List of cinemas in the Berlin district of Steglitz-Zehlendorf

The list of cinemas in the Berlin district of Steglitz-Zehlendorf gives an overview of all cinemas that existed or still exist in the Berlin district of Steglitz-Zehlendorf . The list contains the districts according to the boundaries since the district reform in 2001 and pre-sorted alphabetically: Dahlem , Lankwitz , Lichterfelde , Nikolassee , Steglitz , Wannsee , Zehlendorf. The list was built according to information from research in the Kino-Wiki and linked to connections with Berlin's cinema history from further historical and current references. It reflects the status of the film screening facilities that have ever existed in Berlin as well as the situation in January 2020. According to this, there are 92 venues in Berlin, which means first place in Germany, followed by Munich (38), Hamburg (28), Dresden (18) as well as Cologne and Stuttgart (17 each). At the same time, this compilation is part of the lists of all Berlin cinemas .

introduction

“At the bird shooting in Steglitz [in August 1903] the cinematographs of Wilhelm Hartkopf, who also showed an unspecified 'museum', and [the cinematograph] of a Mr. Salzmann played. There was also an American and Russian swing, merry-go-rounds, athletes and giant girls, shooting galleries, photographers, and a number of play and sales booths. Business and weather very bad. ”(): At the shooting festival in Steglitz in May 1910, in addition to a bear theater, a dog theater and a specialty theater, a cinematograph operated by the showman Karl Birkeneder was also represented.

The first verifiable cinemas in Steglitz started in 1907. There were smaller, less representative rooms like elsewhere in restorations or as a shop cinema . They opened in streets with heavy public traffic, such as Schlossstrasse, which was already central at the time. Between 1907 and 1910 the “ Metropol-Lichtbildtheater ”, the “ Flora-Kino ” and the “ Palast-Theater ” were located up until the construction of the large-scale cinema Titania-Palast , followed by “ Das Deutsche Theater ” and “ PT Lichtspiele ” in Steglitz City Park in 1911 ". Groß-Lichterfelde was probably more suitable for cinematograph theater in 1909, with the establishment of the Central Cinema on Hindenburgdamm, than Zehlendorf, where light plays followed for the first time in 1918.

The cinema schedule was up-to-date, so that the Steglitzer does not have to "take the time-consuming journey to Berlin if one wants to enjoy the latest and most popular performances of contemporary film art!" Supporting program is an American Western as a plastic film 'Plastigram - The Film of the Third Dimension'. Glasses distributed free of charge [gave viewers the impression] that the screen was no longer about 'pictures', but as personalities and objects emerged in full, vivid appearance. ”() For the silent films there was also background music Film lectures. At the beginning of December 1927, the Albrechtshof-Lichtspiele used the program-filling cultural film “Das Schaffende Amerika” for a Sunday matinee at 11 o'clock, commented on by the speaker, Captain Gottfried Speckmann. On October 19, 1929, the sex researcher Magnus Hirschfeld was in Steglitz, where he gave lectures on the sexual question in night performances in the Globus-Palast and the Bismarck-Lichtspiele and spoke about the Austrian cultural film Hygiene of Marriage , which dates back to 1922 .

The first silent films had a flammable celluloid base

As elsewhere, there were cinema fires : On November 14, 1927, a film caught fire in the projection room of the Südende cinema . “The Steglitz fire brigade fought the fire with a C-pipe and was able to move away after about 1½ hours of activity. There was no panic among the visitors. "()

In the 1920s, the southwest was an important location for the film industry . The " Deutsche Mutoskop- und Biograph GmbH " in (Groß-) Lichterfelde built the oldest German film studio in Zietenstrasse 10 in 1904, the large glass studio that was used exclusively for the recording and production of films. Around 500 films were made during the period. In the early 1910s, Heinrich Bolten-Baeckers set up a studio. Film greats like Hilde Hildebrand , Paul Heidemann and Konrad Dreher made their film debut. Ernst Lubitsch shot the monumental film The Pharaoh's Wife on the open-air site “ Rauhe Berge ” . Steglitz was recognized as the “German Hollywood”. In 1920 a film was made about the " House of Children ", the first elementary kindergarten based on the Montessori method . In 1928 the construction of the " Titania Palace " was documented in the film that was shown at the opening of the cinema.

“International Film Festival in Lankwitz, is that even possible? Berlinale boss Dieter Kosslick has been distributing a bit of the great glamor to the less breathtaking corners of the city since 2010. In Lankwitz, the Thalia, built in 1953 at Kaiser-Wilhelm-Strasse 71, is there. "()

Over the years there have been 45 cinemas in the district. Of 29 prewar cinemas, nine had to close due to war damage . 15 district cinemas with 500 to 700 seats were opened in the post-war years , seven of them in the late 1940s and more until 1957. Currently there are still five cinemas (as of 2016) in Steglitz-Zehlendorf: the “Thalia Movie Magic” in Lankwitz is the oldest The existing cinema in the district, in Steglitz there are the "Adria Filmtheater" and the " Cineplex Titania", in Dahlem the "Capitol" and the "BaLi" in Zehlendorf.

In the following list the cinemas are sorted alphabetically according to districts and within these according to the last or existing cinema name. The Berlin address book names the commercial part of the suburbs for the last year before the formation of Greater Berlin Paul Eitner for Berlin-Lichterfelde, in Berlin-Steglitz are Harry Fabian (with the cinema theater Thorwaldsenstrasse 25), Christian Fonfara (Schildhornstrasse 76 1st floor) , Kino-Betriebs-Gesellschaft Rothenbücher & Fehr (Florastraße 19), Hugo Lemke ("Lichtspiele", Albrechtstraße 132), "Lichtbildtheater Albrechtshof" (Albrechtstraße 1a), "Palast-Theater Eugen Pleßner" (Schloßstraße 92), A. Schubert ( Cinema owner Potsdamer Straße 22 2nd staircase) and Robert Wiesner (cinema owner Körnerstraße 39 2nd floor) added. For Berlin-Dahlem, Berlin-Lankwitz, Nikolassee and Zehlendorf with Schlachtensee no people are included in the cinema industry.

