café from Nürnberger Platz in W 50 to Boxhagen-Rummelsburg in Crossener Straße 11 in 1910. A shop cinema was set up as a cinematograph theater in his Café Hansa. The “Welt-Lichtspiele” with 230 seats set up in Crossener Strasse on Boxhagener Platz was named in 1920 by the businessman Heinrich Schellhase as the venue for his “Scientific Theater for School Cinematography” in “Volks-Bilder-Bühne”. The civil engineer Schellhase operated this people's picture stage from 1925 as director of the “cultural department for scientific school cinematography”. In 1927 he closed the cinema. The corner house at Krossener Straße 11 / Max-Gabriel-Straße 17 on the southwest of Boxhagener Platz still exists as an old building and the rooms on the ground floor are used for catering. The spelling with K instead of C was changed in 1931. |
| World light games |
Boxhagener Strasse 104
( Location ) |
1912-1957 |
In the address books, the cinema was initially listed under Lichtenberg, as the corner property on Kreutzigerstrasse was previously in Boxhagen-Rummelsburg. Boxhagener Chaussee 20 (from 1920 the link between Boxhagener Chaussee and Boxhagener Straße became Boxhagener Straße 104) on Kreutzigerstraße, 1910 still a construction site, was built on in 1912 with an apartment building. When it was rented from 1912, a cinema (approx. 300 m²) was installed on the ground floor. The cinema had 200 seats and was played daily, with two programs per week. The cinema was run by Max David under the name Welt-Kino (also to delimit Lichtenberger Welt-Kino) until 1928. The information about the founding year 1909 may be justified with plans by Max David, but in 1911 he was not registered among the residents of Berlin and the house did not yet exist, the information in the cinema address books from 1928 onwards corresponds more to reality. In 1929 the Lichtenberger Welt-Kino-Ges. mbH owned and operated by E. Bötel and A. Henschel, their demonstrator was Siegfried Platen. In 1932 L. von Heininger became the owner and he converted to sound film projection with sound film technology. When Bruno Japke continued to own the property in 1937, it still had 184 seats, from 1941 as Welt-Lichtspiele. The building and the cinema rooms on the ground floor were undamaged by war events. The cinema in the Welt-Lichtspiele was continued in the post-war years . When the VEB Berliner Filmtheater pushed for the takeover of the private movie theaters that had previously been operated in East Berlin , the showing of films at the Boxhagener Strasse 104 location ended. From then on, the ground floor of the house was used as a shop and (as currently) as a restaurant. A typical feature of the house is the entrance to the guest rooms from the door of the sloping corner of the house on the ground floor. The "Welt-Kinematograph GmbH" was once the largest company that opened cinemas in major German cities. The name "Das Welt-Kino" was derived from the company name. |
| Wismar-Lichtspiele --- Boxhagener Lichtspiele |
Boxhagener Strasse 39
( Location ) |
1912-1941 |
Boxhagener Chaussee (in Boxhagen-Rummelsburg) was incorporated into Boxhagener Strasse in 1920. The address at the cinema location Boxhagener Chaussee 3 became Boxhagener Straße 39. The cinema designation Wismar-Lichtspiele refers to Wismarplatz, 50 m away . The house with a back building was completed in 1912 and V. Durzynski moved in with his cinematograph theater. The cinema with around 200 (184-227) seats was continued in 1916 by O. Kosti, it was named Boxhagener Lichtspiele. Silent films were played daily, accompanied by two to three musicians. In 1920 the owner changed: P. & R. Kaiser and in 1921 Max Scholz became the owner. After the inflation period at the latest, Johannes Pohl was the operator for four years from 1924. He was followed in 1929 as owner Dr. Gerd Briese with his demonstrator and managing director Wilhelm Kenzier. The cinema entrepreneur Richard Petznick followed the sound film trend in 1932 as the new owner with the incorporation of sound film. In 1937 Fritz Wenzel took over what he called “Wismar-Lichtspiele” as the owner. In 1941 he had to close the cinema due to war damage. The property area from Wismarplatz to House 38 was badly hit in the air raids . The house at Boxhagener Straße 38/39 was rebuilt at the beginning of the 1950s. The area to the east and behind these houses remained undeveloped as a fenced-off green area around the electrical station. |
literature
- Astrid Bähr: Alhambra light plays . In: Sylvaine Hänsel, Angelika Schmitt (eds.), Kinoarchitektur in Berlin 1895–1995, Berlin 1995.
- Sylvaine Hänsel, Angelika Schmitt (eds.): Cinema architecture in Berlin 1895–1995 . Verlag Reimer, Berlin 1995, 296 pages, ISBN 3-496-01129-7 .
- Reich cinema address book. Berlin, LBB 1918–1942. ( Location lists )
Remarks
- ↑ “The films were first shown at the fair. In a shack or in a tent. If you were lucky, benches were set up to sit on. Otherwise you had to watch the films standing up. The films only lasted three or four minutes. ”( The story of the great flicker )
- ↑ The information "Founded in 1911" entered by the owner contradicts the date on which the house was built. In addition, the first entry on the U. T. for 1920 was made in the Berlin address book (commercial section: cinematographic ideas).
- ↑ In the “Pharus-Kinoplan 1919” there is no cinema, in the 1925 plan the Amor light plays are marked with the signature “up to 300 seats”.
- ↑ In the cinema address book, Wilhelm Siegfried had 1912 entered as the founding year for the cinema in Sonntagstrasse (initially: 1908).
- ↑ The Germania brewery was located between Frankfurter Allee 53-55 and Rigaer Strasse 22 on a 220 m long and 70 m wide property. Since the Frankfurter Chaussee was included in the avenue by Lichtenberg, the plot numbering changed to 313/314.
- ↑ Motion picture theater . In: Berliner Adreßbuch , 1943, II., P. 431. "In the UFA advertisement for the commercial section in 1943, the Germania-Palast for Frankfurter Allee is named 10/11." However, in the street section (1943/4687 / IV.part page 224) only two apartment buildings belonging to private owners are listed. In contrast, Frankfurter Allee 314 (1943/4691 / IV. Part, page 228) is still registered as Germania-Palast Lichtenberg by Willy Hein. The owner is Grundstücks Gesellschaft GmbH Charlottenburg Fasanenstrasse 11.
- ↑ By including Frankfurter Chaussee in the avenue, Frankfurter Allee 1 was renumbered as number 269 around 1920 - the entire property up to Pettenkoferstrasse was cleared - the property received the address from 1951 (Große Frankfurter Strasse was newly laid and included) Stalinallee 397. When it was renamed Frankfurter Allee, the address became Frankfurter Allee 111 in 1963 (now alternately numbered).
- ↑ The former terminal station of the Ostbahn to Königsberg was in the northeast of the through station later called Ostbahnhof and in front of the Ostbahnhof freight station.
- ↑ According to Straubeplan, the intersection is between map sections IB and I C. The property at Frankfurter Allee 65 / Liebigstrasse 1 is on the eastern corner. After the redesign in the 1950s, this location near Frankfurter Tor corresponds to the green space in front of Frankfurter Allee 3, near the Petersburger Strasse intersection.
- ^ In 1956, Georg Friede's camera workshop was still at Palisadenstrasse 26. Peace, Georg . In: Fernsprechbuch für Gross-Berlin (GDR), 1955, p. 47. E. H. Friede ran a similar business in 1941. Film tubs . In: Berlin Address Book , 1941, p 223. Finally, in 1915 (it was in the address Palisades Straße 26 . In Berlin Address Book same commercial, 1915, III, p 649. "H. peace, factory for photogr equipment."..) written down.
- ^ Friedrich Wolf Studio, Club of the Working People with a small theater and concert hall, club rooms, folk art groups, theater, cabaret, dance orchestra. Constantly recruiting talented laypeople. Events by our groups also outside the home for companies and organizations. Rehearsal stage and club: 1035 Bln, Bänschstr. 73, (Tel.) 58 60 52. In 1970 the “Die Konkritiker” (cabaret of the Friedrich Wolf Studio) and in 1981 the “Kulturzentrum Berlin-Friedrichshain, Studio Bänschstraße” are located in the house.