Cinema list

District	Name / location	address	Duration	description
Dahlem	Capitol ( Location )	Thielallee 36	since 1946	“The villa was built by Wanda Büttner in 1928/1929 and was owned by the director of Unilever Germany , Jan Willem Maria Jurgens , from 1929–1941 . In 1942 it came into the possession of Carl Froelich , President of the Reichsfilmkammer , who had a [privately used] cinema installed. In 1946 a larger hall was added and the Capitol public cinema opened. From June 1, 1955, it was taken over by Mrs. Erika Schirmer . ”() The cinema in the hall of Carl Froelich's villa was destroyed by a bombing in 1945 , but was rebuilt in spring 1946 and reopened as the“ Capitol Dahlem ”. In 1949 there were 250 places (from 1952: 243), as owner and managing director Gustav Lehmann, from 1953 Liselotte Gastler ran the business. Two performances were played daily and one late night performance each week. The cinema technology consisted of the Ernemann projector and the slide device. In 1956, when Gerhard Klein was the owner and initially manager, the company switched to the CinemaScope widescreen system with 227 seats and 16 shows a week. Klein took Alfred Wittkopf as managing director. The Capitol-Lichtspiele (AO Gildetheater, Dahlem, Thielallee 36, Tel: 765327) had 227 folding armchairs from Kamphöner, some of them upholstered. There were two Ernon IV projection devices on the right and left (light source: pure coal), the sound was reproduced via Zeiss Ikon amplifiers as a single-channel light sound, the image format 1: 2.35 and slides were projected with sound. In the 1980s, the cinema took Heinz Hinze with the "Capitol FTB GbR" as "Capitol-Filmkunsttheater" until 1993. In 1994 the Yorck-Kinogruppe (Yorck-Kino GmbH - FTB, 10789 Berlin, Rankestr. 31) took over the Capitol Dahlem 220 seats, from 1997 with 162 seats. The film was played back as 35mm analog or digital with Dolby Digital 5.1 on a screen measuring 3.2 m × 4.7 m. “In an Art Nouveau villa, international film art became an intimate chamber play. The Dahlem museums, the Free University and the charming Thielkiez with cafes and small shops are just around the corner. ”() “Showcases line the sidewalk that leads through a small front garden to the two-story, slightly recessed building. Above the arched entrance doors there is a large billboard, which is the only one to indicate the cinema. The cash register and a sales stand are located directly behind the entrance in the first foyer area. […] As was customary in the past, coffee is served in cups and wine in glasses. ”() The Capitol is a arthouse cinema from the very beginning with sophisticated films. The long-time director Gerhard Klein offered the “literary podium” with readings and lectures by well-known actors such as Curt Bois or Martin Held and the Eddie Constantine Nights. The projector room is located in an extension that is only accessible from the outside. The auditorium with three quarters of mint green cinema seats with bottle holders in the parquet area is elongated with a high ceiling. There is a small wooden stage in front of the screen and a silver curtain of clouds hangs in front of the screen.
Dahlem	Outpost ( Location )	Clay avenue 135	1953-1994	The name "Outpost" (German: outpost, outpost) for the newly built cinema on the former military site was determined in a naming competition. The cinema was built under the direction of the American architect Arnold Blauvelt and is reminiscent of British cinema buildings. There were 750 seats in the stalls and a further 178 in the upper tier. It had a small orchestra pit, a stage and 750 seats. On February 6, 1953, the "Outpost Theater" was opened. In 1994 the area was converted into a museum and the last film was shown on June 30, 1994 at 7 p.m. The cinema building is a listed building. In 1953 the motion picture theater was built by the Engineer Division for the American armed forces in Berlin as a free-standing plastered building, whose facade design and building structure are based on the architecture of the 1920s. 1996–98 the interior was rebuilt.
Lankwitz	Capitol ( Location )	Kaiser-Wilhelm-Strasse 88	1933-1943	The Capitol opened in 1933 on Kaiser-Wilhelm-Strasse in Lankwitz, and a separate cinema was built on property 88/90, which was still undeveloped in 1933. The building of the hall in the depth of the property with 550 m² of floor space and on the street front with 800 m² of floor space. The owners were Bruno Juhnke (cinema operating company) and Ludwig Semotam (property and building owner), whose business was probably also carried out as projectionist Egbert Rech. The cinema had 950 seats and a 45 m² stage. With the opening, the cinema technology for the sound film screening was installed and there was a mechanical music system . In 1939 Ludwig Semotan sen. and jun. specified as the cinema owner, whose managing director was Richard Weiß and, from 1941, Paul Stolz. They name 984 seats as audience capacity. In 1943 the cinema building was destroyed by bombs and operations ceased. In contrast to the buildings on the street front, the rear cinema hall has not been rebuilt. In the 1970s there was a new development with five-story apartment houses. These form a street front 82-88 (straight) with transverse buildings on 88, so that plot 90 could be used as a green area.
Lankwitz	Lichtburg ---- Viktoria-Lichtspiele ( Location )	Leonorenstrasse 51	1927-1971	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW In 1927 Ms. Emmy Ahlers opened the “Viktoria-Lichtspiele” with 250 seats in Viktoriastraße 43 not far from Lankwitz train station. Founded as a hall cinema, they were located in the "Deutsche Haus" restaurant. Daily cinema operations were run by Artur Ahlers until 1929, and in 1928 it was expanded to 355 seats. In 1929 the movie theater was "currently closed". After being converted into a cinema, Otto Klung reopened the "Lichtburg". Paul Freund conducted the performances with 500 seats and six musicians provided background music for the silent films. With the change of ownership in 1932 by J. Kaplan and S. Rabinowitsch (managing directors: S. Berger), the sound film technology from Kinoton was installed. The 1934 cinema directory names Carl Gürtler's owner of the “Lichtburg-Palast”: founded in 1929, daily gaming, 428 seats, mechanical music. Paul Fischer & Sohn are the owners of the Lichtburg with 451 seats from 1937. When the street was renamed in May 1937, the Lichtburg was given the address Leonorenstraße 51. The cinema survived the war relatively unscathed and was able to resume cinema operations as early as 1946. Initially, Georg Fiebiger is the owner of a cinema with 450 seats and a theater license for the 5.2 × 2.4 m² stage with a variety booth. In 1950, Karl Heinz Bukofzer runs Erich Bukofzer and Erich Loschinski's Lichtburg. From 1952 Mrs. Margarete Gierig is named as the owner. The 15-week performances are given over seven days, film projection (light source: pure coal) by two (right and left) Ernemann IV, for the sound the 40-watt AEG amplifier and there is slide projection with sound. With the introduction of wide screens in 1956, the stage is no longer necessary; CinemaScope with single-channel light sound on the screen as 3 × 4, 3 × 5.5 or 3 × 7 meters is possible. 435 upholstered armchairs are available for the audience for the two daily performances and one late night and one youth performance each week. The cinema was closed on November 1, 1971. Shortly thereafter, the building was demolished forever and in 1973 the new four-storey building bordering the Lankwitz public baths was on the plan.
Lankwitz	Play of light in the community hall ( Location )	Dillgesstrasse 27	1919-1923	From 1919 there were film screenings in the Lankwitz community hall (corner of Barbarastraße / Dillgestraße), which was built in 1914. The ballroom used for the demonstration had 500 seats and the demonstrations were held on Saturdays. The municipality secretary Bley was responsible, the building belonged to the municipality administration Berlin-Lankwitz (Victoriastraße 25-28). The cinema was closed in 1923. The building belongs to the Beethoven High School and is a listed building.
Lankwitz	Mühlen-Lichtspiele ---- Gloria Auen film show ( Location )	Mühlenstrasse 21	1924-1943	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW In 1924 Carl Auen opened the cinema with 240 seats in the hall of the restaurant "Paradiesgarten" in Mühlenstraße as Auen-Lichtspiele. In keeping with the trend of the time, the silent films were combined with a presentation show on the 4 m × 7 m stage, the name "Auen-Film-Schau" refers to. This name was retained by Fritz Groß (1929) and Jakob Krüger (1930), three musicians were present. In 1931/1932 the "Venus-Film Fritz Dorenberg" expanded the performances with the three-man band in the "Auen-Film und Bühnenschau", which states that it was founded in 1919 in the cinema directory. In 1933 the new owner I. Neumann changed the name to Gloria-Lichtspiele with the purchase of the sound film projection device. When Ms. Ella Kuipers took possession of the venue from 1936, she chose "Mühlen-Lichtspiele" and offers 269 seats, from 1940 Wilhelm Höhne was the cinema owner with 249 seats and an 8 m × 8 m stage. The building was destroyed in the 1943 war and the ruins were cleared in 1958. In the 1970s, the neighboring buildings were also torn down and property 19–27 (odd) came as open space to the Alt-Lankwitzer Schule (Schulstrasse 17/21). The residential building at Mühlenstrasse 17 was retained, with the school's sports facilities on the neighboring properties.
Lankwitz	Thalia ( Location )	Kaiser-Wilhelm-Strasse 71	since 1953	In 1953 the Thalia Film Theater was opened. The entrance is on Kaiser-Wilhelm-Straße with two showcases and refers to the flat cinema building on the property at Thaliaweg 17a, which has been moved to the rear. “The house was built in an area in which 2000 new apartments will be built in the foreseeable future and anticipates the increase in interested parties. The spacious foyer is used for exhibitions of the fine arts. ”(). “With the bird dealer and a symbolic 'Hello, everyone!' The Thalia film theater was opened next to the church in Lankwitz. The builder is Heinrich Seinke from Brunswick, head of the Gloria-Theater-Gesellschaft mbH, who made a gratifying commitment to Berlin. The house stands in the middle of a residential area that is under construction; the architect was Professor Müller-Rehm. Here, too, a wide screen will soon replace the temporary screen. The acoustics are very cheap. The technical equipment with two Ernemann-X machines and sound film Eurodyn sound system was supplied by the company Kinotechnik Niedersachsen from Hanover, the seating by Kamphöner. Thalia has 704 places. ”() The Thaliaweg, named and laid out in 1930, gave it its name . After many years of difficult economic conditions, the cinema was about to be closed and converted into a supermarket in 1979. A citizens' initiative achieved the withdrawal of the self-submitted notice. The then cinema operator Peter Vollmann decided to convert the 280-seat hall into a cinema center with four halls. Halls 3 and 4 emerged from the large hall 1. The foyer was built as a mini supermarket on the way to the cash register . This arrangement was dissolved by the current cinema operator Peter Wagner (also Casablanca), who took over the cinema in 1998. The glazed wall within the foyer still marks the location of the former shopping facility, but is now only used as a box office and for selling snacks. “The Thalia Kino is near Lankwitz Church. [...] People went to the cinema there as early as the 1960s and 1970s. There are four cinema halls, there are films for children and adults. There are two toilets for girls. You can meet up with friends in front of the cinema, where you can attach bicycles. You can buy lots of snacks and drinks in the cinema. "() Room 1: 238 blue comfort armchairs in nine rows with one. Projection in D-Cinema 2K-3D or 35mm analog and Dolby Digital . The back wall with the New York skyline including the illuminated Brooklyn Bridge is the partition wall to the subsequently built-in halls 3 and 4. Hall 2: 20 seats in three rows are reached via a long, steep staircase. The projection onto the 1.5 m × 1.2 m screen takes place in 35mm and Dolby Surround. Hall 2 has the undisputed title of “Berlin's smallest hall”. Hall 3 with 91 classic cinema chairs with dark gray velvet covers is a 35mm theater with Dolby-SR, the screen is 6 m × 2.8 m in size. Hall 4 is a 35mm theater with Dolby Stereo with 57 seats in six continuously rising rows of seats, there are booster seats available for children. As in room 3, the canvas is 6 mx 2.8 m.
Lichterfelde	Central light plays ( Location )	Hindenburgdamm 93a	1909-1935	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW “In 1909, the mechanic Paul Eitner opened the Central-Kino (172 seats) in Lichterfelde at Chausseestrasse 93a [since 1914 Hindenburgdamm] at the corner of Augustastrasse. A brewery helped with the new seating - at first there were only rows of seats without backrests. because at that time a decent Molle was part of a visit to the cinema. Father Eitner proudly tells us that two tons were sometimes served at the Saturday and Sunday performances. ”() Paul Eitner remained the owner of the cinema until 1927, in 1928/1929 Emmi Kiwitt took over the Central-Lichtspiele. Josef Dischner has been running the 180-seat venue since 1929. The “Central” did not receive any sound film equipment, for which there were probably economic reasons. The Lichtspiele were closed in 1935. In addition, the neighboring properties 93b – 93d facing Dürerstrasse were built on in 1936. The corner building at Hindenburgstrasse 93 / Augustastrasse is a two-storey low-rise building with a shop and a commercial / office part on a congruent floor plan of the original restoration.
Lichterfelde	The mirror ( Location )	Drakestrasse 50	1952-1973	“In Berlin-Lichterfelde-West, Drakestrasse 50, Kurt Rilk, owner of the Zehlendorfer film theaters 'Zeli' and 'Rathaus', opened a cinematic theater with the rare name 'Der Spiegel', equipped according to the most modern, artistic and technical aspects. The house - it is the 204th movie theater in West Berlin - has 625 seats. Voelker and Grosse, the well-known builders of the Berlin Schiller Theater, were the architects. From September 1951 onwards - and throughout the winter - construction began. The following special features stand out: the red upholstered walls of the foyer with showcases (two cash registers) and the molding walls in the auditorium (10,000 meters of molding were used); they guarantee excellent acoustics. Technical equipment (by Ufa-Handel): two Ernemann-X-projectors [sound film-clear sound amplifier] and a hearing aid system. In the first days of its existence, the house was particularly popular with the people of Lichterfeld. ”() The glass bay in the middle and the expansive, roofed entrance area with the sloping supports that support the canopy are powerful elements of the simple beauty Architecture of the economic boom. Older fields of lights remember having seen all the films with Maria Schell here. "Modern, with unusual lines, [...] the slight inclination of the longitudinal walls and the stucco surrounds on the sides results in the stage portal. The walls and the parapet of the 600-seat theater are covered with wooden strips. It is projected from a distance of 24 m onto a screen of around 3.75 X 5.0 meters. "() The film theater had a stage with a license for theater and opera performances. Until 1961, “Der Spiegel” also served as a border cinema . From 1956 Kurt Wronna ran Spiegel for the "Kurt Rilk Lichtspieltheater-Betriebe" with two performances a day, two late and one additional performances a week and a matinee performance a month. At the same time, the conversion to wide screen films with CinemaScope four-channel magnetic sound in the format 1: 2.55 took place. From 1959 Mrs. Herta Rilk continues to run the cinema as the owner. After a change, Fritz Seifert continued to run the film theater from 1967 until it closed in 1973. 1974 is registered under Drakestraße 50 in the business directory "Real-Discount Cohn & Berndt". The architecture elements typical of the cinema, such as the screen arch and the audience stand, were hidden behind ceilings and walls. The building was used as a grocery discounter for 25 years. At the beginning of 2004, Frank Lüske (Biolüske) commissioned the architects Kleyer and Koblitz to redesign the building for an organic market . The story that still existed was not negated and the cinema typical remained recognizable. The 500 m² organic supermarket was created on the ground floor. The old auditorium became an event location with various uses, so with Gaggenau and Poggenpohl the first cooking studio in Germany was planned in an organic supermarket. The facade like the cinema entrance has been preserved.
Lichterfelde	The bridge ---- Hili movie theater Hindenburg-air theater world in the light ( Location )	Hindenburgdamm 58a	1913-1977	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW In 1913, a cinematograph theater with 250 seats opened on the ground floor of the newly built house at Chausseestrasse 58a between Haydnstrasse and Flotowstrasse. The cinema was initially run by Mrs. Günther. In 1918 it was listed in the cinema directory as "The World in Light" with 300 seats owned by Wilhelm Günther with an apartment in Hindenburgstrasse 58a. In May 1914, Chausseestrasse was renamed Hindenburgstrasse. In 1920, when the owner changed to Paul Fischer, it was renamed "Hindenburg-Lichtspiele" with 230 seats and daily presentations. After the years of inflation, in 1924 these light games became the property of "Steglitzer Metropol-Lichtbildbühne GmbH". The operation of the cinema with 285 seats and program changes on Friday and Tuesday was managed by Max Viktor. In 1928 Otto Klung took over as cinema owner, F. Mursch and W. Lehmann in 1929 and Hans Stroschewski in 1930. The latter was run by Paul Freund. Three to four musicians were used to provide background music for the silent films. In 1931, the new owner Gustav Saibene gave 400 seats for his Hindenburg light plays. The showing of sound films was made possible by the installation of the sound reproduction in 1933 under the ownership of the cinema by Eugen Pollaczek. As early as 1934 the sound film theater was owned by Erich Bauer (CEO: Hans Conrad). In the 1937 cinema directory, Otto Klung is again named as the owner, to whom the shorter term “HiLi” (for Hi ndenburg- Li chtspiele) goes back, the stated capacity is between 385 and 391. The cinema remained without war damage and was only briefly interrupted led into the post-war period by Otto Klung. Alfred Wittkopf ran the business and was a demonstrator. The Hili film theater had a little over 400 seats, and a theater and opera license was available for the 5 m × 5 m × 6 m stage. The film was shown with a Bauer B6 projector and Bauer Lorenz amplifiers, and there was also a slide projection with sound. It was played every day at 15 performances a week. In 1953 Fritz E. Croner took over the cinema with its managing director Arthur Ludwig. He took over the cinema with his company "Arthur Ludwig-Theaterbetriebe" and converted the Hili to a wide screen: in addition to the sounding slide, the device was also used for the Bauer B 6 (light source: Xenon), AEG amplifiers and sound film speakers, and the single-channel CinemaScope was played -Light tone on the screen format 1: 2.35 possible. With 21 performances and one late performance, daily demonstrations for 353 spectators could be given on high upholstered armchairs. In 1959 the VistaVision demonstration system was added. The Arthur Ludwig theater company continued to run the cinema. In 1967, in response to the “ cinema crisis ” that existed in the 1960s, the program was adapted and the film theater was renamed “Die Brücke”. In 1977 the house was finally closed. The ground floor rooms in the four-story house are used as shops by various companies.
Lichterfelde	Gloria palace ( Location )	Hindenburgdamm 101a	1949-1958	The Gloria-Palast was opened in 1949 opposite the Lichterfelde Palace Park. The cinema was located in a community hall converted by the architect Otto Zbrzezny in the rear part of the property of the Evangelical Church Community of Lichterfelde. The owner of the cinema and managing director was Arthur Ludwig with his company "Arthur Ludwig Theaterbetriebe", he owned or took over the Albrechtshof-Lichtspiele, the Adria-Filmbühne, the HiLi and also three cinemas in Hameln. The cinema with 957 seats was shown every seven days of the week with 2–4 performances. In addition to the slide projector, there was an AEG Euro M apparatus and the Klangfilm-Eurodyn II amplifier for the film screening . In the cinema there was a stage 11 m × 5.2 m × 9 m with a license for theater operation. From 1953 the cinema hall with 568 seats is equipped with high upholstered armchairs by Kamphöner, a "Bauer B 12" came as a projector. The existing cinema technology enabled the conversion to the CinemaScope single-channel optical sound system in projection format 1: 2.35 in 1957. Arthur Ludwig operated the venue until 1958. When it opened in 1949 as an “exemplary district theater ”, the cinema was closed again at the wedding . The inscription “Gloria”, which was applied directly to the bricks, can still be read faintly on the facade. The listed building with the former cinema is used again as the community center of the Paulus community.
Lichterfelde	Odeon light games ( Location )	Ostpreussendamm 78	1951-1962	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW The Odeon-Lichtspiele in Lichterfelde opened in 1951 at Berliner Straße 78. Only 800 meters from the city limits of Teltow-Seehof, it was dependent on visitors from Brandenburg, although American soldiers were among the visitors. “In Berlin-Lichterfelde-Süd, Berliner Straße, a new movie theater was opened near the zone border, the“ Odeon-Lichtspiele ”, which can accommodate 500 visitors.” () The cinema was founded by Karl Steinert with 502 and seven Days with 15 performances per week. The movie theater had a cabaret license, the slide projection was sound. The seats were unpadded folding armchairs from Kamphöner. The projector was from Frieseke and Hoepfner and the European amplifier from Rohde & Schwarz for the sound reproduction. Under the management of Wolfram Zenker, UFA-Handel bought the cinema with amplifier and projection apparatus (light source: Becklicht) from Philips for reproduction in the CinemaScope picture and sound system with single-channel optical sound on 1: 2.35 and with four-channel magnetic sound on 1 : 2.55 format. During the week there were 15 performances and two late performances, from 1959 instead of two late performances there were one late and one matinee performance. In October 1961, because of the ambiguous name of the street in various districts, after the formation of Greater Berlin, Berliner Strasse was renamed Ostpreußendamm. “After the Wall was built, the stately film theater had a very difficult time in an absolutely peripheral location.” () Dipl.-Ing. Wehn from Wilmersdorf continued to operate, but had to be closed in 1962. For this purpose, a discotheque moved into the building: the dance bar “White Horse”. After the temporary closure of the “Bellagia Diskothek” (Siebert Gastronomie UG), the “AHA” disco followed until the 2000s, and the “Odeon Club” is currently (as of 2016) operated by the “South Nightlife Club”.
Lichterfelde	Palace lights ( Location )	Oberhofer Weg 1	1914-1983	The cinema was opened in 1914 in the dance hall of the Kaiserhof restaurant; it was located in the rear part of the property, bordering the Kranoldplatz 1 building. The front entrance of the house was on the northwest corner of the extended Wilhelmstrasse, the cinema entrance was made possible from Kranolplatz. The location in the immediate vicinity of the Lichterfelde Ost train station was easily accessible. The "Kaiserhof-Lichtspiele" was owned by Gustav Kaufholz, who in turn was the innkeeper of the Kaiserhof restaurant. The cinema hall had a stage of 24 m². When Georg Zinn took possession of the cinema in 1918, he named it the “Palast-Lichtspiele”, projectionist Unger. The seating capacity was 450 spectators. During the inflationary years , the owner of the daily light games changed: 1920/1921 Richard Tuesday with Curt Hoffmann as demonstrator, 1922 Kallmann & Fischer. In 1923 Paul Fischer (Kallmann & Fischer) took over, who in 1927 expanded the capacity to 400 seats and used a band of seven musicians as a sound generator for the silent films. When “Kinoton” purchased technology to play sound films in 1931, the musicians were replaced by a mechanical music system and there were still 300 seats. In 1935 the number of seats was increased significantly to 600 seats, but 535 were permanently usable. When the street was renamed in March 1939 and the numbering of the properties changed, the “Palast-Lichtspiele” was given the address Oberhofer Weg 1. The owner is from 1935 called "Paul Fischer & Son" and from 1939 "Paul Fischer & Widow A. Fischer". The cinema was badly damaged in 1943 and operations ceased. The Palast-Lichtspiele remained in the possession of Paul Fischer until 1957. In 1950 it was reopened with 564 seats by Paul Fischer with Walter Königsdörfer as co-owner and both of them ran the business as demonstrators and program designers. There was a theater license for the 7 m × 2.7 m × 5 m stage. There were two performances a day, a late night performance and a weekly performance for young people, the Ernemann VII B demonstration device and the Kinne amplifier, Uniphon from 1955, were available. The seating was unpadded Kamphöner folding cinema chairs. The name of the owner was “Paul Fischer u. Son oHG Paul Fischer u. Walter Königsdörfer ”. To convert to wide screen, the technology was newly acquired in 1957: two Ernemann VII B 2 in 2 × right, amplifier Zeiss Ikon Dominar M II, loudspeaker Zeiss Ikon Ikovox D 3 Komb., So CinemaScope could be in single-channel optical sound and four-channel magnetic sound in the formats 1: 2.35 and 1: 2.55 can be played. In the course of 1958 Erich Wolff took over the cinema and continued the operation of the Palast-Lichtspiele with the existing conditions in the following years. In 1982 the capacity was reduced to 504 spectators. "1. April 83 - Closure: Berlin, Palast-Lichtspiele. Owner: Erich Wolff “() The former cinema is used as a shop (Euro-Shop), there is a beer bar on the corner, and there are shops on the ground floor of the house. The entire building, including the former dance hall, is a listed building.
Lichterfelde	Rex light games ( Location )	Under the oaks 57	1933-1968	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW The restaurant "Lindenpark" was located under oak trees 56-57. The Rex-Lichtspielhaus was opened by Johannes Betzel, the managing director was Eldon Bunar. The cinema was initially set up with 475 seats and from the beginning with cinema technology from "Kinoton" for sound film presentations ( mechanical music ). In 1941 the demonstrator / manager was Horst Feldt. The cinema remained in the possession of Johannes Betzel with 467 seats and daily gaming operations through the war years until the post-war period . In 1946, the "REX" was played with two performances a day, and in the mid-1950s the late-later matinee performance was added, in 1949 there were 463 seats. In 1952 Erich Thorner was the managing director, from 1954 Edgar Neumann and with wide screen technology it became Gertrud Prause from 1957. The cinema had a 6 m × 4 m × 4 m stage to which a theater license existed. The slide projection device was with sound. In addition to the amplifier and loudspeakers from Lorenz (20 watts), an Ernemann IV was available for the projection. The seating was partly flat and partly upholstered. For wide-screen films, CinemaScope single-channel optical sound was possible on the screen format 1: 2.35. From 1959, the technology equipment for the same widescreen presentation was the Bauer B 8 projector, loudspeakers from Klangfilm using the Lorenz amplifier. In 1957 Johannes Betzel went from the owner of the REX to the leaseholder of the cinema and in the same year Gertrud Prause replaced the previous managing director Edgar Neumann. From 1960 Betzel and Franzi worked as tenants with Elfriede Schaff as managing director until they ended gaming operations in 1968. The cinema building was demolished after it was closed in 1969 and plot 56/57 of the former "Lindenpark" was cleared. Until 1973 the property - now known as Unter den Eichen 57 - was rebuilt with a five-storey residential and commercial building, the 120 meter depth of the property was retained as a green / garden area and around 1990 the residential buildings 57a-57c were condensed into the development.
Lichterfelde	Rio-Lichtspiele ---- Union ( Location )	Gardeschützenweg 139	1920-1943	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW In Gross-Lichterfelde West Steglitzer Straße 35 (since November 1935 Gardeschützenweg 139) not far from the Lichterfelde West train station , Curt Busching opened the "Union-Lichtspiele" at the corner of Drakestraße in 1920. The light games existed (probably next to the restaurant) in the hall in the courtyard with 290 seats and were played daily. The owner of the property at Steglitzer Strasse 35, Franz Vogel, ran a hotel in his house until 1923, while the merchant Curt Busching from Lindenstrasse 44 2nd floor owned the Union-Lichtspiele. From 1924 Vogel is again included in the address book as an innkeeper. After the entry in the cinema address book 1924-25 , the cinema was transferred to the businessman Arthur Engel as owner in 1924. Engel handed over the ownership of the Union cinema in the course of 1925 to Hugo Lemke's "Steglitzer Metropol-Lichtbühne GmbH". In 1927 Hiska Ippen, Josef Geisler and Lydia Wegner-Salmonowa became the owners, although the latter is no longer mentioned in the following year. Ippen and Geisler remain the owners of the Union-Kino until at least 1932. In the Berlin address book 1933, neither Union-Kino is listed under the address, nor Hiska Ippen or Josef Geisler in the name part, only Oswald Franke is named with film distribution in Zehlendorf. According to the Berlin address book, Betzel is the owner of the “Rio-Kino” at Steglitzer Strasse 35 in 1933. Oswald Franke (Dahlem, Unter den Eichen 85a) undertook the renovation according to the entry in the Reichskino address book, Volume 13 (Distribution District I, East Germany, Greater Berlin) the Union zum Rio on sound film screening ("Bio-Ton"), the cinema still offered 287 seats. The new owner (only specified with the cinema address book in 1937) Johannes Betzel was subsequently traded as "Johannes Betzel & Helmuth Philippi", with Walter Weber being the managing director. In the 1943 address book, Johannes Betzel is still registered with Lichtspiele at Gardeschützenweg 139. The cinema was closed in the war year 1943. The hall building was neither destroyed nor damaged, but demolished between 1952 and 1955 and replaced by an outbuilding around 1970. There is a restaurant on the ground floor of the house.