Additional information
- ↑ The pictured Kinematographen Theater by Karl Knübbel is actually located at Neanderstraße 11, since the rebuilding in 1960 Heinrich-Heine-Straße 10, in Mitte
- ↑ a b On the western edge of the Friedrichsberg district (to Lichtenberg) around 1910 the south side (excluding the road area) belonged to Lichtenberg, 151–199 belongs to Friedrichsberg (according to Straubeplan II C of 1910: undeveloped). The properties at Frankfurter Allee 152–155 are listed in 1900 (# 2194), 1901 (# 2279), 1902 (# 2377), 1903 (# 2554) as a construction site by Rentier C. Loeper from Lichtenberg, the more western property 151 on the outskirts the gardener A. Clotofski and the plots 156, 157 on Kreutzigerstrasse were vacant. Niederbarnimstrasse was not yet planned; it was laid out as Strasse 14 in 1906. Information in the address book 1905 (2944): 151 - construction site Süddeutsche Immobilienbank * 152, 153 - construction site by Loeper * 154 - new building by Cohn, * Strasse 14 *, 155 - new building Cohn, 156 and 157 - apartment buildings, * Kreutzigerstrasse *. In 1906 (3142) there is 152, 153 the new building by the architect Hoppe, Frankfurter Allee 154, Niederbarnimstrasse 1, the apartment building by Cohn. When Frankfurter Chaussee and Frankfurter Allee were included in 1915, the house / property numbers changed: 151, 152 became 48 and 153 became 49. The numbering changed again in 1951. After the war damage had been cleared and Hans Scharoun proposed a “collective plan” for central Berlin , construction was carried out in Stalinallee (Block G) . The new main line ran from Alexanderplatz to the east, so the Große Frankfurter Straße was included and the new residential building in the block at No. 49 was given the address Stalinallee 296. The Stalinallee was divided again in 1961, so the previous cinema location (152/49 ) the location of the address Frankfurter Allee 26. In addition, Frankfurter Allee 48 / old now corresponds to house 24.
The Berlin address books are named according to the year of issue, so they reflect the situation of the previous year depending on the editorial deadline. In addition, only residents and not always companies and enterprises are named in the street section.
Other cinemas
Hardly any facts can be gathered about some of the cinematograph theaters and cinemas that were operated for a short time. Such venues and locations are included in the following list. From the information in the address books, it is not always possible to decide with certainty whether the address was a cinema location. Some addresses were (probably) only the residence of cinema owners without operating a cinematograph. In some cases, inns were business operations in which a cinematograph was set up (part-time), for example to improve sales.
- 1906: Romintener Strasse 24/25 (since 1936 Grünberger Strasse 50/52 location ): "Cinematographen-Theater" by J. Prylewski & Co. House 24/25 was the new building by engineer Sackhof in 1905, and in 1906 the apartment building was occupied among others with manufacturers and dealers, including the cinematograph theater on the ground floor. Joseph Prylewski had his apartment at N 28 Schönholzer Strasse 22. In 1907, the innkeeper Dembrowski lived in the house; Prylewski was no longer a resident in the address book.
- 1906–1912: Grüner Weg 28 (O 27, since 1947: Singerstraße (newly built) in front of the 26th location ): Bioskop Theater. Until 1904 Paul Kobus lived in the apartment building and ran the restaurant on the ground floor. In these rooms on the ground floor moved 1906 Bioscop a -Theater of "Bläske & Pannier". Ludwig Bläske from NO 18, Landsberger Straße 105 pt. Was the cinematographic theater owner and with the merchant Walter Pannier from Friedrich-Karl-Straße 29 their place of business was at N 31 Brunnenstraße 53 pt, their cinema theater in the Grüner Weg. In 1908 Pannier continued to run the cinema, he lived at O 112, Friedrich-Karl-Straße 29. The Bioskop Theater was given up by Pannier in 1912, it is no longer mentioned in the address book under Grüner Weg. For this, Pannier became a dealer with a meat shop at Friedrich-Karl-Straße 29 I. The owner of this house is A. Pannier, Walter Pannier became a travel agent for this meat shop. There was no longer a cinema on Grüner Weg 28, but there were restaurants. In 1933 the green became the brown way, and the cinema location was destroyed in the air raids . In 1945 the street name Roter Weg was unofficially assigned and named Singerstraße in 1947 and the south side was rebuilt in the 1970s.
- 1907–1908: Revaler Straße 3: The apartment buildings 1–5 (continuously) west of Warschauer Straße were built in 1906. For the year 1907, Arthur Starker's cinematograph theater on the ground floor of tenement 3 (32 tenants) was specified and also noted for the ground floor in the house of the innkeeper Bernhard Putzke. In 1908 three waiters lived in the apartment building. Starker had moved to Warschauer Strasse 63, he lived in III. Stock and his cinematograph theater were there on the ground floor. Innkeeper Putzker is no longer listed among the Berlin residents for 1908. In war the houses were destroyed corner of Guben and later cleared out the ruins. The cinema location would currently be in the middle of the low-rise supermarket on the corner of Warschauer / Gubener Strasse
- 1908–1913: Frankfurter Allee 153 ( location ): “Photo-Electric Theater”. From 1908 Arthur Templiner was the owner of the cinematograph on the ground floor of house 153. The seasons were given as "evening 7-11". Arthur had his apartment at O 34 Petersburger Strasse 57a, where Karl Templiner also lived. As early as 1907, Karl operated his Petersburg light shows on the ground floor . Arthur Templiner was a typesetter in Rixdorf and moved to O 34 Kochhannstraße 38 in 1906. He ran the cinema at Frankfurter Allee 153 from 1908 to 1911. In 1912 the Templiner exchanges took place when Karl Templiner retired (S 36 Reichenberger Straße). Arthur Templiner took over the Petersburger Lichtspiele and Paul Templiner and the company "Paul Templiner & Max Hoffer" became the cinematograph owner at Frankfurter Allee 153. The performances took place "in the evening 6-11, Sunday 3-11". As a partner, Max Hoffer already owned other cinemas, such as the "Elektra" in Warschauer Strasse 26. In 1914, cinema operations ended in house 153, but the Berlin Haemoglobin Institute GmbH was based. Templiner now owned a cinema at Thaerstrasse 54. From 1912 " Viktoria-Lichtspiele GmbH" had its seat in the neighboring house 151/152 to the west . It should also be noted that Schachtmeister Plath, who had lived in house 153 since 1910 and later had his cinema in the adjoining corner house 154 (later number 50) on Niederbarnimstrasse (see Plath Light plays ). Property 153 became house 49 in 1915 due to the incorporation of Frankfurter Chaussee (in Lichtenberg).
- 1908–1914: Frankfurter Allee 85 ( location ): Photoskop-, then “Rensie-Theater” The theater director Gustav Behrens already had his theater hall on the ground floor before 1905, from 1906 he lived in the III. Floor of the merchant Julius Behrens. In 1907 the theater director moved to W 30 Goltzstraße 9, and the cinematograph manufacturer Alfred Duskes moved into these rooms. After Duskes had moved to Kronenstrasse, in 1908 the wine maker Gustav Lachmann from S 14 (Sebastianstrasse 66) and the innkeeper Gustav Gardeike from W8 (Krausenstrasse 14) set up their cinematograph theater as "Gardeike & Lachmann". In 1910 “Pelzer and Spieß” opened the “Photoskop Theater”. Ms. Johanna Wolff joined the company "Wolff & Spieß" in 1911 instead of Pelzer, which ran the Photoscop Theater, Hellmuth Spieß lived at O 112 Niederbarnimstrasse 9 and Johanna Wolff at O 34 Boxhagener Strasse 13. In 1912 Adolf Eisner (S 61 Gneisenaustrasse 41, owner of "Adolf Eisner Gasglühlichtwerke") owned by the cinema - now called "Rensie-Theater". The theater changed hands in 1913 to “Manthey & Vollrath”. The office of the 65th police station had also been in the multi-party apartment building since 1910. In the Berlin address book 1915, a cinema facility in the house is no longer mentioned and Manthey and Vollrath no longer lived in Berlin or cannot be clearly assigned. In the course of the war , the number of tenants fell, and from 1918 rooms were used as delivery branches for three Mosse newspapers . The address of the cinema location from 1910 had changed in 1917 → number 346 when Frankfurter Chaussee was included. The surrounding buildings were totally destroyed by the effects of the war in 1943–1945 and the alignment was changed when Stalinallee was built from 1950 onwards. Compared to the new, set-back buildings, the old property came before number 219. The former cinema location has been in front of Frankfurter Allee 121 since it was renamed.