Steglitz	Adria-Filmbühne ---- Schloßpark-Lichtspiele ( Location )	Schlossstrasse 48	1921–1943 since 1952	The Schlossparktheater and the “Gutshof Steglitz” are located in the square Schloßstraße 48 / Grenzburgstraße / Wulffstraße 1/5 / Wrangelstraße 2. The address of the Adria is Schloßstraße 48 (entrance on the left of the Gutshaus Steglitz ). The Schloßpark-Lichtspiele were located at the same address from 1921 to 1943 . These were set up in 1921 in the Schloßparktheater with 1000 seats by Paul Henckels and Hans Lebede. In 1924, Adolf Bellak from Wilmersdorf (since 1927 Lichterfelde) and Ernst Defries became the owners of Schloßpark Film- und Bühnenschau GmbH. The Schloßpark film and stage shows were shown 3–4 days a week, from 1925 daily. The cinema offered 982/999 seats and had a 10 m × 10 m stage with a usable area of 42 m² (8 m × 5 m). A band of 10 musicians was registered to provide background music and accompaniment to the silent film screenings. In order to keep up with the development of the sound film, Tobis installed the necessary technology in 1931; there are 1000 seats in the cinema address book for the Schloßpark sound film theater. The directors of their company are Bellak and Defries. In 1934 E. Bartsch becomes managing director, in 1937 the Schloßpark Steglitz Lichtspiele GmbH is the owner with 921 seats, managing directors are Lemke & Lautenbach & Co. The cinema operation of the Schloßpark-Lichtspiele ended in 1943 because of war-related destruction. The film business ceased until 1952. “After a construction period of five and a half months, Berlin's Adria-Filmbühne was ready in time for the start of the season. The third company by Arthur Ludwig, who already owns the Albrechtshof-Lichtspiele in Steglitz and the Gloria-Palast in Lichterfelde-West. Arthur Ludwig also owns three cinemas in Hameln. A porch resting on six pillars, which is effectively indirectly illuminated in the evening, welcomes visitors. The foyer and auditorium, which can accommodate 630 people, are characterized by an emphatically simple beauty. The overall design comes from the architect Hans Bielenberg. The technical equipment and stage technology from UFA-Handel, the Euronor Junior loudspeaker and amplifier system from Klangfilm. The exemplary spacious projection room is equipped with the latest AP XII audio projectors from Askania-Werke, Berlin-Friedenau. "() The reconstruction was a flat cinema building with a foyer. There was a theater license for the 8 m × 3.7 m × 6 m stage. Three performances were played every day with the equipment: sounding slide, Askania AP XII, sound film Eurodyn G. The widescreen conversion took place in 1957, when the stage size changed: 10.5 m × 2.2 m. The seating consisted of 620 Kamphöner upholstered armchairs. There was also a late performance. The cinema directory names CinemaScope four-channel magnetic sound in the format 1: 2.55, and single-channel optical sound in 1: 2.35, as well as Vista Vision as the image and sound system. 1960 came a hearing aid system and a Bauer B 14 (light source: Xenon), sound film amplifier, loudspeaker Bionor as a projection machine. In 1971 the Adria-Filmbühne was registered by owner Arthur Ludwig (Berlin 41, Bismarckstrasse 69) with 500 seats. In 1993 the Adria-Filmbühne owned by Adria Filmtheater Betriebsgesellschaft mbH owned by Peter Sundarp and Günther Mertins had 376 registered places. With “To the movies Filmverleih- und Filmtheaterbetriebs GmbH” from Kleinmachnow, the Adria is operated in conjunction with the Cineplex group . On Sundays there is a regular matinee with the documentary Berlin, How It Was From the 1930s. The hall was renovated in 1989, the interior fittings and the foyer were based on the 1950s elements. The cinema building is reached via a semicircular driveway with a front garden; the foyer is located in the single-storey porch with the transversely attached hall building behind it. The large foyer has a sales counter. The program selection focuses on American mainstream films. The cinema has 376 seats in 17 rows, the projection takes place in digital 3D (D-Cinema 2K3D, 35mm analog is available) with sound in Dolby Digital on a 24 m² screen (7.5 m × 3.2 m). The red armchairs from rows 1 to 10 are folding armchairs, from row 11 fixed armchairs with a large row spacing. From the last row of seats, the projectionist is to shene, who starts the film from the hall. On the floor in the foyer there are floor tiles with the engraved 'Adria' lettering, in the hall the blue carpet is provided with red 'Adria' lettering. Pictures of the cinema building can be found on the Internet.
Steglitz	Albrechtshof light plays ( Location )	Albrechtstrasse 1a	1906-1967	Since 1906, silent films have been shown in the “ Hotel Albrechtshof ” , as was customary at that time in gastronomic establishments . In 1912, Mr. Habermann opened the light show with 700 seats in the large hall on the first floor of the Albrechtstrasse courtyard building at Albrechtstrasse 1a / Schlossstrasse 82/83. “Last Friday, Mr Habermann opened a cinema theater in the great hall of the 'Albrechthof' hotel. The theater hall is elegantly furnished and, like the vestibules, covered with a red carpet. The technical facility was managed by Mr. Treder. ”() The Albrechtshof was a building complex ( Hermann-Ehlers-Platz ) with a hotel, restaurant and theater, which was built in 1863 by Karl Friedrich Wilhelm Albrecht and demolished in 1967 for the Steglitz roundabout . From 1913 onwards, Max Dillon & A. Melcher carried out the “Reform-Lichtspiele im Albrechtshof”. The cinema address book then gives Carl Lautenbach (innkeeper, hotelier) as the owner of the Albrechtshof-Lichtspiele in 1917. The number of places in the “Reform-Lichtspiele” was 650, the games were played daily and the program changed weekly, sometimes every half week. The admission prices are given as 0.40 to 2.00 RM . From 1920 the "Albrechtshof-Lichtspiele" with 700 seats are owned by Wilhelm Reimer, but Carl Lautenbach is again listed as the owner of the cinema in 1924 in the cinema directory. The visitor entered the narrow, parallel foyer through a four-axis, wide hall, from where he could enter the hall with a gallery through five entrances. The exterior of the Wilhelminian style building was illuminated at night by many fluorescent tubes and illuminated letters with the name "Albrechtshof-Lichtspiele". "In mid-September 1924, the Albrechtshof Light Games showed the opening act for an American Western the plastic film Plastigram - The film of the third dimension . Glasses distributed free of charge allegedly gave viewers the impression that the screen was no longer about 'pictures', but as personalities and objects emerged in full, three-dimensional life. ”() In 1927 Lautenbach left 850 seats and from 1929 a hall capacity for 909 spectators. The screenings took place daily, there is a 7 m × 7 m × 9 m stage, the band for accompanying the silent films consists of 12–15 musicians, later 5–11. There were film lectures on silent films: as in early December 1927 with the speaker Captain Gottfried Speckmann in a Sunday matinee at 11 o'clock for the cultural film Das Schaffende Amerika . In 1930 the “Albrechtshof Lichtspiele GmbH” is given as the owner of the cinema. From 1931, sound films were made possible by Kinoton. In 1937 the cinema went to the Albrechtshof-Lichtspiele Brammer & Co. with the managing director Hans Brammer. The capacity was 893 ... 871. From 1939, the Berlin cinema owner Hugo Lemke joined the "Albrechtshof-Lichtspiele Brammer & Co." The effects of the war caused severe damage to the buildings. After the cinema was refurbished in 1948 with a more simple design and without the former gallery with 480 seats, cinema operations continued in the post-war years . The post-war cinema was operated by “Brammer und Groth”, and in 1950 the rights of ownership were transferred to the “Lichtspielbetriebs-Gesellschaft Albrechtshof Steglitz mbH” with Artur Lehmann, Hans Brammer and Hans Moldmann as registrants . The equipment was the Ernemann apparatus and the sound film amplifier Eurodyn. There were three performances a day. From 1952 480 seats, an Askania APXII as a projector and the theater license for the stage of 8 m × 3 m × 5 m are registered. Furthermore (1955) there were 530 cinema seats with upholstered folding armchairs from Kamphöner. The Askania projector enabled playback in the CinemaScope image and sound system with four-channel magnetic sound in widescreen format 1: 2.55, and in single-channel light sound with a size ratio of 1: 2.35. A late performance was added this year. A (new) Bauer B 14 projector with a xenon light source is included for 1960. In this constellation, the Albrechtshof light plays (noted here: American sector, Steglitz) were preserved until 1967. To construction offset the buildings were to reach the roundabout on the grounds Schloß- / Albrecht / Kuhligkshofstraße in the northwest of the station Steglitz (formerly the southern part of Gutsdorfes Stegelitz) demolished. Further sources and especially pictures are on the Internet.
Steglitz	Allegro ( Location )	Bismarckstrasse 69	1957-1985	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW The double tenement house at Bismarckstrasse 68 and 69 north of Horst-Kohl-Strasse 19 across from Lauenburger Platz was destroyed along with the neighboring houses in the war. The remains of the building were cleared away by 1953. The " Apollo " was built in 1954 on the corner lot 68 by the Berlin cinema architect Hans Bielenberg . This was followed in 1957 by the construction of the “Allegro” on plot 69. The double cinema at a street intersection with its glass connecting corridor was an example of the functional 1950s architecture, loosened up by rounded advertising surfaces and embedded in profiles. Both cinemas were designed by the Berlin cinema architect Hans Bielenberg and built for the "Arthur Ludwig-Theaterbetriebe". The Allegro-Filmbühne was equipped with high upholstered folding armchairs from Kamphöner, a Bauer B12 projection machine (xenon light) and sound film amplifier, as well as the hearing-impaired system on the 468 seats. It was possible to reproduce CinemaScope in single-channel optical sound and four-channel magnetic sound on 1: 2.55 widescreen, plus VistaVision and all slide formats. 21 performances and a matinee were played every week on all seven days. In 1960 the program specialized as "allegro, house of film art". “Seldom enough that special, artistic films are given their own house. Even more seldom that a cinema is built for him. This is what happened now in Berlin-Steglitz, where the Arthur Ludwig Theaterbetriebe in Bismarckstraße, on Lauenburger Platz, opened a real studio theater with the Allegro. A low, simple, elongated building that is connected by a transition to the long-standing Apollo movie theater by the same entrepreneur - that is the Allegro. Architect Hans Bielenberg created a real gem for Steglitz. Through the foyer, which is separated from the ticket office by several steps, visitors reach the parquet, which has 468 seats. Pastel colored walls don't distract attention from the wide canvas. The interior of the room is extremely functional, excessive splendor has been avoided. A studio theater is not a luxury theater. Siemens & Halske, Sound Film Department, and Märkische Maschinenfabrik supplied the technical equipment for the house. Seating: Heinrich Kamphöner. Acoustic panels: Werner Genest. Construction management: Erhard Klöckling. True customer service is the Allegro's private car park, which has been made up of a complete, fenced-in building plot equipped with whip lamps. At least 60 cars of the film art enthusiasts can park here. The Arthur Ludwig theater operations now comprise eight theaters: five of them in Berlin (Allegro, Apollo, Adria, Heli, Albrechtshof) and three in Hameln (Deli, Capitol, Schauburg). The Allegro opening program already offered something special: the Berlin premiere of the Spanish film ' Calabuig ' (distributor: RKO). ”() The“ Allegro ”with the addition“ House of Film Art ”was open until the closing day on July 28, 1985. The cinema was then used as a church room. The cinema building was demolished around 1990 - the Apollo on the street corner a little later. A six-storey row of residential buildings with retail space was then built, extending from Horst-Kohl-Strasse 18/19 to Bismarckstrasse and Kissinger Strasse. Pictures for the cinema are available on the Internet with legitimacy.
Steglitz	Apollo film set ( Location )	Bismarckstrasse 68	1954-1977	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW The double tenement house at Bismarckstrasse 68 and 69 north of Horst-Kohl-Strasse 19 across from Lauenburger Platz was destroyed along with the neighboring houses in the war. The remains of the building were cleared away by 1953. The "Apollo" was built in 1954 on the corner lot 68 by the Berlin cinema architect Hans Bielenberg. “The Apollo film theater in Steglitz can sell 660 seats. It was opened by the Arthur Ludwig Theaterbetriebe and can show CinemaScope films. UFA-Handel supplied Bauer B12 machines. Heinrich Bielenberg was an architect. Seating: Schröder & Henzelmann. ”() This was followed in 1957 by the construction of the“ Allegro ”on plot 69. The double cinema at a street crossing was an example of the functional 1950s architecture with its glass connecting corridor, which was loosened up by rounded and profiled advertising spaces . The Apollo was played with three performances (3:30 p.m., 6:00 p.m. and 8:30 p.m.) every day, as well as a late performance per week. There was a theater license and, in addition to the farmer projector (light source: xenon), loudspeakers and amplifiers from sound film, the slide playback was done with sound. In addition to VistaVision, CinemaScope could play both single-channel optical sound and four-channel magnetic sound for the widescreen formats 1: 2.35 and 1: 2.55. The 660 seats had high-upholstered folding armchairs. The hearing aid system followed in 1960. The number of seats was reduced to 618 around 1970 and the Apollo remained unchanged until 1977. After the demolition of the two cinemas shortly before 1990 - initially the "Allegro" building - a six-storey row of residential buildings with shops and an underground car park was built. Kohl-Straße 18/19 into Bismarck- and Kissinger Straße. “The figurehead and signpost at nightfall was the brightly lit round porch made of glass with a cash desk. The yellow ceiling and gray-white walls of the foyer contrasted with the floor, which was divided into a modern carpet pattern. A cloakroom closed with gray acella fabric, the sales stand, a bench and illuminated mirrors with built-in coffered ceiling gave the room a dignified touch. Latecomers could access the auditorium at the beginning of the performance through covered light locks. A high parquet floor rising from the middle was created without an expensive tier structure. After opening the main curtain, the acella fabric of the hall covering continued to run as an apron and picture curtain, giving the impression that the theater and stage were closely connected. Paul Döhler was responsible for the decoration work. A spacious projection room with the necessary ancillary rooms gave the theater management the opportunity to provide the most modern machines (B12), cine projectors and any additional fixtures that may be required. ”() Pictures and photos from the cinema are available on internet sources.
Steglitz	Asta light games ( Location )	Thorwaldsenstrasse 26	1914-1959	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW In 1914 a cinematograph theater opened in Thorwaldsenstrasse, at least from 1919 as Thorwaldsen-Lichtspiele. Thorwaldsenstraße is located on the suburb of Schöneberg ( Tempelhof district ) and therefore house 26 is (already at that time) opposite the Auguste Viktoria Hospital . E. Pagly - Lichtspiele is entered in the Berlin address book in 1920. The Thorwaldsen light plays with 210 seats and daily play are entered in the cinema directory. The owners are Hermann Hecht in 1920, Mr Wallasch in 1921, Michael Littmann in 1924, and A. Schlockenkamp in 1925. With the takeover in 1925 by Mrs. Elisabeth Dembekj from Charlottenburg Lindenallee 28, this changes the name of the cinema to Kammerlichtspiele , Julius Hoffmann becomes owner of the (now) Select-Lichtspiele in 1927, but in 1928 Kammer-Lichtspiele again prevails under the management of Thea Bauer and becomes 1929 Grünthal the owner until 1932. In that year Dr. Emma Schwarzkopf puts the cinema with Kinoton on sound film screening and then names the light shows in "Asta-Tonfilmkino". Its managing director in 1932 is Martin Leiplle. The cinema name Asta will be retained until it closes. In 1933 Erich Mackenroth sen. the owner: 1937 183 places, from 1938 176 places; daily demonstrations. The surrounding buildings on Thorwaldsenstrasse as well as No. 26 remain almost unaffected by the war. The cinema operation in the Asta-Lichtspiele was continued in the post-war years without prejudice to 200 seats under the owner Erich Bukofzer-Klein. In 1950 Herbert Nickel is the leaseholder, the equipment for two to four performances a day is an Ernemann I projector and sound film amplifier (Lorenz) and the slide projector. In 1952 an Erco II projector was added for three daily presentations. 1953 “Laupheimer & Co. KG” becomes the owner and its business is led by the demonstrator, Heinz Berkowitz. The tenant in 1957/1958 was Ms. Annemarie Preil with her the wide screen technology was introduced: Use of a "Bauer B 5" for showing CinemaScope single-channel light sound in 1: 2.35 format at 15 shows per week, one late show with a capacity for 184 spectators on flat upholstered cinema chairs. In 1959, Heinz Trautermann became the owner of the Asta-Lichtspiele and gave a total of 15 performances over three to four days. However, he closed the house in 1959. A Jehovah's Witness meeting room was here for some time before a free church moved in.
Steglitz	Bismarck light plays ( Location )	Poschinger Strasse 15	1929-1943	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW The house at Poschingerstraße 15 belonged to a row development of Wilmersdofer Hochbau AG - Bismarckstraße 3/4 in Poschingerstraße 13/15 and Sachsenwadstraße 8/9 in the Bismarckviertel . The building complex was destroyed in 1943 (as was the area west of Bismarckstrasse) and replaced around 1955 by a four-story post-war building with apartments and businesses on the ground floor (on the same area). The Bismarck-Lichtspiele were set up in 1929 on the corner of Bismarckstraße by Miss Effi Engel and Ms. Gisa Rachmann with 365 seats. Silent films were shown with background music by a five-man band. The increasing number of sound films on offer led to sound film technology in 1931, which enabled sound film playback in the Bismarck light plays. In 1933 at the latest, the cinema owner Hugo Lemke took over the Bismarck-Lichtspiele. From 1937 at the latest, the company was named "Steglitzer Kinobetriebe Hugo Lemke & Co.". Film screenings took place daily, from 1931 370 seats and from 1937 362 seats available for the audience. The stage was 12 m².
Steglitz	German theater ( Location )	Albrechtstrasse 132	1910-1929	The Deutsches Theater was a movie theater on Albrechtstrasse at the corner of Schloßstrasse. The north-east corner building on Hermann-Ehlers-Platz currently houses shops on the ground floor (Deutsche Bank) and is a listed building as a historical monument. In 1911 a cinematograph theater with 126 seats opened in the building. The cinema address book names J. Hartmann as the owner in 1917. called. In the Berlin address book 1912 Julian Hartmann is the owner of the "W. Stuhlberg & Co. Nachf. Filmverleih-Institut und Cinematographen Theater ”. In 1918 Hugo Lemke from Friedenau took possession of it. Film screenings took place daily. In 1927 the National-Film-Theater GmbH is listed as the owner in the cinema directory. In 1928 Hugo Lemke is the owner of the "Deutsches Theater" with 180 seats.
Steglitz	Filmburg ---- Palast-Theater Weltstadt-Theater ( Location )	Schlossstrasse 92	1910-1943	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW The cinema was first opened in 1910 under the name “Weltstadt-Theater” in a former dance hall in “Thurley's Bürgergarten”. This was on the 1st floor of the rear building (300 m² floor space) at Schloßstraße 92. The cinema had 210 (220) seats. In the address book from 1911 to 1915, the cinematograph owner Arthur Oppenheim is named in house 92. The name change to "Palace Theater" goes back to him. In the Berlin address book 1916 I find no reference to the cinema, in 1917 (1917/5716) the businessman Hermann Lucke is among the tenants and in 1918 the theater owner Eugen Pleßner is admitted to the Palast Theater. The cinema address book names Max Victor as a partner in addition to Eigen Pleßner for 1920. The 1923 address book states Adolf Engelke as the owner of the Palast-Lichtspiele in Schloßstraße 92. Hugo Lemke (Friedenau) is the owner of the Palast-Lichtspiele in 1924 according to the cinema address book and in the Berlin address book with Lichtspiele at Schloßstraße 92. After a renovation by Wilhelm Kratz (1923/1924), the cinema was named "Filmburg". Film screenings take place daily, the specified number of seats varies: in 1921 220, in 1924 at Lemke 350, then another 222 in 1925, and 410 seats from the following year. The cinema address book names the “Flug-Film GmbH” for the Filmburg in 1925, Hugo Lemke in 1926 and the National-Film-Theater GmbH in 1927. Then from 1928 Hugo Lemke is again the owner of the cinema and has the film castle run by W. Loewié. From 1931, sound films can be shown with sound films. From 1935 Lemke formed the "Steglitzer Kinobetriebe H. Lemke & Co. Inh. Hugo Lemke" and added the Filmburg-Lichtspiele (392 seats). The cinema had to be closed in 1943 due to war damage . According to the representation in the official map series "City Map of Berlin" on a scale of 1: 4000, sheet, the cinema building in the garden house was destroyed and cleared, later the area was rebuilt. The damage to the front building was minor, so that it was restored around 1950 (three-storey with a shop on the ground floor).
Steglitz	Flora plays of light ( Location )	Schlossstrasse 10	1910-1966	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW The “Flora-Lichtspiele” were located on Schloßstraße in the corner building on Treitschkestraße. The cinema existed until 1966. When the neighboring corner house 7/8 on Markelstrasse was demolished between 1960 and 1963, the cinema building 9/10 followed. The shopping center at Schloßstraße 10 (land: Markelstraße 62–63 / Schloßstraße 7–10 / Treitschkestraße 1–5) was built by 1970. It was remodeled in 2008 and, together with the Wertheim department store, became Boulevard Berlin in 2012 . The year the Flora-Lichtspiele was founded is 1910, when the Metz merchant worked in the building at Schloßstraße 9/10. After the entries in the Berlin address book, the property was expanded. Robert Wiesener is explicitly included in the Berlin address book for Kinematograph. The cinema address book names Robert Wiesner as the owner of the Flora cinema in 1918, it has 200 seats and is used daily, in 1920 with a partner as Kopp & Wiesner. From 1924 Hugo Lemke also owned the Flora, whereby in 1927 it (like other Lemke cinemas) belonged to the National-Film-Theater GmbH. It was one of Hugo Lemke's movie theaters that belonged to "Steglitzer Kinobetriebe Hugo Lemke & Co.". The available space was slightly adjusted: from 1925 with 207, from 1928 with 208, from 1937 with 212. The corner house Schloßstraße remained in the war intact and in the post-war years, the game operation was continued. In 1949 Walter Hilpmann is named as the owner, but from 1952 again Hugo Lemke and Jakob Laupheimer. The company name is “Filmtheaterbetriebe Hugo Lemke u. Co. KG ”and Walter Loewié is the managing director at Flora. The cinema technology for initially two performances a day in 1950 is the Ernemann II projector and Klangfilm-Europa amplifier, plus the slide projection with sound. The intensity of the screenings increases from 1952 to 28 and from 1953 to 41 shows per week. The seating is 212 unpadded folding seats. After 1958, widescreen films in the format 1: 2.35 were made possible. In addition, an AEG Triumphator projector and an Erko IV have been purchased for films with the CinemaScope system and single-channel optical sound. The cinema is finally closed in 1966 after property claims.
Steglitz	Globus Palace south end ( Location )	Borstellstrasse 1	1927-1943	The Globus-Palast was located in Südende on the property at Lichterfelder Strasse 13 (since 1931: Borstellstrasse 1) on the corner of Lange Strasse (since 1957: Liebenowzeile). Due to the change in the street layout as a result of the war damage - Borstellstraße has been linked to Steglitzer Damm via Liebenowzeile since 1957 - the former cinema site is located on Steglitzer Damm 76, a commercial and retail building. The plot number 13 is designated as a garden for 1926, in 1927 the building with the Globus Palace was built on the ground floor of the front building. The Globus-Palast offered 380 seats for spectators at daily performances. According to the cinema directory, the owner of the cinema is the house owner Cargher, and Fritz Porten ran his business. In the following year Miss Effi (Iffi) Engel took over the Globus-Palast as owner. She also opened the Bismarck-Lichtspiele in 1929. 1931 still named as the owner, the sound film screening with sound film was introduced. In 1932, Hans and Walter Meyer took over the cinema as the owners at Borstellstrasse 1. The cinema directory in 1937 was finally managed by Georg Schibalski as the owner. He redesigned the cinema and reopened Globus-Lichtspiele on April 1, 1935 with a capacity of 343 seats. At times Rütthard and Rudzki were his partners. In August 1943, Südende was almost completely destroyed by bombs . The cinema building was hit on August 24, 1943, causing the performances to end. The ruins were cleared around 1950. Apart from a few extensions in the area, the new buildings did not take place until 1960, when the street layout was changed. The residential building Borstellstrasse 1/3, built in 1960, is located on the Liebenowzeile 2 property. The Globus-Palast property became the Borstellstrasse 2 / Liebenowzeile 1 / Steglitzer Damm 76 property and was occupied by the low-rise building for the post office 414 around 1970. The post office moved, the low building is used as a shop (2008 by Video World).
Steglitz	Häsi-Lichtspiele ---- Regina-Lichtspiele ( Location )	Steglitzer Dam 23	1931-1962	In 1931 the “Regina-Lichtspiele” opened at Mariendorfer Straße 46 in Steglitz. (see Bismarck-Lichtspiele ) House 46 at the corner of Worpsweder Strasse belonged to a settlement of Wilmersdorfer Hochbau Akt.-Ges. with its seat at No. 42. The four-story house 46 had its rooms on the ground floor on the corner to the left of the entrance, the upper floors were apartments. The owner and founder of the cinema was Paul Schultze, whose business in the Regina-Palast was led by Adolf Salge. The cinema technology is equipped for sound films from sound film right from the start. The theater had 252 seats and a 25 m² stage. There were performances every day. In the air raids, houses on Worpsweder Straße that were adjacent and opposite were destroyed and the land was cleared around 1950. Mariendorfer Strasse 43-46 and Worpsweder Strasse 19 and 21 were preserved. After a brief interruption, cinema operations continued in the post-war years . The Regina-Lichtspiele remained in the rooms along Worpsweder Straße, still included in the address book with 250 spaces. Max Vatter is the owner of the cinema in 1950 and chose the new name "Häsi-Lichtspiele" with 254 seats. Mariendorfer Strasse and Steglitzer Strasse, which continues to the east, were renamed Steglitzer Damm in 1957, the cinema address changed to Steglitzer Damm 23. From 1958, as elsewhere, wide-screen technology was used for the CinemaScope picture and sound system with single-channel optical sound in an image format of 1: 2.35. In addition to the sound film amplifiers, there is an Erko IV projector and slides with sound. 17 performances and a matinee and a late performance were played. The available 249 seats were flat and upholstered folding armchairs from Kamphöner and Behre, as well as (probably partially) from Schröder & Henzelmann. Max Vatter closed the Lichtspiele in 1962. The former cinema was converted into a shop.