- 1908–1914: Warschauer Straße 63 ( location ): Arthur Starker and his cinematograph theater moved 250 meters from the new building Revaler Straße 3 in the direction of Kopernikusstraße in 1908; he lived in III. Stock and its cinematograph theater were on the ground floor. In 1909 Mr. Nerlich took over the cinema, while Starker went to the Johann Starker cigar shop in Karlshorst and worked there as an electrical engineer. On the other hand, Franz Gromadecki was registered with a cigar shop in Niederbarnimstraße 2 in 1909, in 1910 he owned the cinematograph theater and lived (probably) as an electrician in Revaler Straße 12. He ran the cinema until 1914 and lived in Boxhagen-Rummelsburg from 1912 (Simplonstraße 29a I . Floor). In 1914, after the wallpaper dealer E. Dannappel, the Dannappel heirs became home owners and the cinematograph theater was no longer entered in the 1915 address book, and Gromadecki was not mentioned among the residents of Berlin.
- 1910–1911: Grünberger Straße 13 (between Simon-Dach- and Gabriel-Max-Straße Lage ): “Kinematograph” in the restaurant: Under the keyword “Kinematographen in Boxhagen-Rummelsburg”, the widow Krüger (without giving the first name ) listed. In the previous year, Paul Krüger's window cleaning on the second floor and the cinematograph owner Ferdinand Holländer on the ground floor were registered in the house. Boxhagen came to Lichtenberg in 1912. The widow Krüger no longer lives in house 13, the Rosenblatt inn continued to exist. It remains unclear what happened to the cinematograph from Grünbergstrasse, a takeover by Robert Winkler ( Biophon-Theater ) would be possible.
- 1910–1923: Rigaer Straße 3 ( location ): Balten-Lichtspiele (200 seats). Emil Kowalski was noted for 1910 with a cinematograph theater on the ground floor of the rear building. In 1911 he moved to his apartment at Rigaer Strasse 5. After 1912, Kowalski was not listed in the address book either as a tenant or even as a resident, and documents from the war years for cinema operations were initially missing. 1917 was in the Rigaer Straße 3 III. On the 1st floor of the cinema tenant Eduard Dreibrodt, he was previously a waiter at O 112 Schreinerstraße 6 and in 1919 he is listed in the address book as a trader. The cinema still belonged to him, Dreibrodt was last recorded in the address book in 1923 with the apartment at O 112 Mirbachstraße 1 and as the owner of the cinema. Eduard Dreibrodt died in the course of 1923; the widow Martha Dreibrodt was also given in the apartment. The cinema was owned by the cinema owner Otto Müller from 1922. In the inflation year of 1923 , the merchant Rudolf Riech was the long-time owner of the house at 3 Rigaer Strasse, after which the Brunsvigia property acquisition company. Riech remained a tenant, and from 1923 the operation of light games at this address was discontinued. Not far from Balten-Platz (since 1947 Bersarinplatz), the residential building in Rigaer Strasse 3 with its rear building and transverse building survived the Second World War and still exists as an old building.
- 1910–1917: Große Frankfurter Straße 101 (corner house to Krautstraße 1): The “Hüttenkino” was located in the guest rooms on the ground floor of Große Frankfurter Straße. The corner house belonged to the Bruchmüller family. The time of the research by Allekinos.com is around 1912 to 1917. From 1909 to 1910, the "Frankfurter Hütte" changed hands. From 1913 the Concert-Café Sorrento was located in the rooms. The Concert-Café Sorrent Sirau & Lange GmbH with managing director Gustav Sierau had its seat at Straußberger Platz 101 until 1918. During the war years the innkeepers Elli Lange with the Café Orient and A. David were registered, from 1917 to 1919 the “Verband der Coffee house owner in Germany “has his seat here, from 1917 onwards there were three branches of Rudolf Mosses newspapers . With the development of the Stalinallee, the location of the property was 30 meters north in front of the house at Strausberger Platz 10 location ). The location results from a comparison of the map IIA of the Straubeplans with the 1940 and 1993 edition of the K4 map 4231 on Histomapberlin.de (X = 26700, Y = 21260), southern carriageway east of the (new) Strausberger Platz.
- 1911–1912: Frankfurter Allee 32 (1910 on the Friedrichshain side - Berlin O 34 - after several address changes since 1961, Frankfurter Allee is called Frankfurter Allee 55 location ): “Frankfurter Lichtspiele”. The property with several transverse buildings is 150 meters wide of the street front to the rear of Rigaer Strasse 39. In 1911, the owner of the cinematographer Albert Henneberg was. In 1912, Wilhelm Düring had his restaurant on the ground floor and Clara Düring the cinema. The inn in the house went to Josef Kasubke from 1913. The (now) innkeeper Klara Düring, b. Mummert, went to Scharnweberstrasse 35 (O 112), where “Frankfurter Lichtspiele” was again held.
- 1912–1913: Große Frankfurter Straße 33 (corner of Fürstenwalder Straße 11b, since 1961 Karl-Marx-Allee in front of house 59 Lage ). In the house of the Hollerbach heirs, Hermann Dindas's tavern was on the ground floor and his apartment on the first floor. The cinematograph was (probably) set up and films were played in the rooms of the economy. Dindas still owned its economy in the mid-1920s. There was also a pub at Fürstenwalder Straße 11b, the owner of which changed frequently. According to research from allekinos.com, around 1912 to around 1913 are named for the cinematograph theater in Grosse Frankfurter Strasse 33.
- 1912–1917: Boxhagener Chaussee 3 ( location ): Boxhagener Lichtspiele. They were specified with 200 seats, the slide theater is registered in 1912 for Albert Ronneberger, who lived on the ground floor, but was missing in the previous year and the following year among the residents. In 1913, B. Du (r) czyski became the owner of the cinema, who was also the owner of the cinema the following year, but was not in the address book for residents. In 1915 the cinema on the ground floor came to Otto Koski, who was previously the head waiter and had the apartment in the rear building at O 112 Knorrpromenade 11. He stayed there until 1916, in the course of 1917 the cinema business ended and Koski had (probably) left Berlin. Boxhagener Chaussee 3 was no longer mentioned under the cinematographic conceptions, in 1919 the property west of Friedrich-Karl-Straße was given the address Boxhagener Straße 95, at the same time the house ownership changed from Kaufmann Nelte to Clara Schulz. After bomb damage in 1943 , the block of flats Boxhagener 97 to Colbestraße 32 was built in the 1960s on cleared ruins. A look at the existing building no longer gives any indication of a cinema, the location of which applied to the five-storey residential building Boxhagener Strasse 94 (/ 95).
- 1914–1915: Scharnweberstrasse 35 ( location ): “Frankfurter Lichtspiele”. The cinematograph at Frankfurter Allee 32 was continued after the closure 250 m away in Scharnweberstraße 35. The house owners were businessman A. Mugdan (Darmstädter Straße 1) and Mrs. O. Mugdan (Spichernstraße 3). In the house the landlady Clara Düring, nee Mummert, her inn on the first floor, she lived in Secret Annex III. Floor. The move took place in the area of the city of Lichtenberg. After research on allekinos.com, the Frankfurter Lichtspiele existed in 1915. The Düring inn existed until 1918 and a new innkeeper came with the Mugdan heirs as house owners.
- Some addresses were only the residence of cinema owners without a cinematograph being operated on the property.
- Krossener Strasse 18 1st floor. From 1916 the teacher a. Lived here. D. Wilhelm Siegfried, who from 1918 owned the cinematograph theater in O112 Sonntagstraße 23/24.
- Kopernikusstraße 23 ( location ): The residential building belonged to Lichtenberg until 1938, during the air raids it remained undamaged, including the rear building, and was therefore preserved as an old building. An inn was operated in the house and in 1919 the furniture factory "Linde" EGmbH was the house owner and W. Reckling was the innkeeper. From 1919 the cinema owner Franz Schüßler lived on the second floor, who at that time was still registered as a machine worker among the tenants of the house. Schüßler reopened the Petersburger Lichtspiele in 1919 and at times owned the Amor Lichstspiele .
- Kopernikusstraße 28: The cinema owner Max Hoffer lived here from 1911, he was the owner of the Hoffer & Rahn company and a partner in Templin & Hoffer. For a time he was the owner of the cinematograph theater " Elektra " at Warschauer Straße 26.