Steglitz	Kammerspiele ---- Südende theater ( Location )	Sembritzkistraße 7	1919-1943	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW Under the name “Südender Lichtspiele” (1) there was a cinematograph theater at Potsdamer Straße 22 (since 1933: Benzmannstraße 31) from 1911 at the earliest. In 1919 the "Südende-Lichtspielhaus" (2) opened at Lichterfelder Straße 21 (since 1957: Sembritzkistraße 5). 1) The property at Potsdamer Straße 22 (since 1933: Benzmannstraße 31) from Südende belonged to Steglitz before the formation of Greater Berlin (politically), while the Südende district was a locality to Mariendorf (Teltow district). In 1910, the property at Potsdamer Strasse 22 was designated as building land 16–18 and numbered 17. In 1911, the residential complex Potsdamer Strasse 22 and 23 with its nine staircases was owned by the architect Raubert (from no. 23) and some of it has already been let. The cinematograph theater had existed from 1911 at the earliest. In possession of houses 22 and 23, the building architect was replaced by director Küsel, and from 1915 by widowed director G. Küsel. In 1921 the cinema directory "Südender Lichtspiele" with 170 seats and daily performances is still mentioned. In the following cinema address books no cinema is named at this address. Heinrich Ziegenspeck from Fregestraße 49 was the owner from 1918 onwards. The cinema was (probably) closed in 1921. When the street was renamed in 1933, the address data of the exits from Potsdamer Strasse 22 to Benzmannstrasse 31–31c resulted. During the air raids on Südende, the residential buildings on Benzmannstrasse were also destroyed, especially the former building with the cinema. The ruins were cleared in 1959 at the latest and in 1962 a loose new building was carried out (Liebenowzeile district). The eight-story house at Benzmannstraße 31 is roughly above the cinema floor area. 2) In 1919 the "Südend Lichtspiele" opened at Lichterfelder Straße 21 on the western edge of Südende, which at the time belonged to Mariendorf. The owner of the "Lichtspielhaus Südende" was from at least 1924 the "Steglitzer Metropol-Lichtbildbühne GmbH" with managing director Max Victor. The cinema had 200 seats and the program was changed twice a day (Tuesday and Friday). In 1928 Walter Krüger became the owner. In November 1927 a film caught fire in the projector room and the Südende cinema was disrupted, but by the end of the year the cinema was reopened with new equipment. When Karl Bornemann took over the film venue in 1933, he expanded the number of seats to 330 and changed the name of his cinema to "Kammerlichtspiele". Until 1937 Georg Schibalski, who already owned cinemas, was the owner of the “Kammerspiele” - now Doellestrasse 73/74. In 1938 Georg Schibalski, Rütthard and Rudzki for a short time. The cinema remained in the possession of Schibalski until operations had to be closed. In August 1943, Südende was almost completely destroyed by bombs . As a result, further operation was no longer possible. On September 18, 1934, Lichtenrader Strasse was renamed Doellestrasse and the cinema property was renamed Doellestrasse 72/74. On July 31, 1947, the name was changed to Priesterweg 72/74. In connection with the development of the war-torn areas in Südende with residential buildings in a green area, the street was renamed Sembritzkistraße, the four-part, four-story apartment block on the area of the former cinema was given the address Sembritzkistraße 1-7.
Steglitz	Laterna movie theater ( Location )	Kieler Strasse 7	1948-1962	The Laterna-Filmtheater opened in 1948 under the sponsorship of Laterna Filmtheater GmbH with managing director Helmut Galling. The cinema had 400 (389) seats and a stage measuring 6 mx 2 mx 4 m for which a theater license existed. Initially, there were two performances a day, from 1952 21 weekly performances (three performances a day) and in 1957 late and matiné performances were added, matinee as a youth performance, and from 1960 two late performances. When the cinema started, there was an Ernemann VII B projector and the 2 Kine amplifier with an additional slide projection. From 1952 a Bauer B6 and sound film amplifier (Klangfilm-Europa) and slide with sound are installed. The owner is Friedrich Rust with his managing director Helmut Galling from 1952 to 1956, and in 1957 Sophie Rust took over the ownership of the cinema and remained the owner until the end of operation in 1962. In 1957, the widescreen presentation with the CinemaScope single-channel optical sound system was upgraded to 1: 2.35 , also 1: 1.85. The 389 cinema seats from Kamphöner were partly upholstered and partly semi-upholstered. The residential building at Kieler Strasse 7 was located between Düppelstrasse and the railway line (Wannseebahn). In 1948 a low-rise building was set up as a cinema. In preparation for the construction of the A 103 motorway , the buildings between Düppelstraße and Bahn were demolished in order to achieve construction clearance. The Laterna film theater also fell victim to this demolition. As a result, the former property has been in the area of the two lanes since 1965. For pictures see on the Internet.
Steglitz	Lida light plays ( Location )	Breitenbachplatz 21	1933-1965	Breitenbachplatz lies between Wilmersdorf, Dahlem and Steglitz, property 21 belongs to Steglitz (southern development). In 1933 the “Lida-Lichtspiele” opened in a four-story new residential building on the ground floor by architect Ferdinand Radzig. The name was formed from Li chtspiele Da hlem with the address at that time Schorlemerallee 2/4 (at the southwest exit of Breitenbachplatz). The cinema belonged to the "Polygon" Lichtspielbetriebe GmbH, managed by W. Schönstedt, from 1936 operating as "Polygon-Lichtspiel-Betriebe Schönstedt & Co.". In the cinema with 338 seats there was daily play, there was a mechanical music facility , the sound film equipment allowed sound films to be shown. The building was preserved in the war years. Cinema operations continued with a brief interruption in the post-war years . The property rights were in the trustee administration of H. Mannecke, the business in the cinema with 322 seats was led by WW Schulz. In 1950 they went back to the "Polygon-Lichtspiel-Betrieb Schönstedt & Co. KG" (until 1953) under the trust management of Willy Schönstedt with managing director E. Sittner. An Ernemann II, a Klangfolm amplifier and a slide projector (sounding slides) were available for the three daily performances. From 1957 the late and matinee performances were added. The 342 seats had folding armchairs from Kamphöner. The reference to the possibility of showing widescreen films can only be seen in the cinema address book in 1961 (SuperScope single-channel light sound), still with the Ernemann II and sound film sound technology. With the general development of audience numbers, the cinema had to close in 1965. The Weger household goods store moved into the vacant ground floor. “The cinema on Breitenbachplatz was really called 'Lida', which stood for 'Lichtspielhaus Dahlem'. The checkout room was exactly where the Weger household goods store is today. You can still see a typical 1950s column in the shop, which is a bit reminiscent of the old cinema glory. The actual cinema was probably first a bank branch, now a doctor's practice (orthopedist) is housed in the rooms. ”(). The house on Breitenbachplatz is a listed building.
Steglitz	Metropolitan Theater ( Location )	Schlossstrasse 31	1907-1922	From 1907 the "Metropol-Lichtbild-Theater" played in the Schlossstrasse 31, so it is probably the first permanent cinema in Steglitz. The residential and commercial building at Schloßstraße 31 / Miquelstraße 32 (the latter since 1929 Muthesiustraße 1) is included in the 1906 address book as a new building by the house owner Paul Gustke, who previously owned an apartment building on the property. The building was erected in 1904–1905 by the builder Fritz Pomplun on behalf of the businessman Paul Gustke, based on designs by the architects Patzrek and Januszkiewicz. It is a listed building. There are shops on the ground floor of the house (as of 2016) In 1907 the cinematograph owner Gustav Klunter ran his business at Schloßstraße 31. He was followed as the owner of the cinematograph by Fritz Elsner with the cinematograph theater, which was the owner and operator for the two following years. For 1912, the "Metropol-Kino GmbH" with its headquarters was one of twelve tenants, from 1913 to 1915 Elsner ran a film rental company at Schloßstraße 31 at the location of his cinematograph. In 1916 the brokers Charlet & Schulze came into the possession of the neighboring houses at Schloßstraße 31 and Miquelstraße 32, Elsner moved the film distribution to Miquelstraße 32. The theater owner Eugen Pleßner lived at Schloßstraße 31 (company Palast-Theater Eugen Pleßner at Schloßstraße 92). The 1920 address book shows that the owner of the Palast-Theater (Schloßstraße 92) Eugen Pleßner lives at Schloßstraße 31, the operator of the Metropol-Lichtbild-Theater Kaufmann Georg Müller lives at Miquelstraße 29/30. In the house on the corner of Miquelstrasse, the cinema owner Fritz Elsner lives with film rental. In the 1918 cinema address book, businessman Georg Müller (Miquelstrasse 30) is registered as the owner; according to his information in the cinema address book, he had taken over the Metropol-Lichtbild-Theater in 1912. In the following cinema address books he gives 1907 as the year of foundation. The cinematograph theater had 200 seats and films were shown every day of the week. In the possession of Müller, the cinema was closed in 1922. The name "Metropol" passed after 1922 from the Schloßstraße Hugo Lemke to the owner of the company "Steglitzer Metropol-Lichtbühne GmbH".
Steglitz	Palast-Theater (Am Stadtpark) ---- P.-T.-Lichtspiele ( Location )	Albrechtstrasse 91	1911-1943	In 1911 the "PT Lichtspiele" opened with 230 seats in the new building (owner carpenter Willard) at Albrechtstrasse 91 at Steglitzer Stadtpark. The abbreviation goes back to "Palast Theater", a name that already existed in Steglitz. The cinematograph theater was owned by Arthur Oppenheim until at least 1915. In 1917 Friedrich Simon was the owner of PT-Lichtspiele, the cinema had 198 seats (after 1918 it was given as 230), and there was daily play with a program change on Tuesday and Friday. The cinema stage was 4.5 m × 2 m. The entry prices at that time were between 0.40 and 0.85 marks. Two musicians were employed to provide the acoustic background for the silent films . The owner had his apartment at Heesestraße 18. When the name of the cinema at Schloßstraße 92 was changed to “Filmburg”, Simon used it as a “palace theater” (sometimes with the addition of Am Stadtpark). In the cinema address book, Simon states 1912 as the year it was founded. From 1931, it became possible to show sound films. Hans Winter was the owner of the cinema during 1934. He was replaced as owner by Paul Schultze, who owned the palace theater until it was destroyed and closed. The buildings on the Ringstrasse (from 1960 Lauenburger Strasse) to Albrechtstrasse 92 were destroyed in air raids in 1943 . Its ruins were cleared as building remains by 1950. These undeveloped land at Albrechtstrasse 88-91 (with the former cinema location) were made available from 1955 for the use of the adjacent schools. A sports field is currently being laid out on an 80-meter street front including the former cinema site. Schools have been located behind the property on Albrechtstrasse since the 1920s.
Steglitz	Park light games ( Location )	Albrechtstrasse 49	1930-1968	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW In 1929/1930 the “Park-Lichtspiele” cinema in Berlin-Steglitz was built at Albrechtstrasse 48-49 according to plans by the architect Hans Sigmund Jaretzki and opened on February 5, 1930. The cinema building remained undamaged during the war , the Albrechtstrasse 48 building and the neighboring residential buildings Hermesweg 1 and 3 were destroyed. The cinema at Albrechtstrasse 49 was refurbished and was able to resume gaming after an interruption . In 1950 Universum Film AG took over the house and operated it until 1959. In 1956, the neighboring houses on Hermesweg and Albrechtstraße 50 were built. Gerhard Fritsche remodeled the hall in 1959, reducing the number of seats to 780. After Ufa, the Arthur Ludwig Theater Company became the owner of the Lichtspiele. In 1968 the park lights were closed and a supermarket moved into the cinema, with the interior being completely changed. After several discounters, the rooms have been used by an electronics store since the 2000s. Since the opening of the Park-Lichtspiele with 1000 seats, it has been possible to show sound films with Tobis cinema technology . When it opened, the owner was "Park-Lichtspiele GmbH", managing director Ernst Jäger. Played every day, there was a stage measuring 12 mx 8 m. In 1932 Miss Iffi Engel and Ms. Gisa Rachmann, who were already active in the cinema business (see also Globus-Palast ), took over Palast-Lichtspiele GmbH. They were followed for 1933 and 1934 in the ownership rights - as entered in the cinema address book - the "Kino Waren GmbH". In the Berlin address book 1936, property 49 (as well as 48) is owned by “Industria (Treuhand) Verwaltungs Akt. Ges.” (W 62, Budapester Straße5) and is managed by the Bavarian Mortgage and Exchange Bank, the only property users are the Park -Light games. In other address books, the entry is "owner anonymous", as users garages and park light games. For the year 1937, the cinema directory names Hans Brammer as the owner, the "Albrechtshof-Lichtspiele Brammer & Co." The cinema is also designed with 943 seats. The 1943 address book names property 49 for the Park-Lichtspiele (as well as the garages) and they are named in the commercial section. Hans Brammer is not in the residential area, but Albrechtshof Lichtspiele Brammer & Co., which operates the Parklichtspiele, is. From 1949 at the latest, the Park-Lichtspiele were in operation, probably initially under license before Universum-Film AG (Herr Feldes, Berlin-Tempelhof, Viktoriastraße 13-18) with theater manager Kurt Mercker as managing director was registered as the owner. With 942 seats, two performances were given each day in the cinema. The film technology was: Zeiss-Ikon projector, sound film amplifier, slide with sound, the theater and opera license still existed. In 1955, two Ernemann VII B (light source: Becklicht) and one for the sound film Europa Junior were scheduled, and four performances were added every week. In the course of 1956, the amplifier was purchased by Quante, which made the wide-screen system with optical sound possible. The widescreen type Ideal II with the dimensions 8.5 mx 4.6 m allowed films in the format 1: 1.85. In addition, the number of performances was increased to 21. In 1961 there were 23 performances when the Arthur Ludwig Theaterbetriebe took over the cinema. There is an FK day on Thursdays. When the company was taken over, the cinema technology was supplemented and renewed: Bauer B 14 projection apparatus, sound film amplifier, Bionor loudspeaker, Dia-N. In the Vista Vision widescreen technology, light and magnetic sound are possible and the widescreen formats 1: 1.85 and 1: 2.55. Finally, the cinema was closed in 1968. Pictures from the cinema can be found in internet sources.
Steglitz	Castle Park Cinema ( Location )	Schlossstrasse 48	1921-1943	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW The Schlossparkkino at Schloßstraße 48 was opened in 1921 and destroyed in air raids in 1943. The reconstruction and reopening took place in 1952 as the Adria-Filmbühne . The further information is summarized at this point in the list.
Steglitz	Titania ( Location )	Gutsmuthsstrasse 28	since 1928	When in 1908 a fairground took place at the north end of Schloßstraße on the market square between Friedenau (zu Schöneberg) and Steglitz, there was an outpatient cinema on site at times. In 1927, the land-theater company cooperative acquired a piece of land on the edge of Friedenau on Schloßstrasse (corner of Gutsmuthsstrasse 28) for National-Film AG. Based on designs by the architects Schöffler, Schloenbach and Jacobi, the large cinema with 1924 seats will be built in 30 months. It opened on January 26, 1928 with a festival performance. The stars of the opening film Der Sprung ins Glück , a silent film with Carmen Boni and Hans Junkermann , who lives in Steglitz , as well as Martha Sonja , Otto Fee and Hans Brausewetter were present. The building was entered in the list of architectural monuments. The outer facade has been preserved true to the original, with the Cineplex cinema center being significantly changed from the original hall. In addition to the cinema program, there were regular theater and concerts in the hall. The owner of the Titania-Palast is the National-Film-Theater GmbH, based in SW 48, Friedrichstrasse 10. It is played daily, the capacity is specified for 1900 spectators, the sound film technology came from Klangfilm. On October 29, 1929, the first sound film was played with the film The Singing Fool , until then the background music was provided by the 50-60-strong cinema orchestra. "The management of the Titania-Palast [...] swerved early on to the new, National Socialist line [...] On the day of popular mourning in 1933, March 12th, a large, organized by the Volksbund Deutsche Kriegsgräberfürsorge (German War Graves Association) took place in their a style reminiscent of the cult of the dead corresponds to the Nazi ideology. ”The property is sold to Tolirag (Ton-Lichtbild-Reklame AG), which in turn passes half of it on to Hugo Lemke, the Titania-Palast-Gesellschaft. The large cinema is named with 1915 audience seats and daily performances, the stage with 123 m². In the Berlin address books, Gutsmuthsstraße 27/28 is assigned to Schloßstraße 4, the district boundary moved from the north side of Mommsenstraße to the southern development of Gutsmuthsstraße and the Titaniapalast was in Friedenau (Schöneberg administrative district) in the early 1930s and was assigned to Steglitz with the district reform in 1938 . In 1944 the Titania-Palast and other movie theaters were expropriated in favor of the UFA. The Titania Palace remained undestroyed during the war and the Berliner Philharmoniker played in the house as early as May 1945. The role of the UFA in the Nazi system meant that under occupation status, movie theaters in the American sector came under the administration of "USA Finance & Property Control" (based in Tempelhof, Viktoriastraße 15-18), which in August 1948 returned the confiscated house to German Use was handed over and Lemke got his property back and leased it to the Senate. In 1949 the hall was completely rebuilt to improve the acoustics, and in September 1949 it was reopened as a concert hall. In 1951 the Berlinale comes to the Titania Palast. Another renovation followed in 1953: a stage was built on the neighboring property, the stage was enlarged and the old dome on the ceiling of the auditorium was removed and the presentation was equipped with a cinemascope. The Senate's lease ended in 1954 and no purchase was made because the plans for building the opera house are already in place. The Titania Palace remained the venue for concerts, theater performances and film programs until the 1960s; the opera and theater license for the 11 m × 14.5 m × 20 m stage exists. The owner was the "Titania-Palast-Ges. Hugo Lemke ”. The film technology for CinemaScope are the Bauer B12, 4-channel amplifier Eurodyn and sounding slide in all formats, the screen is a 5.8 m × 13.8 m wide screen MMS (picture and sound system, single-channel optical sound and four-channel magnetic sound 1: 2.35 and 1: 2.55). Possible are Cinemascope , Cinerama , Cinemiracle , Todd-AO , 1962 followed by the Philips 70mm system, the first film in 70mm was Spartacus by Kubrick in Super Technirama . Every week there are 16 film screenings for the 1866 audience seats, the seating is upholstered seats from Otto & Zimmermann. In 1956 Erich Hoffmann (Tegel, Bahnhofstrasse 1) became the managing director. When the financial situation worsened with the newly built opera and the philharmonic orchestra, the Berlin Operetten Theater is to be built in 1963. Another renovation follows: the hall is reduced by 400 seats, the stage is enlarged, the foyer is changed. BEWAG is setting up an office in the old foyer and the second ticket hall . In 1965 the operetta program was discontinued and the building was sold to Karl-Heinz Krüger-Quiring, who lost the Flora to the Karstadt Group for a department store. In June 1965, Quiring resold to Otto-Versand , who wanted to tear it down for his department store. For the time being, cinema operations ended on December 13, 1965 with the 1958 film, which was partially shot in the Titania Palace , There was only one time . The BEWAG lease until 1983 spared the traditional house from being demolished. With the sale to the corporation for house and property in 1967, the house was divided into storeys, the interior gutted and several shops set up, the room of the Titania was destroyed by the adaptation for retail stores. Some rows of seats from the former tier have been preserved on the upper floor for a future cinema. Instead of a new movie theater, the city stages were used as a rehearsal stage from 1972 to 1994. With the exception of the shops on the ground floor and the outside illuminated advertising, the house was listed as a historical monument in 1984. With the closure of the rehearsal stage, the conversion to a multiplex with five cinemas (Halls 1 to 5), which opened on May 24, 1995, began. In mid-August 2007, two more halls were opened opposite Hall 2 and 3 in the 'Titania Palast'. The operating company "To the Movies" (Filmverleih- und Filmtheaterbetriebs GmbH Klein-Machnow) of managing directors Günther Mertins and Peter Sundarp changed the traditional name in 2008 to "CINEPLEX - Titania". The last renovation took place in 2013 while operations continued. “Since the renovation in 2014, the seven halls of the multiplex cinema have been individually furnished and with more than 1200 seats.” The address is Schloßstraße 4–5, 12163 Berlin-Steglitz, the entrance is at Gutsmuthsstraße 28, according to an inscription on the wall and an arrow to the entrance. The projection in the halls is digital, except for Halls 4 and 5 in 3D digital ( D-Cinema 2K3D) and Hall 2 also offers HFR . There is Dolby Digital 7.1 in all halls . Only room 1 is handicapped accessible. The 1222 seats in the Cineplex are spread over the seven halls → Hall 1: 396 seats, screen: 15.5 m × 6.6 m → Hall 2: 209 seats, screen: 9.3 m × 4.2 m → Hall 3: 210 seats, screen: 9.3 m × 4.2 m → Hall 4: 085 seats, screen: 6.3 m × 3.4 m → Room 5: 103 seats, screen: 7.8 m × 3.8 m → Hall 6: 105 seats, screen: 6.6 m × 3.3 m → Hall 7: 114 seats, screen: 7.6 m × 3.3 m. Live broadcasts of opera, theater and ballet performances from the Moscow Bolshoi Theater or the Royal Opera House in London tie in with the theater tradition of Titania. Further picture gallery under the following proof.
Steglitz	Wrangel plays of light ( Location )	Schlossstrasse 48	1934-1945	The Wrangel-Lichtspiele opened in 1934 at Schloßstraße 48 at the corner of Wrangelstraße, on the site of the former Steglitz manor. The owner was the "Schloßpark Steglitz Lichtspiele GmbH", which was operated by the cinema owner Hugo Lemke and Lautenbach. The cinema had 456 seats and was played daily. The theater operation ended when the theater director Boleslaw Barlog moved into the Wrangel-Lichtspiele building in November 1945 . He opened the Schloßpark Theater here after losing this position in the Volksbühne in 1933 . The theater is a listed building. The Schloßpark-Lichtspiele have the same address but are in a different part of the building, on the left as seen from Schloßstraße.
Wannsee	Wannsee light plays ( Location )	Koenigstrasse 49	1946-1968	The Wannsee Lichtspiele opened at Königstrasse 49 in 1946, and as in other outskirts, Berlin's cultural institutions moved into suitable rooms immediately after the end of the war due to the destruction of the inner city . The cinema of owner Siegfried Wagner from Berlin-Schlachtensee offered 333 viewers. There were two performances a day and two more a week. The cinema had a stage of 8.5 m × 5 m × 6.5 m. There were two projectors Bauer B 8 and Erko IV and a slide projection. In 1953 Elisabeth Zeller became the owner of the Wannsee-Lichtspiele. The cinema was considered a border cinema until 1961 . “The Wannsee light plays in Berlin, which previously belonged to Ms. Zeller, were taken over on April 1, 1954 by Ms. Soliman, the owner of the Zinnowwald light plays. This recognized all films completed by her predecessor but not yet played. All rental claims are settled. ”() With the takeover by Hamida Soliman, two Ernemann VII B projection machines are procured for the screening of the film. For the now 360 seats, there were partly upholstered cinema seats from Schröder & Henzelmann, partly flat upholstered seats. With the new projectors and amplifiers from Klangfilm, from 1957 it is possible to show films in CinemaScope and single-channel light sound in widescreen format 1: 2.35. As of 1959, there are even 537 spectator seats in the cinema directory. In 1952 Myriam Krytzki, who was married to a Russian painter and therefore stayed in East Berlin, inherited the Mila-Lichtspiele in Pankow from her mother. As early as 1961 it was expropriated as part of the nationalization of the East Berlin cinemas. Eugen and Myriam Krytzki then also moved to Wet-Berlin. Together with their two sisters, the Soliman heirs continued the “Zinnowald Lichtspiele” and the “Wannsee Lichtspiele”. The Zinnowwald-Lichtspiele were given up as early as 1958 for economic reasons. With the great death of the cinema in the late 1960s, the family tradition in the cinema finally dried up. The Wannsee Lichtspiele were closed in 1968. The buildings on the Königstrasse 49 site were demolished in 2007 and a supermarket was built from 2009, and a new Reichelt supermarket has been located at the former cinema site since 2011. In addition, the row houses 49a – 49c were built on the eastern building plot of the property (49 and 49a)
Zehlendorf	Bali ( Location )	Teltower Dam 33	since 1946	The Bali is located near the Zehlendorf S-Bahn station in a single-storey low-rise building (200 m² floor space) behind the house at Teltower Damm 33 on Gartenstraße. "BALI" actually means station light plays. The Bali opened in 1946 and has been in operation ever since. The cinematic basis was a projection system that Russian soldiers left behind in the former dance hall. The rooms in the annex of the "Burg Hotel", which was built around 1900, formerly used as a winter garden, were expanded into a dance hall in the 1920s. In 1949 Robert Kayser is listed as the owner of the Bali with 200 seats. The cinema offers two screenings a day, the projection equipment consists of the Erko IV projector and sound film amplifier, as well as the slide projection. In 1950 the heirs of Georg Schenk and Gertrud Gerkes were the owners, whose business was run by Käthe Schultz. When Mrs. Charlotte Schenk became the commissioner in 1953, in addition to the Klangfilm-Eurodyn amplifier and the Ernon projector, there was also an Ernemann IX demonstration machine. There are 16 performances per week. In 1957 the widescreen equipment for CinemaScope is mentioned in the cinema address book, which was possible with the two projectors (light source: pure coal) in single-channel light tone and the format 1: 2.35, the slide projection was with sound. The designated 209 seats are equipped with flat upholstered folding seats from Kamphöner. In 1973, when it was taken over by the co-founder of the Arsenal, Manfred Salzgeber (cineart GmbH, Post: Berlin 33 Cunostraße 65), in the 1970s, “bali-filmkunst” became the leading political cinema in Germany. As the cinema's program became more and more undemanding over the years, Manfred Salzgeber left 'Bali' in January 1978, accompanied by loud protests. Since 1978 "the film-crazy owner Helgard Gammert" has been running the cinema (14163 Berlin, Busseallee 35). The Bali had 142 places since the 1980s. The current equipment is 128 seats, the projection takes place in 35mm analogue as well as in digital 4K , the sound is offered in Dolby Digital 5.1 . The screen is 5 m × 8 m in size. Similar to a variety theater, the cinema has a dance floor and a small stage between the first row and the screen. A piano can be used at various events (including film screenings). Helgard Gammert continues to run the children's and youth program launched under Salzgeber. In 1986 she launched the Berlin “Children's Cinema Initiative”, in which a selected children's film toured 20 Berlin cinemas every month - supported by the Main Association of German Film Theaters. The cinema has received various awards from the Federal Ministry of the Interior, the Federal Ministry for Culture and Media Affairs and the Filmboard Berlin-Brandenburg for annual film programs. In 2005, Ms. Gammert was personally awarded the Federal Cross of Merit on ribbon. In addition to the daily film program, there are exhibitions, dance nights, poetry readings, lectures and theater events in the house. The planning of a new cultural center in the 'Primuspalast' on Gartenstrasse, threatening Bali, was dropped for the time being due to a lack of investors. The vacant shop next to the 'Bali' was converted into the “Café Oscars” and is to be used as a venue for special events and as a foyer for the cinema. Images from the projection room and from 2007 are on internet sources.
Zehlendorf	Elfi light games ( Location )	Teltower Damm 216	1952-1969	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW More detailed information can be found in the list of cinemas in Berlin-Zehlendorf .
Zehlendorf	Lumina-Filmtheater Schlachtensee ( Location )	Breisgauer Strasse 17	1939-1969	More detailed information can be found in the list of cinemas in Berlin-Zehlendorf .
Zehlendorf	Uncle Tom Cinema ( Location )	Wilskistraße 47b	1934-1968	More detailed information can be found in the list of cinemas in Berlin-Zehlendorf .
Zehlendorf	panorama ( Location )	Sundgauer Strasse 83	1954-1977	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW More detailed information can be found in the list of cinemas in Berlin-Zehlendorf .
Zehlendorf	Primus Palace ( Location )	Berliner Strasse 8	1949-1969	More detailed information can be found in the list of cinemas in Berlin-Zehlendorf .
Zehlendorf	City hall plays of light ( Location )	Teltower Dam 18	1943-1958	More detailed information can be found in the list of cinemas in Berlin-Zehlendorf .
Zehlendorf	Zeli ---- Zehlendorfer Lichtspiele ( Location )	Potsdamer Strasse 50a	1918-1972	Image wanted Wikipedia would like a picture of the place discussed here. Further information on the subject you may find on the talk page . If you'd like to help, the guide explains how to do it. BW More detailed information can be found in the list of cinemas in Berlin-Zehlendorf .
Zehlendorf	Zinnowwald light plays ( Location )	Wilskistraße 80	1947-1958	More detailed information can be found in the list of cinemas in Berlin-Zehlendorf .