Web links
The Kino Wiki is currently hosted on filmtheater.square7.ch . The data was compiled from the special address books Reichskino Adressbuch (Verlag Lichtbühne) and Kinoadressbuch (Verlag Max Mattisson) as well as the cinema list (1907–1910) of the first specialist journal for all of the art of photography, Der Kinematograph . The project of the Berlin cinemas is based on this data and supplements regional references.
- Film theater history in Germany, Austria and Switzerland
- Berlin's independent cinema guide
- On the trail of cinemas - all cinemas in the computer . In: Berlinische Monatsschrift , 12/1996, at the Luisenstädtischer Bildungsverein
Individual evidence
- ↑ Kino-Wiki main page, accessed on January 18, 2020. Kinowiki deals with the history of movie theaters in Germany and tries to collect all information about movie theaters and movie theaters in Germany. It is sorted according to federal states and cities. Everyone is called upon to supplement the data or correct errors.
- ↑ The breakdown by districts and districts is based on the district reform of 2001.
- ^ Stefan Strauss: Film? Running. Publication in the Berliner Zeitung , March 27, 2017, p. 13.
- ↑ a b c d “New institutes of this type are also being built in other parts of the city, so that those streets that do not yet have a 'Kientopp' will soon be among the prehistoric curiosities. [...] Particularly when setting up restaurant locations, the location and design of the rooms, as well as the consideration of the building police regulations, are operated from the outset in such a way that if a pub does not bring sufficient income, the installation of a people's cinematograph theater is possible at any time. " : The cinema start-up fever. In: Berliner Börsen-Courier. July 17, 1912, no.330
- ↑ “According to official statistics [from May 1905] there are 16 fixed cinemas in Berlin. They show mixed programs with short films that are mainly produced in Germany and France. ”( Filmportal.de 1905–1914 )
- ↑ "[...] so that soon those streets should count among the prehistoric curiosities that do not yet have a 'kientopp'. The homeowners also count on the cinema as a general and permanent phenomenon. Particularly when setting up restaurant locations, the location and design of the rooms, as well as the consideration of the building regulations, is operated from the outset in such a way that if a pub does not bring sufficient income, a people's cinematograph theater can be set up at any time. "
- ↑ "In the most obscure streets, desperate homeowners rent empty bars and cigar shops to cinema entrepreneurs, and the servant now knew where to lead his Miss Bride in a noble way. For twenty pfennigs an hour of pleasure, […] ”In: Schaubühne 1910, Vol. VI.2, No. 38, pp. 963–964.
- ↑ “The bad business trend is first noticeable in the small and very small cinema theaters. […] The bankruptcies also occurred almost only in the districts of the northern and eastern periphery of Berlin, whereas the cinemas in the west are still consistently well attended, […] ”( About the Kinopleiten. In: Berliner Börsen-Courier. July 31 1912, No. 355).
- ↑ Previous events were the fire at the Berlin trade exhibition in 1896 in the Edison pavilion and the Paris bazaar fire of 1897.
- ↑ Panic in the fire of a cinematograph theater. In: Berliner Börsen-Courier. December 27, 1911, No. 604
- ↑ Berlin Stock Exchange Courier. July 2, 1912, No. 304 : Report on the trial of the demonstrator and the results of the investigation.
- ^ Children are not allowed to visit cinema theaters. In: The day. December 18, 1912, no.643
- ↑ Fire in the cinema theater. In: Germania. December 28, 1911
- ↑ Berlin Stock Exchange Courier. December 29, 1911, No. 608
- ^ "The taxes on cinema screenings, [...] was accepted ..." in Berliner Börsen-Courier, March 7, 1913, No. 111 + 112.
- ^ The cinematograph tax . In: Germania. October 19, 1912 and Franz Hoeniger: The new cinematograph tax. In: The day. October 27, 1912, no.549.
- ↑ a b Homepage www.uci-kinowelt.de ( Memento from September 21, 2018 in the Internet Archive ) with this information: “Dear guests, unfortunately the cinema is closing . We thank you for your loyalty and would be delighted if you continue your visits to another UCI in Berlin. Your UCI Kino Friedrichshain ”; accessed on September 21, 2018.
- ↑ Motion picture theater . In: Berliner Adreßbuch , 1941, p. 448.
- ↑ Old Boxhagen . In: Berliner Adreßbuch , 1912, V., p. 7. “Boxhagen-Rummelsburg: Alt-Boxhagen 53: The property of merchant H. König has 32 residents / users, including Christian Gebauer, cinematograph owner” (In the residents' part (I. Part , P. 780): Gebauer Christian, Kinematograph. Theaterbes., Boxhag.-Rummelsbg., Alt-Boxhagen 53, pt., II.).
- ^ Boxhagener Strasse (Berlin) . In: Berliner Adreßbuch , 1920, III., P. 95. “Schacher, A., cinema owner and another 30 residents / users.” (Old Boxhagen 53 became Boxhagener Strasse 59 and 1920 “see Berlin”, this is Gebauer no longer residents, also not to be found in the Berlin population list.).
- ↑ classified directory East 1966: 15849327_1966_108.pdf
- ↑ Aboli 1955 (unknown photographer)
- ↑ The thousand joys of the metropolis. ISBN 3-8394-1411-3 .
- ↑ www.allekinos.com: Alhambra on www.allekinos.com.
- ↑ Plan von Berlin, sheet 4231 ( Memento of the original dated November 16, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. . Keller's ballrooms on Straubeplan II B. Soldner coordinates: 27223/21035.
- ^ The cellar's ballroom before it was converted into a cinema
- ↑ Tenement building Knorrpromenade 1 / Wühlischstrasse 15/16
- ↑ a b branch speach book Berlin-Ost 1956 (15849323_1956_288.pdf)
- ↑ Sonntagstrasse 23–28 . In: Berliner Adreßbuch , 1908, V., p. 17. "* Holteistraße * 23–28: building sites, 29: tenement" (1912/5561: 23/24 * see also Holteistraße 6: owner of bank clerk E. v. Mandel, Residents: including businessman L. Blank).
- ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1914, IV, p. 233. “Klingenberg, H., O 112 Holteistr. 6 “(in 1910 the cinema owner Klingenberg lived NW 87, Beusselstraße 41).
- ^ Plan of Berlin. Sheet 4223 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Years 1940 and 1952 at the Soldner coordinates X = 29090, Y = 19965
- ↑ 55 years of theater in the cinema
- ↑ "We see ourselves as an association with a focus on theater, [...] where the TIK was founded over 50 years ago in a former 'flea cinema', hence the name 'Theater im Kino'." ( The TIK today )
- ↑ How Berlin's living room cinemas became hipster get-togethers and communication spaces. In: Berliner Zeitung . August 13, 2016
- ↑ Kinokompendium.de: bware! Ladenkino
- ↑ www.allekinos.com: Shop cinema
- ↑ Shop cinema in December 2013
- ↑ b-ware! Shop cinema, May 2016
- ↑ The old b-ware! Shop cinema on Corinthstrasse in April 2010
- ^ Plan of Berlin. Sheet 4231 ( Memento of the original from November 9, 2015 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. (Straubeplan I A) in the Soldner coordinates X = 26760, Y = 21667
- ^ Ralf Schmiedecke: archive pictures Berlin-Friedrichshain . Sutton Verlag, Erfurt 2006, p. 37, ISBN 978-3-86680-038-0 .
- ↑ from: Berliner Bezirkslexikon
- ↑ The thousand joys of the metropolis. ISBN 3-8394-1411-3 .
- ↑ According to the Berlin Monument Database 1928 In 1928 the Elektra cinema was installed on the ground floor
- ↑ a b Cinematograph Theater . In: Berliner Adreßbuch , 1909, IV., P. 204.
- ↑ from: Friedrichshain magazine
- ↑ Article and photo in Spiegel.de
- ↑ Hoffer & Rahn . In: Berliner Adreßbuch , 1912, I., S. 1175. and Kopernikusstraße 28 . In: Berliner Adreßbuch , 1912, I., p. 445.
- ↑ Hoffer . In: Berliner Adreßbuch , 1913, I., p. 1198.
- ↑ Warschauer Strasse 26 apartment building from 1899/1900; In the monument database, the installation of the cinema on the ground floor is set to 1928.
- ↑ Information in the book ISBN 3-938714-05-0 .