literature

Sylvaine Hänsel, Angelika Schmitt (eds.): Cinema architecture in Berlin 1895–1995 . Verlag Reimer, Berlin 1995, 296 pages, ISBN 3-496-01129-7 .
Reich cinema address book. Berlin, LBB 1918–1942. ( Location lists )
Matthias Gibner: Challenges and tendencies in the German cinema market with special consideration of the Berlin situation . Diploma thesis, 2006. In addition: Online in the Google book search

Web links

filmtheater.square7.ch : this is the address where the Kinowiki information is hosted. Its information was preferably gathered from special address books : Reichskino Adressbuch (Verlag Lichtbühne) and Kinoadressbuch (Verlag Max Mattisson) and the cinema list (1907-1910) published regularly in the first specialist journal for the entire art of photography , Der Kinematograph . More details: (to) Film- und Kino-Adressbuch and Der Kinematograph .

Cinemas on KinoWiki

allekinos.com/berlin Collection of all cinemas : keywords Steglitz and Zehlendorf

Berlin's independent cinema guide : experience reports from existing cinemas

luise-berlin.de: On the trail of cinemas - all cinemas on the computer

berlin-magazin.info: Berlin cinemas

Jeanpaul Goergen: filmportal.de: Film and cinema in Steglitz. A chronicle of film history

Current news on kinokompendium.de

Individual evidence

↑ Kino-Wiki main page, accessed on January 18, 2020. Kinowiki deals with the history of movie theaters in Germany and tries to collect all information about movie theaters and movie theaters in Germany. It is sorted according to federal states and cities. Everyone is called upon to supplement the data or correct errors.

↑ The breakdown by districts and districts is based on the district reform of 2001.

^ Stefan Strauss: Film? Running. Publication in the Berliner Zeitung , March 27, 2017, p. 13.

↑ “The Comet”, No. 961, August 22, 1903; quoted in cinemas in Steglitz

↑ Der Komet, No. 1315, June 4, 1910

^ The Ufa film Wein, Weib, Gesang by Willy Achsel , premiered on September 16, 1924 in the Berlin “Kammer-Lichtspiele” - a cultural film with vocal interludes - was already on the program of the Albrechtshof Lichtspiele two weeks later.

↑ Steglitzer Anzeiger, No. 240, October 11, 1924

↑ Steglitzer Anzeiger, No. 221, September 19, 1924

↑ Steglitzer Anzeiger, No. 20, January 24, 1928

↑ ^a ^b quoted from filmportal.de

↑ Steglitzer Anzeiger, No. 268, November 15, 1927

↑ from chronicle informs about the cinema history of the district . In: Berlin Week

↑ Steglitz-Zehlendorf - a district of contrasts . In: Morgenpost , February 2, 2015

↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1921, V., p. 167.

↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1921, V., p. 400 (In the 1917 address book: F. Borghard in Schönhauser Strasse 22, J. Hartmann in Albrechtstrasse 132, A. Schurbaum in Berlinickestrasse 10 and Wiesner in Schloßstrasse 10. In the address book 1920 there are F. Elßner in Miquelstrasse 32, E. Pagly in Thorwaldsenstrasse 26, O. Pleßner in Schloßstrasse 31, as well as Eugen Pleßner and Robert Wiesner.).

↑ according to the district reform from 2001, regardless of historical locations and classifications.

↑ Pictures of the outside view, of the foyer and hall (2008)

^ Residents: Büttner . In: Berliner Adreßbuch , 1930, I., p. 436. “Büttner, Wanda, geb. Stövesand, Frau, Lichterfeld, Karlstrasse 6, mezzanine, owner, phone: G3, 4797 “.

↑ The Film Week 37/1955

^ Resident of Berlin . In: Berliner Adreßbuch , 1943, I., p. 725. “Prof. Carl Froelich, Tempelhof, Manfred-von-Richthofen-Straße 31 “(In the address part IV., P. 1421: ← Löhleinstraße →, ← Schnellbahn →, ← Brümmerstraße →, 34: four-party house, 36: owner unnamed, ← Kiebitzweg →. Unnamed Owner already before. In the 1930 address book: 34 and 36 new buildings.).

↑ Text of yorck.de

↑ kinokompendium.de: capitol_dahlem

↑ Former American Outpost Cinema / Allied Museum

^ Kaiser-Wilhelm-Strasse, left side . In: Berliner Adreßbuch , 1935, IV., P. 1525. "86–90: Owner: Bildhauerei Ludwig Semotam, No. 86: House with four tenants, No. 88.90 new buildings, 92–96: Building land ← Bruchwitzstraße →" (Bruno Juhnke, Lichtspielbetriebe, Tempelhof, Berliner Straße 97. Ludwig Semotam, Sculpture, Lankwitz, Lessingstraße 6, house owner. In 1936 new buildings are also given for the property 88.90, in 1932 there is still building land for 86-96. In the commercial section, B. Juhnke is under Lichtspieltheater - however with the seat of his cinema operating company in Tempelhof - recorded.).

^ At first 90 square meters were specified in the cinema address book in 1934, then 45 and from 1941 again 91 square meters.

^ Plan of Berlin. Sheet 4034 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 21045, Y = 12250, compare 1930, 1936, 1954, 1983. @1@ 2

^ Resident of Berlin . In: Berliner Adreßbuch , 1928, I., p. 17. “Hospice owner Emmy Ahlers and hotel owner Artur Ahlers from W 15 (East Charlottenburg), Kaiserallee 21” (same entry in the previous year. In the following year Emmy is the innkeeper at Planufer 5, Artur still hotel owners on Kaiserallee.).

↑ The owners of the property at Viktoriastraße 41/43 are in the Berlin address book: 1925 (# 6248, IV. Part, p. 1547) Innkeeper A. Matzke, 1928 and 1930 (# 6776, IV. Part. P. 1632) Innkeeper H. Schumann , still 1932/6317. 1930 (# 41, part I, p. 17) is Emmy Ahlers innkeeper in SW 61 (Kreuzberg) Planufer 5.

↑ Viktoriastraße 43 . In: Berliner Adreßbuch , 1935, IV., P. 1531. "Owner, innkeeper H. Schumann, user: Lankwitzer Tonfilm-Theater GmbH" (sheet 830, part I, p. 822: Carl Gürtler, businessman, director, Lichterfelde, Drakestrasse 6, with his wife E. Gürtler as the owner of this four-tenant house.).

^ Reichs Kino address book . Born 1921/1922, Verlag der Lichtbild-Bühne, printing date September 1921, rental district I East Germany: "Lichtspiele in der Gemeindehalle, Lankwitz, Dilgesstraße, F: 525, Gr: 1919 (Saturday) 500 I: Municipal administration Bln.-Lankwitz, Victoriastr . 25-28. "

↑ ... or 1927: compare: Kino Wiki , on the other hand the Lankwitzer parish hall probably became the municipal lyceum when it was taken over by Greater Berlin.

↑ Dillgesstrasse . In: Berliner Adreßbuch , 1925, IV., P. 1542. “← Straße 176 → Lyzeum owned by the city of Berlin: School caretaker Ebert and caretaker Schneider ← Straße 17a →” (The numbered streets are in 1929 as Barbara and Ursulastraße between Grüner Weg and Dillgesstraße included and still undeveloped.).

↑ Lyceum Lankwitz

↑ thalia-berlin.de

↑ Pictures on kinokompendium.de

↑ "Thalia" film theater at the Lankwitz Church in 1953

^ Film-Echo, No. 44, October 31, 1953

↑ The new film 89/1953

↑ Thalia on kinokompendium.de

↑ kiezentdecker.de: The Thalia cinema

^ Photo as Central-Kino-Theater around 1918

↑ Cinema owner, inventor, hobbyist in one person . In: Steglitzer Lokal-Anzeiger, December 16, 1961

↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1915, VC, p. 175. “Paul Eitner, Augustastraße 40”.

^ Resident of Berlin . In: Berliner Adreßbuch , 1930, I., p. 540. "Kinobesitzer Josef Dischner, Lichterfelde, Hindenburgdamm 93a Erdg. Postscheck -konto 117018" (In 1935 Dischner is no longer based in Hindenburgdamm, but in Charlottenburg Josef Dischler. 1936 is a theater director Josef Disch n it from Charlottenburg W15, Meinecke road 21 and with the same address Josef Disch l he added in 1936/443. from 1937 only Disch l it.).

^ In the 1936 address book, 93a, 93c and 93d are still building land. In 1937 the four-story apartment buildings were already fully let and each had different owners.

↑ Groß-Lichterfelde, Chausseestrasse 93a . In: Berliner Adreßbuch , 1910, V., p. 269. “← Augustastraße → Haus 93a (see also Augustastraße 40): The owner is master mason F. Nitze. Tenants and users: Kaffee Hohenzollern, Lichtenfelder Kranken- und Sterbekasse, Paul Eitner Cinematographen Theater, widow A. Fechner, pensioner R. Görner, photographer A. Kaufmann, Dr. phil K. Langbeck, electrical engineer Steingräber, cigar dealer Szyngwelski, accountant Waldmann, engineer Wurll / then building sites and the apartment building 94. The Café Hohenzollern also belongs to Augustastraße 40, as well as twelve tenants Entrance on the sloping corner of the house on the ground floor to the café. Eitner's apartment for 1909 on the ground floor is listed in the address section. In the 1936 address book, the owners of the tenement house with 13 heads of household are the consul Luter from Stuttgart and the reindeer Zumdwich abroad. The resident is still 1937 the mechanic Paul Eitner).

^ The new film 38-39 / 1952

↑ allekinos.com: Information about the Spiegel cinema

↑ The new film 60/1952

^ The hall when it opened in 1952

^ Pictures from the cinema in 1952 and subsequent use

↑ Chausseestrasse . In: Berliner Adreßbuch , 1914, V., p. 150. "House owner, building business W. Günther, 22 tenants and the cinema owner Wilhelm Günther" (Chausseestrasse 58a was a coal place in 1910).

↑ Hindenburgdamm . In: Berliner Adreßbuch , 1917, V., p. 151. "← Falkenberger Strasse → 58 (see Haydnstrasse) tenement house, 58a: House owner Secret Chancellery Secretary K. Kraft: 21 tenants ← Flotowstrasse → Corner house is Flotowstrasse 1" (The house in Flotowstrasse 1 suffered war damage on the street corner. This part was demolished and replaced by the post-war building at Hindenburgdamm 58b in the early 1950s.).

↑ Arthur Ludwig belonged in Steglitz next to the Hili the Gloria Palace, Adria film stage and the Albrechtshof light games, he also had cinemas in Hameln . “In Lower Saxony, two movie theaters that had been confiscated since the end of the war in 1945 were released again by the British authorities. Since December 17, 1956, the Schauburg (owner Arthur Ludwig-Theaterbetriebe, Berlin-Lichterfelde-West) has been open to the German public again ... “Source: Film-Echo 2/1956.

↑ Hindenburgdamm 101 / 101a . In: Berliner Adreßbuch , 1943, IV., P. 1681.

↑ Pictures from 2008 (Knut Steenwerth) and from the interior in 1949 from Filmblätter Heft 35/1949

↑ Paulus Community Center from 1929/1930

↑ Paulus–Lichterfelde.de with pictures of the current hall

↑ The Film Week 21/1951

↑ allekinos.com:OdeonSteglitz

↑ Formerly known as Studio 78, the disco opened with a new operator under the name Aha.

↑ Description of the AHA

↑ berlin.de: Clubs ( Memento of the original from October 19, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2
↑ For the situation, compare the picture on allekinos.com: PalastLS
^ Extended Wilhelmstrasse . In: Berliner Adreßbuch , 1915, I., p. 1418. “Kaufholz, Gustav, innkeeper, restaurant“ Kaiserhof ”, Lichterfelde, Verl. Wilhelmstr. 36 Erdg., T 637 “(The house owner is the jam dealer Otto Richter. Ten tenants in the house are named with Kaufholz.).
↑ from: Das Filmtheater 23/83
↑ Residential and commercial building Oberhofer Weg 1 Kranoldplatz: residential and commercial building from 1898 to 1899 and dance hall from 1890 to 1891
↑ Under the oaks . In: Berliner Adreßbuch , 1930, IV., P. 1640. "56.57: House owner manager a. DE Westphal, Nitzer: innkeeper Anna court, buffet R. Gerecht jun. and five other tenants. ”(In 1936 the Rex cinema is registered under the same owner, ten other tenants in addition to the innkeeper Rosa Strumm.).
↑ Betzel . In: Berliner Adreßbuch , 1936, IV., P. 179. "Johannes Betzel, Lichtspiele Weißensee Berliner Strasse 205.210, apartment in Lichterfelde Steglitzer Strasse 35".
↑ ^a ^b on the person: Johannes Betzel
↑ Rex-Lichtspiele, 1933–1968 (overbuilt)
↑ Steglitzer Strasse 35 . In: Berliner Adreßbuch , 1910, V., p. 281. “Gärtnerei ← Drakestrasse → 35: Owner is Traiteur Vogel, gardener Blattner, widow Möwes, Buchdruckerei Schmidt.” (The post office in the corner house at Drakestrasse 32, in the rear part of the property is a hall with 200 m² floor space. For 1927: owner of the innkeeper F. Vogel; users: Union-Kino, police station 169, innkeeper Burow, widow Höhne).
↑ Busching . In: Berliner Adreßbuch , 1921, I., p. 389. "Curt Busching, Kaufmann, Lichterfelde-Ost, Lindenstrasse 44".
^ Resident of Berlin: Vogel . In: Berliner Adreßbuch , 1925, I., p. 3353. “Franz Vogel, innkeeper, Lichterfelde, Steglitzer Strasse 35 III. Floor, owner ”(The house was still owned by businessman Franz Vogel in 1943).
↑ Steglitzer Strasse 35 . In: Berliner Adreßbuch , 1923, IV., P. 1475. “House owner: F. Vogel, hotel owner; User: Widow A. Höhne, Union-Filmtheater, Weinhandlung des Jadeklubs GmbH ”.
↑ Steglitzer Strasse 35 . In: Berliner Adreßbuch , 1926, IV., P. 1622. “House owner: Kaufmann F. Vogel; Tenants: Police Revier 196, widow Höhn, Zahnarzt Kruger, hotel owner Turck, Union Kino. ”(In the residential area 1926: Hugo Lemke, Lichtspiele, Steglitz, Albrechtstrasse 132, apartment Friedenau, Rheinstrasse 58).
↑ Cinema Address 1927-28 . Max Mattisson publishing house: Union-Lichtspiele, Berlin-Lichterfelde-West, Steglitzer Str. 35, corner of Drakestrasse. Owners: Iska Ippen, Lydia Wegner-Salmonowa, Josef Geisler. 293 PI.
↑ In the Berlin address book 1928: Josef Geisler: Kinobesitzer from Charlottenburg, Schloßstraße 30.31 // Miss Hiska Ippen, office for the production of all typewriter work, reproductions, W50 Regensburger Straße 16 Erdg. // Lydia Wegner-Salmonowa: k. A. 1927-1929
^ Resident of Berlin . In: Berliner Adreßbuch , 1934, I., p. 586.
↑ Steglitzer Strasse 35 . In: Berliner Adreßbuch , 1935, IV., P. 1565. "Rio Kino, Inh. Betzel" (In the commercial and name part: J. Betzel, Lichtspiele, as apartment W50 Nürnberger Straße 50/55, here Betzel Kinobetriebe. Oswald Franke Film distribution, Zehlendorf -Post Dahlem.).
↑ quoted in Kino Wiki: 1934 Groß-Berlin
↑ Gardeschützenweg . In: Berliner Adreßbuch , 1943, IV., P. 1637. "139: House owner Kaufmann Vogel, J. Betzel Lichtspiele, cloakroom Höhn, hotel owner F. Schmalenberg, Mrs. E. Schumacher." (141 belongs to Drakestrasse 32.).
^ Website of the Cineplex
↑ The new film 71/1952
↑ berlin.de: Adria Filmtheater
^ Description of the Adriatic from 2006
↑ Adria-Filmbühne (Uwe Friedrich)
↑ Inside and outside views of the Adriatic
↑ see advertisement of the Albrechtshof-Lichtspiele in Steglitzer Zeitung, No. 247, October 19, 1912
↑ Lichtbildbühne from 1912 (cited. By allekinos.com )
^ Suburb of Steglitz . In: Berliner Adreßbuch , 1910, V., p. 555. "Albrechtstraße 1: Owners are Rentier A. Böttcher from Breiten Straße 25 and O. Wothke from Kaiser Wilhelm-Straße 19 / User: Restaurant des Albrechtshof, Traiteur M. Höpfner, Herrenausstatter Hollberg, ein Vermessungsbureau “(In Schloßstraße the Albrechtshof belongs to 83a to Albrechtstraße 1a. ← Birkbuschstraße → 71/72 and 73: landowner J. Bäthge and gardener G. Bäthge / 74 with 75.76 and 77: Fura dealer Dahlmann: haulage and tenement house 77/76 owner of the / 78 and 79/80: the owner is the landowner Berlinicke and in 81 the reindeer Berlinicke, 82/83, 84 and 85 tenement houses belong to Rentiers / ← Albrechtstrasse →. Specified in 1910 # 5814, part 5 , P. 576).
^ Resident of Berlin . In: Berliner Adreßbuch , 1914, I, p. 517. “Max Dillon, Reform-Lichtspieleinhaber, Steglitz, Albrechtstraße 1a” (Max Dillon was not among the residents of Berlin in the previous year. In the street: Albrechtstraße 1a: Administration; cinematograph owner M. Dillon, cinematograph owner A. Melcher, Reform-Lichtspiele, as well as men's outfitter Hollberg, Café Zeidler, concert singer, gloves, surveying office).
↑ Albrechtstrasse . In: Berliner Adreßbuch , 1915, V. -Steglitz, p. 382. “House 1a: owner Albrechtshof Grunderwerbs Ges.mbH; Albrechtshof-Lichtspiele, C.Lautenbach Hotel, as well as gentlemen's outfitter, concert singer, GCWolter gloves ”.
^ Resident of Berlin . In: Berliner Adreßbuch , 1915, I, p. 2411. "Wilhelm Reimer, Lichtspieltheater, Albrechtshof, Steglitz, Albrechtstrasse 1a" (the owner of Albrechtstrasse 1a is the innkeeper C. Lautenbach: W. Reimer Lichtspiele, as well as men's underwear Streckert and two doctors. ).
↑ Steglitzer Anzeiger, No. 221, September 19, 1924, cited above. according to filmportal.de: cinemas in Steglitz
↑ compare to this: Plan of Berlin. Sheet 4045 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 19320, Y = 14430. The plans show the post-war development in 1957, the beginning of clearing in 1965, the undeveloped structure of the roundabout in 1970 and the development of the area with the typical floor plan of the office tower in 1973. @1@ 2

↑ Albrechtshof 1948 (source: Filmblätter 10/1949)

↑ Image: Albrechtshof-Lichtspielhaus. Photo: Archive Heimatverein Steglitz eV

^ Albrechtstrasse 1-6 in 1953

↑ The new film 59/1958

^ Pictures from the double cinema from 1958

↑ Pictures by Allegro and Apollo

↑ The new film 92/1954

↑ Description of the Apollo and Allegro

^ Pictures from the double cinema from 1958

↑ Pictures by Allegro and Apollo

↑ Although Kino Wiki states that it was opened in 1914, the address book entry for E. Pagly is already available for 1920. 1914 is given at allekinos.com. The entry "founded in 1920" in the 1932 cinema directory was given by the (ninth) successor. On the other hand, it cannot be ruled out that operations were interrupted during the war years.

↑ Thorwaldsenstrasse 26 . In: Berliner Adreßbuch , 1920, V., p. 403. “House owner: Kaufmann M. Kleeberg from Neukölln. 18 private and commercial tenants ”(E. Pagly is the owner of Thorwaldsen-Lichtspiele and lives in the house. In 1919 he is not among the residents of Berlin. In the 1921 book, Harry Fabian is the owner of the cinema theater).

↑ But there is still an entry in the business directory 1960 under cinema theater.

↑ Poschingerstrasse 15 . In: Berliner Adreßbuch , 1930, IV., P. 1708 (there are six tenants in the house in 1930, the address book for 1929 and the following up to 1934 does not list the resident companies, but only residents. In the address book 1943, the tenants from Bismarck Lichtspiele next to 15 registered companies and heads of household.).

^ Plan of Berlin. Sheet 4141 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 20500, Y = 15180, compared to 1938, 1953, 1960. @1@ 2

^ Resident of Berlin . In: Berliner Adreßbuch , 1930, I., p. 2622. “Gisa Rachmann, Privatiere, Steglitz, Wilseder Straße 22 III. Floor (telephone, bank account Dresdner Bank) ”(In the 1931 address book as the cinema owner. Miss Issi Engel is also entered at this address, she is listed as a co-owner in the cinema address book.).

↑ Albrechtstrasse 132 . In: Berliner Adreßbuch , 1910, V., p. 557. “s. a. Schloßstraße 88 / Owners are the two rentiers Böttcher and Wothe. ”(The building opposite Albrechtstraße 1a, in which the Albrechtshof-Lichtspiele had been located since 1906, also belonged to the two house owners.).

↑ Residential and commercial building Albrechtstraße 132 Schloßstraße 88: built in 1908/1909

↑ Albrechtstrasse 132 . In: Berliner Adreßbuch , 1913, V., p. 374. “The tenant in the house is businessman Julian Hartmann.” (Hartmann is not yet listed in the address book in 1910. 1911 in N65 Martin Opitz-Straße 21, 1912/1043 /: Albrechtstraße 132 with addition see W.Sesselberg & Co.).

↑ Inhabitants of Berlin and its suburbs . In: Berliner Adreßbuch , 1912, I., p. 2907. "The seat of W. Stuhlberg & Co. Nachf. Is Schöneberg, Hauptstrasse 121 and Steglitz Albrechtstrasse 132. Owner J. Hartmann." (1912/1043 /: Albrechtstrasse 132 with J. Hartmann with the addition "see W.Sesselberg & Co.").

↑ Albrechtstrasse 132 . In: Berliner Adreßbuch , 1918, V., p. 356. "Owner: Rentiers Böttcher and Wothke / User: Albrechtshof Grundstückserwerbs Ges.mbH, J. Hartmann Lichtspiele and another 15 tenants." (J. Hartmann is in the residential part of IS 947, Lichtspiele "Deutsches Theater" Albrechtstrasse 132 Erdg. Not included in the 1919 address book, Hugo Lemke, Friedenau, Rheinstrasse 58 can be found under 1919/1622 /.).

↑ Schlossstrasse 92 . In: Berliner Adreßbuch , 1910, V., p. 576. “The owner is Rentiere Westphal from Friedenau, the tenant is the cinematograph theater owner K. Hamburger and another five” (Same entry in the residents' part 1910, missing 1909. Lives in the house in 1909 nor the innkeeper M. Beyer.).

^ Business people in Steglitz . In: Berliner Adreßbuch , 1905, V., p. 363. “Innkeeper Theodor Thurley, Schloßstraße 92”.

↑ Schlossstrasse 92 . In: Berliner Adreßbuch , 1911, I., S. 2123 (Oppenheim is also mentioned in 1912/6216 and until 1915. In 1916/2147 the businessman Arthur Oppenheim is registered in wilmersdorf Burgunder Straße 2.).

↑ residents . In: Berliner Adreßbuch , 1917, I., p. 1780. "Hermann Lucke, Kaufmann, Steglitz, Schloßstraße 92".

↑ Schlossstrasse 92 . In: Berliner Adreßbuch , 1918, V., p. 385 (Residential part: # 2149 Theater owner Eugen Pleßner Steglitz Schloßstraße 31, see Palast-Theater> "Palast-Theater Eugen Pleßner" Schloßstraße 92 Telephone 1141 Owner Eugen Pleßner.).

↑ Part of the population . In: Berliner Adreßbuch , 1920, I., p. 349. “Kaufmann Max Victor, Friedenau, Goßlerstrasse 18 s. Bunke & Co.> Bunke & Co. Reklameartikel Inh. Max Victor ”.

↑ According to the cinema address book, Eugen Pleßner from Schloßstraße 31 and Max Victor from Friedenau are the owners in 1918.

↑ Schlossstrasse 92 . In: Berliner Adreßbuch , 1923, IV., P. 1516. “The house owner is the druggist Schwabe from Rothenburgstrasse 10; Cinema owner A. Engelke, Palast-Lichtspiele, Kaufmann Lucke, three other tenants ”(Part IS 631: Adolf Engelke Palast-Lichtspiele. In 1924/602: Adolf Engelke, Kaufmann, Schloßstraße 92. 1924/1749: Hugo Lemke, Kaufmann, Friedenau , Rheinstrasse 58, garden house ground floor).