- ↑ Grosse Frankfurter Strasse 28 . In: Berliner Adreßbuch , 1921, III., P. 243. "Owner: Schultz'sche Erben, among the 14 tenants and users: Sphinx-Lichtspiele" (in the commercial section under cinematographic ideas 1920_4675 IV. Part p. 238 and 1921_4985 IV. Part p. 254. Also in 1922 VI.Part p. 262: Sphinx-Lichtspiele. Bartel-Förster is listed as the owner of the cinema in 1923.).
- ↑ Grosse Frankfurter Strasse 99 . In: Berliner Adreßbuch , 1914, III., P. 244. “Owner: Kaufmann H. Gerandt (Elberfelder Strasse 21), eight tenants and G. Förster Lichtspiele” (Gustav Förster is in the residential part for the Parisian Lichtspiele in Große Frankfurter Strasse 99. G. Förster is also noted under the cinematographic ideas in the commercial section.).
- ↑ Freiluftkino-Berlin.de: kinoinfo.php
- ↑ kinokompendium.de: Freiluftkino_berlin_friedrichshain
- ↑ Picture gallery on the website of Freiluftkino-berlin.de
- ↑ Freiluftkino-insel.de ( Memento from August 18, 2016 in the Internet Archive )
- ↑ kinokompendium.de: pictures from 2013
- ↑ Frankfurter Allee 313 . In: Berliner Adreßbuch , 1920, III, p. 239. "Owner: Germania-Brauerei Akt. Ges., Administrator police sergeant W. Weidner, 13 users and residents / No. 314: garden goes to 313".
- ↑ a b Luise-Berlin.de: to the Germania-Palast
- ↑ Online in Google Book Search
- ↑ Frankfurter Allee . In: Berliner Adreßbuch , 1927, IV., P. 287. “No. 314: Owner: Berliner Film- und Bühnenschau GmbH in Friedrichstrasse 221, manager caretaker W. Handke, user: Germania-Palast Kichtspiel AG. / No. 313: The owner of the commercial and residential property is businessman F. Kohl from Brandenburg. ".
- ↑ The Kinematograph No. 999 April 11, 1926
- ^ Jewish businesses in Berlin 1930–1945
- ↑ Frankfurter Allee 313 . In: Berliner Adreßbuch , 1930, IV., P. 269. “Restaurations Betr. Frankfurter Hof GmbH; Sertorius, G., Gastw .; R. Sönecke Restaurant and other commercial enterprises ”.
- ↑ In the 1940s there was another Germania Palace in Charlottenburg Wilmersdorfer Straße 53/54, the Germania-Lichtspiele in Schmargendorf, Ruhlaer Straße 1/2 and the Germaniapalast in Kreuzberg, Mehringdamm 60, now run as the "Belle Alliance Lichtspiele"
- ^ Plan of Berlin. Sheet 4224 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. with the Soldner coordinates 28688/20980
- ↑ Christian Gebauer . In: Berliner Adreßbuch , 1908, U., p. 661.
- ↑ Cinematograph Theater . In: Berliner Adreßbuch , 1909, IV., P. 204. "Gebauer, Chr., Boxhagener Chaussee 17a".
- ↑ Straubeplan IIC 1910 (X = 28650, Y = 20660) : Boxhagener Straße: 17–29 belonged to Lichtenberg, south side with 1–16 to Boxhagen-Rummelsburg.
- ↑ Around 1920 the Boxhagener Chaussee was incorporated into Boxhagener Straße.
- ^ Warschauer Strasse: Traces of History and Urban Development
- ↑ Worn upholstery instead of rocking chairs In Friedrichshain Niederbarnimstrasse, one of the city's oldest cinemas is struggling to survive . In: Berliner Zeitung . April 14, 1998.
- ↑ The 'Intimes' offers premieres and replayers (hardly in the original version with subtitles). Due to lack of interest, the series was discontinued on the "Midnight Weekend" in 2006.
- ↑ Tenants renovate their house and the Kiezkino at the same time - the tiled stove in the “intimate” remains . In: Berliner Zeitung . August 19, 1999.
- ↑ kinokompendium.de : The fantastic neon sign is only in operation for a short time every evening due to the high costs, usually from dark until the beginning of the late night performance.
- ↑ Own presentation of the cinema
- ↑ Kinokompendium.de: intimes kino berlin
- ↑ Kino Intimes - Friedrichshainer Lichtspieltheater. Retrieved April 18, 2018 .
- ↑ The legendary Berlin cinema “Intimes” closes. In: Der Tagesspiegel , April 17, 2019.
- ↑ Elmar Schütze: “Intimate” should become even more intimate . In: Berliner Zeitung , May 14, 2019, p. 13.
- ↑ Industrial palace
- ↑ Biograph-Theater Reinert . In: Berliner Adreßbuch , 1914, IV., P. 233.
- ^ Warschauer Strasse . In: Berliner Adreßbuch , 1938, IV .. “* Memeler Strasse *, * Bromberger Strasse *, * Warschauer Brücke *, Alter Bahnhof, 34–38: owner W. Kühne - 34/36: Bekleidungsamt u. a., 37/38: clothing office / 39–44: owner tax authority. 39/40 and 41–44: Air Force Clothing Office ”.
- ↑ Original text for picture 183-1989-0427-016 in the Federal Archives: “ADN-ZB-Settnik-April 27, 1989-Berlin: Election- The new reception building of the main train station in the Friedrichshain district is part of the local political balance of the past election period. It was handed over in December 1987. Passengers are served at 19 counters. Around 1000 luggage lockers are available. There is a travel agency service for city tours and accommodation, a hairdressing salon and a cinema. "
- ↑ according to filmvorfuehrer.de
- ↑ The address book 1915 no longer lists M. Löber in the street section, but the photo studio of Th. Wenzel and the fruit shop O. Koletschke are included in the corner house of the publisher and bookseller O. E. Michel from Lützowstraße. There is no suitable entry in the 1915 population.
- ↑ a b allekinos.com: Kinematograph in Andreasstrasse
- ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1912, IV., P. 217. “Löber, M., O 27 Andreasstr. 28 ".
- ↑ The number of tenants in the house decreased until 1920. From 1913 to 1914 the house owner changed from Rentier E. Müller from Charlottenburg to the bookseller Otto J. Michel from Charlottenburg. In 1913 Gustav Mühlberg's inn existed for a short time.
- ↑ cinema-future.html
- ^ According to the Berliner Zeitung . August 13, 2016
- ↑ Description of the cinema in kinokompendium.de
- ↑ Pompeii open-air cinema on kinokompendium.de
- ↑ Homepage of the future cinema
- ↑ Pictures from Pompeii from 2012
- ↑ Pictures from the future , June 2012
- ↑ Straubeplan II C ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. Plan of Berlin sheet 4223. Soldner coordinates: 29765/20780
- ↑ Frankfurter Allee . In: Berliner Adreßbuch , 1904, III., P. 178. "* Ringbahn *".
- ↑ Bettina Less: 100 Years of Living Pictures in Berlin ( Memento from August 19, 2007 in the Internet Archive )
- ↑ for example the cinema theater Das lebende Bild
- ↑ Damage to buildings in 1945 . Verlag B.Aust, i. A. of the Senator for Urban Development and Environmental Protection ( page no longer available , search in web archives ) Info: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice.
- ^ Koenigsberger Strasse . In: Street name lexicon of the Luisenstädtischer Bildungsverein
- ↑ Between the blocks of flats west of 131 and the 133 formerly west of Thaerstrasse, the cinema was added as number 131a.
- ↑ kinokompendium.de: Experience reports from the cosmos and before-and-after pictures
- ↑ Kino Kosmos (Kino 1000)
- ^ The building workers' cultural center was inaugurated. In: Neues Deutschland , June 27, 1952, p. 6
- ↑ New cinema on Stalinallee . In: Neues Deutschland, July 15, 1953, p. 6
- ↑ Straubeplan 1910 and Plan von Berlin, sheet 4224 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Soldner coordinates 28116/20965
- ↑ Litthauer Strasse 30 . In: Berliner Adreßbuch , 1909, III., P. 493.
- ↑ Litthauer Strasse 27 . In: Berliner Adreßbuch , 1910, III., P. 505 (The renumbering between 1908 and 1909 was made by changing the cadastral entries at the southern end of the street. The spelling without double T and H to Litauer Straße was changed in 1914 without renumbering.).