↑ Hugo Lemke has also been recorded for Lichtspiele Albrechtstrasse 132 at times.

↑ Schlossstrasse 92 . In: Berliner Adreßbuch , 1926, IV., P. 1667. “In the house of Drogist Schwabe: Filmburg-Lichtspiele, the widow M. Lemke and five other tenants” (In part I., page 1908 and 1927: Hugo Lemke Lichtspiele Albrechtstrasse 132).

^ National Film Theater GmbH . In: Berliner Adreßbuch , 1928, I., p. 2393. “Headquarters: SW 48, Friedrichstraße 10” (Schloßstraße 92: Filmburg-Lichtspiele, managing director Walter Loewié, plus Rentiere M. Lemke and managing director M. Kohn as well as two other tenants. ).

↑ Schlossstrasse 92 . In: Berliner Adreßbuch , 1927, IV., P. 1679. “Among the tenants the widow M. Lemke and the merchant Walter Loewié, the latter in the garden house where the cinema is.” (1927/2096 /: Spelling Loewié separated from Loewie.).

↑ Schlossstrasse 92 . In: Berliner Adreßbuch , 1936, IV., P. 1657.

↑ Schlossstrasse 92 . In: Berliner Adreßbuch , 1943, IV., P. 1763. "House owner: Widow K. Schwabe from Dahlem / Steglitzer Kinobetrieb H. Lemke & Co. and four other tenants" (Part I, p. 2936: company registered by commercial court: Steglitzer Cinema companies Hugo Lemke and Co., Schloßstraße 92; businessman Hugo Lemke in Schöneberg Wielandstraße 4.5).

↑ Schlossstrasse 10 . In: Berliner Adreßbuch , 1905, V., p. 359. “← Mommsenstrasse → 7.8: Construction site / 9: Construction site of the Samenhadlung Metz & Co. / 10: Owner widow Metz, user: W. Jork Obergärtner, Metz & Co. Etabl . for agriculture and forestry ← Metzstraße → “(1911 in Part V. the merchant Hans Metz is listed at Schloßstraße 10 3rd floor.> Metz & Co. Inh. Hans, Walter and Rudolf Metz).

↑ Wertheim department store, Schloßstraße 11–15 / Treitschkestraße 41

↑ Comparison between Schloßstraße 9.10 . In: Berliner Adreßbuch , 1912, V., p. 676. and Schloßstraße 9.10 . In: Berliner Adreßbuch , 1913, V., p. 400.

↑ Schlossstrasse 10 . In: Berliner Adreßbuch , 1915, V., p. 414. "Robert Wiesener Kinematograph, besides businessman Hans Metz and Metz & Co. twelve other tenants." (Part I. Page 3445: Robert Wiesener as cinema owner. Not yet in the previous year contain.).

↑ Lichterfelder Strasse 13 . In: Berliner Adreßbuch , 1928, IV., P. 1709. “saSteglitzer Strasse 24; Owner: Merchant JM Cargher, eight tenants ”(In the residential area, Cargher is registered with the residence Steglitzer Straße 24. The residential building Borstellstraße 1/3/5 is a row building with the house Lange Straße 1 through the front building with the tower above the cinema entrance. According to the plan from Berlin sheet 4038, Steglitzer Strasse 24 was necessarily the front building.)

↑ Porten . In: Berliner Adreßbuch , 1928, I., p. 2650. “Franz Porten, film director, Steglitz, Potsdamer Straße 23, 1st staircase III. Stock (Post Südende) ”(Fritz Porten is not specifically named.).

↑ Lichterfelder Strasse 13 . In: Berliner Adreßbuch , 1930, IV., P. 1725. "Globus-Palast-Südende, Lichtspiele / 13 tenants."

↑ Cargher is still a homeowner. The house at Steglitzer Strasse 24 is integrated into Lichterfelder Strasse 13> 15 tenants.

↑ Lichterfelder Strasse 13 . In: Berliner Adreßbuch , 1931, IV., P. 1744. “Cargher house owners, 18 tenants, including Iffi Engel with light games.” (In the residents' area 1931 Iffi Engel, Kinobesitzerin, Steglitz, Wilseder Straße 22 3rd floor. Same entry 1929 and 1930, in the following year 1932 apartment in Wilmersdorf, Hohenzollerndamm 35.).

↑ film data

↑ Mariendorfer Strasse 46 . In: Berliner Adreßbuch , 1933, IV., P. 1637 (The neighboring housing estates have six tenants, house number 46, which extends into Worpsweder Strasse, is inhabited by eleven tenants. The cinema theater was on the ground floor, it is in Part of the street as a company not mentioned.).

↑ Paul Salge . In: Berliner Adreßbuch , 1933, I., p. 2278. "Managing Director Paul Salge, Apartment Worpsweder Straße 21" (Worpsweder Straße 21 is the neighboring house to Marienfelder Straße 46. Merchant Paul Schultze from Steglitz lives in Schloßstraße 52, part IS 2471-2471 .).

↑ Paul Schultze . In: Berliner Adreßbuch , 1943, I., p. 2737. “Kinobesitzer Paul Schultze, Steglitz, Schloßstraße 52, company registered by the commercial court”.

^ Plan of Berlin. Sheet 4038 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 21135, Y = 13475. On the left on the map = west of the Mariendorf / Südende border with Steglitz. @1@ 2

^ Plan of Berlin. Sheet 4038 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 21230, Y = 13710. In the map on the western edge of the southern end of the district. @1@ 2

^ Potsdamer Strasse in Steglitz . In: Berliner Adreßbuch , 1910, V., p. 573. “Südende district: 12 and 13 border on Lange Straße. North side: 15, 16 tenement houses, 16–18: building land, 19, 20, 21, 22: tenement houses ← Lichterfelder Strasse → "(With the expansion of the building plots on the eastern edge of Steglitz, plot 17 was renumbered to Potsdamer Strasse 22 in 1911, see 1912/6213 /. House 22 has the 2nd, 4th, 6th, 8th portal and from a shared courtyard entrance, No. 23 has the 1st, 3rd, 5th, 7th, 9th. Portal. Eight tenants are listed for each portal.).

^ Reichskino address book Volume 3, Distribution District I, East Germany 1921/22 . Lichtbild-Bühne publishing house, printed September 1921

↑ Goat bacon . In: Berliner Adreßbuch , 1919, I., p. 3192. “Kaufmann Heinrich Ziegenspeck Steglitz Fregestraße 49 III. Stock. ”(Up to now, an H. Ziegenspeck lived in Treptow Puderstraße 2 II. Stock Post Friedenau → 1915/3588 /. Heinrich Ziegenspeck is still registered about 1923 → 1923/3707 /. The residents, head game manager H. Fender, director Geh. A. Sadowski's registration in the tenement house at Fregestraße 49 owned by director Sangohl from Pankow. → 1917/5696 / Siegfried Kohn, the owner of the movie theater, lived in Potsdamer Straße 22, staircase 6, 2nd floor, at W 57 Bülowstraße 99 with 200 seats.).

^ Kino Wiki : Kino-Adreßbuch 1924-25, Verlag Max Mattisson. “Südende Lichtspielhaus, Südende, Lichterfelder Straße 21. Owner Steglitzer. Metropol-Lichtbildbühne GmbH by Max Victor from Friedenau, Goßlerstraße 19. Program change: Tuesday and Friday, game day: daily. Places: 200. "

↑ 1925: Lichtspielhaus Südende, Südende, Lichterfelder Straße 31, year of foundation: 1919, daily performances with 200 seats. The owner is the Steglitzer Metropol-Lichtbildbühne GmbH. Managing director: Max Victor, Friedenau-Goßlerstrasse 18. Quoted from: Kino Wiki : Reichs-Kinoadressbuch 1925 Volume 4, Distribution District I, East Germany, as well as Kino-Adreßbuch 1924-25 . Publisher Max Mattisson

↑ “The Steglitz fire brigade fought the fire with a C-pipe and was able to move away after about 1½ hours of activity. There was no panic among the visitors. ”From“ Steglitzer Anzeiger ”. No. 268, November 15, 1927

↑ Kieler Strasse 7 . In: Berliner Adreßbuch , 1943, IV., P. 1739.

↑ Picture of the hall and building

^ Breitenbachplatz FIS Broker (map of Berlin 1: 5000 (K5 color edition)) of the Senate Department for Urban Development and Environment Berlin

↑ Schorlemerallee 2.4 . In: Berliner Adreßbuch , 1935, IV., P. 1354. “House 2.4 is listed under Dahlem. The owner of the house is the "Polygon-Lichtspiel-Betriebe GmbH" with headquarters in the house and the master builder, architect F. Radzig from Wilmersdorf, in addition to twelve residents, the Lichtrspiel "Lida" in particular. "(Address book 1934/5095 /: Schorlemerallee 2 / 4: Building land, Breitenbachplatz 15 with residential buildings of the Wohnungsfürsorge GmbH borders the district of Dahlem. 1935/2378 /: Kaufmann Willy Schönstedt, Wilmersdorf, Bergheimer Platz 1.).

↑ Breitenbachplatz 21 . In: Berliner Adreßbuch , 1943, IV., P. 1721. "The house owner is the builder Radzig, the tenants include the Polygon-Lichtspiel-Betriebe Schönstedt & Co. KG (company headquarters) and Lida-Lichtspiele." (Businessman Willy Schönstedt, Dahlem , Cecilienallee 5.).

↑ Karoline Beyer: Urban planning: Our place must be more beautiful . In: Berliner Morgenpost , January 14, 2010

↑ Knud Wolffram: Communication on January 24, 2012

↑ Apartment building, shop, cinema Breitenbachplatz 21

↑ quoted from filmportal.de

↑ Schlossstrasse 31 . In: Berliner Adreßbuch , 1905, V., p. 359. "Tenant house of businessman P. Gustke, ten tenants, including innkeeper Weber." (In the following year - 1907/5037 / V. part page 458 - there are eight tenants in the house, including businessman G. Kostmann and businessman J. Lieck).

↑ Apartment building Muthesiusstraße 1 Schloßstraße 31

↑ Schlossstrasse 31 . In: Berliner Adreßbuch , 1908, V., p. 496.

↑ Cinematograph . In: Berliner Adreßbuch , 1910, V., p. 583. "Elsner, F. Schloßstraße 31" (Fritz Elsner, Cinematographentheater, Schloßstraße 31, telephone: Steglitz 110).

^ Business people in Steglitz . In: Berliner Adreßbuch , 1911, V., p. 639.

^ Fritz Elsner . In: Berliner Adreßbuch , 1914, I., p. 616. "Film distribution institute and cinematograph owner, Steglitz Schloßstraße 31, apartment Miquelstraße 29.30 1st floor".

↑ Elsner . In: Berliner Adreßbuch , 1917, I., p. 567. “Fritz Elsner Filmverleihinstitut and cinematograph owner, Steglitz Miquelstrasse 32, apartment Miquelstrasse 30 1st floor”.

↑ Schlossstrasse 31 . In: Berliner Adreßbuch , 1918, V., p. 385 (Merchant Georg Müller lives in Miquelstrasse 30 instead of the previous Fritz Elsner, who has his company and apartment in Miquelstrasse 32.).

↑ After research in AlleKinos.com there were 152 places.

↑ The Berlin address book recorded 1924: businessman Fritz Elsner in Miquelstraße 32, businessman Georg Müller lives in Miquelstraße 30 and businessman Eugen Pleßner lives in Schloßstraße 31. The following year Georg Müller is registered as a privateer in 29/30 and Elsner is still a businessman. The cinema at Schloßstraße 92 was run by Hugo Lemke. The house at Schloßstraße 31 belonged to the garment manufacturers Kersten and Tuteur without any further connection to cinemas.

↑ Albrechtstrasse . In: Berliner Adreßbuch , 1913, V., p. 373. “House 91 owned by master carpenter Willard, among the eight tenants: Arthur Oppenheim, Kinematogr. Theat. ”(Arthur Oppenheim is mentioned in the residential part with Steglitz, Schloßstraße 92 [the location of the palace theater].).

↑ Albrechtstrasse 91 . In: Berliner Adreßbuch , 1934, IV., P. 1574. “In the house 91 of book auditor Weidel: Palast-Theater und Kinobesitzer F. Simon” (1934/2433 /: Cinema owner was in the address book 1918/2724 /: Friedrich Simon: Architect , Special construction business for waste plants in Heesestrasse 18).

↑ Albrechtstrasse 91 . In: Berliner Adreßbuch , 1937, IV., P. 1626. “Palast-Theater, Kino” (in the residential part: cinema owner Paul Schultze lives at Schlossstrasse 52).

↑ Albrechtstrasse 91 . In: Berliner Adreßbuch , 1943, IV., P. 1710. “In the house of auditor Weidel among other things Palast-Kino-Lichtspiel” (registered under commercial court: “Paul Schultze Kinobesitzer” in Schloßstraße 52. In the commercial part: Palast-Theater Steglitz Albrechtstraße 91 .).

^ Plan of Berlin. Sheet 4045 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 20200, Y = 13935 / compare for example map from 1941 with 1953 or 1992 @1@ 2

↑ Albrechtstrasse . In: Berliner Adreßbuch , 1931, IV., P. 1686. "42–46: Stadtpark ← Bismarckstraße → 47: Property of the City of Berlin: Innkeeper Harwart and Stadtgärtner, 48 and 49: Owner: Reg.-Baurat Loewe and architect A. Pander from Schöneberg, administration: Charlottenburger Handels Akt.Ges. > 48: residential building with 18 tenants, 49: Stadtpark cinema, in the previous year: 48–49: new buildings, in the following year 49: Park-Lichtspiele "(Park-Lichtspiele GmbH is based in SW 48, Friedrichstrasse 225, in this house there were many other film companies - IV. Part, p. 295).

↑ “The cinema was integrated into a four-storey apartment block, the end of which on the street side was the theater building. Thanks to an attached glare facade, the cinema reached the same height as the adjoining apartments. An almost square, brightly plastered area dominated the middle section of the facade above the entrance area. Rectangular billboards advertised above its slightly protruding roof. Four narrow, parallel ribbon windows took up the square shape and illuminated the foyer behind. The lettering extended over the remaining area. Two lower components flanked the central axis. Slightly set back, they took up the ribbon of windows on the main facade, framed it with their horizontal clinker brick composite and demarcated it from the adjoining buildings. ” Cinema architecture in Berlin . quoted in: allekinos.com:Parl Lichtspiele

↑ During the renovation in 1959, the facade was clad with black glazed central mosaic tiles. The ceiling of the hall was repaired, the ceiling apron on the stage curtain was completely renewed, the parapet view of the tier smoothed. The ceilings in the foyer and in the cash desk were also renovated.

↑ From Hollywood to washing machines from the Forgotten Architects film series

↑ From Hollywood to washing machines from the Forgotten Architects film series , documentation Parklichtspiele in Berlin (film from 2014)

^ An accountant Ernst Jaeger from N 20 is noted in the Berlin address book.

↑ Albrechtstrasse 49 . In: Berliner Adreßbuch , 1934, IV., P. 1573. "The owner of 48 and 49 is Industria-Treuhand Verwaltung AG, in building 49: Park-Lichtspiele, caretaker Laaß, Garagen Labinski" (company registered in part IS 2693 : Waren Kredithaus "Joni" Josef Nissenfeld, Steglitz, Albrechtstrasse 12.).

↑ Heads of household, companies registered by commercial courts . In: Berliner Adreßbuch , 1938, I., p. 23. “Albrechtshof Lichtspiele GmbH, Albrechtstraße 1a / Kaufmann Hans Brammer, Zehlendorf, Theodor-Fritsch-Allee 21” (Albrechtstraße 48: owner unnamed, user: Park-Lichtspiele and garage tenant W . Sabinski).

↑ Kino Wiki Reichskino Adressbuch Volume 18 Distribution and theater district Berlin-East Germany including East Prussia: Park-Lichtspiele, Berlin-Steglitz, Albrechtstraße 48/49, Telephone: 79 51 20, Founded: 1930, Stage: 12X8 m, Variety and Singspielkinzession, 943 seats, daily presentations, owner: Albrechtshof-Lichtspiele Brammer & Co., Berlin-Steglitz, Albrechtstraße 1a

↑ Entrance Parklichtspiele with the film Tarzan in New York . Photo: Doreen Walsdorf (1950)

↑ Hall 1959 (source: Filmblätter 35/59, Wimmer) and exterior view 1997

↑ ^a ^b ^c ^d Rolf Grünewald: The Titania Palace 1928–1966 Berlin's cinema and cultural history . Series German Past, Sites of the History of Berlin No. 72. Edition Hentrich, Berlin 1992, ISBN 3-89468-039-3 (191 pages, 200 illustrations)

↑ Schlossstrasse . In: Berliner Adreßbuch , 1905, V., p. 359. "District Friedenau ← Kaiser-Allee → ← Bornstrasse → 1–3: Marktplatz ← Gutsmuthsstrasse → 4: amusement park // Friedenau in the district of Steglitz // 5: undeveloped property of the joint dealership Metz & Co., 6: Tenement of the Schmittendorff wine shop ← Mommsenstrasse → “(same entry for 1910 / Mommsenstrasse → 1927 → Markelstrasse / Gutsmuthsstrasse belongs to but is not noted in the address book. In Karree Bornstrasse, Schloßstrasse, Mommsenstrasse, Hackerstrasse Gutsmuthsstrasse on the southern edge of Friedenau is not in the picture ).

↑ Schlossstrasse . In: Berliner Adreßbuch , 1927, IV., P. 1678. "Friedenau ← Kaiser-Allee → ← Bornstrasse → 1–3: Marktplatz ← Gutsmuthsstrasse → 4: amusement park // Friedenau in the Steglitz area // 5: private marketplace, 6: Mietshaus Schmittendorff ← Mommsenstrasse → “(It is located in Friedenau west of ← Schloßstrasse → north side 1/2: Marktplatz, 3: to Bornstrasse 34 // south side no. 27/28: belongs to Schloßstrasse 4). and Schlossstrasse . In: Berliner Adreßbuch , 1928, IV., P. 1698. "Friedenau (Post Steglitz) ← Kaiserallee → ← Bornstrasse → 1–3: Marktplatz ← Gutsmuthsstrasse → 4: National-Film AG Berlin // district boundary Schöneberg-Friedenau zu Steglitz / / 5: National-Film AG Berlin, 6: tenement Schmittendorff ← Mommsenstrasse → “(Guthsmuthsstrasse belongs to Friedenau: ← Schloßstrasse → 1/2: Marktplatz, // 27.28: belongs to Schloßstrasse 4).

↑ gruenewald.gmxhome.de: The opening ceremony

↑ Titania palace

↑ Architecture Museum tu-berlin.de: Karl Boettcher: Titania Palace (1926-27), Berlin-Steglitz. Stage extension

↑ Picture collection on allekinos.com

^ With the same seat at Friedrichstrasse 10: National-Film-Aktiengesellschaft and National-Film-Verleihgesellschaft mbH according to the address book 1928 Part I p. 2393

^ Plan of Berlin. Sheet 4141 ( Memento of the original dated November 9, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 19700, Y = 15240 @1@ 2

↑ The red velor floor and the artfully painted velvet covering of the walls are being removed from all over the house and replaced by pressed cork panels and light hollow paneling. The stage is enlarged, the characteristic [cinema] organ pipes dismantled.