- ^ Lasdehner Strasse . In: Berliner Adreßbuch , 1936, IV., P. 478. “Verwalt. Ident. V. Horst Wessel. straight numbers 2-8 Friedrichshain tax office. 1-29 and 10-31 Andreas tax office. AG Berlin. // * Boxhagener Straße *, * Frankfurter Allee * Left page: 1/3 Owner: Kaufmann J. Friedländer. 29 tenants u. a. Liqueur manufacturer H. Friedländer senior ”.
- ↑ Damage to buildings in 1945 . Publishing house B.Aust i. A. of the Senator for Urban Development and Environmental Protection. North = 52.516265 East = 13.454000 ( Page no longer available , search in web archives ) Info: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice.
- ↑ A planned development south behind the residential buildings on Frankfurter Allee (at that time Stalinallee) was not implemented. The former site of the cinema was on what is now Hildegard-Jadamowitz-Straße at the passage between Frankfurter Allee 128 and 132.
- ↑ In the cinema address book of the 1920s, the information on the founding year varies between 1906 and 1910
- ↑ Litthauer Strasse 30 . In: Berliner Adreßbuch , 1905, III., P. 438.
- ↑ cinematographic ideas . In: Berliner Adreßbuch , 1912, IV., P. 217. “E. Haselbach, O 34 Litthauer Str. 27 / Hasselbach, E., O 112 Boxhagener Chaussee 17. “(Same entry in the following years. 1917: Emil Haselbach for Litauer Strasse 27 and SO36, Wiener Strasse 34. / Litthauer Strasse is a Tenement house with 35 parties.).
- ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1924, II., P. 305 (In the following years Hermann Schmidt is registered under the category of cinematographic theater. Cf. 1927/4396 II. Part p. 411. 1928–1930 Georg Wille is registered.).
- ↑ The game operation probably did not take place continuously; Missing entries in the Berlin and cinema address books can also be due to a lack of information from the owner.
- ↑ Motion picture theater . In: Berliner Adreßbuch , 1931, II, p. 346. "Schmidt & Linke, O 34 Litauer Str. 27" (Further entries in commercial part II of the address books: 1932 # 4234, 1933 # 3491, only W. Schmidt: 1934 # 3208, 1935 # 3346. 1936 # 3629.).
- ^ Commercial part in the Berlin address book: see 1937 # 3598, 1938 # 3679, 1939 # 3790, 1940 # 3931
- ↑ Lasdehner Strasse 1/3 . In: Berliner Adreßbuch , 1938, IV., P. 495. “Walter Weigel and Dr. Heidrich, Kino “(For 1939, W. Weigel and Rüschenschmidt, Kino are noted in the street section. The owner of the cinema, Walter Weigel, lived in Lichtenberg, Kynaststrasse 28. On the other hand, Dr. Paul Heidrich, a graduate economist from Lichtenberg, Parkaue 6, is the operator or owner of Lichtspiele in O 112, Proskauer Straße 19 - Börsen-Lichtspiele.).
- ↑ Lasdehner Strasse 1/3 . In: Berliner Adreßbuch , 1943, IV., P. 489. “Rüschenschmidt, F., Kinobes.” (In 1939 his apartment is Schöneberg Innsbrucker Strasse 65, he is the owner of a cinema at O 34 Petersburger Strasse 26. For 1943 he owns the Apartment in Schöneberg, Lichtspiele O 34 Lasdehner Strasse 1-3.).
- ↑ Frankfurter Allee 65 . In: Berliner Adreßbuch , 1913. “s. also Liebigstrasse 1: owner Rentier E. Seitz, among the 21 tenants also Wolff, L., cinematograph owner ”(Nine tenants are listed under Liebigstrasse 1 with the same owner. There is no reference to cinemas on the opposite corner property: for no there is only the indication: belongs to Liebigstrasse 47. 21 tenants are listed under Liebigstrasse.).
- ↑ Liebig-Lichtspiele allekinos.com
- ↑ From the 1911 address book, Robert Müller is still registered as the cinema owner for Müllerstrasse 6 and the world theater Das Leben Bild von Robert Müller for Schönhauser Allee 144. It is close to the Große Frankfurter Strasse 121; there was no indication that this was a branch - although it was mentioned in the cinema directory.
- ↑ Palisadenstrasse 26 . In: Berliner Adreßbuch , 1919, III., P. 607. "Owner W. Lippmann (Rauchstrasse 27), 21 tenants / tenement 27 / * Strausberger Strasse *" (1921, "W. Koch Lichtspiele" is entered here).
- ^ FIS Broker (map of Berlin 1: 5000 (K5 color edition)) of the Senate Department for Urban Development and Environment Berlin
- ↑ Architectural monument residential building Bänschstrasse 73 Voigtstrasse 32
- ↑ Inhabitants of Berlin and its suburbs . In: Berliner Adreßbuch , 1916, I., p. 2342. “Rehberg, Ludwig, Kinotheaterbes., Mirbachstraße 52” (Rehberg is not registered in the 1915 residential area and was therefore not a citizen of Berlin in 1914, but he is in the commercial section for Mirbachstraße 52 included.).
- ↑ Mirbach - LS (Thälmann-Kino, Sieburg-LS)
- ^ Telephone book for the capital of the German Democratic Republic . Berlin 1965, Deutsche Post, Berlin District Office
- ↑ Petersburger Strasse 20 . In: Berliner Adreßbuch , 1910, III., P. 645. "* Falkenberger Strasse * / number 20 (see also Zorndorfer Strasse 42): among the 29 tenants H. Kremlau & H. Milz, Tonbildtheater" (1914 without entry).
- ↑ Grosse Frankfurter Strasse 106 . In: Berliner Adreßbuch , 1910, III., P. 230. “(see also Blumenstrasse 57) - Owner: Dr. med. HB Eisenberg from Schöneberg, among the users Deutsche Vitascope GmbH “(This entry was not noted in the previous year. In addition to the light shows, various cinema-related companies are also entered in the house.).
- ^ Petersburger Strasse . In: Berliner Adreßbuch , 1905, III., P. 561. "Plot 57: Wood yard: Owner brewery owner MO Wanninger: Fuel dealership Ms. M. Sander." (In 1906 two uninhabited houses are noted: 57: Master builder J. Ernst, Master mason guard).
- ↑ Schönlank & Just . In: Berliner Adreßbuch , 1907, I., S. 2173. “Schönlank & Just: Kinematogr. Theater, 0 34, St. Petersburg 57a; Inh. Leo Schönlank, O 112, Frankfurter Allee 153 and Heinrich Just ”.
- ↑ a b c d Arthur Templiner was chairman of the Protection Association of German Photo Theaters in the early 1910s
- ↑ Templiner, Arthur . In: Berliner Adreßbuch , 1909, I., S. 2745. "Templiner, Arthur, Kinematogr.Bes. O 112, Frankfurter Allee 153 pt evenings 7–11; Apartment O 34, Petersburger Str. 57a II. [BK Deutsche Bk.] - Templiner, Karl, Kinematogr.Bes., O 34, Petersburger Strafte 57a H. II “.
- ↑ Templiner, Arthur . In: Berliner Adreßbuch , 1913, I., p. 3152. “Templiner, Arthur, Kinematographenbesitzer, O 34, Petersburger Strasse 57a H T. Kst 12753. After 6 aft. // Templiner, Paul, cinematograph owner, O 112. Frankfurter Straße 153 pt T.Kst 2797 evenings 6–11, Sundays 3–11, s. a. Templiner & Hoffer ”.
- ↑ According to research results on allekinos.com
- ↑ Frankfurter Allee . In: Berliner Adreßbuch , 1909, III., P. 221. “Owner: Kaufmann J. Neumann (Kaiser-Wilhelm-Straße 18d). Users including Arthur Templiner, cinematograph owner ”(Templiner is not mentioned in this address book, but in the address book 1913 - corresponding to use until 1912.).
- ↑ Frankfurter Allee 153 . In: Berliner Adreßbuch , 1912, III., P. 232. “F. Plath, Schachtmeister / A. Templiner, Kinematogr. Owner “(Fritz Plath is in the residential part (I. part p. 2300) with his apartment O 112, Rigaer Straße 83 II.Et.).
- ↑ Frankfurter Strasse 49 . In: Berliner Adreßbuch , 1921, III., P. 239 (In the residents' part 1919 (I. Teil, 2083) Richard Petznick was listed in O 112 Waldeyerstraße 9 as a colonial goods and delicatessen store 1920/2093: in Proskauer Straße 1, Plath was 1920 Cinema owner.).
- ^ Resident of Berlin . In: Berliner Adreßbuch , 1931, I., p. 2517.
- ↑ "The Berliner Filmkunsttheater Panorama, now in the house of the Filmtheater Plaza on Rüdersdorfer Strasse (near Ostbahnhof), opened its program with the Soviet film Früh am Morgen (1965)." ( Neues Deutschland. January 9, 1967 )
- ↑ "The Berlin archive film theater CAMERA (cinema of the State Filmarchiv) temporarily moved to the film art theater 'PANORAMA' (in Rüdersdorfer Strasse, near Ostbahnhof) on January 7, 1969." (Neues Deutschland from January 4, 1969)
- ↑ Robert Thiele . In: Berliner Adreßbuch , 1912, I., p. 3106. “Cinematographenbesitzer, Oderstraße 2” (In the 1911 address book no entry as cinema owner, but the owner of the house at Oderstraße 2, see also Dossestraße 14, is carpenter F. Thiele.).
- ↑ Maaß . In: Berliner Adreßbuch , 1913, I .. "Hugo Maaß, Kinobesitzer, O 112, Oderstrasse 2".
- ↑ Landsberger Allee 153 . In: Berliner Adreßbuch , 1919, III., P. 454. “Cafetier G. Eckler”.
- ↑ New office building at Landsberger Allee 61 - where women used to bathe. In: Berliner Zeitung . November 12, 1994.
- ↑ Berlin's smallest opera house is on Landsberger Allee. In: Berliner Morgenpost . November 27, 2013.
- ↑ Max Kreuziger Elementary School
- ↑ Simon-Dach-Strasse 12 . In: Berliner Adreßbuch , 1911, III., P. 800. “A. Hulke & Co. with the cinematograph theater ”(Previously, under 1909/4274 in Part III. P. 767 the innkeeper J. Pawlick and 1910/4428 the innkeeper Weiß under Part III, p. 786. For 1911 and 1912 there is no Innkeeper, but rather a cinema owner in the house, which was followed in 1912/4713 in Part III on p. 805 with the entry: Cinematograph owner R. Winkler.).
- ^ Adolf Schacher . In: Berliner Adreßbuch , 1921, I., p. 2585. "Adolf Schacher Kinobesitzer Boxhagener Straße 59 II" (From 1922 Adolf Schacher is registered as an innkeeper, O 112, Gärtnerstraße 15/16. In 1923 Reinhold Wosseng owned the cinema at Cadiner Straße 7 and from 1924 he was called Tonkünstler .).
- ^ Plan of Berlin. Sheet 4231 / Straubeplan II B ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. . X = 26950, Y = 21250
- ↑ ISBN 3938714050 .
- ↑ Frankfurter Allee 15 . In: Berliner Adreßbuch , 1914, III., P. 241. "Neufert, W., Kinematographen Vorführer" (The innkeeper O. Werner is entered in house number 27. In the corner house of the reindeer Minna Martiny is also the XIII. Main team.).
- ^ Friedrichshain Thalia Lichtspiele - History
- ↑ a b Tilsiter-Lichtspiele.de: cinema history
- ^ Tilsiter Strasse . In: Address book for Berlin and its suburbs , 1900, III., P. 619. "House 22: 16 tenants, 23-25: construction sites of the Kelz bank, 26: new building master mason Androck" (1901 23-25 construction sites of the brewery owner Bötzow , 1903: 23 is new building, 24, 25: construction site Bötzowsche Erben, 1904: No. 25a as a five-storey apartment building with 35 tenants from house owner E. Grätzer from No. 25, including innkeeper P. Stoehr. 1907 the innkeeper G. Möwius.) .
- ↑ The later owner leaves the year 1910 in the cinema address book 1920 as founded and Wilhelm Reuter has 1912 entered as the year of foundation from 1937. On the other hand, Minna Mrose is already listed as the owner in the 1910 address book. The address books (which appear at the beginning of the year) are printed at the end of the previous year, so the content relates to the previous year.
- ↑ Tilsiter Strasse 25A . In: Berliner Adreßbuch , 1910, III., P. 854. “Minna Mrose, Kinematographen Theater, is also mentioned among the 42 tenants.” (In the residents' part 1910 - # 1912, I, part p. 1893-: Mrose, Minna, Born Conrady, Kinematogr. Bes., O 34, Tilsiter 25a, Wohn. N20, Prinzenallee 84. In addition, the information from 1909 : Gustav Möwius, Innkeeper, O34, Löwestraße 9. Hermann Mrose operates the Prinzenallee 84 on the fourth floor in N20 the lithographic studio and blueprint institute, founded in 1891.).
- ^ Resident of Berlin . In: Berliner Adreßbuch , 1931, I., p. 1410. "Else Jahr, Kinobesitzerin, O34, Tilsiter Straße 25a".
- ↑ kinokompendium.de: Tilsiter Lichtspiele
- ↑ Inside and outside view from 2010 >
- ↑ A historical photo from 1938, which also served as a template for the design of the menu in the cinema bar, shows the entire staff of the cinema posing in front of the cinema as well as the outdoor advertising for the films currently running in the cinema, Shots in Booth 7 (Director: Carl Boese , D 1938) and Grossalarm (directed by Georg Jacoby, D 1938). One of the people in the photo was the cashier at the time, who was still living in the house opposite when it opened in 1994. This photo also served as the cover for the locally distributed Friedrichshain history calendar 2008 of the Friedrichshain history association Hans Kohlhase e. V.
- ^ Paul Röhr . In: Berliner Adreßbuch , 1912, I., p. 2502. "Röhr, Paul, Kinematogr.Theat.Bes., = 112, Weichselstrasse 26a pt." (Röhr is no longer registered in 1913, however.).
- ↑ uci-kinowelt.de: company profile
- ↑ UCI Kinowelt on Kinokompendium.de
- ↑ Pictures of the halls and exterior view from 2008
- ↑ UCI opens new UCI Luxe cinema at Mercedes Platz in Berlin. on www.filmbiznews.de
- ↑ The Kinematograph 187/1910
- ↑ Cranz, Oskar . In: Berliner Adreßbuch , 1910, I., p. 402. "Oskar Cranz, innkeeper, Prachtsäle des Ostens, O 112, Frankfurter Allee 151/152 Owner Telephone VII 4208" (Later the Cranz heirs are the owners.).
- ^ Last entry by Lichtenberger Lichtbild-Theater GmbH in the address book from 1935; There is no entry in the cinema for 1936, not even in the commercial section
- ↑ Frankfurter Allee 48 . In: Berliner Adreßbuch , 1938, IV., P. 230. "Owner: Cranz'sche Erben, users: H. Brandt, ballroom, Willi Hein, cinema" Viktoria "and others like innkeeper P. Jäger".
- ^ Resident of Berlin . In: Berliner Adreßbuch , 1943, I., p. 305.
- ↑ Willi Hein . In: Berliner Adreßbuch , 1943, I., p. 1040. “Cinema owner in Charlottenburg Bismarckstraße 46, movie theater owner in Grunewald Kurfürstendamm 119/120” (Hein, W., Kino “Viktoria” is entered in the address section . 1943 is missing in the commercial section .).
- ^ "Wild Commemoration" in Berlin-Friedrichshain / Antifa Friedrichshain May 20, 2005
- ↑ Crossener Strasse . In: Berliner Adreßbuch , 1912, V., p. 9. “* Gärtnerstraße * * Boxhagener Platz * * Gabriel-Max-Straße * House 11: House owner: owner L. Lebbin, among the tenants cafetier J. Selky.” (Im Commercial part for Boxhagen-Rummelsburg is listed under Cafés Julius Selky with his Café Hansa. 1910 - Part I p. 2680 - he owned the "Café Nürnberg" in S 59 Nürnberger Platz.).
- ^ Resident of Berlin . In: Berliner Adreßbuch , 1921, I., p. 3640. "Heinrich Schellhase, Kaufmann, Crossener Straße 11" (1912 theater entrepreneur Heinrich Schellhasse is listed under S59 Maybachufer II 1st floor. 1928/1929 as a businessman at Crossener Straße 11 .).
- ↑ Boxhagener Chaussee . In: Berliner Adreßbuch , 1912, III, p. 97. "See also Kreutzigerstrasse 16, the house owner is J. Dießner from Charlottenburg, 16 tenants, ground floor and four upper floors" (In the 1913 address book, then Kinotheater Max David as a resident.).