↑ ^a ^b Cineplex Titania, Adria & Cinema

↑ Ticket price: Monday, Wednesday, Thursday: € 7.50, Tuesday: € 6.00 and on the weekend € 8.00, if applicable: box surcharge: € 1.00, 3D surcharge: € 3.00. Discounts for children under 12, schoolchildren and students and families on weekends. Compare with PT-Lichtspiele or Albrechtshof-Lichtspiele . There is a 1 euro discount at the snack counter for every online booking.

↑ kinokompendium.de: Pictures, description and information about the halls

↑ Extensive picture gallery on Kino Wiki

↑ Excerpt from the Berlin monument map

↑ Schloßparktheater & farm building of the Steglitz manor

↑ Koenigstrasse . In: Berliner Adreßbuch , 1943, IV., P. 1433. “House 49 is owned by businessman Zeller and is owned by master butcher Stannek.” (1935 is unknown to the owner. Tenants were two butchers, a businessman, a plumber and the innkeeper Beyer.).

↑ The new film 37/1954

↑ from: FU-Berlin cultural history : History of the Soliman family . Song of the Hamida.

↑ ^a ^b ^c History of the BALI cinema

↑ Berlin, like here in particular Zehlendorf, was liberated from National Socialist troops in April 1945 by the Red Army. Zehlendorf belonged to the American sector in the four-sector city of Berlin. Therefore, the Soviet troops left the administrative district in the west of Berlin.

↑ Bali in kinokompendium.de

↑ Teltower Damm 33 . In: Berliner Adreßbuch , 1943, IV., P. 1470. “Owner of the building: Widow M. Lattré-Hertel, among the 19 private and commercial tenants: Reichsgruppe Industrie-Luftschutz und Werksluftschutz, district trust center.” (1921 the property is still Hauptstraße 1 and property of the pensioner Th. Lattré-Hertel, which was managed by the house and landowners association. In 1910 the innkeeper P. Weck had a restaurant in the house.).

^ Thomas Dietz: cult cinema without a complex . In: Die Welt of October 7, 1999

↑ Image series from 1983 about Bali on filmvorfuehrer.de: especially from the projection room ( Memento of the original from November 4, 2016 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2
↑ Pictures from 2007: hall and foyer

Remarks

The Berlin address books are named according to the year of issue, since the editorial deadline for supplements is given around the turn of the year until January, the information relates to the year preceding the issue. In the above text or in the comments, the numbers (#) in the digital.zlb.de directory may be given after the year in the Berlin address book. In addition to residents, companies are only occasionally included in the street section of the address books.
Changed previous street names are given in italics to distinguish them from existing ones.

↑ Experts consider the building to be one of the best examples of cinema architecture from the 1950s. The cinema was closed in the mid-1970s and the building narrowly escaped demolition, which had already been requested from the building authorities.
↑ It can be assumed that the cinema was also set up at floor level on the ground floor of the rear annex created with the building of the house. This is also reflected in the floor space of 350 m² with space for 400 seats.
↑ In the cinema address books of the 1930s, the year of foundation is given as 1906. In 1912, a permanent establishment was established after the newspaper quote.
↑ “According to the cinema address book in 1940, the opening of this slide theater falls in 1906. Earlier address books, on the other hand, mention 1917 and Sylvana Hänsel's cinema book suggests 1913. In 1920 the hall had the impressive size of 700 seats for that time. ”In: AlleKinos.com
↑ The Flora-Lichtspiele were 150 meters from the Titania Palace.
^ The Lichterfelder Straße 13 belonged to the south end in the administrative district of Steglitz. In 1925 the property was undeveloped and the owner of the Griser nursery was building land. The street at the confluence of Lange and Lichterfelder Straße is named Mariendorfer to the west - offset by 30 meters - and to the east as Steglitzer Straße, both have been called Steglitzer Damm since 1957. In 1931 the southern part of Lichterfelder Strasse was incorporated into Borstellstrasse and assigned to Steglitz. This changed the address of the cinema. The property at Lichterfelder Strasse 13 in Südende became Norstellstrasse 1/3 in Steglitz. Nevertheless, the location of the Berlin-Südende cinema remained.
^ In the 1936 address book, the Polygon-Lichtspiel-Betriebe is still listed under Schorlemmerstrasse 2/4. This plot of land at Schorlemmerallee was renamed to Breitenbachplatz 21, and there was an extension of the four-storey residential buildings with shops on the ground floor of the Wohnungsfürsorge GmbH on vacant lots at Breitenbachplatz 17 and 19. Accordingly, the address book 1937 under Dahlem reads: “Schorlemmerallee 2/4 exists Not". On the official map series ( Memento of the original dated November 16, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. “City map of Berlin” sheet 4142 is drawn for the year 1937 both the district / suburb border (still) between 15 and 17, as (already) for Steglitz up to the east side of the Englerallee. @1@ 2

↑ The 1st and 2nd elementary school became the middle school I / III for boys and girls, as well as the upper secondary school, the Wrangel school and then the Steglitz high school for boys. Since the 1950s: Hermann Ehlers School on Elisenstrasse and the Friedrich Bayer School on Lauenburger Strasse (before 1960 Ringstrasse ), since the 1970s their neighboring on Lauenburger Strasse has been called Freiherr-v.-Hünefeld-Schule.

↑ The UFA operations were initially run under license from "USA Finance & Property Control" based in Tempelhof, Viktoriastraße 15-18.

↑ "From there [the former Thalia in Rheinstrasse] you can see the next cinema: the Titania-Palast. When it was built in 1927 (outside "New Objectivity", inside Art Deco ) it was still in Friedenau, ie the border between Friedenau and Steglitz ran right through the cinema, which led to all sorts of jokes at the time. Its attraction was the organ above the stage of the large hall (only one!), Which was brightly illuminated before the performances and passed the audience the time until the performances with organ music. In addition to films, theatrical performances, colorful afternoons and concerts were also given in the Titania Palace. In the summer of 1944 I saw the premiere of the film “The Woman of My Dreams” with Marika Rökk there, and just three weeks after the end of the war, the Berlin Philharmonic under Wilhelm Furtwängler gave a first concert here. ”: Where the Friedenauers and their neighbors once went to the cinema went. In: Schöneberg district newspaper, September 25, 2012

↑ “Planned and built as a modern and luxurious premiere cinema for the film company 'National.Film-Verleih- und Vertriebs AG', it caused a sensation with its idiosyncratic and, for the time, extremely cool architectural style. [...] The striking eye-catcher is the light tower. It is surrounded by 27 light rings and, with a height of 30 meters, is visible from afar into the night. The tower itself rises from long strips of light that transversely surround the base of the tower with the open spaces for the advertising posters. The window slots on the sides of the tower block and all the other windows, including those in the outbuildings, are brightly lit at night. Indirect light shines downwards from the elongated eaves of the two building wings. The two neon lettering shine violet. in Kino Wiki

↑ On Schlossstrasse there is “an almost impenetrable mass of inquisitive people who want to experience the special day of their neighborhood at least from outside.” Vossische Zeitung of January 28, 1928.

↑ National-Film AG bought the corner property on Gutsmuthsstrasse Schloßstrasse 4 in the Friedenau district and the adjoining property on Schloßstrasse which was in Steglitz. This resulted in the description 1–4: belongs to Berlin-Friedenau / 1–5: Post Berlin-Friedenau. Until 1937, Friedenau Schloßstraße 4 was owned by National Filmtheater GmbH, and for Steglitz at Schloßstraße 5, Grundstück-Theater-Betriebs AG was the owner (until 1933 together with National Filmtheater GmbH). From the address book in 1936 onwards, the "Tolirag Ton-Lichtbild-Reklame AG" (W 50 Kurfürstendamm 236) was the owner of the property in Steglitz until 1937 for Friedenau as the National Filmtheater GmbH. In the 1938 address book, the Titania-Palast-Gesellschaft was named for Friedenau and from 1939 for Steglitz.

↑ “The 'Outpost of the Political Cinema of the Federal Republic and West Berlin' offered politically difficult films that previously had no chance of being shown in theaters, guaranteed a two-week playing time. Films like 'The Bought Dream' by Helga Reidemeister about the Märkisches Viertel or 'Alone, they make you one' by the Rauchhaus collective drew not only viewers from Berlin, but also visitors from all over West Germany to the south of Berlin. ”From kinokompendium.de

↑ “The entrance fees are low (four to eleven marks), you won't find a beeping ec-cash register, but you get a coffee, tea or biscuit for free. A basket with stuffed animals is waiting behind the counter to give a little consolation in the children's performance. The delicacies on the black shelf also contain this certain type of brown-crispy pretzel sticks that are otherwise so difficult to obtain. The seating plan, approved by building permit No. 205 of April 27, 56, hangs in one corner. And a tanned photograph of the old castle hotel: 'This used to be a dance hall, […] and in front of it a casino for Prussian officers. '". quoted according to Die Welt, 1999.

Map with all coordinates: OSM | WikiMap

[1] Kino-Wiki main page, accessed on January 18, 2020. Kinowiki deals with the history of movie theaters in Germany and tries to collect all information about movie theaters and movie theaters in Germany. It is sorted according to federal states and cities. Everyone is called upon to supplement the data or correct errors.

[2] The breakdown by districts and districts is based on the district reform of 2001.

[3] Stefan Strauss: Film? Running. Publication in the Berliner Zeitung , March 27, 2017, p. 13.

[4] “The Comet”, No. 961, August 22, 1903; quoted in cinemas in Steglitz

[5] Der Komet, No. 1315, June 4, 1910

[6] The Ufa film Wein, Weib, Gesang by Willy Achsel , premiered on September 16, 1924 in the Berlin “Kammer-Lichtspiele” - a cultural film with vocal interludes - was already on the program of the Albrechtshof Lichtspiele two weeks later.

[7] Steglitzer Anzeiger, No. 240, October 11, 1924

[8] Steglitzer Anzeiger, No. 221, September 19, 1924

[9] Steglitzer Anzeiger, No. 20, January 24, 1928

[filmportal-10] quoted from filmportal.de

[11] Steglitzer Anzeiger, No. 268, November 15, 1927

[12] rom chronicle informs about the cinema history of the district . In: Berlin Week

[13] Steglitz-Zehlendorf - a district of contrasts . In: Morgenpost , February 2, 2015

[14] Cinematographic Concepts . In: Berliner Adreßbuch , 1921, V., p. 167.

[15] Cinematographic Concepts . In: Berliner Adreßbuch , 1921, V., p. 400 (In the 1917 address book: F. Borghard in Schönhauser Strasse 22, J. Hartmann in Albrechtstrasse 132, A. Schurbaum in Berlinickestrasse 10 and Wiesner in Schloßstrasse 10. In the address book 1920 there are F. Elßner in Miquelstrasse 32, E. Pagly in Thorwaldsenstrasse 26, O. Pleßner in Schloßstrasse 31, as well as Eugen Pleßner and Robert Wiesner.).

[16] rding to the district reform from 2001, regardless of historical locations and classifications.

[17] Pictures of the outside view, of the foyer and hall (2008)

[18] Residents: Büttner . In: Berliner Adreßbuch , 1930, I., p. 436. “Büttner, Wanda, geb. Stövesand, Frau, Lichterfeld, Karlstrasse 6, mezzanine, owner, phone: G3, 4797 “.

[19] The Film Week 37/1955

[20] Resident of Berlin . In: Berliner Adreßbuch , 1943, I., p. 725. “Prof. Carl Froelich, Tempelhof, Manfred-von-Richthofen-Straße 31 “(In the address part IV., P. 1421: ← Löhleinstraße →, ← Schnellbahn →, ← Brümmerstraße →, 34: four-party house, 36: owner unnamed, ← Kiebitzweg →. Unnamed Owner already before. In the 1930 address book: 34 and 36 new buildings.).

[21] Text of yorck.de

[22] um.de: capitol_dahlem

[23] Former American Outpost Cinema / Allied Museum

[24] Kaiser-Wilhelm-Strasse, left side . In: Berliner Adreßbuch , 1935, IV., P. 1525. "86–90: Owner: Bildhauerei Ludwig Semotam, No. 86: House with four tenants, No. 88.90 new buildings, 92–96: Building land ← Bruchwitzstraße →" (Bruno Juhnke, Lichtspielbetriebe, Tempelhof, Berliner Straße 97. Ludwig Semotam, Sculpture, Lankwitz, Lessingstraße 6, house owner. In 1936 new buildings are also given for the property 88.90, in 1932 there is still building land for 86-96. In the commercial section, B. Juhnke is under Lichtspieltheater - however with the seat of his cinema operating company in Tempelhof - recorded.).

[25] At first 90 square meters were specified in the cinema address book in 1934, then 45 and from 1941 again 91 square meters.

[52] Experts consider the building to be one of the best examples of cinema architecture from the 1950s. The cinema was closed in the mid-1970s and the building narrowly escaped demolition, which had already been requested from the building authorities.

[54] It can be assumed that the cinema was also set up at floor level on the ground floor of the rear annex created with the building of the house. This is also reflected in the floor space of 350 m² with space for 400 seats.

[91] In the cinema address books of the 1930s, the year of foundation is given as 1906. In 1912, a permanent establishment was established after the newspaper quote.

[92] “According to the cinema address book in 1940, the opening of this slide theater falls in 1906. Earlier address books, on the other hand, mention 1917 and Sylvana Hänsel's cinema book suggests 1913. In 1920 the hall had the impressive size of 700 seats for that time. ”In: AlleKinos.com

[137] The Flora-Lichtspiele were 150 meters from the Titania Palace.

[141] The Lichterfelder Straße 13 belonged to the south end in the administrative district of Steglitz. In 1925 the property was undeveloped and the owner of the Griser nursery was building land. The street at the confluence of Lange and Lichterfelder Straße is named Mariendorfer to the west - offset by 30 meters - and to the east as Steglitzer Straße, both have been called Steglitzer Damm since 1957. In 1931 the southern part of Lichterfelder Strasse was incorporated into Borstellstrasse and assigned to Steglitz. This changed the address of the cinema. The property at Lichterfelder Strasse 13 in Südende became Norstellstrasse 1/3 in Steglitz. Nevertheless, the location of the Berlin-Südende cinema remained.

[163] In the 1936 address book, the Polygon-Lichtspiel-Betriebe is still listed under Schorlemmerstrasse 2/4. This plot of land at Schorlemmerallee was renamed to Breitenbachplatz 21, and there was an extension of the four-storey residential buildings with shops on the ground floor of the Wohnungsfürsorge GmbH on vacant lots at Breitenbachplatz 17 and 19. Accordingly, the address book 1937 under Dahlem reads: “Schorlemmerallee 2/4 exists Not". On the official map series ( Memento of the original dated November 16, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. “City map of Berlin” sheet 4142 is drawn for the year 1937 both the district / suburb border (still) between 15 and 17, as (already) for Steglitz up to the east side of the Englerallee. @1@ 2

[184] The 1st and 2nd elementary school became the middle school I / III for boys and girls, as well as the upper secondary school, the Wrangel school and then the Steglitz high school for boys. Since the 1950s: Hermann Ehlers School on Elisenstrasse and the Friedrich Bayer School on Lauenburger Strasse (before 1960 Ringstrasse ), since the 1970s their neighboring on Lauenburger Strasse has been called Freiherr-v.-Hünefeld-Schule.

[187] The UFA operations were initially run under license from "USA Finance & Property Control" based in Tempelhof, Viktoriastraße 15-18.

[199] "From there [the former Thalia in Rheinstrasse] you can see the next cinema: the Titania-Palast. When it was built in 1927 (outside "New Objectivity", inside Art Deco ) it was still in Friedenau, ie the border between Friedenau and Steglitz ran right through the cinema, which led to all sorts of jokes at the time. Its attraction was the organ above the stage of the large hall (only one!), Which was brightly illuminated before the performances and passed the audience the time until the performances with organ music. In addition to films, theatrical performances, colorful afternoons and concerts were also given in the Titania Palace. In the summer of 1944 I saw the premiere of the film “The Woman of My Dreams” with Marika Rökk there, and just three weeks after the end of the war, the Berlin Philharmonic under Wilhelm Furtwängler gave a first concert here. ”: Where the Friedenauers and their neighbors once went to the cinema went. In: Schöneberg district newspaper, September 25, 2012

[201] “Planned and built as a modern and luxurious premiere cinema for the film company 'National.Film-Verleih- und Vertriebs AG', it caused a sensation with its idiosyncratic and, for the time, extremely cool architectural style. [...] The striking eye-catcher is the light tower. It is surrounded by 27 light rings and, with a height of 30 meters, is visible from afar into the night. The tower itself rises from long strips of light that transversely surround the base of the tower with the open spaces for the advertising posters. The window slots on the sides of the tower block and all the other windows, including those in the outbuildings, are brightly lit at night. Indirect light shines downwards from the elongated eaves of the two building wings. The two neon lettering shine violet. in Kino Wiki

[202] On Schlossstrasse there is “an almost impenetrable mass of inquisitive people who want to experience the special day of their neighborhood at least from outside.” Vossische Zeitung of January 28, 1928.

[208] National-Film AG bought the corner property on Gutsmuthsstrasse Schloßstrasse 4 in the Friedenau district and the adjoining property on Schloßstrasse which was in Steglitz. This resulted in the description 1–4: belongs to Berlin-Friedenau / 1–5: Post Berlin-Friedenau. Until 1937, Friedenau Schloßstraße 4 was owned by National Filmtheater GmbH, and for Steglitz at Schloßstraße 5, Grundstück-Theater-Betriebs AG was the owner (until 1933 together with National Filmtheater GmbH). From the address book in 1936 onwards, the "Tolirag Ton-Lichtbild-Reklame AG" (W 50 Kurfürstendamm 236) was the owner of the property in Steglitz until 1937 for Friedenau as the National Filmtheater GmbH. In the 1938 address book, the Titania-Palast-Gesellschaft was named for Friedenau and from 1939 for Steglitz.

[224] “The 'Outpost of the Political Cinema of the Federal Republic and West Berlin' offered politically difficult films that previously had no chance of being shown in theaters, guaranteed a two-week playing time. Films like 'The Bought Dream' by Helga Reidemeister about the Märkisches Viertel or 'Alone, they make you one' by the Rauchhaus collective drew not only viewers from Berlin, but also visitors from all over West Germany to the south of Berlin. ”From kinokompendium.de

[226] “The entrance fees are low (four to eleven marks), you won't find a beeping ec-cash register, but you get a coffee, tea or biscuit for free. A basket with stuffed animals is waiting behind the counter to give a little consolation in the children's performance. The delicacies on the black shelf also contain this certain type of brown-crispy pretzel sticks that are otherwise so difficult to obtain. The seating plan, approved by building permit No. 205 of April 27, 56, hangs in one corner. And a tanned photograph of the old castle hotel: 'This used to be a dance hall, […] and in front of it a casino for Prussian officers. '". quoted according to Die Welt, 1999.