- ↑ Inhabitants of Berlin and its suburbs . In: Berliner Adreßbuch , 1913, I., p. 469. “David, Max, Kinematogr. Theater, O112, Boxhagener Strasse 20 pt., Wohng. Lichtenberg, Seumestrasse 9, Post Rummelsburg ”.
- ↑ Kino-Pharus-Plan Berlin from Verlag Kino-Adressbuch, Berlin W 35: Printed by Pharus-Verlags GmbH SW 68, Lindenstrasse 3
- ↑ cinema Pharusplan Berlin Cinema Address Book Publisher Max Mattisson, SW 68, Knight Street 71; Lith. Printing: Pharus-Verlags GmbH SW 68, Lindenstrasse 3
- ↑ Romintener Strasse belonged to Berlin O 34, the continuation in Boxhagen was already called Grünberger Strasse. The double building survived the Second World War.
- ^ Romintener Strasse . In: Berliner Adreßbuch , 1907, III., P. 668. “Prylewski, J. & Co. Kinematogr. Theatre".
- ↑ Green way 28 . In: Berliner Adreßbuch , 1907, III., P. 291. “Blaeske & Pannier, Bioscop-Theater”.
- ^ Merchant Walter Pannier . In: Berliner Adreßbuch , 1907, I., S. 1753 (1908/3631 /). and Bläske & Pannier . In: Berliner Adreßbuch , 1908, I., p. 197.
- ↑ Walter Pannier . In: Berliner Adreßbuch , 1913, I., p. 2269.
- ↑ Brown / Green / Red Path . In: Street name lexicon of the Luisenstädtischer Bildungsverein
- ↑ New buildings - Revaler Straße . In: Berliner Adreßbuch , 1907, III., P. 657.
- ↑ Revaler Strasse 3 . In: Berliner Adreßbuch , 1908, III., P. 2517.
- ^ Innkeeper Putzke . In: Berliner Adreßbuch , 1908, I., S. 1992.
- ↑ Map of Berlin 1: 5000 (K5 - color edition): Revaler / Warschauer Straße , also Straubeplan IIB from 1910 (X = 28080, Y = 20205) and the following editions of the city map of Berlin, sheet 4224.
- ↑ Frankfurter Allee 151/152 to 154 at the corner of Niederbarnimstraße belonged to Lichtenberg in 1910.
- ↑ Templiner . In: Berliner Adreßbuch , 1909, I., p. 2745.
- ↑ Templiner . In: Berliner Adreßbuch , 1913, I., p. 3152.
- ↑ Straubeplan IIB 1910 (X = 27915, Y = 21100) search term: Frankfurter Allee 121
- ↑ Frankfurter Allee 85 . In: Berliner Adreßbuch , 1914, III., P. 238.
- ↑ Alfred Duskes . In: Berliner Adreßbuch , 1908, I., p. 464 (1909/507 /).
- ↑ See also Duskes factory . In: Berliner Adreßbuch , 1911, IV., P. 207.
- ↑ 1911/2204 /: Kaufmann Jacob Pelzer, NW 21 Bundesratufer 12 Garden House // 1911/2893 /: Kaufmann Hellmuth Spieß O34 Frankfurter Allee 85
- ↑ Wolff & Spieß . In: Berliner Adreßbuch , 1912, I., p. 3408.
- ^ Adolf Eisner . In: Berliner Adreßbuch , 1913, I., p. 595.
- ↑ Manthey & Vollrath: 1914/1997 /: Kaufmann Max Manthey Schöneberg Koburger Straße 12 1st floor + 1914/3370 /: Kaufmann Ernst Vollrath Friedenau Ringstraße 46 garden house 1st floor
- ↑ In the house there were (probably) empty rooms of the restaurant: the address book named the innkeeper Jaeck, who was run by innkeeper Vetter in 1906. When comparing the tenants, the innkeeper is missing for 1907 (1908/4181 /) and in 1908 the cinematograph theater by Starker followed. The end of the cinema coincides with the transition of home ownership.
- ↑ Nerlich . In: Berliner Adreßbuch , 1910, I., S. 1958.
- ↑ Gromadecki . In: Berliner Adreßbuch , 1910, I., p. 842.
- ↑ Franz Gromadecki . In: Berliner Adreßbuch , 1911, I., p. 882. "Franz Gromadecki in O 34: electrician in Revaler 12, cinematograph theater in Warschauer Strasse 63, but no longer in Niederbarnimstrasse."
- ↑ Franz Gromadeck (i, y) . In: Berliner Adreßbuch , 1912, I., p. 910.
- ↑ For 1911, Grünberger Straße belonged to the suburb Boxhagen-Rummelsburg, which came to the city of Lichtenberg from 1912. When Romintener Strasse was later included, house 13 was given the new address Grünberger Strasse 65.
- ↑ Grünberger Strasse 13 . In: Berliner Adreßbuch , 1912, V. (Boxhagen-Rummelsburg), p. 12.
- ↑ Grüneberger Strasse 13 . In: Berliner Adreßbuch , 1911, V., S. 12. The owner of the house was Kuske, a bricklayer foreman, and Karl Rosenblatt's inn existed in the house.
- ↑ In the 1910 address book Paul Krüger is missing among the inhabitants of Berlin and its suburbs. Ferdinand Holländer cannot be proven either before or afterwards.
- ↑ 1912 in Lichtenberg cinematographic performances (1913/5779 /) by Robert Winkler are listed, who lived in Gabriel-Max-Straße 3 1st floor and had his cinematograph in Simon-Dach-Straße 12. In the previous year, 1911, neither was the case, but a clear allocation according to the address book is not possible.
- ↑ Kowalski . In: Berliner Adreßbuch , 1911, I., p. 1499.
- ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1918, IV., P. 191.
- ↑ Dreibrodt . In: Berliner Adreßbuch , 1923, I., p. 554.
- ↑ Otto Müller . In: Berliner Adreßbuch , 1923, I., p. 2163.
- ↑ compare Große Frankfurter Strasse 101 . In: Berliner Adreßbuch , 1916, III, p. 238.
- ↑ Frankfurter Hütte Hermann Puscher . In: Berliner Adreßbuch , 1909, I., p. 655.
- ^ Frankfurter Hütte Carl Lautenbach . In: Berliner Adreßbuch , 1911, I., p. 685.
- ↑ owner: Kaufmann C. Sirau and Fritz Lange . In: Berliner Adreßbuch , 1914, I., p. 447.
- ↑ Companies registered in the commercial court . In: Berliner Adreßbuch , 1919, I., p. 395.
- ↑ Plan of Berlin: Map 4223 . Search term: 'Frankfurter Allee 55'
- ↑ Düring . In: Berliner Adreßbuch , 1913, I., p. 558.
- ↑ Düring . In: Berliner Adreßbuch , 1914, I., p. 572.
- ↑ Straub plan from 1910, part IA and IIA (X = 26800, Y = 21275)
- ↑ Dindas innkeeper . In: Berliner Adreßbuch , 1912, I., S. 496., also 1913/4220 /, 1914/540 /
- ^ Boxhagener Strasse . In: Street name lexicon of the Luisenstädtischer Bildungsverein . The part of Boxhagener Straße, named in 1874, was renamed “Boxhagener Chaussee” between Niederbarnimstraße and Wismarer Platz and got the name Boxhagener Straße back around 1921. O 112 Boxhagener Chaussee 3 was on the north side a little west of Wismarer Platz in Boxhagen-Rummelsburg on the local border with Lichtenberg and came completely to the city of Lichtenberg in 1912.
- ↑ Sketch of the location . In: Berliner Adreßbuch , 1909, III ..
- ↑ Ronneberger . In: Berliner Adreßbuch , 1913, I., p. 2563.
- ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1916, IV., P. 195.
- ↑ Sketch of the location . In: Berliner Adreßbuch , 1920, III., P. 93.
- ↑ Building age, dark brown: 1946–1961
- ↑ Scharnweberstrasse . In: Berliner Adreßbuch , 1915, III., P. 757.
- ↑ Clara Düring . In: Berliner Adreßbuch , 1916, III., P. 722.
- ↑ Frankfurter Lichtspiele, Scharnweberstr. 35: 1915
- ↑ The house belonged to Lichtenberg, the street was spelled with C until 1930 .
- ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1921, IV., P. 254.
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